Marantz sc music

Bonjour, Je vends mon préamplificateur Marantz sc 22  Music Link. Il est en très bon état fonctionnel et cosmétique. 220 Volts. (modèle européen). Haut de gamme des années 90. Quelques marques d'usage mineures. Il fonctionne parfaitement. L'annonce concerne le SC22. La paire de MA22 visible sur les photos, n'est pas incluse dans la vente. (Ils sont déjà vendus).  320 euros est mon prix plancher, pas d'offres s'il vous plaît. Achetez en toute confiance, voyez mes évaluations....Merci.

Marantz 7T preamplifier + Cabinet For all audiophiles who love music and who are looking for great typical vintage material. Please you could find here an exellent well known preamplifier Matantz 7T in good condition regarding its age (you could find a few scratchs here and there but nothing unsightly). Always used in a non-smoking environment. The preamp. works perfectly. Last year it was updated by a french professionnal who change a few capacitor that was quiet b'"'tiredb'"'. It's just a fantastic preamplifier which sound so good. - Voltage 240V The preamplifier and the cabinet will be sold as if and boxed with care to provide safe shipment. Probably two boxes to prevent the amplifer to break the Cabinet. Feel free to ask if you can have questions En savoir plus

Marantz conçoit et fabrique des amplificateurs depuis plus de 65 ans, dont les 40 derniers reflètent l'expertise de Ken Ishiwata. Et pour célébrer ces quatre décennies de collaboration, l'amplificateur PM-KI Ruby a été développé et mis au point par une équipe d'ingénieurs très expérimentés dirigée par KI lui-même. Cet amplificateur très spécial se caractérise par une conception à deux étages entièrement discrète avec des alimentations séparées pour le préamplificateur et l'ampli de puissance, ainsi que par une bobine mobile/un préampli phono à aimant mobile avec circuit Marantz Musical Premium Phono EQ et la technologie Marantz HDAM pour une pureté du signal et une qualité audio exceptionnelles. Le PM-KI Ruby est construit sur un châssis à double couche résistant aux vibrations avec d'épaisses plaques d'aluminium pour plus de rigidité et présente la signature de Ken Ishiwata gravée au laser en hommage à sa légende. Caractéristiques techniques - Ken Ishiwata et son équipe, le légendaire maître du son Marantz, ont mis à profit plus de 65 ans d'expérience dans la conception d'amplificateurs Marantz pour mettre au point et perfectionner leurs performances.Préamplificateur Marantz haute résolution avec technologie HDAM propriétaire -Conception d'amplificateur de puissance à commutation dérivé de l'amplificateur phare PM-10 -Rendement généreux: 100W + 100W (en 8ohm), 200W + 200W (4ohm) -Conception à deux étages entièrement discrets pour la pureté du signal, avec des alimentations séparées pour les sections de préampli et d'amplificateur de puissance afin de réduire les interférences. -Transformateur toroïdal dédié au préamplificateur pour la clarté et la puissance du son -Conception à contre réaction de courant avec des circuits à large bande nouvellement développés -Circuit HDAM® SA3 pour un signal clair et une dynamique optimale -Entrée phono MM/MC avec nouveau circuit d'égalisation phono Marantz Musical Premium discret -Bornes d'entrée indépendantes en cuivre nickelé épais pour CD et Phono, plus des bornes d’enceintes Marantz d'origine de haute qualité/de haute pureté plaquées cuivre. -Contrôle linéaire du volume avec nouveau système de volume électrique -Construction de haute qualité avec châssis double couche, capot supérieur en aluminium de 5 mm d'épaisseur, façade en aluminium massif et châssis plaqué cuivre -Composants audio de haute qualité, soigneusement sélectionnés: diodes Schottky à très faible courant de fuite, transistors complémentaires à faible bruit, résistances de haute qualité, condensateurs électrolytiques personnalisés nouvellement développés, condensateurs à film de qualité audio et condensateurs au mica. -Signature Ken Ishiwata gravée au laser et motif Rubis, marquant les 40 ans de la collaboration entre Marantz et Ken Ishiwata.   Généralités Garantie  1 an pour un produit d’occasion et 2 ans pour un produit neuf. Livraison                                  Frais de ports offerts sur la France Métropolitaine uniquement. Pour une autre destination, merci de nous contacter. Paiement - Via PayPal à l’adresse paypal @ lightmusiccompany.com   - ou par virement (nous contacter à cette même adresse pour obtenir notre RIB). Dès réception du règlement, le produit partira de notre entrepôt à l’adresse que vous nous aurez indiqué. Merci de nous communiquer également votre numéro de portable pour le livreur (Colissimo ou TNT). Qui somme nous ? La société Light Music Company importe et distribue des produits hi-fi audio et vidéo en France depuis de nombreuses années. Ces annonces nous permettent de vous faire bénéficier de tarifs exceptionnels lorsque nous décidons de déstocker des produits hi-fi qu’ils soient neuf ou d’occasion. Le produit sera vendu avec facture, qu’il soit neuf (garanti 2 ans) ou d’occasion (garanti 1 an). Le prix annoncé n’est PAS négociable. Contact E-mail : paypal @ lightmusiccompany.com Tél. : 01.45.600.461 aux heu

