Motu digital performer

Logiciels Sono & Matériel de studio Code EAN: 0839128006133 En-tête / Fabricant: MOTU Type de Produit: Logiciels Origine_import: hightech_minimaliste Titre: Motu Digital Performer 10

Accessoires Audio Vidéo Code EAN: 4897022374723 Titre: ICON - QCON PRO X PANEL DIGITAL PERFORMER Origine_import: hightech_minimaliste Tranche de poids: 100 à 250 g

Vendo porque no es compatible con IOS. 4 entradas y 6 salidas Entrada XLR con alimentación phantom Entrada Hi-Z para guitarras Salidas TRS, Minijack y S/PDIF Soporte para grabación y reproducción a 88.2 y 96 KHz Control digital de las entradas analógicas y de todas las salidas Controles físicos para las diversas señales de audio Medidores LED -de 3 y 4 segmentos- para las entradas y las salidas Procesado DSP -EQ paramétrico de 7 bandas y compresor- integrado Generador de tono y ruido -blanco y rosa- Herramientas de análisis avanzadas CueMix Incluye el software AudioDesk Es compatible con PC y Mac

Pristine state, almost like new (look at the photos), all faders working smoothly. With Mackie power supply. Perfect support under Protools, also compatible with Cubase/Nuendo, StudioOne, Apple Logic Pro, MOTU Digital Performer, SSL Soundscape, Magix Samplitude / Sequoia, Propeller Reason, Mackie Traktion, Sony Acid Pro, Vegas Pro, Adobe Audition, Ableton Live et Cakewalk Sonar. Contact me if you want a link to a video showing all the faders moving (does not allow links).

Mackie Control MCU surface de controle.  Surface de contrôle MCU Mackie control Universal. Tous les skins d’origine dont Cubase digital performer pro tools etc. Alimentation Mackie d’origine. Notice. Utilisee jusqu’à la semaine dernière sans problème avec digital performer sur un MacBook pro avec l’interface midi USB midi sport UNO (je peux vous la céder pour 20 € en sus, elle est quasi neuve). je peux l’expédier par mondial relay.

M-Audio Projet Mix I/O - Sensitve Motorized Faders Audio Interface Firewire Fully working state. Coming in its original box. => Offered: 1x CD-ROM PROTOOLS M-POWERED 7 + 1 Dinkey Dongle => Original packaging contains:  - 1x Mac Firewire cable - 1x PC Firewire cable - 1x power supply - 1 x driver CD-ROM - User Guides OVERVIEW: M-Audio ProjectMix I/O is a control surface combined with a FireWire 18x14 audio interface that turns your computer into a complete digital production station. Features include 9 touch-sensitive motorized moving faders and 8 assignable endless rotary encoder knobs for channel or plug-in functions. I/Os include: 8 switchable phantom-powered analog mic/line inputs (XLR and 1/4" TRS balanced) with switchable phantom power and signal/peak LEDs; 8x8 ADAT Lightpipe; MIDI with activity LEDs; 2x2 S/PDIF coaxial optical/digital; 4 analog outputs (1/4" TRS balanced); 2 stereo headphone outputs (1/4" TRS) with independent level controls; and one front-panel instrument input (1/4" TS) switchable for input one. Each channel on this M-Audio Controller features mic/line, record enable, select, solo, and mute buttons. Channels and banks are selected via ± keys. A zoom key is included, with 4 directional keys, as well as dedicated keys for in/out points, locate, region nudge, and more.  Illuminated transport controls and a jog/shuttle wheel with a mode switch allow effortless navigation. The M-Audio ProjectMix control surface includes dedicated keys for in/out points, locate, region nudge, loop, and more. LED displays clearly display each channel's status. Word clock I/O (BNC) is supported. Compatible with Mackie Control, Logic Control, and HUI protocols plus support for most other popular applications.  SPECIFICATIONS: Connection FireWire Faders 8 x Touch-sensitive motorized channel faders 1 x Touch-sensitive motorized master fader Transport Controls Yes (illuminated) Jog/Shuttle Yes Rotary Controls 8 x Assignable rotary encoders Numeric Keypad No Display LCD for channel or plug-in functions Function LED display for each channel Softwares Supported but not provided: - Pro Tools M-Powered 7 or greater - Ableton Live 5 (version 5.02 or greater) - Logic (version 7.1.1 or greater) - Cubase (version 3.1 or greater) - Digital Performer (version 4.6 or greater) - SONAR (version 4.02 or greater)  System Requirements Mac (but not provided): G3 800MHz or G4 733MHz higher (may be higher for laptops)- G3/G4 accelerator cards not supported OS X 10.3.9 / 10.4.2 512MB RAM Available FireWire port or FireWire expansion card PC (but not provided): Pentium III 800MHz or higher (may be higher for laptops) Windows XP (SP2) DirectX 9.0c or higher 512 MB RAM Available FireWire port or FireWire expansion card Dimensions (WxDxH) 46 x 51 x 10 cm Weight approx. 12.5 kg Specialties Built-in 18 x 14 FireWire audio interface - no additional hardware required Will be sent well packed. Shipping to France: 28,55€ € Shipping to Europe and UK: 61,50 € Shipping to International: Please ask before bidding Accepted payment: Please only, PayPal

