Half notes

Au fur et à mesure de mes acquisitions, je vendrai régulièrement sur une partie de ma discothèque personnelle. Voici une liste de vinyles (LPs) 33 tours, pour la quasi-totalité en très bon ou excellent état, parfois neufs et scellés. Tous mes disques ont été nettoyés (y compris la pochette) et testés sur une platine Rega P9 + cellule Benz Micro LP-S. Profitez d'un envoi groupé si un autre de mes disques vous intéresse! Une remise en main propre est possible, à Paris et peut-être ailleurs. Posez-moi la question si vous êtes intéressé.  Les frais d'expédition sont autant un frein pour l'acheteur qu'un handicap pour le vendeur. Conscient de cette réalité, je propose désormais d'office une expédition par Mondial Relay, avec suivi, colis à retirer au point le plus proche de chez vous ou à celui de votre choix. Les tarifs sont beaucoup plus avantageux que ceux de La Poste.  Tarifs France, Belgique et Luxembourg : colis à retirer en Point Relais® International Home Delivery by Mondial Relay to: Deutschland, Österreich, United Kingdom, España, Portugal, Italia, België, Luxembourg: 0,5 kg 3,80 € 0,5 kg 9,00 € 1 kg 3,80 € 1 kg 9,00 € 2 kg 3,80 € 2 kg 9,00 € 3 kg 4,30 € 3 kg 9,00 € 5 kg 4,90 € 5 kg 9,00 € 7 kg 6,40 € 7 kg 15,00 € 10 kg 7,50 € 10 kg 15,00 € 15 kg 9,60 € 15 kg 20,00 € 30 kg 12,50 € 30 kg 25,00 € These international Mondial Relay shipping prices would only be interesting in case of multiple purchase. For 1-2 LPs, I would advise to chose the regular option with La Poste as standard mail. Je peux bien sûr expédier par La Poste, en colissimo livré à votre domicile suivi selon votre demande. La Poste:  France: 1-2 LPs = 6 euro (colissimo suivi),: 3-4 LPs = 7 euro, 5-7 LPs = 8 euro, 8 LPs et +  = 10 euro, selon le poids, etc....    Europe: Same price as for France, shipped by priority mail.   World: 6 euro for 1-2 LPs, 11 euro for 3-4 LPs, 14 euro for 5 LPs, 16 euro for 6 or 7 LPs, sent by economy air mail, with optional insurance on request. *  TracklistMasquer Crédits A1–Carlos ChávezSinfonia IndiaComposed By – Carlos Chávez12:30A2–Blas GalindoSones De MariachiComposed By – Blas Galindo8:26B1–José Pablo MoncayoHuapangoComposed By – José Pablo Moncayo8:47–Rodolfo HalffterBallet Suite - Don Lindo De AlmeriaComposed By – Rodolfo Halffter(19:45)B2.1–Introduction And First DanceB2.2–Scene And Second DanceB2.3–Third DanceB2.4–Fourth DanceB2.5–Wedding CeremonyB2.6–Fifth Dance And SceneB2.7–Final Dance > - Conductor – Kenneth Klein (2) - Cover, Painting – José Clemente Orozco - Design [Sleeve Design] – Eric Tranter - Engineer [Recording Engineer] – Pedro Zavala Rocha - Orchestra – Orquesta Sinfonica Nacional De México* - Producer – Blas Galindo, Rodolfo Halffter - Recording Supervisor [Technical Advisor] – Leslie Klein * 1 LP Unicorn RHS 365.  * Enregistré (®) / Publié (℗) en 1979 (℗), studio stereo.  * Made in Holland. * Libretto/ Notes: English * Original Inner Sleeve: Yes. * Condition: Cover: Exc / LP: NM code traduction condition pochette condition disque SS neuf emballé Le disque est encore sous son emballage d'origine Le disque est encore sous son emballage d'origine M- ou NM comme neuf La pochette est comme neuve, elle n'est juste plus sous son emballage d'origine. Le disque est absolument parfait, comme neuf, il n'est juste plus sous son emballage d'origine. EXC ou VG++ excellent La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG+ très bon + La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut m

