Outputs

CATV Amplificateur 28 dB 86-1006 MHz 1 Outputs Circuit de retour SAMP41112WT Cet amplificateur CATV avec commande de gain et contrôle de pente possède une sortie afin de transmettre des signaux TV d'une qualité supérieure, avec un gain de 28 dB, lorsqu'il est connecté à votre TV. Il crée également un canal de retour actif qui prend en charge la TV interactive et permet l’utilisation d’un câble modem (internet). • Entrée: 1 • Sortie: 1 • Type de connecteur: Connecteur F • Plage de fréquence: 86 à 1006 MHz • Gain: 28 dB • Commande de gain: 0 - 18 dB • Retour: 5 à 65 MHz • Contrôle de pente: 0 à 18 dB • Niveau de bruit: 9 dB max. • Niveau de sortie: 110 dBuV min. • Impédance entrée/sortie: 75 Ohm Livraison Livraison uniquement en France. Départ de Bretagne Plumergat 24h à 48h. Paiement Mode de paiement par Paypal Préférez payez avec PayPal et bénéficiez de la protection des achats*. *Sous réserve d'admissibilité Voir les conditions Mode de paiement par chèque possible Merci de libeller le chèque à l'ordre de Indipc. Joindre à votre courrier une copie de votre commande, faisant apparaitre le numéro d'objet, votre pseudo, votre nom et prénom ainsi que l'adresse de livraison si celle-ci est différente de l'adresse de facturation. Nos coordonnées: Indipc 1 Kerio 56400 Plumergat Informations commerciales Vente La boutique Indipc se situe à Plumergat dans le Morbihan en Bretagne et s'adresse aux particuliers et aux professionnels. Transport Vous recevrez par mail la confirmation du départ de votre colis, le numéro et un lien pour le suivi, offre valable uniquement  pour Colissimo et Chronopost. Prix Nos prix s'entendent TTC (TVA 20%) La société INDIPC peut à tout moment modifier les prix des articles, en fonction des variations de prix de ses fournisseurs. Le prix valable pour le client reste celui indiqué lors de la validation de la commande. Sauf erreur de saisie, qui rendrait le prix incohérent par rapport au prix marché. Les frais de port ne sont pas intégrés dans le prix des pièces. Disponibilité En cas de rupture de stock, nous nous engageons à vous livrer sous une dizaine de jours votre article; sauf rupture plus longue chez notre fournisseur, dans ce cas précis, vous serez informés du délai par mail, et pourrez en fonction de votre choix, maintenir la commande ou l'annuler. En cas de rupture de stock, suite à une erreur de stock, liée à un écart entre l'informatique et le stock disponible physiquement nous vous le ferons savoir par mail et attendrons votre décision quant à la suite à donner: annulation ou livraison ultérieure. En cas d'une rupture plus longue ou définitive, Indipc se réserve le droit d'annuler la commande, et de procéder au remboursement. Garantie Tous nos produits suivent la garantie légale du fabriquant, le plus souvent 1 an (voir sur les fiches produit). Venez visiter notre boutique: des milliers de produits similaires Indipc

1 Original Stanton Magnetics Input/Output Board Set Original Part# RM100 20018 for the RM-100 mixer In Very Good condition

Hdplex 200w Customized avec 2 sorties une a 19v10A et une ajustable A à 3.3v,5v,7.5v,12v et 15v sous 2A.vendu sans carton d'origine et avec facture.

Convertisseur PC (VGA) vers TV Grand Ultima XP Pro Plus qu'un convertisseur VGA vers télévision standard, le Grand Ultimate parvient à transférer des images depuis votre PC vers un téléviseur ou un vidéoprojecteur standard avec une résolution de 1600 x 1200 max. Alimenté via le port USB ou PS/2, il est idéal pour les ordinateurs portables en utilisation mobile. Sa télécommande vous permet de le piloter et de zoomer à l'intérieur de l'image. Points forts - Avec télécommande - Résolution jusqu'à 1600 x 1200 pixels - Alimentation via un port USB ou l'interface PS/2 Fonctionnalités - Résolution de 640x480 à 1280x1024 à 60 et 75 Hz - Fonction 3D avec réduction de bruit

Focusrite Saffire Pro 14, Interface audionumérique FireWire - jamais utilisé.  CD d'installation fournie. 1 x câble Firewire -> Firewire fourni. Fiche technique   Fabricant:Focusrite Modèle:Saffire Pro 14 Série:Saffire Catégorie:Interfaces audionumériques FireWire Fiche créée le:11/08/2010 Microphone Inputs 1-2 Frequency Response: 20Hz - 20kHz +/- 0.2 dB Gain Range: +13dB to +60dB Maximum Headroom +8dBu THD+N: 0.001% (measured at 1kHz with a 20Hz/22kHz bandpass filter) Noise EIN: 124dB analogue to digital (measured at 60dB of gain with 150 Ohm termination (20Hz/22kHz bandpass filter) Input Impedance: 2k Ohm Line Inputs (Inputs 1-2) Frequency Response: 20Hz - 20kHz +/- 0.2dB Gain Range: -10dB to +36dB THD+N: 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter) Noise: -90dBu (22Hz/22kHz bandpass filter) Input Impedance: >10k Ohm Line Inputs 3-4 Frequency Response: 20Hz - 20kHz +/- 0.2 dB Gain Range: Switch-able between +16dBu or -10dBV for 0dBFS (balanced inputs) THD+N: 0.003% (measured at 1kHz with a 20Hz/22kHz bandpass filter) Noise: -100dBu (22Hz/22kHz bandpass filter) Input Impedance: >10k Ohm Instrument Inputs (Inputs 1 and 2) Frequency Response: 20Hz - 20kHz +/- 0.1dB Gain Range: +13dB to +60dB THD+N: 0.004% (measured with 0dBu input and 20Hz/22kHz bandpass filter) Noise: -87dBu (20Hz/22kHz bandpass filter) Analogue Audio Outputs (Outputs 1-4) 4 Electronically Balanced Outputs Maximum Output Level (0dBFS): +10dBu THD+N: 0.001% (0dBFS input, 20Hz/22kHz bandpass filter) Crosstalk (Channel Isolation) Any input to input: > 100dB Any output to output: > 100dB Any input to output: > 100dB DIGITAL PERFORMANCE A/D Dynamic Range > 109dB (A-weighted), all analogue inputs D/A Dynamic Range > 106dB (A-weighted), all analogue outputs Clock Sources: - Internal Clock - Sync to Word Clock on SPDIF Input (RCA) JetPLLTM PLL technology providing superb jitter reduction for class leading converter performance Clock jitter < 250 picoseconds Supported Sample Rates: 44.1kHz, 48kHz, 88.2kHz, 96kHz 8 input channels to computer: Analogue (4), SPDIF (2) and Loop-back (2) 6 physical output channels from computer: Analogue (4), SPDIF (2) 12 DAW output streams Assignable 18 input by 6 output mixer Weight and Dimensions 1.5kg / 3.3lbs 215mm (W) x 45mm (H) x 220mm (D) (8.5 x 1.8 x 8.7 inches) Connectivity Analogue Channel Inputs (Inputs 1-2) 2 Mic XLR Combo (channels 1-2) on front panel 2 Line 1⁄4” TRS (channels 3-4) on rear panel Automatic switching between Mic / Line (channels 1-2) Switching between Line / Instrument Inputs (channels 1-2) via Saffire MixControl Application Switching between +16dBu (low) and -10dBV (high) gain on inputs 3-4 via Saffire MixControl Application Digital Channel Inputs (Inputs 5-6) 44.1 - 96kHz Stereo S/PDIF input on RCA Analogue Audio Outputs (Outputs 1-4) 4 1⁄4” TRS Jacks Output Level control (analogue) for outputs 1 and 2 Stereo Headphones Mix 1 on 1⁄4” TRS (also routed to Outputs 3 & 4) with independent volume control Digital Channel Outputs (Outputs 5-6) 44.1 - 96kHz Stereo S/PDIF Output on RCA Other I/O 1 6-pin FireWire S400 socket 2 Standard 5-pin DIN MIDI connectors: In and Out DC Power Input Connector (for use with supplied universal input power supply) Front Panel Indicators 2 2 segment input meters, Sig (-18) and O/L (0dBFS) “LKD” Locked Indicator “FW” Host Connected Indicator “Power” Indicator Instrument input source selection LED for channels 1 and 2 Phantom Power (48V) switch and LED for inputs 1 and 2

