Maybe not at same

Listing Template 2018 WERE ALL IN THE SAME 1 GANG west coast rap grand jury all stars 1990 VINYL LP COVER EX RECORD NM SHIPPING RATES: France: 5€ par Mondial relay ou relais shop to shop chronopost (même tarif jusqu'a 10 disques = attendre que je modifie le total à 5€ apres vos achats) ou  6,80 (colissimo en cas de plusieurs achat attendre que je calcule total des frais de port avant de faire le paiement) Allemagne, Belgique, UK, Italie, Espagne, Pays Bas: 9€40 by Mondial relay or UPS (with tracking number) Others: 14€ (with tracking number) Multiple purchase are welcome to save shipping cost! Europ: Allemagne, Belgique, UK, Italie, Espagne, Pays Bas  from 2 Up to 5 records: 12 € from 6 Up to 10 records: 16€ Other countries: from 2 to 3 records 18 € from 4 to 7 records 28 € from 7 to 10 records 34 € Please wait for the shipping costs to change after your purchases. Payment is expected within 4 days --- Thank you --- --- Merci --- View Our Categories About Us Lorem ipsum dolor sit amet, consectetur adipiscing elit. Duis eu imperdiet enim. In lectus urna, vulputate ut turpis tincidunt, consequat elementum lectus. Etiam bibendum finibus dui at mattis. Sed at ipsum est. Donec sodales placerat nibh, posuere pulvinar odio scelerisque non. Sed iaculis, est vitae luctus aliquet, risus nisi auctor massa, sit amet elementum dui nibh a mi. Morbi nec rhoncus libero. Shipping & Returns All items are sent securely package via Royal Mail 2nd class signed for trackable delivery. We are happy to combine postage for multiple items however please make contact prior to payment in order for your shipping invoice to be amended accordingly. Overseas customers via the safe and secure global shipping programme. In the unlikely event that you are not happy with your purchase, or if it does not suit your requirements please contact us via using the automated managed returns process. We are happy to offer 30 day returns on all items sold in the store. All items prior to despatch will be thoroughly inspected and a return will only be accepted if the item is received in the same condition. Returns We will always help you to have a 100% positive happy buying experience. Contact us if you are unhappy about any aspect of your purchase from us. We only want five star feedback from you so buy with confidence.