Amplifier Av Surround Receiver 7.1 MARANTZ ZR6001 (very good condition). Très rare ampli home cinéma haut de gamme Très bon état de fonctionnement ! Très bon état esthétique ! Télécommande fournie ! 14kg de technologie ! Produit très haut de gamme ! Etage de puissance et pré-amplification Puissance de sortie: 7 x 95 W RMS Impédance nominale: 8 ohms Décodeurs intégrés Dolby Digital EX, DTS ES (Matrix et Discrete), DTS Neo:6 (Cinema et Music), DTS 96/24, DPLI, DPL II (Game Movie et Music), DPLIIx, HDCD Autres effets Surround CS 6.1 (CS II Cinema, Music Mono), stéréo multicanale, Movie, Hall, Matrix, Stadium, Virtual Conversion Numérique / Analogique (N/A) et A/N Crystal: 24 Bits 192 kHz via CS42428 Traitement numérique (DSP) et type: 32 Bits via CS49400 Réponse en fréquence numérique (96kHz PCM): 8 Hz - 100 kHz (large bande) Réponse en fréquence analogique (/- 3dB): 8 Hz - 100 kHz (large bande) Rapport signal bruit: 105 dB Distorsion Harmonique Totale: 0,08% Connectique Entrées / Sorties Audio / Vidéo Entrées audio analogiques: 7 (TV, VCR1, VCR2, CD, CD-R/MD, cassette, Aux.) Entrées audio numériques: 4 (2 optiques 2 coaxiales) Entrées audio vidéo: 4 (toutes doublées S-Vidéo) Entrées composantes: 2 x YUV Entrées en façade: 1 x A/V doublée S-Vidéo Entrées analogiques: 1 x 7.1 canaux Entrée D-Bus multiroom, multi RC (flasher) Sorties audio analogiques: 4 (VCR1/ VCR2 CD-R/MD, cassette) 1 sortie auxiliaire PLC Sorties audio numériques: 2 (1 optique 1 coaxiale) Sorties audio vidéo: 2 (toutes doublées S-vidéo) Sorties Moniteur: 3 (1 x CVBS 1 x S-vidéo 1 x Y, Cb/Pb, Cr/Pr) Sorties Pré-out 7.1 Sorties D-Bus multi. alimentation commutée, multroom radio commandé Sorties Ir emitters x4 Bornes HP / possibilité fiches banane: 7 paires à vis section standard RS232C bi-directionnelle, mémoire ligne interne Fonctions de confort Télécommande RC 5500 SR (préprogrammée) Tuner RDS AM / FM (PS, PTY, RT): 50 Présélections Menu d'installation: OSD avec réglage retard enceintes UpConversion vidéo CVBS composite vers S-Vidéo et YUV composantes Composants audiophiles haute qualité Fonction Lip Sync Réglage de la synchronisation du retard acoustique avec circuits vidéo internes (200 msec/ch.) Fréquence de coupure basse réglable: 40 Hz, 60, 80, 100, 120 Hz Technologie CPL (Control Power Line) Dimensions (L x H x P): 440 x 162 x 463 mm - Poids 14 kg. Very rare high-end home cinema amplifier Very good working condition! Very good aesthetic condition! Remote control included! 14kg of technology! Power stage and pre-amplification Output power: 7 x 95 W RMS Nominal Impedance: 8 ohms Integrated decoders Dolby Digital EX, DTS ES (Matrix and Discrete), DTS Neo: 6 (Cinema and Music), DTS 96/24, DPLI, DPL II (Game Movie and Music), DPLIIx, HDCD Other surround effects CS 6.1 (CS II Cinema, Music Mono), multichannel stereo, Movie, Hall, Matrix, Stadium, Virtual Digital / Analogue (D / A) and A / D Crystal Conversion: 24 Bits 192 kHz via CS42428 Digital processing (DSP) and type: 32 Bits via CS49400 Digital frequency response (96kHz PCM): 8Hz - 100kHz (wideband) Analog frequency response (/ - 3dB): 8 Hz - 100 kHz (wideband) Signal-to-noise ratio: 105 dB Total Harmonic Distortion: 0.08% Connectivity Audio / Video Inputs / Outputs Analog audio inputs: 7 (TV, VCR1, VCR2, CD, CD-R / MD, cassette, Aux.) Digital audio inputs: 4 (2 optical 2 coaxial) Audio video inputs: 4 (all dubbed S-Video) Component inputs: 2 x YUV Front inputs: 1 x A / V doubled S-Video Analog inputs: 1 x 7.1 channels Multiroom D-Bus input, multi RC (flasher) Analog audio outputs: 4 (VCR1 / VCR2 CD-R / MD, cassette) 1 PLC auxiliary output Digital audio outputs: 2 (1 optical 1 coaxial) Audio video outputs: 2 (all S-video dubbed) Monitor outputs: 3 (1 x CVBS 1 x S-video 1 x Y, Cb / Pb, Cr / Pr) Pre-out 7.1 Multi D-Bus outputs. switched power, radio controlled multroom Ir emitters outputs x4 Loudspeaker terminals / possibility of banana plugs: 7 pairs of screws, standard section Bi-directional RS232C, internal line memory Comfort functions RC 5500 SR remote control (pre-programmed) RDS AM / FM tuner (PS, PTY, RT): 50 Presets Setup menu: OSD with speaker delay adjustment UpConversion of composite CVBS video to S-Video and component YUV High quality audiophile components Lip Sync function Adjustment of the synchronization of the acoustic delay with internal video circuits (200 msec / ch.) Adjustable low cutoff frequency: 40 Hz, 60, 80, 100, 120 Hz Powerline technology (Control Power Line) Dimensions (W x H x D): 440 x 162 x 463 mm - Weight 14 kg

Bonjour, Je vends ma paire d' amplificateurs Marantz MA 22  Music Link. Ils sont en état exceptionnels, en PARFAIT état fonctionnel et cosmétique. 220 Volts. (modèle européen). Haut de gamme des années 90.  L'annonce concerne uniquement la paire de MA22 ! Le préamplificateur SC22 visible sur les photos, n'est pas inclus dans la vente. Il est à vendre aussi, voir mon autre annonce. Merci. International er,  international shipping cost is for EUROPE only. Thanks !!