The AJA HD10CEA converts SD/HD-SDI video with embedded audio to analog video and 4-channel balanced analog audio. SD video outputs can be configured as YPbPr (Betacam or SMPTE/EBU-N10), RGB, composite or YC (S-Video). HD video outputs can be configured as YPbPr or RGB. Analog audio outputs are balanced. The 4 audio channels can be selected from group 1-4. Audio and video output connections are available on a 25 pin "D" subminiature connector (breakout cable supplied). All video/audio configuration is done by external dipswitch selection. This versatile, low-cost, miniature monitoring solution also outputs two loop-thru SDI/HD-SDI outputs.  Digital to Analog Audio and Video Converter  SD/HD-SDI with Embedded Audio Input  SD Component or Composite Video Outputs (SD Input)  HD Component Video Outputs (HD Input)  4-Channel Balanced Audio Output  2 Equalized, Loop-Thru SD/HD-SDI Outputs  Selectable Audio Channel Pair/Group  Specifications: Inputs SD/HD-SDI w/Embedded Audio, 1x BNC  Outputs SD Video: YPbPr - SMPTE, EBU-N10, Betacam, RGB, NTSC, PAL, YC (S-Video)  HD Video: YPbPr, RGB  Audio: 4-Channel Balanced  Video/Audio Outputs on 25 Pin D Connector  2 SD/HD-SDI Equalized Loop-Thru, 2x BNC  Configuration External Dipswitch  Video Format  Pedestal  H/V Blanking  Audio Group 1 - 4  Audio Level (adjustable via switch selection):  +24, +18, +15, +12 dBu, Full Scale Digital  Power +5-18VDC, Regulated, 4 Watts, Universal Power Supply DWP-U-R1 (included)  Size 147 x 79 x 25mm

For sale a receiver Cambridge Audio 651R It is perfectly working and in very good condition as you can see on the pictures. Not to say you may find blemishes if you want to go looking for them as not brand new, but nothing really serious. Comes with the original box, remote control, and power cord. very safe packaging, shipping to European Union accepted. Power output:     175W RMS per channel, into 6 ohms (two channels driven)     140W RMS per channel, into 8 ohms (two channels driven)     100W RMS per channel, into 8 ohms (all 7 channels driven) HDMI: HDMI 1.4a, EIA/CEA - 861D, HDCP 1.1, ARC and 3D-TV/deep color pass through supported Architecture:     Cirrus Logic CS43122 24-bit 192kHz capable DAC for Front Left & Right     Cirrus Logic CS52526 24-bit 192kHz capable CODEC for surround channels + 24-bit 2 channel A/D Conversion:     Two TI Aureus DA788 32-bit DSPs     Anchor Bay ABT2010 scaler Audio Inputs:     8x Line Level Analog     Tuner (FM/AM)     7.1 multi-channel analog     5x digital co-axial     5x digital optical Video Inputs:     4x HDMI     3x Component Video     4x Composite     4x S-Video Main Audio Outputs:     7x Amplified Speaker Outputs     7.2 Preamp outputs Main Video Output: 2 x HDMI (1.4a), ARC through HDMI A Zone 2 Outputs:     Surround back channels     2.1 preamp audio outputs     Component     S-Video     Composite video Recording Audio Outputs:     2x Line Level Analog     2x Digital Co-Axial     2x Digital Optical Other connections:     1x 1/4" / 6.35mm Headphone Output (32 To 600 ohms recommended)     3x IR emitter outputs, 1 IR Receiver Input (un-modulated)     1x IR Emitter Input (modulated)     1x zone 2 IR emitter input     1x control bus input/output     2x 12V trigger outputs     1x RS232C     1x IEC type mains inlet Power Consumption:     Max: 1400W     Standby:

Amplifier Av Surround Receiver 7.1 MARANTZ ZR6001 (very good condition). Très rare ampli home cinéma haut de gamme Très bon état de fonctionnement ! Très bon état esthétique ! Télécommande fournie ! 14kg de technologie ! Produit très haut de gamme ! Etage de puissance et pré-amplification Puissance de sortie: 7 x 95 W RMS Impédance nominale: 8 ohms Décodeurs intégrés Dolby Digital EX, DTS ES (Matrix et Discrete), DTS Neo:6 (Cinema et Music), DTS 96/24, DPLI, DPL II (Game Movie et Music), DPLIIx, HDCD Autres effets Surround CS 6.1 (CS II Cinema, Music Mono), stéréo multicanale, Movie, Hall, Matrix, Stadium, Virtual Conversion Numérique / Analogique (N/A) et A/N Crystal: 24 Bits 192 kHz via CS42428 Traitement numérique (DSP) et type: 32 Bits via CS49400 Réponse en fréquence numérique (96kHz PCM): 8 Hz - 100 kHz (large bande) Réponse en fréquence analogique (/- 3dB): 8 Hz - 100 kHz (large bande) Rapport signal bruit: 105 dB Distorsion Harmonique Totale: 0,08% Connectique Entrées / Sorties Audio / Vidéo Entrées audio analogiques: 7 (TV, VCR1, VCR2, CD, CD-R/MD, cassette, Aux.) Entrées audio numériques: 4 (2 optiques 2 coaxiales) Entrées audio vidéo: 4 (toutes doublées S-Vidéo) Entrées composantes: 2 x YUV Entrées en façade: 1 x A/V doublée S-Vidéo Entrées analogiques: 1 x 7.1 canaux Entrée D-Bus multiroom, multi RC (flasher) Sorties audio analogiques: 4 (VCR1/ VCR2 CD-R/MD, cassette) 1 sortie auxiliaire PLC Sorties audio numériques: 2 (1 optique 1 coaxiale) Sorties audio vidéo: 2 (toutes doublées S-vidéo) Sorties Moniteur: 3 (1 x CVBS 1 x S-vidéo 1 x Y, Cb/Pb, Cr/Pr) Sorties Pré-out 7.1 Sorties D-Bus multi. alimentation commutée, multroom radio commandé Sorties Ir emitters x4 Bornes HP / possibilité fiches banane: 7 paires à vis section standard RS232C bi-directionnelle, mémoire ligne interne Fonctions de confort Télécommande RC 5500 SR (préprogrammée) Tuner RDS AM / FM (PS, PTY, RT): 50 Présélections Menu d'installation: OSD avec réglage retard enceintes UpConversion vidéo CVBS composite vers S-Vidéo et YUV composantes Composants audiophiles haute qualité Fonction Lip Sync Réglage de la synchronisation du retard acoustique avec circuits vidéo internes (200 msec/ch.) Fréquence de coupure basse réglable: 40 Hz, 60, 80, 100, 120 Hz Technologie CPL (Control Power Line) Dimensions (L x H x P): 440 x 162 x 463 mm - Poids 14 kg. Very rare high-end home cinema amplifier Very good working condition! Very good aesthetic condition! Remote control included! 14kg of technology! Power stage and pre-amplification Output power: 7 x 95 W RMS Nominal Impedance: 8 ohms Integrated decoders Dolby Digital EX, DTS ES (Matrix and Discrete), DTS Neo: 6 (Cinema and Music), DTS 96/24, DPLI, DPL II (Game Movie and Music), DPLIIx, HDCD Other surround effects CS 6.1 (CS II Cinema, Music Mono), multichannel stereo, Movie, Hall, Matrix, Stadium, Virtual Digital / Analogue (D / A) and A / D Crystal Conversion: 24 Bits 192 kHz via CS42428 Digital processing (DSP) and type: 32 Bits via CS49400 Digital frequency response (96kHz PCM): 8Hz - 100kHz (wideband) Analog frequency response (/ - 3dB): 8 Hz - 100 kHz (wideband) Signal-to-noise ratio: 105 dB Total Harmonic Distortion: 0.08% Connectivity Audio / Video Inputs / Outputs Analog audio inputs: 7 (TV, VCR1, VCR2, CD, CD-R / MD, cassette, Aux.) Digital audio inputs: 4 (2 optical 2 coaxial) Audio video inputs: 4 (all dubbed S-Video) Component inputs: 2 x YUV Front inputs: 1 x A / V doubled S-Video Analog inputs: 1 x 7.1 channels Multiroom D-Bus input, multi RC (flasher) Analog audio outputs: 4 (VCR1 / VCR2 CD-R / MD, cassette) 1 PLC auxiliary output Digital audio outputs: 2 (1 optical 1 coaxial) Audio video outputs: 2 (all S-video dubbed) Monitor outputs: 3 (1 x CVBS 1 x S-video 1 x Y, Cb / Pb, Cr / Pr) Pre-out 7.1 Multi D-Bus outputs. switched power, radio controlled multroom Ir emitters outputs x4 Loudspeaker terminals / possibility of banana plugs: 7 pairs of screws, standard section Bi-directional RS232C, internal line memory Comfort functions RC 5500 SR remote control (pre-programmed) RDS AM / FM tuner (PS, PTY, RT): 50 Presets Setup menu: OSD with speaker delay adjustment UpConversion of composite CVBS video to S-Video and component YUV High quality audiophile components Lip Sync function Adjustment of the synchronization of the acoustic delay with internal video circuits (200 msec / ch.) Adjustable low cutoff frequency: 40 Hz, 60, 80, 100, 120 Hz Powerline technology (Control Power Line) Dimensions (W x H x D): 440 x 162 x 463 mm - Weight 14 kg

