Horace silver quintet

This are the general terms and conditions of the present selling. If you don’t agree ALL, please do not buy. Buying means you agree ALL the following terms and conditions. Thanks for reading those terms. Don't hesitate to contact me for more informations. Description of present selling Horace SILVER «The Stylings of Silver» BLUE NOTE BLP1562, New York USA labels.1962 Mono issue deep groove and b'"'earb'"' in dead wax both sides. Audio quality is great with rich clear Blue note sound. It's a nice Horace Silver quintet, in my opinion the surprising association of Art Farmer on trumpet and Hank Mobley on tenor fit very well. Side1: Ex+ (9/10), Visual Ex with some superficial unfeelable sleeve marks, great Ex+ audio. My initial signature in pencil paper (removable) on right side of label. Side2: Ex+ (9/10), Visual Ex with some superficial unfeelable sleeve marks, great Ex+ audio. Cover: VG (6/10), Not too bad at first sight but downgraded because of 3 damages on seams, 5 cm tearing on left top seam and center spine and a 5 cm repearable splitting on center bottom seam. There is also little tearing on bottom seam corners and a touch of stain on upper back. (see photos). My grading scale is simple with letters and figures to improve understanding. I grade each side of the record separately (first side then second side) and in the end the cover. I precise the grading with specific informations for each side and cover. I do not grade inner sleeve (possible tearing or tape on it). If you’re interested in inner sleeve condition, feel free to ask… The scale of grading is: VG-(5/10) VG(6/10) VG+(7/10) EX(8/10) EX+(9/10) To be more precise EX+: a superb record with extremely few light flaws if any, maximum of 10 seconds of repetitive tics per side or less. EX: a very nice records with few marks, maximum of 30 seconds of repetitive tics per side or less. VG+: still a nice record but with a bit more marks with a few lightly feelable, maximum of 1mn30 seconds of repetitive tics per side or less. VG: a record with some marks feelable or not, no skips still enjoyable with portions of background tics, maximum of 2 to 3 mn of repetitive tics per side. VG-: a very used record, not trashed but with numerous feelable marks, still no skips but expect maximum of 5 mn of repetitive tics per side or a bit less. Very strict regarding collectors should only bid on EX and EX+ records. I didn't have a record cleaning machine and all records could benefit an ultrasonic cleaning. To improve sound, records should also be listened to with a stylus in good shape (less than a year). Shipping through french post services that are reliable, the cost is: For 27 countries of EU, UK and Switzerland: 1 LP 19€ /2-4 LPs 22€ Shipping is COLISSIMO complete track and trace. For rest of Europe: 1 LP 29€ /2-4 LPs 32€ Shipping is COLISSIMO complete track and trace For USA, Canada, Japan, South Corea: 1 LP 39€ /2-4 LPs 49€ Shipping is COLISSIMO complete track and trace Taxes, fees and duties: Out of Euro(€) zone, International shipment of items may be subject to customs processing and additional charges. Price (and shipping) doesn’t include taxes, fees and duties which are responsability of the buyer Payment I ship records in 5 business days or less, so I would like to be paid with the same deadline. Please pay me within 5 days after buying or email-me for eventual other agreement otherwise selling will be cancelled. I have had a problem about that for one my first sellings...! Packaging I do my best to protect records and to avoid damages during shipping as I’m a long time collector by myself. I send LP(s) in inner sleeve, out of cover to prevent splitting during the shipping and with two strong carboard sleeves each side (one up /one down). I use strong cardboard boxes. I’m not responsible in any way, for damages during shipping. Return: No return for item under 150€, please keep in mind before buying. En savoir plus Collaboration commerciale.

HORACE SILVER TRES RARE DISQUE SORTI EN 1959 REF: BLUE NOTE 45-1740 LE DISQUE ET SA POCHETTE SONT EN EXCELLENT ETAT VOIR LES PHOTOS MERCI DE REGARDER LES AUTRES VENTES ME CONSULTER EN CAS D'ACHAT GROUPE POUR LES FRAIS DE PORT

CD Album CD Code EAN: 4011222232595 Classification Cd Primaire: Jazz Rubrique principale CD: CD Album Genre musical: Jazz Classification CDMail: Jazz Titre: supreme jazz horace silver

LP HORACE SILVER AND THE JAZZ MESSENGER BLUENOTE 1518 RÉÉDITION 1982. État POCHETTE TRÈS BON ÉTAT VG++   État DISQUE TRÈS BON ÉTAT VG++. PRESSAGE FRANÇAIS

