Méthode drums

Peter Gabriel ‎– So Label: Virgin ‎– 123761, Virgin ‎– 123 761 Format: Vinyl, LP, Album Country: France Sortie: 1986 Genre: Rock, Pop Style: Pop Rock TracklistMasquer Crédits A1 Red Rain Bass – Tony Levin Drum Programming [Linn] – Chris Hughes Drums – Jerry Marotta Guitar – Daniel Lanois Guitar, Backing Vocals – David Rhodes Hihat – Stewart Copeland Piano, Synth [CMI], Synth [Prophet] – Peter Gabriel 5:35 A2 Sledgehammer Backing Vocals – Coral Gordon, Dee Lewis, P P Arnold* Bass – Tony Levin Drums – Manu Katché Guitar – David Rhodes Guitar, Tambourine – Daniel Lanois Saxophone – Mark Rivera Synth [CMI], Piano, Synth [Prophet] – Peter Gabriel Trombone – Don Mikkelsen Trumpet – Wayne Jackson 5:08 A3 Don't Give Up Bass – Tony Levin Drums, Percussion – Manu Katché Guest, Vocals – Kate Bush Guitar – David Rhodes Piano – Richard Tee Soloist, Synth [CS80] – Simon Clark Synth [CMI], Synth [Prophet], Electronic Drums [Linn], Piano – Peter Gabriel 6:29 A4 That Voice Again Bass – Tony Levin Drums, Percussion – Manu Katché Guitar – Daniel Lanois, David Rhodes Synth [CMI], Synth [Prophet], Piano, Percussion – Peter Gabriel Violin – L Shankar* 4:50 B1 In Your Eyes Backing Vocals – David Rhodes, Jim Kerr, Michael Been, Peter Gabriel Bass – Larry Klein, Tony Levin Bass Vocals – Ronnie Bright Drums [Additional] – Jerry Marotta Drums, Talking Drum, Percussion – Manu Katché Guest, Vocals – Youssou N'dour* Guitar – David Rhodes Piano – Richard Tee Synth [CMI], Piano, Synth – Peter Gabriel 5:24 B2 Mercy Street Bass – Larry Klein Congas, Triangle, Surdo – Djalma Correa Piano – Richard Tee Saxophone [Processed] – Mark Rivera Synth [CMI], Synth [Prophet], Piano, Synth [CS80] – Peter Gabriel 6:19 B3 Big Time Alto Saxophone, Tenor Saxophone, Baritone Saxophone – Mark Rivera Bass [Drumstick] – Jerry Marotta, Tony Levin Drums – Stewart Copeland Electronic Drums [Linn Kick] – Jimmy Bralower Guitar – David Rhodes Guitar [Surf] – Daniel Lanois Organ [Hammond], Synth [CMI], Bass – Simon Clark Synth [CMI], Synth [Prophet], Electronic Drums [Linn] – Peter Gabriel Trombone – Don Mikkelsen Trumpet, Cornet – Wayne Jackson Vocals – Coral Gordon, Dee Lewis, P P Arnold* 4:24 B4 We Do What We're Told (Milgram's 37) Drums – Jerry Marotta Guitar – David Rhodes Synth [CMI], Piano, Synth [Prophet] – Peter Gabriel Violin – L Shankar* 3:18 Entreprises, etc. Record Company – Virgin France S.A. Phonographic Copyright (p) – Virgin Records Ltd. Copyright (c) – Peter Gabriel Ltd. Published By – Cliofine Ltd. Distributed By – Virgin France S.A. Recorded At – Real World Studios Recorded At – PolyGram Studios, Rio De Janeiro Overdubbed At – Power Station Mixed At – Real World Studios Mastered At – The Town House Lacquer Cut At – Translab Pressed By – Pathé Marconi EMI, Chatou – 353101 Pressed By – Pathé Marconi EMI, Chatou – 353102 Printed By – Montreuil Offset Crédits Engineer – Daniel Lanois, Kevin Killen Engineer [Rio - Percussion] – Ary Carvalhaes (tracks: B2), Jairo Gualberto (tracks: B2) Mastered By – Ian Cooper Producer – Daniel Lanois, Peter Gabriel Expédition avec suivi Mondial Relay, parfaitement fiable. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur). Puis j’ajoute 3 couches de protection : 1.    pochette en plastique comme celle que vous trouvez chez un disquaire. 2.    enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3.    carton cannelé haute

Jethro Tull ‎– Aqualung Label: Chrysalis ‎– CHR 1044 Format: Vinyl, LP, Album, Gatefold Sleeve Country: France Sortie:   Genre: Rock Style: Classic Rock, Prog Rock TracklistMasquer Crédits Aqualung A1 Aqualung Words By – Jennie Anderson 6:37 A2 Cross-Eyed Mary 4:05 A3 Cheap Day Return 1:20 A4 Mother Goose 3:50 A5 Wond'ring Aloud 1:40 A6 Up To Me 3:10 My God B1 My God 7:07 B2 Hymn 43 3:15 B3 Slipstream 1:10 B4 Locomotive Breath 4:20 B5 Wind-Up 6:00 Entreprises, etc. Pressed By – C.I.D.I.S. Louviers Distributed By – WEA Filipacchi Music Printed By – Glory, Asnières Recorded At – Island Studios Crédits Arranged By [Orchestra Arranged By], Conductor – David Palmer (2) Bass Guitar, Voice [Odd Voices], Alto Recorder – Jeffrey Hammond-Hammond Drums [A Thousand Drums], Percussion – Clive Bunker Electric Guitar, Recorder [Descant Recorder] – Martin Barre Engineer – John Burns Flute, Acoustic Guitar, Voice – Ian Anderson Layout – CCS (2) Lyrics By – Ian Anderson (tracks: A2 to B5) Music By – Ian Anderson Painting [Paintings] – Burton Silverman Piano, Organ, Mellotron – John Evan Producer – Ian Anderson, Terry Ellis Notes Recorded at Island Studios, London Code-Barres et Autres Identifiants Matrix / Runout (Runout Side A): CHR 1044 A CIDIS Matrix / Runout (Runout Side B): CHR 1044 B CIDIS Rights Society: SACEM SDRM SACD SGDL Price Code: Ⓨ Expédition avec suivi fiable. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur). Puis j’ajoute 3 couches de protection : 1.    pochette en plastique comme celle que vous trouvez chez un disquaire. 2.    enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3.    carton cannelé haute qualité, très rigide, avec la mention « fragile »   Shipping with tracking, reliable. I have shipped hundreds of discs and have never encountered any problems. Here is my method. I take the disc (with its under-cover) out of its cardboard cover, because otherwise the disc can move and make holes in the cover (experienced as a buyer). Then I add 3 layers of protection: 1. plastic pouch like the one you find at a record store. 2. bubble wrap with shims to ensure the gap with the 3rd level. 3. high quality fluted cardboard, very rigid, with the mention "fragile"

Cerrone ‎– In Concert Label: Malligator ‎– 773.809, Malligator ‎– 773 809 Format: 2 × Vinyl, LP, Album, Gat Country: France Sortie: 1979 Genre: Electronic, Funk / Soul Style: Disco TracklistMasquer Crédits A1 Gimme Some Lovin'/Africanism Written-By – Cerrone, D. Ray*, M. Winwood*, S. Davis*, S. Winwood* 11:20 A2 Love In C Minor Written-By – Alec R. Costandinos, Cerrone 3:56 B1 Living It Up Written-By – Cerrone 6:15 B2 Cerrone's Paradise Written-By – Wisniak*, Cerrone 4:05 B3 Je Suis Music Written-By – Cerrone 6:20 C1 Supernature Written-By – Wisniak*, Cerrone 4:12 C2 Sweet Drums Written-By – Cerrone 9:00 D1 Rocket In The Pocket Written-By – Cerrone 6:30 D2 Audience 3:30 D3 Give Me Love Written-By – Wisniak*, Cerrone 6:20 Entreprises, etc. Published By – Fefee Music Published By – Cerrone Music Recorded At – Pavillon De Paris Recorded By – Studios Ferber Crédits Backing Vocals – G. McIntosh, L. Lawrence (2), L. Rich*, S. Tucker Bass – S. Mallia* Design [Cover Design] – Creac* Drums – Cerrone Engineer [Ingeneer, Mixing] – Allen Zentz, Dave Costell*, Joe Bogan, Rick Ash Engineer [Ingeneer, Recording] – R. Ameline* Guitar [Guitar Rhytmic & Solo] – S. Pezin* Guitar [Guitar Solo] – J. Maskell* Keyboards – L. Dickson* Percussion – H. Andrade*, J.C. Trevisano* Saxophone [Saxo] – G. Christianson Synthesizer – G. Rodi* Timbales [Tymbales] – H. Andrade* Trombone – R. Hyde* Trumpet – G. Herbig*, Steve Madaio Notes Recorded December 1 & 2, 1978 / Pavillon de Paris Photos front and back cover / Italy 1978 Recording Organisation - Ferber Studios Publishing - Cerrone Music ℗ 1979 Made in France Code-Barres et Autres Identifiants Matrix / Runout (Side A Run-out): 773809 A₁ Matrix / Runout (Side B Run-out): 773809 B₁ Matrix / Runout (Side C Run-out): 773809 C₁ Matrix / Runout (Side D Run-out): 773809 D₁ Rights Society: SACEM SDRM SACD SGDL Expédition avec suivi Mondial Relay, parfaitement fiable. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur). Puis j’ajoute 3 couches de protection : 1.    pochette en plastique comme celle que vous trouvez chez un disquaire. 2.    enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3.    carton cannelé haute qualité, très rigide, avec la mention « fragile »   Shipping with Mondial Relay tracking, perfectly reliable. I have shipped hundreds of discs and have never encountered any problems. Here is my method. I take the disc (with its under-cover) out of its cardboard cover, because otherwise the disc can move and make holes in the cover (experienced as a buyer). Then I add 3 layers of protection: 1. plastic pouch like the one you find at a record store. 2. bubble wrap with shims to ensure the gap with the 3rd level. 3. high quality fluted cardboard, very rigid, with the mention "fragile"

