In those

CD Album CD Code EAN: 4560293345944 Rubrique principale CD: CD Album Genre musical: Jpop Titre: Seishun POP BEST SONGS -The music I listened to in those days was the best [IMPORT JAPONAIS]

Powered by eCommercePlayer.com AC/DC For Those about to rock we salute you (Atlantic ATL K 50 851) - FACE A For those about to rock (we salute you) / Put the finger on you / Let’s get it up / Inject the venom / Snowballed - FACE B Evil walks / C.O.D. / Breaking the rules / Night of the long knifes / Spellbound Pressage original français sorti en 1981. Pochette avec effet de relief. Original French pressing issued in 1981. Embossed sleeve. Record condition: SLEEVE (pochette) VG+ / RECORD (disque) EX J’indique toujours dans la description si le fichier son a été enregistré du vinyle en vente.  Si ce n’est pas précisé cela veut dire que l’échantillon vient d’un autre vinyle   It’s always indicated on the description when the clip sound source is the record actually on sale.  If not, it means than the source is from a previous copy   ACHETEZ PLUSIEURS DISQUES ET ÉCONOMISEZ LES FRAIS DE PORT. Demandez-moi les tarifs. Attendre ma facture pour payer en cas d'achat multiple CHECK MY OTHER RECORDS FOR SALE, COMBINED AND SAVE ON SHIPPING FEES. Ask me for rates. Wait for invoice to pay in case of multiple buys GRADING M  Mint Actually almost impossible to find a Mint second hand disc unless it’s sealed or it’s brand new. Neuf Quasi impossible pour un disque d’occasion sauf si le disque est scellé ou si c’est une nouveauté. NM Near Mint The record may have been played but it is almost mint. Only most minimal deterioration in sound quality. The sleeve is almost mint. Quasi Neuf Disque et pochette sont en état quasi neufs, jamais ou très peu joués et manipulés. Ils comportent le minimum de trace d’usure possible. EX Excellent The record shows some signs of having been played, but still plays perfectly. The vinyl may have some tiny wear or marks, but nothing major and nothing that affects play. The cover could show only slight wear and/or creasing but it’s still close to mint. Excellent Le disque a déjà été écouté plusieurs fois. Mais il passe toujours comme neuf. Si il y a des micro rayures, elles sont sans conséquences et quasi invisbles. La pochette est splendide, quelques signes manipulations, petites pliures, rien d’important quasi neuve VG+ Very Good+ The record have been played many times, show wear, small marks or light scratches but nothing deep. It still plays very well. The cover shows some wear, light creasing, maybe tiny tears or pen marks. Overall this is the condition of Most of records sold in second hand. Très Bon+ Disque a déjà été écouté, il peut y avoir des petites rayures, peut craquer très légèrement, mais l’écoute reste très satisfaisante. La Pochette est usée, petites écritures ou pliures mais très correcte. La plus part des disques d’occasions sont dans cette condition. VG Very Good The record shows non-deep scratches, surface marks,wear and displays some surface noise. But still very playable. The cover shows wear, creasing, maybe spine splits, BB/cut hole, pen marks or small tears. It may be great but with an inner sleeve or an insert missing. Très bon Le disque a été beaucoup écouté. Il y a des rayures et il craque. Néanmoins l’écoute reste satisfaisante sans être optimale. La pochette est usée, un poil déchirée, des grosses écritures. C’est aussi la note pour une pochette superbe mais ou il manque l’insert ou autre chose. G Good The record displays considerable surface noise, visible but non-deep scratches, but still it’s playable and enjoyable and it does not jump.The cover shows strong wear, creasing, spine splits, cut out hole, pen marks or tears but is still in one piece. Bon Le disque comporte beaucoup de rayures il craque beaucoup. Néanmoins il ne saute pas et il n’est pas rayé. L’écoute est toujours possible. La pochette est très usée, voir un peu déchirée, elle comporte des écritures néanmoins elle est toujours entièr

Marduk - Those Of The Unlight - Osmose Productions - OPLP015 - Vinyl,LP,Limited ed.,reissue - France - 2017 Marduk is one of Sweden's leading Black Metal group along with Dark Funeral.They started out being a Death Metal group with Black Metal elements,but later changed to extreme,hyper-aggressive Black Metal. The group was formed in 1990 with Morgan Steinmeyer Hakansson(guitar),Andreas Axelsson(vocal),Richard Kalm(bass) & Joakim Grave(drums).. Vinyl & Cover in perfects shape!!! Probably plays a very few times!! Perfect copy!!!!! *VINYL: NM *COVER: MINT

-   * george harrison *     face a)  - all those years ago  face b)  - writting's on the wall ------------------ ----------------- 45 tours wb records reference / 17 807 made in /  france année /.1981 ----------------------------------------------------------------------------------------------------------------   disque /record              VG++       très bonne écoute des deux faces du vinyl                                                     pochette /sleeve         VG ++   ring wear  recto / verso.   nom inscrit au  dos  de la pochette + trace de sticker décollé au dos de la pochette. noms inscrit sur le label du vinyle recto / verso.                                                  usure de l'arete opposée à l'ouverture (ouverte sur 6cm) de meme que l'arete du haut. pochette en mauvaise état.                                                                 prix en rapport  à la qualité du disque et de sa rareté ---------------------------------------------------------------------------------------------------------------------------------------     prix de l'envoie pays 1 sp. 45 tours 2 à 3 sp. 45 tours           France 2,40 euros           Europe et suisse 2,80 euros           Reste du monde 2,80 euros

