Internally and

THE WORLD'S REFERENCE AUDIOPHILE MAINS FILTER NO REVIEWER OR MUSIC LOVER HAS FOUND BETTER !! RETAIL PRICE: 270 $ 6moons says of Firewall: More organic and fluid, better frequency extremes, layering, impact and weight September, 2017, author: Srajan Ebaen "As anticipated, this whodunnit was easily sorted. What I'll call the X amp [with Firewall modules]–internally in parts, sonically in 'more'–distinguished itself on two levels. The first had to do with raw quantity." "Here [with Firewall modules] the bass was better articulated, front-to-back layering more developed, the treble more suave and vocals were more present." "Describing why the feel was more organic and fluid leads to lazier lengthier decays and background sounds more connected to the foreground. The plain Jane's [without Firewalls] drier take coincided with sharper separation but lacked the more holistic elasticity of the X [with Firewall modules]. One was pricklier and more staccato, the other rounder, smoother and of a more legato persuasion." "[With Firewalls:] better visibility at the frequency extremes and of the imaging precision in general." "The depth layers of X [with Firewall modules] during chorus interludes had superior development. With it the low beats of the Bombay Dub Orchestra had more impact and weight." "One [without Firewalls] was cooler, sharper, more bare boned and lean. The other [with Firewalls] was richer, mellower, smoother and fuller." "[With Firewall modules had] this afterglow quality. Here lingered on a stronger flavour of space, ambiance and calm." "For an alternate take on LessLoss Firewall effects, read Vance Hiner's review of the Echo's End DAC. Between us–and we've not had any exchanges–there's no doubt. These Firewall cards really do the trick." "What today's experiment showed is that it takes no luxury gear at all to hear differences or create improvements." HIFI WIGMAN says:  "Easy to use and does the job without a negative impact on dynamics." May, 2017, author: George Sallit "With the filter in circuit the background noise is significantly reduced and the decay of notes on the guitar are much easier to hear. The soundstage (as it is) was enhanced. Oddly enough the tonal colours also seemed enhanced. The drum kit was not some amorphous thudding but stretched skins being hit gently. I did not quite believe what I was hearing." "With the filter in place, the sound was far more musical." "The 3D soundstage was much bigger and made it easier to differentiate who was doing what." "I then blinked. My notes for the music without the filter were hifi comments, with the filter I was commenting on the music." "Well the filter certainly allowed all the individual elements to be easily heard without any frequency response changes." "All the advantages of mains filters but no loss of dynamics." "The sound was more 3D and it was easier to hear the individual instruments. Also, the drums had a stronger tonal colour than without the filter." "It sounded as though the worse the mix the better the effect." "On the DAC the noise levels were reduced. The tonal colour was much better. The biggest impact was again on the DAC. Was this a weakness in the Audionote DACs? No. I tried the 5x on my Metrum Octave and I heard a similar effect, less noise, more 3D sound, greater tonal colour. Is it possible it only works with NOS DACs? No. Out came my Esoteric DAC with a very similar finding." "The biggest difference was with bright mixes where the 'truthfulness' of the Class D could make things a bit fierce. The 5x filter tamed that and all that was left was a bright mix. There are many reports on the web of people recommending mains treatments for Class D amplifiers. I had not tried that as I was concerned a

