Heard when broadcasting

CB radio MIDLAND 13-770, 1973, 4 canaux, portable, 1,6 kg, j’ignore si l'appareil fonctionne, donc vendu pour pièces ou à réparer, retour non accepté, cependant lorsqu’on le branche en 12 V sur une alimentation: l'aiguille power va vers le vert, on entend un sifflement lorsqu’on utilise le poussoir d'émission. Grande antenne télescopique (1,30 m), plus antenne souple courte, casier de piles oxydé sans gravité, un boitier en plastique (cassé restauré) pouvant recevoir 8 piles 1,5 V (non fournies),  voir photos. Bel aspect. Vintage CB MIDLAND 13-770, 1973, 4 ch. I don’t know if it’s working but when device is connected with 12 V: Power is OK, a sound can be heard when broadcasting knob is pushed. Long antenna, batteries case is slightly rust, with a plastic part (restored)  for 8 batteries AA. Nice aspect. Port avec assurance gratuit pour la France, Belgique et Luxembourg en Point Relais. En colissimo (tarif minoré) pour la France 6€.   Allemagne, Pays Bas, Espagne (sauf Canaries), Portugal, Autriche, Italie: 6  €, reste de l' Union européenne et Suisse 17 €. Envoi sitôt réception du règlement. Remise en mains propres possible. 1,6 kg

JVC 3060F Rare Vintage TV Radio & Cassette Boombox from 1976 Japan In working condition. Sold as "for parts, not working": Will need some dusting and cleaning for use in optimal condition, crackles can be heard when exercising the main volume button.

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con

For sale IsoAcoustics Gaia III set of 4. The item is new, never used. Opened box. Feel free to ask if any question. Description: IsoAcoustics Gaia Series Threaded Isolation Feet The GAIA isolators are machined units that incorporate IsoAcoustics’ patented design to provide a high degree of speaker isolation, while resisting lateral movement and oscillations, to maintain alignment with the listening position. Internal reflections from the hard supporting surface are attenuated resulting in greater sound clarity and openness. The soundstage blossoms to open up a three-dimensional image of natural, spatial sounds. Optimal results are heard by installing these units with the logo facing the listening position, or rotated 180 degrees, to align the isolators with the speaker’s motive forces, lift and place the speakers into position as the GAIA lower isolator will adhere to the supporting surface. “When a speaker is placed on a hard surface, secondary internal reflections result. Any artefacts of this smear that is similar in the two channels are perceived to be in the centre, causing the sound stage to collapse. The GAIA series of isolators eliminates this smear resulting in a larger 3-dimensional sound stage.” Gaia III Crafted with the vision of providing extraordinary acoustic performance, the GAIA III is the union of aesthetic visual design and acoustic engineering. The small compact design delivers unbelievable acoustic isolation that will bring out clarity and openness from your speaker as you’ve never heard. Designed for floor standing speakers and subwoofers weighing up to 70 lbs (32 KG), the GAIA III will provide more openness and clarity. Structural borne noise is greatly reduced while internal reflections from the hard-supporting surface are attenuated resulting in greater sound clarity and openness. Optimal results are achieved by installing the GAIA isolators with the logo facing the listening position, or rotated 180 degrees, to align the isolators with the speaker’s motive forces. The GAIA III provides a high degree of isolation while resisting lateral movement and oscillations to maintain alignment with the listening position. Lift and place the speakers into position as the GAIA lower isolators will adhere to the supporting surface. The GAIA’s are threaded into the base of the speaker or subwoofer to replace the existing spikes or feet. Threading the GAIA’s into the base of the speaker creates a strong connection with the speaker. With the top of the GAIA housing connected with the speaker and the bottom of the GAIA connected to the supporting surface, all of the energy is then managed by the GAIA’s internal isolator.

CB radio HY-COM 4000, bon état, avec son micro, j’ignore si elle fonctionne, cependant le cadran est allumé, le son fonctionne, les fréquences changent avec le bouton lorsqu’on la branche en 12 V et le voyant TX s'allume lorsqu’on utilise le micro (voir photos). Vintage CB radio HY-COM 4000, with its micro, good condition. I don’t know if it’s working but screen is lit, sound can be heard, channels can be changed when device is connected with 12 V and the TX light is OK when micro is used (see pcs). Port avec assurance gratuit pour la France, Belgique et Luxembourg en Point Relais. En colissimo pour la France 10 € (tarif minoré). Royaume uni, Allemagne, Pays Bas, Espagne (sauf Canaries), Portugal, Autriche: 6 €, reste de l' Union Européenne 24 €, autres pays d’Europe 30 €, autres 56 €. Envoi sitôt réception du règlement. Remise en mains propres possible.