The Cara preamplifier is prefect for audiophiles looking for a quiet, fast pre-amplifier with multiple inputs and 4 channel outputs. This allows a biamped system or a speaker/sub combination to be control by the Cara Pre-amplifier. With a balance input and balanced output line drivers, the noise rejection on the inputs and outputs are very high and perfect for low noise systems. Built in a steel chassis for EMI/RFI protection, the Cara pre-amplifier will bring music details out, to deliver a greater musical experience. Pre-amplification is sometimes necessary when there is more than one source and when more than 1 output is necessary. Analog volume controls are much nicer than digital attenuation, with analog giving more details and longer decay. High attenuation capability allows the handling of high output devices like DAC and low output devices phono pre-amplifiers with moving coil cartridge. A low noise floor helps provide great music insight and better presentation. The Cara Pre-amplifier has dual outputs with independent relative volume setting, 4 inputs to select from, an analog volume control that goes from -99db to +15db in 0.5 db steps with a 10V operating headroom with a very low noise floor. This makes Cara an exceptional pre-amplifier with wide operational capability. Play your music with any source component and still get the best out of your whole stereo system. Features of the Cara preamplifier: - 2 pairs of outputs (4 channels) - Each output channel can be set to independent relative volume levels - Remote Control with mute, on/off for remote trigger (12V, 20mA), - Cardas XLR inputs, gold-plated chassis with rhodium plate metal body, teflon insulation and silver pins - External power supply with double fused inlet - Large LED display with -99 to +15db control in 0.5 db steps - Optional Isoacoustics GAIA III footers - Optional Synergistic fuses (2 required) Specifications of the Cara preamplifier - Input Voltage: +/- 10V - Output Voltage: +/- 12V - Frequency Response: 8Hz to 200kHz 0.1dB - S/N: 110dB - THD: 0.002% - Inputs: 4 inputs with individual gain presets - Outputs: 2 outputs with individual level presets - Volume range: -99db to + 15dB (0 to +115) - Input Preset Range: +/- 12dB - Output Preset Range: 0 to 115dB - Preset Max volume level: 0 to 115dB - Preset Min Volume level: 0 to 115 dB - Display Brightness settings: 1 to 9, and off - Display delay dim time range: 5 sec to 25 sec - Permanently saved settings - External Power Supply with 110V/240V - Remote Control - Display Size: 1.25" high x 6" wide, blue LED dot matrix - Remote Trigger: 12V

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself. I bought it used from the exclusive Schoeps French distributor Areitec in 2017, so it should be in good working condition. Invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself with mikes. It is a former demo unit from the exclusive Schoeps French distributor Areitec. I bought it from them in 2017, so it should be in good working condition. Original invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

The TASCAM CD-RW901SL Professional CD Recorder has the connectivity and professional features needed by studio and installation professionals: AES / EBU inputs / outputs RS-232 control port automatic increment, at fixed intervals identification markers recorded on the CD The CD-RW901SL takes all the features of the TASCAM CD-RW900SL, adding analog XLR I / O, wired remote control, and other features demanded by professionals. The XLR (balanced) and RCA (unbalanced) outputs have dedicated input and output level settings, allowing instant changes. The digital inputs are in AES / EBU and S / PDIF format, and feature an automatic sample rate converter, ensuring compatibility with any signal. The CD-RW901SL even plays MP3 files, with their associated information (ID 3 tags). The Time Track Increment feature automatically increments the track number (Track ID) after a certain number of minutes (between 1 and 10), which is ideal for concert or conference recordings. The Key Original function changes the playback speed without changing the pitch. The PS / 2 keyboard input makes it easy to enter track titles (CD Text function), plus access to frequently used menus and transport functions with just one press of a button. Using Tascam CD recorders is easy - they're a smart choice for installers and demanding customers alike. Main features: Records on “pro” or “music” CD-R or CD-RW media (general public) NEW! Select reading speed, to improve readability of poor quality or damaged media 24-bit A / D and D / A converters Balanced analog inputs / outputs on XLR Unbalanced analog inputs / outputs on RCA S / PDIF digital inputs / outputs, coaxial and optical types Input automatic sampling frequency converter (in 44.1 kHz), deactivatable Independent left / right input level adjustment Digital volume control Synchronized recording function Function of automatic incrementation of the track number (ID Track) according to the level Time Track Increment function - increments the track number every 1-10 minutes Entering index marks NEW! Skip mode selection: skip by track, by index or by 1 minute periods Digital fade in / out adjustable from 1 to 30 s, in steps of 1 s (fade in / out) Rec Mute function (digital silence recording) Erase / unfinalize CD-RWs Continuous, single, random or programmed track play (up to 99 tracks) Play all tracks, a single track or part of a track (A-B) Auto Cue, Auto Ready, Call and Incremental Play functions Playing MP3 Files Burned to CD Play MP3 files in their directories Viewing information about MP3 files (ID3 tags) Reading speed adjustment (± 16%, in steps of 0.1 to 1%) Key potentiometer (± 6 semitones) Original Key function (change the tempo without changing the key) CD Text compatible PS / 2 keyboard port, for CD Text data entry and transport control RS-232C serial control port (9-pin Sub D connector) Parallel port Power-on Play Mode: Automatically plays CD when power is turned on, convenient for installation applications NEW! Relay recording with two CD-RW901SL Supplied with wired remote control Rackable 2 U

Imagine Communications Harris X85HD-AV-2PS TBC / Frame Synchronizer / scaler /optical fiber vendu avec son Flightcase General Description Offering unparalleled flexibility,the X85-3G/X85HD/X75SD product line provides up to nine video inputs and ten video output formats,depending upon the following available options: • Two HDTV optical fiber serial component digital video inputs and outputs (X85) or one HDTV optical fiber serial component digital video input and output (X75) • Two HDTV coaxial inputs and outputs on independent paths (X85) or two HDTV coaxial inputs and outputs using the same path (X75) • Two SD-SDI serial component digital video inputs and outputs • One 128 x 96 thumbnail streaming source and one 352 x 240 pixel (525) or 352 x 288 pixel (625) streaming-over-IP video/audio output • Component analog video (Betacam®) input and output • S-video (S-VHS/Hi8) input and output • NTSC/PAL-M/PAL-B/SECAM composite video input and output •RGB-S output • DVI-D output Inputs Inputs are capable of auto-detection, with user-selectable SMART alarms. Two input modes (both ofwhich allow for either automatic detection or user-selection of inputs) are available for processingcritical program paths for ingest, and bridging between routers/tape transports/servers, mobile broadcast, and edit suites. Video Processing Processing for video includes level/color control, aspect ratio conversion, 3D-adaptive color de coding, noise reduction, frame synchronization and time base correction for non-synchronous signals, analog-to-digital and digital-to-analog video conversion. Other capabilities include the following: • Up and down conversion • Aspect ratio control • High-definition cross-conversion Audio Processing Processing for audio includes level control, analog-to-digital and digital-to-analog conversion, and SD-SDI and HD-SDI serial digital signal embedding and de-embedding. Other capabilities include the following: • Sample rate conversions, synchron ization, and timing-to-video for correction of lip sync errors • Embedding/de-embedding of signals such as Dolby E™ and AC-3™ • Processing of multiple channel program signalsfor surround-sound applications before or after compression • Audio-follow-video routing • Converting, adjusting, timing,demultiplexing, and multiplexing Signal Control and Monitoring You can control and monitor signals using a variety of methods: • Local X85-3G/X85HD/X75SD control panels • Remote X75-RCP control panels • Web server software • Local DPS-575 control panels • Remote RC-575 control panels • CCS™-enabled hardware controls • CCS software applications and QuickTime Player • SNMP control systems Operating Modes The X85 and X75 have four main operational modes: • Auto Detect (default mode) • M-Path (multiple path) • Simulcast • All Output Select X75 and X85 General Functionality • Upgradability from SDTV to HDTV, and HDTV to 3 Gb/s • Frame syncs for analog, SDTV and HDTV • Upconversion, downconversion, crossconversion, and aspect ratio conversion • Analog-to-digital conversion • Digital-to-analog conversion • Proc amps for analog, SDTV and HDTV • Video test generation • Optional video noise reduction and enhancement • Optional HD and SD color correction • 8, 16, or 32 channels of internal audio processing (gain, invert,swap, sync/delay,sum) • Embedding and de-embedding for SD-SDI, HD-SDI, and 3 Gb/s • Compressed audio capability (Dolby E®and AC-3®) • Video and audio timing correction • Streaming video capability • SD memory card parameter settings storage • Audio (and embedded) test generation • Audio limiting capability • Built-in Web server with thumbnail monitoring capability • Available redundant power supply • Active Format Description (AFD), audio metadata, closedcaptioning, and DVB Teletext captioning capabilities • Optional program delay for video and embedded audio Input/Outputs • Auto-detected inputs • Two SD-SDI and

