Hear no

DISCHARGE: Hear Nothing See Nothing Say Nothing Label: Earmark ‎40008 Format: Vinyl  LP  Album  180g Vinyl Country: Italy Sortie: 2003 A1 Hear Nothing See Nothing Say Nothing A2 The Nightmare Continues A3 The Final Blood Bath A4 Protest And Survive A5 I Won't Subscribe A6 Drunk With Power A7 Meanwhile B1 A Hell On Earth B2 Cries Of Help B3 The Possibility Of Life's Destruction B4 Q: And Children? A: And Children B5 The Blood Runs Red B6 Free Speech For The Dumb B7 The End - Phonographic Copyright (p) Sanctuary Records Group Ltd. - Copyright (c) Sanctuary Records Group Ltd. - Marketed By Abraxas Srl - Manufactured By Abraxas Srl - Manufactured By www.gzvinyl.com - Pressed By GZ Digital Media AE 47797 - Pressed By GZ Digital Media AE 47798 Pressed on 180g Vinyl. État Vinyl: Comme Neuf .  Vinyl Condition: Near Mint     Pas de Pochette  /  No Sleeve France :  Envoi recommandé: 9 € Postage E.E.C. :  Registred shipment : 13 € Postage Rest of the World:  Registred shipment : 17 € Available photos on request to  nocoma@live.fr Payment due 3 days after invoice received Combined shipment

ARTISTE/GROUPE: A FLOCK OF SEAGULLS  TITRE POCHETTE: The story of a young heart   A-SIDE : Voir Scan Photos       B-SIDE : Voir Scan Photos      RECORD LABEL:  JIVE                                                                          RECORD NUMBER: JL 8-8250                                                                                                                                                                       SERIES  ATTRIBUTES:                                                                                       SERIES:                                                                                                                                                                                                                FORMAT: Vinyl, LP, 33T                                                                            PAYS: USA                                                                                                         DATE: 1984                                                                                                                                GENRE: ELECTRONIC, ROCK, POP                                                                     STYLE: ROCK POP, SYNTHE POP                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               POCHETTE / SLEEVE : EX   DISQUE / RECORD : NM       DESCRIPTION :                                           BAREME D'EVALUATION                                                              M NEUF // La Pochette est neuve et le Disque est neuf (aucunes écoutes).                 Ils ne sont juste plus sous l'emballage d?origine. MINT // I use MINT only for records which are truly new & never played coming straight from the distributor,label, or gross sale.          NM Comme NEUF // La Pochette est irréprochable (dessin / photo / textes / tranches).  Le Disque est comme neuf (1 ou 2 écoutes Maximum).                            Absence totale de micro- traces recto/verso).Qualité sonore irreprochable. NEAR MINT // About Record,no damages,no noises,no visible marks,no scratches Probably only played a few times (1 or 2 - never more)                                                About sleeves, you won't find them in better condition ! Amazing sleeves with no comments (simple, double, gatefold).          EX EXCELLENT // La Pochette peut avoir quelques très discrètes traces et/ou des petits plis. Le Disque montre de sensibles marques lumineuses mais la perte de qualité sonore est pratiquement inexistante. EXCELLENT // For the casual Collector, this is a beautiful record.                        No damages, only minor wear; even it is obviously a used record.  Hairline traces could possibly be found but, no annoying noises during play must be expected.      Summing up, it's this main condition that collectors research / looking for.         VG+ TRES BON+ // La Pochette, sans défaut majeur, présente, toutefois, des signes  de manipulations évidents: extrémité légèrement cornée, tranches un peu usées, présence d'étiquette (prix). Le Disque , sans rayures constatées, présente cependant, quelques micro-traces de surface mais qui n'affectent pas la qualité sonore. VERY GOOD+ // See EXCELLENT, but might have a bit more wear.

THE BEATLES " HEAR THE BEATLES TELL ALL " VEE-JAY CRV 202 By CHARLY RECORDS Tracklist: Jim Steck Interviews John Lennon Dave Hull Interviews John, Paul, George, Ringo Disque et pochette en très bon état.  Voir photos NO PAYPAL : Paiement par chèque bancaire ou virement

WHITESNAKE Can you hear the wind blow, CD 2 titles, Here I go again - 2008  Very good condition PAYPAL ONLY Shipping costs for Italy and Greece, registered mail only: 9,70€.  For more, do not hesitate to ask:-) Non smoking house, no pets If you buy several items, I recalculate the shipping costs, please ask. I do not sell to South America. Many rock, hard rock and metal shirts or cd's to sell, please have a look at my sales.

- Categorie : Pop - Auteur : Clover - Editeur : Undercover - Label : Naïve - 2 1 Sword City 4:16 2 Not Love 3:48 3 On & On 3:44 4 The Things 5:04 5 The Death Of The Lonely Superhero 6:13 6 Now I Know 1:53 7 See No Hear No Speak No 4:15 8 Hey 5:04 9 To You 4:21 10 First In, Last Out - CD  CD Original, Pas Une Copie ! Original CD, Not A Copy  Envoi sous 24H à reception du paiement, emballage sous bulle compris GROUPEZ VOS ACHATS POUR DIMINUER LES FRAIS DE PORT CONSULTER: MES AUTRES OBJETS Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

DISCOGRAPHIE complète de INNA DE YARD (original band 2004-2011) released on CD   + RARES BONUS CDs - EXCELLENT ROOTS REGGAE -  Cette enchère est une occasion rarissime pour les fans du groupe Inna De Yard ou d'autres collectionneurs de REGGAE de pouvoir acquérir la collection complète des CDs réalisés par le groupe original, sur le label Makasound, entre 2004 et 2008. Elle totalise 10 CDs au total, quelle sacrée série ! Des chanteurs et musiciens ‘de légendes’ sont immortalisés ‘dans l’arrière cour’ avec et chez Earl Chinna Smith. Je propose non seulement cette série mythique, mais j’y ajoute des BONUS très rares, voire introuvables : 1/ le CD ‘See and Hear’ : le groupe était allé en Suède en 2011. Les musiciens avaient profité de ce séjour pour enregistrer en studio quelques nouveaux morceaux, avec des musiciens locaux ! ‘voir et écouter’ (‘see and hear’) : c’est du très lourd !!! 2/ le lot de cartes postales ‘promo’ de Makasound de l’époque : de superbes dessins des musiciens qui ont été immortalisés  …   dont certains nous ont quittés …  3/ mes ‘bonus personnels’ : j’avais enregistré des diffusions radio de concerts du groupe en 2009, puis un autre concert en LIVE, en juillet 2010 à la Plage Glaz’Art à Paris… j’offre donc ces excellents enregistrements avec ce lot ! Le concert de Paris en 2010 inclus une autre ‘légende’ du REGGAE : Monsieur Clinton FEARON, qui profita de cette occasion pour nous offrir quelques unes de ses célèbres compositions ! quel show ! J’espère pouvoir faire plaisir à des fans qui n’auraient pas déjà tout cela, ou à d’autres personnes qui ne connaissent pas cette série qui est vraiment ‘historique’ à mon avis. Si vous souhaitez des informations supplémentaires sur la biographie et la discographie du groupe (première formation + la suivante - depuis 2017), n’hésitez pas à consulter ‘Reggaediscography.blogspot.com’ … j’ai personnellement effectué ces pages internet, qui resteront dans l’histoire du REGGAE, de même que celles de Soul Syndicate et autres artistes amis (Kiddus I, Winston Mc Anuff, Fully Fullwood…). Bonnes vibrations Reggae ! J  Les CDs seront éventuellement envoyés sans les boîtiers afin de réduire le coût des frais de port... --------------------------------------------------------------------------------------------------------------------------- COMPLETE DISCOGRAPHY of INNA DE YARD (original band 2004-2011) on CD + BONUS   + VERY RARE BONUS ITEMS – GREAT ROOTS REGGAE -  This auction is an extremely rare opportunity for fans of the Inna De Yard band or others Reggae collectors to acquire the complete collection of CDs made by the original band, on the Makasound label, between 2004 and 2008. It is a total of 10 CDs, what a series ! Legendary singers and musicians are immortalized performing and recording 'inna de yard', with Earl Chinna Smith (in his own yard). Not only I do offer this mythical series, but I also add some very rare BONUSES (some are definitively impossible to find: 1/ the CD 'See and Hear': the band went to Sweden in 2011. The musicians had taken advantage of this stay to record some new songs ‘inna de studio’, along with local musicians!  ‘See and hear' tracks are awesome !!! 2/ the set of Makasound's 'promo' postcards of the time: beautiful drawings of the musicians who have been immortalized... some of them are no longer with us...  RIP 3/ my 'personal bonuses': I have had recorded radio broadcasts of the band's concerts in 2009, then another LIVE concert in July 2010 at the Plage Glaz'Art in Paris... so I offer these excellent recordings with this package! The Paris concert in 2010 includes another REGGAE 'legend': Mr. Clinton FEARON, who took this opportunity to offer us some of his famous compositions! What a show ! I hope to please fans who wouldn't have all this already, or other people who don't know this series which is really 'historical' in my opinion. If you want more information about the ban

