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Menace to society life


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Martigues (Bouches du Rhône)
vend cd Menace To Society (2) ?? Life Of A Real One etat neuf Label:CUSH Records ?? CUS 4160-2 Format:CD, Album Pays:US Date:1993 Genre:Hip
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France (Toutes les villes)
CD Album CD Code EAN: 5020083601128 Rubrique principale CD: CD Album Titre: Menace to society Genre musical: Métal Classification CDMail: Variétés internationales Classification Cd Primaire: Rock, Rap, variétés internationales
5 €
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France
A Letter Addressed to His Grace the Duke of Norfolk: On Occasion of Mr (Classic Reprint) John Henry Newman Auteur: John Henry Newman Editeur: Forgotten Books Broché: 178 pages paperback Publication: 27/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? The Vatican Becrees and Civil A llegiance; By His Grace Archbishop Manning, ty The above work will be printed from advance sheets. n. The Office of Holy Week, according to the Roman Missal and Breviary, in Latin and English. This is a new, impraved, and enlarged edition, and will be printed from large type. It will be ready for delivery Feb. 1. Cloth, arabesque, $0 76 ni The Miatress of Novices enlightened upon her Duties. Translated by a Sister of Mercy. Cloth,,. -1 60 17. Dehar WsC omplete Catechism. Translated by Fander. 076 Y. The Yofong Catholies mnstrated Fifth Header. lmo, cloth, 126 YL The Young Catholic s Ulnstrated Sixth Beader. 12nio, cloth, 160 YILT he Young Ladies Illustrated Beader. 13mo, cloth, 126 YIIL The Life of Father Bernard, C.SS.B. Translated from the French. 1vol. 12mo, cloth,...- 160 IX. The Yeil Withdrawn. By Mrs. Craven. 1vol. 8vo, 160 X. Life of St John the Evangelist Translated from the French. 1vol. 12mo, cloth, 200 XL Be Not Hasty in Judging. Translated from the French by P. 8. 16mo, 100 JUST PUBLISHED. THE KINGS HIGHWAY: The Catholic Church the Way of Salvation, proved from the Scriptorea By Rev. A. F, Hewit. 1voL 12mo, $1 50 SACRUM SEPTHNARIUM; or. The Beven Gifts of the Holy Qho Bt, aa exemplified In the Life and Person of the Blessed Virgiii Mary, for the Guidanoe and I nstruetion of Children. By Bev. Henry Formby. 1vol.l6mo 185 XLLUSTRATBD OATHOLIO FAMILY AUOANAO for 1875, The Catholic Publication Society,,AIVRRNCR KRHOR. Oen. A rent. oWARREN ST.. N.V. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been D'autre ouvrages de John Henry Newman Mot Clef: Nonfiction Education Education Theory
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Nice (Alpes Maritimes)
Marlena Shaw ‎– Out Of Different Bags / Spice Of Life Label: Chess ‎– CHESS 1121992, Chess ‎– 112 199-2 Série: Legendary Masters Series – Format: CD, Album, Reissue, Remastered CD, Album, Reissue, Remastered All Media, Compilation Country: Europe Sortie: 2000 Genre: Jazz, Funk / Soul Style: Soul-Jazz TracklistMasquer Crédits Out Of Different Bags 1-1 Matchmaker, Matchmaker Written-By – Jerry Bock, Sheldon M Harnick* 3:00 1-2 A Couple Of Losers Written-By – Jacques Wilson, Mike Corda 2:26 1-3 It Sure Is Groovy Written-By – Alan Bergman, Marilyn Bergman, Quincy D Jones* 2:39 1-4 Naked City Theme (Ahmad's Blues) Written-By – Ahmad Jamal, Bob Williams (7) 3:08 1-5 I Stayed Too Long At The Fair Written-By – Billy Barnes 3:02 1-6 Eyes