Memup music drive i

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con

Truly exceptional equipment for its size, very powerful and impressive sound, perfect working condition. Could consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. This ad is for the amp only, no headphone is part of the sale! (if that is needed to be specified anymore) The CanAmp is a two-stage amplifier. While the first - voltage gain - stage is based on an integrated circuit of the highest audio pedigree, the second - power gain - stage is a single-ended, pure Class-A amplifier. It enables the CanAmp to drive virtually any headphones from 8 ohms up to 600 ohms. As its output power (at 8 ohm) is nearly 1W, the CanAmp could drive even a high-sensitivity loudspeaker! The unit has no internal wiring, and the signal path is kept to a minimum on its PCB. Its high-quality, 1 dB-tolerance Blue Alps volume pot goes through a further selection process during manufacturing to achieve an even tighter, 0.5 dB tolerance. The CanAmp not only has a line-level input but offers a line-level output to boot; it can therefore be connected to the TAPE MONITOR output of an amplifier, leaving the TAPE output free for additional components (MP3, MiniDisc, CDR, etc.). Gold-plated RCA terminals are used, and soldered directly onto the fibreglass PCB. Measured performance is excellent, the bandwidth going far beyond the audio range in both bass and treble, with low distortion into any normal headphone impedance and plentiful output. Output level isn’t everything and the Heed will in any case drive even harder, but this amp impressed not least on account of its large audio scale. Indeed, even with quite modest volume-control settings the soun just seemed big and generous, tonally, dynamically and even spatially. Once again, there’s a lot of detail, but the dominant impression is of size. Funnily enough, this was perhaps more pronounced with some unaccompanied solo vocals than with orchestra or mega-rock, but that just serves to remind one that the human voice can indeed be a very big instrument. Perhaps if you like your music a bit on the polite side this may seem a touch excessive, but we freely confess that we just loved it. Tonality is great too. Very wide soundstage. Open airy 3D sound. The soundtage seems to stretch way beyond the headphones with an airy feel each instrument separated in its own space. Imaging is well defined and the midrange and treble are at a level that makes listening for long periods very non-fatiguing. The Op-amp can be swapped for other types to give a different sound balance if preferred such as the AD823AN (more pronounced high end) or LM4562NA (more forward sound with better bass control). Having said that the supplied chip sounded the best overall to my ears. b'"'What blew me away is the depth of the music, it seems to have layer upon layer thus making the music three dimensional. This thickness is then presented with an almost reverb quality that makes you feel engulfed by the music. I am hearing stuff that I did not know was recorded in my Cd's because I could not hear it before.b'"' b'"'I don't care how big the amp or how big its price tag, the HEED is by far the best I have heard to date bar none. As you say the b'"'depthb'"' is palpable with every instrument in its own space in time.... once you get over the psychological fact that this amp only costs XYZ and the circuit is SO simple that it can't possibly sound good and you start listening (and enjoying) the music you start realising just how good an amp this is. don't care how big the amp or how big its price tag, the HEED is by far the best I have heard to date bar none. As you say the b'"'depthb'"' is palpable with every instrument in its own space in time.... once you get over the psychological fact that this amp only costs XYZ and the circuit is SO simple that i En savoir plus