Sonic Tonic: A Journey Of 10+ years Becomes A Product Born of Experience, Friendships b'&' Love Of MusicBeing in business for nearly 15 years, you get to meet, and share experience/knowledge with some really great people. Some well known, some relatively unknown. This post is about the birth of a product, I call it Sonic Tonic, as a culmination of over 10 years working with Mr. Jack Bybee, and a fellow group of like minded music lovers whom I will call my b'"'Tweak Gurusb'"'. A Bit of Mad Science TooI owe a great deal to these people. Together through our love of music and what we think it should sound like when reproduced, we continue to push the boundaries of what is possible with audio through very unconventional means. We are mad scientists, given completely over to the dark side. The experiences we share are available to you, if you decide to trust our experiences, our anecdotal evidence, and our ears. It's a lot to ask. I know. Hell I'm about as scientific minded as they get when it comes to anything else except audio. That's because my ears and the ears of my colleagues/friends have heard things. Things we can't measure (with conventional tools/methods), things we can't really put into adequate words, but can only hint at with rambling cliches. It's wholly inadequate, but I've found a way to get beyond words, hype, bullshit and the like. I let you put my experiences to the test, try them in your own system on your own time, and see if they are for your ears. It's simple, costs little to do, and cuts through the crap. Everything Makes A DifferenceI have been experimenting with crystals, metals, and other materials in respect to the effect they have on signal transmission and room acoustics. Let me just say that everything, EVERYTHING in your listening room has some effect on the sound of your audio system, and in more ways than you think. Even the air in the room, it all affects performance, and can be altered. You've seen my experimentation with Copper rods (still ongoing, with more blogging to come...) alongside conventional acoustic treatments within a listening space. This is a fantastic, and inexpensive tweak. The copper brings openness, naturalness and enhances dynamics. Even a well acoustically treated room. That was my first unconventional means of attacking a common problem. inexpensive to try, and I make no money from it. It is simply me sharing something that brings more excitement to the listening experience. A 1/2b'"' copper rod suspended from my ceiling. Playing The FieldThen there are the crystal based products. Not necessarily cheap, but that is about to change... For the crystal based products there are of course Jack B's latest inventions: Room Neutralizers, Quantum Signal Enhancers. Let's not forget the Stein Harmonizer system, Synergistic Research HFT, UEF, Audio Magic P.E.A. and PulseGen technology. All of these use crystals, resonance and either are energized by or produce a b'"'fieldb'"' that enhances certain aspects of music reproduction. All do something to the sound, or to the listener perhaps, that enhances or at the very least changes the sonics of a system and/or room. These have all been an inspiration of sorts, and I have listened to them all. I have much respect for these manufacturers. It takes hundreds, even thousands of hours and tens of thousands of dollars to develop a product such as this. That's before one dime is made. Think about that the next time you read or hear someone bashing a manufacturer for egregious pricing in light of parts count and cost. It's the original idea, the research, the time, and money invested beforehand with no guarantee of return. This needs to be calculated into the MSRP in addition to the material cost of production. Then one has to project how many will be sold (good luck with that in the audio industry) and hopefully come up with a number that will produce a reasonable profit. But I digress.... Rolling My OwnMy own experimentation began by placing large crystals of En savoir plus Collaboration commerciale.

