Obtained

I sell high quality 3D adapters to use 35mm film in medium format cameras. Type Pentax, Semflex, Rolleiflex, Mamiya, Plaubel, Hasselblad, Makina, Bronica, Fufifilm, Yashica, Contax, ADOX. Just put a pair of these adapters on each side of the film and you get a 135 film with the dimensions of a film 120. I recommend using two pairs to facilitate use and get a better flatness of the film. The effect obtained, according to the medium format format, can be a panoramic impression and the exposure of the notches of the film 135. This also makes it possible to use emulsions existing only in 35mm format in a medium format. I recommend using two pairs for ease of use and better flatness of the film. Sample photo made with a Pentax 6x7. I remain at your disposal for any further information. Price for a pair: 6, 5 € Please contact me if you want to order several devices. Economic shippings from France. INTERNATIONAL BUYER: IF YOU WANT A TRACKING LINK THIS EXTRA SERVICE COST 3,2€. FRENCH POST IS SAFE. Trackink link isn't necessary. Won't be responsible for any lost from your national post. Vends des adaptateurs 3D haut qualité pour utiliser des pellicules 35mm dans des appareils moyens formats. Type Pentax, Semflex, Rolleiflex, Mamiya, Plaubel, Hasselblad, Makina, Bronica, Fufifilm, Yashica, Contax, ADOX. Il suffit d'enfiler sur chaque côté de la pellicule une paires de ces adaptateurs et vous obtenez une pellicule 135 aux dimensions d'une pellicule 120. Je recommande d'utiliser deux paires afin de faciliter l'utilisation et d'obtenir une meilleure planéité du film. L'effet obtenu, en fonction du format de moyen format peut être une impression de panoramique et l'exposition des crans de la pellicule 135. Cela permet aussi d'utiliser des émulsions n'existant qu'en format 35mm dans un moyen format. Je recommande d'utiliser deux paires pour un confort d'utilisation et une meilleure planéité du film. Photo d'exemple réalisée au Pentax 6x7. Je reste à votre disposition pour toute information complémentaire. Prix pour une paire: 6, 5€ Envoi possible en lettre verte à 80cts. Paiement PayPal, Chèque, RIB. argentique, film camera, pentacon, vivitar, leica, helios, pellicule, vintage, objectif, 35mm, film roll, hasselblad, pentax, canon, nikon, m42, monture universel, m39, slr, reflex camera, argentique, camera obscura, pinhole, stenope, pentacon, olympus, voigtlander, moyen format, shutter, flash, kodak, fujifilm, agfa, adox, bergger, tetenal, jobo, ilford, minolta, lens, lenses, mamiya, plaubel, makina, xpan

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself. I bought it used from the exclusive Schoeps French distributor Areitec in 2017, so it should be in good working condition. Invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

l s’agit de la première version des fameuses cremona, mais les enceintes et pieds sont dans un état exceptionnel proche du neuf Paire vendue avec les pieds d’origine sonus faber qui s’adaptent parfaitement sur les enceintes  Très belle finition graphite MINT PAIR OF GRAPHITE SONUS FABER CREMONA AUDIOTA WIT OIRGINAL ANS SOLID FEET IN MINT CONIDITION AS WELL System: 2 way vented box loudspeaker – Cabinet: lute shape design, combination of sandwich construction obtained using hand selected wood layers and solid maple, quality graded and oriented for carefully optimized resonances and standing waves control. – Tweeter: 25 mm ultra dynamic ring radiator-driver. – Mid-woofer: 150 mm cone driver with symmetric drive motor system and selected black wood fiber cone, high resolution, treated for break-up control. Dynamic linear suspension. Sonus faber Exclusive. – Cross-over: non-resonant first order design, optimized phase characteristics for optimal space / time performance, cross-over point 2.500 hz. – Frequency response: 50 hz – 30.000 hz, tuning ports included. – Sensitivity: 88 db spl (2,83 v/1m). – Nominal impedance: 4 ohm. – Power handling: 40w – 150w, without clipping. – Finish: natural maple. – Dimensions: 353 x 202 x 365 mm – poids: 18,4 kg la paire –  22,3 kg avec emballages sans les pieds Tarif des enceintes avec les pieds: 4500 € Vendeur pro, facture, garantie, expedition rapide et sécurisé par UPS

Fully restored Sony WM-2 It is in fully working order and fully serviced The Walkman was completely disassembled, cleaned from old oil and grease and re-lubricated New belt fitted, speed and head azimuth calibrated  New Rewind gear All electrolytic capacitors were replaced with high grade Nichicon Great audio quality This Walkman is the early version of WM-2 range and do not suffer from any broken center gear, there is NO clicking and the center gear will never break Battery compartment is very clean, no acid leak Battery cover NOT present, could be obtained as 3D printed here on from other seller Belt clip/holder NOT present Head demagnetized  The player is in good condition, considering its age, see pictures Some scuffs and scratches For collectors and ready to be used daily See my other Walkmans auctions Paypal only Free Shipping

