Input impedance

Shure A85F Line matching transformer for connecting a balanced low-impedance microphone output to an unbalanced high impedance input. Used to plug a standard mic (SM58 or similar) into guitar amps, pedals, 4 tracks, vintage mixers, etc. Can also be used in reamp scenarios. Mint condition, used once, functions perfectly ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Shure A85F Transformateur d'impedence pour connecter une sortie de microphone basse impédance à une entrée haute impédance. Utilisé pour brancher un micro standard (SM58 ou similaire) aux amplis guitare, aux pédales, aux 4 pistes, aux mixeurs vintage, etc. Peut également être utilisé dans des scénarios de réamplification. État neuf, utilisé une fois, fonctionne parfaitement En savoir plus Collaboration commerciale.

Vdb L-DYN is a dynamic microphone input cable. With its built-in impedance adapter, it adds 17 dB. It is ideally suited for dynamic microphones with low sensitivity. You can connect your dynamic or ribbon microphone, Beyerdynamic M160N, or M88N, using an L-Dyn adapter, in conjunction with Audio Ltd or Micron. The VdB L-Dyn active link cable is powered by TX or CX Audio Ltd or Micron series transmitters Note: it is easy to connect a 9-volt battery to power it as a solo without transmitters, to power a dynamic microphone connected directly to a camera or a small portable recorder... The modification is a breeze! Work with -Vdb Nagra Sonosax Cooper Sound AATON Zaxcom Sound Devices... Sennheiser Schoeps DPA Neumann Beyerdynamic...

Enceintes qualitatives / Quality speakers KENWOOD LS-V120-W 2 WAY 3 SPEAKER SYSTEM Maximum Input Power 100 W / Impedance 6 Ohm Frequency response: 60Hz ~ 20,000 Hz   Dimensions 43 X 26,5 X 16 cm 5.3 Kg / speaker TRES BONNE CONDITION / VERY GOOD CONDITION Des traces d'usage apparaissent, mais très peu, principalement dans un angle inférieur, voir photos   Traces of use appear, but very few, mainly at one low corner, please see photos PERFECTLY WORKING / PARFAIT FONCTIONNEMENT These unusual speakers are (factory) fitted with Linaeum tweeters.   These are special "film" tweeters, not ribbon, or dome, but a special design in which film is put to vibrate.   LIVRAISON A LA MAISON EN EMBALLAGE SECURISE ET ASSURE SAFE PACKAGING AND INSURED DELIVERY AT HOME WORLWIDE DELIVERY     Italie's and Spain's islands, please ask for shipping cost before buying ADC - AKG - AUDIO-TECHNICA - DENON - DYNAVOX - EMPIRE - GARRARD - JELCO - LENCO - MICRO SEIKI - ORTOFON - PICKERING - REGA - SHURE - SME - STANTON - THORENS   3A - AUDAX - B&W - BOSE - CABASSE - CELESTION - CERWIN WEGA - DITTON -  ELIPSON - FRANCE ACOUSTIQUE - HRC - INFINITY - JAMO - JBL - JENSEN - JM REYNAUD - KEF - KLIPSCH - LANSING - LEAK - LES - MAGNAT - MARTIN - MERCURIALE -  MISSION -ROGERS - SIARE - TAD (PIONEER) - TANNOY - TRIANGLE - ULTRALINEAR - WHARFEDALE   3M - AGFA - AMPEX - BASF - FUJI - MAXELL - MEMOREX - NAGRA - NAKAMICHI - SCOTCH - SONY - TANDBERG - TDK A&R CAMBRIDGE - ACCUPHASE - AIWA - AKAI - ALPINE/ALPAGE - AMSTRAD - ARCAM - AUDIO RESEARCH - AUREX (TOSHIBA) - BANG & OLUFSEN (B&O) - BARTHE - BENYTONE - BLAUPUNKT - BOSE - BRANDT - BRAUN - BRYSTON - BST - CAMBRIDGE AUDIO - CARVER - CONTINENTAL EDISON - CREEK - CYBERNET - DAVID HAFLER - DENON - DUAL - DYNACO - ELECTROCOMPANIET - EMB - ESART - FERGUSON - FISHER - GRAETZ - GRUNDIG - H.H.SCOTT - HARMAN/KARDON - HITACHI - ITT - JEFF ROWLAND - JVC - KENWOOD - KRELL - LINN - LOEWE -  LUXMAN - MARK LEVINSON – MARANTZ - Mc INTOSH - MERIDIAN - MICROMEGA - MITSUBISHI - NAD - NAIM - NAKAMICHI - NEC - NIKKO - NYTECH - ONKYO - OPTONICA  (SHARP) - PALLADIUM - PANASONIC - PATHE MARCONI - PHASE LINEAR - PHILIPS - PHONOPHONE - PIONEER - PROTON - QUAD   - RADIOLA - REVOX - ROTEL - SABA - SAE - SAMSUNG - SANSUI - SANYO - SHARP - SCHAUB-LORENZ - SCHNEIDER - SCIENTELEC - SETTON -  SHERWOOD - SIEMENS - SONY - SOUNDCRAFTSMEN - STAX - STUDER (REVOX) - SUGDEN - SYMPHONIE - TASCAM (TEAC) - TEAC -  TECHNICS - TELEFUNKEN - TELETON - TENSAI (AKAI) - THOMSON - THRESHOLD - TOSHIBA - UHER - UNIVERSUM - WALTHAM - WEGA - YAMAHA    

Focusrite Saffire Pro 14, Interface audionumérique FireWire - jamais utilisé.  CD d'installation fournie. 1 x câble Firewire -> Firewire fourni. Fiche technique   Fabricant:Focusrite Modèle:Saffire Pro 14 Série:Saffire Catégorie:Interfaces audionumériques FireWire Fiche créée le:11/08/2010 Microphone Inputs 1-2 Frequency Response: 20Hz - 20kHz +/- 0.2 dB Gain Range: +13dB to +60dB Maximum Headroom +8dBu THD+N: 0.001% (measured at 1kHz with a 20Hz/22kHz bandpass filter) Noise EIN: 124dB analogue to digital (measured at 60dB of gain with 150 Ohm termination (20Hz/22kHz bandpass filter) Input Impedance: 2k Ohm Line Inputs (Inputs 1-2) Frequency Response: 20Hz - 20kHz +/- 0.2dB Gain Range: -10dB to +36dB THD+N: 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter) Noise: -90dBu (22Hz/22kHz bandpass filter) Input Impedance: >10k Ohm Line Inputs 3-4 Frequency Response: 20Hz - 20kHz +/- 0.2 dB Gain Range: Switch-able between +16dBu or -10dBV for 0dBFS (balanced inputs) THD+N: 0.003% (measured at 1kHz with a 20Hz/22kHz bandpass filter) Noise: -100dBu (22Hz/22kHz bandpass filter) Input Impedance: >10k Ohm Instrument Inputs (Inputs 1 and 2) Frequency Response: 20Hz - 20kHz +/- 0.1dB Gain Range: +13dB to +60dB THD+N: 0.004% (measured with 0dBu input and 20Hz/22kHz bandpass filter) Noise: -87dBu (20Hz/22kHz bandpass filter) Analogue Audio Outputs (Outputs 1-4) 4 Electronically Balanced Outputs Maximum Output Level (0dBFS): +10dBu THD+N: 0.001% (0dBFS input, 20Hz/22kHz bandpass filter) Crosstalk (Channel Isolation) Any input to input: > 100dB Any output to output: > 100dB Any input to output: > 100dB DIGITAL PERFORMANCE A/D Dynamic Range > 109dB (A-weighted), all analogue inputs D/A Dynamic Range > 106dB (A-weighted), all analogue outputs Clock Sources: - Internal Clock - Sync to Word Clock on SPDIF Input (RCA) JetPLLTM PLL technology providing superb jitter reduction for class leading converter performance Clock jitter < 250 picoseconds Supported Sample Rates: 44.1kHz, 48kHz, 88.2kHz, 96kHz 8 input channels to computer: Analogue (4), SPDIF (2) and Loop-back (2) 6 physical output channels from computer: Analogue (4), SPDIF (2) 12 DAW output streams Assignable 18 input by 6 output mixer Weight and Dimensions 1.5kg / 3.3lbs 215mm (W) x 45mm (H) x 220mm (D) (8.5 x 1.8 x 8.7 inches) Connectivity Analogue Channel Inputs (Inputs 1-2) 2 Mic XLR Combo (channels 1-2) on front panel 2 Line 1⁄4” TRS (channels 3-4) on rear panel Automatic switching between Mic / Line (channels 1-2) Switching between Line / Instrument Inputs (channels 1-2) via Saffire MixControl Application Switching between +16dBu (low) and -10dBV (high) gain on inputs 3-4 via Saffire MixControl Application Digital Channel Inputs (Inputs 5-6) 44.1 - 96kHz Stereo S/PDIF input on RCA Analogue Audio Outputs (Outputs 1-4) 4 1⁄4” TRS Jacks Output Level control (analogue) for outputs 1 and 2 Stereo Headphones Mix 1 on 1⁄4” TRS (also routed to Outputs 3 & 4) with independent volume control Digital Channel Outputs (Outputs 5-6) 44.1 - 96kHz Stereo S/PDIF Output on RCA Other I/O 1 6-pin FireWire S400 socket 2 Standard 5-pin DIN MIDI connectors: In and Out DC Power Input Connector (for use with supplied universal input power supply) Front Panel Indicators 2 2 segment input meters, Sig (-18) and O/L (0dBFS) “LKD” Locked Indicator “FW” Host Connected Indicator “Power” Indicator Instrument input source selection LED for channels 1 and 2 Phantom Power (48V) switch and LED for inputs 1 and 2

