Never enough

Maxi 45 Tours Vinyles Code EAN: 0042287790915 Classification Vinyles Secondaire: Pop Rock années 80 Classification Vinyles Primaire: Rock Pop Genre musical: Rock alternatif Titre: never enough Rubrique principale Vinyle: Maxi 45 Tours Lieu de parution: eu

45 Tours Vinyles Code EAN: 0042287790878 Classification Vinyles Secondaire: Pop Rock années 80 Classification Vinyles Primaire: Rock Pop Genre musical: Rock alternatif Titre: NEVER ENOUGH Rubrique principale Vinyle: 45 Tours Lieu de parution: AUSTRALIE

CD Album CD Code EAN: 8715392801921 Rubrique principale CD: CD Album Genre musical: Métal Titre: Never Enough Snuff

8/RAY CHARLES 45 T SP YESTERDAY NEVER HAD ENOUGH OF NOTHING YET FRAIS DE PORTS REDUITS SI ACHATS GROUPES Certains disques de ma boutique ont plus de 50 ans; il se peut que quelques uns ont de petits grésillements à certains endroits à l'écoute.

OTIS RUSH "AIN'T ENOUGH COMIN' IN"  (CD ALBUM 12 TRACKS) Tracklisting 1Don't Burn Down The Bridge4:272That Will Never Do3:223Somebody Have Mercy3:004A Fool To You3:595Homework3:286My Jug And I5:137She's A Good 'Un5:448It's My Own Fault5:139Ain't Enough Comin'In5:5210If I Had Sense, I'd Go Back Home4:5311Ain't That Good News4:1412As The Years Go Passing By7:55 - ÉTAT DU CD:  bon état VG++  rayures de surface qui n'altèrent pas l'écoute (tous mes produits sont de ma collection personnel et testés avant d'être mis sur)    - ÉTAT DU BOITIER:  Bon état VG++ avec des traces d'usages mineures sans conséquence du genre, rayures de surface, marques de stockage voir la photo disponible en zoom  SS SEALED Scellé MINT The record itself is in brand new condition. The cover is in perfect condition. Disque comme neuf.  VG++ The record and the cover are in good condition. Le disque et la pochette sont en bon état. VG+ Not trashed!...just good.  Le disque est dans un état moyen ainsi que la pochette. VG Still not trashed but getting close. Won't skip,  plays acceptably (noise not overwhelming music). Le son du disque comporte des grésillements quasi partout mais se joue, pochette abîmée G The record is dead. The cover also. Le disque et la pochette sont dans un état catastrophique. Attention: Pour les colis Poste nationaux et internationaux pas d'envoi en économique Attention: Tous les colis Poste partent en SUIVIE (Only registered shipping) - livraison protégée lettre bulle, carton, avec suivi, port groupé en cas d'achats multiples (me demander le total après achats) me contacter pour plus de renseignements ou de photos merci de votre visite et bonne journée:)

. Sheryl CROW Tomorrow never dies 2-track CARD SLEEVE    CDsingle     A&M   731458241621   1997        EX/EX 1) LP version 2) Strong enough Lp version   TRACK = Titre °°°°°°°°°°°°°°°°°°°°°° WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ----------------------------------------------------------------------------------------------------------- CARD SLEEVE = Pochette cartonnée °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

Edition remastérisée avec 1 bonus track et un livret 16 pages couleur publiée en 2020 par le label britannique ROCK CANDY sous la référence CANDY430, voir mes photos ! DESPITE ALL THEIR previous trials and tribulations, Legs Diamond released their sixth album in 1990 to wide acclaim, certainly attracting more attention and publicity than their first four records released in the 1970s and 80s. For Legs it was an incredible achievement, having been cast aside for much of the late 80s as a band without a prominent sales base or indeed any chance of a revival. Fortunately, as an underground favourite amongst the cognoscenti, their reputation preceded them with a new record deal (this time on Metal Blade Records) and a chance to actually make an album recorded with precision and finesse rather than pieced together on a shoestring budget. Issued in 1990, the record was considered a real return to form, many saying that it was the best release since their 70s heyday. It also signalled the welcome return of original guitarist Roger Romeo back into the band after several years pursuing other opportunities. With Rick Sanford supplying high octane vocals the band looked and sounded better than ever, with a creative surge that gave birth to twelve ‘gold standard’ songs’ including a blistering re-recording of ‘Stage Fright’ from their debut album. Pushing the envelope even more, the band were now in a financial position to finally tour the UK after years of being unable to afford such a trip. Naturally they received a hero’s welcome and a well deserved salute to their perseverance and tenacity. ‘Town Bad Girl’ is a record that contains a brace of stellar tracks, including ‘City Streets’, ‘Look Into Her Eyes’ and ‘Never Enough Time’, some of the greatest moments in the Legs Diamond cannon. 24-bit remastering from original source tapes, 4,000 word story of the making of the album, full involvement by the band, rare photos, one bonus track, all spread out over a superb 12 page full colour booklet. Track Listing: 1. TOWN BAD GIRL 2. CITY STREETS 3. STAGE FRIGHT 4. WORLD ON FIRE 5. CAN’T GET YOU (OUT OF MY MIND) 6. NEVER ENOUGH TIME 7. LOOK IN HER EYES 8. PAIN KILLER 9. CRY NO MORE 10. I AM FOR YOU 11. SHE DID IT FOR LOVE 12. NERVOUS 13. HEAVEN OR HELL BONUS TRACK 14.TOUCH AND GO