PHIL COLLINS Take A Look At Me Now...  Coffret 8CD Box Édition Limitée Remasters. Légères traces de frottements sur la box. CD et leur pochette en excellent état. Face Value - 1-1 In The Air Tonight 5:36 - 1-2 This Must Be Love 3:56 - 1-3 Behind The Lines 3:55 - 1-4 The Roof Is Leaking 3:16 - 1-5 Droned 2:49 - 1-6 Hand In Hand 5:22 - 1-7 I Missed Again 3:46 - 1-8 You Know What I Mean 2:33 - 1-9 Thunder And Lightning 4:13 - 1-10 I'm Not Moving 2:35 - 1-11 If Leaving Me Is Easy 4:55 - 1-12 Tomorrow Never Knows 4:52 Hello, I Must Be Going! - 2-1 I Don't Care Anymore 5:05 - 2-2 I Cannot Believe It's True 5:16 - 2-3 Like China 5:08 - 2-4 Do You Know, Do You Care? 4:58 - 2-5 You Can't Hurry Love 2:55 - 2-6 It Don't Matter To Me 4:17 - 2-7 Thru These Walls 5:05 - 2-8 Don't Let Him Steal Your Heart Away 4:44 - 2-9 The West Side 5:02 - 2-10 Why Can't It Wait 'til Morning 3:11 No Jacket Required - 3-1 Sussudio 4:24 - 3-2 Only You Know And I Know 4:21 - 3-3 Long Long Way To Go 4:22 - 3-4 I Don't Wanna Know 4:15 - 3-5 One More Night 4:51 - 3-6 Don't Lose My Number 4:48 - 3-7 Who Said I Would 4:01 - 3-8 Doesn't Anybody Stay Together Anymore 4:18 - 3-9 Inside Out 5:15 - 3-10 Take Me Home 5:51 - 3-11 We Said Hello Goodbye 4:21...But Seriously - 4-1 Hang In Long Enough 4:45 - 4-2 That's Just The Way It Is 5:20 - 4-3 Do You Remember? 4:36 - 4-4 Something Happened On The Way To Heaven 4:51 - 4-5 Colours 8:51 - 4-6 I Wish It Would Rain Down 5:27 - 4-7 Another Day In Paradise 5:22 - 4-8 Heat On The Street 3:51 - 4-9 All Of My Life 5:35 - 4-10 Saturday Night And Sunday Morning 1:25 - 4-11 Father To Son 3:27 - 4-12 Find A Way To My Heart 6:14 Both Sides - 5-1 Both Sides Of The Story 6:43 - 5-2 Can't Turn Back The Years 4:40 - 5-3 Everyday 5:43 - 5-4 I've Forgotten Everything 5:15 - 5-5 We're Sons Of Our Fathers 6:24 - 5-6 Can't Find My Way 5:09 - 5-7 Survivors 6:05 - 5-8 We Fly So Close 7:33 - 5-9 There's A Place For Us 6:52 - 5-10 We Wait And We Wonder 7:01 - 5-11 Please Come Out Tonight 5:49 Dance Into The Light - 6-1 Dance Into The Light 4:25 - 6-2 That's What You Said 4:20 - 6-3 Lorenzo 5:51 - 6-4 Just Another Story 6:24 - 6-5 Love Police 4:11 - 6-6 Wear My Hat 4:44 - 6-7 It's In Your Eyes 3:02 - 6-8 Oughta Know By Now 5:31 - 6-9 Take Me Down 3:22 - 6-10 The Same Moon 4:08 - 6-11 River So Wide 4:57 - 6-12 No Matter Who 4:40 - 6-13 The Times They Are A-Changin' 5:08 Testify - 7-1 Wake Up Call 5:15 - 7-2 Come With Me 4:34 - 7-3 Testify 6:31 - 7-4 Don't Get Me Started 4:41 - 7-5 Swing Low 5:08 - 7-6 It's Not Too Late 3:59 - 7-7 This Love This Heart 4:04 - 7-8 Driving Me Crazy 4:37 - 7-9 The Least You Can Do 4:21 - 7-10 Can't Stop Loving You 4:16 - 7-11 Thru My Eyes 5:07 - 7-12 You Touch My Heart 4:46 The Essential Going Back - 8-1 Going Back 4:38 - 8-2 Girl (Why You Wanna Make Me Blue) 2:32 - 8-3 (Love Is Like A) Heatwave 2:53 - 8-4 Some Of Your Lovin' 3:18 - 8-5 Going To A Go-Go 2:48 - 8-6 Papa Was A Rolling Stone 6:44 - 8-7 Loving You Is Sweeter Than Ever 2:47 - 8-8 Something About You 2:46 - 8-9 Talkin About My Baby 2:48 - 8-10 Do I Love You 2:50 - 8-11 Never Dreamed You'd Leave In Summer 3:00 - 8-12 Take Me In Your Arms (Rock Me For A Little While) 2:57 - 8-13 Too Many Fish In The Sea 2:30 - 8-14 Uptight (Everything's Alright) 3:03

Je ne fais plus d'envoi vers les pays suivant: I not sending more item in the following countries:   - South America (Perou, Argentina, Brasil)  - Ukraine Sorry for inconvenience.   Group postage (price only for France) 2 eur for complementary LP and 1 eur for 7 inch Merci de me contacter pour le prix des expéditions à l'internationale.  Please contact me for international shipping price.   Archie Shepp ‎– Yasmina, A Black Woman / Live At The Panafrican Festival Label: BYG Records ‎– YX-9003～4 Series: Double Actuel – 203 Format: 2 × Vinyl, LP PROMO, Compilation  Pays: Japan Date: 1971 Genre: Jazz, Folk, World, & Country Style: Free Jazz, African Tracklisting Live At The Panafrican FestivalA1Brotherhood At KetchaouA2We Have Come Back Part 1BWe Have Come Back Part 2Yasmina, A Black WomanCYasminaD1Sonny's BackD2Body And Soul Notes A1 to B: Recorded live in Algiers during the first Panafrican Festival, July 29 & 30 1969 featuring Algerians and Touareg musicians. C to D2: Recorded August 12, 1969 in Paris. Same musicians as on the regular album releases. Issued in gatefold sleeve.

