Found sounds

Roland RA800 G800 RA Factory SET midifile RESET sounds Styles DEMOS DISK USINE  1 X Disquette HD au format du lecteur de votre RA800 G800 contenant tous les sons usine:.(Original Sounds Factory sounds) Toutes les DEMOS USINE  Le RA800 ne fait pas partie de la vente  You bid on 1 x  Floppy Disk W/ Factory SET for Roland RA800 G800 RA midifile Sounds reset  Styles DEMO USINE  Roland RA800 G800 Floppy Disk w/ Factory RESET w/ ALL FACTORY sounds And DEMOS  as pictured  RA800 IS NOT PROVIDED  */* Please take a look at the photos for physical condition. Functional condition is described above. This item is in great condition and in working  order. please look at all pics for details. It comes with everything shown in pics. If you have any questions please message  me.  I'll be glad to answer anything?.  All items are tested to our ability prior to listing and retested again at the end of auction prior to packing and shipping. Please keep in mind most units are complicated and not all functions are tested. Also, most are older units and may need their pots and buttons sprayed or cleaned. If you experience a problem please contact us to resolve any issues.Payment is expected immediately after auction ends at the time of buy it now. Item will ship the next business day. Most shipments will be through Fed Ex, fully insured with signature confirmation. We reserve the right to use UPS, USPS or other carriers. You will receive a tracking number as soon as it ships. Local pickup is not available This item is also offered locally in other venues. We reserve the right to cancel the auction at any point. We reserve the right to cancel any bid from bidders with negative feedbacks.International Buyers ? Please Note: Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying.     We provide a 14 days return/exchange policy for our products.     The buyer can choose between a refund or an exchange to his/her product.     In case of defectives found, only factory defects are accepted as the reason of return.     The package of the returned item(s) must be completely intact, and all accessory(s) inside the package must be original and in perfect condition.     We do not cover the postage costs for returned defective items.     Items returned must be received within 30 days from purchase. No refund or replacement is issued after this period of time.     Please allow up to 7 working days for your return to be processed after it is received by us. We are extremely fair, and in the rare event of something out of the ordinary happening, we will gladly work with you to find a solution. Your satisfaction is guaranteed!  We offer a 100% Satisfaction Guarantee on all sales. If you are not happy with your purchase for any reason, please contact us within seven days of receipt of your item, or email us to share your concerns. As mentioned before we are extremely fair and will happily work with you to find a solution to any problem.     As you can tell from our feedback, pretty much every single one of our customers is a happy one. So in the rare case something does go wrong, before leaving a negative feedback, contact us so we can help you and make things right! We sell on since 2004. We are based in France Mainland and ship from our own warehouse to worldwide. Our products are a 100% authentic.

Marantz 4270 preamp hifi vintage usa. État : "Occasion" Superbe ampli tuner marantz 4270 Un des meilleurs ampli tuner. Le son est doux avec beaucoup de reserve de puissance. Fonctionne avec 1,2,3 ou 4 paires d enceintes ! Je viens de retester toutes les sorties fonctionnent parfaitement. Petit prix car par moment on pouvait entendre un "pop" lors de l ecoute.. Je l ai déposé chez un spécialiste qui l a examiné et  l a laissé allumé 24h et il n a rien trouvé. Depuis cela ne l a pas refait, peut etre est ce les  enceintes..aucune idee.. Dans le doute je mets un petit prix si cela vous le refait cela laisse une grosse marge de réparation:) Bonne ecoute Envoi par Ups Great iconic Marantz 4270 Warm sweet and powerfull preamp.one of the best ever made. It s my own preamp tuner,it works and sounds fantastic. Warning ! The price is low because sometimes it used to made some "pop" sounds.. I give it to a specialist whose examined it and let it works 24h and found nothing. I tested it again and no more pops but maybe it will be back I don t know so it s why I sold it at this price. UPS shipping https://youtu.be/zU_pDUy--gY