Of Love 2:33 1-7 Will I Find My Love Today? Written-By – Alex Fogarty, Sydney Shaw 3:22 1-8 Nothing But Tears Written-By – Buddy Scott, Jimmy Radcliffe 2:40 1-9 I've Gotten Over You Written-By – Alan Osmond, Merrill Osmond, Wayne Osmond 3:13 1-10 Somewhere In The Night 2:19 Bonus Tracks 1-11 Alone Together 2:50 1-12 More 3:23 1-13 Let's Wade In The Water Written-By – Lee Magid, Marlena Shaw 3:29 1-14 Let It Be Me Written-By – Gilbert Francois Leopold Becaud*, Mann Curtis, Pierre Delanoe* 2:49 1-15 Show Time 2:54 Spice Of Life 2-1 Woman Of The Ghetto Written-By – Robert Eugene Miller*, Shaw*, Richard Lee Evans* 6:04 2-2 (They Call It) Stormy Monday Written-By – T Bone Walker* 3:03 2-3 Where Can I Go 2:21 2-4 I'm Satisfied 2:49 2-5 I Wish I Knew (How It Would Feel To Be Free) Written-By – Williams E Taylor*, Dick Dallas 3:11 2-6 Liberation Conversation 2:05 2-7 California Soul Written-By – Nickolas Ashford / Valerie Simpson* 2:59 2-8 Go Away Little Boy Written-By – Carole King / Gerald Goffin* 2:47 2-9 Looking Thru' The Eyes Of Love Written-By – Barry Mann, Cynthia Weil 2:58 2-10 Anyone Can Move A Mountain Written-By – Johnny Marks 3:02 Bonus Tracks 2-11 Mercy, Mercy, Mercy Written-By – Josef Erich Zawinul*, John Watson*, Larry Williams (3) 3:01 2-12 Waiting For Charles To Come Home 2:40 2-13 The House That Jack Built 3:05 2-14 Brother Where Are You Written-By – Norman Curtis, Oscar Brown Jr. 2:31 2-15 We Could Have Been Fine 3:44 Entreprises, etc. Phonographic Copyright (p) – Universal Music International Ltd. Copyright (c) – Universal Music International Ltd. Made By – Universal M & L, Germany Crédits Compiled By – G. Sciama*, R. Ganter* Design, Art Direction – Eyetoeye.com* Liner Notes – Colin Escott Liner Notes [From Original Out Of Different Bags LP] – Bill Buchanan (2) Reissue Producer – Richard Ganter Notes Reissues of Marlena Shaw's first two albums, originally released by Cadet Records (US) in 1967 and 1969. Track 1-3 mistakenly titled "Its Sure Is Groovy" on Digipak but correctly titled in booklet. Tracks 1-4 and 2-5 given full titles in booklet. Tracks without writing credits have none mentioned in the booklet. Code-Barres et Autres Identifiants Barcode: 008811 219925 Matrix / Runout (CD1): 00088 112 200-2 01 / Matrix / Runout (CD1 Variant 2): MADE IN GERMANY BY UNIVERSAL M & L B Mastering SID Code (CD1): IFPI L001 Mould SID Code (CD1 Variant 1): IFPI 0115 Mould SID Code (CD1 Variant 2): IFPI 0114 Matrix / Runout (CD2): 00088 112 201-2 01 + Matrix / Runout (CD2 Variant 2): MADE IN GERMANY BY UNIVERSAL M & L C Mastering SID Code (CD2): IFPI L002 Mould SID Code (CD2 Variant 1): IFPI 0113 Mould SID Code (CD2 Variant 2): IFPI 0117 Label Code: LC 01846 Rights Society: BIEM/MCPS Price Code: UN 889
11 €
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Poitiers (Vienne)
1. 1. Just Add Life (CD, Album)à vendre Plus d'images Almighty* ‎– Just Add Life Label: Chrysalis ‎– CDCHR 6112, Chrysalis ‎– 7243 8 37145 2 0 Format: CD, Album, Green Jewel Case Country: Europe Sortie: 1996 Genre: Rock Style: Hard Rock, Punk Tracklist 1 Ongoing And Total Written-By – R Warwick* 4:15 2 Do You Understand Written-By – R Warwick* 3:15 3 All Sussed Out Baritone Saxophone, Alto Saxophone – Simon Clarke (2) Horns – Kick Horns* Tenor Saxophone – Tim Sanders Trumpet – Roddy Lorimer Written-By – P Friesen*, R Warwick* 3:17 4 How Real Is Real For You Written-By – R Warwick* 2:32 5 Dead Happy Written-By – R Warwick* 3:15 6 Some Kind Of Anything Lead Vocals – Floyd London Written-By – R Warwick* 2:25 7 Coalition Star Written-By – D Ruffy*, J Jennings*, P Fox*, R Warwick* 4:41 8 8 Day Depression Organ [Hammond] – James Taylor Written-By – R Warwick* 3:05 9 Look What Happened Tomorrow Written-By – R Warwick* 3:06 10 360 Written-By – R Warwick* 3:26 11 Feed The Need Organ [Hammond] – James Taylor Written-By – R Warwick* 3:31 12 Afraid Of Flying Written-By – R Warwick* 0:43 13 Independent Deterrent Harmonica – Mark Feltham Written-By – P Friesen*, R Warwick* 3:27 Sociétés, etc. Manufactured By – EMI Distributed By – EMI Phonographic Copyright (p) – Chrysalis Records Ltd. Copyright (c) – The Almighty Licensed To – Chrysalis Records Ltd. Published By – Warner Chappell Music Ltd. Recorded At – Great Linford Manor Recorded At – Ridge Farm Studios Recorded At – The Town House Mixed At – The Town House Pressed By – EMI Swindon Crédits Booking [Agent] – Fair Warning (8), ICM (2), Jim Morewood, John Jackson (18) Design [Cover Design] – Jon Crossland, Storm Thorgerson Graphics – Jon Crossland Management – Aky Najeeb, Andy Taylor (16), Merck Mercuriadis, Rod Smallwood Management [For] – Sanctuary Music Management* Mastered By – Andy Van Dette* Performer [The Almighty Are:], Bass, Vocals – Floyd London Performer [The Almighty Are:], Drums – Stumpy Munroe* Performer [The Almighty Are:], Guitar – Pete Friesen Performer [The Almighty Are:], Vocals, Guitar – Ricky Warwick Photography By – Rupert Truman, Tony May (4) Photography By [Band Photography] – Simon Fowler (2) Producer, Engineer, Mixed By – Chris Sheldon Public Relations [Information Service] – The Almighty* Recorded By [Assisted By] – John Rodd, Mark Warner (3), Phil Luff, Pom (7) Notes Made in the UK (on disc) Printed in UK is (on rear cover) (p) 1996 The Copyright in this sound recording is owned by Chrysalis Records Ltd (c) 1996 The Almighty under exclusive licence to Chrysalis Records Ltd Issued in an opaque green jewel case with a sticker on the front and rear cover Code-barres et autres identifiants Barcode (Text): 7 24383 71452 0 Price Code: f: pm 520 Price Code: i: 072 Label Code: LC 1626 Rights Society: bel BIEM Matrix / Runout (Variant 1): 837145 2.1 1:9 EMI SWINDON Mastering SID Code (Variant 1): IFPI L042 Mould SID Code (Variant 1): ifpi 1423 Matrix / Runout (Variant 2): 837145 2.1: 1: 6 EMI SWINDON Mastering SID Code (Variant 2): IFPI L042 Mould SID Code (Variant 2): ifpi 1439 Matrix / Runout (Variant 3): 837145 2.1 1:1 EMI SWINDON Mastering SID Code (Variant 3): IFPI L042 Mould SID Code (Variant 3): ifpi 1427 Matrix / Runout (Variant 4): 837145 2.1: 1: 8 EMI SWINDON Mastering SID Code (Variant 4): IFPI L042 Mould SID Code (Variant 4): ifpi 1441 Politique du vendeur
9 €
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France (Toutes les villes)
Dark Views - Perfect Society (Album CD) Label: Fever Records Catalog Number: 117 9402 Release Date: 1994 Tracklist: 01 Perfect Society 05:09 02 Think About Your Life 04:50 03 Men In The Shadow 04:41 04 Banished To Roam 04:18 05 Aids 04:16 06 Vision Of Tomorrow 05:57 07 Used By Them 03:07 08 Rock'n 'Roll 04:19 Disc length: 36:46 Jewel case: very good condition Insert / Booklet: very good condition Back cover: very good condition CD: very good condition N'hésiter pas à aller voir mes autres ventes.