Pour connaisseurs.   Analog and Digital preamp with surround processor  5.1 analog bypass unit  7.1 channel RCA outputs for Dolby Digital EX and DTS ES modes  96kHz digital input sample rates DTS NEO 6 Matrix decoding THX™ Surround EX decoding  Dolby Pro Logic II decoding  Additional 2-channel music and surround modes. SP1.7 SPECIFICATIONS Inputs Analog Audio: Six stereo (RCA) pairs, One 5.1 channel (RCA) input Digital: 4 coaxial (RCA) 75 Ohms, 2 Optical (TOSLINK?), conforms to S/PDIF standard. Pro version 1 AES/EBU input (XLR) 110 Ohms Infrared: 1 mini phone jack RS-232: D9 connector (bidirectional) Outputs Analog Outputs: Left, Centre, Right, Right Surround, Left Surround, and Subwoofer on 6 unbalanced (RCA) and 6 balanced (XLR). 2 stereo (RCA) pairs of Record Outputs. 1 pair (RCA) Surround Back outputs Trigger: One 12V on/off trigger, One 12V programmable trigger, to source 80mA total. Remote 30 button, Hand-Held, Infrared remote control unit operates with two AAA batteries (included). Performance Specifications  A/D Conversion: 24-Bit, 48kHz Delta-Sigma D/A Conversion: 24-Bit, 96kHz Delta-Sigma DSP Engine: Motorola 56367 Power Supply: Dual, Linear, Toroidal Frequency Response: 20Hz to 20kHz +/- 0.25 dB THD+Noise:Less than 0.006% in DSP modes; Less than 0.0025% in Bypass mode 20Hz to 20kHz at maximum output level. Signal-to-Noise Ratio:105dB in DSP Modes; 110dB in 2ch Bypass Mode; 22kHz bandwidth, Ref. 1kHz at maximum output level Input Level:2 Vrms in DSP modes; 4 Vrms in Bypass Mode Input Impedance: 50kOhms Output Level: 8 Vrms (16 Vrms Balanced) in DSP Modes; 10 Vrms (20 Vrms Balanced) in Bypass Mode. Output Impedance:110 Ohms Bass Management:2nd Order HPF(x5), 4th Order LPF; 60 – 220 Hz Crossover Freq. Envoi soigné dans toute la france métropolitaine.

BLU-800 de chez BSS qui servait à filtrer mes JBL M2 avec: 1 carte in (4 entrées mono ou 2 stéréo) et 1 carte out (4 sorties, idem). Il est configuré de base pour le filtrage des M2 (filtrage spécifique JBL, les M2 sont des enceintes 2 voies) mais entièrement reprogrammable avec les logiciels gratuits "London Architect" ou "Audio Architect" (plus récent). spec BLU-800: http..s://bssaudio.com/en/products/blu-800 Les possibilités de ce processeur numérique sont infinies: mixage, matriçage, compresseur, expanseur, fader, délai, équalisation, etc. et bien sur, filtrage avec toutes sortes de filtres: Fir, Bessel, Butterworth, Linkwitz Riley…jusqu'à 48dB/oct. Quelques petites rayures mais très bon état. Je réponds à toutes les questions. Shipping to many countries, ask for actual cost The Soundweb London BLU-800 offers configurable I/O, configurable signal processing, "CobraNet" audio and a high bandwidth, fault tolerant digital audio bus. The BLU-800 has open architecture which is fully configurable through HiQnet "London Architect" or "Audio Architect". A rich palette of processing and logic objects and a "drag and drop" method of configuration provide a simple and familiar design environment. • Four Input / Output Card Slots • Configurable Inputs / Outputs • Analog Inputs (with Phantom Power per Channel) • Analog Outputs • Digital Inputs (AES/EBU and S/PDIF) • Digital Outputs (AES/EBU and S/PDIF) • Configurable Signal Processing • Rich Palette of Processing and Logic Objects • CobraNet Audio • 256 Channel, Low Latency, Fault Tolerant Digital Audio Bus • Clear Front Panel LED Indication • Informative Front Panel Display • Bi-Directional Locate Functionality • 12 Control Inputs and 6 Logic Outputs for GPIO Integration • Soundweb London Interface Kit for Third Party Control System Integration (Documentation) • HiQnet Device • Configuration, Control and Monitoring from HiQnet London Architect

Lecteur CD McIntosh MCD7009 État: Deuxième main, vendu Pour pièces détachées car bonne lecture mais esthétique mauvaise et autres défauts (bien lire la suite) (Second hands, Sale for parts because good reading but bad look and else others defaults (read please)) Le lecteur fonctionne sur les sorties analogiques gauche et droite (Player works with analog outputs) la mécanique (TEAC) et la tête de lecture fonctionnent parfaitement. Tous les boutons OK, toutes les fonctions en façades OK, très bon son. Mais....(But....) il y a des décollements visibles sur le noir de la façade derrière la vitre, voir photos (some marks on face, black behind, see photos) Je n’ai jamais testé les sorties numériques (I never test numeric outputs) État esthétique moyen, noir derrière la façade se décolle (Bad apparence because used black behind face) Les 2 Côtés en Aluminium sur la façade ne sont pas les originaux (Not originals aluminium parts on face) Une pièce à l’intérieur du lecteur permettant la tenue du disque laser n’est pas l’originale et avait été changée il y a plusieurs années, pièce dorée sur la dernière photo. Si on pousse sur cette pièce peut cela peut créer de temps en temps un petit bruit à la lecture à cause du capot qui touche cette pièce. (A pièce has been change long time ago and not original for catch the cd, gold piece on last photo, mecanic noise sometime during playing if pushing this parts) Donc le lecteur fonctionne très bien en analogique mais avec une esthétique mauvaise et je ne sais pas pour les sorties numériques. (So Cd player works very well with analogics outputs, but look is not good and i dont know for numerics outputs) Vidéo disponible de l’appareil en vente en fonctionnement sur YouTube https://youtu.be/CDWPuh4lX2c Je préfère le vendre comme ça pour pièce car fonctionne mais plusieurs défauts Pas de retour accepté (I prefer sale it for parts because good working but some défauts) Envoi en France et Union européenne uniquement. Paiement virement uniquement ou paypal (Send to France and European union only. Paiment by bank transfert) ———————————————-///-//— Mc Intosh est un fabricant d’appareils hi-fi de grande qualité, comme par exemple: tuner MR65B Ampli MC225 - MC240 - ma6100, ma6900, MA 8900 Les MC30, MC 60, MC275 préampli-tuner MX110 Etc....

Hifime UH1 Digital permet d'écouter de la musique en qualité (horloges TCXO, isolement galvanique) depuis un ordinateur via la sortie USB de celui-ci. La sortie HDMI I2S est compatible avec les 3D LAB Nano DAC. Entrées: optique, HDMI (I2S) et USB: un switch permet le choix entre Low (limite la fréquence à 96 kHz mais ne nécessite aucun driver sous windows) et High (driver windows 10 disponible sur le site de Hifime). Sorties: coaxial, optique, HDMI I2S compatible avec le 3D LAB Nano DAC. Un switch à 2 positions permet de rendre le DSD compatible avec plusieurs marques (pas essayé avec le 3D LAB). Spécifications (issues du site de Hifime): This is the UH1 without the DAC part. It is a pure high quality USB to i2s/DSD (over HDMI), COAX and OPT. This also has i2s/HDMI input (HDMI to USB). It is based on the Savitech SA9227 asynchronous USB receiver clocked by two TCXO oscillators which are used as the master clock to control the timing. This asynchronous USB transfer mode will give this device the responsibility to clock the data transfer instead of of your computer which has a clock of lesser quality with more noise and jitter introduced. It accepts up to 384kHz sample rates and 16/24/32 bit. No drivers are necessary on MAC and linux computers ! On Windows it can work without drivers up to 96kHz/24bit and with ASIO drivers up to 384/32. (Note that not all programs support ASIO). There is a switch that switches between Low and High sample rate mode. When set to Low, it works up to 96/24 with no drivers needed in Windows. It utilises the USB port for power, so no external power supply is required. Also the outputs and inputs are ground isolated from USB. USB INPUT: Asynchronous USB transfer with two TCXO as master clock USB receiver Savitech SA9227 Inputs are ground isolated from USB Supported sample rates: 32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8 and 384kHz Supported bitrates: 16, 24 and 32 bits Works in either Full speed or High Speed USB transfer mode selectable with a switch (“L” “H”). No drivers required in MAC/Linux in both full and high speed modes. Windows ASIO needs drivers for High Speed mode only. We are using two (expensive) TCXO to act as master clock. 45.1584MHz for 44.1, 88.2, 176.4, 352.8MHz sample rates, and 49.152MHz for 32,48, 96, 192, 384kHz sample rates. The USB transfer is clocked by the TCXO directly. This is better than PLL async mode and offers close to zero jitter. PLL async mode has ~30ps jitter, which is already quite low, but not as good as when clocked from TCXO directly. SPDIF/OPTICAL/i2s(HDMI) INPUT: To USB/computer only! It doesn’t convert i2s to the COAX/SPDIF outputs. SPDIF Support samples rates up to 192kHz and 16/24/32 bit. DIGITAL OUTPUTS: DSD/I2S using HDMI port. Here is a linked drawing with the pinout for DSD and I2s. Note – this it not compatible with “normal” HDMI devices. The HDMI port is only used as a convenient connector and a way to send i2s balanced which improves signal quality. The DSD signal is also balanced. The pinout is made so that there is no harm done if you should connect it to a normal HDMI device. Optical output Coaxial output? Outputs are ground isolated from USB Size: 85x70x24mm

