Ideal for studio and stage applications

Le Klotz M2K1FM2000 est un câble XLR de qualité professionnelle, conçu pour l'utilisation avec des microphones professionnels et des enregistreurs de haute finesse. Ce câble est muni de Samuelite de haute qualité, qui offre une excellente résistance à l'abrasion et une excellente tenue électrique. Le conducteur central est en cuivre pur, ce qui assure une excellente transmission des signaux électriques. Le câble est équipé de connecteurs XLR mâle à trois broches et XLR femelle à trois broches, ce qui le rend idéal pour les microphones conçus pour cette connexion. Le câble a une longueur totale de 20 mètres, ce qui permet de le utiliser dans des situations où une longueur importante est nécessaire. Il est également fourni avec une protection de type b'"'poggieb'"' pour protéger le câble pendant son transport et lors de son utilisation. Ce câble est conforme aux normes professionnelles et est recommandé pour les applications de studio et de scène. Code EAN: 4250046861882. Manufacturer's Header: Klotz. Type of Product: Accessory. Weight Range: 500 g to 3 kg. Title: Klotz M2K1FM2000 cable micro XLR male 3 pins - XLR female 3 pins 20 meters. This Klotz M2K1FM2000 is a professional-grade XLR cable designed for use with high-end microphones and recorders. It features high-quality Samuelite insulation, which provides excellent resistance to abrasion and excellent electrical insulation. The central conductor is made of pure copper, ensuring excellent electrical signal transmission. The cable is equipped with XLR male connectors with three pins and XLR female connectors with three pins, making it ideal for use with microphones designed for this type of connection. The cable has a total length of 20 meters, making it suitable for situations where a longer length is required. It also comes with a protective b'"'poggieb'"' to protect the cable during transport and use. This cable complies with professional standards and is recommended for studio and stage applications. Manufacturer's Header: Klotz. Product Type: Accessory. Weight Range: 500 g to 3 kg. Samuelite insulation for excellent resistance to abrasion and electrical insulation / Central conductor made of pure copper for excellent electrical signal transmission / XLR male to XLR female 3-pin connection / Total length of 20 meters / Protective b'"'poggieb'"' included / Conforms to professional standards / Ideal for studio and stage applications. En savoir plus

74,50 METRES DE CABLE QUALITE STUDIO CANARE GS6 POUR INSTRUMENTS OU AUTRES COULEUR JAUNE UNIQUEMENT   NEUF AUTRES LONGUEURS ME CONSULTER    A specially designed Oxygen Free Copper 18 AWG cable for connecting Guitar/Bass or Keyboards to amps, mixers, effects pedals and all outboard signal processing gear. Low capacitance and low series resistance provides improved frequency response (flat to 50kHz). A bright, ringing characteristic sound is preserved, even when using HI-Z guitar pickups with long cable runs. The proprietary double Carbon/Braid Copper shield construction eliminates microphonic handling noise, especially on stage where amps are often set at maximum volume levels. Also highly recommended for Amp Head to Speaker Cabinet leads. Applications - Electronic Instruments - Hi-Fi Interconnects - Test Probes - Audio Patch Cords - AMP to Cabinet Leads Features - Stays Flexible even in Sub-Zero Weather - Oxygen Free Copper Conductor & Shield - Reduced Microphonic Handling Noise - Low Capacitance & Resistance TVA RECUPERABLE AV-OCCASE AUDIOVISUEL    WELCOME,BIENVENUE AV-OCCASE ACHAT.VENTE.NEGOCE NOUS SOMMES UN MAGASIN SPECIALISE DANS L'ACHAT, LA VENTE ET LE DEPOT-VENTE DE MATERIEL AUDIOVISUEL   OCCASION / NEUF A PRIX DISCOUNT   SON / VIDEO BROADCAST / STUDIO / HIFI / SONO / VINTAGE        91 AVENUE EMILE ZOLA  75015 PARIS    FRANCE (métro charles michels)    TEL:  01.45.75.46.13    FACTURE DE VENTE AVEC TVA RECUPERABLE

RM-2 Stereo Rack Monitor RM-2 is the ideal solution for monitoring needs in various space-challenged environments such as machine rooms, VTR monitoring, surveillance, mobile and stationary control rooms, theme park applications where audio monitoring is needed and the room for installation is not enough. Adding these new feature sets, RM-2 is now more versatile to various applications. In Detail Stereo analog balanced +4DBu inputs with combo connectors (XLR b'&' 1/4b'"' plug). AES/EBU digital input with XLR connector working with fs 44.1kHz to 96kHz. Sophisticated control panel section including 26-dot stereo LED meter, biaxial stereo gain control, phone jack, Channel select switch as well as Input select switch. Independent MUTE function by holding down CH SEL key for a while. Auto Mute when powering on*. D-class power amplifier (10W x 2) for clear sound reproduction and light weight construction. Multi-voltage power supply. Tva récupérable bon état général good condition TVA RECUPERABLE Réf, dep En savoir plus Collaboration commerciale.

