Neil young comes time

CD NEIL YOUNG Comes a time. CD NEIL YOUNG COMES A TIME REPRISE LABEL NEUF

NEIL YOUNG Pressage France Réf: 54 099 Année: 1978 Pochette: VG+ Disque: VG+  Envoi sous emballage carton spécial disques sous 5 jours. Envoi en France en Mondial RELAY: 1 à 5 Disques 33T: 4,5 euros 6 à 10 Disques 33 T: 8,5 euros Paiement PAYPAL uniquement. Merci et bonnes enchères Signification des codes définissant l'état d'un disque et de sa pochette   Code Signification Etat pochette Etat disque S Sealed Le disque est encore sous son emballage d'origine. Le disque est encore sous son emballage d'origine. M Mint La pochette est comme neuve, elle n'est juste plus sous son emballage d'origine. Le disque est absolument parfait, comme neuf. Il n'est juste plus sous son emballage d'origine. NM Near Mint La pochette est presque parfaite, pouvant comporter de très minimes signes d’usure. Par contre le dessin artistique ou la photo de la pochette doit être aussi impeccable que possible. Le disque est presque parfait. De très légères marques lumineuses peuvent être constatées sur la surface du disque, mais cela doit être vraiment minime. Il ne doit y avoir aucun effet sur la qualité sonore du disque. Si c’est le cas, même minime, il ne pourra plus être considéré comme NM ou M-. EX Excellent La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG++ Very Good ++ La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG+ Very Good + La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfait état mais présente un poinçon ou une extrémité biseautée. C'est l'état le plus courant des disques de deuxième main. Les disques ont quelques rayures qui n'affectent pas la qualité sonore. Certains crépitements peuvent être audibles sur des platines très sensibles. VG Very Good La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le disque a des rayures et marques qui affectent la qualité sonore. Il peut y avoir des craquements et également des petits sauts si le disque est légèrement gondolé (préférable de demander confirmation au vendeur en particulier si votre platine est sensible). VG- Very Good - La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le disque a des rayures et marques qui affectent la qualité sonore. Il peut y avoir des craquements et également des petits sauts si le disque est légèrement gondolé (préférable de demander confirmation au vendeur en particulier si votre platine est sensible). G Good L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il y a un souffle et il peut y avoir des sautements et craquements. On ne distingue pratiquement plus les sillons du disque. B Bad La pochette est très abîmée avec des déchirures, des traces et marques d'usure un peu partout. Des éléments de la pochette peuvent être également manquants. Le vinyle n'est plus jouable correctement à cause des trop nombreuses rayures et défauts de surface. Le disque peut être cassé, dans ce cas il mérite sa place dans un listing uniquement s'il est très rare. NA Non applicable La pochette est manquante ou ce code n'est pas applicable à ce type d'articles (Pochette neutre blanche ou noire, livres, merchandising,...). Le disque est manquant ou ce code n'est pas applicable à ce type d'articles (livres, merchandising,...).)

NEIL YOUNG Time fades away LP live | OG French press on Reprise 54.010 Quite a RARE thing these days, only reissued on vinyl in 2015 (NEVER on cd !!) Cover: VG+++ (general shelf wear; top opening; generic inner repaired with tape and no insert) Record: EX- (thick vinyl with very slight marks on side 1; play should not be affected although I have not play graded this side) I grade rather conservatively (being a buyer myself…). See picture. Payment is expected within 48 hours of the end of the auction (or your winning bid will be cancelled). The item will be packed securely in a sturdy mailer with a plastic sleeve (if I have any left). I can answer any question. Happy bidding!

france 1978 en tres bon etat pochette disque et ecoute !! pas de paypal (sauf virement a  la famillle en direct) cheque preféré je souhaite un contact AVANT TOUT ACTE D'ACHAT ! afin de satisfaire tout le monde ! merci

vinyle Neil Young Lot 3 albums original. Vinyle 1: Harvest -Reprise Record – 54 005 (original pressage) pochette VG (signature sur face avant voir photo) disque VG+ (une rayure sur un titre mais qui n'empeche pas la lecture en continu) Vinyle 2: Neil Young & The Shocking Pinks – Everybody's Rockin' (original pressage) pochette VG++ disque EX Vinyle 3: Neil Young – Comes A Time (original pressage) pochette VG++ disque EX