Rare CD McLeods Töchter Best Of / The Best Songs From The Series 20 Titres 1 Did I Tell You? 2 Understand ME 3 Am I Crazy? 4 Common Ground 5 Never Enough 6 Broken Dreams 7 The Man I Loved 8 The Siren's Song 9 Our Home, Our Place 10 Hopeless Case 11 Don't Judge 12 Hey Girl (You Got A New Life) 13 My Heart's Home (Drover's Run) 14 In The Eyes 15 Charlotte's Song 16 Love You, Hate You 17 Sometimes 18 Just A Child 19 My Heart Is Like A River 20 Theme From McLeod's Daughters Le CD Présente des traces d'usage mais l'écoute est TB

JESUS JONES Liquidizer Label: Food ‎(FOODLP 3) Format: Original Vinyl, LP, Inner Sleeve Country: UK Sortie: 1989 Tracklist A1 Move Mountains 3:19 A2 Never Enough 2:41 A3 The Real World 3:03 A4 All The Answers 3:48 A5 What's Going On 3:04 A6 Song 13 4:04 B1 Info Freako 2:51 B2 Bring It On Down 2:37 B3 Too Much To Learn 3:02 B4 What Would You Know? 3:55 B5 One For The Money 2:56 B6 Someone To Blame 4:06

THE CURE  LOT 3 FRENCH SINGLES  7" / 17cm / 45 RPM  PROMO & MISPRINT RARE  Never enough with a promo sticker (ne peut être vendu) Just like heaven/ Breathe: black border with a french picture sticker Just like heaven / Snow in summer: blue border / misprint (breathe) with french picture sticker

The Cure ‎– The Laughing Soup Dish Minneapolis 13/07/1992 ORIGINAL DOUBLE CDS Tracklist 1.1 Open 6:35 1.2 High 3:33 1.3 Pictures Of You 7:43 1.4 Lullaby 4:25 1.5 Just Like Heaven 3:42 1.6 Fascination Street 5:08 1.7 A Night Like This 4:42 1.8 Apart 6:50 1.9 Doing The Unstuck 4:43 1.10 The Walk 3:42 1.11 Let's Go To Bed 3:39 1.12 Friday I'm In Love 3:35 1.13 In Between Days 2:56 1.14 From The Edge Of The Deep Green Sea 8:00 2.1 Never Enough 4:49 2.2 Cut 5:31 2.3 End 8:49 2.4 Love Song 3:51 2.5 Close To Me 4:18 2.6 Why Can't I Be You 3:25 2.7 Primary 4:06 2.8 Boys Don't Cry 2:49 2.9 A Forest 16:04 2.10 To Wish Impossible Things 4:52 2.11 A Letter To Elise 4:47 2.12 M 3:35 2.13 The Figurehead 7:09 Notes All tracks 0n CD1 + CD2 Tracks 1-9 Recorded Live In Minneapolis, July 13th, 1992 CD2 Tracks 10-11 Recorded Live in New Orleans, June 8th, 1992 CD2 Track 12 Recorded Live in Miami, June 4th, 1992 CD2 Track 13 Recorded Live in St. Petersburg, FL, June 5th, 1992 Frais de port France uniquement: 8.50 euros : La Poste FRANCE 16 EUROS: EUROPE 38 EUROS: USA Règlements: cheque, paypal,...... REGARDEZ MES AUTRES ENCHERES  !!!!

