Must believe

- Auteur : Bill Evans - Editeur : Warner Music France - Sortie : 01/01/1977 - Artistes similaires : Sonny Clark, George Shearing, Tommy Flanagan, Horace Silver, Lennie Tristano, Dave Brubeck, Paul Bley, Jim Hall, Brad Mehldau, Keith Jarrett, Paul Desmond, Nat King Cole Enregistré en trio en compagnie du bassiste Eddie Gomez et du batteur Eliot Zigmund, You Must Believe in Spring devra attendre la disparition de Bill Evans pour se voir révélé au monde. Là, le pianiste fait défiler sept thèmes courts, répertoire constituant le fil conducteur d'une vie jalonnée d'épreuves dont il semble ici dresser l'ombreux bilan: d'une « B Minor Waltz » qu'il dédie à Ellaine (sa première femme, qui ira trouver la mort peu après avoir appris l'inéluctabilité de leur séparation) à ce « We Will Meet Again » que le pianiste avait écrit pour son frère, qui mettra de la même manière fin à ses tourmentes, Evans réserve une ode intense à chacun de ses absents. En conclusion, la reprise de « Theme from M*A*S*H (Suicide is Painless) » finit d'installer le chef-d'oeuvre au creux des ténèbres malgré l'adjuration de son titre: « You Must Believe in Spring », dernier standard que Bill Evans fait sien au son d'un impressionnisme plus envoûtant ici que jamais.

CD Album CD Code EAN: 0075992350426 Rubrique principale CD: CD Album Titre: YOU MUST BELIEVE IN SPRING Genre musical: Jazz Classification CDMail: Jazz Classification Cd Primaire: Jazz

Musique - CD CD Album CD Distributeur: WEA Auteur: Bill Evans Editeur: Warner Music France Code EAN: 0081227371920 Rubrique principale CD: CD Album Genre musical: Jazz S. ADSVSTV. Merci de cliquer sur la publicité sous la photo.

CD Album CD Auteur: bill evans Editeur: WARNER MUSIC FRANCE Code EAN: 0075992350426 Classification Cd Primaire: Jazz Genre musical: Jazz Rubrique principale CD: CD Album Classification CDMail: Jazz Product_scoring_RIT: E

Titres: I Don't Care Anymore     5:00 I Cannot Believe It's True     5:14 Like China     5:05 Do You Know, Do You Care?     4:57 You Can't Hurry Love     2:50 It Don't Matter To Me     4:12 Thru These Walls     5:02 Don't Let Him Steal Your Heart Away     4:33 The West Side     4:59 Why Can't It Wait 'til Morning     3:01 envoi rapide et soigné

Crystal Gayle ‎– We Must Believe In Magic   Titre phare: Don'it make my brown eyes blue Etat du disque: EX excellent (dans les années 80 j'avais pour habitude d'enregistrer et écouter mes disques sur cassettes). Etat de la pochette: VG + très bon, coins légèrement marqués, initiales manuscrites HB au verso Emballage soigné, carton épais. Foreign countries: ask me for shipping price

