Output back to input through

- - - - - - - - - - - - - - - - 8businessday Add to my favorite sellers Mon. to Sat. Customer Service Warranty Service Product Description Description: Feature: 1. Parents in the fiber optic cable should pay attention to the first plastic fiber optic connector to take off the connector, the direction of the interface, square up, circular ultra-under, aligned optical interface into it. 2. Do not insert the wrong side, easy to damage the optical interface Oh, plug anti-damaged we are not responsible. 3. Coaxial digital fiber to analog audio L R converter SPDIF digital audio decoding 4. Using imported audio processing chip 8416-CZZ. Convert coaxial or optical digital audio signals to analog L / R audio. Support sampling rate of 44.1 32., 48-96KHz playback. Input code for the 24bit S / PDIF left and right channels. 5. All connection ports are gold-plated interface materials. Provide electronic noise reduction transmission. 6. Easy to install, easy to operate. USB power cord, more environmentally friendly, stable and convenient. Specification: Input: Coaxial or optical digital audio Output: R / L (Audio Output Connector) Audio Input Connections: Toslink, 1xRCA (Coaxial) Audio Output Connection: 2xRCA (Right / Left) Support sampling rate of 44.1 32., 48-96KHz playback Passed the certification: FCC, UL, CCC, UK Power input: AC 100-240V 50 / 60Hz Power type: USB cable power supply Power: 5W (highest) Product Size: 51 x 41 x 26mm/2x1.61x1.02'' Type: A(Adapter), B(Adapter+DC Cable), C(Adapter+DC Cable+Optical Cable) Note:   Please allow 1-3mm differs due to manual measurement. Due to the different display and different light, the picture may not show the actual color of the item. Thanks for your understanding. Included: 1 X Analog Converter Decoder 1 X Optical Cable (Optional) 1 X USB-DC Power Cable (Optional) pictures - - - - - - - payment 1. We accept PayPal only. 2. All major credit cards are accepted through secure payment processor PayPal. 3. Payment must be received within 7 business days of auction closing. 4. If you have bought multiple items from me, you can send me one payment for all the items instead of paying for them individually. When you click the Pay Now button, will automatically determine if there are other items you have won or purchased from me and will combine them for your review. 5. NOTE: Import duties, taxes and chargers are not included in the item price or shipping charges. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding buying. Warranty 1. 12 months Warranty. Buy with confidence! 2. If you are not satisfied when you receive your item, please return it within 14 days for a replacement or money back. Please contact me before you return it. 3. If item is defective in 3 months, We will send you a replacement without extra charger, or offer refund after we receive the defective item. 4. If item is defective after 3 months, you can still send it back to us. We will send you a new one after receiving the defective item. But you have to pay the extra shipping fee. policies 1. We are not responsible for any custom duty or import tax. 2. We will leave POSITIVE FEEDBACK after receiving the payment. Please contact us if you are not satisfied with the item after receive it. 3. All messages will be answered within 1 business day. If you do not receive our reply, please kindly re-sent your message and we will reply to you as soon as possible. 4. Serious Buyer Only! Please place bid only if you agree wi

DEKTEC DTE-3114  PoE POWERED by ETHERNET OR POWER SUPPLY(NOT INCLUDE) QUAD QAM MODULATOR  TSoIP INPUT SYNTHETIZED VHF/UHF OUTPUT USED IN VERY GOOD CONDITION - Standalone four-channel QAM modulator with TS-over-IP (TSoIP) inputs and directly synthesized VHF/UHF outputs - - Web and SNMP interface for setting parameters and observing status - - Unit can be powered via the Ethernet cable (Power over Ethernet) or through a DC power supply jack - - Supports IP de-encapsulation and 2D FEC decoding according to SMPTE 2022-1/2 - - Removal of IP jitter with programmable size of jitter-tolerance buffer - - LCD status display shows device identifier, bitrate, IP/MAC address and status - - Install