The Paston Letters 1422-1509: New Complete Library Edition, Edited With Notes and an Introduction, Vol. 2 (Classic Reprint) James Gairdner Auteur: James Gairdner Editeur: Forgotten Books Broché: 346 pages paperback Publication: 26/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Early Documents BEFORE entering upon the correspondence of the Paston family, in the reign of Henry vi., we have thought it well to give the reader a brief note of such deeds and charters of an earlier date as appear either to have been preserved in the family, or to have any bearing on its history. The following is a list of those we have been able to meet with either in the originals or in other quarters, such as Blomefield s History of Norfolk, where notices are given of several documents, which appear now to have got into unknown hands. The documents seen by Blomefield, and those from the Paston and Dawson-T urner collections, now in the British Museum, were probably all at one time part of the Paston family muniments. The three Harleian charters seem to have been derived from a different source. AD eed is cited by Blomefield (H ist. Norf. vi. 480), by which A nselm, Abbot of St. Benet s, Hulme, and the Convent there, gave to Osbern, the priest (said by Blomefield to have been a son of Griffin de Thwait, the founder of the Paston family), the land of St. Benet sof Paston (terram Sancti Benedtcti de Paston), in fee, for half the farm of one caruca, as his ancestors used to pay for the same. Also a Deed of William the Abbot (who lived in King Stephen sreign), granting to Richer de Pastun, son of Osbern, son of Griffin de Thwete, all the land that the Convent held in Pastun, with their men, and other pertinencies. Also a Deed of Covenant between Richer de Paston and Reginald the A bbot, and Convent of St. Benet s, Holme, that when peace should be settled in England, and pleas held in the Court of our Lord the King, the said Richer would, at the request and at the expense of the A bbot, give him every security in Court to release the lands in Pastun. Ralph de Paston was son, as I take it (says Blomefield) of this Richer, and appears to have had two sons, Ric (Typographical errors above are due to OCR software and don't occur in the book.) Early Documents BEFORE entering upon the correspondence of the Paston family, in the reign of Henry vi., we have thought it well to give the reader a brief note of such deeds and charters of an earlier date as appear either to have been preserved in the family, or to have any bearing on its history. The following is a list of those we have been able to meet with either in the originals or in other quarters, such as Blomefield s History of Norfolk, where notices are given of several documents, which appear now to have got into unknown hands. The documents seen by Blomefield, and those from the Paston and Dawson-T urner collections, now in the British Museum, were probably all at one time part of the Paston family muniments. The three Harleian charters seem to have been derived from a different source. AD eed is cited by Blomefield (H ist. Norf. vi. 480), by which A nselm, Abbot of St. Benet s, Hulme, and the Convent there, gave to Osbern, the priest (said by Blomefield to have been a son of Griffin de Thwait, the founder of the Paston family), the land of St. Benet sof Paston (terram Sancti Benedtcti de Paston), in fee, for half the farm of one caruca, as his ancestors used to pay for the same. Also a Deed of William the Abbot (who lived in King Stephen sreign), granting to Richer de Pastun, son of Osbern, son of Griffin de Thwete, all the land that the Convent held in Pastun, with their men, and other pertinencies. Also a Deed of Covenant between Richer de Paston and Reginald the A bbot, and Convent of St. Benet s, Holme, that when peace should be settled in England, and pleas held in the Court of our Lord the King, the said Richer would, at the request and at the expense of the A bbot, give him every security in Court to release the lands in Pastun. Ralph de Paston was son, as I take it (says Blomefield) of this Richer, and appears to have had two sons, Ric (Typographical errors above are due to OCR software and don't occur in the book.) Mot Clef: Nonfiction Education Education Theory