THE SOUP DRAGONS Lovegod Format: CD album Label: Big life 13 songs   Titres 1. Never Enough 2. Quelque Jour 3. (My Baby Was A) Cheat 4. New Girl 5. The Visit 6. You 7. Touch Me 8. Innocent 9. Beyond The Furr 10. Close The World Etat: VG+ Chers clients afin de réduire les frais de port pensez à grouper vos achats ! A partir de 100 euros d'achat le port est offert pour la France, la Belgique et le Luxembourg. Envoi par Mondial Relay uniquement! EXPEDITION DE VOS COLIS: LA POSTE ou MONDIAL RELAY Tous nos articles sont envoyés en lettre suivie ou paquet suivi (LA POSTE). Cela permet d’avoir une traçabilité de l’objet et ainsi éviter tout risque de perte. Mais vous avez également la possibilité de recevoir votre paquet en point relais avec la société MONDIAL RELAY. Pour l'Allemagne, l'Autriche, l'Espagne, l'Italie, les Pays-Bas, le Portugal et le Royaume-Uni: vous pouvez recevoir vos colis à domicile par la société Mondial Relay Nous contacter alors pour les tarifs En cas de problème (produit non conforme, produit arrivé déterioré ou autres...) contactez-nous avant de laisser votre évaluation Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

suite a des frais medicaux tres importants,je suis dans l obligation financiere de vendre des objets de ma collection. je ne possede qu un seul exemplaire de chaque objet 1Use Me2Enough Is Never Enough 3Androgyny (Neptunes Remix)Remix – Neptunes*4Vow (Live At Roskilde Festival 1998)5Cherry Lips (Go Baby Go!) (DJEJ’s Go Go Jam) Sampler EP called Garbage:Special Edition, issued while the band toured Japan. The release is sometimes known as Japan Memorial Edition or just Special Edition. The OBI strip includes all four tour dates on the front. The back includes a discography for Japan since Sony took over the control of the releases. Vow was recorded at Roskilde Festival, Denmark in 1998.

gypsy train                  don't chain my heart         never enough        how many times 2 hearts     wings of time       she knows the devil   the other side    only you  kick down the wells    kingdom of desire     jake to the bone

INVISIBLE DIRT. TAXMAN... 5 TRACKS CD ALBUM CD ALBUM NO LABEL (SWITZERLAND)  ♦  NO CATALOGUE NUMBER     1 Taxman 2:14  2 Never Enough 4:23  3 That Train Don't Stop Here 3:53  4 Particular Cake 4:10  5 Last Dance With Mary Jane 4:55     CD IS IN EXCELLENT CONDITION - LE CD EST EN EXCELLENT ETAT CD: EX SLEEVE / POCHETTE: EX

Barbra Streisand - The Essential - 2 x CD       REF:B215-066       Label:Columbia ‎– 506257 2, Columbia ‎– 5062572000, Columbia ‎– COL 506257 2 Format:2 × CD, Compilation, Remastered Country:Europe Sortie:2002 1-1 A Sleepin' Bee 4:22 1-2 Cry Me A River 3:37 1-3 I Stayed Too Long At The Fair 4:20 1-4 Lover, Come Back To Me 2:17 1-5 People 3:40 1-6 My Man 2:58 1-7 Second Hand Rose 2:09 1-8 He Touched Me 3:10 1-9 Don't Rain On My Parade 2:45 1-10 Happy Days Are Here Again 3:14 1-11 On A Clear Day (You Can See Forever) 2:11 1-12 Stoney End 2:59 1-13 Since I Fell For You 3:25 1-14 What Are You Doing The Rest Of Your Life? 3:20 1-15 The Way We Were 3:30 1-16 All In Love Is Fair 3:50 1-17 Lazy Afternoon 3:50 1-18 Evergreen (Love Theme From "A Star Is Born") 3:05 1-19 My Heart Belongs To Me 3:21 1-20 You Don't Bring Me Flowers 3:24 1-21 The Main Event / Fight 4:55 1-22 No More Tears (Enough Is Enough) 4:43 2-1 Woman In Love 3:51 2-2 Guilty 4:24 2-3 Comin' In And Out Of Your Life 4:09 2-4 Memory 3:55 2-5 Papa, Can You Hear Me? 3:29 2-6 A Piece Of Sky 4:20 2-7 Putting It Together 4:21 2-8 Not While I'm Around 3:29 2-9 Send In The Clowns 4:43 2-10 Somewhere 4:56 2-11 All I Ask Of You 4:02 2-12 Children Will Listen 4:09 2-13 As If We Never Said Goodbye 4:44 2-14 I Finally Found Someone 3:41 2-15 Tell Him 4:51 2-16 I've Dreamed Of You 4:44 2-17 Someday My Prince Will Come 4:06 2-18 You'll Never Walk Alone 4:3