up to 12 modules in 3U 19″ rack using the DekTec rack-mountable rail, or units can be mounted on a DIN rail directly on a wall Powering options - Through the Ethernet cable using: – IEEE 802.3af compatible PoE switch – PoE Midspan solution, e.g.3COM 3CNJPSE - With DTE-PWR1 power adapter (included)  DTE-3114 Limitations - Channels must be grouped: overall spectrum of the DTE-3114 cannot be wider than 32MHz - All channels must operate in the same mode and with the same symbol rate  - Not supported: – Scrambling of incoming Transport Streams – SPTS-to-MPTS multiplexing – VBR input streams  DTE-3114 Applications - Small-scale CATV networks - Cable-network simulator - QAM test-signal generator KEY ATTRIBUTES Main RF port:  Connector    75-Ω F Female Output level (total)  -32.. -9dBm Level accuracy  ±1dB Monitor port:  Connector  75-Ω F Female Output level (total)  -25.5±3dBm RF:  Range    32.. 1006MHz Channel spacing  5.. 8MHz Symbol rate   4.48.. 7.0MBd MER  43dB GigE port: Physical layer  IEEE 802.3af Connector    RJ-45 Transport: TP per IP  1.. 7 Encapsulation  UDP or RTP FEC   SMPTE 2022-1 Jitter tolerance range:   1.. 120 ms MODULATION QAM-A    EN 300 429 (DVB-C)

Hello For sale "Homemade" convert box design for GR-300 and also works great with GR-700.... -13-PIN INPUT  -24-PIN OUTPUT socket at back (no cable attached you need 24-pin cable) -1/4 JACK GUITAR OUTPUT  -HEX FUZZ (mode 1/2/3 +parallel output) -13-PIN PARALLEL OUTPUT  -VIB CONTROL (1/4 jack on/off) WORKS GREAT!!!!!! you plug your GK-2 GK-2A OR GK-3..... And you can play Roland 24 pins synth!!!!!!!!!!!!!!!!!!!!!! (GR-300 GR-700 GR-100....) Thanks

Hello For sale b'"'Homemadeb'"' convert box design for GR-300 and also works great with GR-700.... -13-PIN INPUT -24-PIN OUTPUT socket at back (no cable attached you need 24-pin cable) -1/4 JACK GUITAR OUTPUT -HEX FUZZ (mode 1/2/3 +parallel output) -13-PIN PARALLEL OUTPUT -VIB CONTROL (1/4 jack on/off) WORKS GREAT!!!!!! you plug your GK-2 GK-2A OR GK-3..... And you can play Roland 24 pins synth!!!!!!!!!!!!!!!!!!!!!! (GR-300 GR-700 GR-100....) Thanks En savoir plus Collaboration commerciale.

Table de mixage monophonique 5 canaux Bastl Instruments Dude, très bon état. Peut fonctionner avec quatre piles AA ou une alimentation externe, et il est presque aussi petit que sa batterie. Le mixeur est monophonique, mais il peut piloter vos écouteurs. Son entrée et sa sortie mini-jack offrent la possibilité de mixer 5 canaux audio. Chaque canal dispose d'un bouton de sourdine dédié et d'un gain jusqu'à +20 dB pour amplifier les signaux faibles et saturer les signaux de niveau ligne. Il peut également être transformé en un générateur de sons en renvoyant la sortie à l'entrée via un égaliseur passif et d'autres circuits simples. - Table de mixage monophonique 5 canaux - Bouton de gain jusqu'à +20 dB (10x) pour chaque canal - Bouton de sourdine dédié par canal - Double sortie mono pour piloter des écouteurs - Dimensions: 75 x 70 x 45 mm - Alimenté par 4 piles AA ou un adaptateur externe 9-12VDC ------------------------------------------------ Bastl Instruments Dude 5-channel monophonic mixer, very good condition. Can run on four AA batteries or an external power supply, and it's almost as small as its battery pack. The mixer is monophonic, but it can drive your headphones. Its mini-jack input and output offer the ability to mix 5 audio channels. Each channel has a dedicated mute button and up to +20dB gain to boost weak signals and saturate line-level signals. It can also be transformed into a tone generator by feeding the output back to the input through a passive EQ and other simple circuits. - 5 channel monophonic mixer - Up to +20dB (10x) gain knob for each channel - Dedicated mute button switch per channel - Dual mono output for driving headphones - Dimensions: 75 x 70 x 45 mm - Powered by 4x AA battery or external adaptor 9-12VDC En savoir plus

