Lead développeur stage

Piano de scène - 88 touches - Clavier à marteaux - Polyphonie 120 notes - Contrôle du niveau master - Molette de Pitch en bois - Molette de modulation - 400 programmes - 8 banques avec 10 pages chacune - Chaque page comporte 5 emplacements de programme - Mode chanson - 8 banques avec 50 chansons, 5 programmes par chanson - 5 tampons disponibles en direct - 2 configurations d'emplacement individuels - 3 sources de Morph (molette de modulation, pédale de contrôle, aftertouch) - Sortie globale mono - Transposition programmable +/- 6 demi-tons - Fonctionnalité de l'horloge maître avec contrôle manuel, externe et Tap Tempo - Source d'horloge interne et MIDI - Fonctionnalité MIDI via USB - Contrôle du niveau - Aftertouch - Jusqu'à 3 points de division et crossfade (4 zones de clavier) avec indication visuelle entre les zones - 3 options de largeur de point de séparation (crossfade): lrg, sml ou arrêt - Mode d'édition de zones de clavier - Mémoire de la bibliothèque Nord Piano: 2 GB - Moteur synthé Nord Lead A1 avec lecture d'échantillons - Affichage OLED dédié pour les fonctions de l'oscillateur - Bibliothèque d'échantillons Nord: 480 MB - Moteur d'orgue Nord c2d - Modèle de cabine Leslie 122 vintage - disponible par emplacement - Delay avec ajouts de filtres Feedback et mode analogique - Mode filtre avec résonance - Compresseur séparé par emplacement avec envoi et mode rapide - Réverbération séparée par emplacement avec mode Bright - 4 sorties audio assignables: fiches jack 6,33 mm asymétriques - Sortie casque stéréo: fiche jack stéréo 6,35 mm - 1 entrée moniteur: fiche mini-jack stéréo 3,5 mm - Pédale de sustain: fiche 6,35 mm - utilisez une pédale Momentary - Entrée pédale de sustain compatible avec pédale Nord Triple (vendue séparément) - Pédale de rotor: jack 6,35 mm - utilisez une pédale Momentary ou une pédale de type Footswitch - Pédale d'orgue: jack 6,35 mm TRS stéréo - utilisez un contrôleur / pédale d'expression - Pédale de commande: jack 6,35 mm TRS stéréo - utilisez un contrôleur / pédale d'expression - Entrée pédale de changement de programme: fiche 6,35 mm - utilisez une pédale à deux boutons - Entrée MIDI: connecteur DIN 5 broches - Sortie MIDI: connecteur DIN 5 broches - Connecteur USB type B pour MIDI via USB, mise à jour logicielle et transfert de sons - Cordon d'alimentation avec connecteur IEC C14 - Dimensions (L x Px H): 1287 x 334 x 118 mm - Poids: 19 kg

This amp was built 9-8-2011 and is a 50 watt solid state rectified V3. The Two Rock Custom Reverb Signature V3 is a versatile two channel amplifier from boutique makers Two Rock. The Custom Reverb has always been a culmination of everything Two Rock creators Bill & Joe have learned since day one. Version 3 adds a new loop and Contour controls to this classic design. The Custom Reverb V3 has two distinct channels Clean and Lead, the Clean Channel is the classic pure Two Rock tone with endless depth and headroom. If you are looking for the famous John Mayer clean tone - this is it. The Lead channel has a superb warmth to it and the various controls on the V3 allow you to tweak and refine the sound to your perfect tone. Two Rock use carefully selected components and a hand built approach to craft some of the finest quality amplifiers we have come across. Just taking a peak inside the chassis is a lesson in what true craftsmanship is. The Custom Reverb V3 has an extensive range of controls giving you total control over it superb tone. The Custom Reverb V3 is an amp you can really sit down with and spend hours discovering new tones and subtle variations but the core sound is always pure and true to you. Custom Reverb Signature V3 ControlsTreble Control - Adjusts the high frequency response. In the full counter-clockwise position, high frequencies are bypassed to ground. In the full clockwise position, high frequencies are allowed to pass to the next gain stage. Bass Control - Adjusts the bass response. In the full counter-clockwise position, low frequencies are cut. In addition, the response of the treble and mid-range controls is greatly reduced. In the full counter-clockwise position, low frequencies are allowed to pass to the next gain stage. Mid Switch - Boosts the mid range frequency responseDeep Switch - This is a low frequency contou Features & details Two Channels of Classic Two Rock Tone Beautiful Pure Clean Channel New Lead Channel Switchable Half / Full Power Tube Rectification Mint like new Head is sell without the footswitch contact me before if you want it