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

33 Tours LP   BLACK SHEEP NON-FICTION  MERCURY 314 522 685-1  2 LP USA Year: 1994 Hip Hop Cover: NM Record: NM See photos. My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cove

33 TOURS LP ATOMIC ROOSTER Holland 1970 Fontana Stereo 6369 001 Cover: VG Record: VG- Small writings on back cover (bottom left side). See photos. Record with several surface scuffs. VIEW VIDEO ON INSTAGRAM (click here) (Doesn’t work on iphone app, use Safari or Chrome browser) My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as

33 Tours LP   DON CHERRY & The Jazz Composer's Orchestra RELATIVITY SUITE JCOA Records VIRGIN JLP 2001 Dischi Ricordi ITALY Year: 1974 Jazz Free Jazz Cover: VG++ Record: NM Back cover a bit dirty and with ring wear. See photos. My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG cov

lot de 11 vinyles dépêche mode marbled colors maxi 45 et 33 tour. État : "Occasion" 1)maxi 45 blasphemous rumours,couleur: gris,1984        studio side: blasphemous rumours        live side:     somebody                           two minute warning                           ice machine                           everything counts 2)maxi 45 édition spécial shake the disease, couleur: marbrer gris,1985        side1: shake the disease(edit the shake)                  master and servante(live)        side2:flexible(pre deportation mix)                 something to do(metalmix) 3)maxi 45 édition spécial people are people,couleur:marbrer rouge, 1984         side1:people are people(on sound remix)         side2:people are people                   in your memory 4)album 33 tours music for the masses, couleurs bleu translucide, 1987 side2:behind the wheel           i want you now           to have and to hold           nothing           pimpf 5)album 33 tours the singles 81 a 85, couleur gris side1:dreaming of me           new life           just can't get enough           see you           leave in silence           get the balance right           everything counts side2:love in itself           people are people           master and servant           blasphemous rumours           shake the disease           it's called a heart 6)maxi 45 people are people, couleur vert marbrer, 1984 side1:people are people side2:in your memory 7)maxi 45 stripped highland mix, couleur bleu marbrer, 1986 side1:stripped(highland mix)           but not tonight(extented mix) side2:breathing in fumes           fly on the windscreen(quiet mix)           black day 8)maxi45 never let me down again split mix, couleur orange translucide, 1987 side1:never let me down again(split mix) dide2:pleasure little treasure(glitter mix)           never let me down again(aggro mix) 9)album 33 tours some great reward, couleur gris, 1984 side1:something to do           lie to mie           people are people           it doesn't matter           stories of old side2:somebody           master and servant           if you want           blasphemous rumours 10)maxi 45 master and servant, couleur gris marbrer, 1984 side1:master and servant(slavery whip mix) side2:set me free remotive me(release mix)          master and servant(voxless mix) 11)maxi 45 behind the wheel, couleur jaune translucide, 1988 side1:behind the wheel(beatmasters mix) side2:route 66(casualty mix) vente en lot uniquement

PLEASE WAIT THE INVOICE BEFORE SENDING PAYMENT !!!!!!!!  INFORMATIONS: ITALIAN press GRADING COVER/RECORD:  SEALED SHIPPING COST:  to France:  8€ for 1 record; 1€ per additionnal item to Europe:   14€ for 1 record; 1€ per additionnal item  to Rest of the world: 24€ for 1 record; 2€ per addtionnal item ALL shipping are REGISTRED with TRACKING NUMBER.   RECORD AND COVER GRADING: MINT (M) These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. There is no set percentage of the Near Mint value these can bring; it is best negotiated between buyer and seller. NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++ or E+). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. That said, VG records — which usually sell for no more than 25 percent of a NM record — are among the biggest bargains in record collecting, because most of the “big money” goes for more perfect copies. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would resid

