Inputs

PANASONIC AV-HS400E HD-SDI MIXER - CARDS: DVI INPUTS & ANALOG INPUTS (if you need different inputs or outputs cards contact us please / si vous désirez des cartes entréees - sorties  suplémentaires ou différentes contactez nous svp)   very good condition, revised, check pictures for full details Warranty: 2 months price excluding VAT: 1500 euros / Prix hors TVA: 1500 euros HT For any question on this equipment, Contact us by phone at +33 1 46 05 66 13  or by email: shop@broadcastbrokers.fr

PANASONIC AV-HS400AE HD-SDI MIXER - 6x HD-SDI INPUTS / 2x DVI IN - 3 EXTRA CARDS (if you need different inputs or outputs cards contact us please / si vous désirez des cartes entréees - sorties  suplémentaires ou différentes contactez nous svp)   very good condition, revised, check pictures for full details Warranty: 2 months price excluding VAT: 1700 euros / Prix hors TVA: 1700 euros HT For any question on this equipment, Contact us by phone at +33 1 46 05 66 13  or by email: shop@broadcastbrokers.fr

SQN-3 TYPE M 3 inputs portable audio microphone mixer - mixette Prix HT: 165 Euros, Price Excl. VAT: 165 Euros Broadcast Brokers We buy, sell, trade new or used video b'&' broadcast equipment Achat/ Vente de matériel vidéo-broadcast neuf et occasion. www.broadcastbrokers.fr shop@broadcastbrokers.fr Tel: +33 (0)1 46 05 66 13 En savoir plus Collaboration commerciale.

1 Original Stanton Magnetics Input/Output Board Set Original Part# RM100 20018 for the RM-100 mixer In Very Good condition

Focusrite Saffire Pro 14, Interface audionumérique FireWire - jamais utilisé.  CD d'installation fournie. 1 x câble Firewire -> Firewire fourni. Fiche technique   Fabricant:Focusrite Modèle:Saffire Pro 14 Série:Saffire Catégorie:Interfaces audionumériques FireWire Fiche créée le:11/08/2010 Microphone Inputs 1-2 Frequency Response: 20Hz - 20kHz +/- 0.2 dB Gain Range: +13dB to +60dB Maximum Headroom +8dBu THD+N: 0.001% (measured at 1kHz with a 20Hz/22kHz bandpass filter) Noise EIN: 124dB analogue to digital (measured at 60dB of gain with 150 Ohm termination (20Hz/22kHz bandpass filter) Input Impedance: 2k Ohm Line Inputs (Inputs 1-2) Frequency Response: 20Hz - 20kHz +/- 0.2dB Gain Range: -10dB to +36dB THD+N: 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter) Noise: -90dBu (22Hz/22kHz bandpass filter) Input Impedance: >10k Ohm Line Inputs 3-4 Frequency Response: 20Hz - 20kHz +/- 0.2 dB Gain Range: Switch-able between +16dBu or -10dBV for 0dBFS (balanced inputs) THD+N: 0.003% (measured at 1kHz with a 20Hz/22kHz bandpass filter) Noise: -100dBu (22Hz/22kHz bandpass filter) Input Impedance: >10k Ohm Instrument Inputs (Inputs 1 and 2) Frequency Response: 20Hz - 20kHz +/- 0.1dB Gain Range: +13dB to +60dB THD+N: 0.004% (measured with 0dBu input and 20Hz/22kHz bandpass filter) Noise: -87dBu (20Hz/22kHz bandpass filter) Analogue Audio Outputs (Outputs 1-4) 4 Electronically Balanced Outputs Maximum Output Level (0dBFS): +10dBu THD+N: 0.001% (0dBFS input, 20Hz/22kHz bandpass filter) Crosstalk (Channel Isolation) Any input to input: > 100dB Any output to output: > 100dB Any input to output: > 100dB DIGITAL PERFORMANCE A/D Dynamic Range > 109dB (A-weighted), all analogue inputs D/A Dynamic Range > 106dB (A-weighted), all analogue outputs Clock Sources: - Internal Clock - Sync to Word Clock on SPDIF Input (RCA) JetPLLTM PLL technology providing superb jitter reduction for class leading converter performance Clock jitter < 250 picoseconds Supported Sample Rates: 44.1kHz, 48kHz, 88.2kHz, 96kHz 8 input channels to computer: Analogue (4), SPDIF (2) and Loop-back (2) 6 physical output channels from computer: Analogue (4), SPDIF (2) 12 DAW output streams Assignable 18 input by 6 output mixer Weight and Dimensions 1.5kg / 3.3lbs 215mm (W) x 45mm (H) x 220mm (D) (8.5 x 1.8 x 8.7 inches) Connectivity Analogue Channel Inputs (Inputs 1-2) 2 Mic XLR Combo (channels 1-2) on front panel 2 Line 1⁄4” TRS (channels 3-4) on rear panel Automatic switching between Mic / Line (channels 1-2) Switching between Line / Instrument Inputs (channels 1-2) via Saffire MixControl Application Switching between +16dBu (low) and -10dBV (high) gain on inputs 3-4 via Saffire MixControl Application Digital Channel Inputs (Inputs 5-6) 44.1 - 96kHz Stereo S/PDIF input on RCA Analogue Audio Outputs (Outputs 1-4) 4 1⁄4” TRS Jacks Output Level control (analogue) for outputs 1 and 2 Stereo Headphones Mix 1 on 1⁄4” TRS (also routed to Outputs 3 & 4) with independent volume control Digital Channel Outputs (Outputs 5-6) 44.1 - 96kHz Stereo S/PDIF Output on RCA Other I/O 1 6-pin FireWire S400 socket 2 Standard 5-pin DIN MIDI connectors: In and Out DC Power Input Connector (for use with supplied universal input power supply) Front Panel Indicators 2 2 segment input meters, Sig (-18) and O/L (0dBFS) “LKD” Locked Indicator “FW” Host Connected Indicator “Power” Indicator Instrument input source selection LED for channels 1 and 2 Phantom Power (48V) switch and LED for inputs 1 and 2

Imagine Communications Harris X85HD-AV-2PS TBC / Frame Synchronizer / scaler /optical fiber vendu avec son Flightcase General Description Offering unparalleled flexibility,the X85-3G/X85HD/X75SD product line provides up to nine video inputs and ten video output formats,depending upon the following available options: • Two HDTV optical fiber serial component digital video inputs and outputs (X85) or one HDTV optical fiber serial component digital video input and output (X75) • Two HDTV coaxial inputs and outputs on independent paths (X85) or two HDTV coaxial inputs and outputs using the same path (X75) • Two SD-SDI serial component digital video inputs and outputs • One 128 x 96 thumbnail streaming source and one 352 x 240 pixel (525) or 352 x 288 pixel (625) streaming-over-IP video/audio output • Component analog video (Betacam®) input and output • S-video (S-VHS/Hi8) input and output • NTSC/PAL-M/PAL-B/SECAM composite video input and output •RGB-S output • DVI-D output Inputs Inputs are capable of auto-detection, with user-selectable SMART alarms. Two input modes (both ofwhich allow for either automatic detection or user-selection of inputs) are available for processingcritical program paths for ingest, and bridging between routers/tape transports/servers, mobile broadcast, and edit suites. Video Processing Processing for video includes level/color control, aspect ratio conversion, 3D-adaptive color de coding, noise reduction, frame synchronization and time base correction for non-synchronous signals, analog-to-digital and digital-to-analog video conversion. Other capabilities include the following: • Up and down conversion • Aspect ratio control • High-definition cross-conversion Audio Processing Processing for audio includes level control, analog-to-digital and digital-to-analog conversion, and SD-SDI and HD-SDI serial digital signal embedding and de-embedding. Other capabilities include the following: • Sample rate conversions, synchron ization, and timing-to-video for correction of lip sync errors • Embedding/de-embedding of signals such as Dolby E™ and AC-3™ • Processing of multiple channel program signalsfor surround-sound applications before or after compression • Audio-follow-video routing • Converting, adjusting, timing,demultiplexing, and multiplexing Signal Control and Monitoring You can control and monitor signals using a variety of methods: • Local X85-3G/X85HD/X75SD control panels • Remote X75-RCP control panels • Web server software • Local DPS-575 control panels • Remote RC-575 control panels • CCS™-enabled hardware controls • CCS software applications and QuickTime Player • SNMP control systems Operating Modes The X85 and X75 have four main operational modes: • Auto Detect (default mode) • M-Path (multiple path) • Simulcast • All Output Select X75 and X85 General Functionality • Upgradability from SDTV to HDTV, and HDTV to 3 Gb/s • Frame syncs for analog, SDTV and HDTV • Upconversion, downconversion, crossconversion, and aspect ratio conversion • Analog-to-digital conversion • Digital-to-analog conversion • Proc amps for analog, SDTV and HDTV • Video test generation • Optional video noise reduction and enhancement • Optional HD and SD color correction • 8, 16, or 32 channels of internal audio processing (gain, invert,swap, sync/delay,sum) • Embedding and de-embedding for SD-SDI, HD-SDI, and 3 Gb/s • Compressed audio capability (Dolby E®and AC-3®) • Video and audio timing correction • Streaming video capability • SD memory card parameter settings storage • Audio (and embedded) test generation • Audio limiting capability • Built-in Web server with thumbnail monitoring capability • Available redundant power supply • Active Format Description (AFD), audio metadata, closedcaptioning, and DVB Teletext captioning capabilities • Optional program delay for video and embedded audio Input/Outputs • Auto-detected inputs • Two SD-SDI and

