Moog little stage

Moog MF-103 Moogerfooger 12-Stage Phaser Analog modular effect. Selling this classical 12-stage phaser by Moog, 100% analog, made in Asheville. Parameters can be modulated by CV (for modular use by example). Beautiful drive stage too, very warm sounding. Bought it myself new in 2005, serial 3621. Fully working. Light signs of use. Comes with original instruction manual. I won't provide a power supply but it's a standard 9V center positive. En savoir plus Collaboration commerciale.

Moog mother 32  Parfait état / perfect condition Très peu utilisé en studio non fumeur /  A few use in non smoke studio  Carton légèrement abimé / brown box packaging a little damaged

Le IBP Junior élimine facilement les sons indésirables produits par la combinaison de signaux sonores déphasés ou partiellement déphasés; un outil solutionneur de problème de phase mais aussi comme un outil créatif contrôlant la phase pour modifier la couleur tonale. Permet aux micros d’être placés là oû ils sonnent le mieux individuellement; Ajustement de variable de phase naturelle continue entre 0 degré et 180 degrés; Construction et son audiophile (Class A, headroom énorme, alim surdimensionnée) En parfait état, avec sa boite et doc d'origine. * Real time all analog phase sweep between zero and one hundred and eighty degrees… and everything in-between. * Allows mics to be placed where they sound best individually, compromising mic placement due to phase problems is not necessary when using the ibp. * +4dB XLR balanced input and outputs. * Extremely high quality construction. Made in the U.S.A. The IBP Junior easily eliminate the undesirable hollow sound when combining out-of-phase and partially out-of-phase audio signals. Designed as a phase problem solving device, the IBP Analog Phase Alignment Tool has quickly become popular among audio engineers as not only a «»fix it»» tool but as a controlling audio phase creative, tonal color tool. Whether combining direct and miked signals, acoustic guitar and vocal mics, drum kit tom-tom mics, or multiple split-guitar amps, audio signals phase can be quickly and easily controlled with the Little Labs IBP Junior Analog Phase Alignment Tool. IBP functional Description: Phase adjust bypass does just that, bypassing all phase adjust circuitry. Phase invert is a simple polarity reversal as you would find on a mixing console out is 0 degrees, in is 180 degrees. Phase adjust 90 degrees /180 degrees selects between two stages (button out) or one stage of phase adjust. This allows a more extreme phase adjustment with a full swing of as much as 180 degrees or a less extreme 90 degrees of phase adjustment. Phase center lo/hi selects between a higher bandwidth phase adjust (button out) and a primarily lower frequency phase adjust (button in). This and the phase adjust button create the phase curve. It is important to note phase is frequency dependent and is different than time. For example depending on the two sources you are combining, and whether one source is direct and one is miked- between room reflections distance from the cabinet etc. determines what the curve would need to be. (e.g. you need to get the G note in phase as well the A note). Phase adjust knob determines the degree of phase adjust. The xlr balanced input is designed for balanced line level sources, the xlr output is impedance balanced and should feed line level pin 2 hot balanced or single ended line level inputs with pin 1 earth and pin 2 hot. » En savoir plus Collaboration commerciale.

Original Moog Gig Bag for your Sub 37, Subsequent 37 or Little Phatty in excellent condition - very lightly used, super clean. Never toured or gigged, used only for transport between studios. ~~~~~~~~~~~~~~~~~~ Housse de transport Moog d'origine pour votre Sub 37, Subsequent 37 ou Little Phatty en excellent état - très peu utilisée, super propre. Jamais utilisé en tournée ni pour les gigs, ça servit uniquement pour le transport entre les studios. ~~~~~~~~~~~~~~~~~~ Original Moog Gig Bag für Ihren Sub 37, Subsequent 37 oder Little Phatty in ausgezeichnetem Zustand – sehr wenig benutzt, super sauber. Nie auf Tour oder bei Gigs, nur für den Transport zwischen Studios verwendet. En savoir plus Collaboration commerciale.

