Microphone preamplifier and equaliser

Studer microphone / line preamp, very rare and in very good condition.A stereo preamp microphone or line class A or more colored by a different circuit lamps.Soft limit for digital recordings and an internal converter that does not palate alongside the most well known.16bits 20 /bits AS converter, AES and Analog output

Microphone capsule pour flute traversière de la marque RESOCAP avec pré-amplificateur de fabrication italien de haute qualité. État : Occasion La Capsule remplace la couronne et le bouchon. (La flute reste jouable comme avant sans amplification.) Le cable de prise venant du préamp est connecté avec son dispositif par un cynch/RCA dns l'embouchure, l'autre fin en cynch RCA va dans l'entrée du pré-amp qui est reglable pour volume (Gain), Tone et Compression. Le pré-ampli a une sortie jack de 6,3mm mono. Une fois le jack introduit, la pile de 9V est mise en marche. L#autre bout du cable selon les exigences de l#amplificateur peut être un XLR, un jack ou autres. (Du fait que la surface transparente en plastique s'est détaché de la boite, j'étais obligé de la recoller et de refaire la dénommination des trois boutons - La 3ème photo montre le pré-ampli avec les écritures à l'origine) L'intérêt de ce dispositif est que l'amplification est net, de grande qualité et notamment sans des éventuels bruits de souffle. Je vneds ce dispositif pour 85 €, le prix neuf en Italy is 160 € including port. Pour voir des flutistes jouer avec ce microphone, veuillez introduire dans la zone de recherche de Youtube: ' Mic-ResoCap Flute Microphone, Microfono per flauto Altissima Qualità ' english: The microphone capsule, italian brand name RESOCAP, replaces the crown and head joint cork in the mouthpiece and is delivered with a pre-amp. The micro-capsule is mounted as replacement of the crown and head joint cork. (You can continu to play the flute also without amplification.)The supplied plug of the audio cable is like a cynch/RCA connected into the head's microcapsule. The other end is a cynch/RCA to put into the pre-amp. Output of the amplifier is a jack 6,3mm which activiates wshen inside the 9V battery. The other side of the output cable can be jack too or XLR or other. The preamplifier allows you to adjust the volume (gain), tone and compression. (Since the transparent plastic surface has become detached from the box over time, I have renewed it as well as the lettering - the 3rd photo shows the preamplifier with the original front.) The interest of this micro capsule realisation is the high quality microphone which cannot be disturbed by the players breath. I sell the whole thing for 85 euros. New price in Italy is 160 € including shipment. To see how flutists play with this microphone, please enter in a YouTube search field: 'Mic-ResoCap flute microphone, Microfono per flauto Altissima Qualità' deutsch: In den Kopf der Querflöte anstelle des Stimmkorkens zu installierendes Mikrofon-Kapsel der Marke RESOCAP inklusive Vorverstärker, hergestellt in Italien, sehr gute Qualität. Zustand: Gebraucht Die Mikrofon-Kapsel ersetzt die Krone und den Stimm-Korken im Mundstück. Das zum Vorverstärker gehörende Verbindungskabel hat zur Flöte hin ein Dispostiv mit einem Cynch-Stecker der einfach in den Flötenkopf gesteckt wird, das andere Ende ist ein einfacher Cynch-Stecker, einzustecken in den Vorverstärker-Eingang. Am Vorverstärker kann Lautstärke (Gain) Tone und Kompression geregelt werden. Der Vorverstärker-Ausgang ist eine 6,3mm Jack Buchse. Ein Audio-kabel mit der 6,3mm Klinke wird in diese Buchse gesteckt und stellt die im Gehäuse befindliche 9V-Batterie auf ON. Das andere Ende des Audiokabels kann XLR, Klinke etc. sein, je nach Anforderung des Endverstärkers. Vorteil dieser Micro-Caps der marke RESOCAP ist das es keinerlei Windgeräusche des Spielers aufnimmt, die Qualität des Mikrofons ist sehr gut. (Da sich die transparente Kunststoffoberfläche von der Box mit der Zeit gelöst hat, habe ich sie ebenso wie die Beschriftung erneuert - das 3. Foto zeigt den Vorverstärker mit der Originalbeschriftung.) Ich verkaufe das ganze für 85 Euro, der Neupreis liegt bei 160 € incl. Versandkosten..