21lp 26 JOAN BAEZ, JOAN ARMATRADING, CRYSTAL GAYLE, SHIRLEY BASSEY,...  16 albums SHIRLEY BASSEY 1) -"Love Story"- gatefold: tb+  -- Lp: tb+ 2) -"Something"- pochette: tb++  -- Lp: tb+ 3) -"Golden Record"- gatefold: tb+ -- Lp: tb++ 4) -"Never,Never, Never"- gatefold: tb+  -- Lp: tb++ CRYSTAL GAYLE -"We Must Believe in Magic"- pochette: ex -- Lp: ex DESMOND CHILD & ROUGE -"Westside Pow Wow,..."- pochette: tb -- Lp: tb++ JOAN BAEZ 1) -'Silver Dagger,..."- pochette: tb+  -- Lp: tb+ 2) -" House of The Rising Sun"- pochette: tb+  -- Lp: ex 3) -" 5 "- pochette: tb -- Lp: tb+  4) -" One Day at a Time"- gatefold: tb -- Lp: tb+ 5) -"Profiles"- pochette: tb -- Lp: tb++ KARLA BONHOF -"Restless Night" - pochette: tb+  -- Lp: ex JOAN ARMATRADING 1) -"To The Limit"- pochette: tb+ -- Lp: ex 2 -" The Key "-  pochette: tb --- Lp: tb++ 3) -" The Amazing..."- pochette: tb --- Lp: tb++ 4) -" Me, Myself, I "- pochette: tb+ -- Lp: tb++ Vinyl (état) appréciations le plus  fréquemment utilisées / MINT brand new condition, no surface mark, sound quality perfect état neuf NEAR MINT appear new but is known to have been played (light mark) apparence neuf mais il a été déjà utilisé (très légère trace..) EXCELLENT the record shows some signs of having been played. The cover and the packaging might have slignt wear excellent : le disque présente des légères traces d'utilisation, ainsi que la couverture... VERY GOOD ++ VERY GOOD + (TRES BON ETAT +) le disque présente quelques signes d'utilisation (stries, marques légères), ainsi que la pochette VERY GOOD the record has obviously been played many times but diplays no major deterioration ; light scratch, no major defects très bon le disque a été utilisé de nombreuses fois, mais ne présente pas de défaut important GOOD the recordhas been played so much that the quality sound has noticeably deteriorated. The cover suffer from folding, scuffing, spine splits, discoloration bon le disque à été tellement utilisé que la qualité du son est affecté (scratch..). La couverture peut être abîmée par des pliages, des éraflures, la bordure fendue, pochette décolorée..

Vinyle  33  Tours   Johnny Cash                               " The Adventures Of Johnny Cash"      ORIGINAL 1979   Made in  CBS 85881 Printed in holland   ETAT NEUF !!! Tracklist Georgia On A Fast Train2:36John's3:43Fair Weather Friends2:57Paradise3:12We Must Believe In Magic2:33Only Love3:21Good Old American Guest3:25I'll Cross Over Jordan Someday2:53Sing A Song2:56Ain't Gonna Hobo No More3:18 VOIR MES AUTRES VENTES Richard Anthony, Dolly Parton, Sylvie, Françoise Hardy Et d'autres prochainement......... Pour achat groupé attendre l'envoi de la facture groupée  Merci