VP-5040 Specifications System: Video recording system: Rotary two-head helical scan system Luminance: FM recording Colour Signal: Converted subcarrier direct recording Video signal system: CCIR standards PAL or SECAM colour system EIA standard NTSC 4.43 Video: Output: BNC type: 1.0Vp-p +- 0,2V, 75 ohms, unbalanced sync negative TV output: 8-pin x1 Horizontal resolution: 250 lines Signal-to-noise ratio: Better than 45dB Audio: Outputs: LINE: Phonojack CH1/2 -5dBm (47k ohm load), unbalanced TV: 8-pin x1 Signal-to-noise ratio: Better than 48 (at 3% distortion level) Distortion: Less than 2% Frequency response: 50Hz to 15kHz Special Functions: Pause A still picture is obtained, with automatic long pause function Search Approximately 5 times of normal speed in forward and reverse directions Remote Control: Possible with optional wired remote control. RF Output: Possible with optional RFK-660UB adaptor Tape transport: Tape speed: 9,53 cm/sec Playback time: 60 min (with Sony KSP-60 U-matic videocassettes) Fast forward time: Less than 4 min (with Sorry KSP-60 U-matic videocassettes) Rewind time: Less than 4 min (with Sorry KSP-60 U-matic videocassettes) Useable tapes: BRS,XBR,KSP type tape. General: Power requirements: AC 220 / 24OV, +- 10%, 50/60Hz +- 10% Power consumption: 53W Operating temperature: 5C to 40C (41F to 104F) Dimensions: Approx. 424(W) x 193(H) x 489(D) mm Weight: Approx. 16 kg (35 lb 4 Oz) Supplied accessories: AC cord, Operation manual

Fully restored Sony WM-2 It is in fully working order and fully serviced The Walkman was completely disassembled, cleaned from old oil and grease and re-lubricated New belt fitted  Speed and head azimuth calibrated  New Rewind gear New pinch roller Head demagnetized  All electrolytic capacitors were replaced with high end Audio grade Nichicon Great audio quality and very punchy sound This Walkman is the early version of WM-2 range and do not suffer from any broken center gear, there is NO clicking and the center gear will never break Battery compartment is very clean, no acid leak Battery cover NOT present, could be obtained as 3D printed here on from other seller Belt clip/holder present The player is in good condition, considering its age, see pictures Some scuffs and scratches For collectors and ready to be used daily See my other Walkmans auctions Paypal only or Bank transfer Free Shipping

The NiSi V5 Alpha 100mm Filter Holder is designed to allow for the convenient use of 100mm wide, 2mm thick filters. Use of this filter holder is easily accomplished by first screwing the included NiSi adapter ring for the V5 Alpha 100mm Filter Holder onto a lens with 82mm front filter threads. For lenses with front filter threads for diameters smaller than 82mm, a separately available step-up ring can be installed between the lens and the included adapter ring. After being fitted onto the adapter ring, the filter holder's pull-and-release locking pin helps to provide a reliable, yet adjustable connection that allows the holder to be rotated 360°, permitting the use of graduated neutral density and other filters that are enhanced by varied positioning. The NiSi V5 Alpha 100mm Filter Holder is preinstalled with three pairs of filter slots, a configuration that accommodates three rectangular filters. Each slot is designed to grip an installed filter only along the surface of the filter's edges. Contact with a filter's front- or rear-facing surfaces is avoided, particularly when using graduated filters whose effect can be adjusted to better suit changing lighting conditions or creative demands by sliding them up or down within a filter slot. This filter holder can be used with a separately available NiSi 82mm Adapter Ring for C4 Cinema Filter Holder Kit and V5 100mm or V5 Pro 100mm Filter Holder Kits instead of its included adapter ring. If used with that separately available adapter ring, along with either a separately available NiSi 86mm Circular Polarizer Filter for Select NiSi Filter Holder Kits or a NiSi 86mm Enhanced Circular Polarizer Filter for Select NiSi Filter Holder Kits, the NiSi V5 Alpha 100mm Filter Holder can help create a filter holder kit that offers the same essential functions as a NiSi V5 Pro 100mm Filter Holder Kit. Adapter rings for lenses with 86mm or 95mm front filter threads are also separately available. The combination of either of those adapter rings with the filter holder cannot accommodate a NiSi 86mm circular polarizer filter; however, a polarization effect can instead be obtained by placing a separately available, 100mm wide, 2mm thick polarizer filter between one pair of the filter holder's slots. Durable aluminum alloy filter holder provides three pairs of filter slots, a configuration that accommodates up to three separately available 100mm wide, 2mm thick filters Each slot is designed to grip an installed filter only along the surface of the filter's edges, avoiding contact with a filter's front- or rear-facing surfaces Use of the filter holder can be easily accomplished by first screwing the included 82mm adapter ring onto a lens with 82mm front filter threads For lenses with front filter threads for diameters smaller than 82mm, a separately available step-up ring can be installed between the lens and the included adapter ring Pull-and-release locking pin on filter holder allows for a reliable connection to the 82mm adapter ring which allows the holder to be rotated 360° Durable and lightweight aluminum alloy construction

