Giving up

1978, ARIOLA 100035-100, POCHETTE VG (marquée, légère petite trace d'étiquette en haut à gauche au verso), VINYL VG. TITRES: Giving Up, Giving In / Falling In Love Again. Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

45 SP - THE THREE DEGREES: Giving Up, Giving In / Falling in Love Again Label WEA 911 186 - Made in France 1978 Excellent état / Excellent condition Pochette: VG++ (pochette propre recto, traces au dos) Disque: EX (visuellement propre, non écouté) Label: EX (très propres) Sleeve : VG++ (clean front sleeve, marks on back) Record : EX (visually clean, not tested) Label : EX (very clean labels) Remise en main propre possible sur Paris 11ème

Ripple This Ain't No Time To Be Giving Up - Dance Lady Dance GRC Records GRC 2060 Printed in USA 1974 Vinyle VG+ Cover (generic cover) tarifs d'expédition / shipping rates service La Poste France 4.50 € (1 jusqu'à 3 45 tours) Europe (CE) 10.00 € (1 up to 3 singles) Asia / USA / Canada / Australie / Russia / And Rest Of The World  10.00 € (1 up to 3 singles) Over 3 singles please ask shipping rates je combine les achats multiple pour un coût d'acheminement moins onéreux néanmoins, je vous demande d'attendre que je vous envoie la facture avant tout paiement de votre part International customers are welcome! nevertheless please read carefully before buying I agree to combine multiple purchase according to your order You must wait until I send the invoice before you proceed the payment Payment must be received within 10 days after you got the invoice I remain at your disposal for more infomation required

Vinyle 45 tours: Rick Astley Titres: Face: A: Giving up on love Face: B: I'll be fine Pochette: Très bon état Disque: Très bon état Prix: 1 euro Frais de port: 1,50 euro Paiement par paypal ou par chèque Pour tous renseignements me faire un mail

45 Tours Vinyles Distributeur: Ariola Auteur: the three degrees Classification Vinyles Secondaire: Pop Rock années 70 Classification Vinyles Primaire: Rock Pop Genre musical: Soul Support / Quantité fournie: 1 Artiste: The Three Degrees Rubrique principale Vinyle: 45 Tours

Giving Presentations Ammareal Visit our store Description Titlee  : Giving Presentations Author(s)  : etc. et Nina O'Driscoll Publisher  : Longman Publishing year  : 1992 Sate  : Second Hand – Good ISBN: 9780582064416 Comment  : Edition 1992. Slightly creased cover. Ammareal gives back up to 15% of this book's net price to charity organizations. Ammareal sells online second hand books provided by our partners which are associations and lbraries. A portion of the price of each book is donated to our partners or to charities. What we do not sell is given, what we do not give is recycled. Shipping Our books are shipped within one business day of your order. We ship from France. Delivery to the UK typically takes 5 to 10 business days. International Shipping International economy shipping is available worldwide within 5 to 30 business days. Payment Paypal & credit card. Terms of sales You have 14 days to ask for a return. Return shipping fees are at the customer's expense. Come visit our store ! Ammareal

** N'hésitez pas à me demander tout renseignement concernant le produit, la livraison, les options de livraisons durant cette mise aux enchères.  ** * when i fall in love/my arms keep missing you - PT 41684 - allemagne - pochette NM, disque NM * whenever you need somebody - 8800-1-RD - USA - pochette générique noire EX+, disque NM * giving up on love - 8878-1-RD-RE - USA - pochette NM + 1 étiquette rappelant la version de l'import, disque EX+ * she wants to dance with me - it would take a strong strong man - PT 42190 - allemagne - pochette EX+, disque EX+ * take me to your heart/ i'll be fine - PT 42574 - allemagne - pochette EX+, disque EX+ * she wants to dance with me (colling mix)/it would take a strong strong man (jazzy guitar mix) - PT 42190R - angleterre - pochette NM + 1 étiquette rappelant la version de l'import - disque NM * take me to your heart (dick dastardly mix)i'll be fine/ricks hit mix - PT 42582 - allemagne - pochette NM, disque NM * together forever/i'll never set you free - PT 41818 - allemagne - pochette EX, disque NM * hold me in yours arms (extended)/i don't want to be your lover/ never gonna give you up - PT 42616 - angleterre - pochette NM + 1 étiquette rappelant la version de l'import, disque NM * never gonna give you up - PT 41448 - allemagne - pochette EX, disque EX+ *** envoi via mondial relay (assurance + suivi)  -->  0 euro *** N'hésitez pas à consulter note boutique e-bay (en construction): jusqu'à 5 Lp (simples) pour 3,80 euros via mondial relay + assurance + suivi  !!!! *** * Nos descriptions sont le plus fiables possible * nos disques sont nettoyés, vérifiés, protégés sous pochette plastique * emballages et suivis sérieux *** n'hésitez pas à nous contacter pour toute question. Musicalement ***** * payements acceptés: - paypal - de main en main - chèque bancaire ou postal (seulement si accompagné d'une photocopie de pièce d'identité) A définir par message pendant la mise aux enchères ou juste après si emportée. ***** conditions et options livraisons: * expédition sous 2 jours ouvrés suivants le payement du produit. * durée de transport variable de 3 à 5 jours ouvrés suivant transporteur choisi et localisation. * au frais d'expédition correspondent les frais de port du transporteur, une assurance incluse "minimum", des frais d'emballage; * merci de nous contacter durant la mise aux enchères ou juste après (si emportée) pour les différentes options d'envoi et adaptées à vos besoins. * retour accepté sous 14 jours suivant la réception, à la charge de l'acheteur si non prévu gratuitement par le transporteur choisi, * remboursement à réception du retour de colis, déduit des frais engagés par Addict O' Vinyles lors de la mise en ligne en enchères du produit (exemples: dépose de l'annonce, prix de réserve, rémunération de et paypal, frais de livraison du premier envoi). * en cas de litige, merci d'utiliser la procédure, ainsi que d'avertir Addict O' Vinyles, il n'y a pas de problème... que des solutions. Musicalement Addict O' Vinyles