Le processeur multi-image à deux fenêtres MGP 462 combine l'incrustation d'images et un scaling très performant permettant l'affichage simultané de deux sources vidéo ou vidéo-informatiques pour la compatibilité avec les projecteurs vidéoinformatiques haute-résolution ou HDTV. Le MGP 462 convient tout particulièrement aux salles de contrôle, aux systèmes de vidéoconférence, aux salles de conférence, salles de classe, pour la formation à distance ainsi qu'aux prestations scéniques. Caractéristiques - Regroupe des sources d'entrée vidéo, HDTV et RVB haute résolution dans deux fenêtres sur un seul écran - Sortie RVB et vidéo composante HDTV - 46 résolutions de sortie sélectionnables de 640x480 à 1400x1050 dont HDTV 720p/60 - La fonction Graphic still store permet d'utiliser en arrière-plan, des captures d'écran ou des images téléchargées - Transition entre les fenêtres par fondu, volets et cut - Auto-Image™ - Détection pulldown PAL 2:2 et NTSC 3:2 - Mires internes pour l'installation et le calibrage - Insertion de texte pour l'identification des fenêtres - 25 presets de configurations de fenêtre PIP en mémoire - Commande et contrôle IP Link® - Port de contrôle série RS-232 et RS-422 Video input Number/signal type 4 RGBHV, RGBS, RGsB, RGBcvS, component video, S-video, composite video 1 component video (interlaced), S-video, composite video S-video, composite video Connectors 4 x 5 female BNC for RGB, component video, S-video, composite video 1 x 3 female BNC for component video, S-video, composite video 1 female BNC for composite video 1 female 4-pin mini DIN for S-video Nominal level 1 Vp-p for Y of component video and S-video, and for composite video 0.7 Vp-p for RGB and for R-Y and B-Y of component video 0.3 Vp-p for C of S-video Minimum/maximum levels Analog: 0 V to 2.0 Vp-p with no offset Impedance 75 ohms Horizontal frequency 15 kHz to 100 kHz Vertical frequency 50 Hz to 120 Hz Resolution range 640 x 480 to 1400 x 1050, 480p, 576p, and 720p, digitized pixel for pixel; higher resolutions are undersampled Return loss b' 0.7 Vp-p for RGB and for R-Y and B-Y of component video Minimum/maximum levels 0 V to 1.0 Vp-p Impedance 75 ohms Vertical frequencies 50 Hz, 60 Hz, 72 Hz, 96 Hz, 100 Hz, 120 Hz Scaled resolution 640x4801,2,3,4,5,6, 800x6001, 2,3,4,5,6, 852x4801,2,3,4,5, 1024x7681,2,3,4, 1024x8521,2,3,4, 1024x10241,2,3, 1280x7682, 1280x10241,2, 1360x7652, 1365x7682, 1365x10242, 1366x7682, 1400 x 10501,2, 1600 x 12001,2 HDTV: 480p2, 576p1,5, 720p1,2, 1080i1,2, and 1080p1,2 1 = at 50 Hz, 2 = at 60 Hz, 3 = at 72 Hz, 4 = at 96 Hz, 5 = 100 Hz, 6 = 120 Hz NOTE For the output resolutions listed below, the total pixel and active pixel values are reduced. The sync timings and line widths are correct, and most displays will recognize the rate correctly. 1600x1200: 1180 active pixels 1080i: 1440 active pixels 1080p: 1440 active pixels Sync Input type RGBHV, RGBS, RGsB, RGBcvS, bi-level or tri-level component video Output type RGBHV, RGBS, RGsB Tri-level or bi-level on Y channel of component video Input standards NTSC 3.58, NTSC 4.43, PAL, SECAM Input level 2.75 V to 5.0 Vp-p for RGBHV or RGBS 0.6 Vp-p for component video tri-level sync 0.3 Vp-p for component video bi-level sync or RGsB Output level TTL: 5.0 Vp-p, unterminated for RGBHV, RGBS, RGsB 0.6 Vp-p for component video (tri-level sync) Input impedance 510 ohms Output impedance 75 ohms Max. input voltage 5.0 Vp-p Polarity Positive or negative (selectable)Control/remote — processor/decoder/scaler Serial control port RS-232 or RS-422, 9-pin female D connector Baud rate and protocol En savoir plus

PRE-AMP SECTION Phono input Input impedance (R and C) 47kohms / 100pF Input sensitivity, 1kHz     MM 2.7mV ref. 0.5V    MC 180μV Signal/Noise ratio (A-weighted with cartridge connected) MM 75dB ref. 5mV    MC 73dB ref. 0.5mV RIAA response accuracy (20Hz - 20kHz) ±0.5dB Line level inputs Input impedance (R and C) 20kohms / 220pF Input sensitivity (ref. 1W) 180mV Maximum input signal >25V Signal/Noise ratio (A-weighted ref 1W) 90dB Frequency response 20Hz - 20kHz / ±0.5dB Tone controls Treble ±7dB at 10kHz Bass ±10dB at 50Hz POWER AMP SECTION Continuous output power into 8ohms * 25W (14dBW) Rated distortion (THD 20Hz - 20kHz) 0.02% Clipping power (maximum continuous power per channel) 30W IHF Dynamic headroom at 8ohms +3dB IHF dynamic power (maximum short term power per channel) 8ohms 50W    4ohms 55W    2ohms 70W Input impedance 11kohms Input sensitivity (for rated power into 8ohms) 1V Frequency response 10Hz - 70kHz THD (20Hz - 20kHz) Remote No PHYSICAL SPECIFICATIONS Dimensions (W x H x D) 420 x 96 x 240mm Net weight 5.3kg Shipping weight 6.7kg Power consumption (120 ~ 240V, 50/60Hz) 150VA

Mixeur en rack 19’ MPA Expansion ML620e 6-CH MICROPHONE / LINE MIXER Il s'agit d'une table de mixage pour microphone, c'est pour 12V. La ligne dédiée est perdue, elle est de 500mA pour 12v Gain 1 kz, ±3 dB Frequency Response (ref 1 kz) 20 Hz to 20 kHz, ±2 dB Input Impedance Balanced Lo Mic 2 kΩ / Unbalanced Line 20 kΩ / Aux 47 kΩ Output Impedance Balanced Lo Mic 150 Ω / Aux 2 kΩ Input Clipping Levels (Min.) Balanced Lo Impedance Mic -22 dBV Balanced Impedance Line -3dBV Aux -1 dBV Output Clipping Levels (Min.) Balanced Lo Impedance Mic -20 dBV Aux +9 dBV Distortion Outputs (1 kHz) Balanced Lo Impedance Mic Less than 1%, -34 dBV Aux +6 dBV Phantom Power Voltage 12V or 48V selectable Input Power DC 12V~14V, 300~500mA (Adaptor Included) Dimension (WxHxD) 483 x 44.5 x 130(mm) Weight 1,500g   Le tout en bonne état et fonctionne très bien…Envoi possible Colissimo, Annonce sérieuse donc acheteurs fantômes, à l'étranger ou à contacter que par Gmail !! Passez votre chemin