In perfect working condition and aesthetic, comes with remote control, power cable and manual. No box but will be extremely well packaged. Beautiful equipment, very flexible and elegant, exceptional sound. The only 'downside' is the discoloration of the volume knob (a well-known problem if you do a research), but that obviously does not impact the operation and didn't bother me at all! r e m u s i c. i t /EN/Bel-Canto-DAC25-processor-80784100 b'"'In conclusion, I can say that the Bel Canto 2.5 is a DAC of absolute modernity. For the quality of its sound, the superb engineering and the ability to handle analog sources, it represents an incomparable article in terms of versatility.b'"' a u d i o p h i l i a. c o m / reviews/2016/5/24/the-bel-canto-dac25-dac-controller b'"'I’ve experienced digital done right. The Esoteric and dCS gear I’ve heard are knockouts. And crazy expensive. Got the dosh? Go ahead. You can't beat them. But this bel canto DAC is less than 2K! It’s a lifetime DAC and worth twice the price. You won’t need anything else for a long time. And, you can sell your preamp to buy it! In the here and now, this exceptional US$1,999 DAC will be staying in my system for a while. And, I’ll enjoy every minute with it. Very highly recommended.b'"' The $2000 Bel Canto is an excellent PCM digital audio converter, and while it is not exactly cheap as a standalone DAC, given the features it offers, it would be difficult to give the DAC 2.5 less than a high five. The DAC 2.5 is an incredibly versatile music machine. Thanks to its stereo RCA analog input, the 2.5 can be used as an analog preamp. It features 24-bit digital volume control and a host of connection options. In addition to built-in USB, a host of 24-bit/192kHz compatible inputs (Toslink, AES/EBU, S/PDIF) share the rear panel with XLR and RCA analog outputs. There is also a front-mounted 1/4b'"' headphone jack for the dedicated headphone amp. It took me a while, but I finally put my finger on a key attribute of the Bel Canto: it digs deep into the music, reconstructing a sonic image that is sometimes very bright and always transparent. The smoothness of the sound is just enough to give you a tube feel, but the Bel Canto is completely solid-state. It is very easy to get lost in the music the Bel Canto is presenting to you. I have thrown a ton of music at the Bel Canto and it just presents it beautifully. The detail in the music is just insane. I mean, it is so detailed without being analytical at all with a nice slightly warm character... a nice rich midsection and great extension in the bass and treble. I think it was really musical, with a really high-end rhythm. New value 2100 euros Analog DAC section 24/192: Maximum output: 4 Vrms balanced XLR, 2 Vrms RCA Output impedance: 200 ohms balanced XLR, 100 ohms RCA Frequency response: 20 Hz-20 KHz, +/- 0.5 dB THD+N: b' Output noise: 3.3 uVrms A-weighted 20 Hz-20 KHz Dynamic range: 122 dB A-weighted 20 Hz-20 KHz Analog ADC section 24/192: Maximum input: 2.5 Vrms RCA Input impedance: 12 kohms RCA THD+N: 0.003%, 2.5 Vrms input, 1 kHz Dynamic Range: 110 dB, A-weighted 20 Hz-20 KHz Headphone Section: Maximum Output: 138 mW THD+N: 0.01% 35 mW, 1 KHz Output Noise: 17 uVrms, A-weighted 20 Hz-20 KHz General: Power Consumption On: 7 W Power Consumption Off: 0.0 W Power Requirements: 100-120 VAC, 220-240 VAC 50/60 Hz Dimensions: 216 mm x 318 mm x 88 mm (8.5 in W x 12.5 in D x 3.5 in H) Weight: 6.5 kg (14 lbs) Auralic, nuprime, rme, eversolo audio gd, Singxer, schiit, Arcam / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi / monitor audio / klipsch / ifi / AudioQuest / Astell b'&' Kern / iBasso / Hidizs / Fiio / Shanling / beyerdynamic / meze / hifiman / audio technica / akg / bel canto / violectric / lehmann / parasound / benchmark / auralic / burson / aune / Arcam, Benchmark, Einstein, Pass, Mark Levinson, ifi, Eversolo, Fidelice, Mytek, Hegel, Nuprime, Auralic, Rupert Ne En savoir plus Collaboration commerciale.