TEKTRONIX VITS 201 INSERTION GENERATOR PAL ******************************** DESCRIPTION NON CONTRACTUEL: Analog Generator VITS201 Features & Benefits - Digital Composite Signal Generation - CCIR, EBU, UK National ITS - Operates in the Presence of Sound in Syncs - Four External ITS Inputs - Source Identification - Program Line Sync and Burst Regeneration - Loss of Program Input Modes: - External Input to Program Out - Internal Generator to Program Out - Program Line Bypass - User Programmable Text Generator Provides: - Message in Program Line Vertical Interval - Message in Active Picture Area for Loss of Program Input Modes - User Programs for: - Insertion of Internal, External, and Source Identification Signals - Loss of Program Input Modes Text Insertion - All User Program Settings Saved in Nonvolatile Storage - Monitor Output - Remote Control Applications - VITS Insertion for Broadcast Video Applications The VITS201 is a low cost, high quality ITS generator and inserter/deleter with features found only in the most expensive transmission grade ITS inserters. In addition to a solid basic generator/inserter unit, the VITS201 provides loss of program continuity modes, multiple inputs for external data insertion, source identification, a text generator for message insertion and a versatile programmer with nonvolatile memory storage for setting up the unit's operation and loss of program modes. Test Signal Generator The VITS201 uses digital signal generation and a precision 12-Bit DAC to ensure signal accuracy and long term stability. Digital generation of the composite signal with conversion to analog using a single DAC ensures accurate chrominance-to-luminance gain and timing. The VITS201 generates the following signals: - CClR 17, 18, 330 and 331 - U.K. National - GCR - 75% color bars - Sin (x)/x - Luminance ramp - 0% and 100% luminance levels Inserter/Deleter Functions The VITS201 may be programmed to insert any internally generated signal, external input, or the source identification signal on any line from 7 through 30 and 319 through 343. If desired, the same signal or external input may be programmed for insertion on multiple lines. This may be useful in insertion of teletext and other data signals. Four external ITS inputs are provided for insertion of externally generated test and data signals. All inputs are AC coupled and clamped. The VITS201 assumes the external input signals are locked to the program signal and correctly timed. Delete and pass functions are available for the same lines as the insert function. Program Channel Maintaining transparency and continuity of the program channel is a prime consideration in the VITS201. Distortions and transients are virtually eliminated by the Tektronix developed channel switch integrated circuit. Insertion or deletion of ITS can occur only when genlock to the program input signal is attained. Loss of mains power or genlock causes the program line to be bypassed. Program signal delay in operate and bypass is matched. The VITS201 provides for replacement of the program line sync and burst signals with the internally generated sync and burst signals. This ensures the proper amplitude relationship of the inserted ITS to the sync and burst signals is established prior to inputting the signal to the broadcast transmitter or transmission system. Timing of the active video to the blanking interval is not affected in the sync and burst regeneration mode. Loss of the program input signal will automatically enable one of three program line output states: - Program line bypassed - A user selected external input will be routed to the program line output - A user selected internally generated signal will be routed to the program line output When an internally generated signal is selected, a message may be superimposed over the active picture area. The

Fuji X-Fujinon-T DM 135mm f3.5 EBC manual focus prime lens, with matched case, front and rear caps and Fuji lens hood. This is Fujica-X mount, compatible with Fuji 35mm film SLR cameras with this mount. Please note, this lens is not directly compatible with Fuji digital cameras, but it can easily be adapted to Fuji digital X-series and most other digital cameras via mount adapters, available cheaply here on and elsewhere. This lens is in very good external condition, with minor signs of wear. The glass is also very nice, it's clean and unscratched, and free of haze and fungus, with only light signs of use. There are a few minor specks of dust internally. The aperture blades are excellent, they're clean and free of oil, the iris is snappy, and the aperture ring clicks nicely through the stops. The focus barrel is smooth through its range. Tested and in full working order, this lens is sharp and produces lovely images. The matched lens hood is included and is also in good condition. I often have similar or compatible items for sale, see my shop for details. Please contact me via messages if you have any questions, I’m happy to give advice. Livraison en France Cet article sera livré par Relais Mondial Relay ou Colissimo Recommandé, selon votre sélection à la caisse.  International shipping I can ship this item to any location listed in the postage section of this listing. It will be sent tracked by Colissimo, UPS or Relais Mondial Relay depending on the item and destination. International delivery from France will usually take approximately five to seven working days, but it can occasionally be longer, especially at peak times. Please be aware of this before buying. Any import tax/duties in your country must be paid by the buyer. UK delivery/Brexit UK buyers please be aware, due to Brexit there may be delivery delays and import duties payable from now on. Any duties must be paid by the buyer. Items will be sent tracked by UPS or Colissimo, depending on the size/value.  I try to photograph and describe my items as accurately as possible, and I package them very carefully, however in the unlikely event of a problem please let me know immediately and I will resolve it.