Allen & Heath Xone:23C The Xone:23C brings together the best of digital DJing and conventional mixing in a compact accessible format. This high performance DJ mixer is equipped with a premium quality, 4 stereo channel 96kHz 24bit internal soundcard and offers plug n’ play connection via X:LINK to Xone:K series controllers, making it perfect for performers looking to combine the convenience of digital DJing and recording with the hands-on control and visual appeal of a real mixer. Xone:23C includes an enhanced version of the legendary Xone filter with resonance control, VCA faders, 3 band total kill EQ, illuminated switches, crossfader curve selector and styling inspired by the flagship Xone:DB4. FEATURES At the heart of the mixer is the renowned analogue Voltage Control Filter (VCF) system offering Low-Pass and High-Pass filters, frequency sweep and ‘mild to wild’ resonance control. There is also an FX loop to connect to third party FX units, which route back in through the filter system. Xone:23C features 2+2 stereo channels with dual levels for phono and line inputs, allowing four music sources to be connected at the same time, including turntables and CD/media players. Additionally, the internal soundcard enables replay and recording from DJ software, offering users all the benefits of digital DJing whilst using hands-on mixer controls. The main mix output and mic input are on professional standard balanced XLR’s, and there is a dedicated record output. The Xone:23C is equipped with comprehensive monitoring facilities, including a dedicated booth output with its own volume control, a cue mix control, and signal levels clearly displayed on the 9 segment peak hold meters. Styled on the flagship Xone:DB4, the Xone:23C includes soft touch, backlit controls, light-piped meters and a distinctive new shaped steel faceplate. The mixer can also be upgraded with the latest Innofader for enhanced scratch performance, available as an accessory. *Requires reconfiguration of internal jumpers. 4 STEREO CHANNEL USB SOUNDCARD 96kHz 24bit 4 stereo channel USB soundcard which enables replaying and recording from your chosen DJ software, offering digital DJing with a real mixer. USB X:LINK X:LINK provides power and MIDI data over ethernet connection to our Xone:K Series controllers, saving USB ports on computers and offering extended software control. VCF FILTER SYSTEM At the heart of the mixer is the renowned analogue Voltage Control Filter (VCF) system offering Low-Pass and High-Pass filters, frequency sweep and ‘mild to wild’ resonance control. There is also an FX loop to connect to third party FX units, which route back in through the filter system. EXTERNAL FX LOOP Seamlessly integrate your favourite external FX unit into your setup with send and return connections plus FX loop switching. 3 BAND TOTAL KILL EQ Both channels feature 3 band EQ Isolator, allowing you to creatively eliminate frequencies and bring them back into the mix with complete control. • 4 stereo channel 96kHz 24bit internal soundcard • X:LINK for plug n' play connection to Xone:K series controllers • 2 channels with dual phono/line inputs • VCF Filter system -- low-pass + high-pass filters plus frequency and resonance controls • 3-band true total kill EQ • External FX loop • Mic input on balanced XLR, with 2-band EQ • Balanced main mix out on XLR • Independent booth out • Record out • 3.5mm and 1/4" headphone outputs • Touring grade build quality • Super smooth VCA channel faders • User changeable crossfader • Innofader compatible • Crossfader curve switch • 20dB pro standard headroom • Ultra low distortion • 2mm Steel face plate • 9-segment signal level monitoring

For sale a receiver Cambridge Audio 651R It is perfectly working and in very good condition as you can see on the pictures. Not to say you may find blemishes if you want to go looking for them as not brand new, but nothing really serious. Comes with the original box, remote control, and power cord. very safe packaging, shipping to European Union accepted. Power output:     175W RMS per channel, into 6 ohms (two channels driven)     140W RMS per channel, into 8 ohms (two channels driven)     100W RMS per channel, into 8 ohms (all 7 channels driven) HDMI: HDMI 1.4a, EIA/CEA - 861D, HDCP 1.1, ARC and 3D-TV/deep color pass through supported Architecture:     Cirrus Logic CS43122 24-bit 192kHz capable DAC for Front Left & Right     Cirrus Logic CS52526 24-bit 192kHz capable CODEC for