Here s to

CD Album CD Code EAN: 0656605132525 Rubrique principale CD: CD Album Genre musical: Pop Titre: Here's to taking it easy Référence fabricant CD: 864.A006.020

CD Album CD Code EAN: 0602527649979 Rubrique principale CD: CD Album Titre: Here's to you: Songs for Shirley Horn Genre musical: Jazz Référence fabricant CD: 2764997

Vinyle 33 Tours Vinyles Code EAN: 0673855020112 Genre musical: Pop rock Titre: Here's To Shutting Up - Vinyle 33 Tours Rubrique principale Vinyle: 33 Tours Crawler: Spyfind Crawler: Spyfind Image

Joan Baez ?? Gracias A La Vida / Here's To Life Excellent etat 1974 Gracias A La Vida Llego Con Tres Heridas La Llorona El Preso Numero Nueve Guantanamera Te Recuerdo Amanda Dida Cucurrucucu Paloma Paso Rio El Rossinyol De Colores Las Madres Cansadas No Nos Moveran Esquinazo Del Guerillero Envoie dans toute la France par Mondial Relay ou autres frais de port réduis emballe proprement et en sécurité Vinyle occasion à vendre à Talange (57525): cd et vinyles à acheter en Moselle (57)

JOAN BAEZ / ENNIO MORRICONE 45 T SP (here's to you, La ballata di Sacco E Vanzetti) Bande originale du film, 49.748 Frais de port réduit si achat groupé

MAXI 45 TOURS de THE LYRES Here's a heart/Live/Touch/She's got eyes that tell lies ACE of HEART RECORDS de 1988 USA NEUF

MAXI 45 TOURS de THE LYRES Here's a heart/Live/Touch/She's got eyes that tell lies ACE of HEART RECORDS de 1988 USA NEUF Vinyle à vendre à Nantes (44000): cd et vinyles à acheter dans la Loire-Atlantique (44)

Little Richard ‎– Here's Little Richard London Records ‎– HA-C 2055 (1963). État : "Occasion" Vinyle/Disc: VG+ Cover: G+   Label: London Records ‎– HA-C 2055, London Records ‎– HA-O.2055 Série: American Series (2) – Format: Vinyl, LP, Album, Reissue, Mono Country: UK Sortie: 1963 Genre: Rock Style: Rock & Roll TracklistMasquer Crédits A1Tutti-FruttiWritten-By – LaBostrie*, Lubin*, Penniman*A2True, Fine MamaWritten-By – Penniman*A3Can't Believe You Wanna LeaveWritten-By – Price*A4Ready TeddyWritten-By – Marascalco*, Blackwell*A5BabyWritten-By – Penniman*A6Slippin' And Slidin'Written-By – Collins*, Bocage*, Smith*, Penniman*B1Long Tall SallyWritten-By – Johnson*, Penniman*, Blackwell*B2Miss AnnWritten-By – Johnson*, Penniman*B3Oh Why?Written-By – Scott*B4Rip It UpWritten-By – Marascalco*, Blackwell*B5Jenny, JennyWritten-By – Johnson*, Penniman*B6She's Got ItWritten-By – Marascalco*, Penniman*

Gracias a la vida-Here 's to Life (1974) - Joan Baez-vinyl L Merci de cliquer sur toutes les bannieres pour nous aider.

Pochette générique du label "A&M" en très bon état (en général ce genre de pochette en papier est très souvent froissée). Une légére marque sur la face A du disque sans aucune conséquence. Generic cover of the "A&M" label in very good condition (in general this kind of paper cover is very often crumpled). A slight mark on the A side of the record without any consequence.

Here To Stay + Hub-Tones Merci de cliquer sur toutes les bannieres pour nous aider.

CD Album CD Code EAN: 0093624303824 Rubrique principale CD: CD Album Titre: Here to Save You All Genre musical: Rap Classification CDMail: Variétés internationales Classification Cd Primaire: Rock, Rap, variétés internationales

CD Maxi CD Code EAN: 0809274540027 Rubrique principale CD: CD Maxi Titre: Here to stay CD 2 Genre musical: New wave

Vinyle 45 Tours Vinyles Code EAN: 0744861092919 Genre musical: Rock Titre: Here To Fall Remixes Rubrique principale Vinyle: 45 Tours

WHITESNAKE Can you hear the wind blow, CD 2 titles, Here I go again - 2008  Very good condition PAYPAL ONLY Shipping costs for Italy and Greece, registered mail only: 9,70€.  For more, do not hesitate to ask:-) Non smoking house, no pets If you buy several items, I recalculate the shipping costs, please ask. I do not sell to South America. Many rock, hard rock and metal shirts or cd's to sell, please have a look at my sales.