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

Barbra Streisand ‎– Yentl - Original Motion Picture Soundtrack Genre: Pop, Stage & Screen Style: Soundtrack, Ballad, Vocal Année: 1983 Tracklisting  Where Is It Written? Papa, Can You Hear Me? This Is One Of Those Moments No Wonder The Way He Makes Me Feel No Wonder (Part Two) Tomorrow Night Will Someone Ever Look At Me That Way? No Matter What Happens No Wonder (Reprise) A Piece Of Sky The Way He Makes Me Feel (Studio Version) No Matter What Happens (Studio Version)

The Beatles ‎– A Hard Day's Night -  1964 UK first mono pressing from inital july 1964 released. Matrices: XEX 481-3N & XEX 482-3N Audio: NEAR MINT Played with care on good equipment only, all tracks on this great sounding copy play cleanly and clearly with no groove/playwear  - even on the easily worn innermost tracks. There are of course no clicks, pops or other audible issues. Tough to find a more exciting sounding example. Covers: EXCELLENT A clean & fully intact example with a clean & unworn high-gloss font panel bearing just a single 'thumbnail wrinkle. There is a little wear to the corner tips and front edge but nothing serious. The rear panel is clean overall with slight storagewear but no writing or missing paper. All flipbacks are in-place and undamaged and both seams and the spine are solid & unworn.  Inner-sleeve: EXCELLENT + Clean & crisp with no writing, tears or seam splits. You can ask for audio extract if you want to hear and judge by yourself the vinyl condition

THE FABULOUS BAKER BOYS Music by DAVE GRUSIN TITRES Face 1 1. Main Title (Jack's Theme) 2. Welcome to the Road 3. Makin' Whoopee (With Michelle Pfeiffer) 4. Suzie and Jack 5. Shop till You Bop Face 2 6. Soft on Me 7. Do Nothin' till You Hear From Me 8. Moment of Truth, The 9. Moon Glow 10. Lullaby of Birdland (With Michelle Pfeiffer) 11. My Funny Valentine   LABEL... GRP RECORDS REF... GR 2002.... USA 1989 DISQUE...........TRES  BON  ETAT... EX POCHETTE.....TRES  BON  ETAT... EX   REGROUPER LES ACHATS (cela réduit les frais de poste)   DISQUE M: Neuf MN: proche du neuf EX: très bon etat, quelques traces de surface et très léger bruits de fond ou pas VG+: très bon etat. Quelques traces et peut être quelques grésillements, VG:  etat correct, traces bien visibles,avec quelques claques mais  pas de sauts G: nombreux claquements,mauvaises écoute mais  pas de sauts RECORD: M: new, mint MN: near mint EX: some possible very light scratches but low in surface noise or no surface noise VG+: some scratches and may be some clacks, VG: more scratches, more clacks, no jumps G: many scratches and many clacks bad listening POCHETTE M: Neuf MN: proche du neuf EX: très léger plis, VG +: petits plis, légère usure des bords ou petits frottements sur les tranches           ou une petite écriture sur le verso VG: les défauts sont plus marqués que VG +,quelques petites taches ou petite déchirure G: nombreus défauts SLEEVE M: New, mint MN: near mint EX: The sleeve suffer small foldings, spine lettering clear: VG+:The sleeve suffer foldings, slight wear of edges,or small writing on the back sleeve. VG: More deffect than VG+, a few dirts,or small cut G: Many deffect Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

- Only Love Beauty (after Gustav Mahler, Liebst du um Schönheit, Rückertl - Variation xxxii (after ludwig van beethoven, diabelli variations) - Variation xxxiii (after ludwig van beethoven, diabelli variations) - Variation 10 for Fortepiano and Viola da Gamba Quartet (after Johann se - Hör' Ich das Liedchen Klingen (when I Hear the Song) (after Robert Schu - Die Rose, Die Lilie, Die Taube (the Rose, the Lily, the Dove) (after ro - Am Leuchtenden Sommermorgen (this Glowing Summer Morning) (after Robert - Midnight variation (after johann sebastian bach, goldberg variations) - Brass and Drums Variation (after Johann Sebastian Bach, Goldberg Variat - Prelude (tristan und isolde) (after richard wagner) - Scratch variation (after johann sebastian bach, goldberg variations) - Fats variation (after johann sebastian bach, goldberg variations) - Variation for Lute and Clarinet (after Johann Sebastian Bach, Goldberg - Urlicht Primal Light (after Gustav Mahler, Symphony No. 2 resurrection - Variation 27 for Lute and Flute (after Johann Sebastian Bach, Goldberg - Desdemona's lament (after giuseppe verdi, otello) - Organ variation (after johann sebastian bach, goldberg variations) - Variation 22 for Fortepiano and Viola da Gamba Quartet (after Johann se - Turkish Rondo from Piano Sonata (k. 331) in A-major (after Wolfgang Ama - Symphony no. 5, adagietto (after gustav mahler)