AC/DC: For those about to rock  We salute you1981 Atlantic 50 851(12)  LP  VG++/VG++ Made in Germany livraison colissimo

AC/DC (cassettes audio) 1/ For Those About To Rock We Salute You 2/ Ghost in the machine  6 euros Occasion très bon état. Remis en mains propres ou envoi par lettre prioritaire:  3,00€

Cette semaine je mets en vente de rares EP, SP et LP de Johnny Hallyday, prix de départ 9,90€, sans prix de réserve, les frais de port sont groupés en cas d'achats multiples / We combine shipping fees for multiple purchased items. Pochette / PS: EX Bel état général. Disque / Record: VG+ Multiple traces de surface. Ces disques ont été gardé à l'abri de l'humidité et de la lumière mais pas forcément de la poussière. Un bon nettoyage devrait définitivement accroître la qualité acoustique de ces vinyles en ôtant la poussière qui pourrait y rester. Dans la mesure où chaque collectionneur a sa propre méthode de nettoyage (machines VPI ou Okki Nokki, pâte LGL, sprays, etc...), nous laissons le soin d'exécuter cette délicate opération à son futur propriétaire. These records have been stored away from moisture and light but, sometimes, not from dust. A good cleaning will definitely increase the sound quality by taking off some of the dust that might still be there. As every record collector has his own way to do it (VPI or Okki Nokki cleaning machines, LGL paste, sprays, etc...) we leave this delicate operation to its next owner. Graduation system: M (MINT) Sealed, never played, new in its original packaging. NM (NEAR MINT) Almost perfect copy, never or very rarely played. At worst, one or two surface marks, generally insignificant and due to inner sleeve. This the highest grade for an unsealed record. EX (EXCELLENT) Very clean copy, some insignificant surfaces marks (hairlines). This record has been rarely played, on good equipment and treated with care. The cover has very minor flaws: a name or discrete initials, low wear corners, very slight ringwear. VG + + (VERY GOOD + +) More surface marks.Minor flaws or cover wear, minor edge wear. This is generally the grade given to a 20 to 50 years old record with a "normal" life, treated with care, but listened and handled regularly by his former owner. VG + (VERY GOOD +) Has been played a lot, shows multiple slight surface marks (hairlines) generating background noise between songs but no jump or skips. Cover shows important signs of age and storage (slice corners worn, name, date, dedication, tears, etc....). Generally, this record was one of the favorites among previous owner discotheque, went from hand to hand, had to animate some parties and bears the scars of a busy life. VG (VERY GOOD) The record is very worn, has been played a lot, shows important scratches that are creating permanent background noises but do not skip or jump. Still listenable (especially at high volume for big sound). The cover is well worn, torn important corner and edge wear, significant traces of marker pen or... well, the previous grade but more accentuated. G (GOOD) Has been played to the hilt (but still playable on some titles), many scratches, crackles a lot while playing, may have jumps or sticks. The cover is very damaged. This record must be very rare to be proposed on sale ! We tend to exaggerate our gradations, however, in case of doubt, do not hesitate to ask questions before bidding. Cleaning The sleeves are generally cleaned. Each collector has his own method for cleaning vinyl records, those that we offer for sale are just clean with a smooth velvet brush to take off the dust before being photographed. Photos Our records are always photographed by natural light. No scanning which tends to erase some defects. Packaging All our records are shipped in packaging specifically designed for vinyl in cardboard (double box) and delivered in a plastic sleeve. Shipping Our records are shipped within 2 business days after receipt of your payment. Returns Returns are accepted within 14 days of receipt, the costs are borne by the buyer. If the record does not meet your expectations, thank you to focus on communication in

En raison de l’abus de certains acheteur (notamment cet escroc de schatzkauf6, qui n’a même pas le courage d’afficher ses évaluations !!!) je suis obligé de modifier les modalités d’envoi. A partir d’aujourd’hui tous les envois se feront avec suivi en France comme à l’étranger, donc ce sera plus cher qu’auparavant. Les frais ne concernent que la France et l’Europe, pour le reste du monde il faudra me consulter. Je suis désolé pour tous ceux qui me font confiance depuis longtemps. Due to the abuse of some buyers (especially this scammer schatzkauf6, who doesn't even have the courage to post their reviews !!!) I am forced to change the shipping method. From today all shipments will be made with tracking in France and abroad, so it will be more expensive than before. The costs only concern France and Europe, for the rest of the world you will have to consult me. I am sorry for all those who have trusted me for a long time. Aufgrund des Missbrauchs einiger Käufer (einschließlich dieses Betrügers schatzkauf6, der nicht einmal den Mut hat, ihre Bewertungen zu veröffentlichen !!!) bin ich gezwungen, die Versandbedingungen zu ändern. Ab sofort werden alle Sendungen mit Sendungsverfolgung in Frankreich und im Ausland ausgeführt, sodass sie teurer sind als in der Vergangenheit. Die Anklage betrifft nur Frankreich und Europa, für den Rest der Welt muss ich mich beraten. Es tut mir leid für all diejenigen, die mir schon lange vertraut haben. Hit Parade Records 13502     Country Canada  Format CD  Release Date 27-Jan-2007  UPN 7-3053-13502-2-9  Expanded edition Track listing 1. Overture (02:59) 2. Passepartout (01:46) 3. First Stop: Paris (02:51) 4. Aloft Above France (04:56) 5. The Descent (01:07) 6. A Landing In Figueroas (01:05) 7. Passepartout Dances (01:38) 8. Invitation To A Bull Fight/Entrance Of The Bull March (02:38) 9. Arrival in Suez (00:24) 10. Bombay Harbor (00:49) 11. India Countryside (03:58) 12. A Princess In Distress (05:20) 13. Royal Barge of Siam (02:40) 14. Yokohama (02:21) 15. Intermission (01:05) 16. Around The World – part 2 (01:09) 17. Transcontinental Railway (03:57) 18. A Weak Bridge (03:00) 19. Sioux Attack (08:14) 20. Prairie Sail Car (01:51) 21. Land Ho (06:58) 22. End Credits (06:26) 23. Exit Music (05:01) Total Duration: 01:12:13