Cabasse Stream Source BT Streamer/Network Player DLNA server DAC 24 bits. Selling my beloved trustworthy network streamer and DLNA server from Cabasse. After I've pourchased an amp with integrated streaming capabilities, this one is getting dusted and it's a shame, it's a wonderful streamer / network player / server, highly regarded by the audiophile community. It is in great condition and working perfectely, comes with power supply but no remote, lost it as I never used it, I've always controlled the streamer through the app. Will be extremelly well packaged! Could consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. b'"'The Cabasse Stream Source network player was awarded the Masterpiece 2015 prize awarded by the Festival Son et Image in the category of best connected products.b'"' b'"'What’s more, the visceral quality of the music was evident in full effect and kept me glued to the seat for the duration of the piece. The Stream Source sounds slightly midrange forward by the strictest standards of neutrality. It pulls out detail that makes voices distinctive and orchestra’s expansive, as on Daniel Barenboim’s Beethoven 7. With the server in tow Patricia Barber’s ‘Bye Bye Blackbird’ [Nightclub, Premonition] delivers a good deal of its image scale and atmosphere, this thanks to low noise and the supremacy of the recording. It really puts you in the room, a pretty good result for a shiny black pebble!b'"' - HiFiPlus The Cabasse Stream Source wireless network player and audio DAC is equipped with Ethernet, WiFi and Bluetooth apt-X network controllers, as well as a USB port for playing and sharing MP3, WMA, AAC or FLAC audio files up to at 24 bits and 96 kHz on a home network. It is also Google Home compatible to be controlled by voice! The Cabasse Stream Source can be connected to any amplifier equipped with a stereo analog input, a DAC or an amplifier equipped with S/PDIF digital inputs. Controlled via its remote control or, better, with the Cabasse application available for iOS or Android mobile devices (iPhone, iPad, Galaxy S3/4, Nexus 4/5/7/10, etc.), the Cabasse Stream Source can decode many digital files, whether stored on the mobile device or shared by a computer or NAS on the home network. Thanks to the Cabasse mobile application, web radios or music from the Deezer service can be streamed and decoded by the Cabasse Stream Source. Direct pairing with a Bluetooth smartphone or tablet is facilitated by NFC technology support (just bring the device close to the Stream Source). Audio playback of any file is then possible, or even listening to music from Youtube or Spotify for example. Another strong point: sharing audio files from a USB key or hard drive is child's play. No settings are required and the contained files are automatically shared on the local network, according to the DLNA / UPnP protocol. In other words, any home theater amplifier, network player, smartphone, tablet or wireless speaker connected to the home network can play files shared by the Cabasse Stream Source. Compact, easy to install with its support for the WiFi WPS communication protocol, the Cabasse Stream Source makes it easy to listen to digital music and even share it. youtube.com/watch?v=GNTNA3ovYrA Bluetooth and DLNA audio player-streamer (via WiFi and Ethernet) DLNA audio file server (via USB port) 24-bit/96kHz audio DAC with stereo RCA analog output S/PDIF digital outputs Bluetooth apt-X and NFC Remote App control Google Home compatible (voice control) Connections 1x USB port (for stick or hard drive) 1x RCA stereo analog output 1x Optical Toslink S/PDIF output Audio formats played WAV, FLAC, WMA, AIFF, AAC, ALAC and MP3 General Dimensions (wxhxd): 231 x 40 x 136 mm Weight: 500g Arcam / quad / cambridge audio / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi / monitor audio / klipsch / if En savoir plus Collaboration commerciale.

AMPTASTIC / ampli intégré audiophile en classe D  La référence à moins de 120 €  Parfait état, livré avec alimentation 12 V d'origine BANC D'ESSAI ANGLAIS: A few years ago this forum was ablaze with Mini-T amp hyperbole. Probably just another passing fad I assumed yet it is clear that there are many who love these diminutive boxes.  So as a brief background I recently had a pair of Combak Bravo standmount speakers and was searching for an amplifier to pair with them. A £6k speaker surely deserves an amplifier with a similar price tag? Well in my initial search I decided, just for fun to try a £60 Muse Mini-T with the Combak’s. The results were surprisingly impressive yet my head kept saying  ‘This makes no sense’. I’m not saying that this was the ultimate combo but the Muse was doing an amazing job considering especially with its reproduction of vocals. It was around that time that I started reading about the new Amptastic Mini-1 so I contacted the company to see if I could have one for review. Chris at Amptastic was happy to oblige but due to the initial demand by the time my review sample arrived I had moved the Bravos on. Anyway other speakers are available as they say. So the Mini-1 is rated up to 20W per channel and based on the familiar TA2020 chipset. On the front we have a push button on/off switch which has a tiny blue LED alongside to indicate power  plus a volume knob. I particularly like how clean and attractive the front panel with no unsightly logo on display. The rear consists of a single pair if RCA analogue inputs and some nice quality speaker connectors along with a power input for use with the supplied 12V power supply. For most of my listening I used the variable outputs of a QUAD 99CDP. This gave me full control of the volume via its remote and also access to streaming via the Quad’s digital inputs. To give me some sort of reference I initially listened to the Muse amp with the Quad through my 87db Gershman Avant Gardes. To be honest I didn’t think either amp would be able to drive the Gershmans to any sort of decent level. I was wrong. The Muse did a fair job but KD Lang’s  ‘If I Were You’ from the ‘All You Can Eat’ album sounded a bit messy. The bass was ill defined and lightweight. A few tracks more showed more of the same.  So switching to the Mini-1 and straight away the bass was far better defined and more in balance with the rest of the track. The music had an altogether more cohesive feel. In fact what struck me throughout all my listening is just how balanced it was. The highs and mids are refined enough to give the impression that you are listening to something with a higher price ticket and the bass was surprisingly good for an amplifier of this type. I also tried the Mini-1 with my 90db sensitivity Heco Celan 300 stand mount speakers. Again the results were impressive with the Mini-1 providing more than enough power to run at decent volume levels. As well as running the Mini-1 as a simple integrated it can be configured for use as a power amplifier. This is done by removing the front volume knob and rear bolts in order to slide the main board out of its case and change a couple of jumper settings. While you have the board out you can also disable the front panel blue LED if you wish. Clear instructions are included in the user ‘manual’ or should I say ‘sheet’ and although I did not attempt this it looks a simple enough operation. The Mini-1 (or any amplifier of this type) will not be for everyone, the single input alone will count many out also possibly the lack of remote control but looking at the Mini-1 purely on its sonic virtues and price tag this might be one of the best ways to invest your £99 out there. Recommended to users of: Marantz Luxman Audiomat Nagra Vincent Theta Sim Audio ISEM Arcam Denon Pioneer Nakamichi B&O Yamaha Cambridge Cabasse Triangle McIntosh Teac  Audioquest Ca