Interprète    :      Fleetwood Mac Album         :   Tusk Type            : 2 x 33T     LP   Album  Année         : 1979 Référence   : WB 088 Label           : WB Distribution: CBS Pressage    : Germany Qualité Pochette     : M Qualité Disque        : Ex Genre Musical Rock Tracklist A1 Over & Over Written-By – Christine McVie 4:35 A2 The Ledge Written-By – Lindsey Buckingham 2:02 A3 Think About Me Written-By – Christine McVie 2:44 A4 Save Me A Place Written-By – Lindsey Buckingham 2:40 A5 Sara Written-By – Stevie Nicks 6:26 B1 What Makes You Think You're The One Written-By – Lindsey Buckingham 3:28 B2 Storms Written-By – Stevie Nicks 5:28 B3 That's All For Everyone Written-By – Lindsey Buckingham 3:04 B4 Not That Funny Written-By – Lindsey Buckingham 3:19 B5 Sisters Of The Moon Written-By – Stevie Nicks 4:36 C1 Angel Written-By – Stevie Nicks 4:53 C2 That's Enough For Me Written-By – Lindsey Buckingham 1:48 C3 Brown Eyes Written-By – Christine McVie 4:27 C4 Never Make Me Cry Written-By – Christine McVie 2:14 C5 I Know I'm Not Wrong Written-By – Lindsey Buckingham 2:59 D1 Honey Hi Written-By – Christine McVie 2:43 D2 Beautiful Child Written-By – Stevie Nicks 5:19 D3 Walk A Thin Line Written-By – Lindsey Buckingham 3:44 D4 Tusk Performer – The U.S.C. Trojan Marching Band Written-By – Lindsey Buckingham 3:36 D5 Never Forget Written-By – Christine McVie 3:40   ---------------------------------------------------------------------------------------------------- Envoi sous pochette bulle  Virement banquaire préféré à Paypal si possible Compléments d'information sur simple demande Regarder mes autres ventes Réduction du port pour envois groupés   Trouvez ci-dessous la codification "Etat des pochettes et disques" Code  Traduction Etat Pochette  S Neuf (emballé) Le disque est encore sous son emballage d'origine. M Comme neuf La pochette est comme neuve, elle n'est juste plus sous son emballage d'origine. NM Comme neuf- La pochette est presque parfaite, pouvant comporter de très minimes signes d’usure. Par contre le dessin artistique ou la photo de la pochette doit être aussi impeccable que possible. EX Excellent La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. VG+ Très bon + La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. VG- Très bon - La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. G Pauvre L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... B Mauvais L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... NA Non applicable La pochette est manquante ou ce code n'est pas applicable à ce type d'articles (Pochette neutre blanche ou noire, livres, merchandising,...). Code  Traduction Etat Disque S Neuf (emballé) Le disque est encore sous son emballage d'origine. M Comme neuf Le disque est absolument parfait, comme neuf. Il n'est juste plus sous son emballage d'origine. NM Comme neuf- Le disque est presque parfait. Un frottement peut être constaté sur le disque, mais doit être vraiment moindre. Il ne doit y avoir aucun effet sur la qualité sonore du disque. Si c’est le cas, même minime, il ne pourra plus être considéré comme NM ou M- EX Excellent Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG+ Très bon + C'est l'état le plus courant des disques de deuxième main. Les disques ont quelques rayures qui n'affectent pas la qualité sonore. Certains crépitements peuvent être audibles sur des platines très sensibles. VG- Très bon - Les signes de l'âge sont présents. Le disque a des rayures et marques qui affectent la qualité sonore avec des craquements et sautements. G Pauvre La qualité du son est détériorée par les nombreuses lectures, il y a un souffle et il peut y avoir des sautements et craquements. On ne distingue pratiquement plus les sillons du disque. B Mauvais La qualité du son est détériorée par les nombreuses lectures, il y a un souffle et il peut y avoir des sautements et craquements. On ne distingue pratiquement plus les sillons du disque. NA Non applicable Le disque est manquant ou ce code n'est pas applicable à ce type d'articles (livres, merchandising,...).       Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