Accessoires DJ Sono & Matériel de studio Code EAN: 5060348660972 En-tête / Fabricant: DeckSaver Type de Produit: Accessoires DJ Titre: Decksaver Moog Sub 37 et Little Phatty capot de protection

maestro stage phaser - mythic vintage phaser from the 70s. État : Occasion Service de livraison : Colissimo Recommandé   I’m selling this mythical phaser pedal, designed by Bob Moog himself !  I don’t know the exact production year but I’d say it is from the second half of the 70s A truly beautiful analog phaser, often considered as the best ever been produced. It is used and not in a perfect cosmetic shape as you can see on the pictures but it sounds very very good. I'm selling it with regrets but I have to get funds to buy a new amp A non fuctioning LED has been replaced as well as the speed potentiometer who didn’t work well. Of course, the new potentiometer has been carefuly selected in order not to affect anything on the sound of the pedal.  The back panel to put the battery in is missing and has been replaced.  the pedal is powered with an adaptor only (sold with the pedal)

Little jewel, one of the greatest headphones amplifiers ever, extremely rare on sale, in perfect working condition and aesthetics, almost like new. Trully impressive, addicting sound. Higly regarded by audiophiles, a true reference and a collectible item. Would loved to keep this one, I'm selling it reluctantly... Comes with original box and accessories, well packaged. Would consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. b'"' In terms of the criteria that I listen for in any amp, transparency, noise, dynamics and the ability to get me out of my head and into the music, Prime is well, prime. All in all, a seemingly impressive effort that covers all the bases.b'"' From Neil Gader's review in The Absolute Sound head-fi.org/threads/meridian-prime-headphone-amplifier-review.691392/ Headfonia: MERIDIAN PRIME - ENGLISH EXCELLENCE b'"'Does The Prime Live Up To The Meridian Name? First I tried the Prime as an Amp/Dac combo (with PSU) and I immediately loved the sound from this demo unit: Enormous Clarity, great detail retrieval from bass to treble, top precision and dynamic sound. All presented with just the right amount of air between the instruments. Musical and detailed sound with a superb flow. The Prime sounds fast and is neutrally tuned but the best solid state kind there is. Maybe it is just slightly forward sounding, but not that much. Bass is tight, goes deep, is well layered and has a lot of detail but doesn’t have the big body of say the Beyerdynamic A20 amplifier (but it has far better quality). The Prime is a linear tuned unit and I find the bass to be perfect (and that’s an understatement) with the Audeze and Hifiman headphones but more on those later. The Prime’s mids are slightly more forward sounding, especially the vocals, but they are not bright. Don’t get me wrong on that because they sound incredibly good: perfect separation, great timbre, heaps of detail but never over-analytical and always musical and dynamic. Treble is extended and detailed but never harsh sounding. I do like my treble and the Prime does a splendid job for my taste. Treble is on the same level as the mids and bass: clarity, detail and sparkle. The Prime’s sound stage is wide and deep with a perfect balance and 3-dimensionality. I fell in love with the Prime’s sound as a DAC/Amp unit. For me this is top audiophile sound.b'"' The Prime can also be used as a DAC and Pre Amp in combination with a power amp, headphone amp or active speakers. There is no disappointment here, the Meridian DAC delivers a stunning performance in combination with my desktop sized solid state and tube amps. I love a clear, detailed and neutral DAC with a huge sound stage. Who wouldn’t? Well this is one of those DACs I could live happily ever after with. It ads nothing to the sound, in a good way that is, and using it as a pre amp boosts the performance of your amplifier. headfonia.com/meridian-prime-english-excellence/ The Prime is a top-class headphone amplifier and a surprisingly talented stereo preamp. Meridian is a master at signal processing, so it’s no surprise to find ‘Analogue Spatial Processing’ on board the Prime. It’s a function designed to counteract the fact that stereo recordings are designed to be played over speakers, not headphones. ASP blends the left and right channels to varying degrees – there are three options – to try to create a more natural presentation. These features can often compromise clarity and focus to improve sound staging, but ASP sounds pretty convincing. The Prime also works well as a dedicated stereo preamp. It’s certainly right up there with some of the best preamps we’ve heard at around the £1000 mark. En savoir plus