En raison de l’abus de certains acheteur (notamment cet escroc de schatzkauf6, qui n’a même pas le courage d’afficher ses évaluations !!!) je suis obligé de modifier les modalités d’envoi. A partir d’aujourd’hui tous les envois se feront avec suivi en France comme à l’étranger, donc ce sera plus cher qu’auparavant. Les frais ne concernent que la France et l’Europe, pour le reste du monde il faudra me consulter. Je suis désolé pour tous ceux qui me font confiance depuis longtemps. Due to the abuse of some buyers (especially this scammer schatzkauf6, who doesn't even have the courage to post their reviews !!!) I am forced to change the shipping method. From today all shipments will be made with tracking in France and abroad, so it will be more expensive than before. The costs only concern France and Europe, for the rest of the world you will have to consult me. I am sorry for all those who have trusted me for a long time. Aufgrund des Missbrauchs einiger Käufer (einschließlich dieses Betrügers schatzkauf6, der nicht einmal den Mut hat, ihre Bewertungen zu veröffentlichen !!!) bin ich gezwungen, die Versandbedingungen zu ändern. Ab sofort werden alle Sendungen mit Sendungsverfolgung in Frankreich und im Ausland ausgeführt, sodass sie teurer sind als in der Vergangenheit. Die Anklage betrifft nur Frankreich und Europa, für den Rest der Welt muss ich mich beraten. Es tut mir leid für all diejenigen, die mir schon lange vertraut haben. Disques CinéMusique DCM 118     Country Canada  Format CD  Release Date 1-Sep-2009  UPN 7-7102-82335-1-9  Including a 16-page booklet. Track listing 1. Introduction - Les cloches de Béthune (02:06) 2. Envol (01:56) 3. Ballet de la chemise blanche (01:32) 4. Alsace - Les Vosges (04:15) 5. Paris (04:06) 6. Chenonceaux - La chasse (01:23) 7. Les grands voiliers - Goémons (04:41) 8. Poursuite en Bretagne (03:12) 9. Les Alpes - Les glaciers (04:42) 10. Provence (03:03) 11. Camargue - Les taureaux - Les flamands roses (04:35) 12. Final (03:58) 13. Un Jardin public (17:29) mono suite Total Duration: 00:56:58

George Harrison b'&' Eric Clapton Live In Japan '91 2 CD + 38 page color booklet (as a tour program) House in a double fat CD jewel case with minor shelfwear Sleeve + booklet = M CD = NM CD 1: - I Want To Tell You - Old Brown Shoe - Taxman - Give Me Love - If I Needed Someone - Something - What Is Life - Dark Horse - Piggies - Pretending - Old Love - Badge - Wonderful Tonight CD 2: - Got My Mind Set On You - Cloud Nine - Here Comes The Sun - My Sweet Lord - All Those Years Ago - Cheer Down - Devil's Radio - Isn't It A Pity - While My Guitar Gently Weeps - Roll Over Beethoven - Drums / Percussion Solo - Roll Over Beethoven Reprise Shipment byColissimo France with tracking number En savoir plus Collaboration commerciale.

Pressage Apple Records AR-2160 (Japon 1968). Feuillet en bon état. vinyle en très bon état. Produit par Paul McCartney. Quelques craquements à noter. pressage rouge. Je vends quelques autres vinyles des Beatles, Macca, Lennon, Harrison et Starr.N'hésitez pas à consulter ma boutique. Lyrics sheet in G condition / Record in VG condition. some light crackles I do sell more Beatles's stuff. please check out my other auctions.