Saul Leiter: Here's more, why not Auteur:  Saul Leiter Broché:  76 pages Editeur :  Gallery Fifty One;  Édition :  02 (01 10 2016) Langue :  Anglais ISBN-10:  9081772511 ISBN-13:  978-9081772518           Neuf  When this catalog was first published in 2013, Saul Leiter wast still alive. Sadly he passed away on November 26th 2013. In loving memory of Saul. Saul Leiter has been digging in his archive and selected 34 unpublished color photographs for his fourth solo exhibition at Roger Szmulewicz's GALLERY FIFTY ONE, in Antwerp. The lyricism and intensity of his vision come into fullest play in his eloquent handling of color: to the rapid recording of the spontaneous unfolding of life on the street, Leiter adds an unconventional sense of form and a brilliantly improvisational, and frequently almost abstract, use of found colors and tones. Leiter’s visual language of fragmentation, ambiguity and contingency is evoked in Saul Leiter: Early Color by one hundred subtle, painterly images that stretched the boundaries of photography in the second half of the twentieth-century.

2 x 33 1/3 TRS CHUCK BERRY POCHETTE OUVRANTE ST. LOUIS TO FRISCO TO MEMPHIS MERCURY SACEM / STEREO ALBUM N° 6619 008 23 TITRES LETTRE B NOTE AU DOS DE LA POCHETTE MADE IN FRANCE 1972       LES TITRES DU VINYL N°1 SONT: FACE 1: A1 Medley - Rockin´At The Fillmore, Everyday I Have The Blues 8:28 A2 C.C. Rider 4:09 A3 Driftin´Blues 3:50 A4 Feelin´It 3:54 A5 Flying Home 2:41   FACE 2: B1 I´m Your Hoochie Choochie Man 5:43 B2 It Hurts Me Too 4:34 B3 Fillmore Blues 3:22 B4 Wee Baby Blues 4:06 B5 Johnny B. Goode 2:55   ETAT VINYL N°1: FACE 1: LEGERES RAYURES QUI VONT DONNER DES PETITS GRESILLEMENTS A L’ECOUTE. FACE 2 : LEGERES RAYURES QUI VONT DONNER DES PETITS GRESILLEMENTS A L’ECOUTE.     LES TITRES DU VINYL N°2 SONT: FACE 1: C1 Louie To Frisco 2:20 C2 Ma Dear, Ma Dear 2:15 C3 Soul Rockin 2:43 C4 Check Me Out 2:30 C5 Little Fox 3:02 C6 Back To Memphis 2:40 C7 My Tambourine 2:17   FACE 2: D1 Misery 2:30 D2 It´s To Dark In There 3:50 D3 I Do Really Love You 2:28 D4 I Can´t Believe 2:40 D5 My Heart Will Always Belong To You   D6 So Long 2:42   ETAT VINYL N°2: FACE 1: LEGERES RAYURES MAIS RESTE CORRECT. FACE 2 : LEGERES RAYURES QUI VONT DONNER DES PETITS GRESILLEMENTS A L’ECOUTE.      ETAT POCHETTE: Usé avec le temps notamment sur les angles et avec des taches d’usures au milieu de celle-ci mais l’ensemble reste assez correct.

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

HELLO, Welcome to La Face Cachée's Shop We re selling new and second hand items, any question ?  just ask Bonjour, nous vendons des disques neufs et d'occasions Warning: Pictures are generic and are not from the actual item we re selling, just to show an exemple of the item   ask for a detailled picture if you need Attention important: Les images sont génériques (à titre d'exemple) Vous pouvez nous demander une photo plus précise si vous le souhaitez. WE DON'T SHIP TO CHILE ANYMORE (TOO MANY LOST PACKAGES) Article : Us 5 - Come Back To Me Baby (CD) Format: CD, Maxi-Single More infos about this item here (condition and description MEDIA / SLEEVE): Near Mint (NM or M-) / Near Mint (NM or M-) 2006 Europe Global Music (5), Universal, Triple M Music Global Music Production GmbH & Co. KG, Global Music Production GmbH & Co. KG, RTL II, Optimal Media Production 9500015 Pop Europop ************************ SHIPPING: We ship from France, Shipping in France: 5.85 € (as mush item as you want, from 1 to 100 and more, it's the same price), if the automatic price calculation don't work, please contact us. 5.85 € quelquesoit la quantité. Si le calculateur n'ajuste pas le port correctement, merci de nous contacter nous le ferons manuellement Shipping in Europe: 9.5 € (as mush item as you want, from 1 to 100 and more, it's the same price), if the automatic price calculation don't work, please contact us. Shipping outside Europe: 12 € (+ around 3 € per extra item, should be fixed automaticly by system), if the automatic price calculation don't work, please contact us. ATTENTION: WE DON'T SHIP TO CHILE ANYMORE (TOO MANY LOST PACKAGES) *********************** Others online catalogues here: Discogs's shop here CDANDLP here You Want to see A VIDEO FROM THE shop? Click here *********************** ******************** **************** Thx for looking About us: La Face Cachée is a record store located in the east of France (Metz) We sell second hand and new records If condition is stated as M/M, that means neuf / new otherwise it's a second hand item ************************ Website: www.la-face-cachee.com 's SHOP here Labels from the shop: Prestalia e-commerce solutions.