TRANFORMER INCLUDED 16 high-quality 24-bit / 96 kHz AD/DA converters. Supported sample rates: 32, 44.1, 48, 88.2 and 96 kHz. 16 analog inputs and 16 analog outputs. Provided as fully-symmetrical balanced phone jacks. Switchable between -10 dBv and +4 dBu. Two independent ADAT interfaces Dual 8-channel I/Os, 24-bit, fully compatible with all devices which feature this digital interface. S-Mux permits ADAT transfers of 96 kHz audio.Although the ADAT standard does not include sample rates above 48 kHz, the A16 Ultra can transfer audio at 96 kHz using S-Mux mode, in which pairs of ADAT channels are coupled, giving you a total of eight S-Mux channels. Two independent Z-Link interfaces. This CreamWare-proprietary interface format, based upon FireWire technology, offers greater transfer bandwidth than ADAT. With Z-Link, simultaneous transfer of all 16 channels at 24 bits / 96 kHz is possible. Ideal for use with all CreamWare systems that are equipped with Z-Link. BNC Wordclock I/O for synchronization of your complete digital setup. Functions both as master and as slave. VU meters for precise level setting The 16 5-segment level indicators permit convenient, precise setting of signal levels and allow you to keep everything under visual control at all times. Memory function.The A16 Ultra remembers all of its settings when you power it down, so that you can pick up where you left off in your next session. Ultra-compact construction.The A16 Ultra packs concentrated technology into a single-height 19" rack. Expansion options Various expansion options are planned to boost the performance of the converter further. For example: add-in boards which permit the use of S-Mux on all 16 ADAT channels or which render the A16 Ultra a TDIF-1 compatible converter. A USB2 expansion, also in the works, will permit the A16 Ultra to be used as a standalone I/O interface with any computer system equipped with USB2, and will also allow it to be remote-controlled via software, making operation as an analog/digital patchbay. Technical specifications Sample rates: 96 kHz, 88,2 kHz, 48 kHz, 44,1 kHz and 32 kHz (Master) 30 kHz - 100 kHz (Wordclock - Slave) 38 kHz - 50 kHz (ADAT - Slave) Channels:16 inputs and 16 outputs Analog inputs: Balanced phone jacks (6.3 mm) Input sensitivity + 4 dBu (nominal) Maximum input level +20 dBu (0 dBFS) Input impedance 20 kOhm Analog outputs: Balanced phone jacks (6.3 mm) Output level + 4 dBu (nominal) Maximum output level + 20 dBu (0 dBFS) Output impedance 600 Ohm Converter performance Digital - Analog: 24 Bit / 128 x oversampling / 96 kHz Frequency response Dynamic range 110 dBA THD+N 100 dBA typ. Channel separation 105 dB @ 997 Hz typ. Analog - Digital: 24 Bit / 96 kHz Frequency response Dynamic range 100 dBA THD+N 95 dBA typ. Channel separation 102 dB @ 997 Hz typ Digital inputs and outputs ADAT: EIAJ connectors 8 channels, 24 bits, 2 in, 2 out Z-Link: 2 standard 1394 connectors, 8 channels, 24 bits, 96 kHz capable Synchronization Word Clock In: 75 Ohm, BNC Word Clock Out: 75 Ohm, BNC General specifications Supply voltage: 12V AC Power consumption: 25W Dimensions: 44,3*483,0*189,5 mm (1U) Weight: 3 kg

Ampli Home Cinema Primare SPA21 Titane (Livré avec sa télécommande) État : "Pour pièces détachées/ne fonctionne pas" Service de livraison : Autre livraison en 48 h ------------------------------------------------------                     FRANCAIS ------------------------------------------------------ Ce qui marche:  - L'ampli est en très bon état extérieur  - Tous les boutons en facade fonctionnent  - La télécommande est en excellent état  - L'ampli fonctionne encore uniquement sur la source analogique 1 (entrée par défaut quand l'ampli s'allume).   - L'ampli était configuré et a toujours été configuré en stéréo.  - L'écran LCD fonctionne correctement, on voit bien les changements de source, si c'est une source analogique ou digital. On voit aussi les changements de volume.   - On peut aussi changer la balance D/G  - On entend le fameux "clac" de changement de type de source (analogique/digital). Ce qui ne marche pas:  - Il a l'air de détecter les autres sources analogiques/digital mais aucun son de la source ne sort sur les enceintes   - Il a l'air de chauffer beaucoup. Il a toujours chauffé mais il est chaud même en veille... du coup je l'éteins toujours avec le hard-switch qui se trouve sous l'ampli. - Les sorties videos ne fonctionnent plus à priori et il n'est donc plus possible de changer les réglages (rajouter des enceintes ou changer le nom des sources). Cela fait longtemps que ce ne l'a pas fait, mais des fois à volume faible, le son peut sortir uniquement sur un canal G ou D. Il faut monter le son pour que les 2 canaux reviennent puis remettre le son à son volume initial. C'était peut-être mon DAC externe qui était à l'origine de ce problème, mais je préfère vous le dire. ------------------------------------------------------                     ENGLISH ------------------------------------------------------ What it's working:  - The receiver is in really good aesthetic conditions  - The remote control is like new  - The receiver still works with the first analog input. It's the only input that will reproduce sound (it's the default input when you turn on the receiver)  - The receiver was always used in stereo  - The LCD screen works fine, you can see that you are changing the source or volume and if your input is analog or digital.  - You can change the balance L/R  - You can hear the sound specific sound when you are switching the source from analog to digital (or the opposite). What it's not working:  - It looks like the receiver notice a change when you change the input but no sound goes to the speakers.   - The receiver is overheating for me. It was always warm but it's warm even on standby mode... so I always use the hard-switch under the receiver when I'm not using it - it seems that the video outputs don't work. Hence, it's not possible to change the settings anymore (add speakers, change the source name). At one moment (a few months ago), when the volume was quite low, the sound was going only on one speaker. Sometimes on the left, sometimes on the right. I had to put the volume much higher to recover the 2 channels and go back after to a my level. It was maybe my external DAC that have created this... but I prefer be honest. Spécifications techniques: - GeneralOutput power: 5 × 100W 8 Ω - Analog inputs 8 RCA.  - Digital inputs 2 RCA, 2 TOS-Link.  - Video inputs 4 composite, 2 S-Video, 2 component.  - Analog outputs Front (left and right), center, sub, surround(left and right), surround back (left and right).  - Analog record output 1 RCA (left and right).  - Digital outputs 1 RCA.  - Video outputs 2 composite, 2 S-Video, 1 component.  - Modes Dolby Pro Logic II / Dolby Digital 5.1 / DTS Neo:6 / DTS 5.1 / DTS ES 6.1 / DTS ES 6.1 Discrete  - Video NTSC/PAL  Analog data  - T

OVERVIEW: The Alesis iO|26 uses state of the art FireWire technology to deliver professional-level features such as Alesis High Definition Microphone Preamps, Cirrus audiophile converters and jitter elimination technology, with high-quality 24-bit/192k audio input. The iO|26 is designed for easy use with PC or Mac, and has 2 headphone outputs, line-level inserts on the mic preamps, 48V phantom power, 5-segment signal/clip meters, and full MIDI and S/PDIF I/O in a convenient, portable tabletop design. The iO|26 gives you forward-thinking expansion potential, with ADAT lightpipe inputs for additional connectivity, no matter what your recording sessions may demand. Flexible, routable Hardware Direct Monitoring allows you to send a customized, latency-free mix to each output pair. An AC adapter is also included, for those using a FireWire interface that doesn't supply power. Whether you find yourself on the road or in your own studio, the iO|26 gives you the Alesis performance that professionals have depended on for decades.   FEATURES: - 24Bit/192kHz Recording for high-quality, pristine recordings - Superior Clock stability with DICE II JET Jitter Elimination Technology - Audiophile Cirrus converters to provide maximum dynamic range on inputs and outputs - Flexible, routable Hardware Direct Monitoring - Cubase LE software included (Windows and Mac compatible) - Bus or adapter powered - Mac OS X (10.4.11 - 10.8), Windows 7, Vista, and XP compatible - 8 Alesis High Definition Mic/Line Preamplifiers built in (2 switchable high-impedance inputs for direct guitar and bass recording) - Switchable Phantom Power for each channel pair - Inserts on every analog channel - 16 channels of ADAT input - 16 Channels of MIDI I/O - Stereo S/PDIF digital input - Stereo turntable input - 8 line-level outputs - 2 discrete stereo headphone outputs - Stereo S/PDIF digital output   SPECS: - Analog I/O (number and type): 8 combo XLR-1/4" and phono inputs/8 line out/2 headphone out - Digital I/O (number and type): 16 ADAT optical in, S/PDIF I/O - Platform Version (Win, Mac, Linux, etc.): Win, Mac - Bus Type: FireWire - Plug In Formats Supported (RTAS, MAS, VST, etc.): N/A - Sampling Rate (kHz): Up to 192 kHz - A/D/A Converter Bit Rate: 24-bit - Digital Recorder Resolutions (bits): N/A - Sync Types (ADAT, word clock, SMPTE, MTC, etc.): ADAT, S/PDIF - MIDI Control (yes/no): No - Number of Tracks/Virtual Tracks (ex. 32/64): 26 total inputs - Number of Locate Points: N/A - Effects/Dynamic Processing (ex. Y/N): N/N