Cabasse Stream Source BT Streamer/Network Player DLNA server DAC 24 bits. Selling my beloved trustworthy network streamer and DLNA server from Cabasse. After I've pourchased an amp with integrated streaming capabilities, this one is getting dusted and it's a shame, it's a wonderful streamer / network player / server, highly regarded by the audiophile community. It is in great condition and working perfectely, comes with power supply but no remote, lost it as I never used it, I've always controlled the streamer through the app. Will be extremelly well packaged! Could consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. b'"'The Cabasse Stream Source network player was awarded the Masterpiece 2015 prize awarded by the Festival Son et Image in the category of best connected products.b'"' b'"'What’s more, the visceral quality of the music was evident in full effect and kept me glued to the seat for the duration of the piece. The Stream Source sounds slightly midrange forward by the strictest standards of neutrality. It pulls out detail that makes voices distinctive and orchestra’s expansive, as on Daniel Barenboim’s Beethoven 7. With the server in tow Patricia Barber’s ‘Bye Bye Blackbird’ [Nightclub, Premonition] delivers a good deal of its image scale and atmosphere, this thanks to low noise and the supremacy of the recording. It really puts you in the room, a pretty good result for a shiny black pebble!b'"' - HiFiPlus The Cabasse Stream Source wireless network player and audio DAC is equipped with Ethernet, WiFi and Bluetooth apt-X network controllers, as well as a USB port for playing and sharing MP3, WMA, AAC or FLAC audio files up to at 24 bits and 96 kHz on a home network. It is also Google Home compatible to be controlled by voice! The Cabasse Stream Source can be connected to any amplifier equipped with a stereo analog input, a DAC or an amplifier equipped with S/PDIF digital inputs. Controlled via its remote control or, better, with the Cabasse application available for iOS or Android mobile devices (iPhone, iPad, Galaxy S3/4, Nexus 4/5/7/10, etc.), the Cabasse Stream Source can decode many digital files, whether stored on the mobile device or shared by a computer or NAS on the home network. Thanks to the Cabasse mobile application, web radios or music from the Deezer service can be streamed and decoded by the Cabasse Stream Source. Direct pairing with a Bluetooth smartphone or tablet is facilitated by NFC technology support (just bring the device close to the Stream Source). Audio playback of any file is then possible, or even listening to music from Youtube or Spotify for example. Another strong point: sharing audio files from a USB key or hard drive is child's play. No settings are required and the contained files are automatically shared on the local network, according to the DLNA / UPnP protocol. In other words, any home theater amplifier, network player, smartphone, tablet or wireless speaker connected to the home network can play files shared by the Cabasse Stream Source. Compact, easy to install with its support for the WiFi WPS communication protocol, the Cabasse Stream Source makes it easy to listen to digital music and even share it. youtube.com/watch?v=GNTNA3ovYrA Bluetooth and DLNA audio player-streamer (via WiFi and Ethernet) DLNA audio file server (via USB port) 24-bit/96kHz audio DAC with stereo RCA analog output S/PDIF digital outputs Bluetooth apt-X and NFC Remote App control Google Home compatible (voice control) Connections 1x USB port (for stick or hard drive) 1x RCA stereo analog output 1x Optical Toslink S/PDIF output Audio formats played WAV, FLAC, WMA, AIFF, AAC, ALAC and MP3 General Dimensions (wxhxd): 231 x 40 x 136 mm Weight: 500g Arcam / quad / cambridge audio / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi / monitor audio / klipsch / if En savoir plus Collaboration commerciale.