Rare paire Luxman C300 et M300:Amplificateur et préamplificateur (avec phono). État : "Occasion" En excellent état de fonctionnement, notez qu' il faudra remplacer une ampoule du voyant Led  "classe A". Voltage 220V. Les deux appareils sont visibles chez Jefferson Hifi à Pérouse où je les ai déposés. Livraison possible en France, en Europe,etc nous consulter pour les frais d'envoi internationaux. Le M300 a été produit en même temps que la série C300. Je crois qu’il n’en a été produit que 2000 dans le monde. C’est non seulement une paire de collection, mais le haut de gamme des luxman des années 1980. Ils sont les dernières combinaisons pré/ampli, à avoir été fabriquées sans implication de Alpine(qui a ensuite  modifié sérieusement la qualité Luxman  hélas.). ils ont été primés "produit de l'année" au début des années 80.  Le M300 se laisse utiliser soit en classe A, où il développe 2x42 w sous 8 ohms en classe A, ou alors 172w en classe AB sous 8 ohms. Comme toujours chez Luxman, on peut espérer une dizainede watts supplémentaires dans chaque modes, vu qu'ils utilisent unsystème de mesure très strict sur leurs fiches techniques. Il faut surtout savoir qu’il ne faut basculer de classe AB en classe A que à l’arrêt, en redémarrage à froid.  Voici  les caractéristiques techniques (https://audio-database.com/LUXMANALPINE-LUXMAN/amp/m-300-e.html) et https://audio-database.com/LUXMANALPINE-LUXMAN/amp/c-300-e.html 1)Préampli C300: Frequency response: 0.5Hz to 140kHz   Total harmonic distortion: 0.005% Input sensitivity: 0.09mV (MC), 2mV (MM), 140mV (line)      Signal to noise ratio: 80dB (MM), 100dB (line) Output: 140mV (line), 1V (Pre out), 20V (Pre out Max)  Dimensions: 478 x 163 x 384mm     Weight: 9kg 2)amplificateur M300 Form Duo beta plusX poweramplifier Succession effectiveoutput (20Hz - 20kHz, both channel simultaneous operation) Class-A: 40W+40W (8ohms) AB class: 270W+270W (4ohms) 170W+170W (8ohms) THD (8 ohms) 20Hz- 20kHz-3dB Class-A: 0.005% or less AB class: 0.005% or less Cross modulationdistortion (8 ohms) 60Hz: 7kHz=4:1, -3dB Class-A: 0.005% or less AB class: 0.005% or less Output bandwidth Class-A: 10Hz-100kH-3dB(0.015% of distortion) AB class: 10Hz - -100kHz three dB(0.04% of distortion) Frequency characteristic 10hz-100kHz-1dB (aClass-A and AB class) Input sensitivity Class-A: 0.45V ABclass: 1V Input impedance 50kohm (a Class-A and ABclass) SN ratio (IHF-Acorrection) Class-A: 115dB ABclass: 120dB Remains noise (IHF-Acorrection) 30 microvolts (a Class-Aand AB class) Dumping factor 120 (1kHz, 8 ohms, aClass-A, and AB class) Protection network DC drift detectionspeaker protection network Overcurrent detection amplifierprotection network Attachment Circuit operationswitchpoint (indicator) Peek indicator Inputattenuator Headset jack Speaker-off switchpoint(indicator) Line phase sensor Supply voltage AC100V, 50Hz/60Hz Power consumption (Electrical Appliance and Material Control Law) Class-A: 420W ABclass: 430W Dimensions Width 478x height 214xdepth of 484mm Weight 30kg Stereo power amplifier which adopted the Duo beta plusX circuitry. In order to control NFB of an amplifier circuitry appropriately, the Duo beta circuitry was developed and it is adopted as M-300. After this makes amplifier to the extent that it is used also from a nakedness property as it was, it adds proper-quantity NFB and DC servo as finish of a tone quality, and is suppressing the transitional distortion of a supression of play sound, TIM, etc. by superfluous NFB etc. Furthermore, in M-300, the thought of a suitable control is introduced also into a power circuit, and it is considered as the power-source Duo beta plusX. At plusX, the stability of a comfortable tone quality and an operation is reconciled because the bottom gives controlling force calmly on the assumption that a generous power-source part. M-300 can change and use a Class-A and AB class. The Class-A operation has a structure which amplifies a signal wave form as it is. Therefore, it becomes unrelated to switching distortion or crossover distortion, and does not have the cause that it is distorted in addition to an element's own linearity. In M-300, the Class-A operation excellent in adopting a Duo beta as LAPT which excelled [element] in the high region property, and an amplifier circuitry, and adopting plusX as a power circuit is realized. In AB class, Oide power which drives transitional distortion below into a limit of measurement in pursuit of a nakedness property also in an operation, and is not made in a Class-A operation on it is realized. At the time of a switching of a Class-A / AB class, in a performance, sound does not break off and a noise is not generated, either. Circuitry constituted all the amplification stages from a push-pull circuit from the input stage to the output stage, and the amplifier which was excellent in the nakedness property which will be the requisite for a Duo beta circuitry is realized. The pre-driver stage is making the input stage the transistor which was excellent in the high region property with the cascode interconnection with the stream composition of the cascode bootstrap and the differential push pull by complimentary FET of a Pch type and a Nch type. And the driver stage and the power stage are considered as the push pull stream composition by a three-step Darlington connection. A linearity makes an output element high speed power transistor linear arithmetic processor-T which was well excellent in the high region property with a triple push pull stream composition, and the electric current is sent. In this way, the static characteristics and the dynamic behavior improved. And proper-quantity NFB and DC servo are added. The power-source part had the twin monophonic stream composition of right-and-left full independence, and has acquired the merit of a linearity covering all the bands, and the outstanding crosstalk property. The power transformer is performing and using the coil mandatory adopted and put into practice among the object for Rch, and two Lch. First, the power stage and the drive stage were made into another coil, and also the primary side and secondary side has unified the orientation of a coil. This is because it is checking having influence on play sound with the potential (polarity) which a transformer begins to roll, rolls and the last each has between opposite groundings. Moreover, four right and left adopt the type only with a capacity of 12,000 micro F for an audio as a filter capacitor, and low-impedance-ization of the power-source part is attained to it. In order to cope with the rush current which becomes large as the capacity of a power-source part becomes large, the rushes current preventing circuitry is adopted. The speaker protection network and the amplifier protection network are carried. The internal organs of the speaker protection network which detects DC output in an output-terminal and separates an output are carried out. Furthermore, when the speaker code etc. short-circuits, even if there is a big input, an amplifier circuitry is protected or the electric-current preventing circuitry is carried. After the elements currently used examine, it is using it, carrying out a tone-quality mandatory strictly uniquely. The film capacitor generally called non-polar is also arranging a polarity etc., and the capacitor is carrying out the tone-quality mandatory strictly. Moreover, the precision succession good transformation Detent volume excellent in the tone quality and a feeling of an operation is adopted as input attenuator. Furthermore, in terminals, the small gilding pin jack of contact resistance was adopted as the input terminal, and the large-sized screw type is adopted as a speaker termination. The product line was packed into the shortest distance, and also it has chosen high materials of the tone-quality effect, such as a shielded cable of oxygen free high conductivity copper and 500 core. Moreover, in order to suppress an elevation of the source impedance of the pattern side of a substrate, the power bus by a copper plate was adopted and the performance of a power source is employed efficiently. The line phase sensor is carried, by the functionality which detects this polarity, the polarity of the equipment was unified and the tone quality is improved. The indicator turned on at the clipping point of an output is carried, and a peek can be supervised.

VENDS AMPLI TUNER MARANTZ 2250 B + SON TRANSFORMATEUR 110 V/220 VOLTS AMPLI MARANTZ 2250 B AVEC TOUTES SES FONCTIONS EN PARFAIT ÉTAT DE MARCHE. TOUS LES ÉCLAIRAGES FONCTIONNENT. CET AMPLI MARANTZ EST UN AMPLI AMÉRICAIN QUI EST EN 110 VOLTS, CELUI CI MARCHE TRÈS BIEN AVEC UN TRANSFORMATEUR 220 VOLTS QUI EST COMPRIS DANS VOTRE ACHAT (TRANSFO DE QUALITÉ VOIR PHOTOS). CET AMPLI D'OCCASION COMPORTE QUELQUES TRACES D'USURES D'USAGES. ENVOI DE L'AMPLI PAR LA POSTE EN COLISSIMO RECOMMANDÉ. (COMPRIS DANS LE PRIX D'ACHAT) ENVOI SOIGNÉ AVEC PAPIER BULLES, POLYSTYRENE ET CARTON RENFORCÉ L'AMPLI AVEC SON EMBALLAGE PÈSE  25 KG. BON ACHAT A TOUS VOIR DESCRIPTIF COMPLET DU CONSTRUCTEUR CI DESSOUS: Général: Designed in USA Manufactured In Japan First Year 1976 Last Year 1977 Blue Face Yes Channels Two Speaker Connections two sets Amplifier: RMS Power Per Channel 50 Impedance 8 ohms Total Harmonic Distortion (THD).25 % Power Bandwidth 20 Hz to 20 KHz Frequency Response 20 Hz to 20 KHz +/- 0.5 % Intermodulation Distortion (IM).25% at rated power Input Impedance 30 k ohm Input Sensitivity for Full Output 1.5v FM Tuner AM Tuner: Gyro Tuning yes RF Sensitivity 1.9 uV 300 Ohm Binding Posts Spring connectors 75 Ohm Binding Posts Spring connectors Signal Strength Meter Yes Center Tuning Meter Yes Stereo Lamp Yes Dolby Lamp Yes Illuminated Dial Pointer Yes Amplifier: Multiple Bass Adjustments Yes Multiple Midrange Adjustments Yes Multiple Treble Adjustments Yes Tone Control Defeat Yes Bass Turnover Options Yes Treble Turnover Options Yes High Filter Yes Low Filter Yes Gain Control Yes Loudness Contour Yes Mono Yes Balance Slider Number of Tape Monitors Two Tape to Tape Dubbing Via front panel Auxillary Input Source Yes Phono Input Source Yes Illuminated Source Indicators Yes Cartridge Load 47 k ohm Tuner Source Input am, fm Source Tape Input (as opposed to a tape monitor) yes 2nd Source Tape input (as opposed to a tape monitor) yes Tape Monitor yes 2nd Tape monitor yes Preamp to Amplifier Jumper(s) yes Headphone Jack(s) Yes Speaker Selection Nomenclature main, remote

DBX AFS 224 ANTI LARSEN Input 2 total Input Connectors Female XLR ad 1/4" TRS Input Type Electronically bal/unbal RF filtered Input Impedance Bal 40k ohm, unbal 20k ohm Max Input +20dBu CMRR 40dB, typically 55dB @ 1kHz Output 2 total Output Connectors Male XLR and 1/4" TRS Output Type Electronically bal/unbal, RF filtered Output Impedance Balanced 120 ohm, unbalanced 60 ohm Max Output +20dBu A/D Converter dbx Type IV conversion system A/D Dynamic Range 114dB, A-weighted, 112dB unweighted Type IV Dynamic Range 119dB, A-weighted, 22kHz; BW: 117dB, unweighted, 22kHz BW Sample Rate 48kHz D/A Dynamic Range 112dB, A-weighted, 110dB unweighed Dynamic Range 110dB, A-weighted, 107dB unweighted THD+Noise 0.002% typical at +4dBu, 1kHz, 0dB input gain Frequency Response 20Hz - 20kHz, +/-0.5dB Interchannel Crosstalk 80dB typical Operating Voltage 100VAC 50/60Hz; 120VAC 60Hz; 230VAC 50/60Hz Power Consumption 9 W Audio et hifi occasion à vendre à Courcouronnes (91080)