Event EZbus MIXER 8 Channel USB Audio Interface/ Stand Alone-Digital Mixer Board MIXER DIGITAL STUDIO EVENT EZBUS  TRES BON ETAT GENERAL  VENDU SANS NOTICE Product Description As a stand-alone Digital Mixer, it provides 8 main input channels (four of which provide 3 inputs each), plus a USB port, 2 S/PDIF coaxial Inputs, one output, and S/PDIF/ADAT-format optical I/O. Main input channels provide dynamics processing and 4-band EQ. Any input (analog OR digital) may be routed to ANY mixing channel (the same applies to the 4 returns) and you can even mix signals with different sample rates - up to 96K! Other I/Os include dual MIDI I/Os, Word Clock Out, and 2 Sends plus 2 Aux Outs, making it an ideal Hard Disk Recording Interface.  One button push is all it takes to instantly transform EZbus into a customizable Control Surface with support for major software programs. You could see a product like this on the horizon but it took the ingenious minds of Event Electronics to actually deliver. The EZbus mix engine architecture provides 8 primary channels, each of which offers EQ and dynamics processing. The 8 channels can be fed from any hardware input, analog or digital. A channel's signal can be routed to multiple destinations, including the Main Mix bus, the Alt Mix bus, and any or all of the 4 Sends; these, in turn, can be routed to a variety of hardware outputs. The EZbus also has 4 Return busses, which can function as additional input channels. This provides you with a total of 12 input channels, 8 of which support EQ and dynamics processing. In a typical computer-based recording environment, many of the audio sources (keyboards, sound modules, drum machines, effects devices, and the like) require little or no processing "after the fact;" that is, they don't necessarily need to have their tone, volume, or pan positions controlled at the mixer level. Rather, these functions can be performed by the device itself via internal settings or in response to MIDI commands. In that scenario, all that's required of the mixer is that it provide a means for the audio from the device to be brought into the main mix. The EZbus was designed to accommodate a large number of audio sources, not all of which would necessarily need to have their individual tone, volume, and pan positions controlled at the mixer level. On EZbus analog inputs 5, 6, 7, and 8, three input jacks (labeled A, B, and C) are provided for each input. The 3 jacks in each channel are summed (and electronically buffered), allowing you to connect up to 3 audio sources to a single input. You could, for example, bring the signals from 6 synthesizers into inputs 5A, 5B, 5C, 6A, 6B, and 6C. You could then bring the stereo returns from three outboard effects devices, for example, into inputs 7A and 8A for effect #1, 7B and 8B for effect #2, and 7C and 8C for effect #3. Altogether, that's 12 audio signals brought into the EZbus using only 4 audio channels. Through the analog inputs, you can bring 16 signals into the EZbus; 4 additional signals from the digital inputs can be routed to the Mix bus or Alt bus via the 4 "virtual" returns. In this manner, you can bring a total of 20 signals into the EZbus. At a minimum, you can bring 8 signals into the EZbus, each of which can be independently processed with EQ and dynamics. These signals can be from either analog or digital sources. Let's presume you're a solo performer doing a nightclub gig. You would likely have an assortment of sound modules, possibly a keyboard, a drum machine, some effects devices, your vocal mic, and, versatile musician that you are, an acoustic or electro-acoustic guitar. Your vocal mic would plug into analog input #1. Your guitar would go into analog mic input #2 (or instrument input #3 if it's electro-acoustic) Your drum machine could go into analog inputs #3 and #4 (presuming you want to run in stereo). Let's say you have 3 MIDI sound modules and you also want to run the

Préamplificateur haut de gamme APT HOLMAN made in USA- RARE -BONNE ÉTAT. État : "Occasion" Service de livraison : Colissimo Recommandé préamplificateur haut de gamme APT HOLMAN. Apt Holman Preamplifier (1977-1983) Nombreuses entrées, double entrée vynile ajustables. Sortie external processor etc..la liste complète des caractéristiques techniques est en Anglais. bonne état de Fonctionnement Inputs Phono 2 Phono inputs. The first has selectable resistance and capacitance, while the second is fixed at 47kΩ and 50 pF. 100 mV maximum at 1 kHz, inverse RIAA, warp-proof. The right channel of each of the two phono inputs is internally adjustable ±2 dB for Line All line inputs are 50 kΩ in parallel with 330 pF. Unselected inputs are terminated with 2.2 kΩ. Maximum input level: 10 V RMS (+20 dBV or +22 dBm). 3 line-level inputs. 2 tape monitor loops. 1 external processor loop, for a total of six line-level and two phono inputs! Gain, Polarity and Volume Control 18 dB maximum gain from line inputs. Phono preamp gain: 36.5 dB at 1 kHz: 5 mV for 2 V output, 1.25 mV for 0.5 V output. All outputs are non-inverting. Volume control rated to track left-right to within 1 dB over the entire range. I'm impressed: this is a very important parameter, and this is the only preamp I've ever seen which bothers to specify it. The multiwiper 10 kΩ volume control has 32 clicks, or 31 intervals, at 10o per click, or room for 36 clicks in 360.o The volume control uses individually trimmed thick-film resistors to ensure precise channel-to-channel tracking. Outputs Two MAIN outputs, fed in parallel. Provisions on the circuit board to allow your technician to insert a fixed resistive pad in the path of the MAIN 2 output if this optimizes the gain structure for your power amplifier. 330 Ω source impedance, 5 kΩ/3,000 pF maximum load. Two tape outputs: 100 Ω source impedance, 10 kΩ/1,000 pF maximum load. One external processor output. One 1⁄4" headphone output from a separate amplifier. Frequency Response 20 - 20,000 Hz ±0.5 dB, with ultrasonic and ultrasonic filters active. RIAA EQ ±0.5 dB 30 - 15,000 Hz. Selectable 15 Hz Infrasonic filter (rear panel switch) Within 0.5 dB at 20 Hz, -3 dB at 15 Hz and > -30 dB at 5 Hz. Group delay 4 mS at 50 Hz. If the filter isn't selected, the -3 dB point is 8 Hz. Ultrasonic Filter (automatically engaged when Tone Controls active) Within 0.5 dB at 20 kHz, -3 dB at 40 kHz, and -18 dB at 100 kHz. Group delay 7 μS. Interchannel delay: < 0.5 μS. (the limit of audibility is 10 μS.) When the tone controls are defeated, the -3 dB point is 150 kHz. High Filter (only active with Tone Controls selected) -3 dB at 8 kHz. Distortion Less than 0.01% THD at rated output (2V) and lower. Less than 0.01 % SMPTE intermodulation distortion (60/7k Hz 4s1) at rated output (2V) and lower.