You who are looking for the ultimate piece in your collection of this huge band of music, here it is, you have just found. Condition: EX+ cover and  NM disc Extremely rare. Gatefold sleeve. Only 200 copies in the world edited in 1985.  The sound is breathtaking, i've never heard basses so deep and others instruments so clear on all  recording media otherwise available (Strange Fruit 1991, remasters on The Best Of 2006 etc.) and this is due to the reading speed 45 rpm. Absoluty an hypnotic performance (Paul MORLEY, NME).  Tracklist: Side A: Exercise one / Insight / She's lost control / Transmission  Side B: Love will tear us apart / Twenty four hours / Colony / The sound of music  Source: the two Peel Sessions january & september 1979 (studios BBC & Maida Vale) I bought it in LONDON in 1986 at a specialized record shop (unofficial release). A magnficient highly collectible objet for a real fan! The artwork was inspired by Peter SAVILLE, initially planned for STILL album. Really much rarer than the french 7" SORDIDE SENTIMENTAL " Licht und Blindheit" SS 33002. You'll never find this item elsewhere on sale (auctions websites, Discogs, CD&LP etc.). The graphic comes from the painting of Caspar David FREIDRICH "Monastery cimetery in the snow", the painter become popular with the "Traveler contemplating a sea of clouds". EXTRAS: incredible sound effects at the begenning and the end of each disc as follows: Side A begins with thunder and rain sound effects, then a scratching sound (as the needle is roughly sliding across the grooves), and then some mad laughter followed by a "welcome!". After the tracks it closes with another stylus scratching noise and an annoyed voice exclaiming something along the lines of "Hey, what are you trying to do, man? You ruined my record, I just bought it!" Side B features, dialogue taken from (or later used in) an Apollonia Six (Prince offshoot) album spoken word track called Ooo She She Wa Wa at the beginning and the end. Side B starts with the following dialogue: "God bless Susan and Brenda and my rabbit, Smokey Oh, and God, please bless all the people on Neptune Amen Apollonia? Who said that? It's Brenda from Neptune {laughter} Get up girl, its too early to be in bed Oh Brenda, what is it? Get up I'm tired Come here, I want you to hear something What? Come on, come on Oh Brenda, where are we going? Shhh, listen What do you mean I'm too young? Maybe you're too old Hey, I happen to like my teddy bear Well, for one thing, he's bigger than you {hangs up phone} Hey, who's there? It's the men from Neptune:::laughter::: Oh you... you guys OK, Apples, put on some clothes Susan, take some off We're going out to play (Yeah!) This dialogue is followed by Love will tear us apart, 24 hours, Colony and The Sound of music At the end of side B the dialogue continues: Hello sweetheart, it's Brenda Hello sweetheart, it's Brenda Hold on honey Come on you guys, put it in the bank, I'm trying to talk Well, we're so sorry Come on Susan, I'll tuck you in OK I'm sorry darling, where were we? What? No, not really Nah, it's just something she says Whenever she goes to see this Spanish guy she knows in the valley Never mind that Let's talk about you and I This is followed by a deep processed voice stating something like "No you punk, I'm not ruining your new record. This is brought to you by The Snowman" ALL QUESTIONS ARE WELCOME, OTHERS PICTURES AVAIBLE ON REQUEST. DELIVERY FOLLOWED TO MY CHARGE WITH INSURANCE IN CASE OF LOSS. THANKS VERY MUCH FOR YOUR VISIT, AND HAPPY BIDDING IN TOTAL CONFIDENCE !

ART BLAKEY’S JAZZ MESSENGERS AVEC BARNEY WILEN Les Liaisons Dangereuses 1960 (Fontana 460.660 ME) - FACE A ART BLAKEY’S JAZZ MESSENGERS No problem (1re version) ART BLAKEY ET BARNEY WILEN Quartet prelude in blue (à l’esquinade») - FACE B ART BLAKEY ET LES AFROCUBAN Boys no hay problema ART BLAKEY’S JAZZ MESSENGERS Prelude in blue (chez Miguel) Pressage original français sorti en 1960. Très BO bonne jazz. Écoutez le fichier son enregistré à partir du disque en vente. Original french pressing issued in 1960. Great French 60s jazz soundtrack. Hear clip sound recorded from actual record Record condition: SLEEVE (pochette) VG / RECORD (disque) VG J’indique toujours dans la description si le fichier son a été enregistré du vinyle en vente.  Si ce n’est pas précisé cela veut dire que l’échantillon vient d’un autre vinyle   It’s always indicated on the description when the clip sound source is the record actually on sale.  If not, it means than the source is from a previous copy   ACHETEZ PLUSIEURS DISQUES ET ÉCONOMISEZ LES FRAIS DE PORT. Demandez-moi les tarifs. Attendre ma facture pour payer en cas d'achat multiple CHECK MY OTHER RECORDS FOR SALE, COMBINED AND SAVE ON SHIPPING FEES. Ask me for rates. Wait for invoice to pay in case of multiple buys GRADING M  Mint Actually almost impossible to find a Mint second hand disc unless it’s sealed or it’s brand new. Neuf Quasi impossible pour un disque d’occasion sauf si le disque est scellé ou si c’est une nouveauté. NM Near Mint The record may have been played but it is almost mint. Only most minimal deterioration in sound quality. The sleeve is almost mint. Quasi Neuf Disque et pochette sont en état quasi neufs, jamais ou très peu joués et manipulés. Ils comportent le minimum de trace d’usure possible. EX Excellent The record shows some signs of having been played, but still plays perfectly. The vinyl may have some tiny wear or marks, but nothing major and nothing that affects play. The cover could show only slight wear and/or creasing but it’s still close to mint. Excellent Le disque a déjà été écouté plusieurs fois. Mais il passe toujours comme neuf. Si il y a des micro rayures, elles sont sans conséquences et quasi invisbles. La pochette est splendide, quelques signes manipulations, petites pliures, rien d’important quasi neuve VG+ Very Good+ The record have been played many times, show wear, small marks or light scratches but nothing deep. It still plays very well. The cover shows some wear, light creasing, maybe tiny tears or pen marks. Overall this is the condition of Most of records sold in second hand. Très Bon+ Disque a déjà été écouté, il peut y avoir des petites rayures, peut craquer très légèrement, mais l’écoute reste très satisfaisante. La Pochette est usée, petites écritures ou pliures mais très correcte. La plus part des disques d’occasions sont dans cette condition. VG Very Good The record shows non-deep scratches, surface marks,wear and displays some surface noise. But still very playable. The cover shows wear, creasing, maybe spine splits, BB/cut hole, pen marks or small tears. It may be great but with an inner sleeve or an insert missing. Très bon Le disque a été beaucoup écouté. Il y a des rayures et il craque. Néanmoins l’écoute reste satisfaisante sans être optimale. La pochette est usée, un poil déchirée, des grosses écritures. C’est aussi la note pour une pochette superbe mais ou il manque l’insert ou autre chose. G Good The record displays considerable surface noise, visible but non-deep scratches, but still it’s playable and enjoyable and it does not jump.The cover shows strong wear, creasing, spine splits, cut out hole, pen marks or tears but is still in one piece. Bon Le disque comporte beaucoup de rayures il craque beaucoup. Néanmoins il ne saute pas et il n’est pas rayé. L’écoute e

Cootie Williams / Coleman Hawkins / Rex Stewart – Together 1957 Label: Musidisc – 30 JA 5201, Musidisc – JA 5201 Série: Jazz Anthology Format: Vinyle, LP, Album, Reissue Pays: France Sortie: 1976 Genre: Jazz Style: Swing Tracklist A1I'm Beginning To See The Light6:06A2Do Nothin' Till You Hear From Me (Concerto For Cootie)4:20A3Alphonse And Gaston8:50B1Walkin' My Baby Back Home4:43B2When Your Lover Has Gone5:12B3Rex' Time4:41B4I Gotta Right To Sing The Blues4:11 POCHETTE ET DISQUE EN  EXCELLENT   ETAT  PAS DE RAYURES   PAS DE CHEVEUX     NO SCRATCHES   NO HAIRLINES VOIR MES AUTRES VENTES MÊME SUJET.     ACHATS GROUPES = FRAIS DE LIVRAISON RÉDUITS. En cas d'achats groupés merci de me contacter avant de payer afin que je recalcule les frais de livraison au plus juste. ENVOI EN COLISSIMO FRANCE ou INTERNATIONAL AVEC N° DE SUIVI TRANSMIS A L'ACHETEUR  Vous pouvez me poser des questions et me demander d'autres photos pour plus de détails ou pour juger de l'état.. Je ne suis pas infaillible et en cas de litige je serais heureux de résoudre tout problème avec vous, aussi n'hésitez pas à me contacter. Merci d'utiliser les évaluations avec recul et discernement. CONTACT: 06 88 96 58 58      cophil.millot@gmail.com PAYPAL OU CHÈQUE.