Betty May Nuthall Shoemaker (née Nuthall; 23 mai 1911 – 8 novembre 1983) était une joueuse de tennis anglaise.  Connue pour son puissant coup droit, selon Wallis Myers du Daily Telegraph et du Daily Mail, Nuthall a été classée dans le top dix mondial en 1927, 1929 à 1931 et 1933, atteignant un sommet de sa carrière dans le classement mondial n° 4 en 1929. Elle remporte le championnat de doubles mixtes à l’Open de France en 1931 avec Pat Spence. Betty May Nuthall Shoemaker (née Nuthall; 23 May 1911 – 8 November 1983) was an English tennis player.  Known for her powerful forehand, according to Wallis Myers of The Daily Telegraph and the Daily Mail, Nuthall was ranked in the world top ten in 1927, 1929 through 1931, and 1933, reaching a career high in those rankings of World No. 4 in 1929. She won the mixed doubles championships at the French Open in 1931 with  Pat Spence.

Superbe et très rare dans cet etat, ce téléphone Philips des années 50 est pleinement fonctionnel en réception comme en émission d'appel sur une box internet ADSL ou FIBRE. Il est équipé d'une sonnerie à cloches et d'une bouton de coupure ligne. Il vous suffit de composer le numéro de votre correspondant sur son cadran rotatif. Une jolie touche rétro qui nous renvoie en 1950. Une belle idée cadeau b'&'##127873; et un bel objet de collection pour un amoureux des années 50 voulant acquérir le téléphone agréé par les PTT dans ces années la. Vous pourrez voir ce téléphone en fonctionnement en suivant ce lien YouTube: https://youtu.be/ZjSifj6BFo8?si=8Bz9GfvbgB4jNrWy Le colis est sécurisé pour l'envoi et assurer de la valeur de la transaction. A très bientôt b'&'##128521; Superb and very rare in this fully functional condition in reception and in call transmission on an ADSL or FIBER internet box.It is equipped with an internal buzzer-type bell and a line cut button.You just need to dial the number of your correspondent on its rotary dial.A nice retro touch that takes us back to 1950.A nice gift idea b'&'##127873; and a nice collector's item for a lover of the 50s wanting to acquire the telephone approved by the PTT in those years.You can see this phone in operation by following this YouTube: https://youtu.be/ZjSifj6BFo8?si=8Bz9GfvbgB4jNrWy package is secure for sending and ensuring the value of the transaction.See you soon b'&'##128521; En savoir plus Collaboration commerciale.

Your Portal to Completion Every Future Press guide is designed to maximise the gaming experience--regardless of the player's skill. In the case of  Portal 2, this is a difficult task: only those who can solve the test chambers will get to feel that true sense of accomplishment. If players look up the solution in a book or even watch it as a movie on YouTube, then they'll bypass this feeling completely. This is why our  Portal 2  guide follows a new concept: the solution will only give away as much as the player wants to know, no less, and no more. Thanks to a multi-layered walkthrough consisting of different levels of information, the official  Portal 2  guide lets players decide for themselves how much help they receive. From just a small hint right up to a complete solution--everything is there. This guarantees a maximised gaming experience, just as you would expect from a Future Press guide. In addition the guide also offers lots of extras, including a huge on-location interview with the game's producers, a whole chapter devoted to previously unpublished concept drawings and artwork from  Portal  and  Portal 2, as well as a comprehensive section on Trophies/Achievements, for all of those who wish to fully master the game. Multilevel walkthrough |  Offers expert guidance while avoiding unnecessary spoilers--allowing mastery of the game without ruining the experience. Extended co-op coverage |  Comprehensive walkthrough for the co-op game, including shortcuts and alternate solutions, with contributions from the current world record holder for the fastest run through  Portal. Simplified isometric maps |  Each test chamber is presented in a uniquely created 3D illustration which deliberately shows as little detail as possible, but also as much as is necessary. This means that players can easily and quickly understand the solution and avoid the confusion of overloaded screenshot maps. The Art of Portal |  Stunning computer graphics, early concept drawings and wonderful illustrations show  Portal  and  Portal 2  in breathtaking style and beauty. Artwork that has been made public exclusively and for the very first time in the official guide. An audience with Valve |  An in-depth interview with the key figures from the development team of  Portal  and  Portal 2. More than 20 pages filled with background information and also about the making of the two games. Trophies/Achievements |  For the complete gaming experience; a detailed step-by-step guide to unlocking all 50 Trophies/Achievements. Although many of them are very challenging, having a complete collection doesn't have to be the sole privilege of advanced players. Exclusive strategy videos |  Access to countless game videos which perfectly show the guide's pro techniques and strategies for every chamber. Exclusive to the Collector's Edition Guide Additional content  |  An expanded 'The Art of Portal' with additional render images - for real fans. Hardcover Binding  |  So it will last forever. A cover illustration created for true Portal fans as well as a fine back cover with a removable info sheet for that pristine look. Two bookmarks  |  Each bot--Blue and Orange--possesses its own ribbon bookmark (colored...you might have guessed...blue and orange). So that you can keep track of both sections, the single player and the co-op game.