Schoeps VMS 5 U stereo preamplifier kit Sold with: 1x 5m KCY 1x 35cm KCY 1x 5m extension (binder/binder) - The incredible bandwith (20Hz to 80kHz!) makes it the perfect preamp for high resolution recording. - Suitable for MS Stereo MK4/MK8 capsules (Colette series) - Can be used also for classic stereo recording (AB) or ORTF. - DC in on either native connector or HRS (modification made by french official Schoeps dealer). - Can replace 2 CMC preamp body - the kit does not include MK4 or MK8 capsule THE PRICE IS inc. VAT Specifications: • Frequency response: 20Hz to 80kHz (-3dB) • Input impedance: 20kOhms • Input: switchable between two XLR-3F sockets and a special input for the SCHOEPS KCY Active Cable • Recommended minimum sensitivity of microphones at XLR inputs: 8mV/Pa • Maximum input level for 0.5% THD at 4dB gain setting: 14dBV (5Vrms) • Maximum input level for 0.5% THD at 20dB gain setting: -2.2dBV (780mVrms) • Preamplifier gain can be set to 4, 10, 20, 30 or 40dB • Maximum sound pressure level at 0.5% THD with CMC 6 and MK 4 at a gain of 4dB: 132dB • Maximum sound pressure level at 0.5% THD with CMC 6 and MK 4 at a gain of 10dB: 132dB • Maximum sound pressure level at 0.5% THD with CMC 6 and MK 4 at a gain of 20dB: 130dB • Maximum sound pressure level at 0.5% THD with CMC 6 and MK 4 at a gain of 30dB: 120dB • Maximum sound pressure level at 0.5% THD with CMC 6 and MK 4 at a gain of 40dB: 109dB • Equivalent noise level at a gain of 4dB: 16.5dB-A • Equivalent noise level at a gain of 10dB: 16dB-A • Equivalent noise level at a gain of 20dB: 15.5dB-A • Equivalent noise level at a gain of 30dB: 15.5dB-A • Equivalent noise level at a gain of 40dB: 15.5dB-A • Equivalent noise level (CCIR) at a gain of 4dB: 27.5dB-CCIR • Equivalent noise level (CCIR) at a gain of 10dB: 26.5dB-CCIR • Equivalent noise level (CCIR) at a gain of 20dB: 26dB-CCIR • Equivalent noise level (CCIR) at a gain of 30dB: 26dB-CCIR • Equivalent noise level (CCIR) at a gain of 40dB: 25.5dB-CCIR • Level indicators: -20dB, -3dB • Additional comments The balance potentiometer permits compensation for differences in microphone sensitivity up to 20dB • Additional comments The polarity inversion switch permits rapid change of input channel assignments in M/S recording, as when changing between an upright stereo microphone and one that is hanging downwards • The outputs are impedance-balanced and transformerless, and are switchable between the amplified microphone signals and the decoded M/S stereo signals • Output impedance: 100Ohms • Maximum output level for 0.5% THD: 18dBV (8Veff) • Minimum recommended load impedance: 2kOhms • Headphone output is switchable: either the amplified microphone signals are left/right for A/B recordings, mid/side for M/S, or the decoded M/S stereo signals can be monitored • Output impedance: 32 to 2000Ohms • Output socket: 6.35mm stereo phone jack • Filter(s): an infrasonic filter (20Hz, 18dB/oct.) is permanently active. in addition, a low-cut filter (150Hz, 6dB/oct.) can be switched on • The upper frequency limit is 80 kHz • Powering: an internal filter/regulator circuit which generates and stabilizes the supply voltages permits a wide range of input voltages (5.5V to 15.5V) • Battery powering is ossible with internal batteries (also with rechargeables) • Number and type of cells: 6x AA (also called LR6) • Recommended primary cell type: Alkaline • Recommended rechargeable cell type: NiMH • A user-replaceable fuse protects against reversing the polarity of the batteries • Battery life with alkaline cells: ca. 8.5 hours • Battery life with rechargeable batteries: ca. 3 hours (700mAh NiCd) • Battery life with rechargeable batteries:ca. 5 hours (1100mAh NiMH) • Battery life with rechargeable batteries:ca. 5.5 hours (1300mAh NiMH) • Battery life with rechargeable batteries:ca. 7 hours (1600mAh NiMH) • Battery l

Le BZ03F est un adaptateur d'alimentation spécifique pour les microphones Schoeps CMT30F / CMMT30F fabriqués pour l'ORTF, qui nécessitent une alimentation fantôme avec une tension négative de -9 à -12V. Cette tension peut être fournie directement par l'entrée d'un enregistreur Nagra ou d'un préamplificateur de l'ORTF. Pour tous les autres cas, le BZ03F s'insère entre le microphone et l'entrée de l'enregistreur ou de la console pour fournir cette tension. Fourni avec un câble SOGIE mâle-femelle de 5 mètres pour la connexion entre le microphone et l'adaptateur. Le câble SOGIE-XLR nécessaire pour la liaison entre l'adaptateur et le préamplificateur n'est pas fourni, mais peut être fabriqué en utilisant un connecteur SOGIE vendu dans mes autres annonces. Fonctionne avec une pile 9 volts standard, pour une autonomie d'environ 48 heures. Il est conseillé d'utiliser une pile alcaline, et non un accumulateur dont la tension est trop faible pour alimenter correctement le microphone. Testé avec un CMT-30F et un CMMT-30F (voir mes autres ventes), fonctionne parfaitement. -------------------------------------------------------------------------------------------- The BZ03F is a powering adapter specifically intendend for the Schoeps CMT30F and CMMT30F microphones made for the French radio and television, which require a negative phantom voltage. If you don't have a Nagra tape recorder or an ORTF-type preamplifier, you can use this cable-mounted adapter to provide the correct phantom voltage to the microphone. Provided withe a 5 metre (16 feet) cable for the microphone-adapter connection. The adapter-preamplifier cable is not provided, but can be made using the connectors sold in my other sales. Powered by a single standard 9 volts battery, with a battery life of roughly 48 hours. It is advisable to use an alkaline battery, as the voltage of NiMH batteries is too low to power the microphone properly. Tested with a CMT-30F and a CMMT-30F (see my other sales), works perfectly. International buyers are welcome, please inquire for shipping outside the EU.