Tracklist: Made In Britain1-01Best Years6:401-02Give Me All Your Love Tonight5:071-03Love Ain't No Stranger4:241-04Is This Love5:001-05Steal Your Heart Away5:551-06Forevermore7:071-07Love Will Set You Free5:011-08My Evil Ways7:091-09Fare Thee Well4:411-10Ain't No Love In The Heart Of The City7:451-11Fool For Your Loving4:301-12Here I Go Again6:031-13Still Of The Night9:13The World Record2-01Bad Boys6:372-02Slide It In3:472-03Lay Down Your Love6:392-04Pistols At Dawn6:212-05Snake Dance2:242-06Can You Hear The Wind Blow5:392-07Fare Thee Well5:532-08One Of These Days4:372-09The Badger1:302-10The Deeper The Love5:232-11Soldier Of Fortune1:242-12Burn / Stormbringer8:31 Credits: - Bass, Vocals – Michael Devin  - Drums, Vocals – Brian Tichy - Guitar, Vocals – Doug Aldrich, Reb Beach - Keyboards, Vocals – Brian Ruedy - Vocals – David Coverdale

RARE FRENCH LP SWING N° LDM 30 033   Tracklisting Listen Hear Bewitched, Brothered, And Bewilderd Some Good Fun Blues Fools Rush In Speakeasy Credo Pretty That Old Feeling I SHIP WORLDWIDE OVER 50 EUROS, REGISTERED PACKAGE ONLY + DE 50 EUROS, ENVOI EN RECOMMANDEMERCI DE REGARDER MES AUTRES DISQUES EN VENTE/ THANKS TO LOOK MY OTHER RECORDS REDUCTION DU PORT SI ACHAT DE PLUSIEURS DISQUES SAVE POSTAGE IF BUYING SEVERAL RECORDS   POCHETTE/SLEEVE: VG++      VINYL/RECORD: VG++ Mon systeme d'evaluation/My grading system POCHETTE / SLEEVE: EX: excellent état,neuf ou proche du neuf./ new or near mint VG++: très bon état, marque du disque très légère au dos. Eventuellement une petite écriture (initiale ou un nom très discret) au dos mais discrète. Parfois plusieurs de ces défauts mais toujours peu accentués./very good, small ringwear or small writing on the back sleeve.  VG+: bon état, les défauts cités en dessus sont plus accentués, marque du disque est bien visible, des plis légers, des écritures bien visibles. Cumule plusieurs de ces défauts qui restent cependant tout à fait acceptable/very good but more ringwear or writing or lightly turned up corners.  VG: état correct, une petite déchirure ou un accroc du genre etiquette mal enlevée. Les plis sont plus importants. Plusieurs défauts cités plus hauts. Eventuellement salie. Reste encore convenable./very good but more deffects than VG+, may be dirt. VG- état moyen: pochette assez abîmée, un gros défaut abîme la pochette, très usée, salie, une déchirure importante, une écriture qui défigure la pochette/good, many deffects or a very big one.  G mauvais état: gros défaut, très sale, grosse déchirure./bad. VINYLE / RECORD:  EX: excellent état,neuf ou proche du neuf./new or near mint  VG++ très bon etat, quelques légers grésillements possibles ne gênants pas l'écoute./very good, somes possible very light scratches that don't affect the sound    VG+ bon état: des grésillements légers et éventuellement de petits craquements. Peu gênant pour l'écoute et passe sans problemes./very good. somes scratches and may be somes clicks, no jumps  VG état correct: des grésillements audibles et permanents et des craquements assez nombreux. Passe mais l'écoute est tout de même dégradée./very good, more scratches, more clicks.  VG- état moyen: des grésillements et craquements conséquents./many scratches and many clicks, bad listening.  G mauvais état/very bad Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

AGNUS DEI (CD ALBUM 12 TITRES TRACKS) Tracklisting 1 Agnus Dei, op.11 Composed By – Samuel Barber 8:02 2 Cantique De Jean Racine, op.11 Arranged By – John Rutter Composed By – Gabriel Fauré 5:21 3 Kyrie Composed By – Giovanni da Palestrina * 4:18 4 Ave Verum Corpus Composed By – Wolfgang Amadeus Mozart 3:08 5 Jesus Bleibet Meine Freude Composed By – Johann Sebastian Bach 2:59 6 Ave Maria, op.37 No.6 Composed By – Sergei Rachmaninov * 3:28 7 Lux Aeterna Arranged By – John Cameron (2) Composed By – Edward Elgar * 3:47 8 Totus Tuus Composed By – Henryk Górecki 9:10 9 Hear My Prayer Composed By – Felix Mendelssohn * 11:01 10 The Lamb Composed By – John Tavener 3:15 11 In Paradisum Composed By – Gabriel Fauré 3:12 12 Miserere Mei, Deus Composed By – Gregorio Allegri 14:50 * ÉTAT DU CD: Très Bon état VG ++ micros rayures de surface qui n'altèrent pas l'écoute (tous mes produits sont testés avant d'être mis sur) * ÉTAT DU BOITIER:  Bon état VG++ avec des traces d'usages mineures sans conséquence du genre petites rayures ou traces de frottements voir la photo disponible en zoom  SS SEALED Scellé MINT The record itself is in brand new condition. The cover is in perfect condition. Disque comme neuf.  VG++ The record and the cover are in good condition. Le disque et la pochette sont en bon état. VG+ Not trashed!...just good.  Le disque est dans un état moyen ainsi que la pochette. VG Still not trashed but getting close. Won't skip,  plays acceptably (noise not overwhelming music). Le son du disque comporte des grésillements quasi partout mais se joue, pochette abîmée G The record is dead. The cover also. Le disque et la pochette sont dans un état catastrophique. Attention: Pour les colis Poste nationaux et internationaux pas d'envoi en économique Attention: Tous les colis Poste partent en SUIVIE (Only registered shipping) * livraison protégée lettre bulle, carton, avec suivi, port groupé en cas d'achats multiples (me demander le total après achats) me contacter pour plus de renseignements ou de photos merci de votre visite et bonne journée:)