Grey Matter E! for DX7II is a circuit board attached to the DX7IIFD, DX7IID  synthesizer main board that turns an otherwise normal DX7II-FD or DX7II-D into a fully featured workstation machine.     Expanded internal Memory   E! enlarges the internal RAM memory of your DX by four times and allows it to hold 256 single sounds (called Voices) and 128 Performance memories (multi-voice combinations).   The total internal memory is divided into 4 Banks. Each Bank holds 64 Voices and 32 Performances    - Bank 1 = 64 Voices/32 Performances  - Bank 2 = 64 Voices/32 Performances  - Bank 3 = 64 Voices/32 Performances  - Bank 4 = 64 Voices/32 Performances   Voices from all four banks can be combined into any of the Performance memories, meaning you're not limited to Voices found in just one Bank when creating a Performance Combination   Octal Mode Octal Mode is one of the most outstanding features of the E! expansion because it turns your DX7II into an 8 channel multitimbral sound module. With this capability, the keyboard can receive MIDI information on 8 separate channels directly from the internal SE!quencer or from an external controller. Each channel can be assigned a different Voice, so now your DX can produce eight different sounds at once.   Splits and Layers With E! you can go far beyond the simple two way split and layer combinations of original DX7II. Youâ??ll find that there are Performance Modes that let you layer 4 voices or create elaborate 8 way splits. There's even a floating split mode, where the split point follows the movements of your right hand up and down the keyboard.   Accompaniment Modes There are two accompaniment modes that let you to trigger preset chords or moving patterns by playing just one key.    - Player Mode - Using this mode you can create elaborate moving accompaniments by triggering a different arpeggio or bass line pattern by playing one key.     - Chord Mode - This mode lets you trigger a different chord voicing (such as major, minor, 7th or 9th chord) when you press a key.    8 Channel Controller With El, your DX is capable of transmitting up to 8 MIDI channels from the keyboard and 16 channels from the sequencer.       Expanded Data Management Functions With the Expanded Memory and increased Performance and Sequencer functions, the Data Management operations are likewise augmented. In transferring data to and from the disk, you now have the option of Saving and Loading a Single Bank of Voices and Performance memories or all 4 at once.      Two Primary Modes All the E! functions are collected under two fundamental menu headings:   - Engine   - SE!quencer   Engine   The heart of the E! system is called the Engine. As the central workhorse menu, it contains most of the new E! functions including all Performance modes, multitimbral and MIDI controller features and the special accompaniment modes. Every parameter within the Engine menu is programmable. This means you can save any multitimbral combination, split or layer combination or sequencer song to one of the 128 Performance memories and call them up with the touch of one button!   Sequencer With E! you now have a 16 track MIDI recorder built into your DX. Eight of these tracks can be assigned to trigger eight internal DX Voices, while the others can be used to trigger external MIDIsound modules.   The recording and editing features compare with some of the best computer software programs available. The SE!quencer is pattern based, meaning you record short segments of data called Patterns and then link them into a complete arrangements called Songs. The Internal memory holds a maximum of 22,000 MIDI events, which can be reserved for 1 Song or divided between up to 10 Songs. The disk on a DX7lI-FD serves to expand the internal memory by 10 times the maximum limit, or 220,000 MIDI events divided

THE WORLD'S REFERENCE AUDIOPHILE MAINS FILTER NO REVIEWER OR MUSIC LOVER HAS FOUND BETTER !! RETAIL PRICE: 270 $ 6moons says of Firewall: More organic and fluid, better frequency extremes, layering, impact and weight September, 2017, author: Srajan Ebaen "As anticipated, this whodunnit was easily sorted. What I'll call the X amp [with Firewall modules]–internally in parts, sonically in 'more'–distinguished itself on two levels. The first had to do with raw quantity." "Here [with Firewall modules] the bass was better articulated, front-to-back layering more developed, the treble more suave and vocals were more present." "Describing why the feel was more organic and fluid leads to lazier lengthier decays and background sounds more connected to the foreground. The plain Jane's [without Firewalls] drier take coincided with sharper separation but lacked the more holistic elasticity of the X [with Firewall modules]. One was pricklier and more staccato, the other rounder, smoother and of a more legato persuasion." "[With Firewalls:] better visibility at the frequency extremes and of the imaging precision in general." "The depth layers of X [with Firewall modules] during chorus interludes had superior development. With it the low beats of the Bombay Dub Orchestra had more impact and weight." "One [without Firewalls] was cooler, sharper, more bare boned and lean. The other [with Firewalls] was richer, mellower, smoother and fuller." "[With Firewall modules had] this afterglow quality. Here lingered on a stronger flavour of space, ambiance and calm." "For an alternate take on LessLoss Firewall effects, read Vance Hiner's review of the Echo's End DAC. Between us–and we've not had any exchanges–there's no doubt. These Firewall cards really do the trick." "What today's experiment showed is that it takes no luxury gear at all to hear differences or create improvements." HIFI WIGMAN says:  "Easy to use and does the job without a negative impact on dynamics." May, 2017, author: George Sallit "With the filter in circuit the background noise is significantly reduced and the decay of notes on the guitar are much easier to hear. The soundstage (as it is) was enhanced. Oddly enough the tonal colours also seemed enhanced. The drum kit was not some amorphous thudding but stretched skins being hit gently. I did not quite believe what I was hearing." "With the filter in place, the sound was far more musical." "The 3D soundstage was much bigger and made it easier to differentiate who was doing what." "I then blinked. My notes for the music without the filter were hifi comments, with the filter I was commenting on the music." "Well the filter certainly allowed all the individual elements to be easily heard without any frequency response changes." "All the advantages of mains filters but no loss of dynamics." "The sound was more 3D and it was easier to hear the individual instruments. Also, the drums had a stronger tonal colour than without the filter." "It sounded as though the worse the mix the better the effect." "On the DAC the noise levels were reduced. The tonal colour was much better. The biggest impact was again on the DAC. Was this a weakness in the Audionote DACs? No. I tried the 5x on my Metrum Octave and I heard a similar effect, less noise, more 3D sound, greater tonal colour. Is it possible it only works with NOS DACs? No. Out came my Esoteric DAC with a very similar finding." "The biggest difference was with bright mixes where the 'truthfulness' of the Class D could make things a bit fierce. The 5x filter tamed that and all that was left was a bright mix. There are many reports on the web of people recommending mains treatments for Class D amplifiers. I had not tried that as I was concerned a