Pressage français sorti en 1971 sur le label Reprise (ref.44 088) Pochette VG+: bel état, légère usure d'usage des tranches, pochette et gatefold propre Disque VG+: très bon état, écoute claire et dynamique Tracklist: Tell Me Why     2:54 After The Goldrush     3:45 Only Love Can Break Your Heart     3:05 Southern Man     5:41 Till The Morning Comes     1:17 Oh Lonesome Me     3:47 Don't Let It Bring You Down     2:56 Birds     2:34 When You Dance I Can Really Love     3:44 I Believe In You     2:24 Cripple Creek Ferry     1:34 Toutes autres infos ou photos me contacter Emballage soigné et pochette de protection     FRAIS DE PORT: France:              * Lettre Suivie: 5 euros              * Colissimo: 7 euros Europe:              * Prioritaire: 7,5 euros              * Suivi: 11 euros Worldwilde:              * Prioritaire: 9,5 euros              * Suivi: 13 euros POUR LA FRANCE MERCI DE PRIVILÉGIER LE PORT EN COLISSIMO AFIN D'OBTENIR UN SUIVI, NOTAMMENT POUR LES LIVRAISONS EN REGION PARISIENNE. DEPUIS QUELQUES TEMPS LES MINI MAX METTENT DAVANTAGE DE TEMPS POUR ETRE ACHEMINER. MERCI POUR VOTRE COMPREHENSION! FRAIS DE PORT OFFERT POUR LA FRANCE METROPOLITAINE POUR TOUTE COMMANDE SUPERIEURE OU EGALE A 100EUROS. Délai d’expédition Mes disques sont expédiés dans les 2 jours ouvrables après réception de votre règlement. Retours Les retours sont acceptés dans un délai de 10 jours après réception, les frais restent à la charge de l’acheteur. Si le disque ne correspondait pas à vos attentes, merci de privilégier la communication afin de trouver, ensemble, une solution. BAREME D'EVALUATION: S Neuf (emballé) Le disque est encore sous son emballage d'origine. Le disque est encore sous son emballage d'origine. M Comme neuf La pochette est comme neuve, elle n'est juste plus sous son emballage d'origine. Le disque est absolument parfait, comme neuf. Il n'est juste plus sous son emballage d'origine. NM Comme neuf- La pochette est presque parfaite, pouvant comporter de très minimes signes d’usure. Par contre le dessin artistique ou la photo de la pochette doit être aussi impeccable que possible. Le disque est presque parfait. De très légères marques lumineuses peuvent être constatées sur la surface du disque, mais cela doit être vraiment minime. Il ne doit y avoir aucun effet sur la qualité sonore du disque. Si c’est le cas, même minime, il ne pourra plus être considéré comme NM ou M-. EX Excellent La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG++ Excellent La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG+ Très bon + La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. C'est l'état le plus courant des disques de deuxième main. Les disques ont quelques rayures qui n'affectent pas la qualité sonore. Certains crépitements peuvent être audibles sur des platines très sensibles. VG Très bon La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le disque a des rayures et marques qui affectent la qualité sonore. Il peut y avoir des craquements et également des petits sauts si le disque est légèrement gondolé (préférable de demander confirmation au vendeur en particulier si votre platine est sensible). VG- Très bon - La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le disque a des rayures et marques qui affectent la qualité sonore. Il peut y avoir des craquements et également des petits sauts si le disque est légèrement gondolé (préférable de demander confirmation au vendeur en particulier si votre platine est sensible). G Pauvre L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il y a un souffle et il peut y avoir des sautements et craquements. On ne distingue pratiquement plus les sillons du disque. B Mauvais La pochette est très abîmée avec des déchirures, des traces et marques d'usure un peu partout. Des éléments de la pochette peuvent être également manquants. Le vinyle n'est plus jouable correctement à cause des trop nombreuses rayures et défauts de surface. Le disque peut être cassé, dans ce cas il mérite sa place dans un listing uniquement s'il est très rare. NA Non applicable La pochette est manquante ou ce code n'est pas applicable à ce type d'articles (Pochette neutre blanche ou noire, livres, merchandising,...). Le disque est manquant ou ce code n'est pas applicable à ce type d'articles (livres, merchandising,...).

LOT 4 LPS JIMI HENDRIX ROLLING STONES NEIL YOUNG ERIC CLAPTON. État: Occasion Tous les disques sont en très bon état, tous VG+ Neil Young - Comes a Time Rolling Stones - Made In The Shade Jimi Hendrix - The Cry Of Love Eric Clapton - 461 Ocean Boulevard

Vinyle 33 Tours Vinyles Distributeur: wea Auteur: neil young Editeur: reprise 54010 Genre musical: Country Support / Quantité fournie: 1 Rubrique principale Vinyle: 33 Tours