Chaine hifi complète: Innuos - S.M.S.L - Audiolabor - Martin Logan • Serveur de musique : Innuos ZEN Music server Audio outputs      Analogoutput 3,5 mm jack      Digital output USB 2.0 &USB 3.0 supporting Audio Class 1, Audio Class 2, DOP Connectivity      Ethernet 2 x rear panel RJ45 - Gigabit Ethernet      Other 1 x HDMI (serviceconnection only)      USB 4 x USB 2.0 - 2 x USB3.0 Audiof ormats      F orstored CDs: FLAC      F or mobile conversion: MP3      Supported (streaming & playing): WAV, AIFF, FLAC, ALAC, OGG Vorbis, AAC,MP3 Sample Rates      Sample Rates: 44.1kHz,48kHz, 88.2kHz, 96kHz, 176.4KHz, 192kHz, 352.8KHz, 384KHz, DSD64, DSD128, DSD256      Bit Depths: 16bit, 24bit,32bit User Control Interfaces      Web Interface Any Internetbrowser      Mobile User interface appfor iPhone/iPad, Android, Windows Phone 8 and Windows 8 Hardware      Hard Drive 1Tb WesternDigital Blue hard drive      CPU Intel Dual Core 1.6GHz      Memory 2 Gb DDR3 Streaming and CD Storage      UPnP/DLNA UPnP Server DLNAdevice compatible      USB Connect and play toUSB DACs (USB Audio Class 1 and Class 2, DoP)      Compatible Music Systems:           Sonos Multi-room Wireless Music System           Naim Mu-so Multi-roomWireless Music System           Denon HEOS Multi-roomWireless Music System           Squeezebox Multi-roomWireless Music System           Naim Uniti music streamers           Linn DS music streamers           Pioneer N50A           Cambridge Audio CXN           Denon 720AE           DLNA/UPnP compatibledevices           USB DACs complying to USBAudio Class 1 or 2           USB DACs supporting DSDover DoP protocol Requirements      Network:           For InternetRadio, Streaming Services and software updates           Network router with atleast one available ethernet port           Premium subscriptionrequired for some streaming services such as Spotify, Qobuz andTidal      Music Controller:           Remotecontrol app compatible with the Logitech Media Server (Free and Paid versionsavailable - See Downloads) or Web           Browser - Most webbrowsers and platforms are supported      DAC / Converter:           DAC withUSB input supporting USB Audio Class 1, USB Audio Class 2 or DoP protocols Power      Mains Supply:           Low ripplePower Adapter, 12 V 5A, CEC Level V efficiency           (Optional linear powersupply - see Accessories)      PowerConsumption: 10 W when idle, 15 W peak Physical      Dimensions: 77 x 197 x197mm (H x W x D)      Weight : 3.5 Kg      In the box:           Innuos Zen MiniMusic Server           AC/DC Power Adapter - EUplugs           Getting Started leaflet • DAC/ Préampli : S.M.S.L Sanskrit 10th SK10 Inputs...................... USB/ Optical / Coaxial Output level.............. 2. 1Vrms THD+N..................... 0,0005 % Dynamic range......... 117 dB SNR.......................... 118 dB USB compatibility...... Windows 7/8/8.1/10 - Mac OS X10.6 or later - Linux Bit depth:      USB...................... 1bit ~ 32 bits      Optical/coaxial...... 1bit ~ 24 bits Sampling rate      USB....................... PCM 44.1 ~ 384 kHz                                      DSD 2.28224 ~ 11.2896 MHz      Optical/coaxial....... 32 ~ 192 kHz Powerconsumption..... 1,5 W Standbypower............. ­ Size............................. 75*45*144 (W*H*D) Weight......................... 300 g • Ampli : Audiolabor Schnell 2 blocs mono - série spéciale façades chromées entièrement révisés en Allemagne (4 condensateurs EOM neufs + divers) en 2016 (pièces disponibles) Caractéristiques      Puissance.......................... 75 Watt sous 8 Ohm / 125 Watt sous 4 Ohm      F acteur d'amortissement... 80      THD...................................      R éponse en fréquence...... 5 Hz à 250 kHz      S ensibilité d'entrée............ 0,775 mV eff.      D imensions(L x H x P) ...... 200 x 100 x 320 cm      P oids unitaire..................... 8,7 kg • Enceintes : Martin Logan Aerius électroniques révisées ± 2010 pointes Soundcare Jupiter Caractéristiques      F requency Response.................. 40–20,000 Hz ±3dB      Horizontal Dispersion.................. 30°      Vertical Dispersion....................... 96.5cm line source      High Frequency Transducer........ 38" (96.5cm) CLS™ electrostatic transducer      Low Frequency Transducer......... 8" woofer with 1.25 cubic foot sealed enclosure      Sensitivity..................................... 89 dB/2.83 volts/meter      I mpedance.................................... 4 Ohms, 2 at 20kHz Compatible with 4, 6, or 8 Ohm rated amplifiers.      Recommended Amplifier Power... 20—400 watts per channel      CrossoverFrequency.................... 500 Hz, 12dB per Octave      Inputs............................................ 5-way bi-wire binding posts      Dimensions................................... 141cm x 26,7cm x 34,3cm      Weight........................................... 25 kg