TABLE EN SUPER ETAT  Caractristiques - Console de mixage professionnelle compact SoundCraft MFXI 20 - Haute performance audio - 20 voies d’entre  Fiche technique Soundcraft MFXi 20 - Fabricant:Soundcraft - Modèle:MFXi 20 - Série:MFXi - Catégorie:Consoles analogiques - Fiche créée le:19/10/2010 Frequency Response - Mic / Line Input to any Output+/-1.5dB, 20Hz – 20kHzT.H.D. - Mic Sensitivity -30dBu, +14dBu @ Mix output 96dBCrosstalk (@ 1kHz) - Aux Send Pots Offness> 86dBEQ (Mono Inputs) - HF12kHz, +/-15dBEQ (Mono Inputs) - MF (swept)150Hz – 3.5kHz, +/-15dBEQ (Mono Inputs) - LF80Hz, +/-15dBEQ (Mono Inputs) - Q1.5EQ (Stereo Inputs) - HF12kHz, +/-15dBEQ (Stereo Inputs) - MF720Hz, +/-15dBEQ (Stereo Inputs) - LF80Hz, +/-15dBPower ConsumptionLess than 40WTemperature Range5°C to +40°CInput & Output Levels - Mic Inputs+15dBu max.Input & Output Levels - Line Inputs+30dBu max.Input & Output Levels - Stereo Input+30dBu max.Input & Output Levels - Mix Output+20dBu max.Input & Output Levels - Headphones (@1500)300mWInput & Output Levels - Recommended headphones impedance32 - 200OInput & Output Impedances - Mic Inputs2kOInput & Output Impedances - Line Input10kOInput & Output Impedances - Stereo Input45kOInput & Output Impedances - Outputs150kO (balanced), 75O (unbalanced)

Magnifique préamplificateur home cinéma 7.1État neuf complet avec tous ses accessoires, télécommande, etc...Carton et double carton d’origineContact Mail merci PAYEMENT CHÈQUE OU VIREMENT   Connectique:Image* 5 - HDMI inputs and 1 HDMI output.* 3- composite video inputs (RCA)* 3 - S-video inputs (S-video mini DIN)* 3 - component video inputs (RCA)* 1 - component video output (RCA)* 4 - stereo analog audio inputs (RCA)* 1 - 7.1 analog input set (RCA)* 1 - 7.1 analog output set (RCA)* 4 - coaxial digital inputs, (RCA)* 3 - optical digital inputs (Toslink)* 1- coax digital audio output (RCA)* 1- optical digital audio output (Toslink)* 1 - Stereo or 2 channel analog multi channel mix down output for fixed level monitoring (RCA)* 1- stereo analog variable and independent Zone 2 output (RCA)* 1 - stereo analog fixed level record output (RCA)* High performance AM/FM tuner with 24 FM and 6 AM presets* 3 - assignable trigger outputs Movie/Music/Amp (3.5mm mini)* 1- IR input (3.5mm mini)* 1 - IR output (3.5mm mini)* 1. Microphone input (3.5mm stereo mini)* 1- USB data input (for software upgrades only)* Size: 17” W x 3 7/8” H x 13” D

Amplifier Av Surround Receiver 7.1 MARANTZ ZR6001 (very good condition). Très rare ampli home cinéma haut de gamme Très bon état de fonctionnement ! Très bon état esthétique ! Télécommande fournie ! 14kg de technologie ! Produit très haut de gamme ! Etage de puissance et pré-amplification Puissance de sortie: 7 x 95 W RMS Impédance nominale: 8 ohms Décodeurs intégrés Dolby Digital EX, DTS ES (Matrix et Discrete), DTS Neo:6 (Cinema et Music), DTS 96/24, DPLI, DPL II (Game Movie et Music), DPLIIx, HDCD Autres effets Surround CS 6.1 (CS II Cinema, Music Mono), stéréo multicanale, Movie, Hall, Matrix, Stadium, Virtual Conversion Numérique / Analogique (N/A) et A/N Crystal: 24 Bits 192 kHz via CS42428 Traitement numérique (DSP) et type: 32 Bits via CS49400 Réponse en fréquence numérique (96kHz PCM): 8 Hz - 100 kHz (large bande) Réponse en fréquence analogique (/- 3dB): 8 Hz - 100 kHz (large bande) Rapport signal bruit: 105 dB Distorsion Harmonique Totale: 0,08% Connectique Entrées / Sorties Audio / Vidéo Entrées audio analogiques: 7 (TV, VCR1, VCR2, CD, CD-R/MD, cassette, Aux.) Entrées audio numériques: 4 (2 optiques 2 coaxiales) Entrées audio vidéo: 4 (toutes doublées S-Vidéo) Entrées composantes: 2 x YUV Entrées en façade: 1 x A/V doublée S-Vidéo Entrées analogiques: 1 x 7.1 canaux Entrée D-Bus multiroom, multi RC (flasher) Sorties audio analogiques: 4 (VCR1/ VCR2 CD-R/MD, cassette) 1 sortie auxiliaire PLC Sorties audio numériques: 2 (1 optique 1 coaxiale) Sorties audio vidéo: 2 (toutes doublées S-vidéo) Sorties Moniteur: 3 (1 x CVBS 1 x S-vidéo 1 x Y, Cb/Pb, Cr/Pr) Sorties Pré-out 7.1 Sorties D-Bus multi. alimentation commutée, multroom radio commandé Sorties Ir emitters x4 Bornes HP / possibilité fiches banane: 7 paires à vis section standard RS232C bi-directionnelle, mémoire ligne interne Fonctions de confort Télécommande RC 5500 SR (préprogrammée) Tuner RDS AM / FM (PS, PTY, RT): 50 Présélections Menu d'installation: OSD avec réglage retard enceintes UpConversion vidéo CVBS composite vers S-Vidéo et YUV composantes Composants audiophiles haute qualité Fonction Lip Sync Réglage de la synchronisation du retard acoustique avec circuits vidéo internes (200 msec/ch.) Fréquence de coupure basse réglable: 40 Hz, 60, 80, 100, 120 Hz Technologie CPL (Control Power Line) Dimensions (L x H x P): 440 x 162 x 463 mm - Poids 14 kg. Very rare high-end home cinema amplifier Very good working condition! Very good aesthetic condition! Remote control included! 14kg of technology! Power stage and pre-amplification Output power: 7 x 95 W RMS Nominal Impedance: 8 ohms Integrated decoders Dolby Digital EX, DTS ES (Matrix and Discrete), DTS Neo: 6 (Cinema and Music), DTS 96/24, DPLI, DPL II (Game Movie and Music), DPLIIx, HDCD Other surround effects CS 6.1 (CS II Cinema, Music Mono), multichannel stereo, Movie, Hall, Matrix, Stadium, Virtual Digital / Analogue (D / A) and A / D Crystal Conversion: 24 Bits 192 kHz via CS42428 Digital processing (DSP) and type: 32 Bits via CS49400 Digital frequency response (96kHz PCM): 8Hz - 100kHz (wideband) Analog frequency response (/ - 3dB): 8 Hz - 100 kHz (wideband) Signal-to-noise ratio: 105 dB Total Harmonic Distortion: 0.08% Connectivity Audio / Video Inputs / Outputs Analog audio inputs: 7 (TV, VCR1, VCR2, CD, CD-R / MD, cassette, Aux.) Digital audio inputs: 4 (2 optical 2 coaxial) Audio video inputs: 4 (all dubbed S-Video) Component inputs: 2 x YUV Front inputs: 1 x A / V doubled S-Video Analog inputs: 1 x 7.1 channels Multiroom D-Bus input, multi RC (flasher) Analog audio outputs: 4 (VCR1 / VCR2 CD-R / MD, cassette) 1 PLC auxiliary output Digital audio outputs: 2 (1 optical 1 coaxial) Audio video outputs: 2 (all S-video dubbed) Monitor outputs: 3 (1 x CVBS 1 x S-video 1 x Y, Cb / Pb, Cr / Pr) Pre-out 7.1 Multi D-Bus outputs. switched power, radio controlled multroom Ir emitters outputs x4 Loudspeaker terminals / possibility of banana plugs: 7 pairs of screws, standard section Bi-directional RS232C, internal line memory Comfort functions RC 5500 SR remote control (pre-programmed) RDS AM / FM tuner (PS, PTY, RT): 50 Presets Setup menu: OSD with speaker delay adjustment UpConversion of composite CVBS video to S-Video and component YUV High quality audiophile components Lip Sync function Adjustment of the synchronization of the acoustic delay with internal video circuits (200 msec / ch.) Adjustable low cutoff frequency: 40 Hz, 60, 80, 100, 120 Hz Powerline technology (Control Power Line) Dimensions (W x H x D): 440 x 162 x 463 mm - Weight 14 kg