Interprète    :      Fleetwood Mac Album         :   Tusk Type            : 2 x 33T     LP   Album  Année         : 1979 Référence   : WB 088 Label           : WB Distribution: CBS Pressage    : Germany Qualité Pochette     : M Qualité Disque        : Ex Genre Musical Rock Tracklist A1 Over & Over Written-By – Christine McVie 4:35 A2 The Ledge Written-By – Lindsey Buckingham 2:02 A3 Think About Me Written-By – Christine McVie 2:44 A4 Save Me A Place Written-By – Lindsey Buckingham 2:40 A5 Sara Written-By – Stevie Nicks 6:26 B1 What Makes You Think You're The One Written-By – Lindsey Buckingham 3:28 B2 Storms Written-By – Stevie Nicks 5:28 B3 That's All For Everyone Written-By – Lindsey Buckingham 3:04 B4 Not That Funny Written-By – Lindsey Buckingham 3:19 B5 Sisters Of The Moon Written-By – Stevie Nicks 4:36 C1 Angel Written-By – Stevie Nicks 4:53 C2 That's Enough For Me Written-By – Lindsey Buckingham 1:48 C3 Brown Eyes Written-By – Christine McVie 4:27 C4 Never Make Me Cry Written-By – Christine McVie 2:14 C5 I Know I'm Not Wrong Written-By – Lindsey Buckingham 2:59 D1 Honey Hi Written-By – Christine McVie 2:43 D2 Beautiful Child Written-By – Stevie Nicks 5:19 D3 Walk A Thin Line Written-By – Lindsey Buckingham 3:44 D4 Tusk Performer – The U.S.C. Trojan Marching BandWritten-By – Lindsey Buckingham 3:36 D5 Never Forget Written-By – Christine McVie 3:40   ---------------------------------------------------------------------------------------------------- Envoi sous pochette bulle  Virement banquaire préféré à Paypal si possible Compléments d'information sur simple demande Regarder mes autres ventes Réduction du port pour envois groupés   Trouvez ci-dessous la codification "Etat des pochettes et disques" Code  Traduction Etat Pochette  S Neuf (emballé) Le disque est encore sous son emballage d'origine. M Comme neuf La pochette est comme neuve, elle n'est juste plus sous son emballage d'origine. NM Comme neuf- La pochette est presque parfaite, pouvant comporter de très minimes signes d’usure. Par contre le dessin artistique ou la photo de la pochette doit être aussi impeccable que possible. EX Excellent La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. VG+ Très bon + La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. VG- Très bon - La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. G Pauvre L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... B Mauvais L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... NA Non applicable La pochette est manquante ou ce code n'est pas applicable à ce type d'articles (Pochette neutre blanche ou noire, livres, merchandising,...). Code  Traduction Etat Disque S Neuf (emballé) Le disque est encore sous son emballage d'origine. M Comme neuf Le disque est absolument parfait, comme neuf. Il n'est juste plus sous son emballage d'origine. NM Comme neuf- Le disque est presque parfait. Un frottement peut être constaté sur le disque, mais doit être vraiment moindre. Il ne doit y avoir aucun effet sur la qualité sonore du disque. Si c’est le cas, même minime, il ne pourra plus être considéré comme NM ou M- EX Excellent Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG+ Très bon + C'est l'état