I’m selling my 2018 left-handed Gibson Explorer. It’s a really nice guitar to play, the slim taper neck allows you to play comfortably and fast. It’s a pure rock machine with those 2 BurstBuckers, but there’s a whole lot of versatility to be found when you’re setting up the tone/volume knobs the right way (to get great clean sounds). Knobs have been swapped, and I added pointers. Pickguard has been changed as well, and I’m sending the original (white) with the guitar. It’s been my main guitar for 1+ year, and has been heavily played. It’s not mint, and there are playing wear/nitro cracks all over the guitar, especially on the body (see pictures). So you’re not buying a pristine Explorer. However, the guitar playability is perfect, the guitar has zero split in the wood, and has never fallen. The intonation is set up for 9-46. I bought it brand new in 2019 for 1.950$. It will be sold with its flight case.

ORIGINAL MATCHED PAIR " NEUMANN KMi 85 ", vintage (1970s). COLLECTOR CONDITION! Like new condition in the original packaging with two kv58 capsule extension tubes and one Neumann DS100 and two sg21 clips. black finish (for broadcast). i = xlr connector. Fantastic and very hard to find "close miking" stereo set (for acoustic guitar, speech, classical music ("tenor" singer (according to me, this stereo set is way better ("more musical") than the "Schoeps Pavarotti stand"), drum...). Very close serial numbers (45508 and 45511). The capsules are (of course) from the same batch with very close serial numbers too. LIKE NEW CONDITION (very hard to find, almost impossible! You can find for sale one good km i 85 from time to time, but the kmi 85 matched pair is almost impossible to buy. This stereo set is a "secret weapon" of the best sound engineers).  Neumann KM85i (...) A long-time staple for orchestral and acoustic recordings thanks to their clear and natural sound, the Neumann KM8x series of microphones can be found in just about every major studio and scoring stage -­­ often half a dozen or more of them under one roof. Essentially, the KM85i (“i” designation simply means it has an XLR connector, typically for export to North America) is the same microphone as the widely ­loved and more expensive KM84i, but with a built-­in bass rolloff. While this makes the microphone less useful in distant applications, the KM85i’s integral high­pass filter actually comes in handy as you move the microphone closer to an instrument or voice. Proximity effect is an acoustical bass­ boost inherent to directional microphones as they move closer to the signal source, which makes the cardioid-patterned KM84i a bit too bottom­-heavy when used as a close mic. The KM85i, however, sounds clear as a bell at closer distances, arguably making it a better choice for snare drums (engage the ­10dB pad to avoid ugly distortion - or don’t), acoustic guitars, and any other sound that benefits from having a microphone within spitting distance. (...) Source: Reverb (a Guide to Hidden Gem Vintage Microphones)