- Attention: la source d'alimentation ne fonctionne qu'avec 120V. Behringer Xenyx QX1202USB Features: - Compact, low-noise, high-headroom analog mixer - Four Xenyx mic preamps comparable to stand-alone preamps - 48V phantom power for use with condenser microphones - Compressors feature super-easy "one-knob" functionality and control - Built-in stereo USB/Audio Interface to connect directly to your computer - Neo-classic "British" 3-band EQs for warm and musical sound - Per-channel FX send for internal FX processor and/or external send - 24-bit Klark Teknik FX processor with 100 presets, including: - Reverb, chorus, flanger, delay, pitch shifter and various multi-effects - FX to control room/main gives you flexible effects monitoring options - Main mix outputs plus separate control room, phones and 2-Track outputs - 2-track/USB inputs assignable to main mix or control room/phones output - Free software, downloadable at behringer.com: - Audio recording, editing, and podcasting software - 150 instrument/effect plug-ins - High-quality components and rugged construction ensure long life Tech Specs - Type: Analog - Channels: 12 - Computer Connectivity: USB (2 x 2) - Faders: 1 x 60mm Throw - Inputs - Mic Preamps: 4 x XLR - Phantom Power: 4 - Inputs - Line: 12 x TRS - Inputs - Other: 2 x RCA - Outputs - Main: 4 x TRS - Outputs - Other: 2 x RCA - Aux Sends: 1 x Post - Send/Return I/O: 1 x TRS (Send), 1 x TRS (Return) - Busses/Groups: 2 Bus - Headphones: 1 x 1/4" - USB: 1 x Type B - EQ Bands: 3-band - Effects: Yes - Height: 2" - Width: 9.8" - Depth: 9.8" - Weight: 3.3 lbs. - Manufacturer Part Number: 000-ALR02-00010

Arturia Audiofuse Studio (neuf) USB 2.0 Audio Interface - 24-Bit / 192 kHz - 18 Inputs and 20 outputs - 4 Mic / line inputs: XLR / TRS combo socket - 4 Line inputs: 6.3 mm TRS - Phono input: Cinch - Inputs: 1 - 4 switchable for instruments - Inserts for inputs: 1 - 4: 6.3 mm TRS - 4 Line outputs: 6.3 mm TRS - 2 Aux outputs: 6.3 mm TRS for line signals and reamping - S/PDIF coaxial input and output: Cinch - Switchable to word clock - 2 Headphone outputs: 6.3 mm TRS and 3.5 mm TRS - 2 ADAT In / Out for maximum 8 channels @ 96 kHz Sampling Rate - Integrated Bluetooth audio receiver - Compatible with AAC and aptX - Integrated monitor controller with dim / mute / mono function - Monitor and source selection - Integrated 3-fold USB hub for external devices - USB-C socket - Supports USB 2.0 - Compatible with Windows and Mac OS X - Solid metal housing - Dimensions: 265 x 160 x 72 mm - Includes AudioFuse Creative Suite

Préamplificateur haut de gamme APT HOLMAN made in USA- RARE -BONNE ÉTAT. État : "Occasion" Service de livraison : Colissimo Recommandé préamplificateur haut de gamme APT HOLMAN. Apt Holman Preamplifier (1977-1983) Nombreuses entrées, double entrée vynile ajustables. Sortie external processor etc..la liste complète des caractéristiques techniques est en Anglais. bonne état de Fonctionnement Inputs Phono 2 Phono inputs. The first has selectable resistance and capacitance, while the second is fixed at 47kΩ and 50 pF. 100 mV maximum at 1 kHz, inverse RIAA, warp-proof. The right channel of each of the two phono inputs is internally adjustable ±2 dB for Line All line inputs are 50 kΩ in parallel with 330 pF. Unselected inputs are terminated with 2.2 kΩ. Maximum input level: 10 V RMS (+20 dBV or +22 dBm). 3 line-level inputs. 2 tape monitor loops. 1 external processor loop, for a total of six line-level and two phono inputs! Gain, Polarity and Volume Control 18 dB maximum gain from line inputs. Phono preamp gain: 36.5 dB at 1 kHz: 5 mV for 2 V output, 1.25 mV for 0.5 V output. All outputs are non-inverting. Volume control rated to track left-right to within 1 dB over the entire range. I'm impressed: this is a very important parameter, and this is the only preamp I've ever seen which bothers to specify it. The multiwiper 10 kΩ volume control has 32 clicks, or 31 intervals, at 10o per click, or room for 36 clicks in 360.o The volume control uses individually trimmed thick-film resistors to ensure precise channel-to-channel tracking. Outputs Two MAIN outputs, fed in parallel. Provisions on the circuit board to allow your technician to insert a fixed resistive pad in the path of the MAIN 2 output if this optimizes the gain structure for your power amplifier. 330 Ω source impedance, 5 kΩ/3,000 pF maximum load. Two tape outputs: 100 Ω source impedance, 10 kΩ/1,000 pF maximum load. One external processor output. One 1⁄4" headphone output from a separate amplifier. Frequency Response 20 - 20,000 Hz ±0.5 dB, with ultrasonic and ultrasonic filters active. RIAA EQ ±0.5 dB 30 - 15,000 Hz. Selectable 15 Hz Infrasonic filter (rear panel switch) Within 0.5 dB at 20 Hz, -3 dB at 15 Hz and > -30 dB at 5 Hz. Group delay 4 mS at 50 Hz. If the filter isn't selected, the -3 dB point is 8 Hz. Ultrasonic Filter (automatically engaged when Tone Controls active) Within 0.5 dB at 20 kHz, -3 dB at 40 kHz, and -18 dB at 100 kHz. Group delay 7 μS. Interchannel delay: < 0.5 μS. (the limit of audibility is 10 μS.) When the tone controls are defeated, the -3 dB point is 150 kHz. High Filter (only active with Tone Controls selected) -3 dB at 8 kHz. Distortion Less than 0.01% THD at rated output (2V) and lower. Less than 0.01 % SMPTE intermodulation distortion (60/7k Hz 4s1) at rated output (2V) and lower.

Emotiva Xmc 1 Gen 2 Hdmi 2.0b. État: Occasion Service de livraison: Colissimo Recommandé etat comme neuf pas de rayure complet telecommande notice cable secteur fonctionne eu et uk micro pieds antenne carte 4k hdmi2.0 b installe carte hdmi 1.4 conserve possibilite upgrade xmc dolby atmos dtsx Préampli home-cinéma 7.2 Ecran OLED bleu Menu OSD en couleurs Autocalibration Dirac Live HDMI 2.0 4K 60ips et HDCP 2.2 Mode DAC USB Filtrage de chaque canal indépendant Double sortie caisson stéréo Format audio supportés via HDMI Dolby TrueHD Dolby Digital Plus Dolby Digital 5.1 DTS-HD Master Audio DTS-HD High Resolution Audio DTS 5.1 DTS ES Discrete 6.1 PCM-Multi 5.1 PCM-Multi 7.1 DSD multicanal Modes surround post-processing Dolby Prologic IIx (PLIIx) DTS ES Matrix Reference Stereo Direct Mode Stereo Mode All Stereo Mode Connectique 8x entrées HDMI 2.0 3x entrées audio numériques optiques 3x entrées audio numériques coaxiales RCA 1x entrée audio numérique AES/EBU 2x entrée USB type A (mise à jour firmware) 1x entrée USB type B (mode USB DAC 24/192) 1x Ethernet RJ-45 (connexion avec logiciel Dirac Live 1x jeu de sorties 7.2 RCA 1x jeu de sorties 7.2 XLR 1x sortie ligne stéréo 1x sortie ligne stéréo zone 2 1x sortie casque (ampli TI TPA-6130) 2x sorties HDMI 2.0 CEC et ARC 1x sortie audio numérique optique et 1x coaxiale RCA Généralités Consommation: 35 W (0,5 W en veille) Dimensions (lxhxp): 43 x 38 x 13 cm Poids: 10 kg like new no complete stripe remote control manual power cable works eu and uk micro feet antenna 4k hdmi2.0 b card installs hdmi 1.4 card keeps possibility upgrade xmc dolby atmos dtsx Home cinema preamp 7.2 Blue OLED screen Color OSD menu Dirocal Live Autocalibration HDMI 2.0 4K 60ips and HDCP 2.2 USB DAC mode Filtering of each independent channel Double stereo box output Audio format supported via HDMI Dolby TrueHD Dolby Digital Plus Dolby Digital 5.1 DTS-HD Master Audio DTS-HD High Resolution Audio SDR 5.1 DTS ES Discrete 6.1 PCM-Multi 5.1 PCM-Multi 7.1 Multichannel DSD Post-processing surround modes Dolby Prologic IIx (PLIIx) DTS ES Matrix Reference Stereo Direct Mode Stereo Mode All Stereo Mode Connectivity 8x HDMI 2.0 inputs 3x optical digital audio inputs 3x coaxial RCA digital audio inputs 1x AES / EBU digital audio input 2x USB type A input (firmware update) 1x USB type B input (USB DAC 24/192 mode) 1x Ethernet RJ-45 (connection with Dirac Live software 1x set of 7.2 RCA outputs 1x set of outputs 7.2 XLR 1x stereo line output 1x stereo line output zone 2 1x headphone output (TI TPA-6130 amplifier) 2x HDMI 2.0 CEC and ARC outputs 1x optical digital audio output and 1x RCA coaxial General Consumption: 35 W (0.5 W standby) Dimensions (wxhxd): 43 x 38 x 13 cm Weight: 10 kg