Prism Sound Dream ADA-8XR. État : "Occasion" - ADA-8XR 8AD/8DA+AES - 8 analog In (XLR), 8 analog out (XLR), Carte AES-EBU Perfect Shape / Etat parfait  Years: 2016  Feel free to ask any questions:) ---------------------------------- Overview  The ADA-8XR is a multi-channel AD/DA converter that can be in numerous ways using to suit a very wide variety of applications. It can be a 16 channel AD converter, a 16 Channel DA converter or an 8 channel AD/DA converter. It can be a, or an AES/EBU / AES3 / SPDIF Digital to Analogue or Analogue to Digital converter. It can act as a high resolution for recording or post-production. Similarly it can work with a wide range of other popular Digital Audio Workstations (DAWs) including Logic, Cubase, Nuendo and others. In fact, there's not a lot it can't do when it comes to digital audio conversion.  Applications  The ADA-8XR is the top professionals' converter of choice in the most exacting applications in music and sound recording, mastering, broadcast and post-production. Offering the cleanest and most transparent conversion available, the ADA-8XR is ideal for producers, engineers and songwriters wanting to produce top-quality results when recording, tracking & overdubbing, mixing to stereo or surround, mastering and monitoring. The ADA-8XR is perfect for recording vocal, single instruments, drums or orchestra and is just as much at home providing multiple outputs for external analogue summing. It is in use in the top studios around the world as well as being used in numerous film sound tracks.  Design Philosophy  The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: Now, the goals of ultimate sound quality, and un-matched versatility have been realised in a modular multi-channel, 24-bit 192kHz-capable format. The ADA-8XR provides A/D and D/A conversion and the essential digital interfaces with a stereo monitor mix output in digital and analogue formats.  Clocking and Synchronization  Unlike most other converter systems, the ADA-8XR is ideal as a master clock for your entire system, whether running from its precision internal reference or from an external source. No external clock source can improve the performance or influence the sound of the ADA-8XR. In addition, the ADA-8XR can run in Pro Tools Loop Sync mode, or lock to AES3, AES11 or Wordclock. The ADA-8XR delivers your recordings with perfect transparency, whatever the setup.  Configuration options  The ADA-8XR is a modular system and this provides great flexibility when creating systems with larger numbers of channels. Whether you need just a few channels of high-quality conversion or large a multi-track setup, the ADA-8XR is the natural choice. Using combinations of the basic system options and the range of digital interfaces you can build the system that perfectly matches your requirements. For more detail see the section.  ADA-8XR Summary Channel Configurations  - Up to 16 channels of state-of-the art 24-bit, 192kHz conversion in one great-sounding 2U package. - Choice of 8AD plus 8DA; 16AD; 16DA or D-D only configurations. - Dual-path architecture allows independent operation of two 8-channel paths: - Each path (bank of 8 channels) can be assigned to either record or play functions; - Each path can have independent clock references at different sample rates if desired; - Each path is independently configurable; - Each path can drive analogue and digital outputs simultaneously if desired - Allows Source Monitoring with simultaneous A/D and D/A conversion. - Electronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up; - Prism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs'; Dig

Micro Mikrofon Microphone Grundig Gdm 121 Sennheiser Vintage. État : Occasion, en parfait état cosmétique (voir photos) et fonctionne. Testé.  Dans son box d'origine, avec son pied. Tested and fully functional condition.  See pictures for the cosmetics.  