Mac to add music on

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con

This is a 2nd gen iPod mini, with the following modifications: - 128GB storage flash memory, instead of 4GB hard drive - orange backlight instead of white default - Apple Taptic Engine instead of original click wheel sound The battery life time is excellent. I tested it, after a full charge the iPod lasts 21 hours and 30 minutes reading music at mid-level volume continuously, connected to an in-ear Apple-like headset. There are some discreet marks of use, see photos. Discrete marks on the screen glass (almost invisible, I was unable to make them visible on the pictures). Works perfectly. USB cable is provided with it. Needs iTunes on Windows or Mac to add music on it. For Linux, softwares using libgpod are working: Rhythmbox, Amarok,... En savoir plus Collaboration commerciale.

This is a 2nd gen iPod mini, with the following modifications: - 128GB storage flash memory, instead of 4GB hard drive, - orange backlight instead of white default, - Apple Taptic Engine instead of original click wheel sound. The battery life time is excellent. I tested it, after a full charge the iPod lasts 21 hours and 30 minutes reading music at mid-level volume continuously, connected to an in-ear Apple-like headset. Supplied with: - box, - new USB cable, - new headset. There are some discreet marks of use, see photos. Discrete marks on the screen glass (almost invisible, I was unable to make them visible on the pictures). Works perfectly. Needs iTunes on Windows or Mac to add music on it. For Linux, softwares using libgpod are working: Rhythmbox, Amarok,... En savoir plus Collaboration commerciale.

This is a 2nd gen iPod mini, with the following modifications: - 128GB storage flash memory, instead of 4GB hard drive - blue backlight instead of white default - Apple Taptic Engine instead of original click wheel sound There are some discreet marks of use, see photos. The battery life time is excellent. Discrete marks on the screen glass (almost invisible, I was unable to make them visible on the pictures). Works perfectly. USB cable is provided with it. Needs iTunes on Windows or Mac to add music on it. For Linux, softwares using libgpod are working: Rhythmbox, Amarok,... There is also the blue version, available here. En savoir plus Collaboration commerciale.

This is a 2nd gen iPod mini, with the following modifications: - 128GB storage flash memory, instead of 4GB hard drive - orange backlight instead of white default - Apple Taptic Engine instead of original click wheel sound There are some discreet marks of use, see photos. The battery life time is excellent. Discrete marks on the screen glass (almost invisible, I was unable to make them visible on the pictures). Works perfectly. USB cable is provided with it. Needs iTunes on Windows or Mac to add music on it. For Linux, softwares using libgpod are working: Rhythmbox, Amarok,... There is also the blue version, available here. En savoir plus Collaboration commerciale.

This is a 2nd gen iPod mini, with the following modifications: - 128GB storage flash memory, instead of 4GB hard drive - orange backlight instead of white default - Apple Taptic Engine instead of original click wheel sound There are some marks of use, see photos. The battery life time is excellent. A tiny mark on the screen glass (almost invisible, I was unable to make it visible on the pictures). Works perfectly. USB cable is provided with it. Needs iTunes on Windows or Mac to add music on it. For Linux, softwares using libgpod are working: Rhythmbox, Amarok,... There is also the blue version, available here. En savoir plus Collaboration commerciale.

