Look what i did

CD Album CD Code EAN: 0008811123321 Classification Cd Primaire: Rock, Rap, variétés internationales Rubrique principale CD: CD Album Genre musical: Rock Classification CDMail: Rock Titre: Look What I Did (Anthology)

Now That's What I Call Music! 65 by Various Artists | cd | Good Condition | UK version | The first quarterly instalment of 2018 for the long-running series, Now That's What I Call Music! 65 collects some of the biggest mainstream pop tracks that made gains in the charts in the U.S. in late 2017 and early 2018. Released just months after Now 64, Now 65 includes Top Ten hits like Taylor Swift's "...Ready for It?," Demi Lovato's "Sorry Not Sorry," and Camila Cabello's "No Rap Version" of "Havana," which removes Young Thug from the mix. Rappers who are allowed to stay include G-Eazy on his A$AP Rocky and Cardi B collaborative hit "No Limit" and NF with his Christian chart-topping "Let You Down." EDM is represented -- albeit in a more chilled-out form -- by Calvin Harris ("Faking It"), Marshmello ("Wolves"), and Phantoms ("Just a Feeling"). J Balvin earns the sole Latin track on the collection with the Beyoncé-featuring "Mi Gente" alongside R&B-influenced tracks by Khalid ("Young, Dumb & Broke"), MAX & gnash ("Lights Down Low"), and Post Malone ("I Fall Apart"). Up-and-coming artists like Sofi Tukker ("Best Friend") and Indian Trap ("Look Like Monayyy") also appear. We Consider and Accept Best Offers From Our Customers Shipping from France with 100% Customer Satisfaction

ORIGINAL WAND USA  DE 1964 ETAT VISUEL DU DISQUE (LE DISQUE N'A PAS ETE TESTE): BON RAMENE DES USA DANS LES ANNEES 1960, DE MA COLLECTION PERSONNELLE BIEN REGARDER LES PHOTOS SVP RETOURS ACCEPTES "Money (That's What I Want)" is a 1960 song by Barrett Strong for the Tamla label, distributed nationally on Anna Records. It was written by Tamla founder Berry Gordy and Janie Bradford Money/Bent Scepter (Wand 150) 1964 (#16) -- Je mets au fur et à mesure ma collection de pop/rock américain et affilié, des pressages américains pour la plupart, qui suivaient le classement Billboard.  La majeure partie de ces disques datent de 1957 à 1965. Merci de regarder de temps en temps, vous pourriez y trouver quelques pépites ! N'hésitez pas à me faire des offres en cas d'achats multiples ! These records are from my personal collection and date for the most part from the 60's.  Most are also original US presses. Please don't hesitate to ask if I may have something you are looking for -- I still have quite a stock ! -- or make an offer ! And do please look from time to time -- you may find something rare !

Side oneNo.TitleWriter(s)Length1."Fotheringay"Sandy Denny3:062."Mr Lacey"Ashley Hutchings2:553."Book Song"Iain Matthews, Richard Thompson3:134."The Lord Is in This Place...How Dreadful Is This Place" (based on "Dark Was the Night, Cold Was the Ground" by Blind Willie Johnson)Hutchings, Thompson, Denny2:015."No Man's Land"Thompson2:326."I'll Keep It With Mine"Bob Dylan5:56Side twoNo.TitleWriter(s)Length1."Eastern Rain"Joni Mitchell3:362."Nottamun Town"Traditional, arranged by Denny, Matthews, Thompson, Simon Nicol, Hutchings, Martin Lamble3:123."Tale in Hard Time"Thompson3:294."She Moves Through the Fair"Traditional, arranged by Denny, Matthews, Thompson, Nicol, Hutchings, Lamble4:145."Meet on the Ledge"Thompson2:506."End of a Holiday"Nicol1:07