The Cara preamplifier is prefect for audiophiles looking for a quiet, fast pre-amplifier with multiple inputs and 4 channel outputs. This allows a biamped system or a speaker/sub combination to be control by the Cara Pre-amplifier. With a balance input and balanced output line drivers, the noise rejection on the inputs and outputs are very high and perfect for low noise systems. Built in a steel chassis for EMI/RFI protection, the Cara pre-amplifier will bring music details out, to deliver a greater musical experience. Pre-amplification is sometimes necessary when there is more than one source and when more than 1 output is necessary. Analog volume controls are much nicer than digital attenuation, with analog giving more details and longer decay. High attenuation capability allows the handling of high output devices like DAC and low output devices phono pre-amplifiers with moving coil cartridge. A low noise floor helps provide great music insight and better presentation. The Cara Pre-amplifier has dual outputs with independent relative volume setting, 4 inputs to select from, an analog volume control that goes from -99db to +15db in 0.5 db steps with a 10V operating headroom with a very low noise floor. This makes Cara an exceptional pre-amplifier with wide operational capability. Play your music with any source component and still get the best out of your whole stereo system. Features of the Cara preamplifier: - 2 pairs of outputs (4 channels) - Each output channel can be set to independent relative volume levels - Remote Control with mute, on/off for remote trigger (12V, 20mA), - Cardas XLR inputs, gold-plated chassis with rhodium plate metal body, teflon insulation and silver pins - External power supply with double fused inlet - Large LED display with -99 to +15db control in 0.5 db steps - Optional Isoacoustics GAIA III footers - Optional Synergistic fuses (2 required) Specifications of the Cara preamplifier - Input Voltage: +/- 10V - Output Voltage: +/- 12V - Frequency Response: 8Hz to 200kHz 0.1dB - S/N: 110dB - THD: 0.002% - Inputs: 4 inputs with individual gain presets - Outputs: 2 outputs with individual level presets - Volume range: -99db to + 15dB (0 to +115) - Input Preset Range: +/- 12dB - Output Preset Range: 0 to 115dB - Preset Max volume level: 0 to 115dB - Preset Min Volume level: 0 to 115 dB - Display Brightness settings: 1 to 9, and off - Display delay dim time range: 5 sec to 25 sec - Permanently saved settings - External Power Supply with 110V/240V - Remote Control - Display Size: 1.25" high x 6" wide, blue LED dot matrix - Remote Trigger: 12V

ROTEL RA-1592. État: Occasion en parfaite condition, aucunes trace d’usure, le rodage vient tout juste d être terminer avec 100h d écoutes. Vendu avec la télécommande et sans la boîte d origine. The RA-1592 Integrated Amplifier leverages the strengths of our award winning RC-1590 preamplifier and RB-1582 MkII power amplifier in a sleek single chassis design. DIMENSIONS (W × H × D) 431 × 144 × 425mm 17" × 5.7" × 16" FRONT PANEL HEIGHT 3U / 132.6mm (5.25") POWER REQUIREMENTS 230V, 50Hz POWER CONSUMPTION 500W STANDBY POWER CONSUMPTION NET WEIGHT 16.8kg (37lbs.) BTU RATING 1239 BTU/h CONTINUOUS POWER OUTPUT 200W/Ch (All channels driven, 8Ω) TOTAL HARMONIC DISTORTION (THD) (20Hz–20kHz) FREQUENCY RESPONSE Line Level Inputs: 10Hz - 100kHz ±0.5dB Digital Inputs: 10Hz - 90kHz ±2dB Phono Input: 20Hz - 20kHz ±0.5dB S/N RATIO (IHF "A" Weighted) Line Level Inputs: 103dB Digital Inputs: 102dB Phono Input: 80dB There has never been a better time to be a music lover. Today’s source options provide limitless audiophile quality music. CD-or-better quality streaming, high resolution download sites, inexpensive mass storage devices, the still resilient CD and the resurgence of classic vinyl are all providing a wealth of content at impressively high fidelity. To hear all this music as the artist intended requires an extraordinarily flexible, sonically capable component. The RA-1592 Integrated Amplifier is exactly that component. It leverages the strengths of our award winning RC-1590 preamplifier and RB-1582 MkII power amplifier in a sleek single chassis design. With a powerful 200 watt per channel Class AB amplifier using performance audio grade components, the RA-1592 can effortlessly drive large speaker systems. The impressive Rotel manufactured toroidal transformer is a key element in the power supply design which also includes custom slit-foil storage capacitors and a dual-monoblock topology. All of this helps to ensure the amplifier performance stands up to even the most complex music and real world playback conditions. To complement the amplifier section, the RA-1592’s preamplifier incorporates the superb 32-bit/768kHz AKM digital-to-analogue converter (DAC) and analogue stages of the highest quality. The DAC and surrounding circuitry supports a vast array of source inputs including DSD capable PC-USB (24-bit/192kHz), 3 coaxial, 3 optical, integrated aptX® Bluetooth and front mounted USB iPod input. In recognition of the faithful analogue music lovers, there is a phono stage input (MM), XLR balanced input and 3 analogue RCA source inputs. User selectable A-B speaker outputs with 5-way binding posts, RCA pre-output and dual subwoofer outputs provide the ultimate flexibility in installation. The amplifier protection circuits monitor DC offset, overcurrent, short circuit and temperature to protect both the electronics and attached speakers. Custom integration features include RS232 and Ethernet IP control, 2 trigger outputs, remote IR input and automated digital signal sense power control for easy integration with streaming sources and control systems. The RA-1592 is the finest integrated amplifier yet in Rotel’s 55 year history of producing performance audio components.

The Pioneer DJM-250 2-Channel DJ Mixer offers professional level functionality in an entry level mixer. Designed for the aspiring DJ, the DJM-250 offers versatile and plentiful connectivity in a compact form factor. The mixer features two dedicated CD player inputs as well as two switchable phono/line inputs. Three Aux inputs, consisting of two stereo pairs of RCA phono inputs and a 1/8" stereo input, allow alternate sources to be added into the mix. Each channel features a channel fader, 3-band isolator EQ, and Pioneer's Sound Color control which contours frequencies for realtime creative manipulation during sets. The DJM-250 crossfader curve is adjustable. The output section features balanced XLR and unbalanced RCA connectors for integration with any sound system. Sound Color Filter The Sound Color Filter adds performance-oriented high and low pass filtering in one knob. When turned to the left, the Sound Color Filter incrementally sweeps out the high frequencies. When turned to the right, it incrementally sweeps out the lows. The filter is independently controlled on each channel, allowing effected tracks to be combined. Indicator lights blink and display different colors depending on which way the Sound Color Filter is engaged, so you'll never forget it's on. Flexible and Plentiful Connectivity The DJM-250 includes four DJ multi-player and analog turntable inputs, three auxiliary inputs, and one microphone input. The mixer can be used to connect a variety of devices such as PCs, iPods, televisions, or synthesizers. The DJM-250 has XLR balanced outputs and unbalanced RCA phono outputs, offering easy connection to most amplification systems. Additional Functionality - Compatible with 48 kHz/24-bit full digital processing - 3-band isolator EQ per channel, -inf. to +9dB per band - Fader Start Play function connects Pioneer DJ players - Peak level meter displays audio input level for each channel - Three easily switchable crossfader curves