Johnny Guitar Watson ‎– Funk Beyond The Call Of Duty Label: DJM Records (2) ‎– DJF 20525 Format: Vinyl, LP, Album Country: UK Sortie: 1977 Genre: Funk / Soul Style: Funk, Disco Tracklist A1 Funk Beyond The Call Of Duty A2 It's About The Dollar Bill A3 Give Me My Love B1 It's A Damn Shame B2 I'm Gonna Get You Baby B3 Barn Door B4 Love That Will Not Die Entreprises, etc. Recorded At – Paramount Recording Studios Published By – Dick James Music Ltd. Phonographic Copyright (p) – Dick James Music, Inc. Copyright (c) – This Record Co. Ltd. Printed By – Robor Ltd. Pressed By – CBS Pressing Plant, Aston Clinton Crédits Art Direction – David Krieger, DFK* Co-producer [Production Assistant], Drums, Bell Tree, Cabasa, Whistle, Siren – Emry Thomas Engineer – Kerry McNabb Lacquer Cut By – Porky (5) Management – Kessler-Grass Photography By [Photo Credit] – Jim McCrary Producer, Arranged By, Written-By, Electric Piano [Fender Rhodes], Synthesizer, Guitar, Organ [Hammond], Bass [Moog], Congas, Percussion [Aguido], Vocals – Johnny Guitar Watson Saxophone – Billy Haley* Sleeve Notes – JGW* Trombone – Tommy Roberson Trumpet – Walt Fowler Notes Recorded At: Paramount Recording Studios, Hollywood, California Also available on Cassette DJH 40525 DJM Records Limited, James House, 71/75 New Oxford Street, London WC1A 1DP © 1977 This Record Co. Ltd Kessler-Grass Management · Direction [logo] Printed in England by Robor Limited ℗ 1977 Dick James Music Inc. Made in England Dick James Music Ltd Code-Barres et Autres Identifiants Matrix / Runout (Label side A): †2SUTB 7132-A† Matrix / Runout (Label side B): †2SUTB 7132-B† Matrix / Runout (Runout side A): 2-SUT-B-7132-A-1 1 5 A PORKY PRIME CUT Λ Matrix / Runout (Runout side B): 2-SUT-B-7132-B-1 A PORKY PRIME CUT 2 B Other (Price indication): FULL PRICE Expédition avec suivi Mondial Relay, parfaitement fiable. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur). Puis j’ajoute 3 couches de protection : 1.    pochette en plastique comme celle que vous trouvez chez un disquaire. 2.    enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3.    carton cannelé haute qualité, très rigide, avec la mention « fragile »   Shipping with Mondial Relay tracking, perfectly reliable. I have shipped hundreds of discs and have never encountered any problems. Here is my method. I take the disc (with its under-cover) out of its cardboard cover, because otherwise the disc can move and make holes in the cover (experienced as a buyer). Then I add 3 layers of protection: 1. plastic pouch like the one you find at a record store. 2. bubble wrap with shims to ensure the gap with the 3rd level. 3. high quality fluted cardboard, very rigid, with the mention "fragile"

Bruford ‎– Feels Good To Me Label: Polydor ‎– 2302 075, Polydor ‎– 2302-075 Format: Vinyl, LP, Album Country: UK Sortie: 05 Jan 1978 Genre: Jazz, Rock Style: Art Rock, Jazz-Rock, Prog Rock, Fusion TracklistMasquer Crédits A1 Beelzebub Written-By – Bill Bruford 3:16 A2 Back To The Beginning Music By – Bill Bruford Words By – Bill Bruford 7:09 A3 Seems Like A Lifetime Ago (Part One) Music By – Bill Bruford Words By – Bill Bruford 2:30 A4 Seems Like A Lifetime Ago (Part Two) Written-By – Bill Bruford 4:25 A5 Sample And Hold Written-By – Bill Bruford, Dave Stewart 5:12 B1 Feels Good To Me Guitar [Additional] – John Goodsall Written-By – Bill Bruford 3:49 B2 Either End Of August Written-By – Bill Bruford 5:27 B3 If You Can't Stand The Heat... Written-By – Bill Bruford, Dave Stewart 3:20 B4 Springtime In Siberia Written-By – Bill Bruford, Dave Stewart 2:43 B5 Adios A La Pasada (Goodbye To The Past) Music By – Bill Bruford Words By – Annette Peacock 7:55 Entreprises, etc. Phonographic Copyright (p) – E.G. Records Ltd. Copyright (c) – E.G. Records Ltd. Copyright (c) – Virgin Music (Publishers) Ltd. Manufactured By – Polydor Ltd. Distributed By – Polydor Ltd. Recorded At – Trident Studios Mixed At – Trident Studios Produced For – E.G. Records Ltd. Printed By – James Upton Ltd. Crédits Bass – Jeff Berlin Bass [Additional] – Neil Murray Design [Sleeve Design] – Cream (7) Engineer – Steve W. Tayler* Flugelhorn – Kenny Wheeler Guitar – Allan Holdsworth Keyboards, Performer [Reasonably Advanced Harmonic Advice] – Dave Stewart Percussion [Tuned And Untuned], Drums [Kit], Performer [Tunes And Final Say] – Bill Bruford Photography By [Inner Sleeve] – Jacquie Deegan, Dick Wallis* Photography By [Sleeve] – Gered Mankowitz Producer – Bill Bruford, Robin Lumley