surround channels + 24-bit 2 channel A/D Conversion:     Two TI Aureus DA788 32-bit DSPs     Anchor Bay ABT2010 scaler Audio Inputs:     8x Line Level Analog     Tuner (FM/AM)     7.1 multi-channel analog     5x digital co-axial     5x digital optical Video Inputs:     4x HDMI     3x Component Video     4x Composite     4x S-Video Main Audio Outputs:     7x Amplified Speaker Outputs     7.2 Preamp outputs Main Video Output: 2 x HDMI (1.4a), ARC through HDMI A Zone 2 Outputs:     Surround back channels     2.1 preamp audio outputs     Component     S-Video     Composite video Recording Audio Outputs:     2x Line Level Analog     2x Digital Co-Axial     2x Digital Optical Other connections:     1x 1/4" / 6.35mm Headphone Output (32 To 600 ohms recommended)     3x IR emitter outputs, 1 IR Receiver Input (un-modulated)     1x IR Emitter Input (modulated)     1x zone 2 IR emitter input     1x control bus input/output     2x 12V trigger outputs     1x RS232C     1x IEC type mains inlet Power Consumption:     Max: 1400W     Standby:

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con

This is is the now RARE AND DISCONTINUED reissue of the MUTRON PHASER II made by Mike Beigel himself (see signature on the pedal). This is actually one side of the mythical MUSITRONICS BI-PHASE. You can switch between 4 and 6 stages of phasing which is great. Has ton of headroom so you can use it with guitar, synth or line level. Purchased directly from Mu-Fx in 2017 after months of wait. MU-FX has now become back MU-TRON:) Condition almost like new with original box and goodies. Will be shipped with Express and Fully Insured Service. DESCRIPTION FROM MIKE BEIGEL: Mu-FX Phasor 2X The new Mu-FX Phasor 2X is the Modern Vintage Analog™ refinement of the original Musitronics® Phasor II pedal. The Phasor 2X is housed in our signature “mini-mu” enclosure, features retro graphics, and provides added functionality and reliability to the beloved sound of the original Phasor II. New functions include: 4 or 6 stages of optical phasing with independent controls, assignable expression pedal controls, and stereo output.   Description Controls (1) PHASE 1a) FEEDBACK (6 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect 1b) FEEDBACK (4 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect (2) SWEEP 2a) DEPTH (6 Stage): Controls the range of the phase sweep 2b) DEPTH (4 Stage): Controls the range of the phase sweep (3) PEDAL MODE SWITCH These two toggle switches (for the 6 Stage phasor and 4 Stage phasor respectively) allow the user to designate whether expression pedal control is (O) OFF, (EXP EXP) controlling SWEEP. 3a) EXP MODE TOGGLE SWITCH (6 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase 3b) EXP MODE TOGGLE SWITCH (4 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase (4) LFO 4a) RATE (6 Stage): Controls the speed of the LFO wave that controls the effect 4b) RATE (4 Stage): Controls the speed of the LFO wave that controls the effect (5) Footswitches 5a) FX BYPASS: Determines whether the Phasor 2X’s effect is engaged or true bypassed (active bypass can be selected internally) 5b) PHASE STAGE: Allows you to switch between 6 and 4 stages of phasing (and their respective control set). The adjacent LED indicates (by color) which PHASE STAGE is active (the knob colors also correspond to these designations). BLUE: 6 stage phasing GREEN: 4 stage phasing Note: Both BYPASS and PHASE STAGE are silent footswitches – relay switching of audio (6) Back Panel 6a) INPUT: A standard ¼” input jack for any instrument or audio input 6b) OUT 1 (Main audio output): A standard ¼” output jack – sending a mono output signal to whatever comes next in your signal chain 6c) OUT 2: A standard ¼” output jack – which, when used in addition to OUT 1 sends a second (and therefore stereo) signal to whatever comes next in your signal chain. It may also be used to achieve a varied phase effect 6d) EXP PEDAL: A standard ¼” TRS jack in which an expression pedal or (CV) can be inserted to access manual control of specific functions of the Phasor 2X 6e) POWER: The Phasor 2X runs on a 12V AC power supply for optimal headroom and hi-fidelity sound. DO NOT use with a DC supply.