Configuration Hartmann Neuron VS PC PORTABLE , CARTE SON USB (midi et audio), LOGICIELS et PERIPHERIQUE DE PILOTAGE  NUKE USB. Très bon état et fonctionnel Hartmann Neuron VS Attention: le Nuke est inutilisable avec des version de Windows au delà de XP. C'est pourquoi je vends l'ensemble, ce qui vous permet de travailler indépendamment d'une DAW plus moderne, tout en pilotant le Neuron avec un clavier midi....    Neuron VS's main screen, showing the two Resynators, Blender, and Shapers (envelope generators). The colour coding of the two X-Y controllers indicates which of the three parameter levels is being accessed. If you pined after the innovative Neuron in 2003, but couldn't afford the £3500 price tag, check out Neuron VS; it packs most of the original synth engine into a £500 software instrument and throws in a distinctive hardware controller. Once upon a time, hi-tech music manufacturers would release synths or workstations in two or three different keyboard sizes, and then add a rackmount version to the range later, allowing users to add the basic sounds and features of the product to their studio racks without taking up too much room. But times are changing, and it's surely a sign of our increasingly 'virtual' age that Hartmann, whose Neuron was one of the largest, loudest, and most expensive hardware synths of recent times, have chosen to aim straight at the computer with their second release. Neuron VS will not fit in your racks, but instead installs on your Mac or PC: it's a VST/AU-format virtual instrument that offers the original keyboard's core technology for a fraction of the Neuron's price.Neuron VS running as a plug-in under Cakewalk Sonar, with the Nuke hardware controller/dongle in the foreground.Photo: Mark Ewing Actually, it's perhaps not surprising that Hartmann have made this move: as was noted in the August 2003 SOS review of the original keyboard, Neuron is based on a PC architecture, and one of its main developers is also the man behind German software house Prosoniq, which must have made developing the plug-in easier. Whatever the motivation, software has to be a more economical option for a developer, even if, as in the case of Neuron VS, the software comes with a hardware controller. Tooling up for a rack Neuron, on the other hand, would have produced another mega-thousand-pound product. Refreshing The Neurons The original Neuron created quite a stir when it was announced by promising a new approach to synthesis and sound creation, and anyone who heard one, as I did while attending the Frankfurt Music Fair during its launch year, couldn't ignore the range and volume of sounds it produced. I was continuously reminded of the Neuron's impact as it swooped and roared in the background of an interview that I recorded at that show. Now the attractive concept of running that technology from your computer desktop has created a stir of its own. The Neuron VS package consists of two parts, one hardware and one software (as this review was approaching completion, a second software component, Modelmaker, was added to the bundle — see the boxout for more on this). The hardware element is the USB-driven Nuke remote control unit, which offers a single stick controller — the X-Y joystick, of which there are four on the original Neuron keyboard — and four assignable continuous controllers. Neuron VS, the software component, is essentially the synth engine from the original Neuron in plug-in form. Obviously, the keyboard version has the advantage of its own dedicated hardware, so its performance is not dependent on the power of your CPU or the amount of RAM you have installed, as is the case with Neuron VS. The keyboard version also offers surround-sound audio compatibility, future plans for audio-input processing and four-part multitimbrality. But the rest remains largely the same. For the benefit of those unfamiliar with the original, a quick recap is in order.