Boutique * Contact * Favoris * Evaluations * Page perso Categories de la Boutique * Variete Francaise & Quebecoise * Classique Baroque Romantique * CD Enfants Berceuses Comptines * Musiques du Monde Afrique Nova * Relaxation Humour Karaoke Easy * Humour & Textes lus, Parodies * Film Serie TV Comedie Musicale * Gospel & Spiritual Gospel Song * Jazz Latin Manouche Cool Swing * Rock Chretien Pop Louange Fete * Pop Rock Variete Disco Britpop * Country Blues Folk Songwriter * Soul R&B Stax Funk Blues * Hard Rock Metal Progressif * Inde Alternatif Punck Gothique * Techno Electro House Trance * Rap Hip-Hop Gangsta Rap Coast * Nouveautes * Autres Musiques * Import Musique * Promotion du Jour en Musique * A Offrir Idees Cadeaux * A Offrir Edition Coffret * A Offrir Edition Compilation Infos Contact Contactez-nous Description Broken Social Scene Broken Social Scene Cooperative Music 1 - Our faces split the coast in half 2 - Ibi dreams of pavement a better day 3 - 7/4 shoreline 4 - Finish your collapse and stay for breakfast 5 - Major label debut 6 - Fire eye'd boy 7 - Windsurfing nation 8 - Swimmers 9 - Hotel 10 - Handjobs for the holidays 11 - Superconnected 12 - Bandwitch 13 - Tremoloa debut 14 - It's all gonna break Year Of Release ECHO.... Rien ne ressemble a BSS et BSS ne ressemble a rien (de deja entendu). Voila un tres bon critere pour acheter un skeud...BSS s'execute dans un rock psyche bourre de bonnes intentions et d'espaces aeriens...tantot le chant est masculin, tantot feminin, ce qui rajoute un charme non negligeable a cet album ou excellent 12 musiciens qui nous font tourner la tete a un tel point, qu'un moment on se demande s'il n'y a pas un deuxieme disque qui tourne derriere...Bravo pour le mixage* Laissez vous charmer par le son du collectif canadien Apres le tres reussi 'You Forgot It In People', Broken Social Scene revient sur le devant de la scene avec un nouvel album tres attendu, au moment ou la ferveur autour des groupes canadiens n'a jamais ete aussi grande, je pense notamment a Arcade Fire ou dans une moindre mesure Wolf Parade. Un peu de temps est necessaire pour apprivoiser la complexite et la luxuriance de ces chansons, qui demandent une attention sans faille avant de devoiler leurs charmes veneneux. La sensation de fouillis et la legere deception cedent alors leur place a de l'admiration devant le minutieux travail de mixage qui reussit a combiner avec bonheur la multitude d'instruments et de voix de ce collectif canadien a geometrie variable (jusqu'a 12 intervenants). Alors les melodies prennent forme, leur evidence se fait jour, tandis que la complexite des constructions instrumentales ne cesse de seduire. On ne trouvera aucun tube interplanetaire ici, Broken Social Scene ne fera pas fredonner le monde entier, pour la bonne raison que de maniere assez inhabituelle les voix ne sont pas mises en avant, mais considerees comme les autres instruments ou effets sonores, comme une partie d'un tout, et la notion de collectif prend tout son sens ici. On retrouve d'ailleurs dans le livret quelques notes et idees de production, assez simples mais qui donnent une idee de la minutie du travail de mixage. A cote de reussites eclatantes, qui se deroulent comme dans un songe (la plupart des morceaux, on pourrait citer quelques titres mais ce serait faire injure aux autres de les oublier), quelques longueurs instrumentales un peu complaisantes ternissent legerement l'excellence du disque, l'empechant d'acceder entierement au statut de chef d'oeuvre imperissable. Critique Deux annees apres le succes de l?album You Forgot It in People le collectif de Toronto revient avec un album plus difficile et au premier aspect moins structure que son predecesseur. Destabilisant au premier abord, le disque gagne en force avec des envolees harmoniques qui atteignent l?auditeur par petites touches successives. Le morceau d?ouverture Our Faces Split The Coast