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

PHIL COLLINS Take A Look At Me Now...  Coffret 8CD Box Édition Limitée Remasters. Légères traces de frottements sur la box. CD et leur pochette en excellent état. Face Value - 1-1 In The Air Tonight 5:36 - 1-2 This Must Be Love 3:56 - 1-3 Behind The Lines 3:55 - 1-4 The Roof Is Leaking 3:16 - 1-5 Droned 2:49 - 1-6 Hand In Hand 5:22 - 1-7 I Missed Again 3:46 - 1-8 You Know What I Mean 2:33 - 1-9 Thunder And Lightning 4:13 - 1-10 I'm Not Moving 2:35 - 1-11 If Leaving Me Is Easy 4:55 - 1-12 Tomorrow Never Knows 4:52 Hello, I Must Be Going! - 2-1 I Don't Care Anymore 5:05 - 2-2 I Cannot Believe It's True 5:16 - 2-3 Like China 5:08 - 2-4 Do You Know, Do You Care? 4:58 - 2-5 You Can't Hurry Love 2:55 - 2-6 It Don't Matter To Me 4:17 - 2-7 Thru These Walls 5:05 - 2-8 Don't Let Him Steal Your Heart Away 4:44 - 2-9 The West Side 5:02 - 2-10 Why Can't It Wait 'til Morning 3:11 No Jacket Required - 3-1 Sussudio 4:24 - 3-2 Only You Know And I Know 4:21 - 3-3 Long Long Way To Go 4:22 - 3-4 I Don't Wanna Know 4:15 - 3-5 One More Night 4:51 - 3-6 Don't Lose My Number 4:48 - 3-7 Who Said I Would 4:01 - 3-8 Doesn't Anybody Stay Together Anymore 4:18 - 3-9 Inside Out 5:15 - 3-10 Take Me Home 5:51 - 3-11 We Said Hello Goodbye 4:21...But Seriously - 4-1 Hang In Long Enough 4:45 - 4-2 That's Just The Way It Is 5:20 - 4-3 Do You Remember? 4:36 - 4-4 Something Happened On The Way To Heaven 4:51 - 4-5 Colours 8:51 - 4-6 I Wish It Would Rain Down 5:27 - 4-7 Another Day In Paradise 5:22 - 4-8 Heat On The Street 3:51 - 4-9 All Of My Life 5:35 - 4-10 Saturday Night And Sunday Morning 1:25 - 4-11 Father To Son 3:27 - 4-12 Find A Way To My Heart 6:14 Both Sides - 5-1 Both Sides Of The Story 6:43 - 5-2 Can't Turn Back The Years 4:40 - 5-3 Everyday 5:43 - 5-4 I've Forgotten Everything 5:15 - 5-5 We're Sons Of Our Fathers 6:24 - 5-6 Can't Find My Way 5:09 - 5-7 Survivors 6:05 - 5-8 We Fly So Close 7:33 - 5-9 There's A Place For Us 6:52 - 5-10 We Wait And We Wonder 7:01 - 5-11 Please Come Out Tonight 5:49 Dance Into The Light - 6-1 Dance Into The Light 4:25 - 6-2 That's What You Said 4:20 - 6-3 Lorenzo 5:51 - 6-4 Just Another Story 6:24 - 6-5 Love Police 4:11 - 6-6 Wear My Hat 4:44 - 6-7 It's In Your Eyes 3:02 - 6-8 Oughta Know By Now 5:31 - 6-9 Take Me Down 3:22 - 6-10 The Same Moon 4:08 - 6-11 River So Wide 4:57 - 6-12 No Matter Who 4:40 - 6-13 The Times They Are A-Changin' 5:08 Testify - 7-1 Wake Up Call 5:15 - 7-2 Come With Me 4:34 - 7-3 Testify 6:31 - 7-4 Don't Get Me Started 4:41 - 7-5 Swing Low 5:08 - 7-6 It's Not Too Late 3:59 - 7-7 This Love This Heart 4:04 - 7-8 Driving Me Crazy 4:37 - 7-9 The Least You Can Do 4:21 - 7-10 Can't Stop Loving You 4:16 - 7-11 Thru My Eyes 5:07 - 7-12 You Touch My Heart 4:46 The Essential Going Back - 8-1 Going Back 4:38 - 8-2 Girl (Why You Wanna Make Me Blue) 2:32 - 8-3 (Love Is Like A) Heatwave 2:53 - 8-4 Some Of Your Lovin' 3:18 - 8-5 Going To A Go-Go 2:48 - 8-6 Papa Was A Rolling Stone 6:44 - 8-7 Loving You Is Sweeter Than Ever 2:47 - 8-8 Something About You 2:46 - 8-9 Talkin About My Baby 2:48 - 8-10 Do I Love You 2:50 - 8-11 Never Dreamed You'd Leave In Summer 3:00 - 8-12 Take Me In Your Arms (Rock Me For A Little While) 2:57 - 8-13 Too Many Fish In The Sea 2:30 - 8-14 Uptight (Everything's Alright) 3:03

- - Artist: Nikita MAGALOFF (piano), - Composers: Frederic CHOPIN - Title: Polonaise N°6, Nocturne N°5, Impromptu N°4, Etudes Op. 10 N° 5, 10 & 12, Etude Op. 25 N° 2, Ballade N°1, Valses N° 6,7 & 9, Scherzo N°2 Label: Philips "Grands Maîtres de la Musique" 6851 053 black label with silver letters Recording: 1975/1976/1977 Disc type: Vinyl 12" Pressing: France Sound: Stereo Number of records: 1 LP Cover's condition: as new M+ Record's condition: NM++ -   Shipping/Payment I combine shipping costs for multiple items If you need don’t hesitate to contact me !!!   Priority Mail France EU Switzerland USA Canada Australia South America Russia  ASIA 1 LP 8 € 12,50 € 15 € 15 € 2-3-4-5 LPs 10€ 20€ 24 € 24 € Old record or LP with dowel spine, double gatefold or strong gatefold must be counted as 2 LPs Payment is expected within 6 days after the end of the auction. Paypal is required as payment method PLEASE ENSURE YOU READ THE GRADING SYSTEM BELOW BEFORE BIDDING.      MINT+ The record is perfect. I believe played once or never.. The cover and packaging may be sealed or as new.  NEAR MINT+ (NM+)  It is not possible to establish if the record has been played as it looks in new condition. There are very few if any non-sounding surface marks, with no deterioration in sound quality. The cover and packaging look new and are in near perfect condition. This is usually the top mark for USED LP's  EXCELLENT+ (EX+) The record does show signs of having been played and has some non-sounding marks, but there is very little if any lessening in sound quality. The cover and packaging may have a little laminate lift, slight wear and creasing with few, if any extra items.  VERY GOOD+ (VG+)  The record shows sign of having been played many times but displays no major deterioration in sound quality despite noticeable surface marks and a few light scratchs. Normal wear and tear on the cover and packaging but without any major defects.  GOOD+ (G+) The record has been played so much that the sound quality has noticeable deteriorated usually with some distortion and scratches. As well as normal wear and tear, the cover and packaging will suffer from folding, scuffing of edges, spine splits and or discoloration etc.  FAIR (F+)    The record is still just playable but has not been cared for properly and displays considerable surface noise & scratches; it will probably even jump. The cover and packaging will suffer from major defects and will be torn, stained and / or defaced - my lowest grade possible. THANK YOU       >