Kurzweil Operating System 3.87C  (Calvin) update kit for K2000 and K2000R  Version 3.87 is the latest and the Best Operating System version for K2000 series synthesizers.   You will receive: - two brand new EPROMS - (K2000 Eng HI  and K2000 Eng LO), corresponding to the Operating System version 3.87 for K2000 K2000R (Calvin)  - integrated circuits extractor - phone or email support  Upgrading your K2000, K2000VP, or K2vx There are 2 different versions of the engine board and operating system - Calvin and Janis. If there is a "J" after the version number on the display on boot time, than you have a Janis unit, if there is no letter after the version number, you have a Calvin unit.                                                      Make sure to buy the right EPROM update kit corresponding to your board (Calvin or Janis) !!! Please note: If your K2000 system  directly from a version earlier than 2.0 (like 1.3 version) of the Kurzweil Operating System requires the additional purchase of new Setup EPROMs, which are NOT included with this operating system update kit but available on our shop.  K2000 Series - v3.87 Operating System New features and enhancements added when upgrading from version 3.54 - SCSI Speed Improvements. Now loads and saves twice as fast as previous versions. - Export to standard MIDI Type 1. Now the software can import and export both Type 0 and Type 1 MIDI files. - ISO 9660 format support. Adds ISO 9660 format support for CD's. This allows you to read CD's in the standard format. Previously we required an "image" of the hard disk format. - Supports looped WAV files, both import and export. Also correctly handles tuning of WAV and AIFF files. Saving a WAV file will now export the loop info, if any. Importing a looped WAV file will now get the loop data, if any. The software only handles one loop per sample, so the first loop found in a WAV file is used. - Now reads 2500 programs. Previously the 2000 would ignore programs containing 2500 specific parameters. Now it translates them, stripping out any KDFX or other 2500 parameters. - Improved object save and delete times. - Improved sample delete times.   New features and enhancements added when upgrading from version 3.01 or 3.18 All of the above, plus: - Eight 32-layer "drum" channels are now available. (PRAM option required). - A new option has been added for the sustain pedal (Program editor - LAYER page). When you select "On2," the sustain pedal will not catch the release of a note that is still sounding when the sustain message is received; this can be very useful in a program that uses amplitude envelopes with a long release time. - MIDI type 1 files can now be imported. - Verify option double-checks the data integrity of all your backup, copy, and save operations. - Info soft button on the Utilities page in Disk mode displays information about your disk drive(s). - Copy function now allows selection of multiple files. - You can now format multiple floppies without having to return to the initial Format command. - The K2000's SCSI subsystem has been enhanced to accept a greater variety of devices. In addition, the K2000 now supports disk drives of up to 2 Gigabytes (2048 Meg). V3.54 will work with drives larger than 2G but only the first 2 G will be utilized. (Drives larger than 1 gig will work externally, but are likely to draw too much power to be used internally. Please check our Hard Drive Compatibility List for power consumption specs. - Previous to v3.54, for the Backup and Copy functions, the combined size of both drives had to be under 1 gig unless PRAM was installed. This limitation no longer exists. - Compatibility with the PC Exchange program has been improved.   New features and enhancements added when upgrading from version 1 or 2 All of the above, plus: Version 3 operating system software for the K2000 offers majo

Fuji X-Fujinon DM 50mm f1.6 manual focus prime lens, boxed with with front and rear caps. This is Fujica-X mount, compatible with Fuji 35mm film SLR cameras with this mount. Please note, this lens is not directly compatible with Fuji digital cameras, but it can easily be adapted to Fuji X-series and most other digital cameras via mount adapters, available cheaply here on and elsewhere. This fast-aperture lens is in superb external condition, with only minor signs of use. The glass is clean, clear and unscratched and free of haze and fungus. As with any used lens, there are some specks of dust internally, but nothing that affects image quality. The aperture blades are excellent, they're clean and free of oil, the iris is snappy, and the aperture ring clicks well through the stops. The focus barrel is smooth through its range. Tested and in full working order, this lens produces sharp and colourful results.  I often have similar or compatible items for sale, see my shop for details. Please contact me via messages if you have any questions, I’m happy to give advice. Livraison en France Cet article sera livré par Relais Mondial Relay ou Colissimo Recommandé, selon votre sélection à la caisse.  International shipping I can ship this item to any location listed in the postage section of this listing. It will be sent tracked by Colissimo, UPS or Relais Mondial Relay depending on the item and destination. International delivery from France will usually take approximately five to seven working days, but it can occasionally be longer, especially at peak times. Please be aware of this before buying. Any import tax/duties in your country must be paid by the buyer. UK delivery/Brexit UK buyers please be aware, due to Brexit there may be delivery delays and import duties payable from now on. Any duties must be paid by the buyer. Items will be sent tracked by UPS or Colissimo, depending on the size/value.  I try to photograph and describe my items as accurately as possible, and I package them very carefully, however in the unlikely event of a problem please let me know immediately and I will resolve it.

Minolta 50mm f1.7 autofocus prime lens, for Sony/Minolta A mount. With original Minolta front and rear caps. This will fit Minolta A-mount 35mm film SLRs and Sony A-mount DSLRs. It will NOT fit the Sony Alpha mirrorless cameras (eg. A7 and A6000 series, Nex etc), unless used with an adapter. It's a full-frame lens.  This lens is in good external condition with some minor signs of wear and age. The glass is in very good condition, it's clean, clear unscratched, and free of haze and fungus. As with any used lens there are a few small specks of dust internally. The aperture blades are clean and free of oil and the iris is snappy. The filter ring thread works well and the built-in hood is functional. Tested and in full working order, producing sharp results.  I often have similar or compatible items for sale, see my shop for details. Please contact me via messages if you have any questions, I’m happy to give advice. Livraison en France Cet article sera livré par Relais Mondial Relay ou Colissimo Recommandé, selon votre sélection à la caisse.  International shipping I can ship this item to any location listed in the postage section of this listing. It will be sent tracked by Colissimo or Mondial Relay, depending on the item and destination. International delivery from France will usually take approximately five to seven working days, but it can occasionally be longer, especially at peak times. Please be aware of this before buying. Any import tax/duties in your country must be paid by the buyer. I try to photograph and describe my items as accurately as possible, and I package them very carefully, however in the unlikely event of a problem please let me know immediately and I will resolve it.