Focusrite Red4 audiophile preamp: 7 in 1 out -totalement symétrique, in/out en xor -switch +4Dbu / -10Dbv pour chaque entrée -Commutation par relay, display programmable -Potentiometres Penny and Giles très très haut de gamme … et de précision ! -Filtre coupe bas 50hz et coupe haut de 8,2 kHz à 22 kHz -Dim (-12 dbs) / mute, vu meter en facade - 4 transfos de preamp/ line out Carnhill / St yves sur mesure, transfo d’alimentation blindé et alimentation sur-dimensionnée Focusrite grew out of a 1985 request from Beatles producer Sir George Martin to well-known pro-audio designer Rupert Neve. He was asked to design a series of no-compromise modules, beginning with a microphone preamplifier and equaliser, for Air Studios in Montserrat and then in London. In the 1990s for just a couple years they produced an expensive audiophile Red 4 stereo preamp and Red 5 power amp. The story goes that Focusrite was commissioned to make a full blown audiophile preamp for home use. They were produced for a very short time in limited numbers. Some features are a full aluminum body with polished stainless steel top and bottom. Excellent detail retrieval without and hint of harshness. Smooth yet open enough to be engaging and musical. Bass is deep and taut, midrange dead on without shouting or added presence. Test sur Valenciennes, Echange possible (matériel studio ou enceintes monitoring, type atc - avec ajout de ma part-), faire offre En savoir plus

8 legendary Class A mic preamps in the same class as the Focusrite ISA and RED ranges. They don't make them like this anymore... This unit is in very good condition - see pictures: front face is pristine with no scratches, only a few usage scratches around the rack ears from installation (marks will be hidden again after mounted onto a rack). It never left the studio. The Octopre provides eight pristine discrete channels of Focusrite Class A mic preamp and compression, OctoPre PLATINUM routes directly to any digital audio workstation via eight standard analogue outputs. Each channel features a revolutionary compressor/limiter circuit, providing a warm-sounding compressor, which morphs into a brick wall limiter to avoid those critical overs, ensuring total control over all eight channels. The mic preamps featured in OctoPre PLATINUM are similar to those featured in the award winning Focusrite Top-Of-The-Range. They are a transistor-based Class A design utilising the same full-bandwidth philosophy as the legendary RED and ISA mic preamps, ensuring detail and clarity without colouration. The first two 'super channels' also feature phase reverse, as well as TRS jack inputs on the front fascia for quick and easy, DI-free instrument plug-in. Eight line level balanced (+4 dBu) analogue inputs and outputs are provided as standard via 25-pin D-type connectors. These D-type connectors may be routed to 8 XLR/TRS by means of an (optional) 8-way 25-pin D-type to 8 XLR/TRS breakout cable, available separately. In addition to the analogue outputs, the OctoPre can be fitted with digital output (OPTIONAL CARD). Detailed description from the focusrite website: The OctoPre is an eight channel Class A microphone preamplifier, featuring a classic Focusrite mic pre and a revolutionary compressor/limiter circuit on each channel. The mic pres featured in the OctoPre are similar to those featured elsewhere in the award winning Focusrite Platinum range. They are a transistor-based Class A design utilising the same full bandwidth philosophy as the legendary Focusrite Red and ISA mic pres, ensuring detail and organic clarity without obvious colouration. The revolutionary compressor/limiter circuit provides each channel with warmsounding compression, which morphs into brick wall limiting to avoid critical ‘overs’ when recording digitally. The first two channels also feature phase reverse, as well as unbalanced 1/4” jack inputs on the front fascia for quick and easy, DI-free plug-in of guitars and basses. With Class A Focusrite analogue signal processing and comprehensive A/D interface options, OctoPre is the perfect partner for a Pro Tools™ system or any other digital audio workstation, making high quality, multi-channel recording easy. Equally, it could be utilised as part of a compact multi-channel location recording solution (with a laptop or ADAT™, for example), or as an additional set of