- Description: -   - This product is suitable for any product with USB reading function. After connecting this device, let the old traditional Bluetooth speaker, home stereo, TV, etc. change the DAB, the original device button operation, the original device display to see the DAB program name. -   - The DAB+u device is an easy to install solution for receiving digital audio broadcast in cars or other media devices where USB connection is available with MP3 playback capability. -   - Product Specification -   Deal24hours DAB/DAB+ Digital Radio Receiver Plug-in Multi-function DAB Receiver Universal Description:   This product is suitable for any product with USB reading function. After connecting this device, let the old traditional Bluetooth speaker, home stereo, TV, etc. change the DAB, the original device button operation, the original device display to see the DAB program name.   The DAB+u device is an easy to install solution for receiving digital audio broadcast in cars or other media devices where USB connection is available with MP3 playback capability.   Product Specification   ① This digital audio broadcasting device is fully compatible with DAB ETSI  300 401 standard. Support ETSI TS102 563 DAB+ standard ② DAB Frequency range 170-240MHz ③ Receiver sensitivity -99dBm ④ Temperature: 0 ℃~45℃ ⑤ Storage temperature: -20℃-70℃ ⑥ Operation relative humidity should be less than 80%(40 ℃) as storage RH less than 95%(40 ℃)   Operation   First, unhook the antenna and stretch it outdoors or high.   Plug the dab+U receiver to the USB jack and select the USB source from your Bluetooth box or other MP3 player, If in doubt how to select the USB source, please check the user guide of your Bluetooth box. Press the key to scan. The scanning the led Red and green sparkling. When it is finished the DAB device will reboot and the first DAB channel from the list of available stations will be selected and played automatically once the buffering is finished. Please note: all available stations will be listed as MP3 files in the root folder after scanning. Buffering (the device loads the data ahead of the player)is required to compensate internal or external (signal loss)factors in order to keep the playback from stuttering. The total buffering time usually takes 8-15seconds(within this time the status indicator led is flashing) You can select a different channel by pressing the NEXT/PREVIOUS track button on your Bluebooth box or other MP3 player. The signal is good always green. when the signal is loss or weak the red light on or red-green sparkling    Troubleshooting   NO DAB channels available after scanning. Possible cause:poor DAB coverage 1.    check the installation and the specifications of the antenna 2.    Test dab reception with a different device or run can at a different location   Playback is intermitten Possible cause: bad dab coverage Try to change the antenna position   Missing channel Possible cause: dab signal strength is weak Repeat scanning later   Station is selected but not played Possible cause: station is not available at the given territory  Apply scanning to see the stations currently available.   Package Included：   1 x DAB/DAB+ digital radio receiver Item SpecificsBrand:Unbrandedcompatible with:DAB ETSI 300 401MPN:Does Not ApplyFrequency range:170-240MHzSupport:ETSI TS102 563 DABUPC:Does not apply Payment We only accept payment by PayPal. - Payment MUST BE MADE within 5 business days after the end of the aution, Unpaid dispute will be filed to for the non payable bidders. Shipping We are not responsible for undeliverable address. We reserve the right to cha

OTARI UFC-24 Universal Format Converter with addition of optional 24 channels of AES/EBU capability providing uncompromised conversion of all formats. This 2U rack-mount unit allows up to 24 tracks of digital audio to be transferred simultaneously from the source-format to all of the most-common formats used in the industry today. A single UFC-24 will convert up to 24 channels at a time from any one to all of the following: • PD • SDIF-2 • ADAT • TDIF-1 • AES/EBU • Multiple units may be linked to provide sample- accurate transfer of more than 24 channels. The input source-format outputs to all other formats at the same time. MIDI Input, Output & Throughput connectors are provided for patch-change control of Routing-Presets & Input-Format. All parameters of the UFC-24 may be stored as System-Exclusive Data to a MIDI storage device and later recalled. 1:1 Track-Mapping & user-selectable Routing of Input-channels to Output-channels is provided by buttons on the front panel. Up to 6 user-configurable Routing-Presets allow Channel Routing Maps to be recalled at any time. LEDs indicate status of Source-Clock lock and Channel Assignments. Frank Wells, Masterfonics, Nashville, TN: "We heard about the UFC-24 from OTARI when it was first coming out and it met a need that had been in the market for a long time. All of these digital formats are 16-bit and are all storing the same words at the same sampling rates but you couldn't get information from one of them to the other one without going out into the analog world. Now the UFC-24 is able to address the pro formats (PD and DASH), plus the ADAT and DA-88 that many producers are using to work in home studios. It seems to meet all those needs in one relatively inexpensive box. Being able to re-route channels in the box is also a big plus. We use the phrase 'digital everything -- all at once' around here...and this box applies that on a multi-track 'digital everywhere -- from anywhere' basis. That sums it up pretty well." Rudy Van Gelder, Rudy Van Gelder Studio, NJ: "We needed the capability of transferring digitally between PCM-3324 (DASH) to PCM-800 (DA-88 format) and I wanted to transfer 24 tracks digitally. The UFC-24 is very stable, very reliable and it performs what it's supposed to do perfectly. The additional thing about it that I like is the routing flexibility within the unit. This is a feature that I wasn't originally aware of, but I use it all the time...I'm really pleased with the UFC-24." Tva RECUPERABLE........E SHIPPING WORLDWIDE: CONTACT ME FOR THE PRICE OF SHIPPING