Sleeve Notes – Richard Williams (5) Tape Op – Colin Green, John Brand, Stephen Short* Technician [Equipment] – Mick Rossi, Pete Revill* Technician [Polymoog Consultant] – Val Joseph Vocals – Annette Peacock Notes Thanks to Neil Murray: A bass player when I needed one. The music on this album was written between January and June 1977 rehearsed for three weeks and recorded and mixed at Trident Studios in London, August 1977. It's also a present for Carolyn and Alex. This sound recording was made for E.G Records Ltd., 63a King's Road, SW3 4NT, and first published in 1977 in the U.K. Manufactured and distributed in the U.K. by Polydor Ltd., 17/18 Stratford Place, London W1B 0BL Cassette 3100 417 Code-Barres et Autres Identifiants Price Code: Deluxe Matrix / Runout (Variant 1, Side A): A//1 T 1 ? 2302075 A// 1 Matrix / Runout (Variant 1, Side B): B//1 T 1 1 2302075 B/ 1 1 2 Matrix / Runout (Variant 2, Side A): A//1 T 1 1 2302075 A/1 1 0 Matrix / Runout (Variant 2, Side B): B//1 T 1 1 2302075 B/1 1 0 Expédition avec suivi Mondial Relay, parfaitement fiable. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur). Puis j’ajoute 3 couches de protection : 1.    pochette en plastique comme celle que vous trouvez chez un disquaire. 2.    enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3.    carton cannelé haute qualité, très rigide, avec la mention « fragile »   Shipping with Mondial Relay tracking, perfectly reliable. I have shipped hundreds of discs and have never encountered any problems. Here is my method. I take the disc (with its under-cover) out of its cardboard cover, because otherwise the disc can move and make holes in the cover (experienced as a buyer).

Memphis Slim & Willie Dixon ‎– Aux Trois Mailletz Label: Polydor ‎– 658 148 Série: Polydor Privilege – Format: Vinyl, LP, Album, Reissue Country: France Sortie:   Genre: Blues Style: Chicago Blues TracklistMasquer Crédits A1 Rock And Rolling The House 4:01 A2 Baby Please Come Home 2:43 A3 How Make You Do Me Like You Do 4:52 A4 The Way She Loves A Man 3:17 A5 New Way To Love 5:30 A6 African Hunch With A Boogie Beat 3:38 B1 Shame Pretty Girls 3:22 B2 Baby-Baby-Baby 3:07 B3 Do De Do 2:41 B4 Cool Blooded 5:35 B5 Just You And I 2:56 B6 Pigalle Love 4:00 B7 All By Myself Written-By – Big Bill Broonzy 1:42 Entreprises, etc. Printed By – Glory, Asnières Crédits Artwork [Layout] – Michel Meignen Double Bass – Willie Dixon Drums – Philippe Combelle Photography By – Jean-Pierre Leloir Piano – Memphis Slim Recorded By – Henri Lemel* Supervised By – Bernard De Bosson Vocals – Memphis Slim (tracks: A1 to A3, B6, B7) Vocals, Written-By – Willie Dixon (tracks: A4 to B5) Written-By – Peter Chatman (tracks: A1 to A3, B6) Notes Cet enregistrement a été réalisé les: 15 et 16 Novembre 1962 au Cabaret des "Trois Mailletz" à Paris. Code-Barres et Autres Identifiants Rights Society: SACEM SACD SDRM SGDL Price Code: Ⓣ Expédition avec suivi Mondial Relay, parfaitement fiable. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur). Puis j’ajoute 3 couches de protection : 1.    pochette en plastique comme celle que vous trouvez chez un disquaire. 2.    enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3.    carton cannelé haute qualité, très rigide, avec la mention « fragile »   Shipping with Mondial Relay tracking, perfectly reliable. I have shipped hundreds of discs and have never encountered any problems. Here is my method. I take the disc (with its under-cover) out of its cardboard cover, because otherwise the disc can move and make holes in the cover (experienced as a buyer). Then I add 3 layers of protection: 1. plastic pouch like the one you find at a record store. 2. bubble wrap with shims to ensure the gap with the 3rd level. 3. high quality fluted cardboard, very rigid, with the mention "fragile"