KEYSTONE STATE ROCK Volume 1 - 18 Cool 60’s Teenbeat Garage-Psych Nuggets from Pennsylvania (Now Sound Records NOW 5) * SIDE A THE SNAPS You don’t want me / THE ONE WAY STREET BAND Time of temptation / THE LEGENDS Baby get your head screwed on / THE INTREPIDS Run from the sun / THE UNIVERSAL IGNORANTS I’m all here / THE BEAUS OF BEETHOVEN It’s too late / THE BADD LADS I feel alright / THE UPPER HAND You mean so much to me / SKIP DRINKWATER Silly sally * SIDE B THE SHILLINGS Goodbye my lady / THE BATS Evelyn / THE LORDS OF T.O.N.K. Minor cheevy / THE ADVANTES Done it again / THE NOBLES Leaving me alone (first day gone) / THE TR5 Can’t wait much longer / THE WICKS «No title» / THE NOVAS I’d wait a million tears / PHILLIP AND LEE Boxtops  Pressage hollandais sorti en 2014. Superbe compil US garage, que des raretés de la Pennsylvannie. Ecoutez les fichier son tirés du vinyle en vente. Dutch pressing issued in 2014. Excellent Us garage comp, alls bands from Pennsylvannia. Hear clip sounds recorded from actual record. Record condition: SLEEVE (pochette) M / RECORD (disque) M  J’indique toujours dans la description si le fichier son a été enregistré du vinyle en vente.  Si ce n’est pas précisé cela veut dire que l’échantillon vient d’un autre vinyle   It’s always indicated on the description when the clip sound source is the record actually on sale.  If not, it means than the source is from a previous copy   ACHETEZ PLUSIEURS DISQUES ET ÉCONOMISEZ LES FRAIS DE PORT. Demandez-moi les tarifs. Attendre ma facture pour payer en cas d'achat multiple CHECK MY OTHER RECORDS FOR SALE, COMBINED AND SAVE ON SHIPPING FEES. Ask me for rates. Wait for invoice to pay in case of multiple buys GRADING M  Mint Actually almost impossible to find a Mint second hand disc unless it’s sealed or it’s brand new. Neuf Quasi impossible pour un disque d’occasion sauf si le disque est scellé ou si c’est une nouveauté. NM Near Mint The record may have been played but it is almost mint. Only most minimal deterioration in sound quality. The sleeve is almost mint. Quasi Neuf Disque et pochette sont en état quasi neufs, jamais ou très peu joués et manipulés. Ils comportent le minimum de trace d’usure possible. EX Excellent The record shows some signs of having been played, but still plays perfectly. The vinyl may have some tiny wear or marks, but nothing major and nothing that affects play. The cover could show only slight wear and/or creasing but it’s still close to mint. Excellent Le disque a déjà été écouté plusieurs fois. Mais il passe toujours comme neuf. Si il y a des micro rayures, elles sont sans conséquences et quasi invisbles. La pochette est splendide, quelques signes manipulations, petites pliures, rien d’important quasi neuve VG+ Very Good+ The record have been played many times, show wear, small marks or light scratches but nothing deep. It still plays very well. The cover shows some wear, light creasing, maybe tiny tears or pen marks. Overall this is the condition of Most of records sold in second hand. Très Bon+ Disque a déjà été écouté, il peut y avoir des petites rayures, peut craquer très légèrement, mais l’écoute reste très satisfaisante. La Pochette est usée, petites écritures ou pliures mais très correcte. La plus part des disques d’occasions sont dans cette condition. VG Very Good The record shows non-deep scratches, surface marks,wear and displays some surface noise. But still very playable. The cover shows wear, creasing, maybe spine splits, BB/cut hole, pen marks or small tears. It may be great but with an inner sleeve or an insert missing. Très bon Le disque a été beaucoup écouté. Il y a des rayures et il craque. Néanmoins l’écoute reste satisfaisante sans être optimale. La pochette est usée, un poil déchirée, des grosses écritures. C’est aussi la note pour une pochette superbe mais ou il manque l’insert ou autre chose. G Good The record displays considerable surface noise, visible but non-deep scratches, but still it’s playable and enjoyable and it does not jump.The cover shows strong wear, creasing, spine splits, cut out hole, pen marks or tears but is still in one piece. Bon Le disque comporte beaucoup de rayures il craque beaucoup. Néanmoins il ne saute pas et il n’est pas rayé. L’écoute est toujours possible. La pochette est très usée, voir un peu déchirée, elle comporte des écritures néanmoins elle est toujours entière.

Test pressing LP RIGHEIRA - Vamos A La Playa VG+ Italo Disco Synth Pop - RARE Another rare test pressing... with a CBS International labels (likely to refer to one to 2 Dutch releases as Discogs states that "ownership is reserved by CBS"). run-out is  NL 14-25802-IB-1 A and NL 14-25802-IB-1 B This copy has several visible defects on side B (you will hear pops tracks B1, B2 or maybe B3, but no skip). Nice copy though. I have another copy which is NM on sale too. Shipping in professional cardboard:  EUROPE (European Union) & SWITZERLAND: 13 euros EUROPE (NON-EU), RUSSIA, NORWAY & MAGHREB: 17 euros  REST OF THE WORLD: 28 euros

BILL EVANS & JIM HALL -UNDERCURRENT United Artists Records - 38.025 S -Fr 1963 ?. État : Occasion - USED Provenant de ma collection personnelle, je vends ce très rare vinyl 33 tours "BILL EVANS &JIM HALL - UNDERCURRENT - Label United Artist Records n° 38.025 S This LP is the french and unic release, made in France, very rare. Date of release is unknow but could be (with  all reserve)  in the 1962 - 1963 period, (first USA release  in 1962) Ce disque pressé pour la France est  très rare ETAT DU VINYLE - CONDITIONS  VG + pour le disque  - Record grading VG+   Used but  Plays very well and sounds great Just very light crackling at some points. Record surfaces show almost no signs of wear, are very clean. One or two very light scratches (light speedle mark that don't affect at all the good listening.) Has not been very listened before...could be VG++ but prefer say VG+. Very Good Plus (VG+) – Quelques défauts sont acceptables, mais rien qui compromet réellement l'enregistrement, ceci visuellement ou à l'audition. On peut avoir (visuellement)  un petit frottement sur le disque, de lègères marques inaudibles, un léger bruit de crépitement en fond. A few further faults are acceptable, but nothing that really compromises the record visually or audibly. A little rub, light inaudible marks, a little background crackle VG pour la pochette - (voir photo) usures sur les côtés, manque deux morceaux de cartons sur le rabat à l'arrière VG condition for the sleeve. See photo: The front of the sleeve stays a cover still clean, with a nice glossy black and white photo of the body floating and just with wear on the corners, on the sides, a few on the spine and with a little and light circular mark from the record. On the back little damage in relation to age: two small parts of the cardboard flaps are missing. One flap has been recently glued for fixing..More photos on request.” Essais sur ma platine sensible, très bonne écoute, relief, puissance, avec les  très légers crépitements des vieux disques par moments   Localisés tout au début  face A et B, suivi de  crépitements faibles et juste  par moments sur les autres morceaux. Aucune marque profonde, très faible usure, pas de zones claires. Le disque est très beau. Il a été nettoyé récemment au détergent et rincage eau deminéralisé, mais il est possible qu'il reste encore un peu de vieille poussière incrustée dans les sillons car le disque a été longtemps stocké sans être joué. Un second nettoyage pourra  etre pratiqué par vos soins pour encore et certainement une amélioration des crépitements,  si vous ètes très exigeant.  Matrix (see photos) - Matrix / Runout (Side A Stamped): XBLY 38025 A 1111 - Matrix / Runout (Side B Stamped): XBLY 38025 B 1111 Tracklist: A1: My funny Valentine A2: I hear a rhapsody A3: Dream Gipsy B1: Romain B2: Skating in Central Park B3: Darn That Dream Right Society: BIEM / CHAPPEL - Printed by Imprimerie Schneider Frères & Mary TRANSPORT Transport par lettre suivi La Poste en recommandé, en pochette spéciale cartonnée et renforcée: 6,90€ Foreign ers, welcome, shipping in E.U. and worldwide in international letter  (including tracking and signature); strong letter in cardboard, reinforced: 11,50€ Paiement Paypal, pas de prix de réserves MERCI DE VOTRE VISITE - BONNES ENCHERES A TOUS THANK YOU FOR YOUR VISIT