Product Description                                   Product Condition: - This item is supplier refurbished, it has been refurbished and supplied direct to us by the manufacturer. It's repackaged. - They have all been comprehensively tested, presented in full working order and the item will have been professionally refurbished. - This product may have minor cosmetic marks or scratches. None of these will affect the functionality of the product. - Work fantastic and Sound Great!  Overview: - With up to 40 hours of battery life, Beats Solo3 Wireless are your perfect everyday headphones. With Fast Fuel, a 5-minute charge gives you 3 hours of playback. Enjoy award-winning Beats sound with Class 1 Bluetooth® wireless listening freedom. The on-ear, cushioned ear cups are adjustable so you can customise your fit for all-day comfort.   Wireless the way it should be  - Beats Solo3 Wireless Headphones are ready to go when you are. They instantly set up — just power on and hold them near your iPhone — and then simultaneously connect to your Apple Watch, iPad and Mac. - With Class 1 Bluetooth technology, Solo3 Wireless provide the soundtrack to your life with wireless efficiency.   Feel your music  - At the heart of Beats Solo3 Wireless is award-winning Beats sound. These headphones deliver premium playback with fine-tuned acoustics that maximise clarity, breadth and balance. The comfort-cushion ear cups buffer outside noise for immersive sound so you can experience music the way it was meant to be heard.   All-day play  - Beats Solo3 Wireless Headphones deliver up to 40 hours of battery life driven by the efficiency of the Apple W1 chip. Or, with Fast Fuel, a quick 5-minute charge provides 3 hours of playback to quickly get you back on track. Integrated on-ear controls, coupled with dual beam-forming mics, allow you to take calls, play music, adjust volume and activate Siri while on the go.  Custom comfort  - Beats Solo3 Wireless stays true to its predecessor with bold styling and a streamlined design. The on-ear, cushioned ear cups are adjustable so you can customise your fit for all-day listening comfort. The headphones’ fast-flowing curves and pivoting ear cups complete this natural fit, designed for optimal comfort and sound delivery.  Package Contents: - 1 X Beats Solo3 Wireless headphones   - 1 X Box, carry case  - 1 X 3.5mm RemoteTalk cable  - 1 X Universal USB charging cable (USB-A to USB Micro-B)  PaymentDelivery detailsTerms of salesAbout usContact us Payment Before you place an order, please kindly make sure that you have a Paypal account. We accept PAYPAL payment only. Delivery details 1.   All items will be shipped to buyers paypal address.Before you pay,please make sure your mailing address is correct.. 2.   All items will be dispatched within 24 hours after payment was clear(2-3 day to delivery). 3.   All items will be dispatched from our UK stock via RM post office. 4.   Pick-up is not available at the moment.                                     Terms of sales 1.   We offer 30 days exchange or refund policy,please contact us if you have any problem with the received products.. 2.   Return must be made within 30 days from the data you receive.Item must be sent back to us in orginal condition before a refund.We guarantee full or partial refund in accordance with mutually agreement. About us 1. All our messages and orders will NOT be processed at weekend and holidays. 2. Please remember to email us via your bided item or with the item number (via) in order to help us to response you promptly. 3. We care about our valued customers and understand the concerns and frustrations you might have, and will try our best to resolve the issues. We strive to answer all emails as quickly as possible, but due to high email volume it may take time for us to re

Please read carefully: This amp is in excellent aesthetic condition and is fully functional. However an audible buzz can be heard through my speakers when this amp is switched on. It is most noticable at low volume. At higher volume, it sounds fine to me. Possibly I've not connected it correctly or the buzz is coming from another source.  The protection light goes on and off correctly. I know nothing about electronics so I haven't removed the cover. The Rotel is in excellent condition with no visible damage. It has always been very well cared for and has performed perfectly until recently. I have bought a RB1092, so I no longer need this RB1072.