For sale is an original first-issue, and extremely rare 5Ω version of the Beyer DT-48S, from 1964, perfectly working with original box and NOS/never used replacement earpads (oval and round). - Made in Western Germany Unique Opportunity to own a piece of audio history ! DT-48S (S for Stereo) were the first stereophonic headphones built with Nagra-Kudelski specifications, to be used in tandem with the Nagra IV-S or Nagra SN tape recorders. At the time it was a largely hand-made production and cost 224 deutschmarks (price list). 
Some DT48S were even OEM’d as Kudelski instead of Beyer.

 Condition: They are not mint but for 56 years-old headphones, they are in excellent shape. The actual silver metal drivers are intact without a single scratch, no rust or anything on the metal headband. It was gently used, and very well taken care of. It is terminated by a standard stereo 6,35mm jack.

 There is only visible wear on the upper headband coated-foam material (that tends to dry overtime) but this is still one the most well-preserved (and complete!) original DT-48S set I have ever seen. Some history: 

 The most famous user of those headphones, is without any doubt Stanley Kubrick. You can see him on a photograph from the set of Clockwork Orange, wearing the 25Ω version of those, with oval ear-pads. 
In fact, those were designed for monitoring dialogues and ‘concrete’ sounds in mind, as well as very surgical applications like lab-work, aural testing and the like.
 Usage: Music comes out dramatically different and unhyped as they are very medium oriented, bass is present but depends on the way it was recorded, and it is known that oval ear-pads are adding bass due to the way they isolate the ears. 
With very transparently recorded music, like some albums from the ECM label (think Arvo Pärt) or ethnographic records, jazz and some classical and experimental music (and with the right preamp of your choice to drive them) those Beyers are unbeatable and still a reference today in revealing the naked truth. Perfect for hyper-critical mixing, and obvisouly monitoring. Be ware that it really takes getting used-to but the reward is unmatched. 

This is a reluctant sale, but I have to finance studio gear.

 Will be safely packed and shipped with insurance. Thank you for your interest!