Apogee Electronics Groove DAC Headphone Amplifier Barely used, works exceptionally well with Android, Windows and iOS. Like new, comes with original box and accessories. Probably one of the best dongles up to 400 euros. y o u t u b e. c o m / w a t c h ? v = 0 W _ Z j D z 9 h 7 I b'&' t = 3 0 4 s This little dongle-like device is simply stellar in its simplicity and the sound it produces, pure, powerful golden tone. Used with my Hifiman Sundaras, it has plenty of output power, making them LOUD at about 50-60% to give you an idea of ​​the output this little beast can put into headphones. The sound is exceptionally clean with just the right amount of warmth, open space, no harshness from the 8 Sabre based DAC chips, the way it is implemented and also, most importantly, the proprietary patented b'"'Current Driveb'"' technology used by Apogee in the amplification stage. This goes a long way to explaining how this can drive 90% of headphones... with ease. Comparisons with all my previously owned DAC amps like Dragonfly Red, Cobalt, Topping DX 3 Pro, Fiio K5, K7, Ifi Zen Can V2, Cayin RU6, THX Onyx, Ifi Nano ISD Black Label add up to the Meridian Explorer outshining them all. Excellent and very detailed review: h t t p s: / / w w w. s t e r e o p h i l e. c o m / c o n t e n t / a p o g e e - e l e c t r o n i c s - g r o o v e - d a - h e a d p h o n e - a p l i f i e r Would consider posting it internationally but please, ask for a quote before as the postage differs from country to country and the amount in the description is for European Union only, thanks. Arcam / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi / monitor audio / klipsch / ifi / AudioQuest / Astell b'&' Kern / iBasso / Hidizs / Fiio / Shanling / beyerdynamic / meze / hifiman / audio technica / akg / bel canto / violectric / lehmann / parasound / benchmark / auralic / burson / aune / Arcam, Benchmark, Einstein, Pass, Mark Levinson, ifi, Eversolo, Fidelice, Mytek, Hegel, Nuprime, Auralic, Rupert Neve, Chord, Naim, PS Audio, Parasound, Sparkos, Atoll, Nad, Sugden, Exposure, Krell, Leak, Advance, Cayin, Luxman, Yamaha, Cambridge, Quad, Cyrus, quad / cambridge audio / Cayin / beyerdynamic / meze / hifiman / audio technica / akg / bel canto / violectric / lehmann / parasound / benchmark / auralic / burson / aune / feliks / vincent / little dot / prima luna / pathos / willsenton / reisong / woo / fezz / pier audio / jadis / sennheiser / schiit / topping / luxman / ZMF, sparkos, geshelli, musical paradise, fosi, KEF, Linn, gato, m2tech, sony, Dragonfly Red, Cobalt, Topping DX 3 Pro, Fiio K5, K7, Ifi Zen Can V2, Cayin RU6, THX Onyx, Ifi Nano ISD Black Label, Chord, apogee, Beyerdynamic / AKG / Hifiman / Audio-Technica / Sony / Meze, Grado, Focal, Bose, Bowers Wilkins, Audeze, ZMF, Sennheiser moondrop, thieaudio, kiwi ears, hidition, elysian, shure, ibasso, campfire, softears, libratone, 64 audio, tin hifi En savoir plus Collaboration commerciale.