Le MPX 1 est le processeur «multi-effets». Une technologie multiprocesseur FX combinée à un panneau avant interactif. Une complète connectique à l'arrière professionnelle - Détail des caractéristiques: Analog Audio Input XLR and 1/4" balanced (T/R/S)Input Level -2dBu to +20dBu, balanced; -14dBu to +8dBu, unbalanced Input Impedance 100k½, balanced;50k½, unbalanced Analog Audio Output XLR and 1/4"balanced (T/R/S) Output Level +18dBu Output Impedance 600½unbalanced Digital Audio Input Coaxial RCA Format 24-bit S/PDIF Sample Rate 44.1kHz Digital Audio Output Coaxial RCA Format 24-bit S/PDIF Sample Rate 44.1kHz Conversion 24-bit A/D;24-bit D/A Internal Audio DSP 20-bit;32-bit Frequency Response 20Hz - 20kHz ±1dB Crosstalk -60dB THD 0.01%, 20Hz - 20kHz Dynamic Range D/A:>95dB typical, 20Hz - 20kHz, unweighted A/D:>90dB typical, 20Hz - 20kHz, unweighted A/A:>95dB typical, 20Hz - 20kHz, unweighted MIDI Interface 7-pin DIN connector for MIDI IN and powered bidirectional remote; 5-pin DIN connectors for MIDI THRU and OUT Footswitch 1/4"T/R/S connector for bypass and tap Footpedal 1/4"T/R/S connector (10k½- 100k½impedance) Power Requirements 100 - 240 volts AC, 50 - 60Hz, 25 watts (3-pin IEC connector) Remote Power In 2.5 mm 9 volts AC (not included) Dimensions 19" W x 1.75" H (1U) x 9" D (483 x 45 x 289 mm), rack mount standard Weight 6.125 lbs.(2.8 kg) Operating Temperature 32¡to 104¡F (0¡to 40¡C) Maximum Humidity 95% without condensation

Amplificateur haut de gamme SANSUI AU-X-1111 Most vintage. Amplificateur de collection RARE dans cette configuration (comme neuf). Techniques: TypeMaster integrated amplifier Power Amplifier Unit Effective Output (10 Hz to 20 kHz, channel operation)150W + 150W (6 Ω)110W + 110W (8 Ω) Dynamic Power320W + 320W (2 Ω)240W + 240W (4 Ω)190W + 190W (6 Ω) Total harmonic distortion factor (10 Hz to 20 kHz at effective output)0.008% (8 Ω) Intermodulation Distortion Factor (60 Hz: 7 kHz = 4: 1, SMPTE)0.008% (8 Ω) Damping factor200 (8 Ω) Frequency Response (1W)DC ~ 300 kHz (+ 0 dB, -3dB) Input Sensitivity / Input Impedance (1 kHz)1 V (5k Ω) Signal-to-noise ratio (A network)115 dB or more Envelope distortionMeasurement limit value or less TIM (SAWTOOTH)Measurement limit value or less Slew rate± 150 v / μ sec (8 Ω) Rise time0.5 μ sec Headphone out400 mW (33 Ω) Load impedance4 ~ 16 Ω Preamplifier Section Input Sensitivity / Input Impedance (1 kHz)Phono MM: 2.0mV/47k ΩTuner, CD, Tape Play 1, 2, 3, Line1, 2: 150mV/47k Ω Maximum allowable inputPhono MM:200mV(1kHz) Output Voltage (1 kHz)Tape Rec (PIN): 150mV/47k Ω Output Impedance (1 kHz)Tape Rec (PIN): 600 Ω or more Signal-to-noise ratio (A network)Phono MM: 88 dB or moreTuner, CD, Tape Play1, 2, 3, Line1, 2: 110 dB or higher Subsonic filter16 Hz (-3dB, 6dB/oct.) Presence (Volume-40dB)+2dB(200Hz) Audio Muting-20dB Rated power consumption (Electrical Appliance and Material Control Law)350W External dimensionsWidth 470x Height 178x Depth 486 mm Weight35.1kg Ampli à fort courant capable de driver n'importe quels enceintes capricieuses. Le son est incroyablement beau et puissant tout en gardant de la richesse et délicatesse dans tout les spectres musicaux. Difficile de trouver mieux pour ma par, cette amplificateur est un belle exemplaire de ce que les japonais fond de mieux b'&'##128076;. Il as été expertisé aux environs de 6300/6800 euros. Vente possible par colis blindé, prevoir grosse assurance pour son transport +livraison, à définir au moment de la vente avec l'acheteur. Prise de contacte avant la vente pour les modalités de livraison. Mais une remise en mains propre est préférable. En savoir plus Collaboration commerciale.

SAMSON S.com plus Samson S-Com Plus Compresseur/limiteur + Expandeur/Gâte + Enhanceur + Dé-esseur 2 canaux Compresseur/Limiteur, Expander/Gate, De-Esser avec Peak Limiter Expander/Gate avec contrôle de déclenchement variable et libération rapide/lente commutable Limiteur de crête avec contrôle de seuil indépendant et LED de crête De-Esser réglable avec compteur LED indépendant pour réduire les sifflements Conception de circuit avancée utilisant un fonctionnement à faible bruit Amplificateurs et VCA de haute qualité Entrées et sorties servo symétriques sur connecteurs XLR et 1/4" Le circuit SKD (Smart Knee Detector) passe de Soft Knee à Hard Knee en fonction du niveau de signal d'entrée appliqué Le mode AEG (générateur d'enveloppe automatique) ajuste en permanence les temps d'attaque et de relâchement des compresseurs Expander/gate avec seuil et release réglables, diode-témoin open/closed pour le gate, • Compresseur/limiter avec seuil, taux, attack, release et niveau, • Key input et Key listen pour déclenchement externe ou insertion, • Enhancer par canal avec niveau réglable, • De-esseur par canal avec niveau réglable et vu-mètre 5 segments, • Limiteur par canal avec seuil et diode-témoin, • Vu-mètres de réduction de gain et niveau d'entrée/sortie, • Entrées-sorties XLR et jack symétrique, • Dimensions mm: 45 x 483 x 197, poids: 2,3 kg. Le S-com plus est un compresseur/limiteur stéréo hautement adaptable dans une conception efficace à un seul rack. Il est destiné aux situations où une flexibilité supplémentaire est requise pour optimiser les niveaux de signal en offrant un contrôle essentiel ainsi qu'une simplicité de fonctionnement. Les commandes complètes et étendues de S-com plus permettent une manipulation étendue de la dynamique audio, même dans les situations les plus complexes. Chaque canal dispose d'une large gamme de commandes variables. Une section Compressor riche en fonctionnalités comprend des commandes variables de seuil, de rapport, d'attaque et de relâchement.SamsonLe circuit SKD (Smart Knee Detector) ajuste dynamiquement la courbe de compression pour assurer un résultat musical. Notre fonction exclusive AEG (Auto Envelope Generator) simplifie les réglages optimaux en analysant constamment l'entrée audio et en ajustant automatiquement les paramètres d'attaque et de relâchement en fonction du niveau changeant. Les entrées et sorties clés sont incluses pour le traitement externe de la tension de commande. L'Expander/Gate dispose d'un niveau de seuil variable et d'un temps de relâchement commutable (rapide ou lent). Le commutateur Gate modifie le rapport d'expansion vers le bas de "léger" à "dur" pour un contrôle allant d'un effet subtil à un effet évident. Un Peak/Limiter dédié avec contrôle variable offre une protection contre les pics et les surcharges indépendamment du compresseur. Lorsqu'il est utilisé en combinaison avec le compresseur, le Peak/Limiter offre un contrôle encore plus précis sur les niveaux dynamiques. Un De-esser fonctionnel améliore la qualité audio en supprimant le "S" des voix et les sifflements des sources de signaux trop lumineuses telles que les cymbales. Le commutateur Enhancer active le circuit EFR (Enhanced Frequency Recovery), qui restaure les hautes fréquences qui sont parfois diminuées par une forte compression. La mesure étendue comprend l'entrée/la sortie, la réduction de gain, MPA Expansion ML620e 6-CH MICROPHONE / LINE MIXER Il s'agit d'une table de mixage pour microphone, c'est pour 12V. La ligne dédiée est perdue, elle est de 500mA pour 12v Gain 1 kz, ±3 dB Frequency Response (ref 1 kz) 20 Hz to 20 kHz, ±2 dB Input Impedance Balanced Lo Mic 2 kΩ / Unbalanced Line 20 kΩ / Aux 47 kΩ Output Impedance Balanced Lo Mic 150 Ω / Aux 2 kΩ Input Clipping Levels (Min.) Balanced Lo Impedance Mic -22 dBV Balanced Impedance Line -3dBV Aux -1 dBV Output Clipping Levels (Min.) Balanced Lo Impeda