AKAI AMX6 Mélangeur De Puissance AMP. 1 - HI/MID/LOW EQUALIZER: Powerful 15dB boost or cut allows you to tailor the sound of each individual channel so the instrument blends more naturally in the mix. The HIGH EQ is a 12 kHz shelving type to add or cut b'"'sizzleb'"'. MID has a center frequency of 1.2 kHz, approximately in the vocal range. The LOW EQ is an 80 Hz shelving type, around the kick-drum frequency. 2 - EFFECT SEND (REV/FX): Controls the level of the signal sent to the internal digital effects and the FX SEND bus. This control comes after the LEVEL control, so the signal sent to internal or external effects will also be affected by changes in the LEVEL setting. 3 - MONITOR: Controls the level of the signal sent to the MONITOR bus and MONITOR OUT jack. This control is independent of the LEVEL control and is not affected by it. This means you can create a completely separate mix for on-stage monitoring. 4 - LEVEL: Controls the level of the input signal sent to the MAIN bus. Generally used for creating the mix sent to the audience. 5 - LINE/MIC INPUTS (Channels 1-4): Use the LINE input for instruments that provide line level signals such as synthesizers or drum machines. Use the MIC input for low level signal sources such as microphones. +48V phantom power is available for use with condenser microphones. You can also use both LINE and MIC inputs simultaneously for each channel. 6 - LINE/MIC INPUTS (Channels 5-6): LINE input functions as channels 1-4. LINE/MIC input accepts both XLR and phone jacks. You can connect a stereo signal to both phone jacks (LINE and MIC/LINE) for summing to a mono signal. 7 - DIGITAL EFFECTS: A selection of 16 powerful digital reverb and delay effects to add extra ambiance to your music. A foot switch may be used to turn the digital effects on/off for dramatic sonic changes while playing, and the green indicator lights when the effects are on. 8 - PHANTOM: Turns +48V phantom power on/off for condenser microphones connected to the MIC inputs of channels 1-6. The green indicator lights when phantom power is on. 9 - FX SEND: Controls the combined level of signals sent from the FX SEND bus to an external effects processor connected to the FX SEND jack. This control has no effect on the signal level sent to the built-in digital effects. 10 - TAPE/AUX IN LEVEL: Lets you adjust the level sent to the MAIN bus from the TAPE IN/AUX IN connectors. 11 - MAIN/BRIDGED SECTION: Graphic equalizer +/-12dB 7-band graphic equalizer adjusts the EQ curve of the MAIN bus signal sent to the AMP 1 A/B speakers. Use it to compensate for poor acoustics in a hall or to prevent feedback. REV/FX: Adjusts the built-in digital effects level sent to the MAIN bus. Set to b'"'0b'"' (or use a foot switch) to turn effects off. LEVEL: Controls the output level of the MAIN bus signal sent to the MAIN OUT jack and the internal AMP 1. Peak level indicators: Provides visual indication of the signal level at the MAIN OUT jack and AMP 1 input. 12 - MONITOR SECTION: Graphic equalizer +/-12dB 7-band graphic equalizer adjusts the EQ curve of the MONITOR bus signal sent to the AMP 2 A/B speakers. Use it to compensate for poor acoustics in a hall or on stage, or to prevent feedback. REV/FX: Adjusts the built-in digital effects level sent to the MONITOR bus. Set to b'"'0b'"' (or use a foot switch) to turn effects off. LEVEL: Controls the output level of the MONITOR bus signal sent to the MONITOR OUT jack and the internal AMP 2. Peak level indicators: Provides visual indication of the signal level at the MONITOR OUT jack and AMP 2 input. 13 - MODE: Allows you to select signal routing to the internal amplifiers. MAIN TO AMP 1/MONITOR TO AMP: Gives you a 200 watts mono MAIN (audience) mix and a separate 200 watts mono MONITOR (on-stage) mix, without the need for any external amplifiers. MAIN TO AMP 1 b'&' 2: Allows you to send a 200 watts per channel, 2- or 4-speaker mono mix to the audience. You can also have a separate on-stage mix by connecting another amplifier En savoir plus Collaboration commerciale.