Nasty Savage: Nasty Savage & Abstract Reality Label: Metal Blade Records ‎  7 72427-2 Format: CD  Album Country: US      Sortie: 1990 Nasty Savage 1 No Sympaty 4:03 2 Gladiator 3:49 3 Fear Beyond The Vision 4:44 4 Metal Knights 3:54 5 Garden Of Temtation 4:13 6 Asmodeus 4:40 7 Dungeon Pleasure 4:45 8 The Morgue 4:44 9 Instigator 3:52 10 Psyhopath 11 End Of Time Abstract Reality 12 Abstract Reality 4:42 13 Unchained Angel 3:03 14 Eromantic Vertigo 5:53 15 You Snooze, You Lose 5:52 - Copyright (c)  Metal Blade Records - Phonographic Copyright (p)  Metal Blade Records - Glass Mastered At  Nimbus, Virginia - Marketed By  Restless Records - Recorded At Morrisound Studios - Mixed At Morrisound Studios - Mastered At Capitol Records - Artwork [Indulgence Collage] Nasty Ronnie - Cover [Artwork] Van Dercar - Drums Curtis Beeson - Engineer Jim Morris - Lead Guitar Ben Meyer, David Austin - Producer Nasty Savage - Vocals Nasty Ronnie First pressing of this compilation on CD. - Barcode: 018777242721 - Matrix / Runout: 72427-2 (V):::MASTERED::BY NIMBUS: - SPARS Code: AAD Original 1st US Pressing. Disc has a few marks that do not affect play. Small punch hole Etat Media: VG+  /  Media Condition: VG+ Etat Pochette: VG+  /  Sleeve Condition: VG+ France : Envoi Colissimo Recommandé: 8 € Postage E.E.C. / Rest of the World:  Registred shipment: 13,50 € Photos available on request to manudor@live.fr Combined shipment

Nasty Savage: Nasty Savage & Abstract Reality Label: Metal Blade Records ‎  7 72427-2 Format: CD  Album      Country: US      Sortie: 1990 Nasty Savage 1 No Sympaty 4:03 2 Gladiator 3:49 3 Fear Beyond The Vision 4:44 4 Metal Knights 3:54 5 Garden Of Temtation 4:13 6 Asmodeus 4:40 7 Dungeon Pleasure 4:45 8 The Morgue 4:44 9 Instigator 3:52 10 Psyhopath 11 End Of Time Abstract Reality 12 Abstract Reality 4:42 13 Unchained Angel 3:03 14 Eromantic Vertigo 5:53 15 You Snooze, You Lose 5:52 - Copyright (c)  Metal Blade Records - Phonographic Copyright (p)  Metal Blade Records - Glass Mastered At  Nimbus, Virginia - Marketed By  Restless Records - Recorded At Morrisound Studios - Mixed At Morrisound Studios - Mastered At Capitol Records - Artwork [Indulgence Collage] Nasty Ronnie - Cover [Artwork] Van Dercar - Drums Curtis Beeson - Engineer Jim Morris - Lead Guitar Ben Meyer, David Austin - Producer Nasty Savage - Vocals Nasty Ronnie First pressing on CD!!! - Barcode: 018777242721 - Matrix / Runout: 72427-2 (V):::MASTERED::BY NIMBUS: - SPARS Code: AAD Original 1st US Pressing. Disc has a few marks that do not affect play. Small punch hole Etat Media: VG+  /  Media Condition: VG+ Etat Pochette: VG+  /  Sleeve Condition: VG+ France : Envoi Recommandé: 8 € Postage E.E.C. / Rest of the World:  Registred shipment: 13,50 € Photos available on request to manudor@live.fr Combined shipment

A classic work of World War II history that brings to vivid, dramatic life one of the bloodiest battles ever fought - and the beginning of the end for the Third Reich. On August 5, 1942, giant pillars of dust rose over the Russian steppe, marking the advance of the 6th Army, an elite German combat unit dispatched by Hitler to capture the industrial city of Stalingrad and press on to the oil fields of Azerbaijan. The Germans were supremely confident; in three years, they had not suffered a single defeat. The Luftwaffe had already bombed the city into ruins. German soldiers hoped to complete their mission and be home in time for Christmas. The siege of Stalingrad lasted five months, one week, and three days. Nearly two million men and women died, and the 6th Army was completely destroyed. Considered by many historians to be the turning point of World War II in Europe, the Soviet Army's victory foreshadowed Hitler's downfall and the rise of a communist superpower. Best-selling author William Craig spent five years researching this epic clash of military titans, traveling to three continents in order to review documents and interview hundreds of survivors. Enemy at the Gates is the enthralling result: the definitive account of one of the most important battles in world history. The book was the inspiration for the 2001 film of the same name, starring Joseph Fiennes and Jude Law. Stalingrad, one of the bloodiest battles in the history of warfare, cost the lives of nearly two million men and women. It was perhaps the single most important engagement of World War II and signaled the beginning of the end of the Third Reich of Adolf Hitler. Based on 100s of interviews with survivors of the battle, this text presents the story of the bloody battle. A Shocking, Epic Tale It is hard to put into words this tremendous epic of a book. Beginning with the German 6th Army's confident march towards Hitler's "prize", Stalingrad, the book carefully and descriptively moves through stages the battle from both German and Russian accounts, drawing in the reader from one heart-stopping moment to the next. William Craig does a masterful job of describing the deteriorating situation in the city, the countless lives lost, and the tragedy that occurs during the capitulation and capture of the German 6th Army and its Italian and Romanian allies. All armies involved in the battle suffered immeasurably for what they believed in, and the human cost and brutality described during the battle and its aftermath is breath-taking. Craig also did an unbelievable job of gathering first-hand accounts from the survivors to put the reader directly on the front lines. To learn the whole truth about this tragedy of WWII history I highly recommend this book.