PHIL COLLINS Take A Look At Me Now...  Coffret 8CD Box Édition Limitée Remasters. Légères traces de frottements sur la box. CD et leur pochette en excellent état. Face Value - 1-1 In The Air Tonight 5:36 - 1-2 This Must Be Love 3:56 - 1-3 Behind The Lines 3:55 - 1-4 The Roof Is Leaking 3:16 - 1-5 Droned 2:49 - 1-6 Hand In Hand 5:22 - 1-7 I Missed Again 3:46 - 1-8 You Know What I Mean 2:33 - 1-9 Thunder And Lightning 4:13 - 1-10 I'm Not Moving 2:35 - 1-11 If Leaving Me Is Easy 4:55 - 1-12 Tomorrow Never Knows 4:52 Hello, I Must Be Going! - 2-1 I Don't Care Anymore 5:05 - 2-2 I Cannot Believe It's True 5:16 - 2-3 Like China 5:08 - 2-4 Do You Know, Do You Care? 4:58 - 2-5 You Can't Hurry Love 2:55 - 2-6 It Don't Matter To Me 4:17 - 2-7 Thru These Walls 5:05 - 2-8 Don't Let Him Steal Your Heart Away 4:44 - 2-9 The West Side 5:02 - 2-10 Why Can't It Wait 'til Morning 3:11 No Jacket Required - 3-1 Sussudio 4:24 - 3-2 Only You Know And I Know 4:21 - 3-3 Long Long Way To Go 4:22 - 3-4 I Don't Wanna Know 4:15 - 3-5 One More Night 4:51 - 3-6 Don't Lose My Number 4:48 - 3-7 Who Said I Would 4:01 - 3-8 Doesn't Anybody Stay Together Anymore 4:18 - 3-9 Inside Out 5:15 - 3-10 Take Me Home 5:51 - 3-11 We Said Hello Goodbye 4:21...But Seriously - 4-1 Hang In Long Enough 4:45 - 4-2 That's Just The Way It Is 5:20 - 4-3 Do You Remember? 4:36 - 4-4 Something Happened On The Way To Heaven 4:51 - 4-5 Colours 8:51 - 4-6 I Wish It Would Rain Down 5:27 - 4-7 Another Day In Paradise 5:22 - 4-8 Heat On The Street 3:51 - 4-9 All Of My Life 5:35 - 4-10 Saturday Night And Sunday Morning 1:25 - 4-11 Father To Son 3:27 - 4-12 Find A Way To My Heart 6:14 Both Sides - 5-1 Both Sides Of The Story 6:43 - 5-2 Can't Turn Back The Years 4:40 - 5-3 Everyday 5:43 - 5-4 I've Forgotten Everything 5:15 - 5-5 We're Sons Of Our Fathers 6:24 - 5-6 Can't Find My Way 5:09 - 5-7 Survivors 6:05 - 5-8 We Fly So Close 7:33 - 5-9 There's A Place For Us 6:52 - 5-10 We Wait And We Wonder 7:01 - 5-11 Please Come Out Tonight 5:49 Dance Into The Light - 6-1 Dance Into The Light 4:25 - 6-2 That's What You Said 4:20 - 6-3 Lorenzo 5:51 - 6-4 Just Another Story 6:24 - 6-5 Love Police 4:11 - 6-6 Wear My Hat 4:44 - 6-7 It's In Your Eyes 3:02 - 6-8 Oughta Know By Now 5:31 - 6-9 Take Me Down 3:22 - 6-10 The Same Moon 4:08 - 6-11 River So Wide 4:57 - 6-12 No Matter Who 4:40 - 6-13 The Times They Are A-Changin' 5:08 Testify - 7-1 Wake Up Call 5:15 - 7-2 Come With Me 4:34 - 7-3 Testify 6:31 - 7-4 Don't Get Me Started 4:41 - 7-5 Swing Low 5:08 - 7-6 It's Not Too Late 3:59 - 7-7 This Love This Heart 4:04 - 7-8 Driving Me Crazy 4:37 - 7-9 The Least You Can Do 4:21 - 7-10 Can't Stop Loving You 4:16 - 7-11 Thru My Eyes 5:07 - 7-12 You Touch My Heart 4:46 The Essential Going Back - 8-1 Going Back 4:38 - 8-2 Girl (Why You Wanna Make Me Blue) 2:32 - 8-3 (Love Is Like A) Heatwave 2:53 - 8-4 Some Of Your Lovin' 3:18 - 8-5 Going To A Go-Go 2:48 - 8-6 Papa Was A Rolling Stone 6:44 - 8-7 Loving You Is Sweeter Than Ever 2:47 - 8-8 Something About You 2:46 - 8-9 Talkin About My Baby 2:48 - 8-10 Do I Love You 2:50 - 8-11 Never Dreamed You'd Leave In Summer 3:00 - 8-12 Take Me In Your Arms (Rock Me For A Little While) 2:57 - 8-13 Too Many Fish In The Sea 2:30 - 8-14 Uptight (Everything's Alright) 3:03

Etat/Condition: Trés bon état /Ex condition.   Caractéristiques de l'objet / Technical Spec: CD dans une pochette cartonnée / CD in a cardboard sleeve. Description: Label: Powerage Records ‎ Format: CD Album, Promo Country: UK Released: 2009 Genre: Rock Style: Hard Rock Tracklist 1 Make My Day 2 Never Say Never 3 You've Got It Comin' 4 In The Fading Light (Single) 5 On Fire 6 Pedal To The Metal 7 Until The End 8 Moth To The Flame 9 Seven Nights, Seven Bodies 10 Heaven Knows 11 Hope Is Not Enough 12 Takin' Over (Single) Frais et délai de livraison  WE COMBINE SHIPPING NOUS REGROUPONS LES FRAIS DE PORT Pour toute commande supérieure à 25 euros, envoi en colissimo ou recommandé avec supplément, merci d'attendre la facture. FOREIGN ERS: For foreign ers, if the gran total is up than 25 euros, including shipping, parcel will be sent airmail registered. 5 additional euros will be asked. Please wait your invoice before paying.   Modalités de paiement et d'envoi des objets / p&p: Tous mes envois sont protégés: enveloppes à bulles ou cartonnées en fonction de l'objet. Si le paiement est effectué par Paypal, envoi de l'objet le jour même. All items are sended securely in cardboards or bubbles enveloppes. Payment accepted are: Paypal (the best way for me), bank money transfer for europeans ers. All parcel ar sended airmail. Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