149,99 €
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Saverne (Bas Rhin)
Sirenia ‎– The Enigma Of Life Label: Nuclear Blast ‎– NB 2571-0, Nuclear Blast ‎– 27361 25710 Format: CD, Album, Limited Edition, Digipak Country: Europe Sortie: 21 Jan 2011 Genre: Rock Style: Gothic Metal TracklistMasquer Crédits 1The End Of It All4:312Fallen Angel3:593All My Dreams4:424This Darkness4:005The Twilight In Your Eyes4:006Winter Land3:557A Seaside Serenade5:538Darkened Days To Come4:229Coming Down4:3810This Lonely Lake3:3311Fading Star4:4612The Enigma Of Life6:1413Oscura RealidadTranslated By [Spanish Translations] – Ailyn4:3114The Enigma Of Life (Acoustic Version)5:52 Entreprises, etc. - Manufactured By – Nuclear Blast GmbH - Distributed By – Nuclear Blast GmbH - Pressed By – Technicolor – CAP01469 - Recorded At – Audio Avenue Studios - Recorded At – Sound Suite Studio - Produced At – Audio Avenue Studios - Mastered At – Finnvox Crédits - A&R – Jaap Wagemaker* - Choir – Damien Surian, Emilie Lesbros, Emmanuelle Zoldan, Mathieu Landry, Sandrine Gouttebel - Cover, Design – Gustavo Sazes - Guitar, Vocals, Bass, Keyboards, Programmed By – Morten Veland - Mastered By – Mika Jussila - Photography By [Band] – Patric Ullaeus - Producer, Mixed By, Engineer – Morten Veland - Violin – Stephanie Valentin - Vocals – Ailyn - Written-By, Composed By, Arranged By – Morten Veland Notes 'The Enigma Of Life' was recorded in Audio Avenue Studios (Tau, N). Additional recordings of choirs, acoustic guitars and violin were recorded in Sound Suite Studios (Marseille, F). Pre-produced in Audio Avenue Studios (Tau, N). Mastered at Finnvox. Tracks 13 and 14 are listed as bonus tracks. ℗+© 2011 Manufactured and distributed by Nuclear Blast GmbH. Code-Barres et Autres Identifiants - Barcode: 7 27361 25710 1 - Matrix / Runout: CAP01469 NB2571-0DLT 01 OMM Technicolor - Mastering SID Code: IFPI LR77 - Mould SID Code: IFPI UGAB - Rights Society: GEMA - Label Code: LC 07027 ENVOIS PAR LA POSTE DANS ENVELOPPES A BULLES en LETTRE SUIVIE  ou MONDIAL RELAY selon options PARTICIPATIONS AUX FRAIS D'EXPEDITION (emballages "enveloppes et protections" restant à ma charge)               - CD Simple = 4,33 Euros (expédition 3,88 euros + lettre suivie 0,45 euros)               - CD Double ou 2 CD Simple = 4,33 Euros (expédition 3,88 euros + lettre suivie 0,45 euros)               - CD Triple ou 3 CD Simple = 4,55 Euros (jusqu’à 500 gr MONDIAL RELAY) TARIFS POSTAUX RÉEL au plus juste sans marge GROUPEZ VOS ACHATS, FRAIS DE PORT GRATUIT à PARTIR DE 20 Euros d'achat
10,44 €
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Créteil (Val de Marne)
Label: Motown ‎– 2C 168-97.900/1, Motown ‎– 2 C 168-97900/1 Format: 2 × Vinyl, LP, Album, Gatefold, Booklet w/ lyrics & credits Vinyl, 7", 33 ⅓ RPM, EP Country: France Sortie: 28 Sep 1976 Genre: Funk / Soul Style: Soul, Disco Tracklist A1Love's In Need Of Love Today7:05A2Have A Talk With God2:42A3Village Ghetto Land3:25A4Contusion3:45A5Sir Duke3:35B1I Wish4:12B2Knocks Me Off My Feet3:35B3Pastime Paradise3:20B4Summer Soft4:16B5Ordinary Pain6:22C1Isn't She Lovely6:33C2Joy Inside My Tears6:29C3Black Man8:29D1Ngiculela - Es Una Historia - I Am Singing3:48D2If It's Magic3:11D3As7:07D4Another Star8:19A Something's Extra Bonus RecordE1Saturn4:54E2Ebony EyesSaxophone – Jim HornSteel Guitar – Sneaky Pete Kleinow4:10F1All Day SuckerBacking Vocals – Carolyn DennisLead Guitar – WG "Snuffy" Walden5:06F2Easy Goin' Evening (My Mama's Call3:58 Sociétés, etc. - Made By – Pathé Marconi EMI - Distributed By – Pathé Marconi EMI - Record Company – Pathé Marconi EMI Crédits - Bass – Nathan Watts (tracks: A4 to B1, D3, D4, E2, F2) - Drums – Raymond Pounds (tracks: A4 to B1) - Keyboards – Greg Phillinganes (tracks: A4, C1, C2, E1) - Lead Guitar – Michael Sembello (tracks: A4, A5, B5, E1, F1) - Liner Notes [Spanish Translation] – Ray Maldonado - Liner Notes [Zulu Translation] – Thoko Mdalose Hall - Producer, Arranged By, Composed By, Written-By, Lead Vocals, Performer [Musician] – Stevie Wonder - Rhythm Guitar – Ben Bridges (tracks: A4, A5, B4, E1, F1) Notes On Front Cover: Collector's album includes two records, a something's extra special record, 24-page lyric booklet. LP One is Sides 1 and 4 LP Two is Sides 2 and 3 Cat#: 2 C168-97900/1 (front cover) 2C 168-97.900 & 2C 168-97.901 (labels) ℗ 1976 MOTOWN Rec. Corp Made in France by Pathé Marconi EMI. Made from Masters Of Motown Record Corporation. Made and distributed by Pathé Marconi EMI. Special Record T 340 EP (Label) Different from the release Stevie Wonder - Songs