1-01–Tim BergSeek Bromance (Avicii Vocal Extended) Remix – Avicii 1-02–GramophonedzieWhy Don't You (Bingo Players Remix) Remix – Bingo Players 1-03–The Shapeshifters*Helter Skelter (Daddy's Groove Magic Island Rework) Remix – Daddy's Groove 1-04–Fierce Ruling DivaRubb It In (Chocolate Puma Remix) Remix – Chocolate Puma 1-05–Firebeatz Punk! 1-06–RebootEnjoy Music (Riva Starr Remix) Remix – Riva Starr 1-07–Ricky L Feat. M:ckBorn Again (The Cube Guys Remix)Remix – The Cube Guys* 1-08–Asino & DJ JeanYo DJ 1-09–Bingo PlayersGet On The Move 1-10–Africanism Feat DJ GregoryBlock Party (Alvaro RemixRemix – Alvaro (9) 1-11–Steve AngelloKnas 1-12–Dennis FerrerHey Hey (Vandalism Remix) Remix – Vandalism (2) 1-13–QuintinoDrop The Beat 1-14–Laidback Luke & Gregor Salto Feat. Mavis AcquahStep By Step 1-15–Benny Benassi Feat. Kelis, Apl.De.Ap* And Jean-Baptiste* Spaceship (Fedde Le Grand Remix) Remix – Fedde Le Grand 1-16–Axwell Feat. Errol ReidNothing But Love (Classic Mix) 1-17–Lock 'N LoadBlow Ya Mind (Eric van Kleef Mix) Remix – Eric van Kleef 1-18–Afrojack Feat. Eva Simmons*Take Over Control 1-19–Sidney Samson Feat. Lady BeeShut Up & Let It Go (Chuckie Remix) Remix – Chuckie* 1-20–The Partysquad Vs. BassjackersShowrocker 2-01–Nalin & KaneBeachball (Joris Voorn Remix) Remix – Joris Voorn 2-02–TensnakeComa Cat (Round Table Knights Remix)Remix – Round Table Knights 2-03–Gregor Salto Feat. Chappell*Your Friend 2-04–Tim Berg, Norman Doray, Sebastien DrumsTweet It 2-05–Koen Groeneveld & Addy van der ZwanDo It Do It 2-06–Firebeatz & Joeysuki Feat. Max C*Hidden Sound (This Beat Is Got Me) 2-07–Eric van KleefLike What 2-08–Roog* & Phonic FunkKTDNG 2-09–Erick Morillo & Eddie Thoneick Feat. Shawnee TaylorLive Your Life (Chuckie Remix)Remix – Chuckie* 2-10–Fedde Le GrandRockin' High (Nicky Romero Remix) Remix – Nicky Romero 2-11–Nicky RomeroGrowl 2-12–Jochen MillerClassified 2-13–Marco VReaver 2-14–Marcel WoodsThe Bottle 2-15–Ferry Corsten Pres. Pulse (28)Festival 2-16–Dash Berlin Feat. Emma HewittWaiting 2-17–Armin van Buuren Vs. Sophie Ellis-BextorNot Giving Up On Love 2-18–DJ's United (3)Remember Love 2-19–Sander van DoornRenegade 2-20–Ellrich & Plaice* Fucking Society (Ellrich & Plaice Mix) Remix – Ellrich & Plaice*