La mixette portable AETA MIXY a été achetée d'occasion en 2015 directement chez AETA. Depuis son acquisition, elle n’a jamais été utilisée à l’extérieur. À noter: la batterie est à remplacer. Le coût de la batterie neuve, confirmé avec AETA, est de 162 € port compris, (offre à l’appui). Il est également possible de l’utiliser avec une batterie externe via un adaptateur pour batterie NP1. -------------------------- The AETA MIXY portable mixer was purchased second-hand in 2015 directly from AETA. Since its purchase, it has never been used outdoors. Please note: the battery must be replaced. The cost of the new battery, confirmed with AETA, is €162 including delivery, (supporting offer). It is also possible to use it with an external battery via an NP1 battery adapter. ------------------ AETA MIXY - Mixette portable stéréo Caractéristiques principales Traitement - Programmation via menu: - Gain: de 0 à 50 dB - Atténuation: -40 dB - Coupe-bas: - 50/120 Hz, -18 dB/octave - 300 Hz, -6 dB/octave - Inverseur de phase, pan-pot ± 5 dB - Indicateur de crête sur les entrées - Couplage des voies 1 b'&' 2 possible - Limiteurs post-fader - Micro d’annonce intégré - Vu-mètre / Peak-mètre LCD Entrées - Entrées Micro/Ligne: 3 entrées XLR3F (48 V.PH / 12 V.PH / 12 V.T) ou MiniCom 12 pts (pour les voies 2 et 3) - Entrées Ligne Symétriques: 2 entrées b'"'Tape Returnb'"' (XLR5F), niveau ajustable - Entrée Numérique: 1 entrée AES/SPDIF, 44.1 ou 48 kHz, 16 bits (RCA) Sorties - Sorties Ligne Symétriques: 2 sorties ligne/micro (XLR5M): - Ligne: +4 dBu, -10 dBV - Micro: -46 dBu - Sorties Ligne Asymétriques: 2 sorties ligne/micro (mini jack stéréo 3.5 mm): - Ligne: -2 dBu - Micro: -52 dBm - 3 sorties Direct Out pré-fader (Hirose HR10 F 6 pts) - 2 sorties ligne symétriques (MiniCom 12 pts) - Sortie Numérique: 1 sortie paire AES/SPDIF (HR10 M 6 pts), 44.1 ou 48 kHz, 16 bits - Sortie Casque: Mini jack stéréo 3.5 mm Synchro b'&' Code Temporel Non spécifié Alimentation et Mensurations - Alimentation: Batterie interne, autonomie environ 8 heures; alimentation externe de 8 à 18 V DC (connecteur HR10 F 4 pts) - Consommation: b' - Dimensions: 17,1 cm x 13,1 cm x 4,9 cm - Poids: 1,23 kg ---------- AETA MIXY - Portable Stereo Mixer Main Features Processing - Menu-based programming: - Gain: 0 to 50 dB - Attenuation: -40 dB - Low-cut filter: - 50/120 Hz, -18 dB/octave - 300 Hz, -6 dB/octave - Phase inverter, pan-pot ± 5 dB - Peak indicator on inputs - Channels 1 b'&' 2 can be linked - Post-fader limiters - Built-in announcement microphone - LCD VU meter / Peak meter Inputs - Mic/Line Inputs: 3 XLR3F inputs (48V.PH / 12V.PH / 12V.T) or MiniCom 12-pin (for channels 2 and 3) - Balanced Line Inputs: 2 b'"'Tape Returnb'"' inputs (XLR5F), adjustable level - Digital Input: 1 AES/SPDIF input, 44.1 or 48 kHz, 16-bit (RCA) Outputs - Balanced Line Outputs: 2 line/micro outputs (XLR5M): - Line: +4 dBu, -10 dBV - Mic: -46 dBu - Unbalanced Line Outputs: 2 line/micro outputs (3.5 mm stereo mini-jack): - Line: -2 dBu - Mic: -52 dBm - 3 pre-fader Direct Out outputs (Hirose HR10 F 6-pin) - 2 balanced line outputs (MiniCom 12-pin) - Digital Output: 1 AES/SPDIF pair output (HR10 M 6-pin), 44.1 or 48 kHz, 16-bit - Headphone Output: 3.5 mm stereo mini-jack Sync b'&' Time Code Not specified Power b'&' Dimensions - Power: Internal battery, approx. 8 hours of autonomy; external power supply from 8 to 18 V DC (HR10 F 4-pin connector) - Consumption: b' - Dimensions: 17.1 cm x 13.1 cm x 4.9 cm - Weight: 1.23 kg En savoir plus Collaboration commerciale.

The TASCAM CD-RW901SL Professional CD Recorder has the connectivity and professional features needed by studio and installation professionals: AES / EBU inputs / outputs RS-232 control port automatic increment, at fixed intervals identification markers recorded on the CD The CD-RW901SL takes all the features of the TASCAM CD-RW900SL, adding analog XLR I / O, wired remote control, and other features demanded by professionals. The XLR (balanced) and RCA (unbalanced) outputs have dedicated input and output level settings, allowing instant changes. The digital inputs are in AES / EBU and S / PDIF format, and feature an automatic sample rate converter, ensuring compatibility with any signal. The CD-RW901SL even plays MP3 files, with their associated information (ID 3 tags). The Time Track Increment feature automatically increments the track number (Track ID) after a certain number of minutes (between 1 and 10), which is ideal for concert or conference recordings. The Key Original function changes the playback speed without changing the pitch. The PS / 2 keyboard input makes it easy to enter track titles (CD Text function), plus access to frequently used menus and transport functions with just one press of a button. Using Tascam CD recorders is easy - they're a smart choice for installers and demanding customers alike. Main features: Records on “pro” or “music” CD-R or CD-RW media (general public) NEW! Select reading speed, to improve readability of poor quality or damaged media 24-bit A / D and D / A converters Balanced analog inputs / outputs on XLR Unbalanced analog inputs / outputs on RCA S / PDIF digital inputs / outputs, coaxial and optical types Input automatic sampling frequency converter (in 44.1 kHz), deactivatable Independent left / right input level adjustment Digital volume control Synchronized recording function Function of automatic incrementation of the track number (ID Track) according to the level Time Track Increment function - increments the track number every 1-10 minutes Entering index marks NEW! Skip mode selection: skip by track, by index or by 1 minute periods Digital fade in / out adjustable from 1 to 30 s, in steps of 1 s (fade in / out) Rec Mute function (digital silence recording) Erase / unfinalize CD-RWs Continuous, single, random or programmed track play (up to 99 tracks) Play all tracks, a single track or part of a track (A-B) Auto Cue, Auto Ready, Call and Incremental Play functions Playing MP3 Files Burned to CD Play MP3 files in their directories Viewing information about MP3 files (ID3 tags) Reading speed adjustment (± 16%, in steps of 0.1 to 1%) Key potentiometer (± 6 semitones) Original Key function (change the tempo without changing the key) CD Text compatible PS / 2 keyboard port, for CD Text data entry and transport control RS-232C serial control port (9-pin Sub D connector) Parallel port Power-on Play Mode: Automatically plays CD when power is turned on, convenient for installation applications NEW! Relay recording with two CD-RW901SL Supplied with wired remote control Rackable 2 U

OVERVIEW: The Alesis iO|26 uses state of the art FireWire technology to deliver professional-level features such as Alesis High Definition Microphone Preamps, Cirrus audiophile converters and jitter elimination technology, with high-quality 24-bit/192k audio input. The iO|26 is designed for easy use with PC or Mac, and has 2 headphone outputs, line-level inserts on the mic preamps, 48V phantom power, 5-segment signal/clip meters, and full MIDI and S/PDIF I/O in a convenient, portable tabletop design. The iO|26 gives you forward-thinking expansion potential, with ADAT lightpipe inputs for additional connectivity, no matter what your recording sessions may demand. Flexible, routable Hardware Direct Monitoring allows you to send a customized, latency-free mix to each output pair. An AC adapter is also included, for those using a FireWire interface that doesn't supply power. Whether you find yourself on the road or in your own studio, the iO|26 gives you the Alesis performance that professionals have depended on for decades.   FEATURES: - 24Bit/192kHz Recording for high-quality, pristine recordings - Superior Clock stability with DICE II JET Jitter Elimination Technology - Audiophile Cirrus converters to provide maximum dynamic range on inputs and outputs - Flexible, routable Hardware Direct Monitoring - Cubase LE software included (Windows and Mac compatible) - Bus or adapter powered - Mac OS X (10.4.11 - 10.8), Windows 7, Vista, and XP compatible - 8 Alesis High Definition Mic/Line Preamplifiers built in (2 switchable high-impedance inputs for direct guitar and bass recording) - Switchable Phantom Power for each channel pair - Inserts on every analog channel - 16 channels of ADAT input - 16 Channels of MIDI I/O - Stereo S/PDIF digital input - Stereo turntable input - 8 line-level outputs - 2 discrete stereo headphone outputs - Stereo S/PDIF digital output   SPECS: - Analog I/O (number and type): 8 combo XLR-1/4" and phono inputs/8 line out/2 headphone out - Digital I/O (number and type): 16 ADAT optical in, S/PDIF I/O - Platform Version (Win, Mac, Linux, etc.): Win, Mac - Bus Type: FireWire - Plug In Formats Supported (RTAS, MAS, VST, etc.): N/A - Sampling Rate (kHz): Up to 192 kHz - A/D/A Converter Bit Rate: 24-bit - Digital Recorder Resolutions (bits): N/A - Sync Types (ADAT, word clock, SMPTE, MTC, etc.): ADAT, S/PDIF - MIDI Control (yes/no): No - Number of Tracks/Virtual Tracks (ex. 32/64): 26 total inputs - Number of Locate Points: N/A - Effects/Dynamic Processing (ex. Y/N): N/N