Cambridge Audio Stream Magic 6 V2 black network player - DAC and digital pre-amp. État : "Occasion" Bonjour, je vend un Stream Magic 6 V2 d'occasion en très bon état. (Lecteur réseau audio / DAC / Préampli hi-fi) Fonctionne parfaitement, vendu avec la télécommande et le câble d'alimentation -------   Hello, I sell a  second hand Stream Magic 6 V2 in very good condition. (Network audio player / DAC / Hi-fi preamp) Works perfectly, sold with the remote control and the power cable ------- Cambridge Audio Stream Magic 6 Network Music Player/Preamp Wherever your digital audio comes from, whatever format you store it in, the Cambridge Audio Stream Magic 6 network music player makes it sound stunning! From smartphones/tablets and laptops, to Blu-ray players, TVs and games consoles, and with support for audio streaming services including BBC iPlayer, Aupeo, and Pandora plus with access to over 20,000+ internet radio stations – the Stream Magic 6 doesn't just stream audio on to your hi-fi amp and speakers, but dramatically improves it as it does – bringing out the ultimate in detail, clarity and quality from your digital audio. Key to this is Cambridge Audio's unique ATF2 upsampling. Everything passing through the Stream Magic 6 is upsampled to highest-quality 24-bit/384 kHz with jitter and other digital audio issues eliminated. The result is stunning. The Stream Magic 6 is compatible with all major digital audio formats – including MP3, AAC and WMA, as well as "lossless" high-quality audio formats such as Apple Lossless, FLAC and AIFF. Upsampling audio magic Everything that passes through the Stream Magic 6 is upsampled, using the unique ATF2 (Adaptive Time Filtering) process, developed in conjunction with Anagram Technologies of Switzerland, through a high-end Analog Devices DSP (Digital Signal Processor), to ultra-high detail 24-bit 384kHz output. As well as dragging extra detail from every source (even CD, Blu-ray and "Lossless" digital files), ATF2 virtually eliminates "jitter" common in playing digital audio files – which can lead to a flatter, lifeless sound with tinnier bass response. Those problems vanish when digital audio's put through Stream Magic 6. Network audio magic for wireless Streaming network audio to your hi-fi's easy with Stream Magic 6. Music on wi-fi connected desktops, laptops and NAS drives is automatically detected to create a wireless music system. And, of course, all those digital audio files, upsampled through the Stream Magic 6's unique ATF2 process, will sound far better through your main hi-fi, than desktop speakers. Internet radio and streaming services Browse, search and listen to over 20,000 internet radio stations with ease on Stream Magic 6. And use the Stream Magic Home internet portal to set up favorite stations, preferences and check out the newest internet music stations we've added to the service. All your favorite stations and preferences can be managed using the Stream Magic Home portal. The Stream Magic 6 features built-in support for the latest in high-quality digital audio streaming services including BBC iPlayer Radio, Aupeo and Rhapsody. And, of course, even high-quality 320kbps streams still benefit from Stream Magic 6's ATF2 upsampling. Streaming music never sounded so good, yet was so easy to get to your hi-fi. Stream Magic 6 also supports the best in podcast streams such as Podcast.com, Blog TalkRadio and BBC Podcasts. USB Instantly upgrade the audio of your PC or Mac, desktop or laptop. Even streaming music services such as Spotify, Rhapsody or Napster sent via your computer can be improved by Stream Magic 6's upsampling – delivering audiophile detail to your hi-fi. USB connection supports up to 24-bit 192kHz transfer with both "kernel streaming" and "ASIO" support to cut out Windows default sound processing methods, further improving quality. Digital audio connections Stream Magic 6 is com

Bon etat Numark Mixtrack Pro DJ Contrôleur avec interface USB audio intégrée  -  Digital DJ controller with large, touch-sensitive control wheels and integrated audio interface - Mix, scratch and perform with the music on your computer via dual-deck layout complete with mixer section - Communicates with your computer via a single USB connection - Illuminated controls provide 1:1 feedback with software parameters - Supports MIDI over USB for compatibility with virtually all digital DJ software - Class compliant- no drivers to install and thus no headaches - Includes Serato DJ Intro, fully upgradable to Serato DJ   MIXTRACK PRO is a complete DJ system that works with the music on your Mac or PC. MIXTRACK PRO's classic two-turntables-and-a-mixer setup connects to your computer so you can scratch, mix, loop, and much more. MIXTRACK PRO has all the inputs and outputs you’ll need for your headphones, speakers, and a mic. Plus, MIXTRACK PRO is portable, so you'll always be ready to DJ anywhere. MIXTRACK PRO has two decks, each with a large, touch-sensitive turntable for accurate scratching, beat-juggling and locating precise points within your tracks. It’s just like working with a record. In addition to the two decks, MIXTRACK PRO has an easy to use audio mixer so veteran DJs and beginners alike will be able to step right up and get the party going. If you’re DJing for the first time, MIXTRACK PRO is a great place to learn because your skills will transfer to any other DJ system. MIXTRACK PRO comes with Serato DJ Intro, powerful software which makes it easy to mix your favorite music. MIXTRACK PRO lets you create professional sounding mixes at home or at live performances at parties, functions and clubs. MIXTRACK PRO is also a MIDI-over-USB controller, so it's compatible with virtually all DJ software.