MEN AT WORK "Two Hearts": Man with two hearts - Giving up - Everything I need - Sail to you - Children on parade - Maria - Stay at home - Hard luck story - Snakes and ladders - Still life LP / CBS - 26 492 (1985) Pochette VG++ (étq, voir scan) / Disque VG++ (Envoi soigné et sécurisé en lettre suivie) POUR UN ENVOI EN FRANCE, LES FRAIS DE PORT SERONT RAMENÉS À 5€00 (ATTENDRE LA FACTURE AVANT DE FINALISER) /// Pochette ou Disque EX ne veut pas dire NEUF, mais proche du neuf // Pochette VG ++ marques discrètes d’usure ou trace étiquette ou petite écriture // Pochette VG + cumul ou accentuation usure, écritures, étiquettes // Disque VG ++ signale qq imperfections peu génantes // Disque VG + imperfections plus audibles et/ou plus nombreuses // voir précisions pour chaque disque // Tous mes disques sont vérifiés à l’écoute Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

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KIDS IN GLASS HOUSES - Dirt Item - CD album Condition Sleeve / record : EX (Excellent) / EX (Excellent) Label - Roadrunner Issue - Europe Year - 2010 Cat. # - RR7800 - Jewel case Tracklisting Artbreaker I The Best Is Yet To Come Sunshine Matters At All Youngblood (Let It Out) Lilli Rose Giving Up For Better Or Hearse Undercover Lover Maybe Tomorrow The Morning Afterlife Hunt The Haunted Artbreaker II     Follow our shop on twitter @Rockyourecords READ CAREFULLY   PAYMENTS MUST BE RECEIVED WITHIN 2 WEEKS (bank transfer - Paypal) We combine shipping for multi items ONLY REGISTERED SHIPPING is GUARANTEED - International priority shipping is CHEAPER but AT YOUR OWN RISKS     ps: pour les enchérisseurs Français: Chèques acceptés en Euros ATTENTION: Les envois "prioritaires" ne peuvent donner lieu à un quelconque dédomagement en cas de perte - Les seuls  envois COLISSIMO ou RECOMMANDES  sont garantis.   Remise en main propres possible sous conditions en fonction des disponibilités (nous ne nous déplaçons pas)         Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

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11+ Confidence: CEM style Practice Exam Papers Book 2: Complete with answers and full explanations (Anglais) Broché – 11 juin 2015 Product Details Broché: 52 pages Editeur: CreateSpace Independent Publishing Platform (11 juin 2015) Collection: 11+ Confidence: CEM-style Practice Exam Papers Langue: Anglais Dimensions du produit: 21,6 x 0,3 x 27,9 cm Moyenne des commentaires client: Soyez la première personne à écrire un commentaire sur cet article ▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚▚ For the newer 2018 edition click the blue Eureka! 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- SMALL FACES - Disque Vinyle LP 33 tours - Platinium PLP 29-24045 - Printed In Germany -  "Sorry She's Mine": You'd Better Believe it, Sorry She's Mine, Own Up, I Got Mine, Understanding, What's The Matter Baby, Runaway, That Man, My Way of Giving, Tell me Have you Seen Her, Come Back And Take This Hurt, Baby Don't Do it Excellent état VISITEZ MON SITE PERSONNEL DE DISQUES VINYLE:  oldgoldrecords.fr

SMALL FACES Immediate Album Collection Box Set 3CD 2005 Sanctuary Records. Quelques traces d'usure sur la box. CD en très bon état, avec de très légères traces de frottements. Tracklist Small Faces - 1-1 (Tell Me) Have You Ever Seen Me - 1-2 Something I Want To Tell You - 1-3 Feeling Lonely - 1-4 Happy Boys Happy - 1-5 Things Are Going To Get Better - 1-6 My Way Of Giving - 1-7 Green Circles - 1-8 Become Like You - 1-9 Get Yourself Together - 1-10 All Our Yesterdays - 1-11 Talk To You - 1-12 Show Me The Way - 1-13 Up The Wooden Hills Of Bedfordshire - 1-14 Eddie's Dreaming Ogdens' Nut Gone Flake - 2-1 Ogdens' Nut Gone Flake - 2-2 Afterglow - 2-3 Long Agos And Worlds Apart - 2-4 Rene - 2-5 Song Of A Baker - 2-6 Lazy Sunday - 2-7 Happiness Stan - 2-8 Rollin' Over - 2-9 The Hungry Intruder - 2-10 The Journey - 2-11 Mad John - 2-12 Happy Days Toy Town The Autumn Stone - 3-1 Here Comes The Nice - 3-2 The Autumn Stone - 3-3 Colibosher - 3-4 All Or Nothing - 3-5 Red Balloon - 3-6 Lazy Sunday - 3-7 Call It Something Nice - 3-8 I Can't Make It - 3-9 Afterglow (Of Your Love) - 3-10 Sha La La La Lee - 3-11 The Universal - 3-12 Rollin' Over (Live) - 3-13 If I Were A Carpenter (Live) - 3-14 Every Little Bit Hurts (Live) - 3-15 My Mind's Eye - 3-16 Tin Soldier - 3-17 Just Passing - 3-18 Itchycoo Park - 3-19 Hey Girl - 3-20 Wide Eyed Girl On The Wall - 3-21 Whatcha Gonna Do About It - 3-22 Wham Bam Thank You Mam