Minolta 75-300mm f4.5-5.6 autofocus zoom lens, for Sony/Minolta A mount. With original Minolta front and rear caps and matched Minolta lens hood. This will fit Minolta A-mount 35mm film SLRs and Sony A-mount DSLRs. It will NOT fit the Sony Alpha mirrorless cameras (eg. A7 and A6000 series, Nex etc), unless used with an adapter. It's a full-frame lens.  This lens is in excellent external condition with light signs of use. The glass is superb, it's clean, clear and unscratched, and free of haze and fungus. As with any used lens there may be a few minute specks of dust internally. The aperture blades are clean and free of oil and the iris is snappy. The zoom and focus barrels move smoothly. Tested, producing sharp images, the focus works well in manual and auto modes. I often have similar or compatible items for sale, see my shop for details. Please contact me via messages if you have any questions, I’m happy to give advice. Delivery in France This item will be sent by Colissimo or Mondial Relay, depending on your choice at the checkout.  International shipping I can ship this item to any location listed in the postage section of this listing. All items are sent tracked and insured. I use Colissimo, Chronopost, UPS or Mondial Relay, depending on the item and destination. International delivery from France will usually take approximately 5 to 7 working days, but it can occasionally be longer, especially at peak times. Please be aware of this before buying. Any import tax/duties in your country must be paid by the buyer. I try to photograph and describe my items as accurately as possible, and I package them very carefully, however in the unlikely event of a problem please let me know immediately and I will resolve it.

Enregistreur 24 pistes Alesis HD24 multitrack recorder Parfait état 80 giga DD. Overview HD24 is the world's first 24-track hard disk recorder designed to fit into any ADAT environment and match ADAT's legendary performance and affordability. HD24 is built exclusively for the purpose of recording music instead of data, resulting in remarkable stability and performance. HD24 enables engineers to record up to 24 tracks of high-resolution 24-bit recording at 44.1 and 48 kHz sample rates. Two hot-swappable media bays provide convenient access to recording drives and allow data backup in minutes. You can edit tracks internally or easily transfer to computer via an Ethernet connection. HD24 features ADAT Optical and ADAT Sync, enabling it to work efficiently with existing systems. It offers the same exceptional user-friendly interface ADAT users have come to expect. HD24 can be upgraded to HR24XR with the EC2 module. This user-installable option replaces the A/D and D/A converters with the renowned AKM converters used in the acclaimed MasterLink. EC2 improves performance at all sample rates and also expands analog and digital-input compatibility to include 88.2 and 96 kHz sample resolutions. HR24 packs 24 channels of digital audio I/O into a single-unit recorder that easily fits into any environment. FEATURES - 24-track, 24-bit digital audio recording (12 tracks at 96kHz with EC2 optional updgrade) - 24 analog inputs (1/4" TRS) - 24 analog outputs (1/4" TRS) - 24-channel ADAT Optical I/O - Dual recording bays utilize standard, low-cost, removable IDE computer drives - Instant random access to audio using ADAT/FST™ (File Streaming Technology). - Internal editing capabilities include cut, copy, paste, and track-move with undo. - Multiple units can be synchronized to create a larger system - Easily integrated into an existing ADAT system - Ethernet port enables computer connection - MIDI I/O, MTC out - ADAT Sync in/out - Word Clock in SPECS MEDIA - Caddy 1: 260GB HD - Caddy 2: 80GB HD - Caddies can be fitted with IDE/EIDE/ATA drive at 5,400/7,200/10,000 RPM up to 2TB TRACK COUNT - 24 tracks at 24-bit, 44.1 or 48 - 12 tracks at 88.2 or 96 kHz with optional EC2 upgrade CONNECTIONS - Analog: 24 24-bit inputs, 24 24-bit outputs (1/4" TRS, +4dBu) - Digital: 24-channel I/O via 3 ADAT Optical inputs and 3 ADAT Optical outputs - Other: MIDI in/out. Alesis Sync in/out (DB-9). Word Clock input (BNC, 75). Footswitch jack for punch in/out (1/4"). LRC input for - traditional wired remote (1/4"). 10 Base-T Ethernet (RJ-45) AUDIO SPECS - Frequency response: 20Hz–20kHz +0/–1dB - Dynamic range: 103dB A/D, >103dB D/A (A-weighted) - Distortion: - Pitch control: +100 cents/–200 cents, min-max 30–50kHz (30–100kHz with version 2.0) POWER & DIMENSIONS. - Power: 90-230V AC, 60W - Dimensions (H x W x D): 5.09" x 19" x 17" (127mm x 483mm x 432mm), 3U rackmount - Weight: 20lbs (9.07kg)