Space Invaders & Nik.Turner ‎– Playing.The Sonic.Noise.Opera Label: Nasoni Records ‎– NASONI 150 R Format: Vinyl, LP, Album, Limited Edition, Reissue, Splatter Vinyl Country: Germany Sortie: 2016 Genre: Rock Style: Space Rock, Psychedelic Rock Tracklist A1 Sonic Attack 5:48 A2 Space Invaders 2:49 A3 Spicy Spiders 7:16 A3 Drum'n'Space 8:06 B1 Stardust 10:23 B2 Can You? 12:40 Entreprises, etc. Recorded At – Cafe Cairo, Würzburg Mixed At – Studio Fleisch Lacquer Cut At – SST Brüggemann GmbH Crédits Artwork [CoverArt] – Sergey Skachkov Bass, Voice – Paul-Pott* Design [Artworx] – DNS* Drums – DNS.GKL* Guitar, Talkbox – Tipi Mike Guitar, Voice, Percussion – Dirk Bittner Mastered By – Eroc Mixed By – DJM* Recorded By – Kilian (7) Synthesizer, Audio Generator – DJM* Voice, Flute, Saxophone – Nik Turner Notes Released on their gig at Burg Herzberg Festival 2014. Limited Reissue of 300 copies on splattered Vinyl. Code-Barres et Autres Identifiants Barcode: 4 260107 841999 Matrix / Runout: NASONI 150 A Matrix / Runout: NASONI 150 B Expédition avec suivi Mondial Relay, parfaitement fiable. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur). Puis j’ajoute 3 couches de protection : 1.    pochette en plastique comme celle que vous trouvez chez un disquaire. 2.    enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3.    carton cannelé haute qualité, très rigide, avec la mention « fragile »   Shipping with Mondial Relay tracking, perfectly reliable. I have shipped hundreds of discs and have never encountered any problems. Here is my method. I take the disc (with its under-cover) out of its cardboard cover, because otherwise the disc can move and make holes in the cover (experienced as a buyer). Then I add 3 layers of protection: 1. plastic pouch like the one you find at a record store. 2. bubble wrap with shims to ensure the gap with the 3rd level. 3. high quality fluted cardboard, very rigid, with the mention "fragile"

Jimi Hendrix ‎– Rainbow Bridge / Original Motion Picture Sound Track Label: Reprise Records ‎– MS 2040, Reprise Records ‎– 2040 Format: Vinyl, LP, Album, Gatefold, Santa Maria Press Country: US Sortie: Oct 1971 Genre: Rock, Stage & Screen Style: Soundtrack, Hard Rock, Psychedelic Rock, Blues Rock Tracklist A1 Dolly Dagger 4:45 A2 Earth Blues 4:20 A3 Pali Gap 5:05 A4 Room Full Of Mirrors 3:17 A5 Star Spangled Banner 4:07 B1 Look Over Yonder 3:28 B2 Hear My Train A Comin' 11:15 B3 Hey Baby (New Rising Sun) 6:05 Entreprises, etc. Recorded At – Electric Lady Studios Recorded At – Record Plant, N.Y.C. Recorded At – T.T.G. Studios Recorded At – Berkeley Community Theatre Recorded By – Wally Heider Recording Mixed At – Electric Lady Studios Mastered At – Sterling Sound Pressed By – Columbia Records Pressing Plant, Santa Maria Published By – Arch Music Copyright (c) – Warner Bros. Records Inc. Crédits Backing Vocals – Buddy Miles (tracks: A2), Jimi* (tracks: A1, A2), Ghetto Fighters* (tracks: A1), The Ronettes (tracks: A2) Bass – Billy Cox (tracks: A1 to A5, B2, B3), Noel Redding (tracks: B1) Design – The Pineal Playhouse Drums – Buddy Miles (tracks: A4), Mitch Mitchell (tracks: A1 to A3, A5 to B3) Engineer – Eddie Kramer, John Jansen Engineer [Live Recording] – Abe Jacobs* (tracks: B2) Executive-Producer – Michael Jeffery* Guitar – Jimi Hendrix Lead Vocals – Jimi* (tracks: A1, A2, A4) Mastered By [Runout Etch] – RL* Percussion – Juma Edwards (tracks: B3) Photography By – Daniel Tahaney Producer – Eddie Kramer, Jimi Hendrix, John Jansen, Mitch Mitchell Vocals – Jimi* (tracks: B1 to B3) Written-By – Jimi Hendrix (tracks: A1 to A4, B1 to B3), Traditional (tracks: A5) Notes © 1971 - Warner Bros. Records Inc. An Antahkarana Production A Santa Maria Pressing with variant center labels include, but not limited to, "(P) 1971" but no "Adapted by" credit as on this Terre Haute and this undisclosed press by same catalog #. Recorded At: A1, A3, B3 - Electric Lady, July 1, 1970 A2 - Record Plant, January 20, 1970 A4 - Record Plant, November 17, 1969 A5 - Record Plant, March 18, 1969 B1 - TTG Studios, October 22, 1968 B2 Recorded live at Berkeley Community Center by Wally Heider Recording, May 30, 1970 (not included in the film) 1st catalog #: labels/spine; 2nd: gate front Code-Barres et Autres Identifiants Matrix / Runout (A Side Label): 31,260 Matrix / Runout (B Side Label): 31,261 Matrix / Runout (A Side Etch exc Sterling stamp): Ƨ / MS 2040-A 31260-1A STERLING RL Matrix / Runout (B Side Etch exc Sterling stamp): Ƨ / MS 2040-B 31261-1B STERLING RL Rights Society: ASCAP Expédition avec suivi Mondial Relay, parfaitement fiable. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur). Puis j’ajoute 3 couches de protection : 1.    pochette en plastique comme celle que vous trouvez chez un disquaire. 