FROM MY PERSONNAL COLLECTION THIS IS AN EXTREMELY HARD TO FIND CD RELEASED IN 1994. VERY RARE & OOP ITALIAN IMPORT CD, REALLY HARD TO FIND, EVEN IN FRANCE.  WONDERFUL MUSIC, DON'T MISS THE OPPORTUNITY TO GRAB IT. FOR CONNOISSEURS OR MILES DAVIS / KEITH JARRETT / MTUME FANS AND COLLECTOR'S ONLY ! Tracklisting 1DirectionsWritten-By – Joe Zawinul15:312Honky TonkWritten-By – Miles Davis13:183What I SayWritten-By – Miles Davis16:204SanctuaryWritten-By – Miles Davis, Wayne Shorter3:215It's About That TimeWritten-By – Miles Davis17:38 - Recorded At – Wiener Konzerthaus - Alto Saxophone, Soprano Saxophone – Gary Bartz - Congas – Don Alias - Drums – Leon Chancler - Electric Bass – Mike Henderson - Electric Piano, Organ – Keith Jarrett - Liner Notes – Enrico Merlin - Percussion – James "Mtume" Foreman - Trumpet – Miles Davis Recorded live in Vienna (A) at the Wiener Konzerthaus Friday, November 5, 1971. Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES        Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS  All orders for Brazil / Mexico & South America / Russia & non European Union countries / Greece / China / Africa... are shipped for 7 euros with no tracking. Registered packages & Insurance are not included unless requested and paid for (12.50 euros for worlwide). I will not be held responsible for damaged or lost items shipped without insurance. Please tell me if you want registered and tracking mail in order I can send you a correct Paypal invoice. Please e-mail me if you have any question and don’t place any order if you don’t agree with my conditions. PAYMENT: 1- PAYPAL / postal transfer for international buyers. 2- Bank / postal transfer for Union European buyers only. Payment must be received within 7 days of auction ends. The item will be relisted after this period. I recommend you to check regularly my others auctions. Feel free to contact me if you have any questions about the item. Thanks and good bidding!

PHIL COLLINS Take A Look At Me Now...  Coffret 8CD Box Édition Limitée Remasters. Légères traces de frottements sur la box. CD et leur pochette en excellent état. Face Value - 1-1 In The Air Tonight 5:36 - 1-2 This Must Be Love 3:56 - 1-3 Behind The Lines 3:55 - 1-4 The Roof Is Leaking 3:16 - 1-5 Droned 2:49 - 1-6 Hand In Hand 5:22 - 1-7 I Missed Again 3:46 - 1-8 You Know What I Mean 2:33 - 1-9 Thunder And Lightning 4:13 - 1-10 I'm Not Moving 2:35 - 1-11 If Leaving Me Is Easy 4:55 - 1-12 Tomorrow Never Knows 4:52 Hello, I Must Be Going! - 2-1 I Don't Care Anymore 5:05 - 2-2 I Cannot Believe It's True 5:16 - 2-3 Like China 5:08 - 2-4 Do You Know, Do You Care? 4:58 - 2-5 You Can't Hurry Love 2:55 - 2-6 It Don't Matter To Me 4:17 - 2-7 Thru These Walls 5:05 - 2-8 Don't Let Him Steal Your Heart Away 4:44 - 2-9 The West Side 5:02 - 2-10 Why Can't It Wait 'til Morning 3:11 No Jacket Required - 3-1 Sussudio 4:24 - 3-2 Only You Know And I Know 4:21 - 3-3 Long Long Way To Go 4:22 - 3-4 I Don't Wanna Know 4:15 - 3-5 One More Night 4:51 - 3-6 Don't Lose My Number 4:48 - 3-7 Who Said I Would 4:01 - 3-8 Doesn't Anybody Stay Together Anymore 4:18 - 3-9 Inside Out 5:15 - 3-10 Take Me Home 5:51 - 3-11 We Said Hello Goodbye 4:21...But Seriously - 4-1 Hang In Long Enough 4:45 - 4-2 That's Just The Way It Is 5:20 - 4-3 Do You Remember? 4:36 - 4-4 Something Happened On The Way To Heaven 4:51 - 4-5 Colours 8:51 - 4-6 I Wish It Would Rain Down 5:27 - 4-7 Another Day In Paradise 5:22 - 4-8 Heat On The Street 3:51 - 4-9 All Of My Life 5:35 - 4-10 Saturday Night And Sunday Morning 1:25 - 4-11 Father To Son 3:27 - 4-12 Find A Way To My Heart 6:14 Both Sides - 5-1 Both Sides Of The Story 6:43 - 5-2 Can't Turn Back The Years 4:40 - 5-3 Everyday 5:43 - 5-4 I've Forgotten Everything 5:15 - 5-5 We're Sons Of Our Fathers 6:24 - 5-6 Can't Find My Way 5:09 - 5-7 Survivors 6:05 - 5-8 We Fly So Close 7:33 - 5-9 There's A Place For Us 6:52 - 5-10 We Wait And We Wonder 7:01 - 5-11 Please Come Out Tonight 5:49 Dance Into The Light - 6-1 Dance Into The Light 4:25 - 6-2 That's What You Said 4:20 - 6-3 Lorenzo 5:51 - 6-4 Just Another Story 6:24 - 6-5 Love Police 4:11 - 6-6 Wear My Hat 4:44 - 6-7 It's In Your Eyes 3:02 - 6-8 Oughta Know By Now 5:31 - 6-9 Take Me Down 3:22 - 6-10 The Same Moon 4:08 - 6-11 River So Wide 4:57 - 6-12 No Matter Who 4:40 - 6-13 The Times They Are A-Changin' 5:08 Testify - 7-1 Wake Up Call 5:15 - 7-2 Come With Me 4:34 - 7-3 Testify 6:31 - 7-4 Don't Get Me Started 4:41 - 7-5 Swing Low 5:08 - 7-6 It's Not Too Late 3:59 - 7-7 This Love This Heart 4:04 - 7-8 Driving Me Crazy 4:37 - 7-9 The Least You Can Do 4:21 - 7-10 Can't Stop Loving You 4:16 - 7-11 Thru My Eyes 5:07 - 7-12 You Touch My Heart 4:46 The Essential Going Back - 8-1 Going Back 4:38 - 8-2 Girl (Why You Wanna Make Me Blue) 2:32 - 8-3 (Love Is Like A) Heatwave 2:53 - 8-4 Some Of Your Lovin' 3:18 - 8-5 Going To A Go-Go 2:48 - 8-6 Papa Was A Rolling Stone 6:44 - 8-7 Loving You Is Sweeter Than Ever 2:47 - 8-8 Something About You 2:46 - 8-9 Talkin About My Baby 2:48 - 8-10 Do I Love You 2:50 - 8-11 Never Dreamed You'd Leave In Summer 3:00 - 8-12 Take Me In Your Arms (Rock Me For A Little While) 2:57 - 8-13 Too Many Fish In The Sea 2:30 - 8-14 Uptight (Everything's Alright) 3:03