Wonderful vintage microphone, comes in its original packaging with foot. International bidders welcome, please ask for a precise shipping quote to your location of choice. Grundig GDM-121 Dynamic Microphone late 50's made in West Germany with box in excellent condition and full working order. Jack is replaced with 3 XLR plug. Quoted from Trashblitz website; Grundig GDM-121 Behold one of the foundational pillars of: The Grundig GDM-121, 1950s German vintage gold deluxe, and in all its glory quite probably responsible for this website. It is to this day the only gold coloured microphone we own, and it has such a cute little metal table stand with the Grundig four-leaf clover on it! And, more importantly, it was one of the first “vintage” microphones we acquired that did not simply sound old, funny or broken, and it piqued our interest in a very special way: It sounded fantastic, but there was buzz and hum and all sorts of unpleasant background noises mixed into the signal – and here my quest to  began. I found out that the GDM-121 is a high-impedance version of the Sennheiser MD21, a dynamic omnidirectional reporter microphone which is still being manufactured with only minor design updates, more than 60 years after its release in 1953. In terms of usefulness, this means that it is 100% functionally equal to the MD21, which was used as a reporter mic and in broadcasting. It has many advantages for these purposes – almost no handling noise, no proximity effect, incredibly sturdy (there was supposedly a show on the Sennheiser stage on some fair in the 1950s where an MD21 was dragged up and down a flight of stairs for hours, and it was still operational after this treatment). Since it was developed for vocal applications mainly, it has a presence boost above 3kHz and can withstand really high SPL. Much like with its cardioid sibling, the MD421, it’s virtually impossible to get a distorted signal out of this mic. In the studio, it can be used as a soft, jazzy kick drum mic, on guitar cabinets and on many instruments where you want to capture a mellow and natural ambient sound without very detailed transients or highs. This is because it is a large-diaphraghm dynamic omni, and as such probably unique in its properties even in most serious studio microphone collections.

ORIGINAL MATCHED PAIR " NEUMANN KMi 85 ", vintage (1970s). COLLECTOR CONDITION! Like new condition in the original packaging with two kv58 capsule extension tubes and one Neumann DS100 and two sg21 clips. black finish (for broadcast). i = xlr connector. Fantastic and very hard to find "close miking" stereo set (for acoustic guitar, speech, classical music ("tenor" singer (according to me, this stereo set is way better ("more musical") than the "Schoeps Pavarotti stand"), drum...). Very close serial numbers (45508 and 45511). The capsules are (of course) from the same batch with very close serial numbers too. LIKE NEW CONDITION (very hard to find, almost impossible! You can find for sale one good km i 85 from time to time, but the kmi 85 matched pair is almost impossible to buy. This stereo set is a "secret weapon" of the best sound engineers).  Neumann KM85i (...) A long-time staple for orchestral and acoustic recordings thanks to their clear and natural sound, the Neumann KM8x series of microphones can be found in just about every major studio and scoring stage -­­ often half a dozen or more of them under one roof. Essentially, the KM85i (“i” designation simply means it has an XLR connector, typically for export to North America) is the same microphone as the widely ­loved and more expensive KM84i, but with a built-­in bass rolloff. While this makes the microphone less useful in distant applications, the KM85i’s integral high­pass filter actually comes in handy as you move the microphone closer to an instrument or voice. Proximity effect is an acoustical bass­ boost inherent to directional microphones as they move closer to the signal source, which makes the cardioid-patterned KM84i a bit too bottom­-heavy when used as a close mic. The KM85i, however, sounds clear as a bell at closer distances, arguably making it a better choice for snare drums (engage the ­10dB pad to avoid ugly distortion - or don’t), acoustic guitars, and any other sound that benefits from having a microphone within spitting distance. (...) Source: Reverb (a Guide to Hidden Gem Vintage Microphones)

NEUMANN KMi 85 vintage 1980s LIKE NEW CONDITION!  (very hard to find, almost impossible!). Neumann KM85i (...) A long-time staple for orchestral and acoustic recordings thanks to their clear and natural sound, the Neumann KM8x series of microphones can be found in just about every major studio and scoring stage -­­ often half a dozen or more of them under one roof. Essentially, the KM85i (“i” designation simply means it has an XLR connector, typically for export to North America) is the same microphone as the widely ­loved and more expensive KM84i, but with a built-­in bass rolloff. While this makes the microphone less useful in distant applications, the KM85i’s integral high­pass filter actually comes in handy as you move the microphone closer to an instrument or voice. Proximity effect is an acoustical bass­ boost inherent to directional microphones as they move closer to the signal source, which makes the cardioid-patterned KM84i a bit too bottom­-heavy when used as a close mic. The KM85i, however, sounds clear as a bell at closer distances, arguably making it a better choice for snare drums (engage the ­10dB pad to avoid ugly distortion - or don’t), acoustic guitars, and any other sound that benefits from having a microphone within spitting distance. (...) Source: Reverb (a Guide to Hidden Gem Vintage Microphones)