2.    enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3.    carton cannelé haute qualité, très rigide, avec la mention « fragile »   Shipping with Mondial Relay tracking, perfectly reliable. I have shipped hundreds of discs and have never encountered any problems. Here is my method. I take the disc (with its under-cover) out of its cardboard cover, because otherwise the disc can move and make holes in the cover (experienced as a buyer). Then I add 3 layers of protection: 1. plastic pouch like the one you find at a record store. 2. bubble wrap with shims to ensure the gap with the 3rd level. 3. high quality fluted cardboard, very rigid, with the menti

Iron Maiden ‎– Iron Maiden Label: EMI ‎– 2C 068 07269, EMI ‎– 2C 068-07.269 Format: Vinyl, LP, Album Country: France Sortie: 1980 Genre: Rock Style: Heavy Metal Tracklist A1 Prowler 3:52 A2 Remember Tomorrow 5:24 A3 Running Free 3:14 A4 Phantom Of The Opera 7:03 B1 Transylvania 4:05 B2 Strange World 5:51 B3 Charlotte The Harlot 4:10 B4 Iron Maiden 3:32 Entreprises, etc. Distributed By – Pathé Marconi EMI Phonographic Copyright (p) – EMI Records Ltd. Made By – Pathé Marconi EMI Pressed By – Pathé Marconi EMI, Chatou – 332527 Pressed By – Pathé Marconi EMI, Chatou – 332528 Recorded At – Kingsway Studios Mixed At – Morgan Studios Crédits Artwork – Cream (7) Bass, Vocals – Steve Harris Drums – Clive Burr Engineer – Martin Levan Guitar – Dave Murray (2) Guitar, Vocals – Dennis Stratton Illustration [Front Cover Illustration] – Derek Riggs Lead Vocals – Paul Di'Anno Photography By – Terry Walker (3), Yuka Fujii Producer – Will Malone* Written-By – Murray* (tracks: B3), Di'Anno* (tracks: A2,A3), Harris* (tracks: A1 to B2, B4) Notes Fabriqué et distribué en France par: Pathé Marconi EMI Red writings with "MADE IN FRANCE BY PATHE MARCONI EMI" around label Code-Barres et Autres Identifiants Matrix / Runout (Side A label): 2C 068-07.269 A Matrix / Runout (Side B label): 2C 068-07.269 B Matrix / Runout (Side A runout): 7269 A 21 M6 332527 2 Matrix / Runout (Side B runout): 7269 B 21 M6 332528 2 Rights Society: SACEM SACD SDRM SGDL Price Code: PM 251 Expédition avec suivi. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur). Puis j’ajoute 3 couches de protection : 1.    pochette en plastique comme celle que vous trouvez chez un disquaire. 2.    enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3.    carton cannelé haute qualité, très rigide, avec la mention « fragile »   Shipping with tracking. I have shipped hundreds of discs and have never encountered any problems. Here is my method. I take the disc (with its under-cover) out of its cardboard cover, because otherwise the disc can move and make holes in the cover (experienced as a buyer). Then I add 3 layers of protection: 1. plastic pouch like the one you find at a record store. 2. bubble wrap with shims to ensure the gap with the 3rd level. 3. high quality fluted cardboard, very rigid, with the mention "fragile"

Lunatics (Vinyl, LP, Album, Limited Edition) pochette d'album Electric Moon ‎– Lunatics Label: Nasoni Records ‎– nasoni 101 Format: Vinyl, LP, Album, Limited Edition Country: Germany Sortie: 13 Oct 2010 Genre: Rock Style: Space Rock, Psychedelic Rock TracklistMasquer Crédits A1 Brain Eaters Written-By – Electric Moon 19:09 A2 Hotel Hell Written-By – Eric Burdon 5:30 B1 Moon Love Written-By – Electric Moon Entreprises, etc. Recorded At – Amöbenklangraum Crédits Bass, Effects, Voice – Komet Lulu Drums – Pablo Carneval Guitar [Guitars], Effects, Organ, Voice – Sula Bassana Recorded By – Sula Bassana Notes Limited edition of 400 copies, includes an insert (30cm*30cm). Expédition avec suivi Mondial Relay, parfaitement fiable. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur). Puis j’ajoute 3 couches de protection : 1.    pochette en plastique comme celle que vous trouvez chez un disquaire. 2.    enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3.    carton cannelé haute qualité, très rigide, avec la mention « fragile »   Shipping with Mondial Relay tracking, perfectly reliable. I have shipped hundreds of discs and have never encountered any problems. Here is my method. I take the disc (with its under-cover) out of its cardboard cover, because otherwise the disc can move and make holes in the cover (experienced as a buyer). Then I add 3 layers of protection: 1. plastic pouch like the one you find at a record store. 2. bubble wrap with shims to ensure the gap with the 3rd level. 3. high quality fluted cardboard, very rigid, with the mention "fragile"