Jimi Hendrix ‎– Rainbow Bridge / Original Motion Picture Sound Track Label: Reprise Records ‎– MS 2040, Reprise Records ‎– 2040 Format: Vinyl, LP, Album, Gatefold, Santa Maria Press Country: US Sortie: Oct 1971 Genre: Rock, Stage & Screen Style: Soundtrack, Hard Rock, Psychedelic Rock, Blues Rock Tracklist A1 Dolly Dagger 4:45 A2 Earth Blues 4:20 A3 Pali Gap 5:05 A4 Room Full Of Mirrors 3:17 A5 Star Spangled Banner 4:07 B1 Look Over Yonder 3:28 B2 Hear My Train A Comin' 11:15 B3 Hey Baby (New Rising Sun) 6:05 Entreprises, etc. Recorded At – Electric Lady Studios Recorded At – Record Plant, N.Y.C. Recorded At – T.T.G. Studios Recorded At – Berkeley Community Theatre Recorded By – Wally Heider Recording Mixed At – Electric Lady Studios Mastered At – Sterling Sound Pressed By – Columbia Records Pressing Plant, Santa Maria Published By – Arch Music Copyright (c) – Warner Bros. Records Inc. Crédits Backing Vocals – Buddy Miles (tracks: A2), Jimi* (tracks: A1, A2), Ghetto Fighters* (tracks: A1), The Ronettes (tracks: A2) Bass – Billy Cox (tracks: A1 to A5, B2, B3), Noel Redding (tracks: B1) Design – The Pineal Playhouse Drums – Buddy Miles (tracks: A4), Mitch Mitchell (tracks: A1 to A3, A5 to B3) Engineer – Eddie Kramer, John Jansen Engineer [Live Recording] – Abe Jacobs* (tracks: B2) Executive-Producer – Michael Jeffery* Guitar – Jimi Hendrix Lead Vocals – Jimi* (tracks: A1, A2, A4) Mastered By [Runout Etch] – RL* Percussion – Juma Edwards (tracks: B3) Photography By – Daniel Tahaney Producer – Eddie Kramer, Jimi Hendrix, John Jansen, Mitch Mitchell Vocals – Jimi* (tracks: B1 to B3) Written-By – Jimi Hendrix (tracks: A1 to A4, B1 to B3), Traditional (tracks: A5) Notes © 1971 - Warner Bros. Records Inc. An Antahkarana Production A Santa Maria Pressing with variant center labels include, but not limited to, "(P) 1971" but no "Adapted by" credit as on this Terre Haute and this undisclosed press by same catalog #. Recorded At: A1, A3, B3 - Electric Lady, July 1, 1970 A2 - Record Plant, January 20, 1970 A4 - Record Plant, November 17, 1969 A5 - Record Plant, March 18, 1969 B1 - TTG Studios, October 22, 1968 B2 Recorded live at Berkeley Community Center by Wally Heider Recording, May 30, 1970 (not included in the film) 1st catalog #: labels/spine; 2nd: gate front Code-Barres et Autres Identifiants Matrix / Runout (A Side Label): 31,260 Matrix / Runout (B Side Label): 31,261 Matrix / Runout (A Side Etch exc Sterling stamp): Ƨ / MS 2040-A 31260-1A STERLING RL Matrix / Runout (B Side Etch exc Sterling stamp): Ƨ / MS 2040-B 31261-1B STERLING RL Rights Society: ASCAP Expédition avec suivi Mondial Relay, parfaitement fiable. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur). Puis j’ajoute 3 couches de protection : 1.    pochette en plastique comme celle que vous trouvez chez un disquaire. 2.    enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3.    carton cannelé haute qualité, très rigide, avec la mention « fragile »   Shipping with Mondial Relay tracking, perfectly reliable. I have shipped hundreds of discs and have never encountered any problems. Here is my method. I take the disc (with its under-cover) out of its cardboard cover, because otherwise the disc can move and make holes in the cover (experienced as a buyer). Then I add 3 layers of protection: 1. plastic pouch like the one you find at a record store. 2. bubble wrap with shims to ensure the gap with the 3rd level. 3. high quality fluted cardboard, very rigid, with the menti

RARE COFFRET 3CD de FREDDIE MERCURY intitulé SOLO  Tracklist   Mr. Bad Guy1-1–Freddie MercuryLet's Turn It On3:421-2–Freddie MercuryMade In Heaven4:061-3–Freddie MercuryI Was Born To Love You3:371-4–Freddie MercuryFoolin' Around3:281-5–Freddie MercuryYour Kind Of Lover3:331-6–Freddie MercuryMr. Bad GuyArranged By – Rainer Pietsch4:101-7–Freddie MercuryMan Made ParadiseBass [Fretless] – Jo Burt4:091-8–Freddie MercuryThere Must Be More To Life Than This2:581-9–Freddie MercuryLiving On My Own3:221-10–Freddie MercuryMy Love Is Dangerous3:401-11–Freddie MercuryLove Me Like There's No Tomorrow3:46Barcelona2-1–Freddie Mercury & Montserrat CaballéBarcelonaCello – Deborah Ann JohnstonHorn – Barry CastlePercussion – Frank RicottiViolin – Homi Kanga, Laurie Lewis (5)5:382-2–Freddie Mercury & Montserrat CaballéLa Japonaise4:492-3–Freddie Mercury & Montserrat CaballéThe Fallen PriestLyrics By – Tim Rice5:452-4–Freddie Mercury & Montserrat CaballéEnsueñoLyrics By – Montserrat Caballé4:202-5–Freddie Mercury & Montserrat CaballéThe Golden BoyBacking Vocals – Carol Woods, Debbie Bishop, Lance Ellington, Madeline Bell, Mark Williamson, Miriam Stockley, Peter StrakerLyrics By – Tim Rice6:042-6–Freddie Mercury & Montserrat CaballéGuide Me Home2:402-7–Freddie Mercury & Montserrat CaballéHow Can I Go OnBass Guitar – John Deacon4:002-8–Freddie Mercury & Montserrat CaballéOverture Piccante6:40Bonus CD3-1–Larry LurexI Can Hear MusicProducer – Robin Cable*Written-By – Ellie Greenwich, Phil Spector And Jeff Barry*3:283-2–Freddie MercuryLove Kills (Single Version)Producer – Freddie Mercury, Giorgio Moroder, Mack (2)Written-By – Freddie Mercury, Giorgio Moroder4:283-3–Freddie MercuryThe Great Pretender (Single Version)Producer – David Richards, Freddie Mercury, Mike MoranWritten-By – Buck Ram3:283-4–Freddie MercuryLiving On My Own (1993 Radio Mix)Arranged By [Rearranged], Producer, Recorded By – Carl Ward, Colin Peter, Serge RamaekersProducer [Original] – Freddie Mercury, Mack (2)Written-By – Freddie Mercury3:373-5–Freddie MercuryIn My Defence (2000 Remix)Producer – Dave Clark, Freddie MercuryRemix – Dave ClarkWritten-By – Dave Clark, David Soames, Jeff Daniels3:513-6–Freddie MercuryTime (2000 Remix)Producer – Dave Clark, Freddie MercuryRemix – Dave ClarkWritten-By – Dave Clark, John Christie4:013-7–Freddie MercuryLove Kills (Rock Mix)Producer – Freddie Mercury, Giorgio Moroder, Mack (2)Remix – Carl Ward, Colin Peter, John Beckett (3), Ray BurdisWritten-By – Freddie Mercury, Giorgio Moroder4:27 ENVOI EN LETTRE SUIVIE