Boutique * Contact * Favoris * Evaluations * Page perso Categories de la Boutique * Variete Francaise & Quebecoise * Classique Baroque Romantique * CD Enfants Berceuses Comptines * Musiques du Monde Afrique Nova * Relaxation Humour Karaoke Easy * Humour & Textes lus, Parodies * Film Serie TV Comedie Musicale * Gospel & Spiritual Gospel Song * Jazz Latin Manouche Cool Swing * Rock Chretien Pop Louange Fete * Pop Rock Variete Disco Britpop * Country Blues Folk Songwriter * Soul R&B Stax Funk Blues * Hard Rock Metal Progressif * Inde Alternatif Punck Gothique * Techno Electro House Trance * Rap Hip-Hop Gangsta Rap Coast * Nouveautes * Autres Musiques * Import Musique * Promotion du Jour en Musique * A Offrir Idees Cadeaux * A Offrir Edition Coffret * A Offrir Edition Compilation Infos Contact Contactez-nous Description Broken Social Scene Broken Social Scene Pony Canyon Japan ECHO.... Rien ne ressemble a BSS et BSS ne ressemble a rien (de deja entendu). Voila un tres bon critere pour acheter un skeud...BSS s'execute dans un rock psyche bourre de bonnes intentions et d'espaces aeriens...tantot le chant est masculin, tantot feminin, ce qui rajoute un charme non negligeable a cet album ou excellent 12 musiciens qui nous font tourner la tete a un tel point, qu'un moment on se demande s'il n'y a pas un deuxieme disque qui tourne derriere...Bravo pour le mixage* Laissez vous charmer par le son du collectif canadien Apres le tres reussi 'You Forgot It In People', Broken Social Scene revient sur le devant de la scene avec un nouvel album tres attendu, au moment ou la ferveur autour des groupes canadiens n'a jamais ete aussi grande, je pense notamment a Arcade Fire ou dans une moindre mesure Wolf Parade. Un peu de temps est necessaire pour apprivoiser la complexite et la luxuriance de ces chansons, qui demandent une attention sans faille avant de devoiler leurs charmes veneneux. La sensation de fouillis et la legere deception cedent alors leur place a de l'admiration devant le minutieux travail de mixage qui reussit a combiner avec bonheur la multitude d'instruments et de voix de ce collectif canadien a geometrie variable (jusqu'a 12 intervenants). Alors les melodies prennent forme, leur evidence se fait jour, tandis que la complexite des constructions instrumentales ne cesse de seduire. On ne trouvera aucun tube interplanetaire ici, Broken Social Scene ne fera pas fredonner le monde entier, pour la bonne raison que de maniere assez inhabituelle les voix ne sont pas mises en avant, mais considerees comme les autres instruments ou effets sonores, comme une partie d'un tout, et la notion de collectif prend tout son sens ici. On retrouve d'ailleurs dans le livret quelques notes et idees de production, assez simples mais qui donnent une idee de la minutie du travail de mixage. A cote de reussites eclatantes, qui se deroulent comme dans un songe (la plupart des morceaux, on pourrait citer quelques titres mais ce serait faire injure aux autres de les oublier), quelques longueurs instrumentales un peu complaisantes ternissent legerement l'excellence du disque, l'empechant d'acceder entierement au statut de chef d'oeuvre imperissable. Critique Deux annees apres le succes de l?album You Forgot It in People le collectif de Toronto revient avec un album plus difficile et au premier aspect moins structure que son predecesseur. Destabilisant au premier abord, le disque gagne en force avec des envolees harmoniques qui atteignent l?auditeur par petites touches successives. Le morceau d?ouverture Our Faces Split The Coast in Half plonge d?emblee dans l?univers du groupe. Une rythmique oscillant entre pop acoustique et cuivres immoderes entraine l'auditeur dans un tourbillon sonore. Entre violence contenue et instrumentation travaillee, Broken Social Scene hesite toujours. C?est avec le morceau 7/4 (Shoreline) que l?on retrouve la force du groupe avec un morceau melodique entetant evolu