Pour connaisseurs.   Analog and Digital preamp with surround processor  5.1 analog bypass unit  7.1 channel RCA outputs for Dolby Digital EX and DTS ES modes  96kHz digital input sample rates DTS NEO 6 Matrix decoding THX™ Surround EX decoding  Dolby Pro Logic II decoding  Additional 2-channel music and surround modes. SP1.7 SPECIFICATIONS Inputs Analog Audio: Six stereo (RCA) pairs, One 5.1 channel (RCA) input Digital: 4 coaxial (RCA) 75 Ohms, 2 Optical (TOSLINK?), conforms to S/PDIF standard. Pro version 1 AES/EBU input (XLR) 110 Ohms Infrared: 1 mini phone jack RS-232: D9 connector (bidirectional) Outputs Analog Outputs: Left, Centre, Right, Right Surround, Left Surround, and Subwoofer on 6 unbalanced (RCA) and 6 balanced (XLR). 2 stereo (RCA) pairs of Record Outputs. 1 pair (RCA) Surround Back outputs Trigger: One 12V on/off trigger, One 12V programmable trigger, to source 80mA total. Remote 30 button, Hand-Held, Infrared remote control unit operates with two AAA batteries (included). Performance Specifications  A/D Conversion: 24-Bit, 48kHz Delta-Sigma D/A Conversion: 24-Bit, 96kHz Delta-Sigma DSP Engine: Motorola 56367 Power Supply: Dual, Linear, Toroidal Frequency Response: 20Hz to 20kHz +/- 0.25 dB THD+Noise:Less than 0.006% in DSP modes; Less than 0.0025% in Bypass mode 20Hz to 20kHz at maximum output level. Signal-to-Noise Ratio:105dB in DSP Modes; 110dB in 2ch Bypass Mode; 22kHz bandwidth, Ref. 1kHz at maximum output level Input Level:2 Vrms in DSP modes; 4 Vrms in Bypass Mode Input Impedance: 50kOhms Output Level: 8 Vrms (16 Vrms Balanced) in DSP Modes; 10 Vrms (20 Vrms Balanced) in Bypass Mode. Output Impedance:110 Ohms Bass Management:2nd Order HPF(x5), 4th Order LPF; 60 – 220 Hz Crossover Freq. Envoi soigné dans toute la france métropolitaine.

M-AUDIO AudioBuddy pré-ampli Micro-Ligne Parfait état de fonctionnement et cosmétique (1er main) Features 2 independent preamp channels, each featuring: Mic input (balanced XLR) with phantom power switch and indicator High impedance instrument inputs (1/4”) Gain control Signal/clip LEDs Professional balanced/unbalanced line output Phantom power Specifications Frequency Response: 5Hz-50kHz, +0, -3dB Mic Gain: 60dB maximum Mic Input Impedance: 1kOhm Guitar Gain: 40dB maximum Guitar Input Impedance: 100kOhms Size and Weight: 5-1/2” x 3-3/8” x 1-3/4”; less than 1/2 lb.

AETA HIFISCOOP 3 Technical Specifications Audio • Full Duplex • Audio Interfaces • Analog - Symetrical, transformer isolated - Maximum level: 21 dBu/dBm - Input impedance: 600 ½ or 10 k ½ - Output impedance: • Digital - AES/EBU format - Impendance: 110 ½ - Sampling frequency: 32, 48 KHz or synchronized on AES input • Headphone - 1/4" jack, adjustable output, 25 ½ • Audio Performances • Bandwidth - From 20 Hz to 7 kHz (FS=16 kHz) (FS=24 kHz), 15 kHz (FS=32 kHz), 20 kHz (FS=48 kHz) • THD + N • Stereo - Channel separation > 80 dB1 - Gain difference - Phase difference Notes: 1 over the full 20 Hz to 20 kHz bandwidth 2 direct connection from the A/D-D/A converter 3 input/output 1 dB below clipping level What is J52? Normally, if a field codec attempts to communicate via MPEG Layer II with a station codec set for Layer III, the algorithms are incompatible and there will be no connection. However, thanks to J52 - a mode that only AETA Audio includes as standard on all of its products - the station codec set for Layer III will recognize the incoming algorithm and automatically default back to Layer II operation in order to communicate. The beauty of J52 is that it requires absolutely no operator intervention. No longer do you have to manually change the algorithm, and never again will you miss an incoming signal because of an incompatibility. Operational Information • Dialing - Built-in keypad - Automatic answering • User Interface - Backlit LCD display: 2 x 16 characters - Dust/breakage-free Lexan® keypad • LEDs - Audio input level, 18 LEDs for: 0 to -27 db (referenced to the clipping level = 16 dBu) - Int voltage alarm: 12v & 5v - Ext test alarm - Ext clock alarm • Network interface - ISDN: U, S/T single basic rate interface (RJ45) - V24 (sub D-9) • General - Loopback mode for network testing - Universal power supply: 85 to 260 VAC - Dimensions: 3.75 x 19 x 12.5 in. (H x W x D) - Weight: - Operating temp range: 32°F to 113°F 95% humidity RACK 19 POUCES 2 U FRAIS DE PORT 23 EUROS EN SUS POUR LA FRANCE  TVA RECUPERABLE WELCOME,BIENVENUE ACHAT.VENTE.NEGOCE NOUS SOMMES UN MAGASIN SPECIALISE DANS L'ACHAT, LA VENTE ET LE DEPOT-VENTE DE MATERIEL AUDIOVISUEL   OCCASION / NEUF A PRIX DISCOUNT   SON / VIDEO BROADCAST / STUDIO / HIFI / SONO / VINTAGE        91 AVENUE EMILE ZOLA  75015 PARIS    FRANCE (métro: charles michels)    TEL:  01.45.75.46.13 CONDITIONS DE VENTE SUR MA PAGE PERSO  TVA RECUPERABLE

Vend très bon état boitier Palmer Tino Amp Switching System 2 Guitar Amplifiers to 1 Cab Remote Input, peu utiliser et qui permet d'avoir un seul baffle pour 2 têtes d'ampli à lampes et basculement d'un ampli à l'autre. (Achat neuf de Novembre 2021, facture à l'appui) Il sera livré avec son câble d’alimentation, notice et également un footswitch Hughes & Kettner qui n'est pas fourni à la base pour basculer à distance entre les 2 amplis.) Possibilité d'envoi exclusivement en France en choisissant son pays mais des frais en plus sont à rajouter voir les tarifs sur l'onglet "livraison et paiements". Le paiement peut être effectué par paypal ou virement bancaire. Caractéristiques: 2-Channel Amp Selector Switching system 2 amps to 1 cabinet with remote input 1 Instrument input: 6.3 mm jack 2 Outputs to the amp: 6.3 mm jack 2 Outputs to speaker: 6.3 mm jack Switchable GND / lift per channel Toggle switch Remote control connection for foot switch: 6.3 mm jack External 9 V power supply with 130 mA Input Impedance: 10 Mohm Output Impedance: 10 kOhm Dimensions: 222 x 44 x 175 mm

In perfect working condition and aesthetic, comes with remote control, power cable and manual. No box but will be extremely well packaged. Beautiful equipment, very flexible and elegant, exceptional sound. The only 'downside' is the discoloration of the volume knob (a well-known problem if you do a research), but that obviously does not impact the operation and didn't bother me at all! r e m u s i c. i t /EN/Bel-Canto-DAC25-processor-80784100 b'"'In conclusion, I can say that the Bel Canto 2.5 is a DAC of absolute modernity. For the quality of its sound, the superb engineering and the ability to handle analog sources, it represents an incomparable article in terms of versatility.b'"' a u d i o p h i l i a. c o m / reviews/2016/5/24/the-bel-canto-dac25-dac-controller b'"'I’ve experienced digital done right. The Esoteric and dCS gear I’ve heard are knockouts. And crazy expensive. Got the dosh? Go ahead. You can't beat them. But this bel canto DAC is less than 2K! It’s a lifetime DAC and worth twice the price. You won’t need anything else for a long time. And, you can sell your preamp to buy it! In the here and now, this exceptional US$1,999 DAC will be staying in my system for a while. And, I’ll enjoy every minute with it. Very highly recommended.b'"' The $2000 Bel Canto is an excellent PCM digital audio converter, and while it is not exactly cheap as a standalone DAC, given the features it offers, it would be difficult to give the DAC 2.5 less than a high five. The DAC 2.5 is an incredibly versatile music machine. Thanks to its stereo RCA analog input, the 2.5 can be used as an analog preamp. It features 24-bit digital volume control and a host of connection options. In addition to built-in USB, a host of 24-bit/192kHz compatible inputs (Toslink, AES/EBU, S/PDIF) share the rear panel with XLR and RCA analog outputs. There is also a front-mounted 1/4b'"' headphone jack for the dedicated headphone amp. It took me a while, but I finally put my finger on a key attribute of the Bel Canto: it digs deep into the music, reconstructing a sonic image that is sometimes very bright and always transparent. The smoothness of the sound is just enough to give you a tube feel, but the Bel Canto is completely solid-state. It is very easy to get lost in the music the Bel Canto is presenting to you. I have thrown a ton of music at the Bel Canto and it just presents it beautifully. The detail in the music is just insane. I mean, it is so detailed without being analytical at all with a nice slightly warm character... a nice rich midsection and great extension in the bass and treble. I think it was really musical, with a really high-end rhythm. New value 2100 euros Analog DAC section 24/192: Maximum output: 4 Vrms balanced XLR, 2 Vrms RCA Output impedance: 200 ohms balanced XLR, 100 ohms RCA Frequency response: 20 Hz-20 KHz, +/- 0.5 dB THD+N: b' Output noise: 3.3 uVrms A-weighted 20 Hz-20 KHz Dynamic range: 122 dB A-weighted 20 Hz-20 KHz Analog ADC section 24/192: Maximum input: 2.5 Vrms RCA Input impedance: 12 kohms RCA THD+N: 0.003%, 2.5 Vrms input, 1 kHz Dynamic Range: 110 dB, A-weighted 20 Hz-20 KHz Headphone Section: Maximum Output: 138 mW THD+N: 0.01% 35 mW, 1 KHz Output Noise: 17 uVrms, A-weighted 20 Hz-20 KHz General: Power Consumption On: 7 W Power Consumption Off: 0.0 W Power Requirements: 100-120 VAC, 220-240 VAC 50/60 Hz Dimensions: 216 mm x 318 mm x 88 mm (8.5 in W x 12.5 in D x 3.5 in H) Weight: 6.5 kg (14 lbs) Auralic, nuprime, rme, eversolo audio gd, Singxer, schiit, Arcam / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi / monitor audio / klipsch / ifi / AudioQuest / Astell b'&' Kern / iBasso / Hidizs / Fiio / Shanling / beyerdynamic / meze / hifiman / audio technica / akg / bel canto / violectric / lehmann / parasound / benchmark / auralic / burson / aune / Arcam, Benchmark, Einstein, Pass, Mark Levinson, ifi, Eversolo, Fidelice, Mytek, Hegel, Nuprime, Auralic, Rupert Ne En savoir plus Collaboration commerciale.