Système de transmission vidéo en direct Tm8000 BON ÉTAT GÉNÉRAL DANS SAC A DOS D ORIGINE VENDU AVEC ALIMENTATION SECTEUR TVU Networks, technology leader in live TV over Internet, is pleased to announce the release of the SDI version of the TVUPack, first mobile HD news-gathering backpack. The TM8000, now introduces new capabilities including SDI, HDMI, and Composite input, iPod wireless monitoring, and a wireless Hotspot feature. The release of the TM8000 allows broadcasters to utilize SDI video and audio input in the transmitter and SDI video and audio output in the receiving terminal. The TVUPack’s advanced low-delay video encoding engine is very powerful and packaged in a compact size. It is capable of delivering a vivid broadcast-quality signal with a low latency of 2 seconds, even with limited bandwidth. TVU’s VBR technology automatically adjusts the bit-rate according to the total available bandwidth. With VBR, the TVUPack will always use the full available bandwidth and deliver the best possible picture. Introducing the wireless Hotspot feature, the TM8000 not only delivers a live HD signal back to the broadcast facility - it’s also a gateway to the Internet. With this feature, the user’s laptop computer can access the Internet wirelessly. The Hotspot allows you to access your footage; you can edit on your laptop, and send the finished story back to the broadcast facility through the TVUPack. En savoir plus Collaboration commerciale.

Cineroid EVF4RVW Condition: Fair Condition, shows heavy wear.  Some minor wears in display (you can see when turned off) I add a miniXLR-D-tap cable. As you can see in 9th picture, metal attachment between display and hood was lost. You have to scotch with gaffer for fix it.  Interchangeable battery plates for Canon LP-E6, Sony NPF and Canon BP911 batteries are also included. Key Features - 3.5" Retina LCD Display - Metal Housing - 3G/HD/SD-SDI and HDMI Input - Loop Through Via 3G/HD/SD-SDI - Detachable Loupe with Adjusting Diopter - Waveform and Vectorscope Displays - Peaking, Clip Guides and False Color - Crop Guide and Anamorphic Conversion - Pixel-to-Pixel, Flip and Monochrome - Multi Vendor Battery Support - 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 The Cineroid EVF4RVW with Retina Display features a 3.5" Retina LCD display with 960x640 resolution and a metal housing. The EVF has 3G/HD/SD-SDI and HDMI inputs, and a 3G/HD/SD-SDI output enables loop through. The optical loupe has an adjustable diopter and can be detached completely or flipped open to view the display as a monitor. The EVF4RVW has a comprehensive set of confidence features, including multiple waveform and vectorscope display options. Peaking is available in red or white, and various clip guides include color and a range of zebra patterns. Two types of false color displays translate exposure values into 6 different colors. Crop guide superimposes darkened bars on the screen to aide in framing shots that will be cropped in post, and the screen size can be changed for use with anamorphic lenses. Other features include pixel-to-pixel, screen flip and monochrome mode. The EVF4RVW has a mini XLR power input and includes a mini XLR to D-Tap (P-Tap) cable for connecting to an external battery. Interchangeable battery plates for Canon LP-E6, Sony NPF and Canon BP911 batteries are also included. Retina Display The centerpiece of Cineroid's EVF4RVW is the 3.5" Retina LCD with 960x640 resolution and metal housing. The screen supports 16.7 million colors and viewing angles ranging 140° HxV. 3G/HD/SD-SDI and HDMI The EVF's 3G/HD/SD-SDI (BNC) and HDMI input connectors support Full HD 1080p, and the 3G/HD/SD-SDI output connector enables loop through. Detachable Loupe with Adjustable Diopter The optical loupe has an adjustable diopter and can be detached completely or flipped open