The TASCAM CD-RW901SL Professional CD Recorder has the connectivity and professional features needed by studio and installation professionals: AES / EBU inputs / outputs RS-232 control port automatic increment, at fixed intervals identification markers recorded on the CD The CD-RW901SL takes all the features of the TASCAM CD-RW900SL, adding analog XLR I / O, wired remote control, and other features demanded by professionals. The XLR (balanced) and RCA (unbalanced) outputs have dedicated input and output level settings, allowing instant changes. The digital inputs are in AES / EBU and S / PDIF format, and feature an automatic sample rate converter, ensuring compatibility with any signal. The CD-RW901SL even plays MP3 files, with their associated information (ID 3 tags). The Time Track Increment feature automatically increments the track number (Track ID) after a certain number of minutes (between 1 and 10), which is ideal for concert or conference recordings. The Key Original function changes the playback speed without changing the pitch. The PS / 2 keyboard input makes it easy to enter track titles (CD Text function), plus access to frequently used menus and transport functions with just one press of a button. Using Tascam CD recorders is easy - they're a smart choice for installers and demanding customers alike. Main features: Records on “pro” or “music” CD-R or CD-RW media (general public) NEW! Select reading speed, to improve readability of poor quality or damaged media 24-bit A / D and D / A converters Balanced analog inputs / outputs on XLR Unbalanced analog inputs / outputs on RCA S / PDIF digital inputs / outputs, coaxial and optical types Input automatic sampling frequency converter (in 44.1 kHz), deactivatable Independent left / right input level adjustment Digital volume control Synchronized recording function Function of automatic incrementation of the track number (ID Track) according to the level Time Track Increment function - increments the track number every 1-10 minutes Entering index marks NEW! Skip mode selection: skip by track, by index or by 1 minute periods Digital fade in / out adjustable from 1 to 30 s, in steps of 1 s (fade in / out) Rec Mute function (digital silence recording) Erase / unfinalize CD-RWs Continuous, single, random or programmed track play (up to 99 tracks) Play all tracks, a single track or part of a track (A-B) Auto Cue, Auto Ready, Call and Incremental Play functions Playing MP3 Files Burned to CD Play MP3 files in their directories Viewing information about MP3 files (ID3 tags) Reading speed adjustment (± 16%, in steps of 0.1 to 1%) Key potentiometer (± 6 semitones) Original Key function (change the tempo without changing the key) CD Text compatible PS / 2 keyboard port, for CD Text data entry and transport control RS-232C serial control port (9-pin Sub D connector) Parallel port Power-on Play Mode: Automatically plays CD when power is turned on, convenient for installation applications NEW! Relay recording with two CD-RW901SL Supplied with wired remote control Rackable 2 U

L’ UMT 800 délivre un son clair est sans coloration, idéal pour l’enregistrement en studio précis et en toute fidélité des solistes instrumentaux et vocaux, pour les applications de Scoring et d’enregistrement pour les films, ainsi que pour les studios de radio et télédiffusion. Ce micro possède deux caractéristiques qui le rendent exceptionnel: son extrême sensibilité et son rapport signal/bruit exceptionnel. La capsule est un transducteur de variation de pression ambiante utilisant deux membranes et une seule plaque arrière en cuivre. Les membranes en plastique de grand diamètre sont plaquées or. La variation de tension de polarisation de la membranes associée aux positions du sélecteur de structure polaire (situé juste sous la grille) vous permet de bénéficier de