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself with mikes. It is a former demo unit from the exclusive Schoeps French distributor Areitec. I bought it from them in 2017, so it should be in good working condition. Original invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

Condition TEST (datasheet) TESTED AT 250V As it is hard to tell how bright is a tube, I used a non scientific protocole to determine it using the phone app b'"'luxmètreb'"'. Always expect tubes to be a little less shiny than in photo. ALSO, due to contrast on the camera, you should not compare pictures on my other bids. Trust me, there's a real/huge difference between a 20lx tube and a 100lx one, that picture doesn't show clearly... I tested 40 tubes this way so you can compare results obtained through all the bids of my EM4. I unsealed some Miniwatt EM4, tests values were from 64 lx to 150 lx. 0 lx = no light 44.EM4.1 MINIWATT 83 lx VISSEAUX 77 lx EM4.12 MINIWATT 71 lx CHOOSE THE ONE YOU WANT... ASK FOR OTHER REFERENCES IF NEEDED. THE ENTIRE STOCK IS NOT ONLINE. I COMBINE SHIPPING. EUROPE COUNTRIES, YOU CAN ASK FOR MONDIAL RELAY DELIVERY SERVICE. IT'S LESS EXPENSIVE THAN LAPOSTE, ASK BEFORE PAYING IF YOU CHOOSE THIS SERVICE. TUBES ARE GLASS MADE, THEY ARE FRAGILE. IF YOU SELECT A SIMPLE b'"'BUBBLE LETTERb'"' FOR THE DELIVERY, I WON'T BE RESPONSIBLE IF THEY ARE BROKEN... YOU ASSUME ENTIRE CUSTOMS FEES. En savoir plus

Condition TEST (datasheet) TESTED AT 250V As it is hard to tell how bright is a tube, I used a non scientific protocole to determine it using the phone app b'"'luxmètreb'"'. Always expect tubes to be a little less shiny than in photo. ALSO, due to contrast on the camera, you should not compare pictures on my other bids. Trust me, there's a real/huge difference between a 20lx tube and a 100lx one, that picture doesn't show clearly... I tested 20 tubes this way so you can compare results obtained through all the bids of my EM4. 0 lx = no light I unsealed some Miniwatt EM4, tests values were from 64 lx to 150 lx. 39.EM4.7 105 lx ASK FOR OTHER REFERENCES IF NEEDED. THE ENTIRE STOCK IS NOT ONLINE. I COMBINE SHIPPING. EUROPE COUNTRIES, YOU CAN ASK FOR MONDIAL RELAY DELIVERY SERVICE. IT'S LESS EXPENSIVE THAN LAPOSTE, ASK BEFORE PAYING IF YOU CHOOSE THIS SERVICE. TUBES ARE GLASS MADE, THEY ARE FRAGILE. IF YOU SELECT A SIMPLE b'"'BUBBLE LETTERb'"' FOR THE DELIVERY, I WON'T BE RESPONSIBLE IF THEY ARE BROKEN... YOU ASSUME ENTIRE CUSTOMS FEES. En savoir plus Collaboration commerciale.

Condition TEST (datasheet) TESTED AT 250V As it is hard to tell how bright is a tube, I used a non scientific protocole to determine it using the phone app b'"'luxmètreb'"'. Always expect tubes to be a little less shiny than in photo I tested 50 tubes this way so you can compare results obtained through all the bids of my EM4 or EM34. I unsealed some Miniwatt EM4, tests values were from 64 lx to 150 lx. 0 lx = no light EM4 4-EM4-20,10 DARIO piece of glue moving inside the base 24 lx EM4 50-EM4,5 MINIWatt 24 lx EM4 18-EM4-20 piece of glue moving inside the base 25 lx CHOOSE THE ONE YOU WANT... ASK FOR OTHER REFERENCES IF NEEDED. THE ENTIRE STOCK IS NOT ONLINE. I COMBINE SHIPPING. EUROPE COUNTRIES, YOU CAN ASK FOR MONDIAL RELAY DELIVERY SERVICE. IT'S LESS EXPENSIVE THAN LAPOSTE, ASK BEFORE PAYING IF YOU CHOOSE THIS SERVICE TUBES ARE GLASS MADE, THEY ARE FRAGILE. IF YOU SELECT A SIMPLE b'"'BUBBLE LETTERb'"' FOR THE DELIVERY, I WON'T BE RESPONSIBLE IF THEY ARE BROKEN... YOU ASSUME ENTIRE CUSTOMS FEES. En savoir plus Collaboration commerciale.