LP VINYLE 33Tours BUD POWELL " silver'n voices " BLUE NOTE BN LA 708 G   U.S.A. 1977. État : Occasion  MEDIA near mint COVER near mint  Service de livraison : Livraison en Relais Mondial Relay

Nota: I can post the CD without jewel case, well protected (except digipack !!!) to reduce shipping cost:                          2.50 euros for Europe E.U. & 3.00 euros for Other Countries.                       Hans PFITZNER   " Quintet Op.23 " - " Sextet Op.55 ".  Walter KAMPER (piano) - Anton KAMPER & Karl Maria TITZE (violin) - Erich WEIS (viola)  Franz KVARDA (cello) - Josef HERMANN (contrabass) - Leopold WLACH (clarinet).                                            Tracklist please take a look on the pictures / Pour les titres voir les photos.     LABEL:   PREISER Records  (MONO). REFERENCES  :   93 111 5 (Full silver, Made in W.GERMANY by PDO). COUNTRY /PAYS :      AUSTRIA. YEAR / ANNEE :   1989. BOOKLET / LIVRET:  MINT. CD:  EX. Tracklist please take a look on the pictures / Pour les titres voir les photos. COMBINED SHIPPING, PLEASE WAIT FOR MY INVOICE. ATTENDRE MA FACTURE POUR LES ENVOIS GROUPES.

MOZART   : Divertimento  K. 334 for violin,Viol,Bass & 2 Horns    Quintet K. 407 for Violin,2 Violas,Bass,horn    Philarmonisches Oktett,BERLIN org 1st HOLLAND  Pressings red & silver  PHILIPS HOLLAND   , 839 707 LY  STEREO RECORD: NM   Jacket   : NM-/NM 09/2018 b This item  to be shipped from FRANCE

ULTRA RARE - DISOPHILEES FRANCAIS DF 45 - TRIO PASQUIER - "Divertissement pour trio à cordes K 563"  Vinyle, 10", 33 ⅓ RPM, Mono Miles Davis Quartet-Same-Prestige 161-10 INCH GREAT RARE !! Tracklist A1 When Lights Are Low Written-By – Carter*, Williams* Written-By – Carter*, Williams* A2 Tune Up Written-By – Davis* Written-By – Davis* A3 Miles Ahead Written-By – Davis* Written-By – Davis* A4 Smooch Written-By – Mingus*, Davis* Written-By – Mingus*, Davis* B1 Four Written-By – Davis* Written-By – Davis* B2 That Ole Devil Called Love Written-By – Lane*, Harberg* Written-By – Lane*, Harberg* B3 Blue Haze Written-By – Davis* CONDITION: DISQUE / RECORD: VG + POCHETTE / SLEEVE: VG - (voir photos) Bass – Percy Heath Cover – David Young Drums – Art Blakey (pistes: B1 to B3), Max Roach (pistes: A1 to A4) Piano – Charlie Mingus (pistes: A4), Horace Silver (pistes: B1 to B3), John Lewis (2) (pistes: A1 to A3) Trumpet – Miles Davis Original 10' Lp release from 1954 with purple/ silver labels - 446 W. 50th ST., N.Y.C. A1-A4: WOR Studios, NYC, May 19, 1953 B1-B3: Beltone Recording Studios, NYC, March 15, 1954

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders for B

♫ ART PEPPER + ELEVEN - MODERN JAZZ CLASSICS - 1959 - 12 TITRES -TRÈS BON ÉTAT ♫.  L'album est l'un des plus appréciés et des plus connus d'Art Pepper. Il comprend plusieurs standards de jazz avec des compositions de Dizzy Gillespie, d'Horace Silver et de Sonny Rollins réinterprétées par Art Pepper. Quinze musiciens participent à l'enregistrement de cet album en plus d'Art Pepper et représentent la « fine fleur » du Jazz West Coast (Pete Candoli, Jack Sheldon, Bob Enevoldsen). À la demande de Pepper, Marty Paich participe aux arrangements de l'album et ils sélectionnent ensemble les douze titres, des classiques du jazz moderne