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders for B

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3.25 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders fo

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT. REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST. FOR CONNOISSEURS b'&' LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD b'&' BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on b'"'Minor's Moodb'"'). As a brief cross-section of the players' strengths, listen to the sequence of short solos on b'"'Jungleblues,b'"' which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly b'"'outb'"' sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / Rb'&'B items on. Many collector’s items from my personal collection are available. Please wait my correct invoice and I will combine shipping costs if you buy multiple CDS. Shipping through Mondial Relais is also available for GERMANY / AUSTRIA / BELGIUM / SPAIN / ITALY / LUXEMBOURG / PORTUGAL b'&' THE NEDERLANDS (6.50 euro for 1 or 8 cds). Frais de port dégressifs pour achats groupés (1 euro pour chaque cd supplémentaire) avec un envoi postal. Frais de ports de 4.40 euros pour 4 CDS avec un envoi par MONDIAL RELAY (6.50 euros pour 10 cds) Frais de ports pour la France / Dom Tom: 3.50 euros en suivi / 5 euro en COLISSIMO ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES Please read carefully my conditions before bidding. In order to reduce international shipping costs, a En savoir plus Collaboration commerciale.

33 Tours LP   BLACK SHEEP NON-FICTION  MERCURY 314 522 685-1  2 LP USA Year: 1994 Hip Hop Cover: NM Record: NM See photos. My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cove

33 Tours LP   DON CHERRY & The Jazz Composer's Orchestra RELATIVITY SUITE JCOA Records VIRGIN JLP 2001 Dischi Ricordi ITALY Year: 1974 Jazz Free Jazz Cover: VG++ Record: NM Back cover a bit dirty and with ring wear. See photos. My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG cov

PLEASE WAIT THE INVOICE BEFORE SENDING PAYMENT !!!!!!!!  INFORMATIONS: ITALIAN press GRADING COVER/RECORD:  SEALED SHIPPING COST:  to France:  8€ for 1 record; 1€ per additionnal item to Europe:   14€ for 1 record; 1€ per additionnal item  to Rest of the world: 24€ for 1 record; 2€ per addtionnal item ALL shipping are REGISTRED with TRACKING NUMBER.   RECORD AND COVER GRADING: MINT (M) These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. There is no set percentage of the Near Mint value these can bring; it is best negotiated between buyer and seller. NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++ or E+). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. That said, VG records — which usually sell for no more than 25 percent of a NM record — are among the biggest bargains in record collecting, because most of the “big money” goes for more perfect copies. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would resid

Plus de disques classiques rares dans mes "autres objets" / More rare classical music records in "seller's other items" Frais d'envoi groupés en cas d'achats multiples / I combined shipping fees for multiple purchases. Expédition en colissimo pour la France / I ship my records with tracking number parcels, if you want it to be insured, please contact me before paying. Pochettes / Covers: NMINT Disques / Records: NMINT Jamais joués / Unplayed Graduation system: M (MINT) Sealed, never played, new in its original packaging. NM (NEAR MINT) Almost perfect copy, never or very rarely played. At worst, one or two surface marks, generally insignificant and due to inner sleeve. This the highest grade for an unsealed record. EX (EXCELLENT) Very clean copy, some insignificant surfaces marks (hairlines). This record has been rarely played, on good equipment and treated with care. The cover has very minor flaws: a name or discrete initials, low wear corners, very slight ringwear. VG + + (VERY GOOD + +) More surface marks.Minor flaws or cover wear, minor edge wear. This is generally the grade given to a 20 to 50 years old record with a "normal" life, treated with care, but listened and handled regularly by his former owner. VG + (VERY GOOD +) Has been played a lot, shows multiple slight surface marks (hairlines) generating background noise between songs but no jump or skips. Cover shows important signs of age and storage (slice corners worn, name, date, dedication, tears, etc....). Generally, this record was one of the favorites among previous owner discotheque, went from hand to hand, had to animate some parties and bears the scars of a busy life. VG (VERY GOOD) The record is very worn, has been played a lot, shows important scratches that are creating permanent background noises but do not skip or jump. Still listenable (especially at high volume for big sound). The cover is well worn, torn important corner and edge wear, significant traces of marker pen or... well, the previous grade but more accentuated. G (GOOD) Has been played to the hilt (but still playable on some titles), many scratches, crackles a lot while playing, may have jumps or sticks. The cover is very damaged. This record must be very rare to be proposed on sale ! We tend to exaggerate our gradations, however, in case of doubt, do not hesitate to ask questions before bidding. Cleaning The sleeves are generally cleaned. Each collector has his own method for cleaning vinyl records, those that we offer for sale are just clean with a smooth velvet brush to take off the dust before being photographed. Photos Our records are always photographed by natural light. No scanning which tends to erase some defects. Packaging All our records are shipped in packaging specifically designed for vinyl in cardboard (double box) and delivered in a plastic sleeve. Shipping Our records are shipped within 2 business days after receipt of your payment. Returns Returns are accepted within 14 days of receipt, the costs are borne by the buyer. If the record does not meet your expectations, thank you to focus on communication in order to find a solution together. Feedbacks These are always left as soon as your payment reaches us. Thank you kindly do the same upon receipt of your package. SHIPPING RATES: Rates are given for single vinyls. Gatefold or inner booklet may change the cost of postage. For overseas shipping costs in the priority letter only works up to 2 kg, beyond 2 kgs French Post requires a dispatch by colissimo International. Don't hesitate to email me if you have any question.