Jupiter-6 manual focus prime lens in 39mm screw mount, with case, front cap, three original filters, M42 adapter ring and M42 rear cap. In good condition and full working order. This lens is in good external condition for its age, with some signs of wear and use, but no dents or corrosion. The glass is good, it's clean, clear and free of haze and fungus. There a few minor signs of use, but no notable scratches or other marks. As with any used lens, there may be a few small specks of dust internally. The aperture blades are clean and free of oil, and the preset aperture mechanism works very well. The focus barrel is smooth through its range, there is a little front-to-back play but nothing that affects. usung the lens. The filters are also in good condition, they are clear with a few light marks. Tested on a digital body, this lens produces beautiful images and is suprisngly sharp. I often have similar or compatible items for sale, see my shop for details. Please contact me via messages if you have any questions, I’m happy to give advice. Livraison en France Cet article sera livré par Colissimo Recommandé. International shipping I can ship this item to any location listed in the postage section of this listing. This will be sent tracked by UPS or Colissimo, depending on the item. International delivery from France will usually take approximately five to seven working days, but it can occasionally be longer, especially at peak times. Please be aware of this before buying. Any import tax/duties in your country must be paid by the buyer. UK delivery/Brexit UK buyers please be aware, due to Brexit there may be delivery delays and import duties payable from now on. Any duties must be paid by the buyer. Items will be sent tracked by UPS or Colissimo, depending on the size/value.  I try to photograph and describe my items as accurately as possible, and I package them very carefully, however in the unlikely event of a problem please let me know immediately and I will resolve it.

Tamron AF Tele-Macro 90-300mm f4.5-5.6 zoom lens in Nikon F mount, with front cap, lens hood and protective filter. Sold for parts or repair as the iris is stuck.   Externally this lens is in good condition, with minor general signs of use. The glass is very good, it's clean, clear and unscratched, and free of haze and fungus. There are one or two minor specks of dust internally. The iris does not function correctly, the stop-down lever is very stiff. With some effort you can push the iris open and closed, but it is effectively stuck. The aperture ring moves through the settings, but the iris does not move.  The zoom and manual focus barrels work well, and when tested the lens produces sharp results. The autofocus doesn't work very well, it hunts a lot. Due to the iris issue this lens is not usable, except when used at the widest aperture, sold for parts or repair. For items sold for 'parts or repair' - I try to give a good description of any faults I find, but it is often not realistic to give a complete list, and there will sometimes be other problems not described in the listing. Please be aware of that before buying. I often have similar or compatible items for sale, see my shop for details. Please contact me via messages if you have any questions, I’m happy to give advice. Livraison en France Cet article sera livré par Relais Mondial Relay ou Colissimo Recommandé, selon votre sélection à la caisse. International shipping I can ship this item to any location listed in the postage section of this listing. It will be sent tracked by Colissimo or Mondial Relay, depending on the item and destination. International delivery from France will usually take approximately five to seven working days, but it can occasionally be longer, especially at peak times. Please be aware of this before buying. Any import tax/duties in your country must be paid by the buyer. I try to photograph and describe my items as accurately as possible, and I package them very carefully, however in the unlikely event of a problem please let me know immediately and I will resolve it.