Charlie Mingus* ‎– Pre-Bird Label: Mercury ‎– SR 60627 Format: Vinyl, LP, Album, Stereo Country: US Sortie: Sep 1961 Genre: Jazz Style: Post Bop TracklistMasquer Crédits A1Take The "A" TrainWritten-By – William Thomas Strayhorn*3:34A2Prayer For Passive ResistanceWritten-By – Charles Mingus3:49A3EclipseVocals – Booker Ervin, Charles Mingus, Eric Dolphy, Jimmy Knepper, Joe Farrell, Paul Bley, Ted Curson, Yusef LateefWritten-By – Charles Mingus3:45A4Mingus Fingus No. 2Written-By – Charles Mingus3:22A5Weird NightmareWritten-By – Charles Mingus3:35B1Do Nothin' Till You Hear From MeWritten-By – Bob Russell, Edward Kennedy "Duke" Ellington*3:33B2Bemoanable LadyWritten-By – Charles Mingus4:22B3Half-Mast InhibitionConductor – Gunther SchullerPercussion – Max RoachWritten-By – Charles Mingus8:12 POCHETTE USURE D'USAGE QUELQUES COINS TALES DISQUE BON ETAT. QUELQUES CHEVEUX QUI N’ALTÈRENT PAS L'ECOUTE.     VOIR MES AUTRES VENTES MÊME SUJET.     ACHATS GROUPES = FRAIS DE LIVRAISON RÉDUITS. En cas d'achats groupés merci de me contacter avant de payer afin que je recalcule les frais de livraison au plus juste. ENVOI EN COLISSIMO FRANCE ou INTERNATIONAL AVEC N° DE SUIVI TRANSMIS A L'ACHETEUR  POSTAGE COSTS      FRANCE              E.U.           ANOTHER COUNTRIES 1 disque                            6,70                11,90                          18,90 de 2 à 5 disques               8,95                17,80                          29,80 Vous pouvez me poser des questions et me demander d'autres photos pour plus de détails ou pour juger de l'état.. Je ne suis pas infaillible et en cas de litige je serais heureux de résoudre tout problème avec vous, aussi n'hésitez pas à me contacter. Merci d'utiliser les évaluations avec recul et discernement. CONTACT: 06 88 96 58 58      cophil.millot@gmail.com PAYPAL OU CHÈQUE.

Barbra Streisand - The Essential - 2 x CD       REF:B215-066       Label:Columbia ‎– 506257 2, Columbia ‎– 5062572000, Columbia ‎– COL 506257 2 Format:2 × CD, Compilation, Remastered Country:Europe Sortie:2002 1-1 A Sleepin' Bee 4:22 1-2 Cry Me A River 3:37 1-3 I Stayed Too Long At The Fair 4:20 1-4 Lover, Come Back To Me 2:17 1-5 People 3:40 1-6 My Man 2:58 1-7 Second Hand Rose 2:09 1-8 He Touched Me 3:10 1-9 Don't Rain On My Parade 2:45 1-10 Happy Days Are Here Again 3:14 1-11 On A Clear Day (You Can See Forever) 2:11 1-12 Stoney End 2:59 1-13 Since I Fell For You 3:25 1-14 What Are You Doing The Rest Of Your Life? 3:20 1-15 The Way We Were 3:30 1-16 All In Love Is Fair 3:50 1-17 Lazy Afternoon 3:50 1-18 Evergreen (Love Theme From "A Star Is Born") 3:05 1-19 My Heart Belongs To Me 3:21 1-20 You Don't Bring Me Flowers 3:24 1-21 The Main Event / Fight 4:55 1-22 No More Tears (Enough Is Enough) 4:43 2-1 Woman In Love 3:51 2-2 Guilty 4:24 2-3 Comin' In And Out Of Your Life 4:09 2-4 Memory 3:55 2-5 Papa, Can You Hear Me? 3:29 2-6 A Piece Of Sky 4:20 2-7 Putting It Together 4:21 2-8 Not While I'm Around 3:29 2-9 Send In The Clowns 4:43 2-10 Somewhere 4:56 2-11 All I Ask Of You 4:02 2-12 Children Will Listen 4:09 2-13 As If We Never Said Goodbye 4:44 2-14 I Finally Found Someone 3:41 2-15 Tell Him 4:51 2-16 I've Dreamed Of You 4:44 2-17 Someday My Prince Will Come 4:06 2-18 You'll Never Walk Alone 4:3

JIM STEINMAN  – THE STORM  / ROCK AND ROLL DREAMS COME THROUGH REF : EPIC Cleveland Int. A1196 pressage Hollandais / Dutch press CONDITIONS (see photos) The item on the picture is the item you will receive - VINYL / RECORD : VG- - SLEEVE  : G good but used condition with number writing on front side  - crisps - used edges NOTES / ADDITIONAL INFOS Demonstration - Not for sale FRAIS DE PORT / SHIPPING RATES Avant d'enchérir tenez compte des frais de port ci dessous et attendez ma facture Read listing details below for actual shipping cost and wait my invoice - 1 45T France 3,80 € lettre suivie / 5,50 € Colissimo - 1-3 45T France 5,30 € lettre suivie / 7,20 € Colissimo - 1 7'' single U. Européenne et Suisse 6,10 € lettre prioritaire internationale (no tracking) - 1 7'' single U. Européenne et Suisse 9,60 € lettre recommandée - 1 7'' single Monde 10,50 € lettre suivie - 1 7'' single Monde 12,50 € lettre recommandée - Les envois sont obligatoirement en recommandé au-dessus de 50€ - Expenses of delivery: from 50 euros recommends obligatory - The delivery time for international small packet, outside Europe, can take from 3 to 5 weeks. - Import duties, taxes and charges are not included in the item price or shipping charges. These charges are the buyer's responsability PAIEMENT PAR PAYPAL OU ESPECE SI REMISE EN MAINS PROPRES PAYMENT VIA PAYPAL FOR EUROPE AND OTHER COUNTRY. - - Payment must be made within 5 days from the end of the auction. - Si vous avez des questions ou si vous voulez plus d'infos/photos, contactez moi svp. J'essaie d'être le plus précis possible dans ma description, quand j'entend ou je vois un défaut je le mentionne mais je ne suis pas un professionnel. Je fais de mon mieux pour vous décrire l'objet. - If you have any questions, if you want more infos/photos, please feel free to contact me. I'm trying to be as accurate as possible, when I hear or see a defect I mention it but I'm not a professionnal, I will do my best to describe you the item. Voir mes autres ventes. Check my others Hard/Metal auctions

Beatles HELP!  first pressing date from initial august 1965. MT tax code more rarer than normal KT. The MT tax code was mostly used on parlophone lp around 1963/64 Cover: EX with full laminated front one or two wrinckles but most of the cover is intact. The back cover is very clean wihout age wear or ring wear. all flipbacks are intact and the spine is all readable Vinyl id EX+ very close to near mint with great mono dynamic and wonderful sound. some little background noise due to dust easy remove with cleaning. Lables are EX with spindle mark but no writing. Matrix  /Side 1 XEX 549-2  Matrix /Side 2  XEX 550-2  A Gorgeous copy  You can ask for audio extract if you want to hear and judge by yourself the vinyl condition