MinidiscThe All Time Greates Rock Songs I et II Pas de boitiers  Tracklist (Check the back pictures of the minidisc)   –The Doors     Break On Through     2:27 –Bob Dylan     Like A Rolling Stone     6:09 –Eric Clapton     Layla (Unplugged)     4:29 –R.E.M.     Man On The Moon     5:13 –Neil Young     Heart Of Gold     3:08 –Big Brother & The Holding Company     Piece Of My Heart     4:15 –Rod Stewart     Baby Jane     4:44 –Billy Joel     It's Still Rock And Roll To Me     2:57 –Prince     Purple Rain     4:06 –Oasis (2)     Wonderwall     4:19 –Primal Scream     Rocks     3:28 –Red Hot Chili Peppers     Under The Bridge     4:25 –Green Day     Basket Case     3:02 –The Clash     London Calling     3:20 –Black Sabbath     Paranoid     2:48 –Blue Oyster Cult*     (Don't Fear) The Reaper     4:50 –Meat Loaf     Bat Out Of Hell     4:44 –Midnight Oil     Beds Are Burning     4:15 –ZZ Top     Gimme All Your Lovin'     3:59 –Van Halen     Jump     4:01 –Aerosmith     Walk This Way     3:40 –The Kinks     All Day And All Of The Night     2:22 –T. Rex     20th Century Boy     3:38 –The Byrds     Eight Miles High     3:34 –Mott The Hoople     All The Young Dudes     3:31 –Santana     She's Not There     3:19 –Toto     Africa     4:53 –Fleetwood Mac     Don't Stop     3:11 –The Pretenders     Don't Get Me Wrong     3:47 –Chris Rea     The Road To Hell     4:31 –The Stranglers     Always The Sun     4:05

LOT DE 35 VINYLES: - NEIL YOUNG harvest - NEIL YOUNG re.ac.tor - CHRISTOPHER CROSS ride like the wind - PAT BENATAR precious time - TRACY

Merry Clayton Southern Man - Reissue, Digipak CD REP 5177 | 4009910517727 Neuf NEW NOT SEALED - NEUF NON SCELLE  1 Southern Man Written-By – Neil Young 3:15 2 Walk On In Written-By – Carole King 2:44 3 After All This Time Written-By – Carole King 3:09 4 Love Me Or Let Me Be Lonely Written-By – Anita Poree, Jerry Peters, Skip Scarborough 3:32 5 A Song For You Written-By – Leon Russell 4:15 6 Sho' Nuff Written-By – Billy Preston, Joe Greene 2:44 7 Steamroller Written-By – James Taylor (2) 3:44 8 Same Old Story Written-By – Carole King 4:50 9 Light On The Hill Written-By – Richard Jones 2:40 10 Grandma's Hands Written-By – Bill Withers 3:30 11 Whatever Written-By – Leon Ware 2:40. WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°° °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ---------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition  : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°°   Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.)

Enregistrements "maison" sur platine K7 Aïwa. K7 Maxell Chrome, enregistrements en dolby C. Disques entiers ou meilleurs morceaux: - Police: outlandos d'amour - Neil Young: time fades away - Robert Gordon + Link Wray: fresh fish special - Linda Ronstadt: prisoner in disguise - Murray Head: voices - Bijou: jamais domptés - Cramps: psychedelic jungle - Joy division: still - Echo and the bunnymen: heaven up here - Murray Head: find the crowd - Uriah heep: firefly. Très bon état. Envoi protégé.