professional-quality mic pres for any analogue or digital console or hard disk recorder. The original OctoPre is a typical Class A Platinum design, (based around a 737 Rhom transistor) and it is solid state, it has extended bandwidth (up to at least 180kHz at the top end) and sounds transparent. The original OctoPre has an edge in being more forgiving if you want to slam the pre's hard (but more 2nd order harmonic distortion as a result). -The Octopre has a dynamics (compressor/limiter) control on each channel -The Octopre has 48V phantom power switches on each channel -The Octopre has line in and out connections on 25 pin D-sub connectors and 8 XLR inputs for mics Performance specifications: THD:0.001% @ 20dBu input, mic and line at 0dB gain Noise:-96 dB at unity gain through the unit Mic EIN:-128 dBu @ 6dB of gain with 150Ω termination impedance Frequency response:-1 dB at 10 Hz to 200 kHz Carefully packed with powercord. Shipping France: 27,80 € Shipping Europe: 36,30 €

Rupert Neve Designs Portico 511 500-Series Mic Pre Module with Silk 2010. Rupert Neve Designs Portico 511 PAIR Microphone Preamplifier 1 Channel Mic preaamp with 500 Module formfactor +48V Phantom power can switched On and Off 8 Segment LED Level-Meter High Pass Filter can be set, 20 - 250 Hz Trim and Gain-Control Polarity is reversible/can be switched Silk Mode Formfactor: 500 Module Required voltage/power: +/-16VDC 100 mA Plus d'infos Pré-ampli Oui Alimentation fantôme 48V Oui

Change your language: Change your language: Change your language: Change your language: Change your language: Global-Audio-Store STUDIO - HOME STUDIO INSTRUMENT INFORMATIQUE MUSICALE LOGICIEL MAO ESPACE DJ ESPACE GUITARE ESPACE FLIGHT-CASE TRAITEMENT ACOUSTIQUE SONORISATION CÂBLES AUDIO ACCESSOIRES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES PRESONUS - STUDIOLIVE 16.0.2 Référence: STUDIOLIVE 16.0.2 888,00 € Disponibilité:  Disponible en stock fournisseur Livraison:  Sous 2 jours ouvrés Garantie: 2 ans pièces & main-d'oeuvre En Savoir Plus PRESONUS - STUDIOLIVE 16.0.2 - Table de mixage numérique d’enregistrement Les consoles StudioLive de PRESONUS 16.4.2 et 24.4.2 ont littéralement changé la donne en matière de consoles numériques et force est de constater que le monde de l'audionumérique, du Mixage et de l'enregistrement n'est plus le même depuis ces innovations majeures. La console StudioLive 16.0.2, forte de cet héritage, marche dans les pas de ses grandes sœurs en offrant la même qualité audio dans un format plus compact et tout aussi performant. Cette console offre 8 entrées mono ainsi que 4 entrées stéréo, 12 préamplis XMAX™ Class A viennent en renfort de cet arsenal – et même 13 si vous ajoutez à cela le préampli TALKBACK. Ne vous y laissez pas tromper, ce petit format est pourtant une StudioLive à part entière. Tout ce qui est du ressort des traitements, routings, intégration logicielle, effets, conversion, la 16.0.2 est issue de la même exigence et du même esprit de simplicité dans l’innovation. La StudioLive 16.0.2 dispose d’une interface Firewire16x16, livrée avec les logiciels Capture™, Studio One Artist™ ainsi que le désormais renommé Virtual StudioLive, logiciel de contrôle bidirectionnel. Preuve que tout est sur cette petite dernière comme sur les « grandes », elle peut être contrôlée à distance de la même manière avec l’application gratuite iPad SL Remote. Le Fat Channel de la 16.0.2 n’est pas en reste, il dispose d’une pléthore de traitements; compresseurs, limiteurs, gates, inverseurs de phase, filtres passe-bas, et équaliseurs 3 bandes semi paramétriques...La résolution de traitement des FX A et B internes est de 32 bits flottantes et concerne réverbérations et delays. Mais on peu aussi remarquer que cette console est pourvue de quelque chose que les deux autres modèles n’ont pas ! En effet, les entrées et sorties MIDI...vous aurez donc la possibilité par ce biais de contrôler les réglages de la console par « program change » que ce soit d’un pédalier sur scène ou par un séquenceur logiciel, comme Studio One Artist™ par exemple. Les options sont multiples et modifier le volume du mix général, les retours d’effets, les mutes ou les scènes complètes est désormais possible en exclusivité sur la StudioLive 16.0.2 grâce à la magie du MIDI. Le mix parfait est chose fastidieuse mais il est encore davantage lorsqu’après des