ATTENTION: PAS DE CHEQUE, PAS DE VIREMENT; PAYEMENT PAYPAL UNIQUEMENT  PAYPAL ONLY ECHO & THE BUNNYMEN THE CUTTER Track Listing1. The Cutter 2. Bombers Bay 3. Paint It Black 4. All You Need Is Love 5. Ashes to Ashes 6. All My Life 7. A Promise 8. Read It in Books 9. Crocodiles 10. Crystal Days 11. Ocean Rain 12. My Kingdom Album Notes The Cutter is a strange compilation with cash-in written all over it. The front sleeve reads 12 classic tracks. It's a lie. Yes, some of the songs are among the best recorded by Liverpool's finest post-punk band, but the inclusion of two bizarre covers doesn't help the collection reach any sort of classic status. Perhaps WEA Records thought fans would see The Cutter as a best-of collection, which it isn't; maybe they thought those same fans would clamor for the covers of songs by the Rolling Stones and the Beatles. To start with, the album material isn't necessarily the best of. While the songs are a just-decent sample of some of the finer moments from the band's glory days, Songs to Learn and Sing and Ballyhoo are both better introductions. Albums covered include Crocodiles, Heaven Up Here, Porcupine, Ocean Rain, and Echo & the Bunnymen. There are classics here to be sure: "The Cutter," "A Promise," and "Ocean Rain" are all glorious slices. But there are glaring omissions among these classics, including "Lips Like Sugar," "The Killing Moon," "Bring On the Dancing Horses," and "Never Stop." The Cutter might be a nice find in the used CD bin, if one is looking for one particular track and an assortment of other okay songs. The live covers certainly don't justify the album, as they serve merely to break up an otherwise interesting collection. "Paint It Black" sees Ian McCulloch butchering the classic song like a campy vampire; it actually starts out promising, but McCulloch falls apart about a minute and half in. "All You Need Is Love" just sounds stupid, as if the band had only been rehearsing it for a day; there's no passion in the performance. The Cutter would cut cleaner if its cuts included the classics. ~ Tim DiGravina WEA RECORDS / 1988 / Printed in GERMANY Boitier Cristal // Crystal Box Tous mes CD sont en état impeccable, très peu utilisés Frais de Port, Shipping cost: Pour la France: 3,50€ (+1€ par CD Supplémentaire) For Europe, Switzerland and Norvay: 5,50€ (+2€ each additional CD) Rest of the world: 7,85€ (+3€ each additional CD) MERCI de CONSULTER MES AUTRES VENTES... PAYPAL ONLY ATTENTION: PAS DE CHEQUE; PAYEMENT PAYPAL EXCLUSIVEMENT

ATTENTION: PAS DE CHEQUE, PAS DE VIREMENT; PAYEMENT PAYPAL UNIQUEMENT  PAYPAL ONLY SWEETHEARTS OF THE RODEO BEAUTIFUL LIES Track Listing 1. When Love Comes Around the Bend 2. Beautiful Lies 3. When the Morning Comes 4. Catch the Wind 5. I'll Pass Over Thee 6. I Won't Cry 7. Inn at Innisfree, The 8. I Know Who You Are 9. Pretty Words 10. One More Night 11. Mule Skinner Blues DetailsPlaying Time:39 min.Contributing Artists:Stuart Duncan, Joey MiskulinProducer:Janis GillDistributor:WelkRecording Type:StudioRecording Mode:StereoSPAR Code:n/a Album Notes Sweethearts Of The Rodeo: Janis Gill (vocals, acoustic guitar); Kristine Arnold (vocals).Additional personnel: Richard McLaurin (acoustic guitar); Brad Davis (electric & acoustic guitars); Brent Truitt (mandolin, bazouki, electric & acoustic guitars); Mark Schatz (banjo); Stuart Duncan (fiddle); Joey Miskulin (accordion); Roy Huskey, Jr. (acoustic bass); Larry Marrs (electric bass); Kenny Malone (drums, percussion); Irish Spring Choir (background vocals).Recording information: Garage.Sneaking through the herd of slick, contemporary country artists who are basically singing pop (if not for the occasional fiddle or pedal steel) must not