- Artist:  Pascal ROGE (piano), Lorin MAAZEL (conductor) - Compositeur: Franz LISZT - Title:  Symphony in D minor, Variations Symphoniques for piano and orchestra - With: Cleveland Orchestra                                Label: Decca  591102 silver/red/blue label Disc type: Vinyl 12"  Pressing: France Sound: Stereo Records:  1 LP  Cover's condition: gatefold NM+ Record's condition: NM+  disque en parfait état sans aucune rayure   Shipping/Payment I combine shipping costs for multiple items If you need don’t hesitate to contact me !!!   Priority Mail France EU Switzerland USA Canada Australia South America Russia  ASIA 1 LP 7 € 11 € 13 € 13 € 2-3 LPs 11 € 17€ 22 € 22 € 4-5-6 LPs 13 € 22 € 28 € 28 € Old record or LP with dowel spine, double gatefold or strong gatefold must be counted as 2 LPs Payment is expected within 6 days after the end of the auction. Paypal is required as payment method PLEASE ENSURE YOU READ THE GRADING SYSTEM BELOW BEFORE BIDDING.        MINT+ The record is perfect. I believe played once or never.. The cover and packaging may be sealed or as new.  NEAR MINT+ (NM+)  It is not possible to establish if the record has been played as it looks in new condition. There are very few if any non-sounding surface marks, with no deterioration in sound quality. The cover and packaging look new and are in near perfect condition. This is usually the top mark for USED LP's  EXCELLENT+ (EX+) The record does show signs of having been played and has some non-sounding marks, but there is very little if any lessening in sound quality. The cover and packaging may have a little laminate lift, slight wear and creasing with few, if any extra items.  VERY GOOD+ (VG+)  The record shows sign of having been played many times but displays no major deterioration in sound quality despite noticeable surface marks and a few light scratchs. Normal wear and tear on the cover and packaging but without any major defects.  GOOD+ (G+) The record has been played so much that the sound quality has noticeable deteriorated usually with some distortion and scratches. As well as normal wear and tear, the cover and packaging will suffer from folding, scuffing of edges, spine splits and or discoloration etc.  FAIR (F+)    The record is still just playable but has not been cared for properly and displays considerable surface noise & scratches; it will probably even jump. The cover and packaging will suffer from major defects and will be torn, stained and / or defaced - my lowest grade possible. THANK YOU