cinq structures polaires: omnidirectionnelle, cardioïde large, cardioïde, hyper-cardioïde et en forme de « 8 ». La sensibilité maximum est dans l’axe de la grille. Notre nouveau circuit est sans transformateur desymétrisation des sorties. Ce circuit offre une plage dynamique très vaste et un bruit de fond qui reste très faible. Pour les applications avec des signaux très élevés, la sensibilité peut être réduite de 10 dB, grâce au sélecteur monté sur le corps. Le filtre coupe-bas permet de réduire la sensibilité dans les basses fréquences et peut être utilisé pour atténuer l’effet de proximité pour les prises rapprochées. Microphone statique sans transformateur UMT 800 Directivités disponibles: omnidirectionnel, cardioïde large, cardioïde, hypercardioïde, bidirectionnel (figure de 8) Principe de fonctionnement acoustique: transducteur à gradient de pression Réponse en fréquence: 40 Hz à 18 kHz Filtre coupe-bas: -10 dB à 90 Hz Sensibilité à 1 kHz: 8mV/Pa (position cardioïde: 13 mV/Pa Impédance de sortie: 150 Ohms Niveau de bruit équivalent - CCIR 468 - 4 (qps): 26 dB - DIN EN 60651: 14 dB (A) Rapport signal/bruit (réf: 1 Pa à 1 kHz): - CCIR: 68 dB - pondéré A: 80 dB Niveau SPL maxi pour THD de 0,5%: 139/135 dB avec pad -10 dB enclenché: 149/145 dB Gamme dynamique totale du pré-préampli micro intégré: 121 dB Intensité consommée (P 48, DIN 45596, IEC 268 - 15): 3 mA Connecteur de sortie: XLR 3 points, contacts plaqués or Poids: 540 g Dimensions: 195 mm x 70 mm de diamètre En parfait état, vente à regrets. Test possible sur Valenciennes. The Gefell UMT 800 is a large format studio microphone featuring a pickup capsule with a long history of proven performance. Five polar patterns make this mike an ideal choice for a wide range of professional and semi-professional recording situations. The UMT 800 produces a clean, colorless sound, ideally suited for accurate recording of instrumental and vocal soloists in music studios, motion picture scoring stages and television broadcast studios. Two distinguishing characteristics of this microphone are its high sensitivity and outstanding signal to noise ratio. The pickup capsule is a pressure gradient transducer using dual membranes and a single brass back plate. The large diameter plastic membranes are sputtered with gold. Varying the polarization voltage to the membranes with the pattern switch, located just below the head grill, produces five patterns: omni, wide cardioid, cardioid, hyper-cardioid and figure 8. The direction of maximum sensitivity is radial to the head grill, i.e. side addressed. The microphone amplifier is a transformerless design with a symmetrical output stage. This design yields a wide dynamic range and a low self noise floor. The sensitivity can be reduced by a 10dB switch mounted on the body of the mike when miking extremely loud sound sources. A low frequency roll-off switch, also located on the body of the microphone, reduces the proximity effect for close-range applications. En savoir plus

L’ UMT 800 délivre un son clair est sans coloration, idéal pour l’enregistrement en studio précis et en toute fidélité des solistes instrumentaux et vocaux, pour les applications de Scoring et d’enregistrement pour les films, ainsi que pour les studios de radio et télédiffusion. Ce micro possède deux caractéristiques qui le rendent exceptionnel: son extrême sensibilité et son rapport signal/bruit exceptionnel. La capsule est un transducteur de variation de pression ambiante utilisant deux membranes et une seule plaque arrière en cuivre. Les membranes en plastique de grand diamètre sont plaquées or. La variation de tension de polarisation de la membranes associée aux positions du sélecteur de structure polaire (situé juste sous la grille) vous permet de bénéficier de cinq structures polaires: omnidirectionnelle, cardioïde large, cardioïde, hyper-cardioïde et en forme de « 8 ». La sensibilité maximum est dans l’axe de la grille. Notre nouveau circuit est sans transformateur desymétrisation des sorties. Ce circuit offre une plage dynamique très vaste et un bruit de fond qui reste très faible. Pour les applications avec des signaux très élevés, la sensibilité peut être réduite de 10 dB, grâce au sélecteur monté sur le corps. Le filtre coupe-bas permet de réduire la sensibilité dans les basses fréquences et peut être utilisé pour atténuer l’effet de proximité pour les prises rapprochées. Microphone statique sans transformateur UMT 800 Directivités disponibles: omnidirectionnel, cardioïde