Selling a brand new, genuine iZotope Ozone Elements 9 plug-in license serial code the latest version This is electronic delivery means no any physical shipments are sent. You are guaranteed genuine registered products direct at the manufacturer's website (iZotope.com). Ozone Elements delivers essential mastering tools in one affordable package. Balance your audio in stereo with an improved Imager, featuring a new “Stereoize” mode that can bring transparent width and depth to narrow mixes. Quickly create a custom preset with Master Assistant, which listens to your audio and makes suggestions for loudness and tone. Work faster with improved plug-in performance, smoother metering, and resizable windows that let you see more of your sound without taking up your CPU. System Requirements Ozone Elements runs as a plug-in within your audio or video editing software. Ozone Elements is not a standalone application.  Operating System Requirements Windows 7 SP1 or later Mac: OS X 10.9 or later Plug-in Formats Mac/PC AAX Native, AudioSuite, RTAS, VST2, VST3, Audio Units and NKS Plug-in Host Compatibility FL Studio, Pro Tools 10 or later, Logic Pro X, Ableton Live, Cubase, Studio One, Digital Performer, SONAR, REAPER, and many more.

UAD 2 Satellite Quad Firewire. External Firewire 800 and 400 DSP accelerator unit, compatible with select Intel-based iMacs, MacBook Pros and Mac minis Includes "Analog Classics" plug-in bundle, featuring LA-2A Classic Audio Leveler, 1176LN / 1176SE Classic Limiting Amplifiers, Pultec EQP-1A and Realverb Pro plug-ins. High-bandwidth Firewire DSP Accelerator with four Analog Devices SHARC processors Bundled with the LA-2A and 1176LN Compressor/Limiters, and the Pultec EQP-1A EQ plug-ins, the UAD-2 Satellite QUAD provides rich, vintage sound quality right out of the box. Of course, the UAD-2 Satellite also provides easy Firewire access to the complete UAD Powered Plug-Ins library, including titles from Studer, SSL, Manley, Empirical Labs, Neve, Roland, BOSS, EMT, Fairchild, Harrison, Helios, Little Labs, Lexicon, Pultec, SPL and more (sold separately). Compatible with select iMac and MacBook Pros, with support for VST, Audio Units and RTAS, the UAD-2 Satellite QUAD features wide compatibility. Whether you use Pro Tools, Cubase, Nuendo, Logic Pro, Digital Performer and more, UAD-2 plug-ins can inject the character and quality of classic hardware into your mixes. Just install the software, connect the unit to an available Firewire 800 or 400 port, power up and start mixing. Developed by the industry's premier engineering team, and backed by frequent new software and plug-in releases, the UAD-2 is the processing platform of choice for many of the world's top musicians, producers and engineers.

La FireBox est la plus puissante interface d'enregistrement FireWire 24 bits / 96 kHz tenir dans la paume de la main. La FireBox est un studio d'enregistrement personnel complet quip de deux pramplificateurs micro/instrument PreSonus de haute qualit. L'interface est fournie avec le logiciel d'enregistrement Steinberg Cubase LE 48 pistes. La FireBox vous offre une solution matrielle/logicielle parfaite pour crer un studio compact et puissant de qualit professionnelle. Rsolution 24 bits Frquence d'chantillonnage max 96 kHz Pramplis 2 pramplificateurs micro/instrument PreSonus E/S analogiques 2 entres, 6 sorties E/S SPDIF 1 E/S MIDI 1 Mixeur DSP zro latence Aliment par bus FireWire ou par transformateur externe Sortie casque indpendante Hardware Par rapport sa taille, la FireBox est l'interface offrir le plus grand nombre de pistes en lecture et en enregistrement, avec la possibilit d'enregistrer simultanment six entres et de lire simultanment 8 sorties et un mix spcifique sur la sortie casque (1/2,3/4,5/6,Spdif ou videmment le mix complet), le tout avec la qualit professionnelle offerte par le format 24 bits/96 kHz. La face avant regroupe deux pramplificateurs micro/instrument ultra faible bruit haute rserve dynamique avec alimentation fantme 48 V. La disposition en face avant permet la connexion simple et rapide de vos micros et instruments. La FireBox est galement quipe d'une sortie casque stro avec rglage de volume en face avant. La sortie casque est indpendante des autres sorties, ce qui permet d'envoyer un mix casque au musicien diffrent du mix monitor. Sur la face arrire, la FireBox est quipe de 2 entres et de 6 sorties ligne symtriques en jacks stro (format jack 6.35mm). Vous disposez galement de 2 canaux d'E/S S/PDIF et d'une E/S MIDI (via cble adaptateur DB 9). Mlangeur DSP Le Firebox dispose d'un mlangeur DSP latence zro vous permettant de mlanger les six entres avec tle playback du logiciel audio, qui dirige ensuite ce mixage vers l'une de ses sorties, et qui assigne ce mixage ou une sortie logicielle l'amplificateur casque. Cette fonction limine l'coute par l'ordinateur et permet de raliser un mixage d'coute spcifique pour le musicien. Cela permet galement l'coute et le reprage pour les DJ et les concerts Live: la sortie casque peut transmettre un signal totalement diffrent de celui des sorties principales MAIN. Boîtier Le boîtier mtal de la FireBox est au format Rack 1/3U. Il a t conu pour utiliser le systme de montage en Rack MAXRACK de PreSonus, ce qui vous permet d'installer l'interface en rack avec 2 autres appareils comme les TubePRE, COMP16, EQ3B et HP4 et ainsi obtenir un systme puissant et compact d'enregistrement sur ordinateur. Compatibilit L'interface FIREBOX est compatible Windows XP et Macintosh. Elle est fournie prte pour l'enregistrement avec le logiciel Studio One Artist, compatible 24 bits/96 kHz. Elle est galement compatible avec les logiciels d'enregistrement les plus clbres compatibles ASIO/WDM et Core Audio, dont Logic, Sonar, Audition, Digital Performer, etc. Prsentation © SonoVente.com:https://www.sonovente.com/presonus-firebox-p15653.html En savoir plus Collaboration commerciale.