AMPTASTIC / ampli intégré audiophile en classe D  La référence à moins de 120 €  Parfait état, livré avec alimentation 12 V d'origine BANC D'ESSAI ANGLAIS: A few years ago this forum was ablaze with Mini-T amp hyperbole. Probably just another passing fad I assumed yet it is clear that there are many who love these diminutive boxes.  So as a brief background I recently had a pair of Combak Bravo standmount speakers and was searching for an amplifier to pair with them. A £6k speaker surely deserves an amplifier with a similar price tag? Well in my initial search I decided, just for fun to try a £60 Muse Mini-T with the Combak’s. The results were surprisingly impressive yet my head kept saying  ‘This makes no sense’. I’m not saying that this was the ultimate combo but the Muse was doing an amazing job considering especially with its reproduction of vocals. It was around that time that I started reading about the new Amptastic Mini-1 so I contacted the company to see if I could have one for review. Chris at Amptastic was happy to oblige but due to the initial demand by the time my review sample arrived I had moved the Bravos on. Anyway other speakers are available as they say. So the Mini-1 is rated up to 20W per channel and based on the familiar TA2020 chipset. On the front we have a push button on/off switch which has a tiny blue LED alongside to indicate power  plus a volume knob. I particularly like how clean and attractive the front panel with no unsightly logo on display. The rear consists of a single pair if RCA analogue inputs and some nice quality speaker connectors along with a power input for use with the supplied 12V power supply. For most of my listening I used the variable outputs of a QUAD 99CDP. This gave me full control of the volume via its remote and also access to streaming via the Quad’s digital inputs. To give me some sort of reference I initially listened to the Muse amp with the Quad through my 87db Gershman Avant Gardes. To be honest I didn’t think either amp would be able to drive the Gershmans to any sort of decent level. I was wrong. The Muse did a fair job but KD Lang’s  ‘If I Were You’ from the ‘All You Can Eat’ album sounded a bit messy. The bass was ill defined and lightweight. A few tracks more showed more of the same.  So switching to the Mini-1 and straight away the bass was far better defined and more in balance with the rest of the track. The music had an altogether more cohesive feel. In fact what struck me throughout all my listening is just how balanced it was. The highs and mids are refined enough to give the impression that you are listening to something with a higher price ticket and the bass was surprisingly good for an amplifier of this type. I also tried the Mini-1 with my 90db sensitivity Heco Celan 300 stand mount speakers. Again the results were impressive with the Mini-1 providing more than enough power to run at decent volume levels. As well as running the Mini-1 as a simple integrated it can be configured for use as a power amplifier. This is done by removing the front volume knob and rear bolts in order to slide the main board out of its case and change a couple of jumper settings. While you have the board out you can also disable the front panel blue LED if you wish. Clear instructions are included in the user ‘manual’ or should I say ‘sheet’ and although I did not attempt this it looks a simple enough operation. The Mini-1 (or any amplifier of this type) will not be for everyone, the single input alone will count many out also possibly the lack of remote control but looking at the Mini-1 purely on its sonic virtues and price tag this might be one of the best ways to invest your £99 out there. Recommended to users of: Marantz Luxman Audiomat Nagra Vincent Theta Sim Audio ISEM Arcam Denon Pioneer Nakamichi B&O Yamaha Cambridge Cabasse Triangle McIntosh Teac  Audioquest Ca

This is a 2nd gen iPod mini, with the following modifications: - 128GB storage flash memory, instead of 4GB hard drive - orange backlight instead of white default - Apple Taptic Engine instead of original click wheel sound The battery life time is excellent. I tested it, after a full charge the iPod lasts 21 hours and 30 minutes reading music at mid-level volume continuously, connected to an in-ear Apple-like headset. There are some discreet marks of use, see photos. Discrete marks on the screen glass (almost invisible, I was unable to make them visible on the pictures). Works perfectly. USB cable is provided with it. Needs iTunes on Windows or Mac to add music on it. For Linux, softwares using libgpod are working: Rhythmbox, Amarok,... En savoir plus Collaboration commerciale.

This is a 2nd gen iPod mini, with the following modifications: - 128GB storage flash memory, instead of 4GB hard drive, - orange backlight instead of white default, - Apple Taptic Engine instead of original click wheel sound. The battery life time is excellent. I tested it, after a full charge the iPod lasts 21 hours and 30 minutes reading music at mid-level volume continuously, connected to an in-ear Apple-like headset. Supplied with: - box, - new USB cable, - new headset. There are some discreet marks of use, see photos. Discrete marks on the screen glass (almost invisible, I was unable to make them visible on the pictures). Works perfectly. Needs iTunes on Windows or Mac to add music on it. For Linux, softwares using libgpod are working: Rhythmbox, Amarok,... En savoir plus Collaboration commerciale.