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con

Micro Mikrofon Microphone Grundig Gdm 121 Sennheiser Vintage. État : Occasion, en parfait état cosmétique (voir photos) et fonctionne. Testé.  Dans son box d'origine, avec son pied. Tested and fully functional condition.  See pictures for the cosmetics.  Wonderful vintage microphone, comes in its original packaging with foot. International bidders welcome, please ask for a precise shipping quote to your location of choice. Grundig GDM-121 Dynamic Microphone late 50's made in West Germany with box in excellent condition and full working order. Jack is replaced with 3 XLR plug. Quoted from Trashblitz website; Grundig GDM-121 Behold one of the foundational pillars of: The Grundig GDM-121, 1950s German vintage gold deluxe, and in all its glory quite probably responsible for this website. It is to this day the only gold coloured microphone we own, and it has such a cute little metal table stand with the Grundig four-leaf clover on it! And, more importantly, it was one of the first “vintage” microphones we acquired that did not simply sound old, funny or broken, and it piqued our interest in a very special way: It sounded fantastic, but there was buzz and hum and all sorts of unpleasant background noises mixed into the signal – and here my quest to  began. I found out that the GDM-121 is a high-impedance version of the Sennheiser MD21, a dynamic omnidirectional reporter microphone which is still being manufactured with only minor design updates, more than 60 years after its release in 1953. In terms of usefulness, this means that it is 100% functionally equal to the MD21, which was used as a reporter mic and in broadcasting. It has many advantages for these purposes – almost no handling noise, no proximity effect, incredibly sturdy (there was supposedly a show on the Sennheiser stage on some fair in the 1950s where an MD21 was dragged up and down a flight of stairs for hours, and it was still operational after this treatment). Since it was developed for vocal applications mainly, it has a presence boost above 3kHz and can withstand really high SPL. Much like with its cardioid sibling, the MD421, it’s virtually impossible to get a distorted signal out of this mic. In the studio, it can be used as a soft, jazzy kick drum mic, on guitar cabinets and on many instruments where you want to capture a mellow and natural ambient sound without very detailed transients or highs. This is because it is a large-diaphraghm dynamic omni, and as such probably unique in its properties even in most serious studio microphone collections.

I'm selling my DIGITECH XBS Bass Squeeze Dual Band Compressor (Bass Pedal effect). The pedal is in very good condition (bought in 2007 and used with caution at home only - No studio nor stage). The pedal will come with its original box and its user's manual. The pedal is discontinued by Digitech, so it starts to be rare. Dimensions:        Long   : 12.5 cm       Large  : 7 cm       Height : 5.2 cm       Weight: 630 g Check on YouTube some demo... The pedal is really located in France (Montpellier) not in Japan nor China. So if you're European, it will take not a long time to reach your position ! Don't hesitate to make a "correct" offer in case of... On my little shop: I've got 2 others digitech pedals too TAG: digitech, dod, maxon, fender, boss, roland, korg, mxr, dunlop, ibanez, electro harmonix, ehx, strymon, t-rex, zvex, tc electronic, tc helicon, behringer, zoom, xotic, line 6, vox, morley, huge, mooer, joyo, danelectro, ebs, blackbird, source audio, mu-tron, meris, ketron, colorsound, 3leaf, amdek, source audio, aguilar, wampler, wah, wha, pedal, pedal effect, stompbox, stomp box, pédale d'effet, pedalboard, synth, keyboard, bass, basse, guitar, guitare, effetto chitarra, multi effect, cort, sandberg, yamaha, epiphone, akai, victory, empress, DIY, rolling, albit, peavy, earthquaker, jackson, jam, music, instrument, octave, octaver, overdrive, distortion, fuzz, tremolo, vibrato, chorus, flanger, phaser, compressor, compression, sustain, sustainer, wah-wah, wha-wha, noise, suppressor, booster, looper