Condition TEST (datasheet) TESTED AT 250V As it is hard to tell how bright is a tube, I used a non scientific protocole to determine it using the phone app b'"'luxmètreb'"'. Always expect tubes to be a little less shiny than in photo. ALSO, due to contrast on the camera, you should not compare pictures on my other bids. Trust me, there's a real/huge difference between a 20lx tube and a 100lx one, that picture doesn't show clearly... I tested 40 tubes this way so you can compare results obtained through all the bids of my EM4. I unsealed some Miniwatt EM4, tests values were from 64 lx to 150 lx. 0 lx = no light 8-EM4-20-10 33 lx 51.EM4.1 MINIWATT 33 lx 23-EM4-20 Pieces moving inside the base 31 lx NEOTRON 29 lx CHOOSE THE ONE YOU WANT... BUBBLE LETTERb'"' FOR THE DELIVERY...I WON'T BE RESPONSIBLE IF TUBES ARE BROKEN... YOU ASSUME ENTIRE CUSTOMS FEES. En savoir plus Collaboration commerciale.

Bei dieser Auktion handelt es sich um eine ungeöffnete 50-Blatt-Schachtel mit EFKE IR-Infrarot-Planfilm im Format 8 x 10 Zoll. (Dieses wurde auch als Aura IR 820 verkauft). Der Karton wurde seit dem Kauf eingefroren aufbewahrt. Ablaufdatum: 12/2013 Ich habe diesen Film kurz vor der Schließung der Fabrik direkt in Efkes Fabrik in Samobor, Kroatien, gekauft. Ich hatte während meiner Reise nach Kroatien direkt bei Efke Planfilme im Format 8x10 Zoll und ULF gekauft. Was Bb'&'H Photo über den Film sagte: « Efke IR820 Schwarzweiß-Infrarotfilm – ist ein großartiger Film mittlerer Empfindlichkeit, wenn Sie diese spezielle Art von Bildern aufnehmen möchten. Mit einer spektralen Empfindlichkeit von 820 nm verwandelt es Szenen mit Laub und Wolken in reinweiße, verträumte Fotos. Durch die Verwendung eines tiefroten (oder undurchsichtigen) Filters werden Wasser und blauer Himmel tiefschwarz. Hauttöne und Lippen werden weiß. Dieser Film hat ein hohes Auflösungsvermögen. Es verfügt über eine Anti-Halo-Rückseite, die die Schärfe verbessert und einen Halo-Effekt verhindert. Tests dieser Emulsion haben gezeigt, dass die besten Ergebnisse erzielt werden, wenn der Film bei ISO 25 belichtet wird und ein Infrarotfilter wie Hoya R72, Tiffen #87 oder B+W 092 verwendet wird (Standard-Rotfilter 25A werden nicht empfohlen). Einfacher Prozess mit Standard-Schwarzweißentwicklern Erzeugt einen verträumten, fantasievollen Effekt » This auction is for an unopened 50 sheet box of EFKE IR Infrared 8x10 inch sheet film. (This was also sold as Aura IR 820). The box has been kept frozen since it was purchased. Expiration date: 12/2013 I purchased this film directly from Efke’s factory in Samobor, Croatia shortly before the factory closed. I had been buying 8x10 inch and ULF sheet film from Efke directly during my travels to Croatia. What Bb'&'H Photo said about the film: « Efke IR820 Black and White Infrared Film - is a great medium speed film when you want to shoot this specialized type of image. With a spectral sensitivity of 820nm, it turns scenes with foliage and clouds into pure white dreamy photos. With the use of a deep red (or opaque) filter, water and blue sky become deep black. Skin tones and lips turn white. This film has high resolving power. It features an anti-halation backing that improves sharpness and helps prevent a halo effect. Testing of this emulsion has shown that best results are obtained by exposing the film at ISO 25 and using an infrared filter such as a Hoya R72, Tiffen #87 or B+W 092 (Standard Red 25A filters are not recommended) Easy process in standard black and white developers Creates a dreamy, fantasy effect » En savoir plus Collaboration commerciale.