Vous avez une question ou vous voulez des photos supplémentaires ? Contactez nous par mail: lafrenchcollection@cegetel.net Visiter notre boutique, chaque semaine de nouveaux objets vous y attendent. ----------------- Belle pochette orientaliste en cuir des années 1930. Trois compartiments intérieurs, deux pochettes et un miroir. --- Fermée: 26cm x 16,3cm. Ouverte: 33cm x 26cm. Poids: 259gr. --- Le tain du miroir est piqué par endroits (voir photo) sinon bel état. ------------------ CONDITIONS DE VENTE DESCRIPTION DES OBJETS: Nous essayons toujours de fournir une description aussi complète que possible ainsi que des photos de bonne qualité et en nombre suffisant.Toutefois, comme nous ne pouvons être exhaustifs, n’hésitez pas à demander des précisions et/ou des photos supplémentaires. EXPÉDITIONS: Les frais d’expédition sont toujours calculés au plus juste. Ils tiennent compte non seulement du poids de l’objet mais aussi de sa valeur. Nous indiquons, dans chaque annonce, les frais correspondant à un prix de vente autour de 50 euros. Au-delà de 50 euros des conditions particulières peuvent s’appliquer (recommandé, valeur déclarée etc.). Vous recevrez, après la fin d’enchère, une facture indiquant le mode de transport et le montant des frais. Veuillez attendre cette facture avant d’effectuer votre paiement. ACHATS GROUPÉS: Faites des économies en regroupant vos achats - les frais de livraison ne sont pas additionnés mais recalculés selon le poids et la valeur du lot. CONDITIONS OF SALE DESCRIPTION OF ITEMS: We always try to provide a precise description with plenty of good quality photos. However, we will be happy to provide extra photos or details on request. SHIPPING: Shipping costs take into account the weight of the item and also its value. Each description provides shipping costs for items up to 50 euros. Above 50 euros higher costs may apply (registered mail, insurance etc.). After the end of bidding you will receive an invoice giving the exact type of postage and the cost. Please wait for this invoice before making your payment. MULTIPLE PURCHASES: Save on shipping costs by grouping your purchases. We do not add the costs together; we recalculate them according to the final weight and value of the parcel.

Le disque b'"'Traffic + 5b'"' est l'incarnation du groupe britannique de rock légendaire Traffic. Ce CD album comprend les plus grands succès des années 1960 et 1970 ainsi que cinq nouvelles chansons inédites. Ce disque est parfaitement adapté aux fans du rock classique et aux curieux qui veulent découvrir ce groupe mythique qui a marqué l'histoire de la musique populaire britannique. Ce disque est composé de quatorze titres dont des classiques telles que b'"'Dear Mr Fantasyb'"', b'"'Paper Sunb'"', b'"'Hole in My Shoeb'"' ou encore b'"'Stranger to Himselfb'"'. Ces morceaux ont été réenregistrés dans des versions remastérisées par Chris Kimsey au studio Abbey Road à Londres. Les nouveautés incluses sont b'"'No Face No Name and No Numberb'"', b'"'Black Cloudsb'"', b'"'Keeping Up the Loveb'"', b'"'Giving it All Awayb'"' et b'"'What's the Use?b'"'. Ces chansons ont été écrites et composées par Steve Winwood et Dave Mason, deux des membres originels du groupe. Cet album est disponible sous format CD avec une durée totale d'environ soixante minutes. Il est édité sous le label UMC (Universal Music Catalogue) et distribué par Universal Music France. Le code EAN (European Article Numbering) permet d'identifier ce disque unique et facilite sa recherche auprès des revendeurs ou sur internet. Il est classifié comme album principal (cd principal) avec une classification musicale principalement rock ainsi qu'une rubrique internationale (Variétés internationales). Les fans de Traffic ne doivent pas manquer cette réédition qui permet de redécouvrir leurs anciens favoris ainsi que de découvrir cinq nouvelles chansons inédites. Ce disque est également idéal pour ceux qui veulent découvrir ce groupe mythique et apprécient le genre rock classique. Avec sa qualité sonore exceptionnelle grâce à sa remastérisation au studio Abbey Road, ce disque offre un son proche de celui des concerts live des anciennes formations de Traffic. En savoir plus