Kemp Elektroniks QA PLUG (QUANTUM APPROACH PLUG) EU PLUG TYPE, no sale outside europe ! Public price: 195 € Perfect condition, sold and sent with original packaging Overview - Shunt device, no dynamic losses possible - Uses Quantum Resonance Theory (QRT) - Two circuits, (LF and HF) using separate power supplies - Adjustable intensity - WA-Quantum and Creaktiv Systems Chips internal - Potted in Akiko Audio Tuning mix (minirals) and a resin to prevent microphonic effects - Can be combined without any problems with any audio mains related products - Multiple QA PLUGS intensify the effect - Simple ‘plug & play’ installatio Details - Enjoy undisturbed sound and vision Truly new visions and products can only emerge by leaving the beaten track. For audio/video products this is definitely not the most common and easy way. Revolutionary technology rarely comes from the marketing department either. For us at KE this is the result from our deep knowledge, thorough development and the strong ambition to create unique products with an outstanding price/performance ratio. The convincing proof that this approach can lead to some very remarkable products can be found in our QA PLUG and SR PLUG. Different and unusual for sure but by no means less effective. Just follow your eyes and ears. The improvement in sound and picture quality is impossible to miss. QUANTUM APPROACH PLUG and AUTOMOTIVE QA MODULE stage depth becomes deeper, higher, wider, naturally balanced with whole lotta “black space” between instruments. Almost holographic. Voices placed in front of drums (as it should be), colour and tidiness of voice to die for. *Step 4: potentiometer turned from 1 o’clock to max. Too much of a good thing equals nogood. *Back to 11 o’clock – back to heaven. The sound reminded me to the “deep listening” sessions after bong (ab)use when I was young(er). *The last step: SR Plug switched of. The sound I’ve thought was fine. seemed - wall of sound! Plugged again. I will never unplug it again. I damn love it. Ivan Benja from Milan (Italy)  Having used the QA-Plug for about a decade now, I was curious of the exclusive Quantum device from NordOst which gave an impression of credibility. However, I preferred the QAPlug from Kemp. My dealer pointed out that the QA-Plug had been upgraded in the meantime, the new version allowing the listener to adjust its strength. This new QA-Plug clearly outperforms the original one! I bought four of them! Two are positioned at the front and two at the back of my listening room, giving the sound from my multichannel system much more realism and sense of space. Dhr. de Jong from Zevenhuizen/ the Netherlands (translated by John van Polen)  StereoTimes.com, March 2011; “Kemp Elektroniks Quantum Approach Plug, Another Black Box”, by Dave Allison “I won’t speculate as to whether the Kemp device has the same effects (or to the same degree) as the Nordost products, but the theory of operation seems to be similar, and the price is right! The Kemp QA Plug remains in my system, and is, in my opinion, a worthwhile system tweak.” review Response from customers I must say, that having just tried the SNS and QA plugs on my setup,they have made a noticeable difference in my system! Much more analogue sounding, with much better layering and separation. Also, more importantly, the dynamics haven’t been dampened a bit!! Wymun from Singapore  The increased detail (from full output) of the QA was not exaggerated, but to my ear a bit too much of a good thing. I then suggested we turn the output down a bit (to approx. 75%). Here the QA was near-perfect....tons of micro-detail, spaciousness, and venue information, but very, very musical. Alan M. Kafton from Phoenix (USA)  I feel very happy with “my” sound: wide, deep, open, transparent, tidy, rich, dynamic. I can hardly imagine anything better downside a 5 fig