In The Key Of Life because of french label (see pics) Code-barres et autres identifiants - Matrix / Runout (Side 1): 97900 A 21 M6 315334 I Pellé - Matrix / Runout (Side 2): 97900 B 1 T13340 C2 2646S 06 XTAL AB MR 21330-x (2) M6 314087.I - Matrix / Runout (Side 3): 97901 C France T13340 C2 2647S 06 XTAL AB MR 21331 (3) M6 314088.I - Matrix / Runout (Side 4): 97900 D France T13340 C2 2648 S 1 06 XTAL AB MR 21331-x T(2) M6 314089.I - Matrix / Runout (EP Side A): MI 314084.2 T 340 EP A France 2 TI3340EP264906 100679 (6) JS.3.XTAL - Matrix / Runout (EP Side B): MI 314085.2 T 340 EP B France TI3340EP2650 06 100679 X (7) JS.2.XTAL - Rights Society: SACEM SACD SDRM SGDL - Other (7" Cat #): T 340 EP Politique du vendeur Expedition en Colissimo suivi pour la France. ASK ME FOR MONDIAL RELAY Envoi photo de la commande avant de payer Send picture of order before to pay Vinyle emballé avec soin et bien sécurisé Vérifiez toujours vos articles lorsqu'ils arrivent en cas de dommages Tout retour est à la charge de l'acheteur et doit être effectué dans les 14 jours. Si vous avez des questions n'hésitez pas à me solliciter. Always check your items when they arrive on any damages etc. - If you can't check your item within 3 days, let us know first! All returns are the responsibility of the buyer and must be made within 14 days. Strong package packed up with care and secured. If you are some question send me a message
15 €
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France
Anarchism and Other Essays (Classic Reprint) Emma Goldman Auteur: Emma Goldman Editeur: Forgotten Books Broché: 292 pages paperback Publication: 06/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Anarchist and feminist EMMA GOLDMAN (1869-1940) is one of the towering figures in global radicalism of the late 19th and early 20th centuries. Born in Lithuania, she emigrated to the United States as a teenager, was deported in 1919 for her criticism of the U.S. military draft in World War I, and died in Toronto after a globetrotting life. An early advocate of birth control, women's rights, and workers unions, she was an important and influential figure in such far-flung geopolitical events as the Russian Revolution and the Spanish Civil War. Among her many books are My Disillusionment in Russia (1925) and Living My Life (1931). Propagandism is not, as some suppose, a trade, because nobody will follow a trade at which you may work with the industry of a slave and die with the reputation of a mendicant. The motives of any persons to pursue such a profession must be different from those of trade, deeper than pride, and stronger than interest. George Jacob Holyoake. A mong the men and women prominent in the public Hfe of America there are but few whose names are mentioned as often as that of Emma Goldman. Yet the real Emma Goldman is almost quite unknown. The sensational press has surrounded her name with so much misrepresentation and slander, it would seem almost a miracle that, in spite of this web of calumny, the truth breaks through and a better appreciation of this much maligned idealist begins to manifest itself. There is but little consolation in the fact that almost every representative of a new idea has had to struggle and suffer under similar difficulties. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Emma Goldman's essays collected I've heard from many people who are interested in reading books about anarchism (allthough i think the term "anarchism" is incorrect) that most books about anarchy are "heavy" and difficult to get through much less understand because they aim their content to readers that have a good backround of political understanding (its terminologies, its "schools" of thought, its currents and so forth..). If this happens to be your problem then this book will be ideal if you want to discover what this political philosophy stands for and what its issues are and, indeed, have been for a long time. Emma Goldman, a woman with as fiery a personality as they come, has put together here a number of essays about anarchy that are easy to comprehend and definately thought inspiring. Despite this book having been first published in 1917 it loses nothing of its importance in the current state affairs as all of the issues Goldman deals with not only remain unsolved but they have -in the meantime- become a social burden or a social disaster much worse than back in her time. Oh, and back in her time things already looked bad enough. What you get here is, summarily, the following: -anarchy, what is it and what