to view the display as a monitor. Waveform and Vectorscope There are three waveform and vectorscope display options. Style 1 superimposes a semitransparent, horizontal waveform at the bottom of the screen. Style 2 superimposes a semitransparent, horizontal and vertical waveform and a small vectorscope. Style 3 minimizes the video image and displays a large horizontal and vertical waveform and vectorscope. Peaking, Clip Guides and False Color Peaking outlines the edges of objects that are in focus with red or white highlights. Clip guides can be displayed as color, zebra or both. The zebra pattern can be moving or fixed, and the range is selectable among 3, 5, 8, and 11%. Two types of false color displays translate exposure values into 6 different colors. Crop Guide and Anamorphic Conversion Crop guide superimposes darkened bars on the screen to aide in framing shots that will be cropped in post, and the screen size can be changed for use with anamorphic lenses. Pixel-to-Pixel, Flip and Monochrome Pixel-to-Pixel mode displays the center of the image at its native resolution. Screen Flip can rotate and/or mirror the image. Monochrome mode displays the image in black & white or isolates the blue channel, red channel, or green channel. Multi Vendor Battery Support A mini XLR power input provides an interface for the D-Tap (P-Tap) power cable. Inter

Professional sound at its best.   The CD 3000 3000W Power Amplifier combines a linear power supply and a Class D output to deliver Crest power in a compact and cost-effective package. The CD 3000 is very versatile, whether powering nightclub systems or touring bands.   A traditional linear power supply is used in the CD Series. Because of the efficiency of the switching output stage, the transformer does not need to be big or heavy. This gives the CD Series an advantage in delivering huge power in a compact package. The efficiency of the output stage also gives the power supply the ability to handle heavy duty cycles without compromising sonic integrity.   Crest Audio's engineering has also maintained sonic quality while incorporating the advantages of a switching output stage. High-power Class-D topology is the key to its efficiency and low operating temperature. An additional advantage is its low power consumption.   Features     Dramatically reduced net weight     Linear power supply / Class D output stages     Very low current draw     Latest generation of high-speed, mosfet output devices     Cooled by variable-speed fan with back-to-front airflow     Inputs: balanced female XLR, 1/4" TRS combi jacks     Outputs: Speakon and five-way binding posts     Mode selector switch for stereo, parallel and bridged-mono operation     Ground-lift switch and rear panel circuit breaker     Recessed, stepped attenuators with removable knobs     16-gauge steel chassis, cast aluminum front panel     TourClass protection circuits     ACL (Active Clip Limiting) prevents speaker damage by providing gentle gain reduction when signal approaches the clipping threshold     IGM (Instantaneous Gain Modulation) monitors speaker loads to detect conditions that may over-stress output devices, allowing safe operation into nominal 2 Ohm speaker loads     AUTORAMP gradually increases gain to the attenuator level-settings when the amplifier is turned on, preventing abrupt turn-on levels     Other protection features include: short circuit, DC voltage, comprehensive thermal management, current in-rush turn-on/off transient and sub/ultrasonic input     Five-year warranty Specifications     Stereo Power 8 Ohms: 800 Watts     Stereo Power 4 Ohms: 1500 Watts     Stereo Power 2 Ohm: 1800 Watts     Bridged Power 8 Ohm: 3000 Watts     Maximum output voltage: 85V rms     Frequency response 1W @ 8 ohms: 20Hz—20khz, +/-1db     Power bw rated power @ 4 ohms, 1% THD+N: 