French short stories for

- ARTISTE / ARTIST : JON (Anderson from Yes) AND VANGELIS - TITRE / TITLE: SHORT STORIES - POCHETTE / COVER : très bon + / VG+ - POCHETTE INTERIEURE / INNER SLEEVE:  très bon + / VG+ - LP : VG+ - FORMAT : Vinyle LP 12’’ (30cm) 33t - RECORD LABEL : Polydor - CATALOGUE N° : POLD 5030 - PRESSAGE / PRESS : UK - ANNEE / YEAR : 1979 - STYLE:   synth rock pop  o    France - les frais port sont gratuit pour le 2eme achat et plus - FRAIS DE PORT OFFERTS POUR TOUTE COMMANDE DE 60 EUROS OU PLUS (uniquement en France Métropolitaine) - Demandez le total avant de payer merci ! o    Europe – free postage for second item and above - POSTAGE FREE FOR ORDERS 80 EUROS OR MORE (only for my Europe list please ask for other countries) - Please ask for the total before paying!                    World - Please ask for other countries - Please ask for the total before paying!

IMPORTANT ENVOI EN FRANCE:  LETTRE SUIVIE (CD au complet, avec un boitier neuf & tous les inserts d'origine) ENVOI HORS DE  FRANCE : POUR DES RAISONS PRATIQUE, ÉCONOMIQUE ET DE SÉCURITÉ, JE PROPOSE L'ENVOI SANS BOITIER, MAIS BIEN SUR AVEC TOUS LES INSERTS, ET SOLIDEMENT EMBALLÉ SHIPPING ABROAD : THE PRICE AS INDICATED IS FOR A SHIPPING WITHOUT JEWEL CASE, WITH ALL INSERTS AND STRONGLY PACKED.  IT IS ECONOMIC AND SAFER. YOU CAN ASK FOR ANOTHER RATE, MUCH MORE EXPENSIVE, BUT PLEASE DON'T COMPLAIN IF THE JEWEL CASE ARRIVES BROKEN CD DENON / NIPPON COLOMBIA (MADE IN JAPAN, 1987) RECORDING:            1987 DUREE:             MUSICIENS:          TRÈS BON ÉTAT - VERY GOOD CONDITION / Sans OBI - Without OBI   TOUS MES CDs EN VENTE EN OCCASION ONT ETE ECOUTE AU MOINS UNE FOIS AFIN DE GARANTIR UNE LECTURE PARFAITE  ALL THE CDs, IN ANY SHAPE, HAVE BEEN CHECKED AND ARE PERFECTLY LISTENABLE  COMME NEUF / LIKE NEW :  état absolument parfait, meme a la loupe (pour les maniaques). Non cellophané / Perfect, like new. Not sealed. EXCELLENT ETAT: aucune trace visible sur le cd, sans toutefois y regarder a la loupe / No scratches or scuffs easily visible, at first glance. TRES BON ETAT / VERY GOOD: 1 à 3 petites rayures légères / 1 to 3 small light scratches. BON ETAT / GOOD:  quelques rayures (superficielles) ou traces sur le cd /  few scratches. ETAT USAGE / BAD: nombreuses rayures (superficielles) ou traces sur le cd / Many scratches but still listenable. SAUF PRECISION SUPPLEMENTAIRE, LES POCHETTES SONT EN PARFAIT ETAT. LES BOITIERS CORRESPONDENT A L'ETAT GENERAL DU CD (SANS FENTE) VENEZ VOIR MA BOUTIQUE CDsmile SUR: DES CENTAINES DE CDs EN VENTE DONT UN GRAND NOMBRE DE COLLECTORS  HAVE A LOOK TO MY STORE CDsmile AND FIND MANY COLLECTORS

KID PHARAON    " Hands "    LABEL :    DANCETERIA (Double LP with Gatefold Sleeve). REFERENCE :    TUE 903. COUNTRY / PAYS :  FRANCE. YEAR / ANNEE:     1988. SLEEVE / POCHETTE:   VG+. VINYLS:  MINT. Tracklist  1 Perfect Noise 2:38 2 Pictures And Dreams 3:35 3 Travels 2:43 4 The Snowmen 3:08 5 Cerebral Bleedin' 2:21 6 A Couple Of Years 3:39 7 Adults Stories 3:02 8 Books 3:14 9 I'm Dyin' 2:41 10 Will You Shake (My Helpin' Hands…) 2:45 11 Down 3:26 12 I've Sold My Soul For Sand 3:07 13 I Want You To Cry 2:23 14 Red Coloured Bus 1:34 15 If It's Me Or If It's You 2:23 16 Soft Songs 1:52 17 She's 1:55 18 You'll Never Fall In Love (Again…) 3:02 19 I'd Like To Know 2:43 20 Better Than Me 2:03 21 Revolutionnary Stand 3:39 22 Pavlov Dogs 3:20 23 Bullet Blues 3:32 24 A Lonely Life 2:11 ATTENDRE MA FACTURE POUR LES ENVOIS GROUPES. COMBINED SHIPPING, PLEASE WAIT FOR MY INVOICE.