large, cardioïde, hypercardioïde, bidirectionnel (figure de 8) Principe de fonctionnement acoustique: transducteur à gradient de pression Réponse en fréquence: 40 Hz à 18 kHz Filtre coupe-bas: -10 dB à 90 Hz Sensibilité à 1 kHz: 8mV/Pa (position cardioïde: 13 mV/Pa Impédance de sortie: 150 Ohms Niveau de bruit équivalent - CCIR 468 - 4 (qps): 26 dB - DIN EN 60651: 14 dB (A) Rapport signal/bruit (réf: 1 Pa à 1 kHz): - CCIR: 68 dB - pondéré A: 80 dB Niveau SPL maxi pour THD de 0,5%: 139/135 dB avec pad -10 dB enclenché: 149/145 dB Gamme dynamique totale du pré-préampli micro intégré: 121 dB Intensité consommée (P 48, DIN 45596, IEC 268 - 15): 3 mA Connecteur de sortie: XLR 3 points, contacts plaqués or Poids: 540 g Dimensions: 195 mm x 70 mm de diamètre En parfait état, vente à regrets. Test possible sur Valenciennes. The Gefell UMT 800 is a large format studio microphone featuring a pickup capsule with a long history of proven performance. Five polar patterns make this mike an ideal choice for a wide range of professional and semi-professional recording situations. The UMT 800 produces a clean, colorless sound, ideally suited for accurate recording of instrumental and vocal soloists in music studios, motion picture scoring stages and television broadcast studios. Two distinguishing characteristics of this microphone are its high sensitivity and outstanding signal to noise ratio. The pickup capsule is a pressure gradient transducer using dual membranes and a single brass back plate. The large diameter plastic membranes are sputtered with gold. Varying the polarization voltage to the membranes with the pattern switch, located just below the head grill, produces five patterns: omni, wide cardioid, cardioid, hyper-cardioid and figure 8. The direction of maximum sensitivity is radial to the head grill, i.e. side addressed. The microphone amplifier is a transformerless design with a symmetrical output stage. This design yields a wide dynamic range and a low self noise floor. The sensitivity can be reduced by a 10dB switch mounted on the body of the mike when miking extremely loud sound sources. A low frequency roll-off switch, also located on the body of the microphone, reduces the proximity effect for close-range applications. En savoir plus Collaboration commerciale.

Appareil surprenant d’efficacité. Très peu utilisé, mais longuement servi récemment pour numériser des vinyles. Avec son alimentation externe et son convertisseur 220/110VAC (N'a jamais été produit en version 220V) L’emballage sera soigné Supporte le 20 bits en entrée ET en sortie, convertisseur A/D ADMOD79, D/A l'excellent TDA1547, DSP géré par PCF5020D, fonction ADOC CS8402, ADIC & ré-échantillonneur TDA1373, entrée SPDIF AES/EBU de 15 à 50 kHz, sortie 'switchable' de 44.1 à 48 kHz au dos par simple bouton... En français, transforme un Signal mono en stéréo, améliore le Son en provenance des vinyles (notamment 78 tours, mais les 45 et 33 aussi)), des disques compacts audionumériques (passe de 44.100 Hz à 48 kHz), supprime le Scratch, filtre (comme un Dolby, mais mieux)), améliore le rendu stéréo, élargit ou réduit l'effet stéréophonique, compresse/expand (les radioteurs comprendront), règle finement graves et aigus par pas de 1 dB, gère le fading, la balance et bien sûr le volume, etc.(Citation du site hifi vintage audiophile) "This product offers recording studio engineers, home studios owners, post production facilities, corporate A/V centers, archivist, and broadcast professionals unmatched performance and value for an integrated set of advanced sound processing technologies developed by Philips." The IS5021 include the following: - - 20-bit A/D converters (ADMOD79) - - High quality D/A converter (based on the Philips DAC7) - - Sample rate converter for interfacing between digital equipment operation at different sample rates. Digital Sound Processing including:  - - Jitter Removal (for cleaning up DAT recordings - - Compression/Expansion - - Noise reduction (comprising a low-pass filter with adjustable cut-off) - - QNI (Quantization Noise Imaging) - - Slave Mode (for external synchronization) - - Varispeed (pitch variation can be processed without effecting output sample rates) - - Scratch Suppression (de-clicking) - - Stereo Enhancement (stereo effect from mono) - - Spatial Stereo (widen or narrow the sound stage) - - Bass, Treble, Balance and Volume Control - - Digital Level Indication & Control (for monitor of the overall input level) These features offer the professional studio engineers tremendous versatility in the creation of digital recordings, whether from analog or digital source material. Typical applications for the IS5022 include the following:  Recording Studios/Music Production Facilities:  The 20-bit A/D converter in combination with the sample rate converter will permit the user to choose a 44.1 or 48kHz sampling frequency for the transfer of older DAT recording. Actually, any input sampling frequency between 15kHz and 50kHz will be accepted.  