- Artist: Marie-Claire ALAIN (organ), Tom KOOPMAN (harpsichord), James CONLON (conductor)     - Composer: Francis POULENC      - Title: Concerto in G minor for organ and orchestra, Concerto "Champêtre" for harpsichord and orchestra   - With: Rotterdams Philharmonisch Orkest      Label: Erato Digital NUM 75210 white/green  label with black lettering Release :  1986 Disc type: Vinyl 12"  Pressing: France Sound: stereo Number of records:   1 LP  Cover's condition:  NM+ Record's condition: NM++   Shipping/Payment I combine shipping costs for multiple items If you need don’t hesitate to contact me !!!   Priority Mail France EU Switzerland USA Canada Australia South America Russia  ASIA 1 LP 8 € 12,50 € 15 € 15 € 2-3-4-5 LPs 10€ 20€ 24 € 24 € Old record or LP with dowel spine, double gatefold or strong gatefold must be counted as 2 LPs Payment is expected within 6 days after the end of the auction. Paypal is required as payment method PLEASE ENSURE YOU READ THE GRADING SYSTEM BELOW BEFORE BIDDING.      MINT+ The record is perfect. I believe played once or never.. The cover and packaging may be sealed or as new.  NEAR MINT+ (NM+)  It is not possible to establish if the record has been played as it looks in new condition. There are very few if any non-sounding surface marks, with no deterioration in sound quality. The cover and packaging look new and are in near perfect condition. This is usually the top mark for USED LP's  EXCELLENT+ (EX+) The record does show signs of having been played and has some non-sounding marks, but there is very little if any lessening in sound quality. The cover and packaging may have a little laminate lift, slight wear and creasing with few, if any extra items.  VERY GOOD+ (VG+)  The record shows sign of having been played many times but displays no major deterioration in sound quality despite noticeable surface marks and a few light scratchs. Normal wear and tear on the cover and packaging but without any major defects.  GOOD+ (G+) The record has been played so much that the sound quality has noticeable deteriorated usually with some distortion and scratches. As well as normal wear and tear, the cover and packaging will suffer from folding, scuffing of edges, spine splits and or discoloration etc.  FAIR (F+)    The record is still just playable but has not been cared for properly and displays considerable surface noise & scratches; it will probably even jump. The cover and packaging will suffer from major defects and will be torn, stained and / or defaced - my lowest grade possible. THANK YOU       >

- Artist: Dimitre ROUSKOV (conductor)     - Composer:  PiotrIlyitch TCHAIKOVSKI     - Title: ST John Chrysostom Liturgy   - With:  SVETOSLAV OBRETONOV Choir     Label: Harmonia Mundi Balkanton HMU 138 black label with silver  lettering Release :  Disc type: Vinyl 12"  Pressing: France Sound: stereo Number of records:   1 LP  Cover's condition: G+ gatefol ripped (see picture) Record's condition: EX+   Shipping/Payment I combine shipping costs for multiple items If you need don’t hesitate to contact me !!!   Priority Mail France EU Switzerland USA Canada Australia South America Russia  ASIA 1 LP 8 € 12,50 € 15 € 15 € 2-3-4-5 LPs 10€ 20€ 24 € 24 € Old record or LP with dowel spine, double gatefold or strong gatefold must be counted as 2 LPs Payment is expected within 6 days after the end of the auction. Paypal is required as payment method PLEASE ENSURE YOU READ THE GRADING SYSTEM BELOW BEFORE BIDDING.      MINT+ The record is perfect. I believe played once or never.. The cover and packaging may be sealed or as new.  NEAR MINT+ (NM+)  It is not possible to establish if the record has been played as it looks in new condition. There are very few if any non-sounding surface marks, with no deterioration in sound quality. The cover and packaging look new and are in near perfect condition. This is usually the top mark for USED LP's  EXCELLENT+ (EX+) The record does show signs of having been played and has some non-sounding marks, but there is very little if any lessening in sound quality. The cover and packaging may have a little laminate lift, slight wear and creasing with few, if any extra items.  VERY GOOD+ (VG+)  The record shows sign of having been played many times but displays no major deterioration in sound quality despite noticeable surface marks and a few light scratchs. Normal wear and tear on the cover and packaging but without any major defects.  GOOD+ (G+) The record has been played so much that the sound quality has noticeable deteriorated usually with some distortion and scratches. As well as normal wear and tear, the cover and packaging will suffer from folding, scuffing of edges, spine splits and or discoloration etc.  FAIR (F+)    The record is still just playable but has not been cared for properly and displays considerable surface noise & scratches; it will probably even jump. The cover and packaging will suffer from major defects and will be torn, stained and / or defaced - my lowest grade possible. THANK YOU       >