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders for B

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT. REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST. FOR CONNOISSEURS b'&' LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD b'&' BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on b'"'Minor's Moodb'"'). As a brief cross-section of the players' strengths, listen to the sequence of short solos on b'"'Jungleblues,b'"' which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly b'"'outb'"' sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / Rb'&'B items on. Many collector’s items from my personal collection are available. Please wait my correct invoice and I will combine shipping costs if you buy multiple CDS. Shipping through Mondial Relais is also available for GERMANY / AUSTRIA / BELGIUM / SPAIN / ITALY / LUXEMBOURG / PORTUGAL b'&' THE NEDERLANDS (6.50 euro for 1 or 8 cds). Frais de port dégressifs pour achats groupés (1 euro pour chaque cd supplémentaire) avec un envoi postal. Frais de ports de 4.40 euros pour 4 CDS avec un envoi par MONDIAL RELAY (6.50 euros pour 10 cds) Frais de ports pour la France / Dom Tom: 3.50 euros en suivi / 5 euro en COLISSIMO ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES Please read carefully my conditions before bidding. In order to reduce international shipping costs, a En savoir plus Collaboration commerciale.

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3.25 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders fo

3 VINYLS 45 T – BEACH BOYS + MOUNT VERNON & FAIRWAY – US SURF PSYCH FRENCH SINGLES: MOUNT VERNON & FAIRWAY: COVER / POCHETTE : VG+ VINYL : VG (MANY SHORT SCRATCHES / NOMBREUX PETITS SCRATCHS) Holland est le vingt-quatrième album studio du groupe The Beach Boys. Il sortit en 1972, après avoir été enregistré à grands frais aux studios de Baambrugge aux Pays-Bas. Il est généralement accompagné d'un EP bonus appelé Mount Vernon and Fairway (A Fairy Tale), qui est en fait un projet d'album avorté de Brian Wilson, qui participa peu aux sessions de Holland. Holland is the nineteenth studio album by the American rock group The Beach Boys, released in 1972. Holland included a bonus EP, Mount Vernon and Fairway (A Fairy Tale), a musical fairy tale written by Brian Wilson about a magical transistor radio who appears to a young prince. Narration was provided by the group's manager: Jack Rieley.   1. Mt. Vernon And Fairway (Theme) (Brian Wilson) – 1:34 2. I'm the Pied Piper (Instrumental) (Brian Wilson, Carl Wilson) – 2:20 3. Better Get Back in Bed (Brian Wilson) – 1:39 4. Magic Transistor Radio (Brian Wilson) – 1:43 5. I'm the Pied Piper (Brian Wilson, Carl Wilson) – 2:09 6. Radio King Dom (Brian Wilson, Jack Rieley) – 2:38   GOOD VIBRATIONS + LET’S GO AWAY FOR A WHILE : COVER / POCHETTE : VG VINYL : VG+   GOOD VIBRATIONS + I GET AROUND : COVER / POCHETTE : VG+ VINYL : VG+ POUR PLUS DE DETAILS: REGARDEZ MES PHOTOS ! NOMBREUX AUTRES VINYLS DU MEME GENRE DANS MA BOUTIQUE ! FOR MORE DETAILS : LOOK AT MY PICTURES! DO NOT HESITATE TO GROUP TO SAVE ON SHIPPING – COME SEE MY STORE… Pour l'étranger, pas de problème : j'applique les tarifs de la poste française et rien de plus. Pas de frais supplémentaires, ni pour l'emballage, ni pour Paypal. Emballage sérieux et gratuit ! Et n'hésitez pas à grouper pour économiser sur le port ! VISITEZ MA BOUTIQUE ! Rappel de la signification des codes pour l'état du disque en bas de l'annonce. No surprise for foreign buyers : the shipping costs are the ones of the french post and nothing more. No handling cost, no additional cost for Paypal, very good and free packaging ! And do not hesitate to group to save on shipping ! COME SEE MY STORE ! Reminder of the meanings of the codes for the state of the records at the bottom of my announcement. code traduction état pochette état disque S Neuf (emballé) Le disque est encore sous son emballage d'origine. Le disque est encore sous son emballage d'origine. M Comme neuf La pochette est comme neuve, elle n'est juste plus sous son emballage d'origine. Le disque est absolument parfait, comme neuf. Il n'est juste plus sous son emballage d'origine. NM Comme neuf- La pochette est presque parfaite, pouvant comporter de très minimes signes d’usure. Par contre le dessin artistique ou la photo de la pochette doit être aussi impeccable que possible. Le disque est presque parfait. Un frottement peut être constaté sur le disque, mais doit être vraiment moindre. Il ne doit y avoir aucun effet sur la qualité sonore du disque. Si c’est le cas, même minime, il ne pourra plus être considéré comme NM ou M- EX Excellent La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG+ Très bon + La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. C'est l'état le plus courant des disques de deuxième main. Les disques ont quelques rayures qui n'affectent pas la qualité sonore. Certains crépitements peuvent être audibles sur des platines très se