heures, des jours de travail, voir plus, on souhaite revenir en arrière pour au final se repositionner sur la proposition de départ...Un mix étant très complexe, il intègre des éléments aussi variés que les niveaux, de la dynamique, des traitements, de l’égalisation et chaque chanson dispose de ses réglages propres. Tout comme ses grandes sœurs, la StudioLive permet de stocker, enregistrer, exporter les paramètres de ses réglages internes pour une utilisation illimitée en possibilités. Caractéristiques: Entrées 16 entrées, 4 Mixages auxiliaires 12 préamplificateurs de microphone XMAX, de classe A Interface Interface d'enregistrement numérique Firewire à 16 en- trées/16 sorties avec deux ports Firewire 400 (compatibles avec une connexion Firewire 800 Effets Section d'effets de Fat Channel assignable aux voies, aux généraux et aux groupes auxiliaires, 22 filtres passe-haut,24 gates,24 compresseurs,24 limiteurs,24 égaliseurs semi-paramétriques 3 bandes, 12 inverseurs de phase,50 presets de voie utiles vous aident à démarrer Égaliseur graphique 31 bandes pour le bus général avec 99 presets utilisateur Double processeur d'effets numériques 32 bits, chacun avec 50 reverbs et delays personnalisables plus 49 presets utilisateur Midi Entrée/sortie MIDI avec mode de commande MIDI Rappel de scène, rappel d'effet A, rappel d'effet B, sortie d'effet A, sortie d'effet B, assignation d'effet A aux généraux, assignation d'effet B aux généraux, battue manuelle du tempo et volume de sortie général Contrôle MIDI par pédalier optionnelRecall Automation de scène avec chargement/sauvegarde/rappel de tous les paramètres de la table de Mixage Jusqu'à 80 scènes de Mixage global,99 presets de Fat Channel, Copiez/collez des réglages de tranche entre voies,Stockage/rappel d'un nombre illimité de scènes avec le logiciel Virtual StudioLive (VSL) disposant d'un contrôle bidirectionnel des réglages et des scènes interface Interface d'enregistrement numérique Firewire 16x16 (24 bits/44,1 et 48 kHz) logiciel Capture 1.1 (fourni) Interface compatible avec Studio One, Pro Tools® 9, Logic®, Nuendo, Cubase, Sonar, Digital Performer, Ableton, Live... Core Audio et ASIO Divers Échantillonnage 24 bits/48 kHz via des convertisseurs nalogique/numérique haute définition (plage dynamique de 118 dB) Section de réseau d'ordres (Talkback) complète pour l'utilisation en live et en studio Construction pour des années d'usage intensif avec solide châssis en acier rigide et touches sensitives de qualité militaire Faders de 60 mm résistants à l'usure Embase BNC pour lampe 12 V Suite logicielle complète pour Mac®OS X et Windows® possibilité de montage en rack Dimensions Profondeur: 39,7cm Largeur: 40.64 cm Hauteur maxi: 14 cm Poids: 9.5 Kg Livré avec cable Firewire PRESONUS - STUDIOLIVE 16.0.2 Reference: STUDIOLIVE 16.0.2 888,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 2 years by manufacturer More info PRESONUS - STUDIOLIVE 16.0.2 - Performance & Recording Digital Mixer In a footprint of less than 2 square feet (0.19 m2), the compact, 16-channel Presonus Studio Live 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX Class A solid-state mic preamps. The Presonus 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters. The 16.0.2 integrates a 16x16 FireWire interface and comes with Capture, Studio One Artist recording and production software, and Virtual StudioLive, bidirectional control software, and it works great with our free SL Remote iPad and iPhone control apps. The 1602's Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects. The Presonus StudioLive 16.0.2 also offers MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control. Features: * 8 mono mic/line channel inputs * High-headroom Class A XMAX mic preamplifier * 60 mm precision faders * 4 stereo line channel inputs * 4 Auxiliary buses (pre/post-fader send) * 2 Internal FX buses * 2 stereo 32-bit digital effects processors with customizable reverb and delay presets * Fat Channel signal processing on all channels and buses, with 3-band semi-parametric EQ (individual band on/off), Full-featured compressor, Standard downward expander, Limiter * Phase reverse (12 mic preamplifiers only) * Pan with dedicated 15-LED display * 16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz) * Compatible with most audio software via ASIO, Windows Audio, Core Audio Scene store and