33 TOURS LP ATOMIC ROOSTER Holland 1970 Fontana Stereo 6369 001 Cover: VG Record: VG- Small writings on back cover (bottom left side). See photos. Record with several surface scuffs. VIEW VIDEO ON INSTAGRAM (click here) (Doesn’t work on iphone app, use Safari or Chrome browser) My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as

33 tours LP Bag Raiders ‎ b'"'Turbo Loveb'"' Remixes Bang Gang 12 Inches ‎ BANG015 Made in AUSTRALIA May 2009 Electronic, Funk / Soul House, Electro Cover: NM - Record: NM (for more info read the details of my grading criteria at the bottom) Informations additionelle sur la livraison / Información de envío adicional / Informazioni aggiuntive sulla spedizione / Additional shipping informations: Expédition pour plusieurs articles / Envío de varios artículos / Spedizione di più oggetti / shipping of multiple items: (FR) Selon le type d'objets, il peut être possible d'en regrouper plusieurs dans un seul envoi et d'économiser sur les frais d'expédition. Demandez-moi le total exact avant de faire l'achat. (ES) Dependiendo del tipo de artículos, puede ser posible agregar más de uno en un solo envío y ahorrar en costos de envío. Pregúntame el total exacto antes de realizar la compra. (IT) A seconda del tipo di oggetti, potrebbe essere possibile aggregarne di più in una sola spedizione e risparmiare sulle spese di spedizione. Chiedimi il totale esatto prima di effettuare l'acquisto. (EN) Depending on the type of items, it may be possible to aggregate more than one in a single shipment and save on shipping costs. Ask me for the exact total before buying. My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect b'"'still in shrinkb'"' records. I could occasionally use a conservative grade of [M-] (MINT-) to describe perfect records not new sealed or not b'"'still in shrinkb'"'. NEAR MINT (NM) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or b'"'almost [NM] perfect with a few minor flawsb'"'. VERY GOOD PLUS (VG+) / EXCELLENT A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. VERY GOOD (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many En savoir plus Collaboration commerciale.

33 tours LP Buddy Merrill ‎ b'"'The Guitar Sounds Of Buddy Merrillb'"' Radio Records RR 112 Mono ITALY 1965 Pop, Easy Listening Surf, Space-Age Cover: VG+ (See photos) Record: VG+ (for more info read the details of my grading criteria at the bottom) Informations additionelle sur la livraison / Información de envío adicional / Informazioni aggiuntive sulla spedizione / Additional shipping informations: Expédition pour plusieurs articles / Envío de varios artículos / Spedizione di più oggetti / shipping of multiple items: (FR) Selon le type d'objets, il peut être possible d'en regrouper plusieurs dans un seul envoi et d'économiser sur les frais d'expédition. Demandez-moi le total exact avant de faire l'achat. (ES) Dependiendo del tipo de artículos, puede ser posible agregar más de uno en un solo envío y ahorrar en costos de envío. Pregúntame el total exacto antes de realizar la compra. (IT) A seconda del tipo di oggetti, potrebbe essere possibile aggregarne di più in una sola spedizione e risparmiare sulle spese di spedizione. Chiedimi il totale esatto prima di effettuare l'acquisto. (EN) Depending on the type of items, it may be possible to aggregate more than one in a single shipment and save on shipping costs. Ask me for the exact total before buying. My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect b'"'still in shrinkb'"' records. I could occasionally use a conservative grade of [M-] (MINT-) to describe perfect records not new sealed or not b'"'still in shrinkb'"'. NEAR MINT (NM) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or b'"'almost [NM] perfect with a few minor flawsb'"'. VERY GOOD PLUS (VG+) / EXCELLENT A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. VERY GOOD (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For En savoir plus Collaboration commerciale.

Free listing template designed by dewiso.com Product All cards presented in the listings are authentic. The condition of the card described in the listing is subject to my personal impression, this one can vary, thank you to rely essentially on the photos. Shipping It is sent by letter or parcel. The cards are all sent in a sleeve, and well protected with a Top Loader. The expedition is often carried out within 2-3 days. Contact Feel free to contact me if you encounter any problem. We will look to find a solution. I have a sufficiently supplied stock for most of the time replace the card. - All the cards in the listings can be merged into a single shippment. If the combination of fees is not done automatically, do not hesitate to send a message. - Shipping cost for France: - Tracked: 1.99€ (= 3 cards) - Tracked: 3.99€ (b'>' 3 cards) - Shipping cost for Europe: - Economy: 2.40€ (= 3 cards) - Tracked: 4.99€ (= 3 cards) - Tracked: 7.99€ (b'>' 3 cards) Want more than one quantity of this card ? I have a stock of about 2000 cards similar to the one listed on. Do not hesitate to contact me if you are looking for cards similar to those presented in my listing (Only Holo Cards or Retro Cards): - 1998 Bandai: Approx. 500 cards in stock. (Almost all common available) - 1999 Initial: Approx. 50 cards instock. - 2000 2nd Term: Approx. 500 cards in stock. - b'>'2002: Approx. 1000 cards in stock. En savoir plus Collaboration commerciale.