Bonjour, Je vends cette barrette secteur neuve. Modèle identique à une Music line recommandé par Naim Multiprise permettant d'inverser la phase du courant en maintenant la prise terre. Idéal pour contrôler la phase de vos appareils hifi/audio/vidéo: Attention pas d'effet magique mais à l'écoute, ses bienfaits sont pourtant sensibles. Branchés à cette multiprise, les appareils délivrent: Un son plus propre et plus équilibré, coloration atténuée, restitution moins dure, moins sèches. Différences comparée à une barrette secteur classique: • Plus de problèmes de phase: branchement à 180° possible pour la mise en phase, • Pas d'alliage douteux: contacts cuivre • Pas de parasitages dues à la présence d'interrupteur 6 prises type Schuko qualité audiophile Longueur du câble: 1,5 m (3 x 1,5 mm²) Elle est compatible et testée avec les amplis / enceintes suivantes: Sony, Triangle, Nad, Yamaha, Boston, Monitor Audio, Nuprime, JBL, Focal, JM Reynaud, Pioneer, Klipsch, Cambridge Audio, Kef, Rega, Micromega, Jamo, Elipson, Davis Acoustics, Cabasse, B&W, Advance Acoustic, Atoll, Marantz, Onkyo, Denon, Rotel, Harman Kardon Hegel, Philips, Fostex, Dali, Martin Logan, Audiomat, Jolida, Myryad, Thule, Vincent, Quad, Tannoy, Sugden, Naim, Wharfedale, Electrocompaniet, Mcintosh, Proac, Mulidine, Atohm, Musical Fidelity. Livraison offerte via chronopost (relais pickup) !

Cellule ORTOFON F 15 Phono cartridge: Moving Magnet Weight: 5 g Output voltage: 1 mV/cm/sec - 1 KHz Inductance: 800 mH Optimun load: 47 KOhms DC Resistance: 800 Ohms Capacitance: 250 pF per channel Frequency response: 20 Hz to 20 KHz Channel separation: 25 dB at 1 KHz Channel balance: within 2 dB Recommended tracking force: 1,5 g Replacement stylus: N15/15E (elliptical) Cellule complète + 3 diamants neufs Documentation. Prix: 150€. Pour platine vinyle (pickup, phono, platine tourne disque...) Audio Technica, Sony, Technics, Rega, Denon, Teac, Project, Marantz, Yamaha, Pioneer, Dual, Thorens, Elipson, JVC, Music Hall, Marley, BC Acoustique, Triangle, Robert, ION, Thomson, Pathé Marconi, Brandt, Continental Edison... Audio et hifi occasion à vendre à Vincennes (94300)

Cellule STANTON TH680EE Phono cartridge: Moving Magnet Weight: 5,5 g Output voltage: 0,82 mV/cm/sec - 1 KHz Inductance: 930 mH Optimun load: 47 KOhms DC Resistance: 1300 Ohms Capacitance: 275 pF per channel Frequency response: 20 Hz to 20 KHz Channel separation: 35 dB at 1 KHz Channel balance: within 2 dB Recommended tracking force: 1,5 g (ajouter 0,5 g si la brosse est utilisée) Replacement stylus: D6800EE - D680 (elliptical) Cellule complète + 3 diamants neufs Documentation. Prix: 280€. Pour platine vinyle (pickup, phono, platine tourne disque...) Audio Technica, Sony, Technics, Rega, Denon, Teac, Project, Marantz, Yamaha, Pioneer, Dual, Thorens, Elipson, JVC, Music Hall, Marley, BC Acoustique, Triangle, Robert, ION, Thomson, Pathé Marconi, Brandt, Continental Edison... Audio et hifi occasion à vendre à Vincennes (94300)

Lecteur k7 pioneer ct f650 de1979 en très bonne état de marche et esthetique La description Le Pioneer CT-F650 est un lecteur de cassettes stéréo compatible avec les bandes métalliques avec système Dolby et système Pioneer Music Select. Caractéristiques Type: platine cassette compacte simple à 2 têtes Système de piste: 4 pistes, 2 canaux stéréo Vitesse de la bande: 4,75 cm/s Têtes: 1 x enregistrement/lecture, 1 x effacement Moteur : 1 x servomoteur CC Type de bande : type I, CrO2, métal Réduction du bruit : B Réponse en fréquence: 20 Hz à 18 kHz   (bande métallique) Rapport signal sur bruit : 69 dB   (dolby B) Waouh et scintillement : 0,05 % Dimensions: 16-9/16 x 5-7/8 x 13-1/4 pouces Poids : 15,75 lb idem Vincent, Kef, Sony, Technics, Atoll, Copland, Jbl, Synthesis, Cello, Viola, Mark Levinson, Roksan, Metaxas, Goldmund, Dynavector audio, Technica, Linn, Accuphase, Magico, Alnico, Plinius, Audiomat, Revel, Boston, Luxman, Harbeth, STENHIEM ALUMINE, Triangle, Altec, Goto, Conrad Johnson, Esoteric, Vpi, Proac, Mbl, Mulidine, Nakamichi, Manley, Rega, Radford, Sansui, Sae, B&W, Pioneer, Bowers & Wilkins, Imf, Cabasse, Jmlab, Focal, JMR, Klipsch, McIntosh, Cyrius, JMR, BC Acoustique, Electrocompaniet, Micromega, Marantz, Denon, Onkyo, Rogers, Audio Research, Acoustic Research, Advance Acoustic, Krell, Sonos, Jadis, Moon, Bel Canto, Devialet, Perreaux, Emotiva, Tannoy, Gryphon,Rotel, Thorens, Bose,NAD, Harman kardon, Yamaha...