MIXER SPIRIT FOLIO NOTPAD 10 VOIES (sans aliméntation) no power supply  Features: non testé * 10 inputs * 4 mic inputs * 2 stereo inputs * High-quality mic pre-amp inputs * 2-band EQ on all 4 mono channels * Post-fade aux send on every input * Stereo effect return * Switchable +48V phantom power * Stereo inputs with switchable RIAA pre-amps for turntables * 2-track tape return * Separate mix and monitor outputs * Peak and VU metering * Headphone output * Compact, lightweight design * Custom designed rotary controls for consistent, accurate response VENDU TEL QUE SANS SUITE NI REPRRISE

Arturia Audiofuse Studio (neuf) USB 2.0 Audio Interface - 24-Bit / 192 kHz - 18 Inputs and 20 outputs - 4 Mic / line inputs: XLR / TRS combo socket - 4 Line inputs: 6.3 mm TRS - Phono input: Cinch - Inputs: 1 - 4 switchable for instruments - Inserts for inputs: 1 - 4: 6.3 mm TRS - 4 Line outputs: 6.3 mm TRS - 2 Aux outputs: 6.3 mm TRS for line signals and reamping - S/PDIF coaxial input and output: Cinch - Switchable to word clock - 2 Headphone outputs: 6.3 mm TRS and 3.5 mm TRS - 2 ADAT In / Out for maximum 8 channels @ 96 kHz Sampling Rate - Integrated Bluetooth audio receiver - Compatible with AAC and aptX - Integrated monitor controller with dim / mute / mono function - Monitor and source selection - Integrated 3-fold USB hub for external devices - USB-C socket - Supports USB 2.0 - Compatible with Windows and Mac OS X - Solid metal housing - Dimensions: 265 x 160 x 72 mm - Includes AudioFuse Creative Suite

Product highlights: Power and processing: - 7-channel amplifier - 80 watts per channel into 8 ohms (20-20,000 Hz) at 0.08% THD, with 2 channels driven - Dolby® and DTS® surround sound decoding - analog-to-HDMI video upconversion (up to 480p) - auto speaker calibration for precise surround sound tailored to your room and setup (microphone included) Multi-room Audio - dual-room/dual-source output - b'"'surround backb'"' channels can be reassigned as powered Zone 2 outputs (allows 5.1 home theater in main room) - line-level Zone 2 stereo outputs for use with a separate amplifier or powered speakers - optical/coaxial digital and HDMI audio sources cannot be output to Zone 2 Audio Performance Features: - bi-amp compatible front speakers by reassigning b'"'surround backb'"' channels - streamlined design eliminates unnecessary features to prevent interference and degradation of sound quality - 7.1-channel preamp outputs for connection to a separate power amplifier Connections: - HDMI 1.4 audio/video switching: 4 in, 1 out - 1 set of component video inputs - composite video switching: 3 in (includes 1 front-panel input), 1 out - 2 S-video inputs (includes 1 front-panel input) - digital audio inputs: 3 optical (includes 1 front-panel input), 2 coaxial - 4 analog stereo audio inputs (includes 1 pair of front-panel inputs) - front-panel minijack input for connecting a portable music player or included setup microphone - rear-panel input for optional iPod dock (not included) - 7.1-channel preamp outputs includes output for a powered subwoofer - outputs for 7 speakers (Front L/R, Center, Surround L/R, Surround Back L/R) - no phono input — to connect a turntable you'll need to add a phono preamp - full-sized (1/4-inch) headphone jack - RS-232C port for automated control systems - remote control (IR) input - detachable power cord General Features: - 5 A/V presets for customizing sources, speakers, and settings for easy one-touch recall - HDMI standby pass-through - 3D pass-through - on-screen display for easier system setup and operation - AM/FM tuner with 60 presets and RDS for displaying station info En savoir plus Collaboration commerciale.

BLU-800 de chez BSS qui servait à filtrer mes JBL M2 avec: 1 carte in (4 entrées mono ou 2 stéréo) et 1 carte out (4 sorties, idem). Il est configuré de base pour le filtrage des M2 (filtrage spécifique JBL, les M2 sont des enceintes 2 voies) mais entièrement reprogrammable avec les logiciels gratuits "London Architect" ou "Audio Architect" (plus récent). spec BLU-800: http..s://bssaudio.com/en/products/blu-800 Les possibilités de ce processeur numérique sont infinies: mixage, matriçage, compresseur, expanseur, fader, délai, équalisation, etc. et bien sur, filtrage avec toutes sortes de filtres: Fir, Bessel, Butterworth, Linkwitz Riley…jusqu'à 48dB/oct. Quelques petites rayures mais très bon état. Je réponds à toutes les questions. Shipping to many countries, ask for actual cost The Soundweb London BLU-800 offers configurable I/O, configurable signal processing, "CobraNet" audio and a high bandwidth, fault tolerant digital audio bus. The BLU-800 has open architecture which is fully configurable through HiQnet "London Architect" or "Audio Architect". A rich palette of processing and logic objects and a "drag and drop" method of configuration provide a simple and familiar design environment. • Four Input / Output Card Slots • Configurable Inputs / Outputs • Analog Inputs (with Phantom Power per Channel) • Analog Outputs • Digital Inputs (AES/EBU and S/PDIF) • Digital Outputs (AES/EBU and S/PDIF) • Configurable Signal Processing • Rich Palette of Processing and Logic Objects • CobraNet Audio • 256 Channel, Low Latency, Fault Tolerant Digital Audio Bus • Clear Front Panel LED Indication • Informative Front Panel Display • Bi-Directional Locate Functionality • 12 Control Inputs and 6 Logic Outputs for GPIO Integration • Soundweb London Interface Kit for Third Party Control System Integration (Documentation) • HiQnet Device • Configuration, Control and Monitoring from HiQnet London Architect

Nice Pioneer A-109 Stereo amplifier Direct Energy MOS Phono, Tuner, cd, line/aux Inputs and tape inputs/outputs Bel état, tout fonctionne comme il faut. Quelques légères marques et traces d'usages sur le capot, voir photos Pas de prix de réserve, regardez mes autres annonces;) Envoi 35 € en Europe seulement Demandez moi pour d'autres contrées Bonne chance ! ^^^^^^^ ^^^^^^^ ^^^^^^^ Nice Pioneer A-109 Stereo amplifier Direct Energy MOS Phono, Tuner, cd, line/aux Inputs and tape inputs/outputs Nice condition, everything's working as it should. Some light marks and traces of use on the cover, see photos. No reserve price, look at my other ads;) Shipping 35 € in Europe only; Ask me for other countries Good luck!