Enregistreur 24 pistes Alesis HD24 multitrack recorder Parfait état 80 giga DD. Overview HD24 is the world's first 24-track hard disk recorder designed to fit into any ADAT environment and match ADAT's legendary performance and affordability. HD24 is built exclusively for the purpose of recording music instead of data, resulting in remarkable stability and performance. HD24 enables engineers to record up to 24 tracks of high-resolution 24-bit recording at 44.1 and 48 kHz sample rates. Two hot-swappable media bays provide convenient access to recording drives and allow data backup in minutes. You can edit tracks internally or easily transfer to computer via an Ethernet connection. HD24 features ADAT Optical and ADAT Sync, enabling it to work efficiently with existing systems. It offers the same exceptional user-friendly interface ADAT users have come to expect. HD24 can be upgraded to HR24XR with the EC2 module. This user-installable option replaces the A/D and D/A converters with the renowned AKM converters used in the acclaimed MasterLink. EC2 improves performance at all sample rates and also expands analog and digital-input compatibility to include 88.2 and 96 kHz sample resolutions. HR24 packs 24 channels of digital audio I/O into a single-unit recorder that easily fits into any environment. FEATURES - 24-track, 24-bit digital audio recording (12 tracks at 96kHz with EC2 optional updgrade) - 24 analog inputs (1/4" TRS) - 24 analog outputs (1/4" TRS) - 24-channel ADAT Optical I/O - Dual recording bays utilize standard, low-cost, removable IDE computer drives - Instant random access to audio using ADAT/FST™ (File Streaming Technology). - Internal editing capabilities include cut, copy, paste, and track-move with undo. - Multiple units can be synchronized to create a larger system - Easily integrated into an existing ADAT system - Ethernet port enables computer connection - MIDI I/O, MTC out - ADAT Sync in/out - Word Clock in SPECS MEDIA - Caddy 1: 260GB HD - Caddy 2: 80GB HD - Caddies can be fitted with IDE/EIDE/ATA drive at 5,400/7,200/10,000 RPM up to 2TB TRACK COUNT - 24 tracks at 24-bit, 44.1 or 48 - 12 tracks at 88.2 or 96 kHz with optional EC2 upgrade CONNECTIONS - Analog: 24 24-bit inputs, 24 24-bit outputs (1/4" TRS, +4dBu) - Digital: 24-channel I/O via 3 ADAT Optical inputs and 3 ADAT Optical outputs - Other: MIDI in/out. Alesis Sync in/out (DB-9). Word Clock input (BNC, 75). Footswitch jack for punch in/out (1/4"). LRC input for - traditional wired remote (1/4"). 10 Base-T Ethernet (RJ-45) AUDIO SPECS - Frequency response: 20Hz–20kHz +0/–1dB - Dynamic range: 103dB A/D, >103dB D/A (A-weighted) - Distortion: - Pitch control: +100 cents/–200 cents, min-max 30–50kHz (30–100kHz with version 2.0) POWER & DIMENSIONS. - Power: 90-230V AC, 60W - Dimensions (H x W x D): 5.09" x 19" x 17" (127mm x 483mm x 432mm), 3U rackmount - Weight: 20lbs (9.07kg)

Focal Elear Premium audiophile OPEN-BACK CIRCUM-AURAL headphones, truly exceptional performance. Made in France. focal.com/en/home-audio/high-fidelity-speakers/high-fidelity-headphones/elear Used, in great working condition and aesthetics, probably the pads needs to be changed but otherwise in very good condition, also. No smoking, very little use overall as I prioritised my planar headphones, much more expensive. Comes with original box and all the accessories. Could consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. Truly exceptional performance, highly regarded by the audiophile community. youtube.com/watch?v=lw0wJpjAHyk b'"'The Focal Elear is a drop-dead gorgeous high-end headphone. Build quality is spectacular; comfort is very good (though the cable is a bit heavy); and the new purpose built aluminum/magnesium M-dome drive is a testament to the technical accumen of Focal. Sound quality is superb; this is an extraordinarily dynamic and punchy headphone. Unlike most high-end headphones, the Focal Elear seem to have no Achilles heal. It's very easy to just get wrapped up in the music and be unaware of the headphones themselves. I'd like a dB or two more bass, but the terrific bass tightness seems to make up for it, and a slightly laid back character up top has this headphone pushing almost all of my buttons. I really fell in love with the Elear. Its stellar build, comfortable fit and kick ass sound easily won me over. Focal has done an absolutely beautiful job of producing a worthy high-end headphone.b'"' Open-back circumaural headphones 40mm M-dome aluminum and magnesium drivers Leather-covered aluminum headband 20mm microfiber and memory foam cushions Measures Impedance: 80 ohms Sensitivity: 104 dB / 1 mW THD: 0.3% at 1 kHz for 100 dB Frequency response: 5 Hz to 23 kHz Accessories delivered Carrying case, dual 3.5mm mono mini-jack and 6.35mm stereo jack modulation cable General Weight: 450g Arcam / quad / cambridge audio / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi / monitor audio / klipsch / ifi / AudioQuest / Astell b'&' Kern / iBasso / Hidizs / Fiio / Shanling / Cayin / Beyerdynamic / AKG / Hifiman / Audio-Technica / Sony / Meze, Grado, Focal, Bose, Bowers Wilkins, Audeze, ZMF, Sennheiser En savoir plus