recall * Software bundle for Mac and Windows includes: PreSonus Studio One Artist, PreSonus Capture, PreSonus Universal Control with Virtual StudioLive * MIDI Control Mode: Scene and FX Preset recall, Main Volume, FXA, and FXB output levels, FXA and FXB assign/unassign to Mains PRESONUS - STUDIOLIVE 16.0.2 Referencia: STUDIOLIVE 16.0.2 888,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 2 years by manufacturer Más PRESONUS - STUDIOLIVE 16.0.2 - Performance & Recording Digital Mixer In a footprint of less than 2 square feet (0.19 m2), the compact, 16-channel Presonus Studio Live 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX Class A solid-state mic preamps. The Presonus 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters. The 16.0.2 integrates a 16x16 FireWire interface and comes with Capture, Studio One Artist recording and production software, and Virtual StudioLive, bidirectional control software, and it works great with our free SL Remote iPad and iPhone control apps. The 1602's Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects. The Presonus StudioLive 16.0.2 also offers MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control. Features: * 8 mono mic/line channel inputs * High-headroom Class A XMAX mic preamplifier * 60 mm precision faders * 4 stereo line channel inputs * 4 Auxiliary buses (pre/post-fader send) * 2 Internal FX buses * 2 stereo 32-bit digital effects processors with customizable reverb and delay presets * Fat Channel signal processing on all channels and buses, with 3-band semi-parametric EQ (individual band on/off), Full-featured compressor, Standard downward expander, Limiter * Phase reverse (12 mic preamplifiers only) * Pan with dedicated 15-LED display * 16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz) * Compatible with most audio software via ASIO, Windows Audio, Core Audio Scene store and recall * Software bundle for Mac and Windows includes: PreSonus Studio One Artist, PreSonus Capture, PreSonus Universal Control with Virtual StudioLive * MIDI Control Mode: Scene and FX Preset recall, Main Volume, FXA, and FXB output levels, FXA and FXB assign/unassign to Mains PRESONUS - STUDIOLIVE 16.0.2 Artikel-Nr: STUDIOLIVE 16.0.2 888,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 2 years by manufacturer Produktinfos PRESONUS - STUDIOLIVE 16.0.2 - Performance & Recording Digital Mixer In a footprint of less than 2 square feet (0.19 m2), the compact, 16-channel Presonus Studio Live 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX Class A solid-state mic preamps. The Presonus 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters. The 16.0.2 integrates a 16x16 FireWire interface and comes with Capture, Studio One Artist recording and production software, and Virtual StudioLive, bidirectional control software, and it works great with our free SL Remote iPad and iPhone control apps. The 1602's Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects. The Presonus StudioLive 16.0.2 also offers MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control. Features: * 8 mono mic/line channel inputs * High-headroom Class A XMAX mic preamplifier * 60 mm precision faders * 4 stereo line channel inputs * 4 Auxiliary buses (pre/post-fader send) * 2 Internal FX buses * 2 stereo 32-bit digital effects processors with customizable reverb and delay presets * Fat Channel signal processing on all channels and buses, with 3-band semi-parametric EQ (individual band on/off), Full-featured compressor, Standard downward expander, Limiter * Phase reverse (12 mic preamplifiers only) * Pan with dedicated 15-LED display * 16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz) * Compatible with most audio software via ASIO, Windows Audio, Core Audio Scene store and recall * Software bundle for Mac and Windows includes: PreSonus Studio One Artist, PreSonus Capture, PreSonus Universal Control with Virtual StudioLive * MIDI Control Mode: Scene and FX Preset recall, Main Volume, FXA, and FXB output levels, FXA and FXB assign/unassign to Mains PRESONUS - STUDIOLIVE 16.0.2 Riferimento: STUDIOLIVE 16.0.2 888,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 2 years by manufacturer Dettagli PRESONUS - STUDIOLIVE 16.0.2 - Performance & Recording Digital Mixer In a footprint of less than 2 square feet (0.19 m2), the compact, 16-channel Presonus Studio