LA FACE CACHEE  **** 6 rue du Lancieu **** 57000 - METZ FRANCE www.la-face-cachee.com Want to see A VIDEO FROM THE shop? Click here discog's shop here HELLO We re selling new and second hand items, any question ?  just ask Bonjour, nous vendons des disques neufs et d'occasions Warning: Pictures are generic and are not from the actual item we re selling, just to show an exemple of the item   ask for a detailled picture if you need Attention: Les images sont génériques (à titre d'exemple) Vous pouvez nous demander une photo plus précise si vous le souhaitez. ATTENTION: WE DON'T SHIP TO CHILE ANYMORE (TOO MANY LOST PACKAGES) Attention suite aux annonces des services postaux: à partir du 30 mars  les expéditions se feront du mercredi au vendredi uniquement, nous préparons les colis tous les jours mais le ramassage ne se fera que du mercredi au vendredi. Merci de patienter (si vous commander le dimanche ou le lundi par exemple) Update on shipping All shipments will be dispatched from wedneday to Friday French Postal services won't work anymore monday and tuesday, Thx Article : Cocteau Twins - Love's Easy Tears (Vinyl) Format: Vinyl, 12", 45 RPM, EP More infos about this item here (condition and description MEDIA / SLEEVE): Very Good Plus (VG+) / Near Mint (NM or M-) 1986-11-00 Netherlands 4AD, Megadisc 4AD, 4AD, Beggars Banquet, Momentum (5), Holland Cutting Room BAD 610 Rock Ethereal We ship from France FORFAIT FRAIS DE PORT (FRANCE): 5,85 € (AVEC SUIVI) (quelque soit le nombre de disques, le port reste à 5.85 €) SHIPPING COST  (EUROPE): 9,5 €  (international priority package) from 1 to as much as you want LP SHIPPING COST  (Outside Europe): 12 €  (international priority package) from 1 to 5 records only (1 double count for 2 LP) ATTENTION: WE DON'T SHIP TO CHILE ANYMORE (TOO MANY LOST PACKAGES) About us: La Face Cachée is a record store located in the east of France (Metz) We sell second hand and new records If condition is stated as M/M, that means neuf / new otherwise it's a second hand item  www.la-face-cachee.com You Want to see A VIDEO FROM THE shop? Click here discog's shop here         Prestalia e-commerce solutions.

LA FACE CACHEE  **** 6 rue du Lancieu **** 57000 - METZ FRANCE www.la-face-cachee.com Want to see A VIDEO FROM THE shop? Click here discog's shop here HELLO We re selling new and second hand items, any question ?  just ask Bonjour, nous vendons des disques neufs et d'occasions Warning: Pictures are generic and are not from the actual item we re selling, just to show an exemple of the item   ask for a detailled picture if you need Attention: Les images sont génériques (à titre d'exemple) Vous pouvez nous demander une photo plus précise si vous le souhaitez. ATTENTION: WE DON'T SHIP TO CHILE ANYMORE (TOO MANY LOST PACKAGES) Article : Holger Czukay - On The Way To The Peak Of Normal (Vinyl) Format: Vinyl, LP, Album More infos about this item here (condition and description MEDIA / SLEEVE): Very Good Plus (VG+) / Very Good Plus (VG+) 1981 UK EMI Electrola, Welt-Rekord Inner Space Studio, Conny's Studio EMC 3394 Electronic, Rock Experimental We ship from France FORFAIT FRAIS DE PORT (FRANCE): 5,85 € (AVEC SUIVI) (quelque soit le nombre de disques, le port reste à 5.85 €) SHIPPING COST  (EUROPE): 9,5 €  (international priority package) from 1 to as much as you want LP SHIPPING COST  (Outside Europe): 12 €  (international priority package) from 1 to 5 records only (1 double count for 2 LP) ATTENTION: WE DON'T SHIP TO CHILE ANYMORE (TOO MANY LOST PACKAGES) About us: La Face Cachée is a record store located in the east of France (Metz) We sell second hand and new records If condition is stated as M/M, that means neuf / new otherwise it's a second hand item  www.la-face-cachee.com You Want to see A VIDEO FROM THE shop? Click here discog's shop here         Prestalia e-commerce solutions.