À SAISIR!!! PAIRE D'ENCEINTES DE MONITORING ALESIS M1ACTIVE 520 USB FOURNIES AVEC CÂBLE D'ALIMENTATION ET MODE D'EMPLOI TRÈS BON ÉTAT, FONCTIONNENT PARFAITEMENT! Enceintes de monitoring active, les M1Active 520 USB d’Alesis sont un système de monitoring pour studios d’enregistrement professionnels avec interface audionumérique intégrée.  Elles sont composées d'une paire d'enceintes de référence de 2 voies actives bi-amplifiées avec une réponse en fréquence allant de 20 000 Hz à 56 Hz, c.-à-d. qu’elles sont capables de restituer pratiquement toutes les fréquences audibles par l’oreille humaine.  Grâce à l’entrée numérique USB, vous pourrez écouter de la musique de votre ordinateur sans avoir à ajouter de câbles, directement via les M1Active 520 USB.  Ces moniteurs de studio offrent un son linéaire, transparent et neutre, digne des enceintes les plus chères. Caractéristiques:  - Moniteurs de studio actifs 2 voies bi-amplifiés (la paire)  - Réponse en fréquence étendue de 56 à 20 000 Hz  - Boomer 5'' en polypropylène d’une puissance de 50 W RMS  - Tweeter à membrane en soie 1'' - Puissance 25 W RMS  - Interface audio 16 bits, 44,1/48 Khz pour l’enregistrement et la lecture  - 2 entrées jack 6,3 mm symétriques  - Sortie casque sur jack 6,3 mm stéréo - Blindage magnétique, permet le positionnement des enceintes près d’un écran PC ou TV  - Caisson à faible résonance avec Bass Port (ajustage de l’intensité des basses pr optimiser les on par rapport au positionnement des enceintes)  - Témoins LED de mise sous tension et de saturation bicolores. ++++++++++++++++++++++++++++++++++++++++++ PAIR OF MONITORING SPEAKERS "ALESIS M1ACTIVE 520 USB" SUPPLIED WITH POWER CABLE VERY GOOD CONDITION, WORKING PERFECTLY!  Active monitoring speakers, the Alesis M1Active 520 USB are a monitoring system for professional recording studios with integrated digital audio interface. The M1Active 520 USB are composed of a pair of bi-amplified active 2-way reference loudspeakers with a frequency response ranging from 20,000 Hz to 56 Hz, i.e. that they are able to reproduce virtually all frequencies audible to the human ear. Thanks to the digital USB input, you can listen to music from your computer without having to add cables, directly on the M1Active 520 USB. Their attractive price makes them accessible to any studio, whatever its budget. These studio monitors deliver linear, transparent and neutral sound worthy of the most expensive speakers.  Features:  - Bi-amplified 2-way active studio monitors (pair) - Extended frequency response from 56 to 20,000 Hz  - 5'' polypropylene boomer with 50 W RMS power  - 1'' silk membrane tweeter - 25 W RMS power - 16-bit audio interface, 44.1 / 48 Khz for recording & playback  - 2 balanced 6.3 mm jack inputs  - Headphone output on 6.3 mm stereo jack  - Magnetic shielding, allows positioning of speakers near a PC screen or TV Low resonance subwoofer with Bass Port (adjustment of bass intensity to optimize on in relation to speaker placement)  - Two-color power and saturation LED indicators.  ++++++++++++++++++++++++++++++++++++++++++

À SAISIR!!! PAIRE D'ENCEINTES ALESIS M1ACTIVE 520 USB FOURNIES AVEC CÂBLE D'ALIMENTATION ET MODE D'EMPLOI TRÈS BON ÉTAT, FONCTIONNENT PARFAITEMENT! Prix à l'achat: 200€ Les enceintes de monitoring Alesis M1Active sont des enceintes de référence à 2 voies actives bi-amplifiées avec une réponse en fréquence allant de 20 000 Hz à 56 Hz, c.-à-d. qu’elles sont capables de restituer pratiquement toutes les fréquences audibles par l’oreille humaine.  Grâce à l’entrée numérique USB, vous pourrez écouter de la musique sur votre ordinateur sans avoir à ajouter de câbles, directement via les M1Active 520 USB.  Ces moniteurs de studio offrent un son linéaire, transparent et neutre, digne des enceintes bien plus chères. Caractéristiques:  - Moniteurs de studio actifs 2 voies bi-amplifiés (la paire)  - Réponse en fréquence étendue de 56 à 20 000 Hz  - Boomer 5'' en polypropylène d’une puissance de 50 W RMS  - Tweeter à membrane en soie 1'' - Puissance 25 W RMS  - Interface audio 16 bits, 44,1/48 Khz pour l’enregistrement et la lecture  - 2 entrées jack 6,3 mm symétriques  - Sortie casque sur jack 6,3 mm stéréo - Blindage magnétique, permet le positionnement des enceintes près d’un écran PC ou TV  - Caisson à faible résonance avec Bass Port (ajustage de l’intensité des basses pr optimiser les on par rapport au positionnement des enceintes)  - Témoins LED de mise sous tension et de saturation bicolores. ++++++++++++++++++++++++++++++++++++++++++ PAIR OF SPEAKERS "ALESIS M1ACTIVE 520 USB" SUPPLIED WITH POWER CABLE AND USER MANUAL VERY GOOD CONDITION, WORKING PERFECTLY! Rt price: 200€ The Alesis M1Active 520 USB speakers are a monitoring system for professional recording studios with integrated digital audio interface. They are bi-amplified active 2-way reference loudspeakers with a frequency response ranging from 20,000 Hz to 56 Hz, i.e. that they are able to reproduce virtually all frequencies audible to the human ear.  Thanks to the digital USB input, you can listen to music from your computer without having to add cables, directly on the M1Active 520 USB. Their attractive price makes them accessible to any studio, whatever its budget. These studio monitors deliver linear, transparent and neutral sound worthy of much more expensive speakers.  Features:  - Bi-amplified 2-way active studio monitors (pair) - Extended frequency response from 56 to 20,000 Hz  - 5'' polypropylene boomer with 50 W RMS power  - 1'' silk membrane tweeter - 25 W RMS power - 16-bit audio interface, 44.1 / 48 Khz for recording & playback  - 2 balanced 6.3 mm jack inputs  - Headphone output on 6.3 mm stereo jack  - Magnetic shielding, allows positioning of speakers near a PC screen or TV Low resonance subwoofer with Bass Port (adjustment of bass intensity to optimize on in relation to speaker placement)  - Two-color power and saturation LED indicators.  ++++++++++++++++++++++++++++++++++++++++++

Lecteur multimédia numérique Creative ZEN X-Fi Black (16 Go). Condition utilisée. Fonctionne bien, tient la charge, est livré avec un câble USB. En bon état et en état de marche (cf. photos) Taille d'écran (diagonale): 3 / 7 cm Il peut stocker 8 Go et peut contenir jusqu'à 4000 chansons et il y a une fente pour carte SD ajoute une capacité supplémentaire. Le ZEN X-Fi dispose d'un grand écran couleur pour vous permettre de profiter de vidéos et de photos, et d'un haut-parleur intégré pour que vous puissiez partager votre musique. Avec une radio FM intégrée et un enregistreur vocal pour plus de polyvalence, c'est un lecteur fantastique pour tous ceux qui accordent la priorité à la qualité audio. Basé sur des pistes de quatre minutes à 64 kbps en WMA. Provient d'une maison non fumeur et sans animaux. Creative ZEN X-Fi Black digital media player (16 GB). Condition used. Works well, holds a charge, comes with a USB cable. In good condition and in working order (see photos) Screen size (diagonal): 3/7 cmIt can store 8GB and can hold up to 4000 songs and there is an SD card slot to add extra capacity.ZEN X-Fi has a large color display for you to enjoy videos and photos, and a built-in speaker so you can share your music. With a built-in FM radio and voice recorder for added versatility, this is a fantastic player for anyone who prioritizes audio quality.Based on four minute tracks at 64 kbps in WMA. Comes from a non-smoking and animal-free house.

Ipod classic de seconde génération (2002) 20 GB, fonctionne parfaitement. Le pavé de commande à gardé toute sa sensibilité. Livré avec sa boite d'origine (matching numbers) et tous les accessoires d'origine. Je rajoute un adaptateur (en noir sur la photo) pour passer du fire wire 400 au fire wire 800 et donc pouvoir le brancher sur un mac plus récent. Pour info, je l'ai utilisé sur un macbook pro mi 2012 upgradé en catalina, et donc en passant par le finder, l'ipod est reconnu ! Ancien et nouveau sont compatibles. Seule, l'autonomie est un peu faible en version nomade, cependant en fixe branché sur un système audiophile, quel son ! La scène musicale est excellente, comme souvent sur les premières générations d'Ipod. Ipod classic second generation (2002) 20 GB, works perfectly. The control pad to keep all its sensitivity. Comes with its original box (matching numbers) and all original accessories.I add an adapter (in black on the photo) to switch from fire wire 400 to fire wire 800 and therefore be able to plug it into a newer mac. FYI, I used it on a mid 2012 macbook pro upgraded to Catalina, and therefore through the finder, the iPod is recognized! Old and new are compatible. Alone, the autonomy is a little low in nomadic version, however fixed connected to an audiophile system, what a sound!  The music scene is excellent, as is often the case with the first generations of iPods.

Product Description                                   Product Condition: - This item is supplier refurbished, it has been refurbished and supplied direct to us by the manufacturer. It's repackaged. - They have all been comprehensively tested, presented in full working order and the item will have been professionally refurbished. - This product may have minor cosmetic marks or scratches. None of these will affect the functionality of the product. - Work fantastic and Sound Great!  Overview: - With up to 40 hours of battery life, Beats Solo3 Wireless are your perfect everyday headphones. With Fast Fuel, a 5-minute charge gives you 3 hours of playback. Enjoy award-winning Beats sound with Class 1 Bluetooth® wireless listening freedom. The on-ear, cushioned ear cups are adjustable so you can customise your fit for all-day comfort.   Wireless the way it should be  - Beats Solo3 Wireless Headphones are ready to go when you are. They instantly set up — just power on and hold them near your iPhone — and then simultaneously connect to your Apple Watch, iPad and Mac. - With Class 1 Bluetooth technology, Solo3 Wireless provide the soundtrack to your life with wireless efficiency.   Feel your music  - At the heart of Beats Solo3 Wireless is award-winning Beats sound. These headphones deliver premium playback with fine-tuned acoustics that maximise clarity, breadth and balance. The comfort-cushion ear cups buffer outside noise for immersive sound so you can experience music the way it was meant to be heard.   All-day play  - Beats Solo3 Wireless Headphones deliver up to 40 hours of battery life driven by the efficiency of the Apple W1 chip. Or, with Fast Fuel, a quick 5-minute charge provides 3 hours of playback to quickly get you back on track. Integrated on-ear controls, coupled with dual beam-forming mics, allow you to take calls, play music, adjust volume and activate Siri while on the go.  Custom comfort  - Beats Solo3 Wireless stays true to its predecessor with bold styling and a streamlined design. The on-ear, cushioned ear cups are adjustable so you can customise your fit for all-day listening comfort. The headphones’ fast-flowing curves and pivoting ear cups complete this natural fit, designed for optimal comfort and sound delivery.  Package Contents: - 1 X Beats Solo3 Wireless headphones   - 1 X Box, carry case  - 1 X 3.5mm RemoteTalk cable  - 1 X Universal USB charging cable (USB-A to USB Micro-B)  PaymentDelivery detailsTerms of salesAbout usContact us Payment Before you place an order, please kindly make sure that you have a Paypal account. We accept PAYPAL payment only. Delivery details 1.   All items will be shipped to buyers paypal address.Before you pay,please make sure your mailing address is correct.. 2.   All items will be dispatched within 24 hours after payment was clear(2-3 day to delivery). 3.   All items will be dispatched from our UK stock via RM post office. 4.   Pick-up is not available at the moment.                                     Terms of sales 1.   We offer 30 days exchange or refund policy,please contact us if you have any problem with the received products.. 2.   Return must be made within 30 days from the data you receive.Item must be sent back to us in orginal condition before a refund.We guarantee full or partial refund in accordance with mutually agreement. About us 1. All our messages and orders will NOT be processed at weekend and holidays. 2. Please remember to email us via your bided item or with the item number (via) in order to help us to response you promptly. 3. We care about our valued customers and understand the concerns and frustrations you might have, and will try our best to resolve the issues. We strive to answer all emails as quickly as possible, but due to high email volume it may take time for us to re

Selling my beloved ProAc Studio 125 in very good working condition and aesthetics with some minor marks on the base plates. Classic speakers Made in England, these are truly refined, recipient of many excellent reviews and winner of the What Hi-Fi? Best Buy. This exceptional loudspeaker will satisfy not only demanding audiophiles but also those with home theater applications. Prepare to enter the dream-land of true high-end: great dynamics and stereo imaging, amazing bass, voices are perfect, huge soundstage, airy highs, articulated and detailed mids, gorgeous cabinet design. The speakers come with all the original spikes and grills and are in perfect working order. They come packed in the original boxes with protective foam. No discolouration of the veneer under the grills as can be seen in the photos. Could be shipped in two boxes but please, ask for a quote before as the postage differs from country to country, thanks! For Belgium, Germany or The Netherlands I believe you can arrange also for a Cocolis service, which is much more convenient. Extemely little used for their age, they were in my secondary studio. I had them driven by different amplifiers: a Sugden, a Peachtree and a Merdidian, all worked perfectly with great synergy. b'"'So inspired by these speakers, I had to tell all of you about them and so this is my first ever hifi review: If you see these speakers for sale just bloody buy them! I have not heard anything so amazing since I walked into a hifi store in '89 when a new Quincy Jones CD was blasting through some Shinanighans (I know that's not the correct spelling). The Studio 125 speakers are a knockout for their minimalist styling alone and mine have beautiful mahogany veneer that compliments our 60's modernist furniture. I saw a pair of Proac Studio 125 speakers come up for sale and I have always wondered what they sound like since the Tablettes were a favourite monitor in a friend's hi-end studio setup. I got them home and hooked them up to a rather grunty NAD 753 HT amp, yamaha CD player, nothing too silly and the sound literally made my mouth fall open, then I went on to start swearing and punching the air with delight. They have detail that is so moorish to listen to, kind of juicy and the bottom end it rich and super deep, I will never sell these speakers, after years of searching I am finally spending less time on and more time listening to music. I should add that these are all-rounders, they do wonders for older low-fi recordings as well, so not just for the jazz or classical heads, these speakers make everything sound rich, lush and detailed. I don't really understand how they do it.b'"' (Campbell, AudioPhile) youtube.com/watch?v=A-eOuNDm6SYb'&'t=230s The specifications of the speakers: Nominal Impedance: 8 ohms Recommended Amplifiers: 20 to 150 watts Frequency Response: 30hz to 30Khz Sensitivity: 87db linear for 1 watt at 1 metre Bass/Midrange Driver: 612” inch diameter exclusive ProAc design with modified dust cap and critically coated cone on die-cast Chassis. magnetically shielded. Tweeter: 34” soft dome to ProAc design with ferrofluid cooling. Magnetically shielded. Crossover: Finest components on dedicated circuit board. Multistrand oxygen-free copper cable throughout. Split for optional bi-wiring and bi-amping. Dimensions: 36” (915mm) high, 8” (203mm) wide, 11” (280mm) deep Weight: 40lbs (18kg/cabinet) sony, edifier, jbl, wharfedale, jamo, kanto, ruark, triangle, Focal, Sonus Faber, Dali, Q Acoustics, Elac, Paradigm, Acoustic Energy, Buchardt, Dynaudio, Bb'&'W, Klipsch, Arcam / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi, Proac, neat, quad, kerr, alta, mofi, fyne, tannoy, acoustic research, allison, sugden, atc, amphion, pmc, kef, Linn, gato, sony, edifier, jbl, wharfedale, jamo, kanto, ruark, triangle, Focal, Sonus Faber, Dali, Q Acoustics, Elac, Paradigm, Buchardt Acoustic Energy, Buchardt, Dynaudio En savoir plus Collaboration commerciale.