U2 A COLLECTION OF U2' S INEDIT LIVE & STUDIO RARITIES FROM 78 TO 86 RARE DOLPCONDITION SLEEVE / VINYL: VG- / VG Tracklist A1 Driving To Midnight Mess A2 Lost In The Silent Planet A3 The Full A4 The Dream Is Over A5 Alone In The Light A6 Dream Vision A7 False Prophet A8 Tonight A9 Inside Out B1 Another Time, Another Place B2 Shadows And Tall Trees B3 Out Of Control B4 Twilight B5 October Instrumental B6 October B7 Wire C1 My Hometown C2 Southern Man C3 Knockin' On Heaven's Door C4 Maggie's Farm C5 Rain / Hard Rain Gonna Fall C6 Help C7 C'mon Everybody D1 Sun City D2 Blowin' In The Wind D3 Leopard Skin Pill Box D4 New Gold Dream D5 Someone Somewhere In Summertime Credits - Cover [Concept] – Nova Graphique - Mastered By – Wretched O'Hara - Photography By [Back Cover Photo] – Colm Henry - Photography By [Front Cover Photo] – Anton Corbijn - Producer – Stoll Woodrok Notes Track A1: U2 wishes from Dublin radio on "New Years' Eve". Tracks A2 to A9: 1978 demos, first studio sessions. Tracks B1 to B4: 1978 first studio sessions of "Boy" songs. Tracks B5 to B6: Alternative versions from 1982, soundtrack "They call that an Accident" Track B7: Gaelic dub mix, 1985 dub version from N.M.E. Track C1: (Bruce Springsteen), Dublin 29/6/85 Track C2: (Neil Young), Mannheim 1/2/85 Track C3: (Bob Dylan), Hammersmith Palace, London 29/3/83 with Mike Peters (Alarm) and Stuart Adamson (Big Country) Track C4: (Bob Dylan), San Francisco, 6/6/86 Track C5: (Beatles/Bob Dylan), Milton Keynes Bowl 24/6/85. Track C6: (Beatles), San Francisco, 6/6/86 Track C7: (Eddie Cochran), Dublin, 17/5/86 Track D1: (Little Steven), San Francisco, 6/6/86 Tracks D2 to D3: (Bob Dylan), Dylan Gig, Scane Ireland 8/7/84 Track D4: (Simple Minds), Simple Minds Gig, Glasgow Barrowsland, 4/1/85 Track D5: (Simple Minds), Werchter Festival, 3/7/83 with Jim Kerr (Simple Minds) Frais de port France uniquement: 7.50 euros  La Poste 16 EUROS WORLDWIDE EUROPE 27 EUROS  USA Règlements: cheque, paypal,...... REGARDEZ MES AUTRES ENCHERES  !!!!

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

THE NAZ BOX - Deluxe Four-Disc Set The definitive Nazareth retrospective 1971-2011 Features over two hours previously unreleased material + Fully illustrated 64-page booklet contains comprehensive notes and a wealth of rare photos. Running time 4hrs 52mins Tracklist 1-1 Dear John 1-2 Friends 1-3 Woke Up This Morning 1-4 If You See My Baby 1-5 Razamanaz 1-6 Bad Bad Boy 1-7 Broken Down Angel 1-8 Go Down Fighting 1-9 This Flight Tonight 1-10 Shanghai'd In Shanghai 1-11 Loved And Lost 1-12 Hair Of The Dog 1-13 Love Hurts 1-14 My White Bicycle 1-15 Vancouver Shakedown 1-16 I Want To Do Everything For You 1-17 Expect No Mercy 1-18 Place In Your Heart 1-19 New York Broken Toy 1-20 Star 2-1 May The Sunshine (Single Mix) 2-2 Holiday 2-3 Heart's Grown Cold 2-4 Every Young Man's Dream 2-5 Crazy (A Suitable Case For Treatment) 2-6 Boys In The Band 2-7 Dream On 2-8 Whippin' Boy 2-9 Where Are You Now 2-10 Sweetheart Tree 2-11 Cinema 2-12 Hit The Fan 2-13 Piece Of My Heart 2-14 Hire And Fire 2-15 Every Time It Rains 2-16 Cry Wolf 2-17 Can't Shake Those Shakes 2-18 Light Comes Down 2-19 Day At The Beach 2-20 Big Dogz Gonna Howl 3-1 Turn On Your Receiver (Bob Harris Jingle) 3-2 Called Her Name (BBC Live Track) 3-3 Country Girl (BBC Live Track) 3-4 Black Hearted Woman (BBC Live Track) 3-5 Goin' Down (BBC Live Track) 3-6 Alcatraz (BBC Live Track) 3-7 Vigilante Man (BBC Live Track) 3-8 Ruby Baby (BBC Live Track) 3-9 Woke Up This Morning / Boogie (BBC Live Track) 3-10 Changing Times (BBC Live Track) 3-11 Honky Tonk Downstairs (BBC Live Track) 3-12 What You Gonna Do About It (BBC Live Track) 3-13 You Got Me Hummin' (BBC Live Track) 3-14 Guilty (BBC Live Track) 4-1 Telegram (BBC Live Track) 4-2 Night Woman (BBC Live Track) 4-3 Born To Love (BBC Live Track) 4-4 Gone Dead Train (BBC Live Track) 4-5 Kentucky Fried Blues (BBC Live Track) 4-6 Teenage Nervous Breakdown (BBC Live Track) 4-7 Paper Sun (Previously Unreleased) 4-8 Storm Warning (Previously Unreleased) 4-9 Mexico (Previously Unreleased) 4-10 Laid To Wasted (Previously Unreleased) 4-11 Read The Book (Previously Unreleased) 4-12 SOS (Previously Unreleased) 4-13 Sunshine Of Your Love (Previously Unreleased) 4-14 See You See Me (Previously Unreleased) 4-15 Heatwave (Previously Unreleased)