ARTOAMP 150 amplifier verstärker from  Artora later bought in 2012 by  Roksan which commerciliaze this amp under the name of Oxygene in  2014 sold new 2800£ (https://novo.press/roksan-oxygene-integrated-amplifier/ It have 3 entries analogic and 16 entries bluetooth the owners manual available there http://www.zenit-hi-fi.ru/images/catalog/1844/ArtoAmp-150.pdf sold new 2500€ in 2012 https://www.akustik-projekt.at/en/discontinued/3511/artora-artoamp-150-schwarz-discontinued it  power on (we can heard  a little noise inside when starting) but there is no light, no sound cause  i have  no remote and the three touchs "less" "is" 'more" do not operate (see owner  manual) so sold "as is" for spare or repair, sent from France and costs between  25 and 40€ depending destination inside european union

Configuration Hartmann Neuron VS PC PORTABLE , CARTE SON USB (midi et audio), LOGICIELS et PERIPHERIQUE DE PILOTAGE  NUKE USB. Très bon état et fonctionnel Hartmann Neuron VS Attention: le Nuke est inutilisable avec des version de Windows au delà de XP. C'est pourquoi je vends l'ensemble, ce qui vous permet de travailler indépendamment d'une DAW plus moderne, tout en pilotant le Neuron avec un clavier midi....    Neuron VS's main screen, showing the two Resynators, Blender, and Shapers (envelope generators). The colour coding of the two X-Y controllers indicates which of the three parameter levels is being accessed. If you pined after the innovative Neuron in 2003, but couldn't afford the £3500 price tag, check out Neuron VS; it packs most of the original synth engine into a £500 software instrument and throws in a distinctive hardware controller. Once upon a time, hi-tech music manufacturers would release synths or workstations in two or three different keyboard sizes, and then add a rackmount version to the range later, allowing users to add the basic sounds and features of the product to their studio racks without taking up too much room. But times are changing, and it's surely a sign of our increasingly 'virtual' age that Hartmann, whose Neuron was one of the largest, loudest, and most expensive hardware synths of recent times, have chosen to aim straight at the computer with their second release. Neuron VS will not fit in your racks, but instead installs on your Mac or PC: it's a VST/AU-format virtual instrument that offers the original keyboard's core technology for a fraction of the Neuron's price.Neuron VS running as a plug-in under Cakewalk Sonar, with the Nuke hardware controller/dongle in the foreground.Photo: Mark Ewing Actually, it's perhaps not surprising that Hartmann have made this move: as was noted in the August 2003 SOS review of the original keyboard, Neuron is based on a PC architecture, and one of its main developers is also the man behind German software house Prosoniq, which must have made developing the plug-in easier. Whatever the motivation, software has to be a more economical option for a developer, even if, as in the case of Neuron VS, the software comes with a hardware controller. Tooling up for a rack Neuron, on the other hand, would have produced another mega-thousand-pound product. Refreshing The Neurons The original Neuron created quite a stir when it was announced by promising a new approach to synthesis and sound creation, and anyone who heard one, as I did while attending the Frankfurt Music Fair during its launch year, couldn't ignore the range and volume of sounds it produced. I was continuously reminded of the Neuron's impact as it swooped and roared in the background of an interview that I recorded at that show. Now the attractive concept of running that technology from your computer desktop has created a stir of its own. The Neuron VS package consists of two parts, one hardware and one software (as this review was approaching completion, a second software component, Modelmaker, was added to the bundle — see the boxout for more on this). The hardware element is the USB-driven Nuke remote control unit, which offers a single stick controller — the X-Y joystick, of which there are four on the original Neuron keyboard — and four assignable continuous controllers. Neuron VS, the software component, is essentially the synth engine from the original Neuron in plug-in form. Obviously, the keyboard version has the advantage of its own dedicated hardware, so its performance is not dependent on the power of your CPU or the amount of RAM you have installed, as is the case with Neuron VS. The keyboard version also offers surround-sound audio compatibility, future plans for audio-input processing and four-part multitimbrality. But the rest remains largely the same. For the benefit of those unfamiliar with the original, a quick recap is in order.