Emotiva Xmc 1 Gen 2 Hdmi 2.0b. État: Occasion Service de livraison: Colissimo Recommandé etat comme neuf pas de rayure complet telecommande notice cable secteur fonctionne eu et uk micro pieds antenne carte 4k hdmi2.0 b installe carte hdmi 1.4 Préampli home-cinéma 7.2 Ecran OLED bleu Menu OSD en couleurs Autocalibration Dirac Live HDMI 2.0 4K 60ips et HDCP 2.2 Mode DAC USB Filtrage de chaque canal indépendant Double sortie caisson stéréo Format audio supportés via HDMI Dolby TrueHD Dolby Digital Plus Dolby Digital 5.1 DTS-HD Master Audio DTS-HD High Resolution Audio DTS 5.1 DTS ES Discrete 6.1 PCM-Multi 5.1 PCM-Multi 7.1 DSD multicanal Modes surround post-processing Dolby Prologic IIx (PLIIx) DTS ES Matrix Reference Stereo Direct Mode Stereo Mode All Stereo Mode Connectique 8x entrées HDMI 2.0 3x entrées audio numériques optiques 3x entrées audio numériques coaxiales RCA 1x entrée audio numérique AES/EBU 2x entrée USB type A (mise à jour firmware) 1x entrée USB type B (mode USB DAC 24/192) 1x Ethernet RJ-45 (connexion avec logiciel Dirac Live 1x jeu de sorties 7.2 RCA 1x jeu de sorties 7.2 XLR 1x sortie ligne stéréo 1x sortie ligne stéréo zone 2 1x sortie casque (ampli TI TPA-6130) 2x sorties HDMI 2.0 CEC et ARC 1x sortie audio numérique optique et 1x coaxiale RCA Généralités Consommation: 35 W (0,5 W en veille) Dimensions (lxhxp): 43 x 38 x 13 cm Poids: 10 kg like new no complete stripe remote control manual power cable works eu and uk micro feet antenna 4k hdmi2.0 b card installs hdmi 1.4 conservated Home cinema preamp 7.2 Blue OLED screen Color OSD menu Dirocal Live Autocalibration HDMI 2.0 4K 60ips and HDCP 2.2 USB DAC mode Filtering of each independent channel Double stereo box output Audio format supported via HDMI Dolby TrueHD Dolby Digital Plus Dolby Digital 5.1 DTS-HD Master Audio DTS-HD High Resolution Audio SDR 5.1 DTS ES Discrete 6.1 PCM-Multi 5.1 PCM-Multi 7.1 Multichannel DSD Post-processing surround modes Dolby Prologic IIx (PLIIx) DTS ES Matrix Reference Stereo Direct Mode Stereo Mode All Stereo Mode Connectivity 8x HDMI 2.0 inputs 3x optical digital audio inputs 3x coaxial RCA digital audio inputs 1x AES / EBU digital audio input 2x USB type A input (firmware update) 1x USB type B input (USB DAC 24/192 mode) 1x Ethernet RJ-45 (connection with Dirac Live software 1x set of 7.2 RCA outputs 1x set of outputs 7.2 XLR 1x stereo line output 1x stereo line output zone 2 1x headphone output (TI TPA-6130 amplifier) 2x HDMI 2.0 CEC and ARC outputs 1x optical digital audio output and 1x RCA coaxial General Consumption: 35 W (0.5 W standby) Dimensions (wxhxd): 43 x 38 x 13 cm Weight: 10 kg

ROTEL RA-1592. État: Occasion en parfaite condition, aucunes trace d’usure, le rodage vient tout juste d être terminer avec 100h d écoutes. Vendu avec la télécommande et sans la boîte d origine. The RA-1592 Integrated Amplifier leverages the strengths of our award winning RC-1590 preamplifier and RB-1582 MkII power amplifier in a sleek single chassis design. DIMENSIONS (W × H × D) 431 × 144 × 425mm 17" × 5.7" × 16" FRONT PANEL HEIGHT 3U / 132.6mm (5.25") POWER REQUIREMENTS 230V, 50Hz POWER CONSUMPTION 500W STANDBY POWER CONSUMPTION NET WEIGHT 16.8kg (37lbs.) BTU RATING 1239 BTU/h CONTINUOUS POWER OUTPUT 200W/Ch (All channels driven, 8Ω) TOTAL HARMONIC DISTORTION (THD) (20Hz–20kHz) FREQUENCY RESPONSE Line Level Inputs: 10Hz - 100kHz ±0.5dB Digital Inputs: 10Hz - 90kHz ±2dB Phono Input: 20Hz - 20kHz ±0.5dB S/N RATIO (IHF "A" Weighted) Line Level Inputs: 103dB Digital Inputs: 102dB Phono Input: 80dB There has never been a better time to be a music lover. Today’s source options provide limitless audiophile quality music. CD-or-better quality streaming, high resolution download sites, inexpensive mass storage devices, the still resilient CD and the resurgence of classic vinyl are all providing a wealth of content at impressively high fidelity. To hear all this music as the artist intended requires an extraordinarily flexible, sonically capable component. The RA-1592 Integrated Amplifier is exactly that component. It leverages the strengths of our award winning RC-1590 preamplifier and RB-1582 MkII power amplifier in a sleek single chassis design. With a powerful 200 watt per channel Class AB amplifier using performance audio grade components, the RA-1592 can effortlessly drive large speaker systems. The impressive Rotel manufactured toroidal transformer is a key element in the power supply design which also includes custom slit-foil storage capacitors and a dual-monoblock topology. All of this helps to ensure the amplifier performance stands up to even the most complex music and real world playback conditions. To complement the amplifier section, the RA-1592’s preamplifier incorporates the superb 32-bit/768kHz AKM digital-to-analogue converter (DAC) and analogue stages of the highest quality. The DAC and surrounding circuitry supports a vast array of source inputs including DSD capable PC-USB (24-bit/192kHz), 3 coaxial, 3 optical, integrated aptX® Bluetooth and front mounted USB iPod input. In recognition of the faithful analogue music lovers, there is a phono stage input (MM), XLR balanced input and 3 analogue RCA source inputs. User selectable A-B speaker outputs with 5-way binding posts, RCA pre-output and dual subwoofer outputs provide the ultimate flexibility in installation. The amplifier protection circuits monitor DC offset, overcurrent, short circuit and temperature to protect both the electronics and attached speakers. Custom integration features include RS232 and Ethernet IP control, 2 trigger outputs, remote IR input and automated digital signal sense power control for easy integration with streaming sources and control systems. The RA-1592 is the finest integrated amplifier yet in Rotel’s 55 year history of producing performance audio components.