33 tours 12b'"' 2 LP Gatefold Limited Edition Morr Music ‎ MM039 Morr Music ‎ 039 Label Code LC 10387 Germany 2013 Repress issued in a Gatefold sleeve with a download code inside. Limited to 250 copies Electronic, Jazz Dub, Future Jazz, Experimental Cover: NM- (See photos) Records: VG++ (for more info read the details of my grading criteria at the bottom) Informations additionelle sur la livraison / Información de envío adicional / Informazioni aggiuntive sulla spedizione / Additional shipping informations: Expédition pour plusieurs articles / Envío de varios artículos / Spedizione di più oggetti / shipping of multiple items: (FR) Selon le type d'objets, il peut être possible d'en regrouper plusieurs dans un seul envoi et d'économiser sur les frais d'expédition. Demandez-moi le total exact avant de faire l'achat. (ES) Dependiendo del tipo de artículos, puede ser posible agregar más de uno en un solo envío y ahorrar en costos de envío. Pregúntame el total exacto antes de realizar la compra. (IT) A seconda del tipo di oggetti, potrebbe essere possibile aggregarne di più in una sola spedizione e risparmiare sulle spese di spedizione. Chiedimi il totale esatto prima di effettuare l'acquisto. (EN) Depending on the type of items, it may be possible to aggregate more than one in a single shipment and save on shipping costs. Ask me for the exact total before buying. My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect b'"'still in shrinkb'"' records. I could occasionally use a conservative grade of [M-] (MINT-) to describe perfect records not new sealed or not b'"'still in shrinkb'"'. NEAR MINT (NM) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or b'"'almost [NM] perfect with a few minor flawsb'"'. VERY GOOD PLUS (VG+) / EXCELLENT A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be cons En savoir plus Collaboration commerciale.

Enceintes Sony SS-G 1 II avec câble HIFI. État : Occasion 2 enceintes - livrées avec câbles et notices d'époque. (Années 80) Très bon état de conservation - Fonctionnent très correctement. Vente pour changement de système moins volumineux. SONY SS-G1   The original  SS-G1  was made in Japan. The smaller but heavier  SS-G1mkII  was assembled and tweaked in Germany by WEGA. The  SS-G1mkIII  did see even better power handling and a filter repratee shifted up by 1Khz. Typical Sony: all three only say " G1 " on the their front and cover, whatever the actual version... All three sported a 25cm Carbocon woofer, the "acoustically grooved" front baffle and a fair directivity plot (given the price-range). THD specs show a predominance of 2nd harmonics (I can hear that:) and my ears tell me they can take a LOT of power without going haywire. My own november 1980 mkII have an ogival damped sub-enclosure holding the mid driver and although the filter board is tagged " Sony, made in Japan ", several components bear a WEGA sticker. The inside shows many corner braces plus a large, 3cm thick, flower-like shape supplementary surface glued to the back to diminish standing resonances. The 25cm tall WS-E70 feet are screwed to the underside with a huge and large (single) screw. As a few lower to mid-end Sony speakers from 1977 onward, the  G1mkII  were part of those units "tuned in Europe" for the european market and for european "ears". The low and high drivers in my mkII are  SEAS OEMs with diecast aluminium structure, the mid as well probably but it is sealed so I can't be sure... A 1980 Best Buy in the UK at any rate.

THE HARD rock highway is littered with those who could/should have made it if only Lady Luck had been smiling in their direction; none more so than Orange County four-piece Storm, who first whipped up the proverbial gale in 1979 with a self-titled album for MCA that fell unceremoniously by the wayside while others shot to fame & fortune. Down but not out, the band retrenched and reshuffled their line-up (still helmed by Jeanette Chase & Lear Stevens), making way for a second assault some four years down the line. This time, the label was different (Capitol) and the music even more confident in execution and strident in style – moving from quirky pop rock origins through to a bigger, beefier sound fusing a love of Queen and the Sweet with out‘n’out hard-hitters like Led Zeppelin & Van Halen. ‘Storm II’, originally released in 1983, although failing to propel the band to worldwide success, earned impressive critical appraisal amongst the hard rock cognoscenti (it was hailed by Kerrang! as an overlooked work of brilliance), becoming a collector’s favourite and a yardstick by which many a similar work has been measured. 24-bit remastering from original source tapes, huge story of Storm liner notes, tons of additional photos & memorabilia spread out over a 16 page full colour booklet and six previously unreleased bonus tracks! Track listing: 'Settle Down', 'Runnin' From You', 'Come Home', 'Hand In Hand', 'Anything For Your Love', 'Play With Me', 'Pez', 'Take Me Away', ' So Long'. Bonus tracks: 'Play With Me' (demo), 'Anytime' (non LP demo), 'If It's True' (non LP demo), 'Dangerous' (non LP demo), 'So Long' (demo), 'Pez SS' (demo). The booklet front cover plane is an F-111 bomber.