VINTAGE STONES, SOUNDBOARD RECORDINGS, 40th ANNIVERSARY - THE ROLLING STONES Australia 66: FM broadcast by Australian 3UZ radio, Melbourne. Chess Studios 64-65: excellent Stereo Studio Soundboard recordings. Ed Sullivan Shows 64-69: Excellent mono TV broadcasts 2 CD dans un digipack 3 panneaux avec photos et notes de pochette 2 CD in a trifold digipack with pictures and liner notes. DISC ONE St. Kilda, Palais Theatre, Feb. 24, 1966, evening show 01. The Last Time 02. Mercy Mercy 03. She Said Yeah 04. (commercial) 05. Play With Fire 06. Not Fade Away 07. That's How Strong My Love Is 08. (commercial) 09. Get Off Of My Cloud 10. (commercial) 11. Satisfaction Chess Studios, Chigaco, Illinois, 2120 South Michigan Avenue, June 10, 1964 12. It's All Over Now 13. I Can't Be Satisfied 14. Stewed And Keefed Chess Studios, Chigaco, Illinois, 2120 South Michigan Avenue, June 11, 1964 15. 2120 South Michigan Avenue (long Version) 16. Around And Around 17. Confessin' The Blues 18. Don't Lie To Me 19. Down In The Bottom 20. Down The Road Apiece 21. Empty Heart 22. High Heel Sneakers 23. If You Need Me 24. Look What You've Done 25. Reelin' And Rockin' 26. Tell Me Baby, How Many More Times 27. 2120 Michigan Avenue (short Version) DISC TWO Chess Studios, Chigaco, Illinois, 2120 South Michigan Avenue, Nov. 8, 1964 01. Time Is On My Side (guitar-Intro Version) 02. What A Shame Chess Studios, Chigaco, Illinois, 2120 South Michigan Avenue, May 10, 1965 03. The Under Assistant West Coast Promotion Man (take 1) 04. Mercy Mercy 05. That's How Strong My Love Is 06. The Under Assistant West Coast Promotion Man (take 2) Ed Sullivan TV-Show, Oct. 25, 1964 07. Around And Around 08. Time Is On My Side Ed Sullivan TV-Show, May 2, 1965 09. The Last Time 10. Little Red Rooster 11. Everybody Needs Somebody To Love Ed Sullivan TV-Show, Feb. 13, 1966 12. Satisfaction 13. As Tears Go By 14. 19th Nervous Breakdown Ed Sullivan TV-Show, Sept. 11, 1966 15. Paint It Black 16. Lady Jane 17. Have You Seen Your Mother, Baby, Standing In The Shadow ? Ed Sullivan TV-Show, Jan. 15, 1967 18. Ruby Tuesday 19. Let's Spend Some Time Together Ed Sullivan TV-Show, Nov. 18, 1969 20. Gimme Shelter 21. Love In Vain 22. Honky Tonk Women