DAC 100 SE Atoll USB 24 bits/192 kHz PCM 1796. Audiophile design, Made in France. The construction of the case is solid, the connections and switches/selectors are of quality. The experience with this device is summed up in precision, naturalness and striking sound realism (and yet my sources are already references). If you want to move from your listening room to the concert hall: this is the device you need. And in more detail:. a beauty of timbres with perfect neutrality. a broad sound image, with depth, we position the musicians very well in space. well-defined treble up to the extreme treble. deep, accurate bass, without superfluous roundness. breathtaking dynamism These qualities will particularly make the difference on classical music and jazz. To be combined with good quality connection cables to get all the benefits. In excellent working and aesthetical condition, comes with power cord and original box, extremely well packaged. Would consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. The Atoll DAC 100 SE DAC is a digital/analog converter with three coaxial inputs, three optical inputs and one USB input. Coaxial and optical inputs support resolutions up to 24-bit/192kHz. For the USB input, it accepts resolutions up to 24 bit/96 kHz. For connection to an integrated amplifier, a stereo RCA output is located on the left of the rear panel. On the front a series of LEDs indicates the input used. This front is in brushed anodized aluminum, either natural or black. The converters are Burr Brown PCM 1796. Two power supplies, one of which is reserved exclusively for the analog audio part, equip this DAC. The output stages are provided by discrete components without feedback. The brand Atoll has designed a very well-built DAC. The DAC 100 SE occupies a relatively small space while still being able to enhance up to seven digital sources. Digital inputs: 3 x optical, 3 x coaxial and 1x USB Analog outputs: 1 x stereo RCA USB: Type B Resolutions and sampling rates: optical and coaxial: 16-24 bits (44.1 kHz, 48 kHz, 96 kHz and 192 kHz) USB: 24-bit (32kHz, 44.1 kHz, 48 kHz, 96 kHz) Dual power supply Converters: Burr Brown PCM 1796 Output stages with discrete components and no feedback Dimensions: 320 x 210 x 60 mm Weight: 2kg Arcam / quad / cambridge audio / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi / monitor audio / klipsch / ifi / AudioQuest / Astell b'&' Kern / iBasso / Hidizs / Fiio / Shanling / Cayin / beyerdynamic / meze / hifiman / audio technica / akg / bel canto / violectric / lehmann / parasound / benchmark / auralic / burson / aune / feliks / vincent / little dot / prima luna / pathos / willsenton / reisong / woo / fezz / pier audio / jadis, sony, eversolo, wiim, topping, aune, gustard, smsl, volumio, matrix En savoir plus

Focal Elear Premium audiophile OPEN-BACK CIRCUM-AURAL headphones, truly exceptional performance. Made in France. focal.com/en/home-audio/high-fidelity-speakers/high-fidelity-headphones/elear Used, in great working condition and aesthetics, probably the pads needs to be changed but otherwise in very good condition, also. No smoking, very little use overall as I prioritised my planar headphones, much more expensive. Comes with original box and all the accessories. Could consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. Truly exceptional performance, highly regarded by the audiophile community. youtube.com/watch?v=lw0wJpjAHyk b'"'The Focal Elear is a drop-dead gorgeous high-end headphone. Build quality is spectacular; comfort is very good (though the cable is a bit heavy); and the new purpose built aluminum/magnesium M-dome drive is a testament to the technical accumen of Focal. Sound quality is superb; this is an extraordinarily dynamic and punchy headphone. Unlike most high-end headphones, the Focal Elear seem to have no Achilles heal. It's very easy to just get wrapped up in the music and be unaware of the headphones themselves. I'd like a dB or two more bass, but the terrific bass tightness seems to make up for it, and a slightly laid back character up top has this headphone pushing almost all of my buttons. I really fell in love with the Elear. Its stellar build, comfortable fit and kick ass sound easily won me over. Focal has done an absolutely beautiful job of producing a worthy high-end headphone.b'"' Open-back circumaural headphones 40mm M-dome aluminum and magnesium drivers Leather-covered aluminum headband 20mm microfiber and memory foam cushions Measures Impedance: 80 ohms Sensitivity: 104 dB / 1 mW THD: 0.3% at 1 kHz for 100 dB Frequency response: 5 Hz to 23 kHz Accessories delivered Carrying case, dual 3.5mm mono mini-jack and 6.35mm stereo jack modulation cable General Weight: 450g Arcam / quad / cambridge audio / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi / monitor audio / klipsch / ifi / AudioQuest / Astell b'&' Kern / iBasso / Hidizs / Fiio / Shanling / Cayin / Beyerdynamic / AKG / Hifiman / Audio-Technica / Sony / Meze, Grado, Focal, Bose, Bowers Wilkins, Audeze, ZMF, Sennheiser En savoir plus