Lester Young ‎– In Washington, D.C. 1956 Label: Pablo Live ‎– 2308 219 Format: Vinyl, LP, Album Country: France Sortie: 1980 Genre: Jazz Style: Swing TracklistMasquer Crédits A1 A Foggy Day Written-By – George & Ira Gershwin 5:26 A2 When You're Smiling Written-By – Joe Goodwin, Larry Shay, Mark Fisher (3) 5:58 A3 I Can't Get Started Written-By – Ira Gershwin, Vernon Duke 3:32 A4 Fast Bb Blues Written-By – Lester Young 5:49 B1 D.B. Blues Written-By – "Blind" Lemon Jefferson* 7:49 B2 Tea For Two Written-By – Irving Caesar, Vincent Youmans 5:41 B3 Jeepers Creepers Written-By – Harry Warren (2), Johnny Mercer 6:13 Entreprises, etc. Recorded At – Olivia Davis' Patio Lounge Phonographic Copyright (p) – Pablo Records, Inc. Crédits Bass – Normal "Willie" Williams* Drums – Jim Lucht Layout, Design – Sheldon Marks Piano, Liner Notes – Bill Potts Producer, Layout, Design – Norman Granz Remastered By [Engineer] – Jack Towers Tenor Saxophone – Lester Young Notes 2308 219 - Mono - De Luxe - RC 240 Pressé et distribué par la société RCA S.A. / 9 avenue Matignon - 75008 Paris Code-Barres et Autres Identifiants Matrix / Runout: MPO 2308-219 A Matrix / Runout: MPO 2308-219 B Expédition avec suivi Mondial Relay, parfaitement fiable. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur). Puis j’ajoute 3 couches de protection : 1.    pochette en plastique comme celle que vous trouvez chez un disquaire. 2.    enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3.    carton cannelé haute qualité, très rigide, avec la mention « fragile »   Shipping with Mondial Relay tracking, perfectly reliable. I have shipped hundreds of discs and have never encountered any problems. Here is my method. I take the disc (with its under-cover) out of its cardboard cover, because otherwise the disc can move and make holes in the cover (experienced as a buyer). Then I add 3 layers of protection: 1. plastic pouch like the one you find at a record store. 2. bubble wrap with shims to ensure the gap with the 3rd level. 3. high quality fluted cardboard, very rigid, with the mention "fragile"

You Might Say (Vinyl, 12", 33 ⅓ RPM, 45 RPM)  Bugge Wesseltoft ‎– You Might Say Label: Jazzland Recordings ‎– JAZZ-001, EmArcy ‎– JAZZ-001 Format: Vinyl, 12", 33 ⅓ RPM, 45 RPM Country: Germany Sortie: 1999 Genre: Electronic Style: Future Jazz, House TracklistMasquer Crédits A1 You Might Say (Andreas Dorau Remix) Remix – Andreas Dorau, Markus Rossknecht* 6:00 A2 You Might Say (Miss Cattac Remix) Remix – Anja Wolf, Miss Cattac 5:29 B1 You Might Say (Original Version) 6:27 B2 You Might Say (Instrumentalapella) 12:00 Entreprises, etc. Phonographic Copyright (p) – Universal Jazz Germany Copyright (c) – Jazzland Recordings Crédits Acoustic Bass – Ingebrit Flaten* Artwork, Design – Moritz R®* Drums – Anders Engen Programmed By [Piano-programming] – Bugge Wesseltoft Soprano Saxophone [Sopranosax] – Vidar Johansen Vocals – Sidsel Endresen Written-By – Bugge Wesseltoft, Sidsel Endresen Notes cat# derived from run-outs A: 45 RPM B: 33 RPM Published by NCB ℗ 1999 Universal Jazzland Germany © 1998 Jazzland Rec. Printed in Germany Code-Barres et Autres Identifiants Label Code: LC 00699 Matrix / Runout (A-Side): JAZZ-001 A DMM Matrix / Runout (B-Side): JAZZ-001 B DMM Expédition avec suivi. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur). Puis j’ajoute 3 couches de protection : 1.    pochette en plastique comme celle que vous trouvez chez un disquaire. 2.    enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3.    carton cannelé haute qualité, très rigide, avec la mention « fragile »   Shipping with tracking.  I have shipped hundreds of discs and have never encountered any problems. Here is my method. I take the disc (with its under-cover) out of its cardboard cover, because otherwise the disc can move and make holes in the cover (experienced as a buyer). Then I add 3 layers of protection: 1. plastic pouch like the one you find at a record store. 2. bubble wrap with shims to ensure the gap with the 3rd level. 3. high quality fluted cardboard, very rigid, with the mention "fragile"