200Miles antenne TV portable DVB-T meilleure caravane numérique HD Ariel inté D1 Product Specification: *Type: DVB-T/DMB-T/CMMB Antenna *Material: PP *Frequency Range：UHF174-230,VHF470-860Mhz *VSWR:≤1.5 *Bandwidth-MHz：390 *Rated power:50W *Input Impedance: 50Ω *Output Impedance: 75Ω *LNA high gain: 30dBi *Signal range: 200 miles *Receiving signal: ATSC, DVB-T, DMB-T, CMMB *Compatibility: 720P, 1080i, 1080P *Cable length: approx. 5 meters *Power consumption：DC5V *Power：≤20mA *concentric cable：RG174 *Polarization:vertical *NoiseFactor：≤1.5dbi *Connector：F （with another IEC connector） Package Includes: 1 x High-quality Antenna In-built Amplifier 1*IEC connector Payment Nous n'acceptons que Paypal comme moyen de paiement. L'article sera envoyé dans 24 heures suivant le paiement reçu du lundi au vendredi, et les commandes reçues le samedi et le dimanche seront affichées le lundi suivant. Shipping Nous fournissons des choix multiples pour les méthodes d'expédition et la date d'arrivée estimée, mais veuillez comprendre que nous ne pouvons pas contrôler la condition d'expédition actuelle et la date d'arrivée. Terms of Sale Si vous n'êtes pas satisfait de votre achat, contactez-nous sans hésiter. Les articles peuvent être retournés dans 30 jours en état inutilisé, nous effectuerons un échange et un remboursement une fois que nous aurons reçu l'objet. Gardez les étiquettes entières et les éléments propres sans saveur, si non nous n'accepterons pas le retour. About US Si vous avez des questions, contactez-nous par l'intermédiaire de l'onglet «Demandez-nous un vendeur» au bas de la page d'inscription. Répondre à votre satisfaction est la chose la plus imotante pour nous, nous souhaitons résoudre chaque problème pour vous. Et laissez-nous une note de  5 étoiles  si vous vous sentez heureux de notre produit et service. Product Specification: *Type: DVB-T/DMB-T/CMMB Antenna *Material: PP *Frequency Range：UHF174-230,VHF470-860Mhz *VSWR:≤1.5 *Bandwidth-MHz：390 *Rated power:50W *Input Impedance: 50Ω *Output Impedance: 75Ω *LNA high gain: 30dBi *Signal range: 200 miles *Receiving signal: ATSC, DVB-T, DMB-T, CMMB *Compatibility: 720P, 1080i, 1080P *Cable length: approx. 5 meters *Power consumption：DC5V *Power：≤20mA *concentric cable：RG174 *Polarization:vertical *NoiseFactor：≤1.5dbi *Connector：F （with another IEC connector） Package Includes: 1 x High-quality Antenna In-built Amplifier 1*IEC connector PAYMENT Nous n'acceptons que Paypal comme moyen de paiement. L'article sera envoyé dans 24 heures suivant le paiement reçu du lundi au vendredi, et les commandes reçues le samedi et le dimanche seront affichées le lundi suivant. SHIPPING Nous fournissons des choix multiples pour les méthodes d'expédition et la date d'arrivée estimée, mais veuillez comprendre que nous ne pouvons pas contrôler la condition d'expédition actuelle et la date d'arrivée. Terms of Sale Si vous n'êtes pas satisfait de votre achat, contactez-nous sans hésiter. Les articles peuvent être retournés dans 30 jours en état inutilisé, nous effectuerons un échange et un remboursement une fois que nous aurons reçu l'objet. Gardez les étiquettes entières et les éléments propres sans saveur, si non nous n'accepterons pas le retour. ABOUT US Si vous avez des questions, contactez-nous par l'intermédiaire de l'onglet «Demandez-nous un vendeur» au bas de la page d'inscription. Répondre à votre satisfaction est la chose la plus imotante pour nous, nous souhaitons résoudre chaque problème pour vous. Et laissez-nous une note de  5 étoiles  si vous vous sentez heureux de notre produit et service. Le 08-déc.-20 à 10:06:11 Paris, le vendeur a ajouté les informations suivantes:

TRANFORMER INCLUDED 16 high-quality 24-bit / 96 kHz AD/DA converters. Supported sample rates: 32, 44.1, 48, 88.2 and 96 kHz. 16 analog inputs and 16 analog outputs. Provided as fully-symmetrical balanced phone jacks. Switchable between -10 dBv and +4 dBu. Two independent ADAT interfaces Dual 8-channel I/Os, 24-bit, fully compatible with all devices which feature this digital interface. S-Mux permits ADAT transfers of 96 kHz audio.Although the ADAT standard does not include sample rates above 48 kHz, the A16 Ultra can transfer audio at 96 kHz using S-Mux mode, in which pairs of ADAT channels are coupled, giving you a total of eight S-Mux channels. Two independent Z-Link interfaces. This CreamWare-proprietary interface format, based upon FireWire technology, offers greater transfer bandwidth than ADAT. With Z-Link, simultaneous transfer of all 16 channels at 24 bits / 96 kHz is possible. Ideal for use with all CreamWare systems that are equipped with Z-Link. BNC Wordclock I/O for synchronization of your complete digital setup. Functions both as master and as slave. VU meters for precise level setting The 16 5-segment level indicators permit convenient, precise setting of signal levels and allow you to keep everything under visual control at all times. Memory function.The A16 Ultra remembers all of its settings when you power it down, so that you can pick up where you left off in your next session. Ultra-compact construction.The A16 Ultra packs concentrated technology into a single-height 19" rack. Expansion options Various expansion options are planned to boost the performance of the converter further. For example: add-in boards which permit the use of S-Mux on all 16 ADAT channels or which render the A16 Ultra a TDIF-1 compatible converter. A USB2 expansion, also in the works, will permit the A16 Ultra to be used as a standalone I/O interface with any computer system equipped with USB2, and will also allow it to be remote-controlled via software, making operation as an analog/digital patchbay. Technical specifications Sample rates: 96 kHz, 88,2 kHz, 48 kHz, 44,1 kHz and 32 kHz (Master) 30 kHz - 100 kHz (Wordclock - Slave) 38 kHz - 50 kHz (ADAT - Slave) Channels:16 inputs and 16 outputs Analog inputs: Balanced phone jacks (6.3 mm) Input sensitivity + 4 dBu (nominal) Maximum input level +20 dBu (0 dBFS) Input impedance 20 kOhm Analog outputs: Balanced phone jacks (6.3 mm) Output level + 4 dBu (nominal) Maximum output level + 20 dBu (0 dBFS) Output impedance 600 Ohm Converter performance Digital - Analog: 24 Bit / 128 x oversampling / 96 kHz Frequency response Dynamic range 110 dBA THD+N 100 dBA typ. Channel separation 105 dB @ 997 Hz typ. Analog - Digital: 24 Bit / 96 kHz Frequency response Dynamic range 100 dBA THD+N 95 dBA typ. Channel separation 102 dB @ 997 Hz typ Digital inputs and outputs ADAT: EIAJ connectors 8 channels, 24 bits, 2 in, 2 out Z-Link: 2 standard 1394 connectors, 8 channels, 24 bits, 96 kHz capable Synchronization Word Clock In: 75 Ohm, BNC Word Clock Out: 75 Ohm, BNC General specifications Supply voltage: 12V AC Power consumption: 25W Dimensions: 44,3*483,0*189,5 mm (1U) Weight: 3 kg