ATTENTION: PAS DE CHEQUE, PAS DE VIREMENT; PAYEMENT PAYPAL UNIQUEMENT  PAYPAL ONLY ECHO & THE BUNNYMEN THE CUTTER Track Listing1. The Cutter 2. Bombers Bay 3. Paint It Black 4. All You Need Is Love 5. Ashes to Ashes 6. All My Life 7. A Promise 8. Read It in Books 9. Crocodiles 10. Crystal Days 11. Ocean Rain 12. My Kingdom Album Notes The Cutter is a strange compilation with cash-in written all over it. The front sleeve reads 12 classic tracks. It's a lie. Yes, some of the songs are among the best recorded by Liverpool's finest post-punk band, but the inclusion of two bizarre covers doesn't help the collection reach any sort of classic status. Perhaps WEA Records thought fans would see The Cutter as a best-of collection, which it isn't; maybe they thought those same fans would clamor for the covers of songs by the Rolling Stones and the Beatles. To start with, the album material isn't necessarily the best of. While the songs are a just-decent sample of some of the finer moments from the band's glory days, Songs to Learn and Sing and Ballyhoo are both better introductions. Albums covered include Crocodiles, Heaven Up Here, Porcupine, Ocean Rain, and Echo & the Bunnymen. There are classics here to be sure: "The Cutter," "A Promise," and "Ocean Rain" are all glorious slices. But there are glaring omissions among these classics, including "Lips Like Sugar," "The Killing Moon," "Bring On the Dancing Horses," and "Never Stop." The Cutter might be a nice find in the used CD bin, if one is looking for one particular track and an assortment of other okay songs. The live covers certainly don't justify the album, as they serve merely to break up an otherwise interesting collection. "Paint It Black" sees Ian McCulloch butchering the classic song like a campy vampire; it actually starts out promising, but McCulloch falls apart about a minute and half in. "All You Need Is Love" just sounds stupid, as if the band had only been rehearsing it for a day; there's no passion in the performance. The Cutter would cut cleaner if its cuts included the classics. ~ Tim DiGravina WEA RECORDS / 1988 / Printed in GERMANY Boitier Cristal // Crystal Box Tous mes CD sont en état impeccable, très peu utilisés Frais de Port, Shipping cost: Pour la France: 3,50€ (+1€ par CD Supplémentaire) For Europe, Switzerland and Norvay: 5,50€ (+2€ each additional CD) Rest of the world: 7,85€ (+3€ each additional CD) MERCI de CONSULTER MES AUTRES VENTES... PAYPAL ONLY ATTENTION: PAS DE CHEQUE; PAYEMENT PAYPAL EXCLUSIVEMENT

Cette semaine je mets en vente de rares EP et SP acquis auprès d'une chasseuse d'autographes particulièrement active dans les années 60, les frais de port sont groupés en cas d'achats multiples / We combine shipping fees for multiple purchased items. Pochette / PS: VG++ Traces dues à l'age et au stockage. Nom au dos, autographes des artistes au recto. Disque / Record: VG++ Traces de surface. Ces disques ont été gardé à l'abri de l'humidité et de la lumière mais pas forcément de la poussière. Un bon nettoyage devrait définitivement accroître la qualité acoustique de ces vinyles en ôtant la poussière qui pourrait y rester. Dans la mesure où chaque collectionneur a sa propre méthode de nettoyage (machines VPI ou Okki Nokki, pâte LGL, sprays, etc...), nous laissons le soin d'exécuter cette délicate opération à son futur propriétaire. These records have been stored away from moisture and light but, sometimes, not from dust. A good cleaning will definitely increase the sound quality by taking off some of the dust that might still be there. As every record collector has his own way to do it (VPI or Okki Nokki cleaning machines, LGL paste, sprays, etc...) we leave this delicate operation to its next owner. Graduation system: M (MINT) Sealed, never played, new in its original packaging. NM (NEAR MINT) Almost perfect copy, never or very rarely played. At worst, one or two surface marks, generally insignificant and due to inner sleeve. This the highest grade for an unsealed record. EX (EXCELLENT) Very clean copy, some insignificant surfaces marks (hairlines). This record has been rarely played, on good equipment and treated with care. The cover has very minor flaws: a name or discrete initials, low wear corners, very slight ringwear. VG + + (VERY GOOD + +) More surface marks.Minor flaws or cover wear, minor edge wear. This is generally the grade given to a 20 to 50 years old record with a "normal" life, treated with care, but listened and handled regularly by his former owner. VG + (VERY GOOD +) Has been played a lot, shows multiple slight surface marks (hairlines) generating background noise between songs but no jump or skips. Cover shows important signs of age and storage (slice corners worn, name, date, dedication, tears, etc....). Generally, this record was one of the favorites among previous owner discotheque, went from hand to hand, had to animate some parties and bears the scars of a busy life. VG (VERY GOOD) The record is very worn, has been played a lot, shows important scratches that are creating permanent background noises but do not skip or jump. Still listenable (especially at high volume for big sound). The cover is well worn, torn important corner and edge wear, significant traces of marker pen or... well, the previous grade but more accentuated. G (GOOD) Has been played to the hilt (but still playable on some titles), many scratches, crackles a lot while playing, may have jumps or sticks. The cover is very damaged. This record must be very rare to be proposed on sale ! We tend to exaggerate our gradations, however, in case of doubt, do not hesitate to ask questions before bidding. Cleaning The sleeves are generally cleaned. Each collector has his own method for cleaning vinyl records, those that we offer for sale are just clean with a smooth velvet brush to take off the dust before being photographed. Photos Our records are always photographed by natural light. No scanning which tends to erase some defects. Packaging All our records are shipped in packaging specifically designed for vinyl in cardboard (double box) and delivered in a plastic sleeve. Shipping Our records are shipped within 2 business days after receipt of your payment. Returns Returns are accepted within 14 days of receipt, the costs are borne by the buyer. If the r