* Vend lot * albums France gall  "Sa Véritable Déclaration D'amour,Pour Elle Et Ses Fans" 1988 apache - edition allemande phil collins hello, I must be going! (Titres: I don't care anymore/Icannot believe it's true/Like china/Do you know,do you care?/You can't hurry love/It don't matter to me/Thru these walls/Don't let him steal your heart away/The west side/Why can't it wait 'till morning) 1982 - edition allemande   JE VEND PLEIN DE DISQUES VINYLES k7 & CD TOUT GENRE ET TOUTE EPOQUE; DEMANDEZ MOI MES LISTES * DEPUIS MAI 2014 , LE SITE A MODIFIE LES TARIFS DE COMMISSION * Modification de la commission sur le prix final pour tous les vendeurs particuliers La commission sur le prix final sera désormais calculée sur la base du coût total de l'objet pour l'acheteur. Le coût total de l'objet comprend le prix de vente, les frais de livraison et d'expédition, et tout autre coût associé. Par exemple, si un objet est vendu à 20 EUR avec des frais de livraison de 4 EUR, la commission sur le prix final sera calculée sur la base de la valeur combinée de 24 EUR. Cette modification ne s'applique pas aux annonces proposant uniquement la remise en mains propres. Par définition, votre achat part du fait que vous avez obtenu toutes les réponses à vos interrogations. Acheteur étranger, pas de chèque (trop de frais), paiement via paypal, merci Consultez mes autres objets ! Si vous suivez cet objet pensez à enchérir avant la fin de la vente, je ne remets pas en vente indéfiniment ! La mise en vente génère des frais tout comme la vente (pourcentage des ventes prélevés par et Paypal) donc réfléchissez bien et ne cliquez pas par inadvertance Mon évaluation sera laissée après la vôtre me garantissant ainsi la bonne réception de votre article. S’il y a un souci, qu'un défaut m'ait échappé, je vous remercie de me prévenir avant l'évaluation. La communication permet très souvent d'arranger les choses... Paiement: -Une fois les enchères remportées, vous avez 5 jours pour effectuer votre paiement, j’accepte paypal, les chèques et les virements bancaires (nationaux et internationaux).  Après 8 jours, si je n’ai pas reçu de paiement, je mettrai un litige à l’acheteur (sauf cas exceptionnel). Livraison : -Je poste les commandes au maximum 48h après la réception du paiement, du lundi au vendredi.  Si vous payez par chèque ou par virement, sachez que le délai est plus long (il faut compter 2 jours minimum après avoir posté votre chèque et plus d’une semaine quand il s’agit d’un virement bancaire). -Une fois la commande postée, je ne suis plus responsable du colis ou du minimax (Reçu et cachet de La Poste faisant foi).  En général, il faut compter 48h pour que la commande parvienne à son destinataire, mais il arrive, pour une raison qui m’échappe complétement, que le courrier prenne du retard ou même qu’il se perde. Dans ce cas, le responsable, ce sera La Poste, le distributeur, et il faudra faire une réclamation à La Poste. Si le colis que vous recevez est endommagé, vous devrez le signaler au facteur qui vous le livre et demander à vérifier le contenu. Le postier ne peut s'y opposer. Les réserves doivent figurer sur le bordereau pour être recevables en cas de réclamation. Merci de votre compréhension. Tarifs AFFRANCHISSEMENT Poids jusqu’à Tarifs nets 0,25 kg     5,50 € 0,5 kg                 7,00 € 0,75 kg 7,80 € 1 kg 8,35 € 2 kg 9,60 € 5 kg 14,70 € 10 kg 21,50 € 30 kg 30,80 € Merci de votre visite et votre confiance et bonnes enchères ! (les frais de port pour l'étranger peuvent varier par rapport au montant annoncé, celui-ci étant calculé pour les pays européens)

3 CD ORIGINAUX AVEC DES RAYURES MAIS QUI NE GENENT PAS LA BONNE LECTURE DE LA MUSIQUE. LES 2 BOITIERS SONT CASSES GREATEST HITS - 1970 - 2002 - 2 CD 1. Your Song 2. Tiny Dancer 3. Honky Cat 4. Rocket Man (I Think It'S Going To Be A Long, Long, Long Time) 5. Crocodile Rock 6. Daniel 7. Saturday Night'S Alright For Fighting 8. Goodbye Yellow Brick Road 9. Candle In The Wind 10. Bennie And The Jets 11. Don'T Let The Sun Go Down On Me 12. The Bitch Is Back 13. Philadelphia Freedom 14. Someone Saved My Life Tonight 15. Island Girl 16. Don'T Go Breaking My Heart 17. Sorry Seems To Be The Hardest Word 1. Blue Eyes 2. I'M Still Standing 3. I Guess That'S Why They Call It The Blues 4. Sad Song (Say So Much) 5. Nikita 6. Sacrifice 7. The One 8. Kiss The Bridge 9. Can You Feel The Love Tonight 10. Circle Of Life 11. Believe 12. Made In England 13. Something About The Way You Look Tonight 14. Written In The Stars 15. I Want Love 16. This Train Don'T Stop There Anymore 17. Song For Guy THE CAPTAIN AND THE KID - 1 CD 1. Postcards From Richard Nixon 2. Just Like Noah's Ark 3. Wouldn't Have It Any Other Way (NYC) 4. Tinderbox 5. And The House Fell Down 6. Blues Never Fade Away 7. The Bridge 8. I Must Have Lost It On The Wind 9. Old 67 10. The Captain & The Kid