Philippe Lhomme b'"'Terres d'Afriqueb'"', CD Audio FRENCH AND ENGLISH TEXT Description: FR: un album de chansons pour enfants. Des crocos qui sèment la panique aux girafes qui parlent à la lune, d'Albert le dromadaire qui rêve d'une bosse en plus sur le dos aux gorilles qui entament un régime, Passion, sincérité, Philippe Lhomme chante avec tendresse des textes qui en disent long sur son engagement artistique. Les sujets de chansons sont abordés avec humour et ne manquent pas d'audace. Philippe raconte des histoires en chansons. pour petits et grands, des chansons à danser, à écouter, réécouter et à reprendre. En 2004 Philippe Lhomme autodidacte commence à écrire des chansons pour enfants. En 2005 premier album b'"'Bienvenue au Pôle Nordb'"'. Depuis 2008, les musiciens, Philippe Parant et Olivier Oliver, l'accompagnent sur scène et ont réalisé les arrangements de b'"'Terres d'Afrique.b'"' EN: an album of children's songs, in french. From crocodiles that sow panic to giraffes that talk to the moon, from Albert the dromedary who dreams of an extra bump on his back to gorillas who start a diet, Passion, sincerity, Philippe Lhomme sings with tenderness texts that say a lot about his artistic commitment. The subjects of songs are approached with humor and do not lack audacity. Philippe tells stories in songs. for young and old, songs to dance to, listen to, listen to and repeat. In 2004 self-taught Philippe Lhomme began to write children's songs. In 2005 first album b'"'Welcome to the North Poleb'"'. Since 2008, the musicians, Philippe Parant and Olivier Oliver, accompany him on stage and have made the arrangements for b'"'Terres d'Afrique.b'"' Site sur le groupe ou l'artiste, Band or artist's web site: lesprosdupestak. Page sur l'article vendu, Item's web site: BNF Nombre de chansons, Number of tracks: 16. Maison de disques, Record label: Victor Mélodie Format: 1 CD. Date de la 1ère sortie, First release date: 2011. Date sur le CD, Date on the CD cover: 2011. Condition du disque, Disc condition: bonne, good. Condition de la jaquette intérieure, Inner sleeve condition: bonne, avec paroles. Good, with lyrics. Condition du boîtier, CD case condition: assez bonne, fair. EAN: 3760095330358. En savoir plus Collaboration commerciale.