This is is the now RARE AND DISCONTINUED reissue of the MUTRON PHASER II made by Mike Beigel himself (see signature on the pedal). This is actually one side of the mythical MUSITRONICS BI-PHASE. You can switch between 4 and 6 stages of phasing which is great. Has ton of headroom so you can use it with guitar, synth or line level. Purchased directly from Mu-Fx in 2017 after months of wait. MU-FX has now become back MU-TRON:) Condition almost like new with original box and goodies. Will be shipped with Express and Fully Insured Service. DESCRIPTION FROM MIKE BEIGEL: Mu-FX Phasor 2X The new Mu-FX Phasor 2X is the Modern Vintage Analog™ refinement of the original Musitronics® Phasor II pedal. The Phasor 2X is housed in our signature “mini-mu” enclosure, features retro graphics, and provides added functionality and reliability to the beloved sound of the original Phasor II. New functions include: 4 or 6 stages of optical phasing with independent controls, assignable expression pedal controls, and stereo output.   Description Controls (1) PHASE 1a) FEEDBACK (6 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect 1b) FEEDBACK (4 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect (2) SWEEP 2a) DEPTH (6 Stage): Controls the range of the phase sweep 2b) DEPTH (4 Stage): Controls the range of the phase sweep (3) PEDAL MODE SWITCH These two toggle switches (for the 6 Stage phasor and 4 Stage phasor respectively) allow the user to designate whether expression pedal control is (O) OFF, (EXP EXP) controlling SWEEP. 3a) EXP MODE TOGGLE SWITCH (6 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase 3b) EXP MODE TOGGLE SWITCH (4 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase (4) LFO 4a) RATE (6 Stage): Controls the speed of the LFO wave that controls the effect 4b) RATE (4 Stage): Controls the speed of the LFO wave that controls the effect (5) Footswitches 5a) FX BYPASS: Determines whether the Phasor 2X’s effect is engaged or true bypassed (active bypass can be selected internally) 5b) PHASE STAGE: Allows you to switch between 6 and 4 stages of phasing (and their respective control set). The adjacent LED indicates (by color) which PHASE STAGE is active (the knob colors also correspond to these designations). BLUE: 6 stage phasing GREEN: 4 stage phasing Note: Both BYPASS and PHASE STAGE are silent footswitches – relay switching of audio (6) Back Panel 6a) INPUT: A standard ¼” input jack for any instrument or audio input 6b) OUT 1 (Main audio output): A standard ¼” output jack – sending a mono output signal to whatever comes next in your signal chain 6c) OUT 2: A standard ¼” output jack – which, when used in addition to OUT 1 sends a second (and therefore stereo) signal to whatever comes next in your signal chain. It may also be used to achieve a varied phase effect 6d) EXP PEDAL: A standard ¼” TRS jack in which an expression pedal or (CV) can be inserted to access manual control of specific functions of the Phasor 2X 6e) POWER: The Phasor 2X runs on a 12V AC power supply for optimal headroom and hi-fidelity sound. DO NOT use with a DC supply.

Préamplificateur haut de gamme APT HOLMAN made in USA- RARE -BONNE ÉTAT. État : "Occasion" Service de livraison : Colissimo Recommandé préamplificateur haut de gamme APT HOLMAN. Apt Holman Preamplifier (1977-1983) Nombreuses entrées, double entrée vynile ajustables. Sortie external processor etc..la liste complète des caractéristiques techniques est en Anglais. bonne état de Fonctionnement Inputs Phono 2 Phono inputs. The first has selectable resistance and capacitance, while the second is fixed at 47kΩ and 50 pF. 100 mV maximum at 1 kHz, inverse RIAA, warp-proof. The right channel of each of the two phono inputs is internally adjustable ±2 dB for Line All line inputs are 50 kΩ in parallel with 330 pF. Unselected inputs are terminated with 2.2 kΩ. Maximum input level: 10 V RMS (+20 dBV or +22 dBm). 3 line-level inputs. 2 tape monitor loops. 1 external processor loop, for a total of six line-level and two phono inputs! Gain, Polarity and Volume Control 18 dB maximum gain from line inputs. Phono preamp gain: 36.5 dB at 1 kHz: 5 mV for 2 V output, 1.25 mV for 0.5 V output. All outputs are non-inverting. Volume control rated to track left-right to within 1 dB over the entire range. I'm impressed: this is a very important parameter, and this is the only preamp I've ever seen which bothers to specify it. The multiwiper 10 kΩ volume control has 32 clicks, or 31 intervals, at 10o per click, or room for 36 clicks in 360.o The volume control uses individually trimmed thick-film resistors to ensure precise channel-to-channel tracking. Outputs Two MAIN outputs, fed in parallel. Provisions on the circuit board to allow your technician to insert a fixed resistive pad in the path of the MAIN 2 output if this optimizes the gain structure for your power amplifier. 330 Ω source impedance, 5 kΩ/3,000 pF maximum load. Two tape outputs: 100 Ω source impedance, 10 kΩ/1,000 pF maximum load. One external processor output. One 1⁄4" headphone output from a separate amplifier. Frequency Response 20 - 20,000 Hz ±0.5 dB, with ultrasonic and ultrasonic filters active. RIAA EQ ±0.5 dB 30 - 15,000 Hz. Selectable 15 Hz Infrasonic filter (rear panel switch) Within 0.5 dB at 20 Hz, -3 dB at 15 Hz and > -30 dB at 5 Hz. Group delay 4 mS at 50 Hz. If the filter isn't selected, the -3 dB point is 8 Hz. Ultrasonic Filter (automatically engaged when Tone Controls active) Within 0.5 dB at 20 kHz, -3 dB at 40 kHz, and -18 dB at 100 kHz. Group delay 7 μS. Interchannel delay: < 0.5 μS. (the limit of audibility is 10 μS.) When the tone controls are defeated, the -3 dB point is 150 kHz. High Filter (only active with Tone Controls selected) -3 dB at 8 kHz. Distortion Less than 0.01% THD at rated output (2V) and lower. Less than 0.01 % SMPTE intermodulation distortion (60/7k Hz 4s1) at rated output (2V) and lower.