CD Anita Ward Ring My Bell Titres: I'm Ready For Your Love Curtains Up This Must Be Love Ring My Bell Sweet Splendour There's No Doubt About It You Lied Make Believe Lovers If I Could Feel That Old Feeling Again Spoiled By Your Love I Won't Stop Loving You Bon état: Disque Vérifié Année 1993 Label: Pilz Pays: Germany Nombres Titres: 11 Durée: 45,50 Style: Disco Dimension:12,5 cm * 14,2 cm * 1 cm Poids: 100gr CD occasion à vendre à Antony (92160): cd et vinyles à acheter dans les Hauts-de-Seine (92)

- - Artist: Stefan ASKENASE (piano) - Composer: Frederic CHOPIN - Title: Valses N°6, N°7& N°14, Valse Brillante N°2, Polonaise N°6 Op. 53 "Héroïque", Polonaise N°3 Op. 40 "Militaire" Label: Deutsche Grammophon LPE 17 031 "Alle Hersteller" label Issue: 60's Disc type: Vinyl 10" Pressing: Germany Sound: mono Number of records: 1 LP Cover's condition: NM+ Record's condition: NM+ -   Shipping/Payment I combine shipping costs for multiple items If you need don’t hesitate to contact me !!!   Priority Mail France EU Switzerland USA Canada Australia South America Russia  ASIA 1 LP 8 € 12,50 € 15 € 15 € 2-3-4-5 LPs 10€ 20€ 24 € 24 € Old record or LP with dowel spine, double gatefold or strong gatefold must be counted as 2 LPs Payment is expected within 6 days after the end of the auction. Paypal is required as payment method PLEASE ENSURE YOU READ THE GRADING SYSTEM BELOW BEFORE BIDDING.      MINT+ The record is perfect. I believe played once or never.. The cover and packaging may be sealed or as new.  NEAR MINT+ (NM+)  It is not possible to establish if the record has been played as it looks in new condition. There are very few if any non-sounding surface marks, with no deterioration in sound quality. The cover and packaging look new and are in near perfect condition. This is usually the top mark for USED LP's  EXCELLENT+ (EX+) The record does show signs of having been played and has some non-sounding marks, but there is very little if any lessening in sound quality. The cover and packaging may have a little laminate lift, slight wear and creasing with few, if any extra items.  VERY GOOD+ (VG+)  The record shows sign of having been played many times but displays no major deterioration in sound quality despite noticeable surface marks and a few light scratchs. Normal wear and tear on the cover and packaging but without any major defects.  GOOD+ (G+) The record has been played so much that the sound quality has noticeable deteriorated usually with some distortion and scratches. As well as normal wear and tear, the cover and packaging will suffer from folding, scuffing of edges, spine splits and or discoloration etc.  FAIR (F+)    The record is still just playable but has not been cared for properly and displays considerable surface noise & scratches; it will probably even jump. The cover and packaging will suffer from major defects and will be torn, stained and / or defaced - my lowest grade possible. THANK YOU       >