20Hz—20khz, +/-1db     THD + N:     Imd; SMPTE/DIN 4:1 (60 Hz / 7 khz):     Damping factor: 400:1 @ 8 ohms (20 Hz to 100 Hz)     Input CMRR: >60db @ 1khz     Gain / input sensitivity @ 4 ohms: Selectable: x20, x40, or.775 V for full rated output power     Input impedance: >20kohms balanced, >10kohms unbalanced     Hum and noise: > -100db, A-weighted below rated power @ 4 ohms     Crosstalk: > -60db below max rated power (1khz)     Class: D     Power supply: Linear with toroid transformer     Circuit breaker rating (120V/230V): 20A /12A     Current draw (120VAC) 1/8 power, 4 ohms: 7.0A     1/3 power, 4 ohms: 14.0A     At idle: 1.5A     Thermal emissions 1/3 Power, 4 ohms BTU / hr: 1024     Cooling: Back to front via variable speed DC fan     Input connectors: balanced female XLR, 1/4" TRS, unbalanced 1/4" TS on Neutrik combo connectors     Output connectors: Five-way "touch-proof" binding posts and Neutrik Speakon connectors (which presents both outputs on the A Speakon for bi-amplified applications)     Controls: front panel: twin recessed stepped attenuators, power switch     Rear panel: signal ground-lift, mode select, gain select, circuit breaker     LED indicators: signal level (5 element bargraph), protect, active, ACL / IGM     Construction: 16-gauge steel chassis, cast aluminum front panel - optional handles available     Dimensions (W x H x D): 19" x 3.5" x 1

Appareil surprenant d’efficacité. Très peu utilisé, mais longuement servi récemment pour numériser des vinyles. Avec son alimentation externe et son convertisseur 220/110VAC (N'a jamais été produit en version 220V) L’emballage sera soigné Supporte le 20 bits en entrée ET en sortie, convertisseur A/D ADMOD79, D/A l'excellent TDA1547, DSP géré par PCF5020D, fonction ADOC CS8402, ADIC & ré-échantillonneur TDA1373, entrée SPDIF AES/EBU de 15 à 50 kHz, sortie 'switchable' de 44.1 à 48 kHz au dos par simple bouton... En français, transforme un Signal mono en stéréo, améliore le Son en provenance des vinyles (notamment 78 tours, mais les 45 et 33 aussi)), des disques compacts audionumériques (passe de 44.100 Hz à 48 kHz), supprime le Scratch, filtre (comme un Dolby, mais mieux)), améliore le rendu stéréo, élargit ou réduit l'effet stéréophonique, compresse/expand (les radioteurs comprendront), règle finement graves et aigus par pas de 1 dB, gère le fading, la balance et bien sûr le volume, etc.(Citation du site hifi vintage audiophile) "This product offers recording studio engineers, home studios owners, post production facilities, corporate A/V centers, archivist, and broadcast professionals unmatched performance and value for an integrated set of advanced sound processing technologies developed by Philips." The IS5021 include the following: - - 20-bit A/D converters (ADMOD79) - - High quality D/A converter (based on the Philips DAC7) - - Sample rate converter for interfacing between digital equipment operation at different sample rates. Digital Sound Processing including:  - - Jitter Removal (for cleaning up DAT recordings - - Compression/Expansion - - Noise reduction (comprising a low-pass filter with adjustable cut-off) - - QNI (Quantization Noise Imaging) - - Slave Mode (for external synchronization) - - Varispeed (pitch variation can be processed without effecting output sample rates) - - Scratch Suppression (de-clicking) - - Stereo Enhancement (stereo effect from mono) - - Spatial Stereo (widen or narrow the sound stage) - - Bass, Treble, Balance and Volume Control - - Digital Level Indication & Control (for monitor of the overall input level) These features offer the professional studio engineers tremendous versatility in the creation of digital recordings, whether from analog or digital source material. Typical applications for the IS5022 include the following:  Recording Studios/Music Production Facilities:  The 20-bit A/D converter in combination with the sample rate converter will permit the user to choose a 44.1 or 48kHz sampling frequency for the transfer of older DAT recording. Actually, any input sampling frequency between 15kHz and 50kHz will be accepted.  