Broadcast Professionals/Archivists/Home Studios: The IS5022 offer a tremendous variety of easy to use tools to enhance the sound of older recordings (tape and vinyl) from the stereo enhancement capability that permits a monaural recording to be "converted" into stereo (through phase shift), to spatial stereo that widens or narrows the recording, to noise reduction and scratch suppression filters.  These capabilities, along with the D/A converter and QNI will permit recording professionals to create enhanced digital recordings, as well as transfer back to analog cassette format for substantially enhanced quality for use in portable listening applications.  Audio Post Production Facilities: Recordings made in-the-field with most commonly available portable DAT recorders can now be edited into recordings that offer improved resolution and richness along with substantially reduced jitter distortion.  Technical specifications Inputs Digital: 15-50kHz sample rate s/pdif: RCA Analog Unbalanced: RCA (L/R) Outputs Digital: 44/1/48kHz switchable s/pdif: RCA Analog Unbalanced: RCA (L/R) Performance (complete Analog Path-analog IN to OUT) Balanced S/N Ratio: 94dB (A-weighted)

Le B.Beat 128Gb est un appareil karaoké haut de gamme, équipé de dernières technologies pour offrir un expérience de chant et de musique de qualité incomparable. Cet appareil dispose d'une mémoire interne de 128Go, permettant de stocker une vaste collection de chansons et de vidéos karaoké. Il est également compatible avec différents types de supports tels que USB, SD et CD, ce qui permet d'accéder à une vaste bibliothèque de musique et de karaoké supplémentaires. Le B.Beat 128Gb est équipé d'un écran tactile de 7 pouces, permettant un accès aisé et intuitif à toutes les fonctionnalités de l'appareil. Il offre également une connexion Wi-Fi pour accéder à des milliers de chansons en streaming et des fonctionnalités de partage via des réseaux sociaux. Cet appareil karaoké est équipé d'un microphone de haute qualité et d'une fonctionnalité d'harmonisation automatique, ce qui permet de faciliter le chant des utilisateurs et de rendre chaque performance harmonieuse et précise. Il est également possible de connecter deux microphones supplémentaires pour chanter en duo ou en groupe. Le B.Beat 128Gb est un appareil multifonctionnel, idéal pour les soirées, les fêtes, les studios de enregistrement ou simplement pour les moments de relaxation et de divertissement. Il est également compatible avec des applications de karaoké tiers, ce qui permet d'accéder à des fonctionnalités supplémentaires et à une vaste bibliothèque de chansons. Enfin, le B.Beat 128Gb est doté d'une batterie interne de longue durée et d'une connexion de charge USB, ce qui permet de l'utiliser sans être connecté à un prise électrique. Cet appareil karaoké est également livré avec une manette de contrôle et une poche pour le microphone, ce qui rend facile le transport et l'utilisation de l'appareil. Technical details: - Display: 7 inches TFT touch screen - Memory: 128GB internal memory - Connectivity: Wi-Fi, USB, SD, CD - Microphone: High-quality built-in microphone - Harmonization: Automatic harmonization function - Expandable: Compatible with third-party karaoke apps - Battery: Long-lasting internal battery - Controls: Includes remote control - Carrying case: Includes microphone pouch. With the B.Beat 128Gb, you'll have access to a vast library of songs and karaoke videos, as well as streaming capabilities and social sharing features. Its high-quality microphone and automatic harmonization function ensure that every performance is clear, precise, and harmonious. The touch screen display and intuitive interface make it easy to navigate, and the long-lasting battery and multiple connectivity options allow for versatile use. Whether you're hosting a party, recording in a studio, or just looking for a fun and engaging way to enjoy music, the B.Beat 128Gb is an excellent choice. En savoir plus