VINYL 45 T – BLAINE REININGER: BROKEN FINGERS – TUXEDO MOON SYNTH ELECTRONIC – 1982 DISQUES CREPUSCULE SECTION FRANCAISE + RADICAL RECORDS (RAD 007) Blaine L. Reininger is an American post-punk, new-wave and alternative pop singer, songwriter, musician, multi-instrumentalist (particularly violin), writer and performer. He is known for being a member of the group Tuxedomoon since 1977 after co-founding it with Steven Brown. COVER / POCHETTE: NA VINYL: VG (MANY SHORT SCRATCHES BUT RECORD PLAYS ENTIRELY/ NOMBREUX COURTS SCRATCHS MAIS PAS DE RAYURES) POUR PLUS DE DETAILS: REGARDEZ MES PHOTOS ! NOMBREUX AUTRES VINYLS DU MEME GENRE DANS MA BOUTIQUE ! FOR MORE DETAILS: LOOK AT MY PICTURES! I CAN SHIP ANYWHERE, ASK ME FOR THE PRICE... DO NOT HESITATE TO GROUP TO SAVE ON SHIPPING ? COME SEE MY STORE ! Pour l'étranger, pas de problème: j'applique les tarifs de la poste française et rien de plus. Pas de frais supplémentaires, ni pour l'emballage, ni pour Paypal. Emballage sérieux et gratuit ! Demandez moi le prix pour votre pays... Et n'hésitez pas à grouper pour économiser sur le port ! VISITEZ MA BOUTIQUE ! Rappel de la signification des codes pour l'état du disque en bas de l'annonce. No surprise for foreign buyers: the shipping costs are the ones of the french post and nothing more. No handling cost, no additional cost for Paypal, very good and free packaging ! Just ask me for the price to your country... And do not hesitate to group to save on shipping ! COME SEE MY STORE ! Reminder of the meanings of the codes for the state of the records at the bottom of my announcement. code traduction état pochette état disque S Neuf (emballé) Le disque est encore sous son emballage d'origine. Le disque est encore sous son emballage d'origine. M Comme neuf La pochette est comme neuve, elle n'est juste plus sous son emballage d'origine. Le disque est absolument parfait, comme neuf. Il n'est juste plus sous son emballage d'origine. NM Comme neuf- La pochette est presque parfaite, pouvant comporter de très minimes signes d?usure. Par contre le dessin artistique ou la photo de la pochette doit être aussi impeccable que possible. Le disque est presque parfait. Un frottement peut être constaté sur le disque, mais doit être vraiment moindre. Il ne doit y avoir aucun effet sur la qualité sonore du disque. Si c?est le cas, même minime, il ne pourra plus être considéré comme NM ou M- EX Excellent La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG+ Très bon + La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. C'est l'état le plus courant des disques de deuxième main. Les disques ont quelques rayures qui n'affectent pas la qualité sonore. Certains crépitements peuvent être audibles sur des platines très sensibles. VG Très bon La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le disque a des rayures et marques qui affectent la qualité sonore. Il peut y avoir des craquements et également des petits sauts si le disque est légèrement gondolé (préférable de demander confirmation au vendeur en particulier si votre platine est sensible). G Pauvre L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il y a un souffle et il peut y avoir des sautements et craquements. On ne distingue pratiquement plus les sillons du disque. B Mauvais La pochette est très abîmée avec des déch En savoir plus

F.U.2 - Punk Rock - Les Tréteaux - LP6389 - France - 1977 Vinyl have a few light airlines,light marks,but don't affect playing!!!.No pop or noisy!!! Cover have a small damage on a corners,little folds,wears or stains front/back. Original French Pressing!!!!...Rare!! *VINYL: VG+ *COVER: VG(VG+) From the liner notes of F.U.2 - Punk Rock, 2012 Reissue of the Album originally release in 1977.  F.U.2 - The Myth and the Legend by Terry Clemson aka Terry Gibson  "F.U.2, the album, has for many years been the subject of much speculation. Some refer to it as the "Secret Downliners Sect Album". It really never was........  Many theories and stories of how it came about have circulated over the years...  How it actually came about was thanks to a record producer friend of mine, Eddie Bourne. Eddie was asked to produce a Punk album, by a band called The Vacants. At the time Eddie felt the band needed augmenting for recording purposes, so he asked me to play guitar on the session...  Following on the back of the relative success of The Vacants album, I pursuaded Eddie to allow me to record a Punk album under the name F.U.2.  It all started out as a bit of a joke really. It was late 1970's that me and Keith Grant (2), of the Downliners Sect, set about to write the songs. Some of these we already had in the can that we thought would fit the bill, like "Out Of School", "Playin' My Guitar" which incidentally were later to appear on the Sects 'Showbiz' album. It wasn't long before ten other songs had been assembled and were ready to take into the studio.  As a band F.U.2 obviously never existed, so Keith and I enlisted musician friends to play on the session. Paul Holm was on drums, Robin Langridge on keyboards. Don Craine on rhythm guitar and Paul Tiller on blues harp were also co-opted to play on a couple of tracks. The only reason we co-opted Don and Paul Tiller into the session wasn't to make it a "secret Sect album" but merely to give them a few pounds in session money. ...The whole album was recorded and mixed in a day".  Art Less (Arthur Keith Evans / Keith Grant) - bass, lead vocals  Terry Deville (Terry Clemson / Terry Gibson) - lead guitar, vocals  Rob Groan (Robin Langridge) - keyboards  Clay Stone (Paul Holm) - drums  Special Guests  Mad Mick (Michael O'Donnell / Don Craine) - rhythm guitar  Paul Tone (Paul Tiller) - harmonica