Superbe lot de 16 CD du LABEL BLUE NOTE WYNTON MARSALIS LIVE AT THE HOUSE OF TRIBES CECIL TAYLOR CONQUISTADOR! ART BLAKEY & THE JAZZ MESSENGERS MOSAIC CANNONBALL ADDERLEY SOMETHIN' ELSE SONNY ROLLINS A NIGHT AT THE VILLAGE VANGUARD DON CHERRY COMPLETE COMMUNICATION ERIC DOLPHY OUT TO LUNCH! HORACE SILVER MICHEL PETRUCCIANI LIVE WAYNE SHORTER JUJU JOHN COLTRANE BLUE TRAIN WAYNE SHORTER ADAM'S APPLE BOBBY McFERRIN SPONTANEOUS INVENTIONS DONALD BYRD AT THE HALF NOTE CAFE JPHN SCOFIELD & PAT METHENY I CAN SEE YOUR HOUSE FROM HERE HERBIE HANCOCK EMPYREAN ISLES Covers / Pochettes: EX Records / Disques: EX

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3.25 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders fo

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT. REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST. FOR CONNOISSEURS b'&' LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD b'&' BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on b'"'Minor's Moodb'"'). As a brief cross-section of the players' strengths, listen to the sequence of short solos on b'"'Jungleblues,b'"' which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly b'"'outb'"' sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / Rb'&'B items on. Many collector’s items from my personal collection are available. Please wait my correct invoice and I will combine shipping costs if you buy multiple CDS. Shipping through Mondial Relais is also available for GERMANY / AUSTRIA / BELGIUM / SPAIN / ITALY / LUXEMBOURG / PORTUGAL b'&' THE NEDERLANDS (6.50 euro for 1 or 8 cds). Frais de port dégressifs pour achats groupés (1 euro pour chaque cd supplémentaire) avec un envoi postal. Frais de ports de 4.40 euros pour 4 CDS avec un envoi par MONDIAL RELAY (6.50 euros pour 10 cds) Frais de ports pour la France / Dom Tom: 3.50 euros en suivi / 5 euro en COLISSIMO ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES Please read carefully my conditions before bidding. In order to reduce international shipping costs, a En savoir plus Collaboration commerciale.

To significantly reduce shipping costs, I can use MONDIAL RELAY for: BELGIUM - NETHERLANDS - SPAIN and PORTUGAL... contact me for the prices Miles DAVIS b'"' Miles Davis b'"' Tracklist below / Titres voir plus bas LABEL: BLUE NOTE (DOUBLE ALBUM avec INSERT 4 pages attaché à l'intérieur de la pochette ouvrante) REFERENCE: BST 81501/2. COUNTRY / PAYS: FRANCE. YEAR / ANNEE: 1971. SLEEVE / POCHETTE: EX. VINYLS: NMINT - Proche Neuf. Tracklist A1Tempus Fugit3:48A2Kelo3:15A3Enigma3:20A4Ray's Idea3:40A5How Deep Is The Ocean (How High Is The Sky)4:35A6C.T.A. (Alternate Master)3:12B1Dear Old Stockholm4:09B2Chance It3:02B3Yesterdays3:43B4Donna (Alternate Master)3:09B5C.T.A. (Alternate Master)3:30B6Woody'n You (Alternate Master)3:30C1Take Off3:39C2Weirdo4:50C3Woody'n You 3:23C4I Waited For You3:27C5Ray's Idea (Alternate Master)3:47C6Donna3:11D1Well You Needn't5:20D2The Leap4:32D3Lazy Susan4:00D4Tempus Fugit (Alternate Master)3:55D5It Never Entered My Mind3:55 - Alto Saxophone – Jackie McLean (pistes: B1, B2, B4, B6, Cé, C3) - Bass – Oscar Pettiford (pistes: A5, B1 to B4, B6, C3, C6), Percy Heath (pistes: A1 to A4, A6, B5, C1, C2, C4, C5, D1 to D5) - Drums – Art Blakey (pistes: A1 to A4, A6, B5, C1, C2, C4, C5, D1 to D5), Kenny Clarke (pistes: A5, B1 to B4, B6, C3, C6) - Liner Notes – Colman Andrews - Piano – Gil Coggins (pistes: A1 to A6, B1 to B6, C3 to C6, D4), Horace Silver (pistes: C1, C2, D1 to D3, D5) - Remastered By – Rudy Van Gelder - Tenor Saxophone – Jimmy Heath (pistes: A1 to A4, A6, B5, C5, D4) - Trombone – J.J. Johnson (pistes: A1 to A4, A6, B5, B1, B2, B4 to B6, C3, C5, C6, D4) - Trumpet – Miles Davis En savoir plus Collaboration commerciale.