does it stand for? Beyond the mainstream media cliches anarchy stands for personal and societal freedom of the highest conceivable order. A freedom, anarchists insist, that is not a utopia. It's basically a hard lesson in crushing your illusions and opening unthought of doors of perception of what freedom really means. That would be then something other than being in a cage and having food thrown in. Even if the cage is invisible.. -Hard punching essays about the prison system and the everself-destructing notion of patriotism.. Funny how every line one reads in there could've been written yesterday. Not much has changed. After decades and decades of the imprisonment system has society become more law-abiding? That would be a thundering no. Why is that? As for patriotism, the incredible notion of dying for your country the same one that might be killing you slowly while draining you of all your resources and enslaving you in a wage system and a daily mindless-toil called "work". here, Emma has to say a lot. There's always a reason to die if someone is going to make money out of it (that would be NOT you) and dress the whole "cause" up as patriotic.. -The hypocrisy of puritanism as well as the seemingly eternal joke of marriage and "love" are also given the treatment they deserve. In a society based on hypocrisy alltogether, you have to start on a personal level. You have to lose your personal chains before you attempt to free others. Your personal chains begin with the things you've been taught to hold most sacred (as is generally the case). The morals that are not yours. Whom do they really serve? The institutions that everyone notices they have fail and yet most continue to serve them. Why? How can this possibly be? These are just some of the issues dealt with in Emma's essays. A classic book that will basically reprogram your brain if you honestly think about the issues in it. But reprogrammed into what? Well, it will only reprogram you into thinking for yourself. For once. If you do, you'll find that the illusion you've been living in does indeed serve someone. Your long hard road to becoming an individual will thus commence. Good, But Not the Best Collection of Emma's Work This is a good collection of essays by Emma Goldman; however, it is not the best one available. That would be _Red Emma Speaks_, which contains the best material in this volume as well as other excellent essays and excerpts from her entire life's work. In addition, all of this book is available on the Web. So I would have to recommend that those interested in Emma's work get _Red Emma Speaks_ instead of this one. as relevent today as it was in Emma Goldman's day Being historically one the more important yet obscure figures in American history, Emma Goldman's anarchist thought is as relevent today as it was when she wrote "Anarchism, and Other Essays". In an age where political apathy, intellectual ignorance and spiritual corruption are the failings of modern civilzation, Emma Goldman's Enlightenment thought is illuminating in its message of the power of direct action as she so lucidly illustrates: "Anarchism urges man to think, to investigate, to analyze every proposition... (Anarchism is the) philosophy of a new social order based on liberty unrestricted by man-made law; the theory that all forms of government rest on violence, and are therefore wrong and harmful, as well as unnecessary. "The new social order rests, of course, on the materialistic basis of life; but while all Anarchists agree that the main evil today is an economic one, they maintain that the solution of that evil can be brought about only through the consideration of every phase of life,--individual, as well as the collective; the internal, as well as the external phases. "A thorough perusal of the history of human development will disclose two elements in bitter conflict with each other; elements that are only now beginning to be understood, not as foreign to each other, but as closely related and truly harmonious, if only placed in proper environment: the individual and social instincts. The individual and society have waged a relentless and bloody battle for ages, each striving for supremacy, because each was blind to the value and importance of the other. The individual and social instincts,--the one a most potent factor for individual endeavor, for growth, aspiration, self-realization; the other an equally potent factor for mutual helpfulness and social well-being." From just that little exerpt it is easy to understand why any and all authority was terrified of Emma Goldman and why her important contributions to society have been muzzled from histories - down the "memory hole" to use an Orwellian expression.Again, "Anarchism, and Other Essays" is as relevent today as it was in Emma Goldman's day and necessary material for anyone truly interested or involved in altruistic direct action. D'autre ouvrages de Emma Goldman Mot Clef: Nonfiction Education Education Theory