QUICKSILVER MESSENGER SERVICE What About Me 1st BIEM 1970 CAPITOL SMAS630● EX LP QUICKSILVER MESSENGER SERVICE - WHAT ABOUT ME  CAPITOL SMAS 630 BIEM 1970 (FRANCE) - MADE IN FRANCE BY PATHE MARCONI 1st FRENCH RELEASE WITH BIEM ON LABELS. GATEFOLD SLEEVE WITH INNER. DON’T MISS IT ! PLEASE READ CAREFULLY DESCRIPTION AND WATCH PICS:  SLEEVE: EX FRONT COVER HAS LIGHT WHITE MARKS WIDE SPINE FULLY READABLE STRAIGHT ASPECT OF THE SLEEVE NO WRITINGS ORIGINAL GENERIC WHITE INNER SLEEVE STILL PRESENT (IN ACCEPTABLE CONDITION).  COMES ALSO WITH A NEW INNER SLEEVE. VINYL: EX LABELS ARE IN NEAR MINT CONDITION VINYL SHINY WITH HAIRLINES/LIGHT SCUFFS VISIBLE UNDER STRONG LIGHT SUPERB AUDIO ON SIDE 1. A LIGHT BACKGROUND NOISE DURING SHORT PASSAGES ON SIDE 2 NO « POPS » , NO JUMPS, NO SKIPS…. MATRIX/STAMPERS  SIDE 1: SMAS 630 A 2I   M6 277244 SIDE 2: SMAS 630 B 2I   M6 277245 A1What About Me Written-By –Jesse Oris Farrow 6:41A2Local Color Written-By –John Cipollina 2:58A3Baby Baby Written-By –Jesse Oris Farrow4:37A4Won’t Kill Me Written-By –David Freiberg 2:29A5Long Haired Lady Written-By –Jesse Oris Farrow 5:47B1Subway Written-By –Jesse Oris Farrow 4:25B2Sprindrifter Written-By –Nicky Hopkins 4:32B3Good Old Rock And Roll Written-By –Jesse Oris Farrow 2:30B4All In My Mind Written-By –Gary Duncan, Jesse Oris Farrow 3:40B5Call On Me Written-By –Jesse Oris Farrow 7:30 POLICY/SHIPPING  If you're not satisfied by the item, I offer a full refund (except for return postal cost).  So please be indulgent if you're not happy with this item, whatever the reason.  Please pay within 5 days or the purchase will be cancelled. Payment by paypal prefered.   I would be happy to combine delivery price if multiple purchases. The LP will be packed carefully. RECORD/SLEEVE GRADING SYSTEM:  NEAR MINT (NM) In brand new condition with no surface marks or deterioration in sound quality. Cover and contents nearly perfect. EXCELLENT (EX) Shows some signs of being played but very little lessening in sound quality. Cover and contents might have slight wear and/or creasing. VERY GOOD + (VG+) Better than Very Good: Obviously been played but no significant deterioration in sound quality despite light surface marks. Very little wear and tear on cover and contents, no major defects. VERY GOOD (VG) Obviously been played many times but no major deterioration in sound quality despite noticeable surface marks and occasional light scratch. Normal wear and tear on cover or contents, no major defects. Good + (G+) Better than Good: Sound quality has deteriorated but with no distortion. Light scratches and occasional mild scratch. Cover and contents suffer from folding, scuffing of edges but not spine splits or discoloration. Good (G) Sound quality has noticeably deteriorated, perhaps with some distortion. Mild scratches. Cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc. Fair (F) Still just playable but has not been cared for properly and displays considerable surface noise - it may even jump. Cover and contents will be torn, stained and/or defaced.

The Cure – b'"'Pornographyb'"' Polydor/Fiction 2383639 - France - 1982 1st French pressing, with original inner Very Good Plus / Very Good Plus A1 One hundred years A2 A short term effect A3 The hanging garden A4 Siamese twins B1 The figurehead B2 A strange day B3 Cold B4 b'"'Pornographyb'"' 1ère édition française avec sous-pochette d'origine. Rares traces superficielles. Excellente écoute. Pochette avec légère usure des bords. 1st pressing with original inner. Rare hairlines. Plays excellent. Clean labels. Sleeve has light edge-wear. ENVOI RAPIDE b'&' SOIGNE (Mondial Relay ou Lettre Suivie) Frais de port réduits pour achat groupé / Remise possible à Paris (me contacter) SAFE b'&' TRACKED SHIPPING Discounted costs for bulk purchases En savoir plus Collaboration commerciale.