NEUMANN KMi 85 vintage 1980s LIKE NEW CONDITION!  (very hard to find, almost impossible!). Neumann KM85i (...) A long-time staple for orchestral and acoustic recordings thanks to their clear and natural sound, the Neumann KM8x series of microphones can be found in just about every major studio and scoring stage -­­ often half a dozen or more of them under one roof. Essentially, the KM85i (“i” designation simply means it has an XLR connector, typically for export to North America) is the same microphone as the widely ­loved and more expensive KM84i, but with a built-­in bass rolloff. While this makes the microphone less useful in distant applications, the KM85i’s integral high­pass filter actually comes in handy as you move the microphone closer to an instrument or voice. Proximity effect is an acoustical bass­ boost inherent to directional microphones as they move closer to the signal source, which makes the cardioid-patterned KM84i a bit too bottom­-heavy when used as a close mic. The KM85i, however, sounds clear as a bell at closer distances, arguably making it a better choice for snare drums (engage the ­10dB pad to avoid ugly distortion - or don’t), acoustic guitars, and any other sound that benefits from having a microphone within spitting distance. (...) Source: Reverb (a Guide to Hidden Gem Vintage Microphones)

Selling my Soundbox. Comes in very good condition. - The Microphonic Soundbox mk2 is an acoustic wooden experimental instrument, which perfectly integrates in any audio setup to create interesting and otherworldly soundscapes. It comes prepared with metal springs, metal rods, sand paper and a Kalimba made from carbon strips, but it can easily be extended with any other found materials. It can be played in many ways by scratching, bowing, etc., to create totally unique sounds. It's the perfect sound design tool - be creative!

EVH Striped Series Frankenstein Frankie Guitar Red/ Black/ White Relic Used EVH Striped Series Frankenstein Frankie Guitar relic in like new condition. Plays like butter, sounds amazing. Comes with original trem arm. Specs can be found online. Guitar still set up as received. The D-Tuna works as from factory. Push down slightly on trem arm and pull out to activate. Push back in to return. No case or bag as these are not sold new with them either. Comes from a smoke free home.

Effectrode Phase-o-matic / Delta trem Rack prototype: Fonctionne, mais - le bouton b'"'colorb'"' du phaser a tendance à un peu trop pousser le circuit en oscillation (réglage interne à affiner) - il y a parfois un faux contact sur le bypass du delta trem (à la manipulation ou après un gros temps de chauffe). Il fonctionne donc dans l'ensemble mais nécessite un technicien pour être réellement utilisable, vendu dans l'état !! Ce n'est pas une copie, ce sont bien les circuits pcb originaux en interne (cf photos), et les lampes sont toutes neuves en JJ Tesla (5 au total); Grosse alim sur transfo Toroidal et potards de qualité ! Phase-O-Matic: DESCRIPTION On more subtle settings the Phaseomatic creates a beautiful, natural sounding vibrato (frequency modulation) and shimmering phasing effects, utilising exactly the same one- and two-stage “Cathodyne” tube circuitry used to in those incredible vintage Magnatone® amps. However, the Phaseomatic’s all-tube circuitry has two additional Cathodyne phase inverters, which allow it to generate a much richer, deeper vibrato and even intense, deep “tunnel” phasing as well as a host of cosmic and spacious sound effects heard on many 1950′s “B” science fiction movie soundtracks. FEATURES All Tube: The Phaseomatic utilises four “Cathodyne” tube phase inverters and photocells to create true vibrato and subtle, shimmering phase-chorused effects—pure tube signal processing operating at real amp plate voltages (300VDC!), just like in a vintage amp! Advanced Mixed-Wave Modulator: Twin LFOs that can generate triangle (linear sweep phasing), sine, pseudo-square (vibe), lopsided and various pulse wave shapes. “Frozen Sweep” Capability: The LFO is capable of super-long, super-slow 1/180Hz (three minutes!) sweep rates to generate rich, complex comb filter effects. If this isn’t slow enough then a constant output mode allows the comb notches to be “frozen” to create hollow sounding acoustic timbres. C.V. Inputs For external control from a voltage source or EV-5 expression pedal for lots of phase modulation possibilities. Frozen notches can be moved up and down. This action can be used in conjunction with the internal LFO of the Phaseomatic for articulate and beautiful sweep effects. Delta-Trem: he Delta-Trem™ authentically recreates the alluring, hypnotic tone and feel of a vintage amp tremolo. This is accomplished by using a ‘Raysistor’, a unique component made up from a filament lamp and photo-cell, in conjunction with a vacuum tube signal path – twice for stereo! This gives an exceptionally warm and musical tremolo effect that blends well with clean and overdriven guitar sounds. The dual signal path allows the pedal to operate in mono tremolo mode into a single amp or stereo where the sound is ping-ponged between two amps for a huge, spacious tone. Circuit operation is extremely quiet with none of the audible “ticking” often associated with tube amp tremolo. The Delta-Trem features a configurable low frequency oscillator that accurately reproduces the classic deep sine wave throb found on early Fender tube amps along with triangle, square, pulse, rising and falling sawtooth waveforms to recreate a “Leslie” rotating speaker swirl through to more intense swampy tremolo effects. This pedal is designed to give players easy access to classic rock ‘n’ roll, blues and surf tremolo tones with outstanding warmth and hi-fidelity. FEATURES 100% Tube Signal path Vacuum tubes and photo-resistors are utilised to create the tremolo effect. Custom photo-cells ensure absolute minimum harmonic distortion for an exceptionally pure tremolo tone. Powerful Mixed-Wave Modulator Advanced L.F.O. technology allows continuous control of many waveforms. Standard mode reproduces smoothed triangle (linear) to sine and pseudo-square with all the wave variations between to recreate a range of authentic tube amp tremolo tones. The pedal can be further configured to produce variations of rising and falling sawtooth waves, for “Les En savoir plus Collaboration commerciale.