Charles Mingus ‎– Mingus At Antibes Label: Atlantic ‎– ATL 60 146 Format: 2 × Vinyl, LP, Album, Reissue Country: Germany Sortie: 1979 Genre: Jazz Style: Hard Bop, Post Bop TracklistMasquer Crédits A1 Wednesday Night Prayer Meeting Written-By, Piano – Charles Mingus 11:54 A2 Prayer For Passive Resistance Written-By – Charles Mingus 8:06 B What Love? Bass Clarinet – Eric Dolphy Written-By – Charles Mingus 13:34 C I'll Remember April Piano – Bud Powell Written-By – Don Raye, Gene DePaul, Pat Johnston* 13:39 D1 Folk Forms I Written-By – Charles Mingus 11:08 D2 Better Git Hit In Your Soul Written-By, Piano – Charles Mingus 11:00 Crédits Alto Saxophone, Bass Clarinet – Eric Dolphy Art Direction – Abie Sussman, Bob Defrin Artwork [Cover Illustration] – Alex Gnidzienko* Bass – Charles Mingus Drums – Dannie Richmond Engineer – Dennis King Executive Producer – Nesuhi Ertegun Photography By – Jean-Pierre Leloir Tenor Saxophone – Booker Ervin Trumpet – Ted Curson Notes Recorded live by Barclay Studios for Atlantic Records at the Antibes Jazz Festival, Juan-les-Pins, France, July 13, 1960. Mastered at Atlantic Studios, New York Code-Barres et Autres Identifiants Rights Society: GEMA Label Code: LC 0121 Expédition avec suivi Mondial Relay, parfaitement fiable. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur). Puis j’ajoute 3 couches de protection : 1.    pochette en plastique comme celle que vous trouvez chez un disquaire. 2.    enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3.    carton cannelé haute qualité, très rigide, avec la mention « fragile »   Shipping with Mondial Relay tracking, perfectly reliable. I have shipped hundreds of discs and have never encountered any problems. Here is my method. I take the disc (with its under-cover) out of its cardboard cover, because otherwise the disc can move and make holes in the cover (experienced as a buyer). Then I add 3 layers of protection: 1. plastic pouch like the one you find at a record store. 2. bubble wrap with shims to ensure the gap with the 3rd level. 3. high quality fluted cardboard, very rigid, with the mention "fragile"

You Might Say (Vinyl, 12b'"', 33 ⅓ RPM, 45 RPM) Bugge Wesseltoft ‎– You Might Say Label: Jazzland Recordings ‎– JAZZ-001, EmArcy ‎– JAZZ-001 Format: Vinyl, 12b'"', 33 ⅓ RPM, 45 RPM Country: Germany Sortie: 1999 Genre: Electronic Style: Future Jazz, House TracklistMasquer Crédits A1 You Might Say (Andreas Dorau Remix) Remix – Andreas Dorau, Markus Rossknecht* 6:00 A2 You Might Say (Miss Cattac Remix) Remix – Anja Wolf, Miss Cattac 5:29 B1 You Might Say (Original Version) 6:27 B2 You Might Say (Instrumentalapella) 12:00 Entreprises, etc. Phonographic Copyright (p) – Universal Jazz Germany Copyright (c) – Jazzland Recordings Crédits Acoustic Bass – Ingebrit Flaten* Artwork, Design – Moritz R®* Drums – Anders Engen Programmed By [Piano-programming] – Bugge Wesseltoft Soprano Saxophone [Sopranosax] – Vidar Johansen Vocals – Sidsel Endresen Written-By – Bugge Wesseltoft, Sidsel Endresen Notes cat# derived from run-outs A: 45 RPM B: 33 RPM Published by NCB ℗ 1999 Universal Jazzland Germany © 1998 Jazzland Rec. Printed in Germany Code-Barres et Autres Identifiants Label Code: LC 00699 Matrix / Runout (A-Side): JAZZ-001 A DMM Matrix / Runout (B-Side): JAZZ-001 B DMM Expédition avec suivi. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur). Puis j’ajoute 3 couches de protection: 1. pochette en plastique comme celle que vous trouvez chez un disquaire. 2. enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3. carton cannelé haute qualité, très rigide, avec la mention « fragile » Shipping with tracking. I have shipped hundreds of discs and have never encountered any problems. Here is my method. I take the disc (with its under-cover) out of its cardboard cover, because otherwise the disc can move and make holes in the cover (experienced as a buyer). Then I add 3 layers of protection: 1. plastic pouch like the one you find at a record store. 2. bubble wrap with shims to ensure the gap with the 3rd level. 3. high quality fluted cardboard, very rigid, with the mention b'"'fragileb'"' En savoir plus Collaboration commerciale.