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Versailles (Yvelines)
Lot de Cds albums de Rap Us à saisir: - Lil Wayne "Tha Carter" 21 titres comme neuf. - Lil Wayne "I'm not a human being II" très bon etat une petite déchirure carton mais rien de grave. - Lil Wayne "The drought is over part 6" 22 titres comme neuf. - Ice Cube "Lethal Injection" très bon état. - Wu Tang Clan "Enter the Wu Tang (36 chambers)" comme neuf - Ol Dirty Bastard "Return to the 36 chambers: the dirty version" comme neuf - Snoop Doggy Dogg "Doggystyle" excellent état une très légère rayure à signaler - New Jersey Drive OST Vol.2 excellent état - Coolio "Gangsta's Paradise" des griffes à signaler sur le CD - Coolio Maxi "Gangsta's Paradise" état correct. - Eazy E "It's on 187 um killa" excellent état - Eazy E "Str8 off tha streetz of muthaphu**in Compton" excellent état - Boyz N the Hood OST très bon etat - Menace 2 Society OST très bon état État: Très bon état Prévoir PayPal et 9 euros de frais de port
24,98 €
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Villeneuve lès Maguelone (Hérault)
Count Basie - CBS 67025 - Printed in Spain -  2 Lp "Super Chief":  Shoe Shine Boy, Evenin', Boogie-Woogie, Oh Lady Be Good, Shout And Fell It, Every Tub, Where Shall I Go,  Ain't Got Nobody, Going To Chicago Blues, Live And Love Tonight, Love me or Leave me, Sugar Blues, Cafe  Society Blues, Saint Louis Blues, The Moon Got in my Eyes, It's The Natural Thing to do, Life Goes to a  Party, Upright Organ Blues, Who, I've Found a New Baby, If Dreams Come True, Miss Thing, Bolero at the  Savoy, Let's Make Hey While the moon Shines, Somebody Stole My Gal, Super Chief, It's the Same Old  South, Love Jumped Out  Très bon état
14 €
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Chevreuse (Yvelines)
LOT 32 CD's musique audio "ORIGINAUX" A 48 euros le lot, cela revient à 1,50 euros le CD. Vente au détail possible de 4 à 7 euros le CD Bonne affaire pour Disc jockey " DJ " ou animer vos fêtes. Possibilité paiement en tickets restaurants ou en timbres poste courants. Artiste suivi de l'album: 1. TOP HITS 94 (volume 2) 2. TOUS LES TUBES LOVE 1994 3. LES HITS DE L'ETE 1995 (volume 1) 4. DANCE TOUR 1995 5. TELEPHONE (public) 6. LA PLUS GRANDE DISCOTHEQUE DU MONDE (volume 11) 7. 100 % DANCE (volume 5) 8. NUMERO 1 DANCE 9. DJ'S NIGHT 10. BEACH HITS (16 SONGS OF SUMMER) 11. NIGHT CLUBBERS (compilation) 12. EMINEM (Lose Yourself, Renegade) 13. PRINCESS ERIKA (d'origine) 14. ALLIANCE ETHNIK (RESPECT) 15. MAXIME LE FORESTIER (PASSER MA ROUTE) 16. FLORENT PAGNY (ETE 2003 A L'OLYMPIA) 17. BOYZ MEN (THANK YOU) 18. WYCLEF JEAN (911 FEATURING) 19. 3 DOORS DOWN (THE BETTER LIFE) 20. WET WET WET (PICTURE THIS) 21. FILMS CONCERT (Milan CD 351) 22. UGLY KID JOE (MENACE TO SOBRIETY) 23. RAY CHARLES (LEGENDS) 24. ELLA FITZGERALD (LEGENDS) 25. LEGENDS ROCK'N'ROLL CLASSICS (LEGENDS) 26. YESTERDAYS GOLD POP CLASSICS OF THE SIXTIES (volume 1) 27. WU - TANG FOREVER 28. EMINEM (Hellbound, Super Brooklyn) 29. à 32 MEGA RAGGA (x4 cd's volume 2)
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Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory
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BioShock and Philosophy: Irrational Game, Rational Book LIVRAISON EN 48H GRATUITE Caractéristiques du produit: Description du produit: Considered a sign of the coming of age of video games as an artistic medium, the award–winning BioShock franchise covers vast philosophical ground. BioShock and Philosophy: Irrational Game, Rational Book presents expert reflections by philosophers (and Bioshock connoisseurs) on this critically acclaimed and immersive fan–favorite. Reveals the philosophical questions raised through the artistic complexity, compelling characters and absorbing plots of this ground–breaking first–person shooter (FPS) Explores what BioShock teaches the gamer about gaming, and the aesthetics of video game storytelling Addresses a wide array of topics including Marxism, propaganda, human enhancement technologies, political decision–making, free will, morality, feminism, transworld individuality, and vending