45 TOURS RAY CHARLES Yesterday/Never had enough of nothing yet STATESIDE BIEM FSS 525 M-/M

Auteur ____________________________________________________________ Richard Harman Date de parution ____________________________________________________________ Septembre 2013 Éditeur ____________________________________________________________ Dalton Watson Etat ____________________________________________________________ Neuf Format ____________________________________________________________ 21,5 x 30,5 cm Illustration ____________________________________________________________ Plus de 1500 photos couleur et NB Langue ____________________________________________________________ Anglais Nombre de pages ____________________________________________________________ 844 en 2 volumes Reliure ____________________________________________________________ Couvertures rigides sous jaquette + coffret rigide illustré + malette carton Cunningham  was a name which cropped-up in my  earliest memories of Le Mans  and as my interest in  motor racing developed, I found the longer distance events for S ports Cars  far more enticing that the increasingly shorter  Grand Prix races.  The Cunningham  was just a car and I knew nothing about the man behind their existence until my knowledge expanded through an increasingly extensive  library of motor racing books and magazines, of which I could never get enough.  The  Briggs Cunningham  story gradually emerged and fascinated me, as he was part of the emergence of  road racing in his country. The similar development of  road racing in Europe  had taken place years before my time and was already well-developed when y interest in the sport began.  The stories behind the great European races  enthralled me, even though they were history, but in  America the similar, often troubled beginnings of the  sport, happened during my life-time. My thirst for more knowledge of these events was insatiable, but hampered by a severe lack of readily available information. In retrospect, the  European press belittled American motor race   events  and considered them unimportant. Even the major motor races in the  USA, some of which pre-dated many great European events, were virtually ignored.

Très bon état, livret un peu usé, rarement écouté. 1-1     –Covenant*     Chariots Of Thunder     5:48 1-2     –Dismember     Beyond The Unholy Grave     3:00 1-3     –Sinister     Aggressive Measures     3:44 1-4     –Benediction     Deadfall     4:41 1-5     –Raise Hell     Raise The Devil     4:37 1-6     –Dimmu Borgir     Masses For A New Messiah     5:11 1-7     –Hypocrisy     Time Warp     3:59 1-8     –Agathodaimon     Ribbons/Requiem '99     7:00 1-9     –Children Of Bodom     Children Of Bodom     5:10 1-10     –Gorgoroth     Destroyer     3:50 1-11     –Reaper*     Ungodly     5:14 1-12     –Death      Spirit Crusher     6:45 1-13     –Godgory     Death In Black     5:21 1-14     –Satyricon     Nemesis Divina (Clean Vision Mix)     5:16 1-15     –In Flames     Embody The Invisible     3:40 1-16     –Gardenian     Deserted     3:01 1-17     –S.O.D.*     Evil Is In     2:06 2-1     –Primal Fear     Save A Prayer     3:40 2-2     –Hollow       Rebellion     4:47 2-3     –Hammerfall     Legacy Of Kings     4:13 2-4     –Narnia     Can't Get Enough Of You     5:29 2-5     –Pyogenesis     It's O.K.     2:56 2-6     –Sinner     Calm Before The Storm     3:30 2-7     –Steel Prophet     Montag     5:59 2-8     –New Eden     Demons Of Earth     5:38 2-9     –Therion     The Rise Of Sodom And Gomorrah     6:46 2-10     –Stahlhammer     Feind Hört Mit     5:46 2-11     –Dismal Euphony     All Little Devils     4:11 2-12     –Am I Blood     Gift     4:48 2-13     –Crematory     I Never Die     5:53 2-14     –Meshuggah     The Mouth Licking What You've Bled     3:57 2-15     –Pegazus     Apache Warrior     3:33 2-16     –Sinergy      Beware The Heavens     3:55 2-17     –Drecksau     Schaender     3:50

En vente un coffret / Box Set de depeche mode en édition limitée/ Limited Edition, Numbered N°2407 6 × Vinyl, LP, Compilation sorti en 2004. 6 vinyls contenant des remixes electro des plus grands titres de Depeche mode:  Never Let Me Down Again (Split Mix), Policy Of Truth (Capitol Mix), I Feel You (Renegade Soundwave Afghan Surgery Mix), Barrel Of A Gun (Underworld Hard Mix), Just Can't Get Enough (Schizo Mix), Personal Jesus (Pump Mix), World In My Eyes (Mode To Joy), Everything Counts (Absolut Mix), In Your Room (The Jeep Rock Mix), Master And Servant (An ON-USound Science Fiction Dance Hall Classic), Enjoy The Silence (Timo Maas Extended Remix), A Question Of Lust (Remix), Enjoy The Silence (Reinterpreted), etc!!!! Les disques n'ont pas été écoutés. La boite est en bon état.  Les pochettes intérieures et l'emboitement proche du neuf. A saisir pour les fans!!!! Envoi mondial relay.