The Beach Boys Collection CD 1988 Pop Rock Surf 1             Barbara-Ann      2             Little Deuce Coupè         3             Help Me Rhonda             4             Surfin' U.S.A.     5             I Get Around     6             California Girls 7             Sloop John B      8             Don't Worry Baby           9             Good Vibrations              10           You're So Good To Me 11           I Can Hear Music             12           God Only Knows             13           Wouldn't It Be Nice        14           Surfin' Safari      15           Fun, Fun, Fun    16           Do It Again Cover VG Disc NM look at the photos Informations additionelle sur la livraison / Información de envío adicional: FRANCE METROPOLITAINE, BELGIQUE et PAYS-BAS (aussi pour le LUXEMBOURG, demandez moi)  Livraison économique avec Mondial Relay seulement en Point Relais (pas à domicile). ESPAÑA Envío internacional económico con Mondial Relay solamente en Point Relais (no en casa). Expédition pour plusieurs articles / Envío de varios artículos / Spedizione di più oggetti / shipping of multiple items: (FR) Selon le type d'objets, il peut être possible d'en regrouper plusieurs dans un seul envoi et d'économiser sur les frais d'expédition. Demandez-moi le total exact avant de faire l'achat. (ES) Dependiendo del tipo de artículos, puede ser posible agregar más de uno en un solo envío y ahorrar en costos de envío. Pregúntame el total exacto antes de realizar la compra. (IT) A seconda del tipo di oggetti, potrebbe essere possibile aggregarne di più in una sola spedizione e risparmiare sulle spese di spedizione. Chiedimi il totale esatto prima di effettuare l'acquisto. (EN) Depending on the type of items, it may be possible to aggregate more than one in a single shipment and save on shipping costs. Ask me for the exact total before buying.

The Beatles ‎– Magical mystery tour (UK 1967). État : EX+/EX 1967 UK first mono pressing of the EP magical mystery tour  Cover: EX+ full laminated, no creases or writing every pages inside are near mint, some sign of age on back cover. original paper sleeves. Record: Play  EX+ with some background noise in dead wax but free of scratch. great mono sound  Visual: VG++ all sides have surface hairlines  due to sleeve but they don't affect play.  Labels: EX some spindle marks - Matrix / Runout  side A): 7XCE 18435-1 - Matrix / Runout  side B): 7XCE 18434-1 - Matrix / Runout side C): 7XCE 18436-1 - Matrix / Runout side D): 7XCE 18437-2 - you can ask audio extract if you want to hear and judge by yourself the vinyl condition

- Pour faciliter les achats groupés de 4 LPS (ou CDS) j'ai décidé de n'accorder qu'un escompte maximum de 10 %.Toute autre offre sera refusé. Donc si vous faites une offre de 4 disques ou plus, prenez "mon" prix diminuez le de 10 % (exemple 35,20 devient 31,68) et présenter m'en l'offre, j'accepterai "toujours" (Un LP ou CD  Double compte pour 2 pièces) Toutes nos expéditions sont faites par LA POSTE COLISSIMO avec suivi,  avec garantie PAYPAL. TARIF INDICATIF: L'acheteur paie les frais de port en € suivant le tarif 2021 de La Poste Colissimo (France) porte à porte avec suivi.. INDICATIVE RATE: The buyer pays the shipping costs in € according to the 2021 rate from La Poste Delivengo (World) with tracking. 1 LP = France: 7,50 € - EEC: 9,50 € - Europe not EEC, USA, Japan, Russia & World: 11,50 € État Pochette: Very Good Plus (VG+)État Média: Very Good Plus (VG+)   Tracklist A1Take The "A" Train (Interpolation: Exactly Like You)Written-By – Billy Strayhorn3:34A2Prayer For A Passive ResistanceWritten-By – Charles Mingus3:49A3EclipseWritten-By – Charles Mingus3:45A4Chazz Fingers (Mingus Fingus) No. 2Written-By – Charles Mingus3:22A5Weird NightmareWritten-By – Charles Mingus3:35B1Do Nothin' Till You Hear From Me (Interpolation: I Let A Song Go Out Of My Heart)Written-By – Bob Russell, Duke Ellington3:33B2Bemoanable LadyWritten-By – Charles Mingus4:32B3Half-Mast InhibitionWritten-By – Charles Mingus8:12 - Alto Saxophone – John La Porta* (tracks: A4, B2, B3) - Alto Saxophone, Flute, Bass Clarinet – Eric Dolphy - Baritone Saxophone – Danny Bank (tracks: A4, B2, B3) - Bass – Charles Mingus - Cello – Charles McCracken (tracks: A4, B2, B3) - Conductor – Gunther Schuller (tracks: B3) - Flute – Robert Di Domenica (tracks: A4, B2, B3) - Oboe – Harry Shulman (tracks: A4, B2, B3) - Percussion – Danny Richmond*, George Scott (3) (tracks: A4, B2, B3), Max Roach (tracks: A4, B2, B3), Sticks Evans (tracks: A4, B2, B3) - Piano – Paul Bley (tracks: A1 to A3, A5, B1), Roland Hanna - Tenor Saxophone – William Barron Jr.* (tracks: A4, B2, B3), Booker Ervin (tracks: A1 to A3, A5, B1), Joe Farrell - Tenor Saxophone, Flute – Yusef Lateef - Trombone – Charles Greenlee (tracks: A4, B2, B3), Eddie Bert (tracks: A4, B2, B3), Jimmy Knepper, Slide Hampton (tracks: A4, B2, B3) - Trumpet – Clark Terry (tracks: A4, B2, B3), Hobart Dotson (tracks: A4, B2, B3), Marcus Belgrave (tracks: A4, B2, B3), Richard Williams (tracks: A4, B2, B3), Ted Curson - Tuba – Don Butterfield (tracks: A4, B2, B3) - Vocals – Lorraine Cousins (tracks: A3, A5) TARIF INDICATIF: L'acheteur paie les frais de port en € suivant le tarif 2020 de La Poste Colissimo (France) porte à porte avec suivi.. INDICATIVE RATE: The buyer pays the shipping costs in € according to the 2020 rate from La Poste Delivengo (World) with tracking. 1 LP = France: 7 € - EEC: 9 € - Europe not EEC, USA, Japan, Russia & World: 11 €. OFFRE (préalable) acceptée selon une remise maximale de 10 % en cas d'une commande globale de 4 LPs ou Cds (ou +) ou de 2 coffrets (1 double vaut 2) (Prior) OFFER accepted with a maximum discount of 10% in case of a global order of 4 LPs or Cds (or +) or 2 boxes.(1 double worth 2)

♫    ♪    ♫     ♪   ADZIQ47    ♪     ♫     ♪    ♫ ♫    ♪   ♫VINTAGE ANALOG DISC  ♫   ♪   ♫ ♫   ♪   ♫   SOUNDS AND MATÉRIALS   ♫   ♪   ♫ ♫     ♪    ♫    ♪   Audiofil   ♪    ♫     ♪     ♫  33 T VINYL GO WEST DANCING ON THE COUCH    I Want To Hear It From You     Backing Vocals – Mo Birch Little Ceasar     Mixed By [Mixing Engineer] – John Gallen Masque Of Love From Baltimore To Paris True Colours The King Is Dead Backing Vocals – Kate Bush Chinese Whispers Don't Look Down (The Sequel) Crossfire Dangerous POCHETTE ET DISQUE EXCELLENT  VENDEUR PRO EXPÉDITION RAPIDE ET SOIGNÉE  Port et emballage: Expédition en France, Belgique et Luxembourg  par relais colis MONDIAL RELAY FRANCE  COURRIER SUIVI NO EXTRA SHIPPING COSTS FOR OTHER PURCHASE IN THE SHOP FOR THESE DESTINATIONS ALLEMAGNE, AUTRICHE, ROYAUME-UNI, BELGIQUE, LUXEMBOURG, ESPAGNE, PORTUGAL ET ITALIE THANK YOU TO CONTACT ME BY MAIL Buyer  Europe  Shipping with tracking