.. THE FIRST EDITION sorti en 1969 chez REPRISE.... Produit par MIKE POST... avec KENNY ROGERS.... POP 60's... A NOTER que la tranche inferieur de la pochette est fendue sur 10 cm.... COVER = VG RECORD = VG/VG- N'hésitez pas à me contacter pour toutes questions se rapportant à des articles en vente dans ma boutique.. L'envoi des disques sera fait sous pochette plastique et carton epais... envoi rapide et serieux.. envoi groupé avec les tarifs calculés au plus juste..                        -------------------------------------------------- Do not hesitate to contact me with any questions relating to items for sale in my shop.. Sending records will be made in a plastic sleeve and heavy cardboard... fast shipment and serious.. sending multiple items with prices calculated at the fair....

FROM LP ROCK N ROLL MUSIC TO THE WORLD COVER/POCHETTE: EX RECORD/DISQUE:EX LABEL: CHRYSALIS Listed here are sometimes  30 years  to  50 years old.Some of them may crack, even skip when they turn on your  turn table wich could be different of mine (Technics CL 170).I try to listen carefully to all the records before putting them on bid. I try to describe them as carefuly as possible and the quotations I use are as accurate as possible, but the subjectivity remains !if you have any doubt, don't bid I will not in any case accept any returns ! .Vous bidez sur un disque qui est parfois vieux de 30 à 50 ans.Certains peuvent parfois grésiller à l'écoute ou même sauter si vous n'utilisez pas une platine de bonne qualité avec un diamant changé régulièrement (La mienne TECHNICS CL 170). J'essaye dans la mesure du possible d'écouter préalablement chaque disque que je met en vente? et ça prends du temps ! J'utilise une cote classique qui décrit le mieux que je peux l'Etat du disque et de la pochette mais ceci reste cependant subjectif ! si vous bidez faites le en connaissance de cause ! vous pouvez toujours aussi acheter votre disque dans une convention ! j'en fait certaines !  en tout cas je n'accepte aucuns retour  !!Pour achats groupés (3 disques 45t) port identique.                 Up to three records (EP:SP) same postal price.

°... un album du groupe Argentin LOS CHALCHALEROS sorti en 1973 chez RCA... contient: de mi esperanza - viene clareando - sapo cancionero - a los bosques yo me interno - la lopez pereyra - jamas - llorare - la nochera - amor y fiesta - zamba del grillo - yo vendo unos ojos negros - zamba del chalchalero COVER = VG++ RECORD = EX                  --------------------- n'hésitez pas à me contacter pour toutes questions de rapportant à des articles en vente dans ma boutique... l'envoi des disques se fait sous pochette plastique et carton epais.. envoi rapide et serieux.. envoi groupé avec les tarifs calculés au plus juste.                                             ------------------------ Do not hesitate to contact me for any questions relating to items for sale in my shop... sending records will be made in a plastic sleeve and hevy cardboard.. fast shipment and serious.. sending multiple items with prices calculated at the fair.

33 Tours LP   BLACK SHEEP NON-FICTION  MERCURY 314 522 685-1  2 LP USA Year: 1994 Hip Hop Cover: NM Record: NM See photos. My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cove

33 TOURS LP ATOMIC ROOSTER Holland 1970 Fontana Stereo 6369 001 Cover: VG Record: VG- Small writings on back cover (bottom left side). See photos. Record with several surface scuffs. VIEW VIDEO ON INSTAGRAM (click here) (Doesn’t work on iphone app, use Safari or Chrome browser) My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as

33 Tours LP   DON CHERRY & The Jazz Composer's Orchestra RELATIVITY SUITE JCOA Records VIRGIN JLP 2001 Dischi Ricordi ITALY Year: 1974 Jazz Free Jazz Cover: VG++ Record: NM Back cover a bit dirty and with ring wear. See photos. My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG cov