Live 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX Class A solid-state mic preamps. The Presonus 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters. The 16.0.2 integrates a 16x16 FireWire interface and comes with Capture, Studio One Artist recording and production software, and Virtual StudioLive, bidirectional control software, and it works great with our free SL Remote iPad and iPhone control apps. The 1602's Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects. The Presonus StudioLive 16.0.2 also offers MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control. Features: * 8 mono mic/line channel inputs * High-headroom Class A XMAX mic preamplifier * 60 mm precision faders * 4 stereo line channel inputs * 4 Auxiliary buses (pre/post-fader send) * 2 Internal FX buses * 2 stereo 32-bit digital effects processors with customizable reverb and delay presets * Fat Channel signal processing on all channels and buses, with 3-band semi-parametric EQ (individual band on/off), Full-featured compressor, Standard downward expander, Limiter * Phase reverse (12 mic preamplifiers only) * Pan with dedicated 15-LED display * 16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz) * Compatible with most audio software via ASIO, Windows Audio, Core Audio Scene store and recall * Software bundle for Mac and Windows includes: PreSonus Studio One Artist, PreSonus Capture, PreSonus Universal Control with Virtual StudioLive * MIDI Control Mode: Scene and FX Preset recall, Main Volume, FXA, and FXB output levels, FXA and FXB assign/unassign to Mains Global Audio Store, Revendeur Presonus agréé Global Audio Store, Authorized Presonus Dealer Global Audio Store, Authorized Presonus Dealer Global Audio Store, Authorized Presonus Dealer Global Audio Store, Authorized Presonus Dealer

DESCRIPTION: Buy Denon AVR-X6500H 11.2-Channel Network A/V Receiver featuring Up to 140W per Channel at 8 Ohms, Audyssey Audio Optimization Supports Dolby Atmos & DTS:X. Review Denon MAIN UNIT Output Power 140 W per channel @ 8 Ohms, 20 Hz to 20 kHz, 0.05% THD, 2 channels driven175 W per channel @ 6 Ohms, 1 kHz, 0.7% THD, 2 channels driven250 W per channel @ 6 Ohms, 1 kHz, 10% THD, 1 channel driven Output Impedance 4 to 16 Ohms Channels 11.2 Tuner AM / FM Input Sensitivity and Impedance Preamplifier: 200 mV / 47 kOhms Frequency Response Preamplifier: 10 Hz to 100 kHz (+1, -3 dB) (Direct mode) Signal to Noise Ratio Preamplifier: 102 dB (IHF-A weighted, Direct mode) Surround Modes DTS Neural:X, DTS Virtual:X Object-Based Audio Support Dolby Atmos, DTS:X, Auro-3D VIDEO Upscaling Yes, to near-4K Pass-Through 4K/60 Hz, 4:4:4 color resolution, HDR10, Dolby Vision, HLG, BT.2020, 21:9, 3D, CEC TUNER SECTION FM Frequency Range 87.5 to 107.9 MHz AM Frequency Range 520 to 1710 kHz CONNECTIVITY Bluetooth Yes Wi-Fi Yes, dual-band (2.4/5 GHz) AirPlay Yes, AirPlay 2 Inputs 8 x HDMI (1 front)2 x optical TOSLINK2 x digital coaxial2 x component video4 x composite video7 x stereo RCA audio (1 phono with ground screw)1 x USB (front) Outputs 3 x HDMI (1 ARC-compatible, 1 Zone 2)1 x component video2 x composite video (1 Zone 2)1 x 2-channel RCA Zone 2 stereo pre-out1 x 2-channel RCA Zone 3 stereo pre-out1 x 11.2-channel RCA pre-out1 x 1/4" / 6.35 mm headphone (front) Other Ports 1 x setup microphone input (front)1 x Denon Link HD1 x FM tuner antenna1 x AM tuner antenna2 x Bluetooth / Wi-Fi antenna1 x Ethernet1 x 1/8" / 3.5 mm IR remote in1 x 1/8" / 3.5 mm IR remote out1 x RS-232C2 x 1/8" / 3.5 mm trigger out (12 VDC, 150 mA max)1 x AC power cord Speaker Connectors 11 x binding post pairs HDMI CEC Yes Audio Return Channel (ARC) Yes, on main HDMI output HDMI Version Not specified by manufacturer HDCP Compliance HDCP 2.2 on all ports GENERAL Front Panel Aluminum with trap-door On-Screen Display Yes, GUI Power Requirements 120 VAC, 60 Hz Power Consumption Operational: 750 WOperational, No Sound, ECO On: 65 WOperational, No Sound, ECO Off: 110 WStandby: 0.1 WCEC Standby: 0.5 W Dimensions (W x H x D) 17.1 x 6.6 x 14.9" / 43.4 x 16.7. x 37.9 cm Weight 32 lb / 14.5 kg PACKAGING INFO Package Weight 38.2 lb Box Dimensions (LxWxH) 20.5 x 18.0 x 12.0" IN THE BOX Denon AVR-X6500H 11.2-Channel Network A/V Receiver Remote Control 2 x AA Batteries Sound Calibration Microphone Sound Calibration Microphone Stand FM Indoor Antenna AM Loop Antenna 2 x External Antennas for Bluetooth/Wi-Fi Connectivity Cable Labels Power Cord Limited 3-Year Warranty