TRANFORMER INCLUDED 16 high-quality 24-bit / 96 kHz AD/DA converters. Supported sample rates: 32, 44.1, 48, 88.2 and 96 kHz. 16 analog inputs and 16 analog outputs. Provided as fully-symmetrical balanced phone jacks. Switchable between -10 dBv and +4 dBu. Two independent ADAT interfaces Dual 8-channel I/Os, 24-bit, fully compatible with all devices which feature this digital interface. S-Mux permits ADAT transfers of 96 kHz audio.Although the ADAT standard does not include sample rates above 48 kHz, the A16 Ultra can transfer audio at 96 kHz using S-Mux mode, in which pairs of ADAT channels are coupled, giving you a total of eight S-Mux channels. Two independent Z-Link interfaces. This CreamWare-proprietary interface format, based upon FireWire technology, offers greater transfer bandwidth than ADAT. With Z-Link, simultaneous transfer of all 16 channels at 24 bits / 96 kHz is possible. Ideal for use with all CreamWare systems that are equipped with Z-Link. BNC Wordclock I/O for synchronization of your complete digital setup. Functions both as master and as slave. VU meters for precise level setting The 16 5-segment level indicators permit convenient, precise setting of signal levels and allow you to keep everything under visual control at all times. Memory function.The A16 Ultra remembers all of its settings when you power it down, so that you can pick up where you left off in your next session. Ultra-compact construction.The A16 Ultra packs concentrated technology into a single-height 19" rack. Expansion options Various expansion options are planned to boost the performance of the converter further. For example: add-in boards which permit the use of S-Mux on all 16 ADAT channels or which render the A16 Ultra a TDIF-1 compatible converter. A USB2 expansion, also in the works, will permit the A16 Ultra to be used as a standalone I/O interface with any computer system equipped with USB2, and will also allow it to be remote-controlled via software, making operation as an analog/digital patchbay. Technical specifications Sample rates: 96 kHz, 88,2 kHz, 48 kHz, 44,1 kHz and 32 kHz (Master) 30 kHz - 100 kHz (Wordclock - Slave) 38 kHz - 50 kHz (ADAT - Slave) Channels:16 inputs and 16 outputs Analog inputs: Balanced phone jacks (6.3 mm) Input sensitivity + 4 dBu (nominal) Maximum input level +20 dBu (0 dBFS) Input impedance 20 kOhm Analog outputs: Balanced phone jacks (6.3 mm) Output level + 4 dBu (nominal) Maximum output level + 20 dBu (0 dBFS) Output impedance 600 Ohm Converter performance Digital - Analog: 24 Bit / 128 x oversampling / 96 kHz Frequency response Dynamic range 110 dBA THD+N 100 dBA typ. Channel separation 105 dB @ 997 Hz typ. Analog - Digital: 24 Bit / 96 kHz Frequency response Dynamic range 100 dBA THD+N 95 dBA typ. Channel separation 102 dB @ 997 Hz typ Digital inputs and outputs ADAT: EIAJ connectors 8 channels, 24 bits, 2 in, 2 out Z-Link: 2 standard 1394 connectors, 8 channels, 24 bits, 96 kHz capable Synchronization Word Clock In: 75 Ohm, BNC Word Clock Out: 75 Ohm, BNC General specifications Supply voltage: 12V AC Power consumption: 25W Dimensions: 44,3*483,0*189,5 mm (1U) Weight: 3 kg

Solid State Logic-A + (Total Recall) 32 Fader, 8 Group Master Fader 96 Channel / 8 Aux / 32 Mix Busses 96 Predub Channels / 2 Aux / 24 Predub Mix Busses Inputs: 144 Digital Inputs AES / EBU 56 Analog Inputs 12 Mic Pre Inputs Outputs: 144 Digital Outputs AES / EBU 56 Analog Outputs The console is in exceptional condition for its age, all the wiring is supplied with it, I give it away with the faders of the processing boards and the wiring in addition. the lot includes: The console is in good condition and does not require servicing. * 1 SSL Avant + Flying Faders console, total recall * 1RIO Grande Local Processor * 2 RIO Digital Aes / Ebu * 1 RIO Analog * 1 SSL Preamps X12 * 1 relay box Considering the weight of the console about 650kg and the RIO 150kg it is better to come with a 20m3 utility with hatchback it is essential !!! The cause of the sale is the redesign of the studio, towards a change of configuration. More pictures on request.The RTW phase meter is already sold. price of the New era more than € 200,000 The console is still visible currently in operation but will soon be moved, no longer offering the possibility of seeing it working "in production".

- Attention: la source d'alimentation ne fonctionne qu'avec 120V. Behringer Xenyx QX1202USB Features: - Compact, low-noise, high-headroom analog mixer - Four Xenyx mic preamps comparable to stand-alone preamps - 48V phantom power for use with condenser microphones - Compressors feature super-easy "one-knob" functionality and control - Built-in stereo USB/Audio Interface to connect directly to your computer - Neo-classic "British" 3-band EQs for warm and musical sound - Per-channel FX send for internal FX processor and/or external send - 24-bit Klark Teknik FX processor with 100 presets, including: - Reverb, chorus, flanger, delay, pitch shifter and various multi-effects - FX to control room/main gives you flexible effects monitoring options - Main mix outputs plus separate control room, phones and 2-Track outputs - 2-track/USB inputs assignable to main mix or control room/phones output - Free software, downloadable at behringer.com: - Audio recording, editing, and podcasting software - 150 instrument/effect plug-ins - High-quality components and rugged construction ensure long life Tech Specs - Type: Analog - Channels: 12 - Computer Connectivity: USB (2 x 2) - Faders: 1 x 60mm Throw - Inputs - Mic Preamps: 4 x XLR - Phantom Power: 4 - Inputs - Line: 12 x TRS - Inputs - Other: 2 x RCA - Outputs - Main: 4 x TRS - Outputs - Other: 2 x RCA - Aux Sends: 1 x Post - Send/Return I/O: 1 x TRS (Send), 1 x TRS (Return) - Busses/Groups: 2 Bus - Headphones: 1 x 1/4" - USB: 1 x Type B - EQ Bands: 3-band - Effects: Yes - Height: 2" - Width: 9.8" - Depth: 9.8" - Weight: 3.3 lbs. - Manufacturer Part Number: 000-ALR02-00010

8 legendary Class A mic preamps in the same class as the Focusrite ISA and RED ranges. They don't make them like this anymore... This unit is in very good condition - see pictures: front face is pristine with no scratches, only a few usage scratches around the rack ears from installation (marks will be hidden again after mounted onto a rack). It never left the studio. The Octopre provides eight pristine discrete channels of Focusrite Class A mic preamp and compression, OctoPre PLATINUM routes directly to any digital audio workstation via eight standard analogue outputs. Each channel features a revolutionary compressor/limiter circuit, providing a warm-sounding compressor, which morphs into a brick wall limiter to avoid those critical overs, ensuring total control over all eight channels. The mic preamps featured in OctoPre PLATINUM are similar to those featured in the award winning Focusrite Top-Of-The-Range. They are a transistor-based Class A design utilising the same full-bandwidth philosophy as the legendary RED and ISA mic preamps, ensuring detail and clarity without colouration. The first two 'super channels' also feature phase reverse, as well as TRS jack inputs on the front fascia for quick and easy, DI-free instrument plug-in. Eight line level balanced (+4 dBu) analogue inputs and outputs are provided as standard via 25-pin D-type connectors. These D-type connectors may be routed to 8 XLR/TRS by means of an (optional) 8-way 25-pin D-type to 8 XLR/TRS breakout cable, available separately. In addition to the analogue outputs, the OctoPre can be fitted with digital output (OPTIONAL CARD). Detailed description from the focusrite website: The OctoPre is an eight channel Class A microphone preamplifier, featuring a classic Focusrite mic pre and a revolutionary compressor/limiter circuit on each channel. The mic pres featured in the OctoPre are similar to those featured elsewhere in the award winning Focusrite Platinum range. They are a transistor-based Class A design utilising the same full bandwidth philosophy as the legendary Focusrite Red and ISA mic pres, ensuring detail and organic clarity without obvious colouration. The revolutionary compressor/limiter circuit provides each channel with warmsounding compression, which morphs into brick wall limiting to avoid critical ‘overs’ when recording digitally. The first two channels also feature phase reverse, as well as unbalanced 1/4” jack inputs on the front fascia for quick and easy, DI-free plug-in of guitars and basses. With Class A Focusrite analogue signal processing and comprehensive A/D interface options, OctoPre is the perfect partner for a Pro Tools™ system or any other digital audio workstation, making high quality, multi-channel recording easy. Equally, it could be utilised as part of a compact multi-channel location recording solution (with a laptop or ADAT™, for example), or as an additional set of professional-quality mic pres for any analogue or digital console or hard disk recorder. The original OctoPre is a typical Class A Platinum design, (based around a 737 Rhom transistor) and it is solid state, it has extended bandwidth (up to at least 180kHz at the top end) and sounds transparent. The original OctoPre has an edge in being more forgiving if you want to slam the pre's hard (but more 2nd order harmonic distortion as a result). -The Octopre has a dynamics (compressor/limiter) control on each channel -The Octopre has 48V phantom power switches on each channel -The Octopre has line in and out connections on 25 pin D-sub connectors and 8 XLR inputs for mics Performance specifications: THD:0.001% @ 20dBu input, mic and line at 0dB gain Noise:-96 dB at unity gain through the unit Mic EIN:-128 dBu @ 6dB of gain with 150Ω termination impedance Frequency response:-1 dB at 10 Hz to 200 kHz Carefully packed with powercord. Shipping France: 27,80 € Shipping Europe: 36,30 €