de tres bonne facture  comme neuf                Argus 113,33 €  MES ARTICLE SONT STOCKEE DANS UNE PIECE PROPRE ET CHAUFFE    PHOTO A L APPUI Multimix 12R TABLE MIXAGE. État : "Occasion" NIKEL       COULEUR    BLEU  Très peu servis et toujours racké.      Console Multimix 12R dans un état proche du neuf, entièrement fonctionnelle,   protege danspiece chauffee photo a  l appui  Matériel de qualité, fiable, tout métal et d'une belle finition. Envoi en Colissimo  Paiement par paypal  Alesis 1800737 Table de mixage 12 canaux Multimix 12R  RACK19 DE tres bonne facture  comme neuf  voir mes evaluations    SPÉCIFICATIONS PRODUIT Mixer 12 canaux rackable au format 3U 8 entrées micro XLR avec alimentation fantôme, et gain ajustable, Insert sur chaque entrée micro, L'introduction d'un jack jusqu'au premier "click" de l'insert permet d'obtenir un direct out par tranche sans coupure audio, Egalisation 2 bandes, 2 départs auxiliaires jacks 6,35 mm symétriques, 2 entrées ligne stéréo, jack 6,35 mm symétrique, 2 retours stéréo jacks 6,35 mm symétriques, Entrée "tape" RCA Sortie casque en face avant, Sortie générale jack 6,35 mm symétrique et RCA, Faders linéaires 60 mm par tranche, Dimensions: l34 x 483 x 108 mm, Poids 3,6 kg. https://www.guitariste.com/achat/alesis,multimix,12r-rack,17903.html Alesis est à l'origine un constructeur d'instruments électroniques basé à Cumberland, Rhode Island qui s'est diversifié ensuite dans l'équipement audio. Créée en 1980, la marque est la première a avoir vendu un processeur d'effets 16 bit numérique à moins de 1000$, le Midiverb. En 1991, Alesis introduit l'enregistreur ADAT. Depuis 2001, la marque appartient à Jack O'Donnell. Consoles analogiques Qu'il s'agisse d'une mixette de home studiste ou d'une grosse console vintage professionnelle, les tables de mixage analogiques sont beaucoup plus courantes que leurs homologues numériques et sont encore les plus utilisées sur scène comme en studio. Leurs avantages ? Une entrée de gamme très abordable et un haut de gamme au son inégalable. very good quality like newArgus € 113.33 MY ITEMS ARE STORED IN A CLEAN ROOM AND HEATED PHOTO ON THE SUPPORTMultimix 12R MIXING TABLE. Condition: "Used" NIKEL COULEUR BLEUVery little used and always racked. Multimix 12R console in near new condition, fully functional, protected in heated room photo support Quality material, reliable, all metal and a beautiful finish.Sending by ColissimoPayment by paypalAlesis 1800737 Multimix 12R RACK19 12-channel mixerVery good quality like new see my evaluations PRODUCT SPECIFICATIONS12-channel rack-mountable mixer in 3U format8 XLR microphone inputs with phantom power, and adjustable gain,Insert on each microphone input,The introduction of a jack until the first "click" of the insert makes it possible to obtain a direct out per section without audio cutting,2-band equalization,2 auxiliary sends, balanced 6.35 mm jacks,2 stereo line inputs, balanced 6.35 mm jack,2 balanced stereo 6.35 mm jacks,RCA "tape" inputHeadphone output on the front panel,General output jack 6.35 mm balanced and RCA,Linear faders 60 mm per slice,Dimensions: l34 x 483 x 108 mm,Weight 3.6 kg.https://www.guitariste.com/achat/alesis,multimix,12r-rack,17903.htmlAlesis was originally an electronic instrument builder based in Cumberland, Rhode Island which then branched out into audio equipment. Founded in 1980, the brand was the first to sell a 16-bit digital effects processor for less than $ 1000, the Midiverb. In 1991, Alesis introduced the ADAT recorder. Since 2001, the brand has been owned by Jack O'Donnell.Analog consolesWhether it is a home studio mixer or a large professional vintage console, analog mixers are much more common than their digital counterparts and are still the most used on stage and in the studio. Their advantages? A very affordable entry le

denafrips athena fully balanced preamp. For sale, A superb Athena preamplifier, from, the top of their preamplifier range. First hand from 2023, original packaging, remote control, and invoices available. €1800, make an offer ! Built like a tank, weighing 18kg, fully balanced, volume control with resistance scale, dual separate power supplies in a dedicated compartment, impressive capacitor bank for filtering, Class A operation, discrete components... This preamplifier is a true monster, completely oversized considering the asking price! Selling only because I'm switching to a phono preamplifier with volume control and line input, simplifying my system in this way. Very transparent, yet without sacrificing substance, ultra quiet, it will take center stage in your system. 4 balanced XLR inputs, one single-ended RCA input, 2 XLR outputs, one RCA output, the connectivity is extremely comprehensive. The provided remote control also worked to control my Cambridge CD player. Volume operation is relay-controlled, so it gives satisfying little clicks with each change of source or volume. An excellent preamplifier that demonstrates quality can be achieved at a reasonable price. sending in orignal packaging for sending outside france, please ask for a quote first ! En savoir plus