Event EZbus MIXER 8 Channel USB Audio Interface/ Stand Alone-Digital Mixer Board MIXER DIGITAL STUDIO EVENT EZBUS  TRES BON ETAT GENERAL  VENDU SANS NOTICE Product Description As a stand-alone Digital Mixer, it provides 8 main input channels (four of which provide 3 inputs each), plus a USB port, 2 S/PDIF coaxial Inputs, one output, and S/PDIF/ADAT-format optical I/O. Main input channels provide dynamics processing and 4-band EQ. Any input (analog OR digital) may be routed to ANY mixing channel (the same applies to the 4 returns) and you can even mix signals with different sample rates - up to 96K! Other I/Os include dual MIDI I/Os, Word Clock Out, and 2 Sends plus 2 Aux Outs, making it an ideal Hard Disk Recording Interface.  One button push is all it takes to instantly transform EZbus into a customizable Control Surface with support for major software programs. You could see a product like this on the horizon but it took the ingenious minds of Event Electronics to actually deliver. The EZbus mix engine architecture provides 8 primary channels, each of which offers EQ and dynamics processing. The 8 channels can be fed from any hardware input, analog or digital. A channel's signal can be routed to multiple destinations, including the Main Mix bus, the Alt Mix bus, and any or all of the 4 Sends; these, in turn, can be routed to a variety of hardware outputs. The EZbus also has 4 Return busses, which can function as additional input channels. This provides you with a total of 12 input channels, 8 of which support EQ and dynamics processing. In a typical computer-based recording environment, many of the audio sources (keyboards, sound modules, drum machines, effects devices, and the like) require little or no processing "after the fact;" that is, they don't necessarily need to have their tone, volume, or pan positions controlled at the mixer level. Rather, these functions can be performed by the device itself via internal settings or in response to MIDI commands. In that scenario, all that's required of the mixer is that it provide a means for the audio from the device to be brought into the main mix. The EZbus was designed to accommodate a large number of audio sources, not all of which would necessarily need to have their individual tone, volume, and pan positions controlled at the mixer level. On EZbus analog inputs 5, 6, 7, and 8, three input jacks (labeled A, B, and C) are provided for each input. The 3 jacks in each channel are summed (and electronically buffered), allowing you to connect up to 3 audio sources to a single input. You could, for example, bring the signals from 6 synthesizers into inputs 5A, 5B, 5C, 6A, 6B, and 6C. You could then bring the stereo returns from three outboard effects devices, for example, into inputs 7A and 8A for effect #1, 7B and 8B for effect #2, and 7C and 8C for effect #3. Altogether, that's 12 audio signals brought into the EZbus using only 4 audio channels. Through the analog inputs, you can bring 16 signals into the EZbus; 4 additional signals from the digital inputs can be routed to the Mix bus or Alt bus via the 4 "virtual" returns. In this manner, you can bring a total of 20 signals into the EZbus. At a minimum, you can bring 8 signals into the EZbus, each of which can be independently processed with EQ and dynamics. These signals can be from either analog or digital sources. Let's presume you're a solo performer doing a nightclub gig. You would likely have an assortment of sound modules, possibly a keyboard, a drum machine, some effects devices, your vocal mic, and, versatile musician that you are, an acoustic or electro-acoustic guitar. Your vocal mic would plug into analog input #1. Your guitar would go into analog mic input #2 (or instrument input #3 if it's electro-acoustic) Your drum machine could go into analog inputs #3 and #4 (presuming you want to run in stereo). Let's say you have 3 MIDI sound modules and you also want to run the