be an easy task. But every now and then comes the rare traditionalist with a twang and a swagger and a bucket full of heartache to sing about. Enter Sweethearts of the Rodeo. They are country even when (or if) country isn't cool. And thank goodness. Because even legendary stalwart Dolly Parton tiptoes over to the bluegrass side of the pasture half the time. Not these gals. With harmonies galore, they sing and sing. And they aren't separatists either, tossing in covers of Donovan's "Catch the Wind" and Bob Dylan's "One More Night." They work because those tunes hold that simple, heartfelt beauty -- missing in so many of Nashville's hitmakers -- that is the essence of good country music. Beautiful Lies is a decent little record. Nothing terribly earth-shattering, but that's just fine. ~ Kelly McCartney SUGAR HILL RECORDS / 1996 / Printed in USA Boitier Cristal // Crystal Box Tous mes CD sont en état impeccable, très peu utilisés Frais de Port, Shipping cost: Pour la France: 3,50€ (+1€ par CD Supplémentaire) For Europe, Switzerland and Norvay: 5,50€ (+2€ each additional CD) Rest of the world: 7,85€ (+3€ each additional CD) MERCI de CONSULTER MES AUTRES VENTES... PAYPAL ONLY ATTENTION: PAS DE CHEQUE; PAYEMENT PAYPAL EXCLUSIVEMENT

ATTENTION: PAS DE CHEQUE, Merci  ECHO & THE BUNNYMEN THE CUTTER Track Listing1. The Cutter 2. Bombers Bay 3. Paint It Black 4. All You Need Is Love 5. Ashes to Ashes 6. All My Life 7. A Promise 8. Read It in Books 9. Crocodiles 10. Crystal Days 11. Ocean Rain 12. My Kingdom Album Notes The Cutter is a strange compilation with cash-in written all over it. The front sleeve reads 12 classic tracks. It's a lie. Yes, some of the songs are among the best recorded by Liverpool's finest post-punk band, but the inclusion of two bizarre covers doesn't help the collection reach any sort of classic status. Perhaps WEA Records thought fans would see The Cutter as a best-of collection, which it isn't; maybe they thought those same fans would clamor for the covers of songs by the Rolling Stones and the Beatles. To start with, the album material isn't necessarily the best of. While the songs are a just-decent sample of some of the finer moments from the band's glory days, Songs to Learn and Sing and Ballyhoo are both better introductions. Albums covered include Crocodiles, Heaven Up Here, Porcupine, Ocean Rain, and Echo & the Bunnymen. There are classics here to be sure: "The Cutter," "A Promise," and "Ocean Rain" are all glorious slices. But there are glaring omissions among these classics, including "Lips Like Sugar," "The Killing Moon," "Bring On the Dancing Horses," and "Never Stop." The Cutter might be a nice find in the used CD bin, if one is looking for one particular track and an assortment of other okay songs. The live covers certainly don't justify the album, as they serve merely to break up an otherwise interesting collection. "Paint It Black" sees Ian McCulloch butchering the classic song like a campy vampire; it actually starts out promising, but McCulloch falls apart about a minute and half in. "All You Need Is Love" just sounds stupid, as if the band had only been rehearsing it for a day; there's no passion in the performance. The Cutter would cut cleaner if its cuts included the classics. ~ Tim DiGravina WEA RECORDS / 1988 / Printed in GERMANY Boitier Cristal // Crystal Box Tous mes CD sont en état impeccable, très peu utilisés Frais de Port, Shipping cost: Pour la France: 4,60€ (+1€ par CD Supplémentaire) For Europe, Switzerland and Norvay: 6,50€ (+2€ each additional CD) Rest of the world: 7,85€ (+3€ each additional CD) Je ne livre pas les dom Tom, la Corse et les bases de l'armée (marine, armée de terre, de l'air, etc...) ainsi que les boites postales Pas de chèque. Nous expédierons UNIQUEMENT à l'adresse (confirmée) spécifiée dans MERCI de CONSULTER MES AUTRES VENTES...