Beyerdynamic T90: High-end cans with remarkably accurate sound. Extremely wonderful sounding headphone, in perfect working condition, very little used as I prioritised my other headphones. Was protected with a plastic foil at the beginning, no smoking environement. Comes with original box and all the accessories. Could consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. kenrockwell.com/audio/beyer/t90.htm b'"'The Beyer T90 are superb headphones, especially if you want detailed, open, uncolored sound with tight, natural bass. If the T90 are too expensive, get them anyway! Unlike consumer electronics like a flat-screen TV or digital camera that you'll want to throw away in 5 years or less, invest your money in headphones or speakers and you'll still be enjoying them decades from now. I still use my original set of Beyer DT990s that I bought in 1986. They seemed expensive then, but the price has long been forgotten while their quality is remembered every day. Headphones don't wear out or age. So long as you don't abuse them too much, they ought to outlive you. Never get cheap with headphones or speakers; they don't become obsolete as do electronics; these are completely passive transducers.The T90 overall has a very good detail retrieval, maybe not at the same level of the Sennheiser HD800 but one of the best I’ve heard so far. Left-right balance and 3-dimensionality are simply incredible, just like the huge sound stage. The presentation in general is rather airy and there is a lot of space between the instruments. The T90 is a tight sounding headphone that’s not coloring the sound, well maybe just very slightly but you get a very clear and realistic presentation no matter what genre you’re listening to. The T90’s bass is very tight and has reasonable impact/body. Bass detail and layering are very good and bass goes really deep. T90 is strong with everything, I really mean that the T90 is strong with all musical genres, I’ve even spent quite a lot of time with it watching movies and I couldn’t find a genre that doesn’t match with this headphone.b'"' Steve Guttenberg, cnet.com/reviews/beyerdynamic-t90-review/ Conclusion: The Beyerdynamic T90 is expensive, but for well-heeled audiophiles the price will seem reasonable. I know of no other less-expensive headphone that can match the T-90's combination of comfort, sound, and build quality. Perhaps the biggest downside to the T90 is that it's not well-suited to portable use, but few full-size, audiophile-oriented headphones are. The T90 is best savored at home, plugged into a high-quality headphone amplifier or AV receiver. Construction: Open back design Chrome-plated metal shells with metal air vent on the rear of the transducer Speakers angled to the natural angle of the ear Microfiber pads Aluminum structure Headband covered in microfiber fabric Transducer Transducer diameter: 50 mm Very powerful neodymium magnet Tesla Technology Measures Frequency response: 5 - 40,000 Hz Impedance: 250 ohms Nominal sound pressure level (SPL): 102 dB (1 mW / 500 Hz) Maximum sound pressure level (SPL): 125 dB (200 mW / 500 Hz) Total harmonic distortion (THD): 0.05% (1 mW / 500 Hz) Maximum input power: 200mW Headband pressure: 2.8 N Connections Single-sided OFC cable (3 m) Gold-plated 3.5mm mini-jack jack connector Adapter to 6.3 mm gold-plated jack supplied General Weight: 0.350 kg Break-in: 50 hours minimum Accessories 3.5 mm mini-jack to 6.3 mm jack adapter Storage case Arcam / quad / cambridge audio / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi / monitor audio / klipsch / ifi / AudioQuest / Astell b'&' Kern / iBasso / Hidizs / Fiio / Shanling / Cayin / Beyerdynamic / AKG / Hifiman / Audio-Technica / Sony / Meze, Grado, Focal, Bose, Bowers Wilkins, Audeze, ZMF, Sennheiser En savoir plus