machines in the dystopian society of Rapture Considers visionary game developer Ken Levine s depiction of Ayn Rand s philosophy, as well as the theories of Aristotle, de Beauvoir, Dewey, Leibniz, Marx, Plato, and others from the Hall of Philosophical Heroes What does BioShock teach the gamer about gaming? Should we be able to buy beauty and morality from a vending machine? Is BioShock a legitimate critique of Ayn Rand s philosophy? Did Booker ever have free will? Will humans ever be able to shoot lightning out of their hands? BioShock is a critically acclaimed first–person shooter video game first released in 2007. While gamers still thrill at taking down a rivet wielding Big Daddy, what truly impresses BioShock aficionados is its incredibly immersive environment from the atmospheric retro music and chilling audio diaries to a compelling storyline inspired by the controversial philosophy of Ayn Rand. Setting aside the eye–popping visuals of the game s nightmarish underwater dystopia, players must confront a remarkable series of philosophical choices based on morality, free will, and human nature. BioShock and Philosophy features a collection of serious philosophical reflections on questions raised during the course of BioShock game play. Various philosophers consider a wide range of thought–provoking topics and ideas, including the accuracy of game developer Ken Levine s depiction of Rand s philosophy. As well as some of humanity s deepest mysteries, other topics include: The ethical concerns raised by the technologically advanced society portrayed in BioShock Marxist philosophy in relation to the underground insurgency of Vox Populi Questions of identity in relation to body and soul raised by Elizabeth s ability to manipulate tears that exist in the fabric of time And what about the possibility of a future dystopian nightmare created by a real–life Andrew Ryan? If that ever happens, the intriguing philosophical musings of BioShock and Philosophy may just help prepare us for such a truly frightening scenario. Considered a sign of the coming of age of video games as an artistic medium, the awardwinning BioShock franchise covers vast philosophical ground. BioShock and Philosophy presents expert reflections by philosophers (and Bioshock connoisseurs) on this critically acclaimed and immersive fan favorite.                                                                                         NOUS NE LIVRONS PAS LES DOM-TOM CAR LES FRAIS D’EXPÉDITION SONT BEAUCOUP PLUS ÉLEVÉS
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Mel Tormé ‎– Tormé Label: Verve Records ‎– 2304 500 Format: Vinyl, LP, Album, Reissue Country: France Sortie:   Genre: Jazz Style: Big Band, Vocal, Cool Jazz Tracklist A1 That Old Feeling 3:25 A2 Gloomy Sunday 5:13 A3 Body And Soul 3:30 A4 Nobody's Heart 2:03 A5 I Should Care 2:33 A6 House Is Haunted By The Echo Of Your Last Goodbye 3:10 B1 Blues In The Night 8:05 B2 I Don't Want To Cry Anymore 3:00 B3 Where Can I Go Without You 3:22 B4 How Did She Look 3:18 B5 'Round Midnight 2:10 B6 I'm Gonna Laugh You Out Of My Life 2:50 Entreprises, etc. Distributed By – Polydor Crédits Conductor – Marty Paich Featuring [Trombone] – Frank Rosolino Liner Notes – Nat Hentoff Orchestra – Marty Paich Orchestra Vocals – Mel Tormé Notes Recorded Los Angeles, June 26-27, 1958 ℗ 1959 Verve Distributed by Polydor Code-Barres et Autres Identifiants Matrix / Runout (Side A): 2304 500 1 Matrix / Runout (Side B): 2304 500 2 Rights Society (Rights Society): SACEM SACD SDRM SGDL Distribution Code: POL 340 Autres Versions (5 de 12) Tout Afficher Expédition avec suivi Mondial Relay, parfaitement fiable. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur). Puis j’ajoute 3 couches de protection : 1.    pochette en plastique comme celle que vous trouvez chez un disquaire. 2.    enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3.    carton cannelé haute qualité, très rigide, avec la mention « fragile »   Shipping with Mondial Relay tracking, perfectly reliable. I have shipped hundreds of discs and have never encountered any problems. Here is my method. I take the disc (with its under-cover) out of its cardboard cover, because otherwise the disc can move and make holes in the cover (experienced as a buyer). Then I add 3 layers of protection: 1. plastic pouch like the one you find at a record store. 2. bubble wrap with shims to ensure the gap with the 3rd level. 3. high quality fluted cardboard, very rigid, with the mention "fragile"
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