MUSICAL FIDELITY X-SERIES BUNDLE: X-LPS + X-CANv2 + X-PSU. État : "Occasion" For the analog music lovers! MF X-LPS: acclaimed MM/MC phono preamp MF X-CANv2: tube headphone preamp These 2 equipments sound really, really better when associated to the dedicated MF X-PSU, which is able to drive 4 12v units (I am selling it with 3 connection cables) Delivery costs will be discussed with buyers. Please, check my other ads as I am selling a complete set of MF X-Components.

2 x Sony Network Walkman NW-HD5 20GB Two fully functional Sony hard disk drive players, there are a few marks from use but they are in fairly good condition (one a little better than the other) -- most of the wear is seen on the back. Please take a good look at all the photos. Come with a remote control and USB cable (powers/charges directly from USB). Does NOT include batteries, the original no longer holds an adequate charge. Please note: in order to transfer music this requires SonicStage software or similar -- I've just tested it, it worked flawlessly. The sale includes both players, remote control and USB cable -- all as pictured. Insured shipping from France. If you do have any questions (or need a shipping quote) then please drop me a line. *** 2 x Sony NW-HD5 Network Walkman 20 Go Deux lecteurs de disque dur Sony entièrement fonctionnel, il y a quelques marques d'usure mais ils sont en assez bon état (un peu mieux que l'autre) -- la plupart de l'usure est visible sur le dos. Merci de bien regarder toutes les photos. Livré avec une télécommande et un câble USB (alimente / charge directement depuis USB). N'inclut aucune batterie, l'original ne tient plus une charge adéquate. Veuillez noter: pour transférer de la musique, cela nécessite le logiciel SonicStage ou similaire -- je viens de le tester, cela a fonctionné parfaitement. La vente comprend les deux lecteurs, la télécommande et le câble USB -- tout comme sur les photos. Envoi assuré depuis la France. Si vous avez des questions (ou avez besoin d'un devis d'expédition), veuillez m'envoyer un message.

This is a 2nd gen iPod mini, with the following modifications: - 128GB storage flash memory, instead of 4GB hard drive - blue backlight instead of white default - Apple Taptic Engine instead of original click wheel sound There are some discreet marks of use, see photos. The battery life time is excellent. Discrete marks on the screen glass (almost invisible, I was unable to make them visible on the pictures). Works perfectly. USB cable is provided with it. Needs iTunes on Windows or Mac to add music on it. For Linux, softwares using libgpod are working: Rhythmbox, Amarok,... There is also the blue version, available here. En savoir plus Collaboration commerciale.

This is a 2nd gen iPod mini, with the following modifications: - 128GB storage flash memory, instead of 4GB hard drive - orange backlight instead of white default - Apple Taptic Engine instead of original click wheel sound There are some discreet marks of use, see photos. The battery life time is excellent. Discrete marks on the screen glass (almost invisible, I was unable to make them visible on the pictures). Works perfectly. USB cable is provided with it. Needs iTunes on Windows or Mac to add music on it. For Linux, softwares using libgpod are working: Rhythmbox, Amarok,... There is also the blue version, available here. En savoir plus Collaboration commerciale.