45t SP ARISTA 113 169 LISA STANSFIELD WHAT DID I DO TO YOU ? DISQUE et POCHETTE VG+ + (voir scans)

Diana Ross – An Evening With Diana Ross Label: Motown – M7-877R2 Format: 2 x Vinyle, LP, Album, Gatefold Pays: US Sortie: 18 janv. 1977 Genre: Funk / Soul Style: Soul, Disco A1 Overture 2:35 A2 Here I Am 1:02 A3 I Wouldn't Change A Thing 1:50 A4 The Lady Is A Tramp 2:00 A5 Touch Me In The Morning 2:54 A6 Smile / Send In The Clowns 4:30 A7 Love Hangover 4:49 B1 Girls 1:20 The Point B2 Everybody's Got 'Em 1:05 B3 Me And My Arrow 1:17 B4 Lifeline 3:01 B5 Everybody's Got 'Em (Reprise) 1:07 The Working Girls (Billie Holiday, Josephine Baker, Ethel Waters, Bessie Smith) B6 Lady Sings The Blues 1:00 B7 T'Ain't Nobody's Bizness If I Do 1:02 B8 I Cried For You 0:53 B9 Aux Iles Hawaii 1:00 B10 Stormy Weather 1:50 B11 Jump In The Pot (And Let's Get Hot) (Instrumental) 0:23 B12 I Need A Little Sugar In My Bowl 2:13 B13 My Man 2:18 The Motown Story 4:52 C1.1 Motown Overture C1.2 Money (That's What I Want) C1.3 Please Mr. Postman C1.4 Fingertips C1.5 I Want You Back C1.6 You Keep Me Hanging On C1.7 Baby Love C1.8 Someday We'll Be Together The Supremes 6:28 C2.9 Stop! In The Name Of Love C2.10 You Can't Hurry Love C2.11 Reflections C2.12 My World Is Empty Without You C2.13 I Hear A Symphony Reach Out C2.14 Reach Out And Touch (Somebody's Hand) 2:49 One Giant Step D1 The Music In The Mirror 3:35 D2 What I Did For Love 2:17 D3 Improvisations 1:19 D4 Dance: Ten; Looks: Three 2:59 D5 Theme From Mahogany (Do You Know Where You're Going To) 1:15 D6 Ain't No Mountain High Enough 4:05 En savoir plus

PAPER LACE "THE BEST" 70'S LP  HALLMARK 868 Titres: Billy - Don't Be A Hero I Did What I Did For Maria Jean Mary In The Morning Celia Hitchin' A Ride '74 The Black-Eyed Boys Happy Birthday Sweet Sixteen Love Song Dreams Are Ten A Penny Love You're A Long Time Coming The Night Chicago Died Pochette: TRES TRES BON (VG+++), voir photos. Disque: TRES TRES BON (VG+++) , trés bonne écoute. Label:  EXCELLENT (EX). Paiement Paypal ou cheque. Port en France Metropolitaine: Jusqu'a 250 g (1 a 3 x 45t): 4,90 € Jusqu'a 500 g (1 x 33 t): 6,50 € Jusqu'a 2 kg (2 a 6 x 33t): 8,50 € Port pour le monde entier: Jusqu'a 250 g (1 to 3 x 45rpm -7inch): 10 € Jusqu'a 500 g (1 x 33 rpm -12inch):      14 € Jusqu'a 2 kg (2 to 6 x 33 rpm -12inch): 23 €