The MATCH-IT and MATCH-IT2 allow the benefits of inexpensive domestic and semi-professional source equipment to be applied to the professional installation with minimum compromise in sound quality. As well as substantial cost savings, such machines also offer wider choice and availability compared to their professional brethren and, if well chosen, can prove extremely reliable. Mounted as close to the source equipment as possible, the MATCH-IT/MATCH-IT2 translate between the low level, unbalanced signals used by consumer devices and the higher amplitude, more noise-immune, balanced format found in the professional environment. From that point onwards, mains hum and interference from densely packed equipment will be rejected. Both units are packaged in a robust metal case suited to mounting on rack shelves or in the Canford “Rack-Pak”, beneath woodwork or inside rack cabinets by means of screws, ties or sticky pads. They are supplied with a mains lead, comprehensive instructions and a five year warranty. MATCH-IT Bidirectional Matching Unit Provides matching in both the record (balanced to unbalanced conversion) and replay (unbalanced to balanced) directions for one piece of domestic recording equipment, such as a tape or Mini-Disk recorder. The gain of both sections may be individually varied over a wide range that includes 0dB for higher level sources requiring balancing but no amplification. Technical Specification:Unbalanced to balanced sections (MATCH-IT and MATCH-IT2):Inputs:Unbalanced, RCA (phono)Input impedance:22k ohms Maximum input level:+24dBuNominal gain range:0dB to +25dBOutput noise:-94dB RMS re +8dBu O/P (20Hz-22kHz, +14dB gain)Harmonic distortion:0.005%THD (1kHz, +8dBu O/P)Frequency response:20Hz-20kHz ±0.1dBOutputs:Electronically balanced, XLR maleMaximum output level:+24dBu (10k ohms load), +23.5dBu (600ohms load)Balanced to unbalanced sections (Match-IT only):Inputs:Electronically balanced, XLR femaleInput impedance:20k ohms Maximum input level:+25dBuInput CMRR:60dB typ.Nominal gain range:-25dB to 0dBOutput noise:-94dB RMS re +8dBu I/P (20Hz-22kHz, -14dB gain)Harmonic distortion:0.005% (1kHz THD, -14dBu O/P)Frequency response:20Hz-20kHz ±0.1dBOutputs:Unbalanced, RCA (phono)Maximum output level:+24dBu (10k ohms load)MATCH-IT and MATCH-IT2:Power supply:230 VAC ±10% at 6VA (115V to special order)Dimensions(excluding connectors):294(w) x 114(d) x 44(h)mmWeight:0.9kg CONTACT for INTERNATIONAl SHIPPING FEES

MAGNUM DYNALAB MD 209 Tuner Ampli DAC. État : "Reconditionné par le vendeur" Description Prix public officiel du matériel neuf: 7190 € + L'option DAC à 1490 € soit un total de 8680 €  1ère main. Emballage d'origine. Marque fabriqué au Canada depuis 1984   Parfait état Convient parfaitement pour des enceintes à Haut Rendement (KLIPSCH entre autres...) Très belle qualité de timbre pour la section ampli-Préampli. TUNER EXCEPTIONNEL par sa présence, sa dynamique et sa musicalité. DAC également musical, on apprécie l'entrée USB 2.0 C'est un très bel appareil 3 en 1 qui jouit d'une grande qualité de fabrication Expédition possible par transporteur avec assurance (devis en fonction du lieu de livraison). Me consulter. Il se trouve à Bordeaux Livraison et installation possible à domicile en fonction du lieu de livraison. Me consulter.  Dimensions: Largeur 48 x Profondeur 50 cm x Hauteur 16,50 cm Poids: 34 kg  SPECIFICATIONS  Entrées: 5 Analogiques dont: 2 entrée stéréo balanced XLR, 3 entrées stéréo RCA,                    dont 1 pour Surround Sound Processor input                   + 3 digital dont (2 Coaxial + 1 USB) Sorties: 1 pre-out (rca) niveaux variable  TUNER (RF): Section tuner du MD 108T à tube et MD 109 Puissance – 125 watts sous 8 ohms, 250 watts sous 4 ohms Ampli-Préampli: Etage préamplificateur tube/transistor Tube Specifications – 2 x 6922 Magnum Dynalab Cryovalve  Section ampli du MD 306 / transistor DAC / Convertisseur: 2 entrées numériques RCA 75 Ohms + 1 entrée USB 2.0 Audio Frequency Response – 2Hz - 100KHz 50 % class A, 50 % class AB Gain Control – Burr Brown Signal to Noise Ratio – > -115dB Gain – 28dB Output devices Sanken (bi-polar) Input Sensitivity – 1.2 volts at full power Input Impedance – 10K Output Impedance – 2K

DBX CX 3  AUDIOPHILE VINTAGE PREAMPLIFIER    VERY GOOD CONDITION  FULL WORKING CERTIFIED   IN 240 V  EXCELLENT PHONO ENTER FOR TURNTABLE REVIEWED (NOT RESTORED)  ALL LIGHTS OK   NO NOISES NO SCHRATCHES SHIPPNG COST FOR E.U   NO PAYPAL CX-3 Control PreAmplifier Specifications Input Sensitivity Phono (MM) 2.5mV; (MC) 0.25mV Line 150mV Maximum Input Signal Phono (MM) 180mV; (MC) 18mV Input Impedance Phono (MM) 47 K-ohms; (MC) 100 ohms Line 47 K-ohms Frequency Response Phono (MM) 20 Hz ~ 20 kHz (± 0.25db) Line 10 Hz ~ 50 kHz (+0, -3db) Signal to Noise Ratio (IMF-A) Phono (MM) >78db; (MC) >70db Line >105db Total Harmonic Distortion Phono (MM) Line Maximum Output Level 10V (20Hz ~ 20kHz) Output Impedance 800 ohms Tone Control Bass ±10db Mid ±10db Treble ±10db Loudness +8db (100Hz) Surround Section Dolby Surround delay time 20ms THD Power Requirements 120/220/240 VAC, 50/60Hz, 11W Dimensions (W x H x D) 18-3/4" x 4" x 12-5/8" Weight 15.7 lbs

NEUF: Préampli à tubes - Préampli à lampes à 4 entrées ligne et une sortie RCA vers un ampli, vendu sans tube. Câblage en l'air point à point, condensateurs Nichicon Japan, condensateurs de couplages 10 uF 250V MKP, fiablilité extrême, fonctionnement en classe A. Ce préampli apporte beaucoup de gain et de chaleur sur un bloc de puissance. Les supports de tubes sont en céramique, ce préampli utilise 2 tubes 12AU7, 2 tubes 12AX7 et 2 tubes 6Z4. Il est NEUF, livré dans son CARTON D'ORIGINE avec son câble d'alimentation. Prix de départ à seulement 99 euros + 48 euros de taxes de douanes (incontournable). (Je fournis la facture de 48 euros des douanes françaises payée). Vendu SANS TUBE, les deux premières photos sont pour exemple. Paiement par Paypal (possibilité de règlement en 4 mensualités sans frais sur Paypal). Livraison en Colissimo suivi ou en point relais par Mondial Relay en 2 ou 3 jours seulement. Dans une autre annonce, je vends un ampli à lampes EL 34 amélioré par un atelier pro. Specifications: - input sensitivity: 400mv - Output voltage: 2 V (RMS THD - S / N Ratio: 94DB - Frequency response: 12Hz-50 KHz (-0.5DB) - Input impedance: 200 Kohm - Output impedance: 600ohm - AC Input: 220 V - Power consumption: 30 W - Dimension: (W-D-H) 320 * 170 * 120mm (Add tube height) - Net Weight: 4 KG, with a packaging weight 6 KG

NEUF: Préampli à tubes - Préampli à lampes à 4 entrées ligne et une sortie RCA vers un ampli, vendu sans tube. Câblage en l'air point à point, pas de circuit imprimé, coefficient de réparation 9,5/10. Condensateurs Nichicon Japan, condensateurs de couplages 10 uF 250V MKP, fiablilité extrême, fonctionnement en classe A. Ce préampli apporte beaucoup de gain et de chaleur sur un bloc de puissance. Les supports de tubes sont en céramique, ce préampli utilise 2 tubes 12AU7, 2 tubes 12AX7 et 2 tubes 6Z4. Il est NEUF, livré dans son CARTON D'ORIGINE avec son câble d'alimentation. Prix de départ à seulement 99 euros + 48 euros de taxes de douanes (incontournable). (Je fournis la facture de 48 euros des douanes françaises payée). Il est en vente sur, fournisseur en Chine " Pinshuche " à  200,00 euros + taxes de douanes, soit 250,00 euros et vous devrez attendre 4 ou 5 semaines pour le recevoir, attention les taxes de douanes vont fortement augmenter le 1er juillet pour tout achat hors E.U.: " FINI 12AX7 12AU7 TUBE Préamplificateur hifi Pré-Amp Shigeru AMA Japon circuit ". Cette précision c'est pour les farfelus qui m'envoient des messages de prix ridicules !! Vendu SANS TUBE, les deux premières photos sont pour exemple. Paiement par Paypal (possibilité de règlement en 4 mensualités sans frais sur Paypal). Livraison en Colissimo suivi ou en point relais par Mondial Relay en 2 ou 3 jours seulement. Dans une autre annonce, je vends un ampli à lampes EL 34 amélioré par un atelier pro. Specifications: - input sensitivity: 400mv - Output voltage: 2 V (RMS THD - S / N Ratio: 94DB - Frequency response: 12Hz-50 KHz (-0.5DB) - Input impedance: 200 Kohm - Output impedance: 600ohm - AC Input: 220 V - Power consumption: 30 W - Dimension: (W-D-H) 320 * 170 * 120mm (Add tube height) - Net Weight: 4 KG, with a packaging weight 6 KG

