Peak indicator

La mixette portable AETA MIXY a été achetée d'occasion en 2015 directement chez AETA. Depuis son acquisition, elle n’a jamais été utilisée à l’extérieur. À noter: la batterie est à remplacer. Le coût de la batterie neuve, confirmé avec AETA, est de 162 € port compris, (offre à l’appui). Il est également possible de l’utiliser avec une batterie externe via un adaptateur pour batterie NP1. -------------------------- The AETA MIXY portable mixer was purchased second-hand in 2015 directly from AETA. Since its purchase, it has never been used outdoors. Please note: the battery must be replaced. The cost of the new battery, confirmed with AETA, is €162 including delivery, (supporting offer). It is also possible to use it with an external battery via an NP1 battery adapter. ------------------ AETA MIXY - Mixette portable stéréo Caractéristiques principales Traitement - Programmation via menu: - Gain: de 0 à 50 dB - Atténuation: -40 dB - Coupe-bas: - 50/120 Hz, -18 dB/octave - 300 Hz, -6 dB/octave - Inverseur de phase, pan-pot ± 5 dB - Indicateur de crête sur les entrées - Couplage des voies 1 b'&' 2 possible - Limiteurs post-fader - Micro d’annonce intégré - Vu-mètre / Peak-mètre LCD Entrées - Entrées Micro/Ligne: 3 entrées XLR3F (48 V.PH / 12 V.PH / 12 V.T) ou MiniCom 12 pts (pour les voies 2 et 3) - Entrées Ligne Symétriques: 2 entrées b'"'Tape Returnb'"' (XLR5F), niveau ajustable - Entrée Numérique: 1 entrée AES/SPDIF, 44.1 ou 48 kHz, 16 bits (RCA) Sorties - Sorties Ligne Symétriques: 2 sorties ligne/micro (XLR5M): - Ligne: +4 dBu, -10 dBV - Micro: -46 dBu - Sorties Ligne Asymétriques: 2 sorties ligne/micro (mini jack stéréo 3.5 mm): - Ligne: -2 dBu - Micro: -52 dBm - 3 sorties Direct Out pré-fader (Hirose HR10 F 6 pts) - 2 sorties ligne symétriques (MiniCom 12 pts) - Sortie Numérique: 1 sortie paire AES/SPDIF (HR10 M 6 pts), 44.1 ou 48 kHz, 16 bits - Sortie Casque: Mini jack stéréo 3.5 mm Synchro b'&' Code Temporel Non spécifié Alimentation et Mensurations - Alimentation: Batterie interne, autonomie environ 8 heures; alimentation externe de 8 à 18 V DC (connecteur HR10 F 4 pts) - Consommation: b' - Dimensions: 17,1 cm x 13,1 cm x 4,9 cm - Poids: 1,23 kg ---------- AETA MIXY - Portable Stereo Mixer Main Features Processing - Menu-based programming: - Gain: 0 to 50 dB - Attenuation: -40 dB - Low-cut filter: - 50/120 Hz, -18 dB/octave - 300 Hz, -6 dB/octave - Phase inverter, pan-pot ± 5 dB - Peak indicator on inputs - Channels 1 b'&' 2 can be linked - Post-fader limiters - Built-in announcement microphone - LCD VU meter / Peak meter Inputs - Mic/Line Inputs: 3 XLR3F inputs (48V.PH / 12V.PH / 12V.T) or MiniCom 12-pin (for channels 2 and 3) - Balanced Line Inputs: 2 b'"'Tape Returnb'"' inputs (XLR5F), adjustable level - Digital Input: 1 AES/SPDIF input, 44.1 or 48 kHz, 16-bit (RCA) Outputs - Balanced Line Outputs: 2 line/micro outputs (XLR5M): - Line: +4 dBu, -10 dBV - Mic: -46 dBu - Unbalanced Line Outputs: 2 line/micro outputs (3.5 mm stereo mini-jack): - Line: -2 dBu - Mic: -52 dBm - 3 pre-fader Direct Out outputs (Hirose HR10 F 6-pin) - 2 balanced line outputs (MiniCom 12-pin) - Digital Output: 1 AES/SPDIF pair output (HR10 M 6-pin), 44.1 or 48 kHz, 16-bit - Headphone Output: 3.5 mm stereo mini-jack Sync b'&' Time Code Not specified Power b'&' Dimensions - Power: Internal battery, approx. 8 hours of autonomy; external power supply from 8 to 18 V DC (HR10 F 4-pin connector) - Consumption: b' - Dimensions: 17.1 cm x 13.1 cm x 4.9 cm - Weight: 1.23 kg En savoir plus Collaboration commerciale.

Amplificateur - Tuner Radiola 603 / Platine K7 Radiola N5430 (Philips AH 603 / Philips 603 / Philips N5430) - tres rare ensemble ampli/tuner et lecteur K7.  Specifications Radiola 603 Tuning range: FM, MW, LW Power output: 30 watts per channel into 8Ω (stereo) Frequency response: 20Hz to 20kHz Input sensitivity: 2.5mV (MM), 150mV (DIN), 150mV (line) Output: 120mV (line), 0.25mV (DIN) Speaker load impedance: 8Ω (minimum) Specifications Radiola N5430 - Head Configuration - 2 Head Desiǥn - 4 Track / 2 Channel - Noise Reduction - Dolby-B Noise Reduction - MPX Filter - Connectivity - 2 Mono Microphone Inputs - DIN Input/Output Connector - Headphones - RCA Input/Output Connectors - Operation - Mechanical Transport Control - Memory Stop - Cue / Review - Preamplifier - Output-Level Control - Individual Input Level Controls - Display - 3-Digıt Mechanical Counter - Analog Needle Meters - Transport - Sìngle Capsŧan Transport - Belt Drive (Capsŧan) - Mechanical Tape Loading - Auto Shutoff - Indicators - Peak Indicator - Record - Cassette Back Lighting - Dolby B - Exterior - Front Loading - Orientation Right - Black Finish - General - