Madonna justify my love

MADONNA JUSTIFY MY LOVE GERMAN SINGLE CD FROM THE IMMACULATE COLLECTION IN VERY GOOD USED CONDITION MEANS NOT NEW EN TRÈS BON ETAT PAYPAL ONLY

Madonna Justify My Love Picture Disc. État : Occasion Service de livraison : Lettre verte/Ecopli TRES BON ETAT

Justify My Love / Express Yourself [7" Vinyl], Madonna, Good Single. État: Occasion VG+

Vinyles 45 Tours Vinyles Auteur: madonna Editeur: sire 5439-19485-7 Genre musical: Dance Support / Quantité fournie: 1 Rubrique principale Vinyle: 45 Tours. ADSVSTV. Merci de cliquer sur la publicité sous la photo.

LOT 16 CD SINGLES 3 POUCES Donna Summer Madonna Phil Collins George Michael Bros Lot de 16 CD Singles 3 pouces des années 80-90.  Inclus: Phil Collins George Michael Madonna Black x3 (promo special box) Bros The Pasadenas New Kids on the Block Tracy Chapman Beverley Craven Donna Summer Prefab Sprout Inga & Anete Humpe Simply Red x2 Gloria Estefan Globalement en très bon état sauf le CD Japonais Madonna « Justify My Love » en état correct/acceptable seulement. Envoi par Mondial relay possible. Envoi UPS ultra rapide pour 8 euros seulement (France uniquement). Please see pictures for track listing and catalog references.  I will ship worldwide via priority airmail.  _gsrx_vers_856 (GS 7.0.20 (856))

LOT 16 CD SINGLES 3 POUCES Donna Summer Madonna Phil Collins George Michael Bros Lot de 16 CD Singles 3 pouces des années 80-90.  Inclus: Phil Collins George Michael Madonna Black x3 (promo special box) Bros The Pasadenas New Kids on the Block Tracy Chapman Beverley Craven Donna Summer Prefab Sprout Inga & Anete Humpe Simply Red x2 Gloria Estefan Globalement en très bon état sauf le CD Japonais Madonna « Justify My Love » en état correct/acceptable seulement. Envoi par Mondial relay possible. Please see pictures for track listing and catalog references.  I will ship worldwide via priority airmail.  _gsrx_vers_856 (GS 7.0.20 (856))

&&&&&&&&&&&&&&&&&&&&&&&&&&&&&. MADONNA Rescue Me (Alternate Mix) 10-track jewel case MAXI CD SIRE 4988014741002 1991 Japan VG/EX   Petite déchirure feuillet arriere - back sleeve is a little bit torn  1 Justify My Love (Q-Sound Mix) Mixed By – Goh Hotoda, Shep Pettibone 4:56 2 Justify My Love (Orbit 12" Mix) Remix – William Orbit 7:17 3 Justify My Love (Hip Hop Mix) Remix – Andre Betts 6:33 4 Express Yourself (1990) 9:32 5 Justify My Love (The Beast Within Mix) Remix – Lenny Kravitz, Madonna 6:13 6 Rescue Me (Single Mix) 4:52 7 Rescue Me (Titanic Vocal) Mixed By – Shep Pettibone 8:15 8 Rescue Me (Houseboat Vocal) Mixed By – Shep Pettibone 6:57 9 Rescue Me (Lifeboat Vocal) Mixed By – Shep Pettibone 5:18 10 Rescue Me (S.O.S. Mix) Mixed By – Shep Pettibone 6:24.   &&&&&&&&&&&&&&&&&&&&&&&&&&&&& °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiquée en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ---------------------------- ------------------------ °°°°°°°°°°°°°°°°°°°°°° Record condition  : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.)

MADONNA LIKE A VIRGIN ORIGINAL1984 French  issue  10-track  VINYL LP, A1. Material Girl A2. Angel A3. Like A Virgin A4. Over And Over A5. Love Don't Live Here Anymore B1. Into The Groove B2. Dress You Up B3. Shoo-Bee-Doo B4. Pretender B5. Stay MINT CONDITIONS   A HIGHLY COLLECTABLE ITEM +++   COME AND VISIT MY SHOP TO FIND OTHERS COLLECTIBLES ITEMS TO GET A DISCOUNT POSTAGE     SENT EVERYWHERE IN THE WORLD IN A BUBBLE LINED POSTAL BAG IMMEDIATELY AFTER CLEARED PAYPAL PAYMENT       WORLWIDE SHIPPING: EUROPEAN COMMUNITY : 5 € USA / CANADA / EUROPE / RUSSIA: 7 € MEXICO / SOUTH AMERICA / AUSTRALIA / JAPAN / REST OF THE WORLD: 7 €   CUSTOMERS: I'M NOT RESPONSIBLE FOR LOST OR DAMAGED PACKAGES YOUR ITEM TRAVELS AT YOUR OWN RISKS  ASK FOR A REGISTERED SHIPPING (insurance & tracking) BEFORE MAKING YOUR PAYMENT    .

CD ALBUM DE 2000 PRESSAGE USA Vitamin ‎– CD-8527 GETTING INTO THE GROOVES A TRIBUTE TO MADONNA 12 TITRES   TRES BON ETAT Tracklisting 1–George SarahSkin4:102–Tin Electric with vocals by Katrina VasquezLike a Prayer4:473–Alex Xenophon & Stuart BreidensteinDeeper And Deeper (Bassland Mix)5:544–Dynamichrome with vocals by Katrina VasquezBeautiful Stranger5:225–CSM 101Into The Groove4:086–Dynamichrome with vocals by Carina NorlundBedtime Story6:457–451 Studios with vocals by Issa JooneVogue6:158–T.H.C.Justify My Love4:299–451 Studios with vocals by Issa JooneSecret6:2710–George SarahThe Power Of Goodbye3:3711–451 Studios with vocals by Rachel De BoerExpress Yourself6:3512–Cracker GRay Of Light6:12 Consultez mes autres objets! Boutiques PHILMARIEMUSIC  N’oubliez pas de m’ajouter à votre liste de favoris

MICHAEL JACKSON      THE LOVE YOU SAVE   LOOKING THROUGH THE WINDOW 45t   7"  ACETATE   , TEST PRESSING  ! UN MUST POUR COLLECTION !   TO SEE ALL MY  COLLECTIONS AVAILABLE:   MORE 700 MADONNA ITEMS AVAILABLE   !! POUR VOIR TOUTE MES COLLECTIONS  : PLUS DE 700 ARTICLES MADONNA DISPONIBLES !! 450  ITEMS JACKSON + RARES PINK FLOYD + RARES U2  + 300 ELVIS ITEMS  +  BOWIE  + QUEEN + STONES + BEATLES ... JUST CONTACT :-)      pauphilippe@wanado.fr FRAIS DE PORT FRANCE  45 T,INCLUS ASSURANCE  ET EMBALAGE:  LIVRAISON  STANDAR  4 A 7 JOURS :  1 DISQUE = 4,9EUROS  +  1 EURO PAR DISQUE SUPPLEMENTAIRE LIVRAISON COLISSIMO  2 à 3 JOURS :  1 DISQUE = 7,5 EUROS  +  1 EURO PAR DISQUE SUPPLEMENTAIRE  SHIPPING PRICE EUROPE  WHITH INSURANCE AND BOX: ECONOMIC SHIPPING  3 AT 8 DAYS :  1 RECORD = 9 EUROS   +  1 EURO PER ADITIONAL RECORD REST OF THE WORLD WHITH INSURANCE AND BOX: COLISSIMO INTERNATIONAL 4 AT 8 DAYS: 1 RECORD  14 EUROS + 2 EUROS PER ADDITIONAL RECORD

CD ........TRES    BON  ETAT BOITIER  CRISTALE.....il y a quelques petites traces de frottements   TITRES 1. Beautiful Stranger - Madonna 2. My Generation - Who (The) 3. Draggin' The Line - R.E.M. 4. American Woman - Lenny Kravitz 5. Word Up - Melanie G 6. Just The Two Of Us (Dr. Evil mix) - Dr. Evil 7. Espionage - Green Day 8. Time Of The Season - Big Blue Missile 9. Buggin' - Flaming Lips (The) 10. Alright - Lucy Nation (The) 11. I'll Never Fall In Love Again - Burt Bacharach 12. Soul Bossa Nova (Dim's Space-A-Nova) - Quincy Jones & His Orchestra           .. REGROUPER LES ACHATS (cela reduit les frais de poste).       Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

ATTENTION: PAS DE CHEQUE, PAS DE VIREMENT; PAYEMENT PAYPAL UNIQUEMENT  PAYPAL ONLY ECHO & THE BUNNYMEN THE CUTTER Track Listing1. The Cutter 2. Bombers Bay 3. Paint It Black 4. All You Need Is Love 5. Ashes to Ashes 6. All My Life 7. A Promise 8. Read It in Books 9. Crocodiles 10. Crystal Days 11. Ocean Rain 12. My Kingdom Album Notes The Cutter is a strange compilation with cash-in written all over it. The front sleeve reads 12 classic tracks. It's a lie. Yes, some of the songs are among the best recorded by Liverpool's finest post-punk band, but the inclusion of two bizarre covers doesn't help the collection reach any sort of classic status. Perhaps WEA Records thought fans would see The Cutter as a best-of collection, which it isn't; maybe they thought those same fans would clamor for the covers of songs by the Rolling Stones and the Beatles. To start with, the album material isn't necessarily the best of. While the songs are a just-decent sample of some of the finer moments from the band's glory days, Songs to Learn and Sing and Ballyhoo are both better introductions. Albums covered include Crocodiles, Heaven Up Here, Porcupine, Ocean Rain, and Echo & the Bunnymen. There are classics here to be sure: "The Cutter," "A Promise," and "Ocean Rain" are all glorious slices. But there are glaring omissions among these classics, including "Lips Like Sugar," "The Killing Moon," "Bring On the Dancing Horses," and "Never Stop." The Cutter might be a nice find in the used CD bin, if one is looking for one particular track and an assortment of other okay songs. The live covers certainly don't justify the album, as they serve merely to break up an otherwise interesting collection. "Paint It Black" sees Ian McCulloch butchering the classic song like a campy vampire; it actually starts out promising, but McCulloch falls apart about a minute and half in. "All You Need Is Love" just sounds stupid, as if the band had only been rehearsing it for a day; there's no passion in the performance. The Cutter would cut cleaner if its cuts included the classics. ~ Tim DiGravina WEA RECORDS / 1988 / Printed in GERMANY Boitier Cristal // Crystal Box Tous mes CD sont en état impeccable, très peu utilisés Frais de Port, Shipping cost: Pour la France: 3,50€ (+1€ par CD Supplémentaire) For Europe, Switzerland and Norvay: 5,50€ (+2€ each additional CD) Rest of the world: 7,85€ (+3€ each additional CD) MERCI de CONSULTER MES AUTRES VENTES... PAYPAL ONLY ATTENTION: PAS DE CHEQUE; PAYEMENT PAYPAL EXCLUSIVEMENT

ATTENTION: PAS DE CHEQUE, Merci  ECHO & THE BUNNYMEN THE CUTTER Track Listing1. The Cutter 2. Bombers Bay 3. Paint It Black 4. All You Need Is Love 5. Ashes to Ashes 6. All My Life 7. A Promise 8. Read It in Books 9. Crocodiles 10. Crystal Days 11. Ocean Rain 12. My Kingdom Album Notes The Cutter is a strange compilation with cash-in written all over it. The front sleeve reads 12 classic tracks. It's a lie. Yes, some of the songs are among the best recorded by Liverpool's finest post-punk band, but the inclusion of two bizarre covers doesn't help the collection reach any sort of classic status. Perhaps WEA Records thought fans would see The Cutter as a best-of collection, which it isn't; maybe they thought those same fans would clamor for the covers of songs by the Rolling Stones and the Beatles. To start with, the album material isn't necessarily the best of. While the songs are a just-decent sample of some of the finer moments from the band's glory days, Songs to Learn and Sing and Ballyhoo are both better introductions. Albums covered include Crocodiles, Heaven Up Here, Porcupine, Ocean Rain, and Echo & the Bunnymen. There are classics here to be sure: "The Cutter," "A Promise," and "Ocean Rain" are all glorious slices. But there are glaring omissions among these classics, including "Lips Like Sugar," "The Killing Moon," "Bring On the Dancing Horses," and "Never Stop." The Cutter might be a nice find in the used CD bin, if one is looking for one particular track and an assortment of other okay songs. The live covers certainly don't justify the album, as they serve merely to break up an otherwise interesting collection. "Paint It Black" sees Ian McCulloch butchering the classic song like a campy vampire; it actually starts out promising, but McCulloch falls apart about a minute and half in. "All You Need Is Love" just sounds stupid, as if the band had only been rehearsing it for a day; there's no passion in the performance. The Cutter would cut cleaner if its cuts included the classics. ~ Tim DiGravina WEA RECORDS / 1988 / Printed in GERMANY Boitier Cristal // Crystal Box Tous mes CD sont en état impeccable, très peu utilisés Frais de Port, Shipping cost: Pour la France: 4,60€ (+1€ par CD Supplémentaire) For Europe, Switzerland and Norvay: 6,50€ (+2€ each additional CD) Rest of the world: 7,85€ (+3€ each additional CD) Je ne livre pas les dom Tom, la Corse et les bases de l'armée (marine, armée de terre, de l'air, etc...) ainsi que les boites postales Pas de chèque. Nous expédierons UNIQUEMENT à l'adresse (confirmée) spécifiée dans MERCI de CONSULTER MES AUTRES VENTES...

Lot de 40 Vinyles 45t POP ROCK 70/80's POCHETTE & VINYLES PARFAITE CONDITION 01- SIMPLY RED if you dont know me by now 1989 02- SIMPLY RED  moneys too tigh 1985 03- SIMPLY RED  holding back the years 1985 04- SIMPLY RED  something got me started 1991 05- SIMPLY RED  for your babies 1991 06- JOE COCKER unchain my heart 1987 07- TALK TALK sush a shame 1984 08- TALK TALK life's what you make it 1985 09- DUREN DUREN the wild boys 1985 10- BRONSKI BEAT why? 1984 11- HUMAN LEAGUE the lebanon 1984 12- ROD STEWART infatuation 1984 13- AL CORLEY cold dresses 1985 14- CENTURY jane 1986 15- CHRIS REA i can heart your heart beat 1983 16- TEARS FOR FEARS sowing the seeds of love 1989 17- GREG KIHN BAND jeopardy 1983 18- ROXETTE the look 1988 19- PAUL YOUNG wonderland 1986 20- CHRIS DE BURGH high on emotion 1984 21- BOY GEORGE sold 1987 22- ERASURE oh l'amour 1986 23- THE COMMUNARDS tomorrow 1987 24- NIK KERSHAW the riddle 1984 25- STARGO live is life 1985 26- KIM WILDE never trust a stranger 1988 27- STING love is the seventh wave 1985 28- EAST SIDE BEAT ride like the wind 1991 29- RAM JAM keep youe hand on the wheel 1977 30- JOHN LENNON woman 1980 31- YES loue will find away 1987 32- MADNESS it must be love 1981 33- MADNESS one step beyond 1979 34- THE KORGIS burning quetions 1985 35- BARCLAY JAMES HARVEST he said love 1986 36- AMERICAN EAGLES kokka 1977 37- FIRST AFFAIR stay / madonna 1985 38- F-R DAVID words 1982 39- P4F notorious medley le freak 1987 40- SPOOKIE it won't work this time 1988 41- RYAN PARIS dolce vita 1983 42- BALTIMORA tarzan boy 1985 43- MOON RAY comanchero 1984 44- SILVER POZZOLI around my dream 1985 45- RAF self control 1984 46- LAURA BRANIGAN self control 1984 47- EVELYN THOMAS high energy 1984 48- CHRIS REA josephine 1987 49- IMAGINATION looking at midnight 1983 50- BANANARAMA cruel summer 1983 51- IMAGES les demons de minuit 1986 52- OPUS live is life 1984 53- BARRY WHITE sho you right 1987 54- SECRET SERVICE flash in the night 1981 55- STEVE WONDER land of la la 1985 56- VIOLA WILLS gonna get along without you now 1984 57- FOX THE FOX precious little dianond 1984 58- COMMODORES night shift 1984 Mai Notation: Poor (P) (craquements prononcées, écriture, déchirure, usure importente / Fair (F) craquements, déchirure, usures / Good Plus (G+) petite craquements, petite usures / Very Good (VG) tres petite craquements, aucune écriture, très légère usures / Very Good Plus (VG+) excellent état / NM or M- Comme neuf / MINT neuf FRANCE     9,00€ MONDIAL RELAY ou Colissimo 10,40€ EUROPE   23,80€ letter followed WORLD     24,90€ letter followed