PLEASE WAIT THE INVOICE BEFORE SENDING PAYMENT !!!!!!!!  INFORMATIONS: ITALIAN press GRADING COVER/RECORD:  SEALED SHIPPING COST:  to France:  8€ for 1 record; 1€ per additionnal item to Europe:   14€ for 1 record; 1€ per additionnal item  to Rest of the world: 24€ for 1 record; 2€ per addtionnal item ALL shipping are REGISTRED with TRACKING NUMBER.   RECORD AND COVER GRADING: MINT (M) These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. There is no set percentage of the Near Mint value these can bring; it is best negotiated between buyer and seller. NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++ or E+). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. That said, VG records — which usually sell for no more than 25 percent of a NM record — are among the biggest bargains in record collecting, because most of the “big money” goes for more perfect copies. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would resid

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

isnw_ecp JOHNNY HALLYDAY Que je t’aime / Voyage au pays des vivants / Je suis né dans la rue / Viens (Philips 437 480 BE) Pressage original français sorti en 1970. Imprimerie JAT. Hormis le tube "que je t'aime" ne pas ratez "Viens" la superbe version française de Don’t Let It Get The Best Of You de Nimrod (Micky Jones and Tommy Brown). Original french pressing issued in 1970. The french National n°1 rocker Johnny, backed with Micky Jones and Tommy Brown, deliver a fantastic french version of the highly seek holly grail of pop-sike collectors (Don’t Let It Get The Best Of You by Nimrod). And Lucky for you, This is really not as rare as Nimrod and honestly the version is great (but sing in french). This is more than a cover, this a french version, Micky & Tommy (aka Nimrod) were actually playing with johnny at this time of their career. Don’t miss it. Record condition: SLEEVE (pochette) VG+ / RECORD (disque) VG J’indique toujours dans la description si le fichier son a été enregistré du vinyle en vente.  Si ce n’est pas précisé cela veut dire que l’échantillon vient d’un autre vinyle   It’s always indicated on the description when the clip sound source is the record actually on sale.  If not, it means than the source is from a previous copy   ACHETEZ PLUSIEURS DISQUES ET ÉCONOMISEZ LES FRAIS DE PORT. Demandez-moi les tarifs. Attendre ma facture pour payer en cas d'achat multiple CHECK MY OTHER RECORDS FOR SALE, COMBINED AND SAVE ON SHIPPING FEES. Ask me for rates. Wait for invoice to pay in case of multiple buys GRADING M  Mint Actually almost impossible to find a Mint second hand disc unless it’s sealed or it’s brand new. Neuf Quasi impossible pour un disque d’occasion sauf si le disque est scellé ou si c’est une nouveauté. NM Near Mint The record may have been played but it is almost mint. Only most minimal deterioration in sound quality. The sleeve is almost mint. Quasi Neuf Disque et pochette sont en état quasi neufs, jamais ou très peu joués et manipulés. Ils comportent le minimum de trace d’usure possible. EX Excellent The record shows some signs of having been played, but still plays perfectly. The vinyl may have some tiny wear or marks, but nothing major and nothing that affects play. The cover could show only slight wear and/or creasing but it’s still close to mint. Excellent Le disque a déjà été écouté plusieurs fois. Mais il passe toujours comme neuf. Si il y a des micro rayures, elles sont sans conséquences et quasi invisbles. La pochette est splendide, quelques signes manipulations, petites pliures, rien d’important quasi neuve VG+ Very Good+ The record have been played many times, show wear, small marks or light scratches but nothing deep. It still plays very well. The cover shows some wear, light creasing, maybe tiny tears or pen marks. Overall this is the condition of Most of records sold in second hand. Très Bon+ Disque a déjà été écouté, il peut y avoir des petites rayures, peut craquer très légèrement, mais l’écoute reste très satisfaisante. La Pochette est usée, petites écritures ou pliures mais très correcte. La plus part des disques d’occasions sont dans cette condition. VG Very Good The record shows non-deep scratches, surface marks,wear and displays some surface noise. But still very playable. The cover shows wear, creasing, maybe spine splits, BB/cut hole, pen marks or small tears. It may be great but with an inner sleeve or an insert missing. Très bon Le disque a été beaucoup écouté. Il y a des rayures et il craque. Néanmoins l’écoute reste satisfaisante sans être optimale. La pochette est usée, un poil déchirée, des grosses écritures. C’est aussi la note pour une pochette superbe mais ou il manque l’insert ou autre chose. G Good The record displays considerable surface noise, visible but non-deep scratches, but still it’s playable and enjoyable and it does not jump.The cover shows strong wear, creasing, spine splits, cut out hole, pen marks or tears but is still in one piece. Bon Le disque comporte beaucoup de rayures il craque beaucoup. Néanmoins il ne saute pas et il n’est pas rayé. L’écoute est toujours possible. La pochette est très usée, voir un peu déchirée, elle comporte des écritures néanmoins elle est toujours entière.