Pas de vente si vous avez moins de 10 évaluations / No sale if you have less than 10 evaluations DUAL C820 + Câble d'alimentation intégré / Power cable TRES BONNE CONDITION / VERY GOOD CONDITION Des traces d'usage peuvent apparaître, mais peu, voir mes photos et video: Traces of use may appear, but few, please see my photos and my video: https://www.youtube.com/watch?v=zoMCFqAUKFM REVISÉE / SERVICED Fonctionnement complet / Fully working 5 COURROIES NEUVES / 5 NEW BELTS Vitesse régulée à 1000 Hz / Speed calibration 1000 Hz Passage de bande nettoyé / Tape path cleaned (Heads, Capstans, …) Démagnétisée / Demagnetized LIVRAISON / DELIVERY En emballage protégé / in a safe package WORLWIDE DELIVERY Italie's and Spain's islands, please ask for shipping cost before buying Pas de vente si vous avez moins de 10 évaluations / No sale if you have less than 10 evaluations Description With the C 820, you step right into the metal tape age, ready to take advantage of that advanced formulation's greater dynamic range and resistance to high-frequency saturation. You're also assured of getting the most out of all regular tapes, thanks to the 820's six-way bias/equalization selector, which accommodates two ferric types, two chrome types plus ferrichrome, in addition to metal. The 820's record level meters are actually bright LED arrays. Since they have no inertia, they can react instantaneously. They're bright enough to read from across the room. And because they are equalized, you get a true reading of the actual record signal which includes the high-frequency boost going onto the tape. Another way the 820 helps avoid distorted recordings is with the switchable overload limiter. You'd probably want to switch it in whenever recording music of unknown dynamic range. Unlike ordinary limiters, Dual's doesn't compress dynamic range, but goes into action only when there's a sudden overload. Its action is also coordinated with the record-level settings - the higher they are, the more the amount of limiting that takes place. Important as such features are, the drive system is even more fundamental to cassette deck performance. The Dual drive system begins with a high-torque DC servo-motor with precision-ground flat belts and dynamically-balanced flywheel. An integral frequency generator provides instantaneous corrections of any deviation from accurate speed. Perfect tape-to-head alignment is assured by the four-point guidance system. And the electronic tape motion sensor constantly monitors the tape tension so that any deviation instantaneously stops the transport. For extra convenience in tape movement, the 820's memory stop functions in both directions. And, of course, all the basics are included: headphone output, microphone inputs and Dolby noise reduction system. ADC - AKG -AUDIO-TECHNICA - DENON - DYNAVOX - EMPIRE - GARRARD - JELCO - LENCO - MICROSEIKI - ORTOFON - PICKERING - REGA - SHURE - SME - STANTON - THORENS 3A - AUDAX -Bb'&'W - BOSE - CABASSE - CELESTION - CERWIN WEGA - DITTON - ELIPSON -FRANCE ACOUSTIQUE - HRC - INFINITY - JAMO - JBL - JENSEN - JM REYNAUD - KEF -KLIPSCH - LANSING - LEAK - LES - MAGNAT - MARTIN - MERCURIALE - MISSION-ROGERS - SIARE - TAD (PIONEER) - TANNOY - TRIANGLE - ULTRALINEAR - WHARFEDALE 3M - AGFA -AMPEX - BASF - FUJI - MAXELL - MEMOREX - NAGRA - NAKAMICHI - SCOTCH - SONY -TANDBERG - TDK Ab'&'R CAMBRIDGE - ACCUPHASE- AIWA - AKAI - ALPINE/ALPAGE - AMSTRAD - ARCAM - AUDIO RESEARCH - AUREX(TOSHIBA) - BANG b'&' OLUFSEN (Bb'&'O) - BARTHE - BENYTONE - BLAUPUNKT - BOSE- BRANDT - BRAUN - BRYSTON - BST - CAMBRIDGE AUDIO - CARVER - CONTINENTAL EDISON- CREEK - CYBERNET - DAVID HAFLER - DENON - DUAL - DYNACO - ELECTROCOMPANIET -EMB - ESART - FERGUSON - FISHER - GRAETZ - GRUNDIG - H.H.SCOTT - HARMAN/KARDON- HITACHI - ITT - JEFF ROWLAND - JVC - KENWOOD - KRELL - LINN - LOEWE - LUXMAN - MARK LEVINSON – MARANTZ - Mc INTOSH - MERIDIAN - MICROMEGA -MITSUBISHI - NAD - NAIM - NAKAMICHI - NEC - NIKKO - NYTECH - ONKYO -OPTONICA (En savoir plus Collaboration commerciale.

Selling my beloved ProAc Studio 125 in very good working condition and aesthetics with some minor marks on the base plates. Classic speakers Made in England, these are truly refined, recipient of many excellent reviews and winner of the What Hi-Fi? Best Buy. This exceptional loudspeaker will satisfy not only demanding audiophiles but also those with home theater applications. Prepare to enter the dream-land of true high-end: great dynamics and stereo imaging, amazing bass, voices are perfect, huge soundstage, airy highs, articulated and detailed mids, gorgeous cabinet design. The speakers come with all the original spikes and grills and are in perfect working order. They come packed in the original boxes with protective foam. No discolouration of the veneer under the grills as can be seen in the photos. Could be shipped in two boxes but please, ask for a quote before as the postage differs from country to country, thanks! For Belgium, Germany or The Netherlands I believe you can arrange also for a Cocolis service, which is much more convenient. Extemely little used for their age, they were in my secondary studio. I had them driven by different amplifiers: a Sugden, a Peachtree and a Merdidian, all worked perfectly with great synergy. b'"'So inspired by these speakers, I had to tell all of you about them and so this is my first ever hifi review: If you see these speakers for sale just bloody buy them! I have not heard anything so amazing since I walked into a hifi store in '89 when a new Quincy Jones CD was blasting through some Shinanighans (I know that's not the correct spelling). The Studio 125 speakers are a knockout for their minimalist styling alone and mine have beautiful mahogany veneer that compliments our 60's modernist furniture. I saw a pair of Proac Studio 125 speakers come up for sale and I have always wondered what they sound like since the Tablettes were a favourite monitor in a friend's hi-end studio setup. I got them home and hooked them up to a rather grunty NAD 753 HT amp, yamaha CD player, nothing too silly and the sound literally made my mouth fall open, then I went on to start swearing and punching the air with delight. They have detail that is so moorish to listen to, kind of juicy and the bottom end it rich and super deep, I will never sell these speakers, after years of searching I am finally spending less time on and more time listening to music. I should add that these are all-rounders, they do wonders for older low-fi recordings as well, so not just for the jazz or classical heads, these speakers make everything sound rich, lush and detailed. I don't really understand how they do it.b'"' (Campbell, AudioPhile) youtube.com/watch?v=A-eOuNDm6SYb'&'t=230s The specifications of the speakers: Nominal Impedance: 8 ohms Recommended Amplifiers: 20 to 150 watts Frequency Response: 30hz to 30Khz Sensitivity: 87db linear for 1 watt at 1 metre Bass/Midrange Driver: 612” inch diameter exclusive ProAc design with modified dust cap and critically coated cone on die-cast Chassis. magnetically shielded. Tweeter: 34” soft dome to ProAc design with ferrofluid cooling. Magnetically shielded. Crossover: Finest components on dedicated circuit board. Multistrand oxygen-free copper cable throughout. Split for optional bi-wiring and bi-amping. Dimensions: 36” (915mm) high, 8” (203mm) wide, 11” (280mm) deep Weight: 40lbs (18kg/cabinet) sony, edifier, jbl, wharfedale, jamo, kanto, ruark, triangle, Focal, Sonus Faber, Dali, Q Acoustics, Elac, Paradigm, Acoustic Energy, Buchardt, Dynaudio, Bb'&'W, Klipsch, Arcam / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi, Proac, neat, quad, kerr, alta, mofi, fyne, tannoy, acoustic research, allison, sugden, atc, amphion, pmc, kef, Linn, gato, sony, edifier, jbl, wharfedale, jamo, kanto, ruark, triangle, Focal, Sonus Faber, Dali, Q Acoustics, Elac, Paradigm, Buchardt Acoustic Energy, Buchardt, Dynaudio En savoir plus Collaboration commerciale.