Pikachu Munch « The scream » PCA 8 288/5M-P. État: "Occasion" PCA 8/10 (PCA Is like PSA but french company) Make offer i’ll look what i can do

I will accept Paypal, but because of their high charges would prefer payment by bank transfer in the Euro Zone J'accepter le paiement par Paypal, cependant, en raison des frais élevés de Paypal, je préfère le paiement par chèque (en France) ou virement bancaire/bank transfer (Zone Euro) I GIVE REDUCTIONS ON POSTAGE FOR MULTIPLE ITEMS JE DONNE DES REDUCTIONS SUR LES FRAIS DE LIVRAISON POUR LES ACHATS MULTIPLES 1. Kickin' Motor Scooter   2. Red-Eye Jesse Bell   3. I Like What You Do (When You Do What You Did Last Night)   4. New Fire Detective Blues   5. North Gulfport Boogie   6. Watch Your Step (If You Just Can't Be Good)   7. Ho! Ho! Ho!   8. Key To Your Heart   9. We Gotta Move   10. Dresser Drawers   11. Living The Right Life   12. Run This Boogie   13. Slidell Blues   14. Mistake In Life   15. You So Small   16. Concentration Blues   17. She's Got Me Straddle A Log

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

Je revends une partie de ma collection de hot toys/sideshow a l'echelle 1/6eme toutes les figurines que je mets en ventes sont en parfait etat et completes sauf precisions dans la rubrique d'etats. les boites sont en bonnes conditions sauf precision contraire dans la rubrique d'état et peuvent presenter des signes liés au stockage comme des marques ou des traces legeres je vous invite a bien regarder les photos.  je n'ai pas conservé les chargeurs (boites marrons) mais les envois seront blindés, regardez mes evaluations c'est fiable a 1000%:-) elles ont été exposée sous vitrines a l'abris de la lumiere du jour et de la poussiere dans une piece dediée.  vous achetez ce que vous voyez en photo j'envoie toujours sous 2 jours max et tres souvent le lendemain même de la vente.  envoie en colissimo france et union europeenne  En cas d'achats multiples, je recalcules les frais de port au plus juste Suivez mes ventes je met regulierement de nouvelles pieces en vente, plus de 300 hot toys/sideshow principalement marvel et star wars a venir  _________________________________________________ I am selling part of my collection of sixth scale hot toys / sideshow  all the figures on sale are in perfect condition and complete except for details in the condition section. the boxes are in used condition and may show signs of storage such as marks or slight traces. I invite you to take a good look at the pictures.  I did not keep brown boxes but the shipments will be "bomb proof", look at my feddback please it's 1000% reliable:-) they were exhibited in glass cases sheltered from daylight and dust in a dedicated room. you buy what you see in the photo I always send within 2 days max and very often the day after the sale. sent by french post through european union, UK. other countries please ask for a quote before bidding In case of multiple purchases, I recalculate the shipping costs as accurately as possible 142 / 5000 Résultats de traduction Follow my sales I regularly put new items on sale, more than 300 hot toys / sideshow mainly marvel and star wars to come

Insigne "Train" du 501° Groupe de Transport  Hauteur: 4,8 CM Fabrication Drago Paris N° Homologation: H 224 Dos guilloché embouti    Bon état vendu sans son étui Bon état, petits éclats, à finir de nettoyer les photos parlent d'elles même voir photos   International eur are Welcome   Good condition I sell what you see in the pictures Original Manufacturing Drago Paris, Classification number: H 224  Dos guilloche stamped, Height 1.88 Inch    Good condition, small eclat, finish cleaning Look pictures Badge "Train" the 501st Transport Group, Badge original look pictures I sell  what you see                  Je vends ce que vous visualisez               Envoi France et Etranger Information Utile: Achats groupés: Attendez svp le calcul des frais d'expédition avant d'effectuer votre réglement. FRANCE: Frais de port offerts pour 120 € d'achats  Buyer strange if multiple purchases do not pay immediately ask the shipping cost before paying.   Voir dans ma boutique:   Médailles Look in my shop:    ENVOI TRES SOIGNE (prenez le temps de consulter nos évaluations) mggm2005  (6920  ) Déçu par votre achat (description incomplète ou erronée, erreur de notre part, objet non conforme...) prenez le temps d'envoyer un mail: il y a toujours une solution     Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.