Mint Condition 6 x 22 Thunderbolt 3 Audio Interface - Compatible with Thunderbolt 2 with optional Thunderbolt 2 to 3 adapter (not included) - Support of surround formats up to 7.1, with speaker calibration and downmix - Dual crystal clocking for low-jitter environment and clean, artifact-free recordings and stable stereo imaging - 6-Core SHARC DSP for internal UAD real-time processing - 2 Unison microphone preamplifiers - 2 Microphone inputs: XLR - 2 Hi-Z inputs: 6.3 mm jack - 6 Line inputs: 6.3 mm jack - 2 Monitor outputs: 6.3 mm jack - 6 Line outputs: 6.3 mm jack - S/PDIF coaxial input and output - 2 ADAT inputs and outputs - BNC Word clock input and output - 2 Stereo headphone ports: 6.3 mm jack - 2 Thunderbolt 3 ports - +48 V Phantom power - Pad - Low-cut - Phase reverse - Switch for monitor switchover - Function key can be assigned to Dim or Mono - LED Meter - Integrated talkback microphone - Support of surround formats up to 7.1, with speaker calibration and downmix - Dual crystal clocking for low-jitter environment and clean, artifact-free recordings and stable stereo imaging - For Mac/Windows - Up to 4 Apollos with Thunderbolt cascading connection - Design: 19" / 1U

TEKTRONIX VITS 201 INSERTION GENERATOR PAL ******************************** DESCRIPTION NON CONTRACTUEL: Analog Generator VITS201 Features & Benefits - Digital Composite Signal Generation - CCIR, EBU, UK National ITS - Operates in the Presence of Sound in Syncs - Four External ITS Inputs - Source Identification - Program Line Sync and Burst Regeneration - Loss of Program Input Modes: - External Input to Program Out - Internal Generator to Program Out - Program Line Bypass - User Programmable Text Generator Provides: - Message in Program Line Vertical Interval - Message in Active Picture Area for Loss of Program Input Modes - User Programs for: - Insertion of Internal, External, and Source Identification Signals - Loss of Program Input Modes Text Insertion - All User Program Settings Saved in Nonvolatile Storage - Monitor Output - Remote Control Applications - VITS Insertion for Broadcast Video Applications The VITS201 is a low cost, high quality ITS generator and inserter/deleter with features found only in the most expensive transmission grade ITS inserters. In addition to a solid basic generator/inserter unit, the VITS201 provides loss of program continuity modes, multiple inputs for external data insertion, source identification, a text generator for message insertion and a versatile programmer with nonvolatile memory storage for setting up the unit's operation and loss of program modes. Test Signal Generator The VITS201 uses digital signal generation and a precision 12-Bit DAC to ensure signal accuracy and long term stability. Digital generation of the composite signal with conversion to analog using a single DAC ensures accurate chrominance-to-luminance gain and timing. The VITS201 generates the following signals: - CClR 17, 18, 330 and 331 - U.K. National - GCR - 75% color bars - Sin (x)/x - Luminance ramp - 0% and 100% luminance levels Inserter/Deleter Functions The VITS201 may be programmed to insert any internally generated signal, external input, or the source identification signal on any line from 7 through 30 and 319 through 343. If desired, the same signal or external input may be programmed for insertion on multiple lines. This may be useful in insertion of teletext and other data signals. Four external ITS inputs are provided for insertion of externally generated test and data signals. All inputs are AC coupled and clamped. The VITS201 assumes the external input signals are locked to the program signal and correctly timed. Delete and pass functions are available for the same lines as the insert function. Program Channel Maintaining transparency and continuity of the program channel is a prime consideration in the VITS201. Distortions and transients are virtually eliminated by the Tektronix developed channel switch integrated circuit. Insertion or deletion of ITS can occur only when genlock to the program input signal is attained. Loss of mains power or genlock causes the program line to be bypassed. Program signal delay in operate and bypass is matched. The VITS201 provides for replacement of the program line sync and burst signals with the internally generated sync and burst signals. This ensures the proper amplitude relationship of the inserted ITS to the sync and burst signals is established prior to inputting the signal to the broadcast transmitter or transmission system. Timing of the active video to the blanking interval is not affected in the sync and burst regeneration mode. Loss of the program input signal will automatically enable one of three program line output states: - Program line bypassed - A user selected external input will be routed to the program line output - A user selected internally generated signal will be routed to the program line output When an internally generated signal is selected, a message may be superimposed over the active picture area. The

-  Excellent Meridian 566 DA Converter Very good condition and works perfectly Performance 24-bit dynamic range Linearity: better than >–96dBFS Jitter for 44.1kHz sampling, typically 1ps rms Inputs and outputs 3 phono digital inputs; 32kHz–48kHz 1 AES/EBU XLR digital input; 32kHz–48kHz (Parallel with D1) 1 Toslink optical input; 32kHz–48kHz All digital inputs accept up to 24-bit precision Audio outputs 4V nominal balanced (XLR) and 2V unbalanced Construction Twin PLL; word-aligned for lowest jitter Absolute Phase control Precision Class A discrete audio amplification Analogue de-emphasis network High quality construction including use of partitioned 4-layer PCB, and precision capacitors. On-board control microprocessor with non-volatile memory. Full 500 Comms for system integration with Meridian components. Rear-panel control for: Power On/Off Front-panel controls and indicators for: Inputs (D1, D2, D3, Optical), Phase, Emphasis Dimensions 88mm (3.46in) H, 321 (12.64) W, 332 (13.07) D – Weight 5kg (10lbs) Possibility to connect to 110 volts by changing the fuse (see last photo)

Anthem mrx 540. device under warranty purchased in October 2022, it has been tested and updated but the atmos project has been abandoned. the invoice and letter of assignment will be attached for the transfer of guarantee all original, complete, manual, remote control, mains cable, calibration microphone, manual. possibility to upgrade it to 8k hdmi2.1 shipment with insurance included Arcam avr, yamaha cx, marantz av, emotiva xmc… Conception 7.2-channel pre-amplification and 5.2-channel amplification Anthem Room Correction (autocalibration) Compatible with UHD 4K HDR and Dolby Vision 32-bit DAC / 768 kHz IMAX Enhanced Certified Bluetooth and WiFi compatible Compatible with Dolby Atmos and DTS:X IP control and control application Streaming AirPlay 2, Chromecast and Spotify Connect Measures Power under 8 ohms: 2 x 100 watts, 2 channels powered Power under 4 ohms: 2 x 130 watts, 2 channels powered Frequency response: from 20 Hz to 30 kHz Signal/noise ratio: 110 dB THD+N: - 100 dB Connectivitys 7x HDMI inputs + 2 outputs 2x RCA coaxial S/PDIF inputs 3x Toslink optical S/PDIF inputs and 1x output 5x RCA stereo analog inputs and 1x line output 1x pre-out 7.2 output 1x IR input 3x 12V trigger outputs 1x RS-232 Screw terminal blocks compatible with banana plugs 1x RJ-45 port 1x helmet output on the front Accessories included Power cable: WiFi antennas Remote control User's Guide Generalities Max. consumption: 365 W Power consumption: Dimensions (lxhxp): 431 x 152 x 364 mm Weight: 12.8 kg