YAMAHA CT 810 STEREO FM TUNER  VERY GOOD CONDITION  FULL WORKING CERTIFIED   ALL LAMPS /LIGTHS / VU METER OK  STEREO DECODER WORKS  WOOD CABINET IN PERFECT CONDITION  SHIPPING COST FOR E.U    NO PAYPAL The CT-7000, a super sophisticated audio component for the spare no expenses audiophile, first astonished fans and experts with Yamaha's advanced tuner technology, novel features, and ultra low distortion natural sound. Now, in the CT-810, the spin off from our CT-7000 development program makes the same performance advantages available to a far wider circle of fans. The unusual CT-810 front end circuitry and components pick up the most distant, low signal strength stations with surprisingly high signal to noise ratio, excellent stability, and rejection of all forms of interference. This pays off in a much wider choice of stations, and greatly increased listening enjoyment. And not even powerful local stations can seriously overload the CT-810, so that reception is uniformly good in any area. The front end keeps the incoming signal clean and clear of external interference, and the IF stage is specially designed to prevent internally generated spurious signals from degrading quality. Specifications Type: Mono/Stereo Tuner Tuning Bands: FM, MW Tuning Scale: Analogue FM Tuning Range: 87.6 to 108 MHz MW Tuning Range: 525 to 1605 kHz Sensitivity: 0.9uV (FM), 300uV (MW) Signal to Noise Ratio: 69dB (FM), 50dB (MW) Distortion: 0.2% (FM), 0.4% (MW) Selectivity: 60dB (FM), 30dB (MW) Frequency response: 30Hz to 15kHz (FM) Output: 500mV (FM), 125mV (MW) Semiconductors: 29 x transistors, 4 x IC, 3 x FET, 11 x diodes, 4 x zener diodes, 3 x LED Dimensions: 435 x 160 x 349mm Weight: 5.9kg

TL Audio Ivory 5060 Preset Valve Compressor Fully working state. Coming in its original box. OVERVIEW:   High quality discrete microphone preamp, the 5060 has stereo line level or stereo instrument inputs.  The TL Audio 5060 is equally versatile as a “front-end" tracking device or as the final stage mixdown or mastering compressor.  One set of controls operates both the channels for quick and easy setup.  The TL Audio 5060 compressor section has 15 expertly programmed presets designed to work with a typical selection of vocal and instrumental sources as well as a manual mode for self adjustment of the compressor. The 5060's output section includes a “Fat EQ?switch for adding some “presence"or “weight"to your signal.   As with all the mono or stereo Ivory 2 units it is possible to fit the optional D0-2 converter card into the 5060 for premium quality 24-bit SPDIF analogue to digital conversion. This allows you to connect to your Hard Disc Recorder, Mixer or Soundcard in either an analogue or digital format. The combination of flexibility, ease of use and the renowned warmth of the TL Audio valve circuit design makes the 5060 unbeatable for value and performance. TL Audio 5060 Mk2 Key Features: - Valve preamp stage with mic, line and front panel instrument inputs - Compressor with 15 presets and a manual mode with user adjustable controls - Hi-pass 90Hz filter on the input stage with “Fat EQ?contour at the output stage - VU metering of output level, output level +10dB and compressor gain reduction - One set of controls for mono or stereo use - Automatic linking for stereo signals - 24-bit digital interfacing via the optional DO-2 digital output card   TL Audio 5060 Mk2 Specifications: - Preamp: Input Gain +16 to +60dB (mic input), -20 to +20dB (line input) - Compressor: Threshold: +10 to ?0dB, Ratio: 1:1.5 to 1:30, Attack: 0.5 or 5ms, Release: 0.2 or 1.5s, Gain Make Up: 0 to +20dB, Fat EQ +2dB @ 50Hz, -0.9dB @ 720Hz, +1.8dB @ 10kHz - Master Section Output Gain: -?to +15dB - PSU: Internally adjustable for 230V 50Hz or 115V 60Hz operation - Typical Consumption: 30VA - Dimensions: W: 483 x H: 88 x D: 200mm (2U 19" rack mounting) - Shipping Weight 6kg Will be sent well packed. Shipping to France: 20.50€ € Shipping to Europe and UK: 37.00 € Shipping to International: Please ask before bidding Accepted payment: Please only, PayPal