Goko RM-8008  marketed in 1977-78  super 8 mm film  lens: f: 3.5 F: 23 mm  screen size: color corrected 5.51 x 4.14 inches  screen diagonal: 6 inches  lamp: 10 W, 6 V, ba15s ((normal and halogen)  reel capacity: 240 m  film loading: manual threading  film transport: capstan drive pinch roller or manual by crank  projection: forward, reverse  projection speed: 18, 24 fps,  projection speed fine control: adjustable plus or minus 2 fps  frame counter: yes  NF system: Non-Flicker system with 16-face polygon optical glass prism  sound: magnetic playback on both sound tracks  amplifier: 6 Solid State IC, 2 transistor, 8 diode  amplifier output: 1W, 8 Ohm  VU meter: 2 (Rigth, Left), recording level meters  recording system: multi single and stereo magnetic recording on main and balance track  recording level: A.A.L. (Automatic Level Limiter) single and stereo recording on the main and balance track  input terminal:  2 MIC with mini jack - 60 dBm input impedance 600 Ohm  2 AUX with mini jack - 20 dBm input impedance 50K Ohm  output terminal:  MONI with 1/4" jack for stereo headphone 8 Ohm  2 EX SP with mini jack 8 Ohmon 1W  built-in speaker: yes  accessory shoe: yes  film drive motor: DC magnetic motor; DC22V with Function Generator  power source: 110/120 or 220/240 V AC, 50/60 Hz, 40 W  dimensions: 10 x 11.42 x 19.60 inches  Weight: 7020 gram  made in Japan by Sansei Koki

DBX CX 3  AUDIOPHILE VINTAGE PREAMPLIFIER    VERY GOOD CONDITION  FULL WORKING CERTIFIED   IN 240 V  EXCELLENT PHONO ENTER FOR TURNTABLE  MM AND MC REVIEWED (NOT RESTORED)  ALL LIGHTS OK   NO NOISES NO SCHRATCHES SHIPPNG COST FOR E.U   NO PAYPAL CX-3 Control PreAmplifier Specifications Input Sensitivity Phono (MM) 2.5mV; (MC) 0.25mV Line 150mV Maximum Input Signal Phono (MM) 180mV; (MC) 18mV Input Impedance Phono (MM) 47 K-ohms; (MC) 100 ohms Line 47 K-ohms Frequency Response Phono (MM) 20 Hz ~ 20 kHz (± 0.25db) Line 10 Hz ~ 50 kHz (+0, -3db) Signal to Noise Ratio (IMF-A) Phono (MM) >78db; (MC) >70db Line >105db Total Harmonic Distortion Phono (MM) Line Maximum Output Level 10V (20Hz ~ 20kHz) Output Impedance 800 ohms Tone Control Bass ±10db Mid ±10db Treble ±10db Loudness +8db (100Hz) Surround Section Dolby Surround delay time 20ms THD Power Requirements 120/220/240 VAC, 50/60Hz, 11W Dimensions (W x H x D) 18-3/4" x 4" x 12-5/8" Weight 15.7 lbs

Free The Tone BB-2 Bass Blaster Overdrive – Custom Series – Orange Condition: Mint condition Year: 2020 Serial no.: 104 Made in Japan The FREE THE TONE BASS BLASTER is an overdrive pedal designed especially for basses. The voltage is boosted internally to ±15Vdc in order to easily be able to control the wide dynamic range of the bass guitar. It has excellent touch response that bassists request, and the sound characteristics are not lost regardless of whether the bass is played with a pick or fingers. The pedal creates the fat overdrive sound that most bassists are looking for. Treble and Bass tone controls are perfectly matched to the characteristics of the bass and provide a wide range of tonal adjustment. BACKGROUND & DEVELOPMENT The design of the Bass Blaster started as an idea from the Tube bassist Mr. Hideyuki Kakuno. In order to give a strong impression of the existing bass sound, similar the driving sound of a tube amp, with a slight amount of distortion audible if you listen to the bass by itself, but without being able to hear the distortion when listening to the bass with the whole band, I was asked to create a pedal that could recreate this kind of sound. That's how the development of this effect pedal began. Also, another important factor is for the sound to be more distorted with a stronger touch and a clean tone when playing softly. Mr. Kakuno tried many variations of the circuit as I was developing it, and I was finally able to create the first Bass Blaster, which has now won high praise from many professional bassists. FEATURES Wide dynamic range and powerful expression based on ±15 Vdc internal boosting. Excels in the reproducibility of touch every bassist seeks and never loses the bass’ original sound characteristics whether it is played with a pick or fingers. Drive sound with presence not buried in nor masked by band sound. Astoundingly excellent Signal-to-Noise ratio Exceptional sound stability by using long-life high reliability components NOTE: Due to relatively large current consumption, we recommend to use an AC adapter. SPECIFICATIONS Input impedance: 1MΩ Output load impedance max.:220Ω Controls: GAIN, TREBLE, BASS, LEVEL Terminals: 2× 1/4" phone jacks (for input, output), 1× DC9V input jack (for AC adapter) Power supply: 9-volt battery (PP3/006P), AC adapter Current consumption: approx. 90 mA (max.) Dimensions: 100W × 123D × 52H mm (incl. protuberances such as footswitches, jacks, etc.) Weight: approx. 340 g (excl. battery) Accessories: warranty card, manual, battery (PP3/006P), 4× rubber feet

Set of Two Voltage Preamplifiers 2/4/6 I am selling a set of this two units by Physical Acoustics Corporation 2/4/6 voltage preamplifiers, a great solution for a variety of sensors, switch selectable gain, single-ended or differential sensors. New Stored as new, B stock, in very good condition. Description: The 2/4/6 preamplifier has been designed for use with all AE systems available powered via the BNC output signal. It comes with a gain of 20/40/60 dB (switch selectable) and works with a single terminated or differential sensor. Plug-in filters provide the user with flexibility to optimize sensor selectivity and noise rejection. These filters are provided in the low pass (LP), high pass (HP) and band pass (BP) configurations, and offers consistent insertion loss for easy filter exchange without the need for recalibration. Automatic sensor test (AST) is standard. This option provides the sensor with ability to characterize one's own condition and to send a simulated acoustic emission wave that other sensors can Features: -Selectable gain 20/40/60 -Wide dynamic range b'>' 90 dB standard -Low noise b' - Large output signal 20 Vpp in 50? -Single BNC power supply/signal or optional separate power supply/power supply BNC signal - Plug-in filters (uses the same filter as the SPARTAN 2000) - High input impedance - Standard automatic sensor test ï Input protection Electrical specifications: -Selectable gain: 20/40/60 dB + 0.5% dB -Input impedance: 10KO // 15pF -Power requirement: 18-28V DC -Operating current: 30 mA (with AST installed) -28 mA (without AST installed) - Dynamic range: 80 dB (using R15 sensor) 90dB (50O input Environmental specifications: - Temperature: -40 C to +65 C En savoir plus

PIONEER CT-656 STEREO CASETTE DECK 3 TETE SYSTEM DOLBY HX PRO PARFAIT ETAT.. État : "Occasion" Longeur 42cm. Largueur 30cm. Hauteur 13cm. Fonctionne parfaitement testé Si questions ou autres photos me contacter Emballé avec soins et rigueur eur hors france me contacter notice trouvable facilement sur internet. PIONEER CT-656 High end tape deck with 3 head technology Vintage cassette deck from the top brand Pioneer High quality. PIONEER CT-656 High end tape deck with 3 head technology Vintage cassette deck from the top brand Pioneer High quality workmanship and excellent fine Technology from the hifi heyday The optical condition is very good and well maintained! Small signs of use available! Technically, the tape works flawlessly! 100% at work! Technical specifications: connections Line (input): high level (LINE) 56 mV / input impedance: 56 kOhm Line (output): high level (LINE) 316 mV / output impedance: 5 kOhm Headphones: load impedance 8 ohms (volume max.) Technical specifications Tape heads: 3 PC-OCC-winding-hard-permalloy playback head / hard-permalloy-recording head combination x1 Erase head (ferrite) x 1 Motors: 2 1 x DC servo capstan motor, 1 x DC coil motor Wow and Flutter: 0.05% WRMS Belt types: Normal Type-I, Cromdioxide Type-II, Metal Type-IV Frequency response (+/- 6 dB): Normal band 15 to 20,000 Hz Chrome band 15 to 20,000 Hz Metal band 15 to 21,000 Hz Distortion factor: less than 0.7% (0 dB) S / N ratio Without Dolby:> 58 dB With Dolby B: + 10 dB (at 5 kHz) With Dolby C: + 19 dB (at 5 kHz) Auto reverse: no Track search: ± 15 tracks Dolby noise reduction: B + C MPX filter: Yes Fader: No. Pitch control: No. CD synchro recording: Yes (CD deck synchro with suitable Pioneer CD player) Special equipment Counter with two display modes (4-digit electronic counter) Level display switchable (normal / extended modulation range) Rear tape control option (automatic switching between sound source and recorded sound) Track search (+/- 15 tracks) Headphone output (with level control) Bias controller MPX filter Record mute to automatically insert spaces Automatic tape type selector Timer start function for recording and playback Repeat playback Dolby Noise Reduction System (B / C) Dolby HX Pro FL level meters (12 segments +1) with peak level memory funct Scope of delivery: 1 x CT-656 1 x English instruction manual 1 x TDK SA-C90 used 1 x professional packaging