Enregistreur 24 pistes Alesis HD24 multitrack recorder Parfait état 80 giga DD. Overview HD24 is the world's first 24-track hard disk recorder designed to fit into any ADAT environment and match ADAT's legendary performance and affordability. HD24 is built exclusively for the purpose of recording music instead of data, resulting in remarkable stability and performance. HD24 enables engineers to record up to 24 tracks of high-resolution 24-bit recording at 44.1 and 48 kHz sample rates. Two hot-swappable media bays provide convenient access to recording drives and allow data backup in minutes. You can edit tracks internally or easily transfer to computer via an Ethernet connection. HD24 features ADAT Optical and ADAT Sync, enabling it to work efficiently with existing systems. It offers the same exceptional user-friendly interface ADAT users have come to expect. HD24 can be upgraded to HR24XR with the EC2 module. This user-installable option replaces the A/D and D/A converters with the renowned AKM converters used in the acclaimed MasterLink. EC2 improves performance at all sample rates and also expands analog and digital-input compatibility to include 88.2 and 96 kHz sample resolutions. HR24 packs 24 channels of digital audio I/O into a single-unit recorder that easily fits into any environment. FEATURES - 24-track, 24-bit digital audio recording (12 tracks at 96kHz with EC2 optional updgrade) - 24 analog inputs (1/4" TRS) - 24 analog outputs (1/4" TRS) - 24-channel ADAT Optical I/O - Dual recording bays utilize standard, low-cost, removable IDE computer drives - Instant random access to audio using ADAT/FST™ (File Streaming Technology). - Internal editing capabilities include cut, copy, paste, and track-move with undo. - Multiple units can be synchronized to create a larger system - Easily integrated into an existing ADAT system - Ethernet port enables computer connection - MIDI I/O, MTC out - ADAT Sync in/out - Word Clock in SPECS MEDIA - Caddy 1: 260GB HD - Caddy 2: 80GB HD - Caddies can be fitted with IDE/EIDE/ATA drive at 5,400/7,200/10,000 RPM up to 2TB TRACK COUNT - 24 tracks at 24-bit, 44.1 or 48 - 12 tracks at 88.2 or 96 kHz with optional EC2 upgrade CONNECTIONS - Analog: 24 24-bit inputs, 24 24-bit outputs (1/4" TRS, +4dBu) - Digital: 24-channel I/O via 3 ADAT Optical inputs and 3 ADAT Optical outputs - Other: MIDI in/out. Alesis Sync in/out (DB-9). Word Clock input (BNC, 75). Footswitch jack for punch in/out (1/4"). LRC input for - traditional wired remote (1/4"). 10 Base-T Ethernet (RJ-45) AUDIO SPECS - Frequency response: 20Hz–20kHz +0/–1dB - Dynamic range: 103dB A/D, >103dB D/A (A-weighted) - Distortion: - Pitch control: +100 cents/–200 cents, min-max 30–50kHz (30–100kHz with version 2.0) POWER & DIMENSIONS. - Power: 90-230V AC, 60W - Dimensions (H x W x D): 5.09" x 19" x 17" (127mm x 483mm x 432mm), 3U rackmount - Weight: 20lbs (9.07kg)

Fourni avec alimentation universel. https://atlona.com/product/at-hd570/ Le Atlona AT-HD570 est un désembédeur Audio professionnel. Il possède une entrée HDMI et il procède à l'extraction des signaux audio analogiques multi-canal et optiques numérique. l' AT-HD570 supporte en sortie l'audio LPCM analogique non compressée 7.1, 5.1 et 2 canaux via les sorties analogiques multi-canaux. Sur la sortie optique il supporte le Dolby Digital, LPCM 2CH et des signaux DTS. Le Dolby TrueHD et DTS-HD Master Audio passent par connexion HDMI sans être dé-embédé. Dé-embedeur audio via audio analogique multicanal et les ports de sortie numériques audio optique L'amplification et égalisation du signal HDMI afin d'étendre la sortie HDMI jusqu'à 15 mètres (50 pieds) Dé-embedeur audio en LPCM 7.1 via les sorties audio analogiques Dé-embedeur audio nimérique en Dolby Digital / DTS 5.1 via la sortie audio optique Transport de l'audio Dolby TrueHD ou DTS-HD Master Audio sur HDMI Taux d'échantillonnage audio pris en charge jusqu'à 192 kHz Résolution Jusqu'à 1080p @ 60Hz sur HDMI Compatible 3D (pass-through) Compatible CEC (pass-through) HDCP 1.4 conforme ----------- The Atlona AT-HD570 is an HDMI Audio De-Embedder with 3D Support. Input an HDMI signal to the HD570 and it de-embeds the audio signal to either Optical or Multi-Channel analog audio outputs.  This audio de-embedder supports uncompressed analog LPCM 7.1, 5.1, 2ch through the multi-channel analog outputs. On the optical output it supports Dolby Digital, LPCM 2CH and DTS signals. Dolby TrueHD and DTS-HD Master Audio pass through HDMI connection without being de-embedded. Features Audio de-embedding through multichannel analog audio and digital optical audio output ports Signal amplification and equalization to extend HDMI input and output ports up to 15 meters (50 feet) De-embedded audio up to LPCM 7.1 through the analog audio outputs De-embedded audio up to Dolby Digital / DTS 5.1 through the optical audio output Pass through audio up to Dolby TrueHD or DTS-HD Master Audio on HDMI Audio sample rate supported up to 192kHz Video up to 1080p@60Hz on HDMI 3D pass through CEC pass through HDCP 1.4 Compliant

Nice E-Mu ESI 4000 Sampler, In good clean condition and full working order. ESI is the very latest in the long line of high quality and affordable E-mu sampling products. ESI features 22.05 kHz and 44.1 kHz sampling rates and 16-bit resolution for CD quality sound. Sampling can be performed in either mono or true stereo. 64 channels of polyphony allow you to stack sounds or create lush sequences without fear of channel “ripoff”. The user-upgradable memory can be expanded to a maximum of 128 Mbytes using standard SIMM modules (Details and installation are available at your E-mu dealer).   The ESI has full access to the huge library of sounds available from E-mu and other sources. It is fully compatible with the legendary EIII and EIIIX libraries, and can import Emax II and Akai S1000/S1100 banks. In many cases, the ESI can import and convert programs faster than the source unit!   The advanced features of the ESI make sampling easy. Samples can be automatically truncated, normalized and placed on the keyboard as the sample is taken. ESI also contains advanced tools such as Auto Correlation, Loop Compression and Crossfade Looping which allow even the most difficult sounds to be easily looped.   Samples can be digitally spliced and mixed with other samples, and dynamically controlled from the keyboard using velocity and positional crossfading and switching functions. Advanced digital processing features such as Sample Rate Conversion, Compressor, Digital Parametric Equalizer and Digital Tuning allow you to shape raw samples more quickly and with greater precision than computer based systems. Additional digital processing functions include: Time Compression and Expansion, which shorten or lengthen the time of samples without changing the pitch; and Doppler/Pan, which allows you to move samples forward and backwards in space as well as from side to side. The Sonic Enhancer adds brilliance and cut to a sample, helping it to stand out in a mix.   The ESI contains 19 different filters types for each of its 64 channels. The digital filters are very “analog sounding” and implement the following filter types:   • 12, 24, or 36 dB/octave Lowpass filters with Resonance • 2nd & 4th order Highpass filters with Resonance • 2nd & 4th order Bandpass filters with Resonance • Contrary Bandpass filter • Three types of Swept EQ filters • Three Phasers and one Flanger filter with Resonance • Two morphing Vocal Formant filters • Bottom Feeder • Original ESi-32 24 dB/octave Lowpass filter   Modulation sources include three AHDSR envelope generators and a multi-wave LFO per channel, as well as full MIDI modulation control over virtually every parameter.   The ESI's unique Trigger Mode allows up to ten different samples to be triggered from the front panel without connecting a keyboard, making it an ideal tool for DJ's.   The ESI is 16 part multi-timbral which means you can create complex sequences and sound effects.   Four polyphonic audio outputs with integral submix returns allow you to process certain sounds separately and return them to the main outputs without using up precious mixer channels. The Turbo option card adds four additional submix outputs plus an Effects main output. The ESI can access up to 999 samples per bank arranged in up to 256 presets. The integral 3.5" floppy disk drive provides a convenient means of storing and loading banks. A built-in SCSI interface provides access to external high density media such as hard disks, magneto-optical disks or CD ROM.   A digital interface, available on the “Turbo” option, facilitates the transfer of stereo digital audio between digital recorders, mixers, etc. The Turbo option card also contains two stereo 24-bit digital effects processors which add Reverb, Delay, Flanging and Distortion effects to the ESI. Over 70 effects are implemented which can be applied on a per MIDI channel basis or by keyboard

Solid State Logic-A + (Total Recall) 32 Fader, 8 Group Master Fader 96 Channel / 8 Aux / 32 Mix Busses 96 Predub Channels / 2 Aux / 24 Predub Mix Busses Inputs: 144 Digital Inputs AES / EBU 56 Analog Inputs 12 Mic Pre Inputs Outputs: 144 Digital Outputs AES / EBU 56 Analog Outputs The console is in exceptional condition for its age, all the wiring is supplied with it, I give it away with the faders of the processing boards and the wiring in addition. the lot includes: The console is in good condition and does not require servicing. * 1 SSL Avant + Flying Faders console, total recall * 1RIO Grande Local Processor * 2 RIO Digital Aes / Ebu * 1 RIO Analog * 1 SSL Preamps X12 * 1 relay box Considering the weight of the console about 650kg and the RIO 150kg it is better to come with a 20m3 utility with hatchback it is essential !!! The cause of the sale is the redesign of the studio, towards a change of configuration. More pictures on request.The RTW phase meter is already sold. price of the New era more than € 200,000 The console is still visible currently in operation but will soon be moved, no longer offering the possibility of seeing it working "in production".