AER Colourizer Pocket Tool Preamp/Direct Box for Line & Mic Input Used - Excellent Condition Description The AER Colourizer is a preamplifier for instrument or microphone (vocal or instrument microphone). You insert it into the signal chain between source and next point in the audio path (e.g. amplifier or mixing desk) to produce sound improvement - your signal will be stronger, richer and more stable. Specifications SKUAERCOLOURBarcode #930037012770GTIN #846614090743BrandAERSeriesPocket ToolsTypeLine/Mic PreampUnique FeaturesGain control, phase, parametric equalizer - level, bandwidth and switchable frequency, line out, switchable 24V phantom power, adjustable DI-out, lineWeight420g (0.92 lbs)EQParametric equalizer with switchable frequency range. Level (15 dB), bandwidth (1 octave - 1/6 octave), Frequency - f1= 90 Hz to 1.6 kHz, f2=680 Hz tH X W X D65mm (2.56") x 105mm (4.13") x 135mm (5.31")Power Requirementmains voltage - 24V DC (external power supply), Power consumption - 4 wattToneEQ balance shift. This allows bass or treble accentuation or a combination of bothEffectsEnhancer - widens and colourizes the sound by using the AER enhancer-technologyCabinet SpecificationsaluminumCabinet Finishanodized blackInput 1 & 2combined XLR/6.3mm (1/4") jack sockets. Switchable inputs for instruments (line-level sources) or phantom-powered sources (e.g. Microphones)PhaseInverts the output signal-phase in relation to the input signal-phase from 0 to 180 degrees.

Préamplificateur ancien Bouyer ST4 (66-04) à lampes à restaurer Pré-amplificateur monophonique intégré Marque : Bouyer – modèle : ST4 110 – 66-04 Fabrication environ 1966 – Made in France Prémplification par lampes sous vide - vacuum valves preamplifier Alimentation secteur : 110 -130 – 220 – 240 volts / 50 hz Tubes présents : Mazda Belvu 12AX7A (ECC83) : les autres tubes ont l'inscription illisible 4 x entrées microphone (5 mv – 220 kΩ) – 2 entrées monoral pick up (120 mv – 500 k Ω) Les caractéristiques sont disponibles sur le Net Lien Bouyer ST4 schémas Voir détails dans l'annonce et photographies après le descriptif Non testé : vendu en l'état Vendu en l'état pour pièces ou restauration ou décoration Largeur = 420 mm – profondeur = 300 mm hors tout – hauteur = 130 mm Avant toute éventuelle évaluation négative qui nuira aux 2 parties, prière de me contacter pour résoudre le problème : je reste attentif à votre attente et souhaite votre satisfaction avant tout. Merci, S.L. For buyers abroad out of Europ: possibility of shipping by Happy Post for about 20% cheaper than Colissimo International, please contact me with your destination country 29,99 € shipping by Mondial Relay (tell me for process, please) for: Netherlands, Deutschland, Austria, UK (not Eire and Islands), Belgium, Spain, Luxembourg, Portugal, Italy (not Sardinia and so on...) Import duties, taxes and fees are not included in the price of the item or in the cost of delivery. These costs are the responsibility of the buyer. Please check with the customs authorities of your country for the amount of these fees before buying or bidding. These costs are usually paid to the transport company (delivery) or the delivery of the object by hand. They should not be confused with additional delivery charges. We will not underestimate the price of the products and we will not indicate that the item is a gift. These practices are prohibited by the various national regulations. Hitachi Sony JVC Denon Pioneer Marantz Luxman Kenwood Sansui Technics Yamaha Nad Proton Nec Sanyo Optonica Aurex B&O Bang Olufsen

Je vends ce préampli convertisseur Vintage studer. Excellent état. Sort de révision, lampes neuves appairées et réglées a la perfection. Un son incomparable. The  MicVALVE  is a two-channel preamplifier for microphone and line level signals with analog and digital outputs. The main signal path is designed in semiconductor technology and allows top quality “direct-to-digital” recordings. A Valve Dignifier stage equipped with  2 × ECC 81  valves per channel can be switched into the signal path, providing a number of front panel controls for individual valve sound treatment. -         Maintained by professional technician in France with invoice  -         new valves -         Smoke free environment.