The Oxygen 25 USB MIDI controller delivers next-generation functionality from M-Audio®, the leading innovator in mobile music production technology. The Oxygen 25 features eight assignable knobs, plus dedicated transport and track select buttons. DirectLink mode automatically maps these controls to common DAW functions* including transport, mixer, track pan and plug-in parameters. Built-in factory presets offer support for popular virtual instruments right out of the box—no complicated setup required. Velocity-sensitive keys and a sleek, compact design round out a portable keyboard that’s perfect for laptop production, live DJ performance, triggering samples or composing on the go. No other MIDI controller in this price range has so much functionality while remaining easy to use. Streamlined Session Control Featuring eight assignable knobs, a programmable slider, dedicated transport controls and track up/down buttons, the Oxygen 25 gives you total control over your session—allowing you to stay engaged in the creative flow of recording and mixing music rather than being interrupted by the constant back and forth between QWERTY keyboard and MIDI controller. DirectLink mode automatically maps Oxygen 25 controls to common DAW parameters*—while factory presets provide instant mapping to popular virtual instruments including Xpand!™2, Hybrid™, Velvet®, Strike®, Oddity, ImpOSCar and MiniMonsta. Use the dedicated Select buttons to quickly switch MIDI channels and presets for deep tactile control over multitimbral software instruments. Interfacing a MIDI controller with your software doesn’t get any easier than this. Professional Quality M-Audio pioneered the category of mobile MIDI keyboard controllers, and we continue to be the best-selling name in the game. In fact, M-Audio controllers are used by more professional producers and players than any other brand on the market. Thanks to continued innovation over the course of nearly a decade, you’ll find that the Oxygen 25 controller has a solid, reliable build—and puts as much musicality into the keyboard as it does into the complement of other MIDI controls. A New Approach to Making Music With Ignite, you can now capture your ideas quickly with professional results. Individual musical ideas are captured as phrases, simply called clips. Multiple clips can be played back together, or even grouped to create more complex phrases and song sections. Ignite provides seamless integration with any current M-Audio keyboard controller. Once connected to your computer, the key parameters will be automatically assigned, or mapped, to the front panel controllers. This tight integration provides an out-of-the-box solution that simply works—with no set-up chores to perform. Pro Tools Compatible The Oxygen 25 MIDI controller offers out-of-the-box integration with Pro Tools® software—the industry standard DAW found in professional, project and personal studios around the world. With DirectLink, the Oxygen 25 controls instantly map to key parameters on the Pro Tools Mixer, Edit and Transport windows—as well as the powerful suite of virtual instruments bundled with Pro Tools. Together, Oxygen 25 and Pro Tools software provide streamlined workflow in a formidable system with tons of interface options and industry-standard file compatibility. Ultra-Compact Design The Oxygen 25 keyboard packs an amazing amount of control for DAWs and soft synths into an incredibly small footprint. There’s always room for it—even in the most crowded desktops, efficient stage rigs or compact studios. It’s also the perfect complement to your laptop for making music anywhere inspiration strikes—whether relaxing on the couch, writing on a plane or jamming on a tourbus. With the Oxygen 25 MIDI controller, you can carry your entire mobile laptop studio in a shoulder bag. Sound Your Best Included with Ignite are over 275 remarkable instrument sounds developed by AIR Music Technology. In addition to a versatile arpeggiator, Smart MID En savoir plus Collaboration commerciale.