DUAL C820 + Câble d'alimentation intégré / Power cable TRES BONNE CONDITION / VERY GOOD CONDITION Des traces d'usage peuvent apparaître, mais peu, voir mes photos et video: Traces of use may appear, but few, please see my photos and my video: https://www.youtube.com/watch?v=zoMCFqAUKFM REVISÉE / SERVICED Fonctionnement complet / Fully working 5 COURROIES NEUVES / 5 NEW BELTS Vitesse régulée à 1000 Hz / Speed calibration 1000 Hz Passage de bande nettoyé / Tape path cleaned (Heads, Capstans, …) Démagnétisée / Demagnetized LIVRAISON / DELIVERY En emballage protégé / in a safe package WORLWIDE DELIVERY Italie's and Spain's islands, please ask for shipping cost before buying Description With the C 820, you step right into the metal tape age, ready to take advantage of that advanced formulation's greater dynamic range and resistance to high-frequency saturation. You're also assured of getting the most out of all regular tapes, thanks to the 820's six-way bias/equalization selector, which accommodates two ferric types, two chrome types plus ferrichrome, in addition to metal. The 820's record level meters are actually bright LED arrays. Since they have no inertia, they can react instantaneously. They're bright enough to read from across the room. And because they are equalized, you get a true reading of the actual record signal which includes the high-frequency boost going onto the tape. Another way the 820 helps avoid distorted recordings is with the switchable overload limiter. You'd probably want to switch it in whenever recording music of unknown dynamic range. Unlike ordinary limiters, Dual's doesn't compress dynamic range, but goes into action only when there's a sudden overload. Its action is also coordinated with the record-level settings - the higher they are, the more the amount of limiting that takes place. Important as such features are, the drive system is even more fundamental to cassette deck performance. The Dual drive system begins with a high-torque DC servo-motor with precision-ground flat belts and dynamically-balanced flywheel. An integral frequency generator provides instantaneous corrections of any deviation from accurate speed. Perfect tape-to-head alignment is assured by the four-point guidance system. And the electronic tape motion sensor constantly monitors the tape tension so that any deviation instantaneously stops the transport. For extra convenience in tape movement, the 820's memory stop functions in both directions. And, of course, all the basics are included: headphone output, microphone inputs and Dolby noise reduction system. ADC - AKG -AUDIO-TECHNICA - DENON - DYNAVOX - EMPIRE - GARRARD - JELCO - LENCO - MICROSEIKI - ORTOFON - PICKERING - REGA - SHURE - SME - STANTON - THORENS 3A - AUDAX -Bb'&'W - BOSE - CABASSE - CELESTION - CERWIN WEGA - DITTON - ELIPSON -FRANCE ACOUSTIQUE - HRC - INFINITY - JAMO - JBL - JENSEN - JM REYNAUD - KEF -KLIPSCH - LANSING - LEAK - LES - MAGNAT - MARTIN - MERCURIALE - MISSION-ROGERS - SIARE - TAD (PIONEER) - TANNOY - TRIANGLE - ULTRALINEAR - WHARFEDALE 3M - AGFA -AMPEX - BASF - FUJI - MAXELL - MEMOREX - NAGRA - NAKAMICHI - SCOTCH - SONY -TANDBERG - TDK Ab'&'R CAMBRIDGE - ACCUPHASE- AIWA - AKAI - ALPINE/ALPAGE - AMSTRAD - ARCAM - AUDIO RESEARCH - AUREX(TOSHIBA) - BANG b'&' OLUFSEN (Bb'&'O) - BARTHE - BENYTONE - BLAUPUNKT - BOSE- BRANDT - BRAUN - BRYSTON - BST - CAMBRIDGE AUDIO - CARVER - CONTINENTAL EDISON- CREEK - CYBERNET - DAVID HAFLER - DENON - DUAL - DYNACO - ELECTROCOMPANIET -EMB - ESART - FERGUSON - FISHER - GRAETZ - GRUNDIG - H.H.SCOTT - HARMAN/KARDON- HITACHI - ITT - JEFF ROWLAND - JVC - KENWOOD - KRELL - LINN - LOEWE - LUXMAN - MARK LEVINSON – MARANTZ - Mc INTOSH - MERIDIAN - MICROMEGA -MITSUBISHI - NAD - NAIM - NAKAMICHI - NEC - NIKKO - NYTECH - ONKYO -OPTONICA (SHARP) - PALLADIUM - PANASONIC - PATHE MARCONI - PHASE LINEAR -PHILIPS - PHONOPHONE - PIONEER - PROTON - QUAD - RADIOLA - REVOX- ROTEL - SABA - SAE - SAMSUNG - SANSUI - SANYO - SHARP - SCHAUB-LO En savoir plus Collaboration commerciale.