Selling my beloved ProAc Studio 125 in very good working condition and aesthetics with some minor marks on the base plates. Classic speakers Made in England, these are truly refined, recipient of many excellent reviews and winner of the What Hi-Fi? Best Buy. This exceptional loudspeaker will satisfy not only demanding audiophiles but also those with home theater applications. Prepare to enter the dream-land of true high-end: great dynamics and stereo imaging, amazing bass, voices are perfect, huge soundstage, airy highs, articulated and detailed mids, gorgeous cabinet design. The speakers come with all the original spikes and grills and are in perfect working order. They come packed in the original boxes with protective foam. No discolouration of the veneer under the grills as can be seen in the photos. Could be shipped in two boxes but please, ask for a quote before as the postage differs from country to country, thanks! For Belgium, Germany or The Netherlands I believe you can arrange also for a Cocolis service, which is much more convenient. Extemely little used for their age, they were in my secondary studio. I had them driven by different amplifiers: a Sugden, a Peachtree and a Merdidian, all worked perfectly with great synergy. b'"'So inspired by these speakers, I had to tell all of you about them and so this is my first ever hifi review: If you see these speakers for sale just bloody buy them! I have not heard anything so amazing since I walked into a hifi store in '89 when a new Quincy Jones CD was blasting through some Shinanighans (I know that's not the correct spelling). The Studio 125 speakers are a knockout for their minimalist styling alone and mine have beautiful mahogany veneer that compliments our 60's modernist furniture. I saw a pair of Proac Studio 125 speakers come up for sale and I have always wondered what they sound like since the Tablettes were a favourite monitor in a friend's hi-end studio setup. I got them home and hooked them up to a rather grunty NAD 753 HT amp, yamaha CD player, nothing too silly and the sound literally made my mouth fall open, then I went on to start swearing and punching the air with delight. They have detail that is so moorish to listen to, kind of juicy and the bottom end it rich and super deep, I will never sell these speakers, after years of searching I am finally spending less time on and more time listening to music. I should add that these are all-rounders, they do wonders for older low-fi recordings as well, so not just for the jazz or classical heads, these speakers make everything sound rich, lush and detailed. I don't really understand how they do it.b'"' (Campbell, AudioPhile) youtube.com/watch?v=A-eOuNDm6SYb'&'t=230s The specifications of the speakers: Nominal Impedance: 8 ohms Recommended Amplifiers: 20 to 150 watts Frequency Response: 30hz to 30Khz Sensitivity: 87db linear for 1 watt at 1 metre Bass/Midrange Driver: 612” inch diameter exclusive ProAc design with modified dust cap and critically coated cone on die-cast Chassis. magnetically shielded. Tweeter: 34” soft dome to ProAc design with ferrofluid cooling. Magnetically shielded. Crossover: Finest components on dedicated circuit board. Multistrand oxygen-free copper cable throughout. Split for optional bi-wiring and bi-amping. Dimensions: 36” (915mm) high, 8” (203mm) wide, 11” (280mm) deep Weight: 40lbs (18kg/cabinet) sony, edifier, jbl, wharfedale, jamo, kanto, ruark, triangle, Focal, Sonus Faber, Dali, Q Acoustics, Elac, Paradigm, Acoustic Energy, Buchardt, Dynaudio, Bb'&'W, Klipsch, Arcam / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi, Proac, neat, quad, kerr, alta, mofi, fyne, tannoy, acoustic research, allison, sugden, atc, amphion, pmc, kef, Linn, gato, sony, edifier, jbl, wharfedale, jamo, kanto, ruark, triangle, Focal, Sonus Faber, Dali, Q Acoustics, Elac, Paradigm, Buchardt Acoustic Energy, Buchardt, Dynaudio En savoir plus Collaboration commerciale.

JoeCo BlackBox BBP1-D 24-Track Player w/ AES/EBU Digital I/O. État : Occasion Included in the original Box:  1 SHORT SubD25 - 8 Jack 1 LONG SubD25 - 8 Jack -------------------- THE BLACKBOX BBR1D (AES/EBU digital I/O) BBR1D – The 24 channel   BLACK BOX BBR1D enables high quality, dependable multi-track audio recording via AES/EBU I/O, direct from a digital mixing console, without the requirement of any additional A-D conversion --------------------   RECORDER The  BLACK BOX Recorder was the first professional multi-track recorder designed solve the inherent problems of working with computer-based systems in a live environment, and it remains the most trusted. Relied upon by engineers on tour, in mission-critical broadcasting set-ups and installations all over the world, the  BLACK BOX Multi-Track Recorder is the first and last word in reliable multi-tracking audio recording. Click below to find out more. Or PLAYER When you require mission-critical playback that absolutely cannot fail, you can rely on JoeCo’s  BLACK BOX Multi-Channel Player. This multi-channel player provides a solution for live performance playback in a compact 1U rack-mounted package. Specifically designed to replay backing tracks or multiple surround stems for live shows and themed entertainment, it can replay up to 24 channels of high quality audio at up to 24bit/96kHz. The   BLACK BOX Player can be triggered using timecode, a footswitch or QWERTY keyboard, or it can be controlled via MIDI commands, giving the live engineer, installation sound designer, musical director or artist full control of the show at all times. Click below to find out more.