- Artist: Susanna MILDONIAN (harp)     - Composer & Title:  J.S. BACH: Italian Concerto in F major                                  Padre Antonio SOLER: Sonata in D No 5                                 Domenico SCARLATTI: Sonata No 9                                 G. B. PESCETTI: Sonata in C minor                                 Claude DAQUIN: Le Coucou  - Label: Classic 991.095 silver label with  black lettering Release : 1971 Disc type: Vinyl 12"  Pressing: France Sound: stereo Number of records:   1 LP  Cover's condition:  EX+ Record's condition:  EX+ to NM+     Shipping/Payment I combine shipping costs for multiple items If you need don’t hesitate to contact me !!!   Priority Mail France EU Switzerland USA Canada Australia South America Russia  ASIA 1 LP 8 € 12,50 € 15 € 15 € 2-3-4-5 LPs 10€ 20€ 24 € 24 € Old record or LP with dowel spine, double gatefold or strong gatefold must be counted as 2 LPs Payment is expected within 6 days after the end of the auction. Paypal is required as payment method PLEASE ENSURE YOU READ THE GRADING SYSTEM BELOW BEFORE BIDDING.      MINT+ The record is perfect. I believe played once or never.. The cover and packaging may be sealed or as new.  NEAR MINT+ (NM+)  It is not possible to establish if the record has been played as it looks in new condition. There are very few if any non-sounding surface marks, with no deterioration in sound quality. The cover and packaging look new and are in near perfect condition. This is usually the top mark for USED LP's  EXCELLENT+ (EX+) The record does show signs of having been played and has some non-sounding marks, but there is very little if any lessening in sound quality. The cover and packaging may have a little laminate lift, slight wear and creasing with few, if any extra items.  VERY GOOD+ (VG+)  The record shows sign of having been played many times but displays no major deterioration in sound quality despite noticeable surface marks and a few light scratchs. Normal wear and tear on the cover and packaging but without any major defects.  GOOD+ (G+) The record has been played so much that the sound quality has noticeable deteriorated usually with some distortion and scratches. As well as normal wear and tear, the cover and packaging will suffer from folding, scuffing of edges, spine splits and or discoloration etc.  FAIR (F+)    The record is still just playable but has not been cared for properly and displays considerable surface noise & scratches; it will probably even jump. The cover and packaging will suffer from major defects and will be torn, stained and / or defaced - my lowest grade possible. THANK YOU       >

- - Artist: Liliane BEGUIN (violin), Nicole POISSON-LEPINE (violin), Michel RENARD (cello) - Composer: Henry PURCELL - Title: Sonatas N°2 in E flat major and N°4 in D minor Label: Musique de tous les temps N° 28 black label with silver letters Issue: 1963 - Disc type: Vinyl 7" 33 RPM Pressing: France Sound: Mono Number of records: 1 Cover's condition: EX+ Record's condition: NM+ -   Shipping/Payment I combine shipping costs for multiple items If you need don’t hesitate to contact me !!!   Priority Mail France EU Switzerland USA Canada Australia South America Russia  ASIA 1 LP 7 € 11 € 13 € 13 € 2-3 LPs 11 € 17€ 22 € 22 € 4-5-6 LPs 13 € 22 € 28 € 28 € Old record or LP with dowel spine, double gatefold or strong gatefold must be counted as 2 LPs Payment is expected within 6 days after the end of the auction. Paypal is required as payment method PLEASE ENSURE YOU READ THE GRADING SYSTEM BELOW BEFORE BIDDING.        MINT+ The record is perfect. I believe played once or never.. The cover and packaging may be sealed or as new.  NEAR MINT+ (NM+)  It is not possible to establish if the record has been played as it looks in new condition. There are very few if any non-sounding surface marks, with no deterioration in sound quality. The cover and packaging look new and are in near perfect condition. This is usually the top mark for USED LP's  EXCELLENT+ (EX+) The record does show signs of having been played and has some non-sounding marks, but there is very little if any lessening in sound quality. The cover and packaging may have a little laminate lift, slight wear and creasing with few, if any extra items.  VERY GOOD+ (VG+)  The record shows sign of having been played many times but displays no major deterioration in sound quality despite noticeable surface marks and a few light scratchs. Normal wear and tear on the cover and packaging but without any major defects.  GOOD+ (G+) The record has been played so much that the sound quality has noticeable deteriorated usually with some distortion and scratches. As well as normal wear and tear, the cover and packaging will suffer from folding, scuffing of edges, spine splits and or discoloration etc.  FAIR (F+)    The record is still just playable but has not been cared for properly and displays considerable surface noise & scratches; it will probably even jump. The cover and packaging will suffer from major defects and will be torn, stained and / or defaced - my lowest grade possible. THANK YOU       Powered by Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.