Broadcast Professionals/Archivists/Home Studios: The IS5022 offer a tremendous variety of easy to use tools to enhance the sound of older recordings (tape and vinyl) from the stereo enhancement capability that permits a monaural recording to be "converted" into stereo (through phase shift), to spatial stereo that widens or narrows the recording, to noise reduction and scratch suppression filters.  These capabilities, along with the D/A converter and QNI will permit recording professionals to create enhanced digital recordings, as well as transfer back to analog cassette format for substantially enhanced quality for use in portable listening applications.  Audio Post Production Facilities: Recordings made in-the-field with most commonly available portable DAT recorders can now be edited into recordings that offer improved resolution and richness along with substantially reduced jitter distortion.  Technical specifications Inputs Digital: 15-50kHz sample rate s/pdif: RCA Analog Unbalanced: RCA (L/R) Outputs Digital: 44/1/48kHz switchable s/pdif: RCA Analog Unbalanced: RCA (L/R) Performance (complete Analog Path-analog IN to OUT) Balanced S/N Ratio: 94dB (A-weighted)

AETA HIFISCOOP 3 Technical Specifications Audio • Full Duplex • Audio Interfaces • Analog - Symetrical, transformer isolated - Maximum level: 21 dBu/dBm - Input impedance: 600 ½ or 10 k ½ - Output impedance: • Digital - AES/EBU format - Impendance: 110 ½ - Sampling frequency: 32, 48 KHz or synchronized on AES input • Headphone - 1/4" jack, adjustable output, 25 ½ • Audio Performances • Bandwidth - From 20 Hz to 7 kHz (FS=16 kHz) (FS=24 kHz), 15 kHz (FS=32 kHz), 20 kHz (FS=48 kHz) • THD + N • Stereo - Channel separation > 80 dB1 - Gain difference - Phase difference Notes: 1 over the full 20 Hz to 20 kHz bandwidth 2 direct connection from the A/D-D/A converter 3 input/output 1 dB below clipping level What is J52? Normally, if a field codec attempts to communicate via MPEG Layer II with a station codec set for Layer III, the algorithms are incompatible and there will be no connection. However, thanks to J52 - a mode that only AETA Audio includes as standard on all of its products - the station codec set for Layer III will recognize the incoming algorithm and automatically default back to Layer II operation in order to communicate. The beauty of J52 is that it requires absolutely no operator intervention. No longer do you have to manually change the algorithm, and never again will you miss an incoming signal because of an incompatibility. Operational Information • Dialing - Built-in keypad - Automatic answering • User Interface - Backlit LCD display: 2 x 16 characters - Dust/breakage-free Lexan® keypad • LEDs - Audio input level, 18 LEDs for: 0 to -27 db (referenced to the clipping level = 16 dBu) - Int voltage alarm: 12v & 5v - Ext test alarm - Ext clock alarm • Network interface - ISDN: U, S/T single basic rate interface (RJ45) - V24 (sub D-9) • General - Loopback mode for network testing - Universal power supply: 85 to 260 VAC - Dimensions: 3.75 x 19 x 12.5 in. (H x W x D) - Weight: - Operating temp range: 32°F to 113°F 95% humidity RACK 19 POUCES 2 U FRAIS DE PORT 23 EUROS EN SUS POUR LA FRANCE  TVA RECUPERABLE WELCOME,BIENVENUE ACHAT.VENTE.NEGOCE NOUS SOMMES UN MAGASIN SPECIALISE DANS L'ACHAT, LA VENTE ET LE DEPOT-VENTE DE MATERIEL AUDIOVISUEL   OCCASION / NEUF A PRIX DISCOUNT   SON / VIDEO BROADCAST / STUDIO / HIFI / SONO / VINTAGE        91 AVENUE EMILE ZOLA  75015 PARIS    FRANCE (métro: charles michels)    TEL:  01.45.75.46.13 CONDITIONS DE VENTE SUR MA PAGE PERSO  TVA RECUPERABLE