Description Pathescope 9.5mm Pathe National Cine Movie Camera With SOM Berthiot Cinor Lens France Originally designed and manufactured in France and known there as the Pathé National, production was started in the UK before WW2. The mainstay of Pathéscope’s 9.5mm filming product for many years. This is the Pathe National from c1954 Features the release button on the lower front of the camera, a rotatable ring selecting filming, stills or lock. Variable filming speeds 8, 16, 24 & 32fps, plus an automatically resetting film counter. The lens mount is the ‘H’ type (or D-Mount) screw mount & is fitted with a f1.9 focussing 20mm Som Berthiot Cinor C lens, internally threaded for 19mm diameter filters. The viewfinder has a flick down lever to show the wide angle field of view. Accepts the usual ‘H’ film chargers which contain around 8.2metres / 27foot 6inches of 9.5mm film. Manufactured in France. Serial number F41576. To sum up: Single shot and motion picture settings, tripod bush and quite accurate eye-level viewfinder marked with cross-wires and settings for wideangle and telephoto field of view. Includes SOM Berthiot Cinor 1.9/20mm interchangeable ‘D’ mount screw lens. Good condition and fully working. Minor marks from use.

Free The Tone BB-2 Bass Blaster Overdrive – Custom Series – Orange Condition: Mint condition Year: 2020 Serial no.: 104 Made in Japan The FREE THE TONE BASS BLASTER is an overdrive pedal designed especially for basses. The voltage is boosted internally to ±15Vdc in order to easily be able to control the wide dynamic range of the bass guitar. It has excellent touch response that bassists request, and the sound characteristics are not lost regardless of whether the bass is played with a pick or fingers. The pedal creates the fat overdrive sound that most bassists are looking for. Treble and Bass tone controls are perfectly matched to the characteristics of the bass and provide a wide range of tonal adjustment. BACKGROUND & DEVELOPMENT The design of the Bass Blaster started as an idea from the Tube bassist Mr. Hideyuki Kakuno. In order to give a strong impression of the existing bass sound, similar the driving sound of a tube amp, with a slight amount of distortion audible if you listen to the bass by itself, but without being able to hear the distortion when listening to the bass with the whole band, I was asked to create a pedal that could recreate this kind of sound. That's how the development of this effect pedal began. Also, another important factor is for the sound to be more distorted with a stronger touch and a clean tone when playing softly. Mr. Kakuno tried many variations of the circuit as I was developing it, and I was finally able to create the first Bass Blaster, which has now won high praise from many professional bassists. FEATURES Wide dynamic range and powerful expression based on ±15 Vdc internal boosting. Excels in the reproducibility of touch every bassist seeks and never loses the bass’ original sound characteristics whether it is played with a pick or fingers. Drive sound with presence not buried in nor masked by band sound. Astoundingly excellent Signal-to-Noise ratio Exceptional sound stability by using long-life high reliability components NOTE: Due to relatively large current consumption, we recommend to use an AC adapter. SPECIFICATIONS Input impedance: 1MΩ Output load impedance max.:220Ω Controls: GAIN, TREBLE, BASS, LEVEL Terminals: 2× 1/4" phone jacks (for input, output), 1× DC9V input jack (for AC adapter) Power supply: 9-volt battery (PP3/006P), AC adapter Current consumption: approx. 90 mA (max.) Dimensions: 100W × 123D × 52H mm (incl. protuberances such as footswitches, jacks, etc.) Weight: approx. 340 g (excl. battery) Accessories: warranty card, manual, battery (PP3/006P), 4× rubber feet

Mc2 Mc750 Power Amplifier. In very good condition Fans have been upgraded with noctuas which are way more silent compared to the originals Description: MC750 digitally controlled power amplifier represents the latest technology in control circuitry coupled to a no compromise high quality class AB power amplifier. There is no dynamic switching of theaudio or power rails (a very common method of achieving extra power at the expense of audio quality) thus ensuring optimum sonic performance. The digital control monitors the operating parameters and adjusts the amplifier to suit the conditions. Fan speed and supply rails are varied as required to keep the amplifier within its temperature limits. The levels are adjusted by specially selected, high performance, digitally controlled attenuators. Signal limiters are included, the attack and release times of which can be adjusted internally by the bit switches on the control PCB (printed circuit board). The amplifiers include full DC and short circuit protection which automatically re-connects when the fault is cleared. Specifications: Power output: 625 watts per channel into 8Ω (stereo), 2150W into 8Ω (mono) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.03% Damping factor: 400 Gain: 31 dB Input sensitivity: 1.5V Signal to noise ratio: 106dB Speaker load impedance: 2Ω (minimum) Dimensions: 480 x 88 x 410mm Weight: 18.5kg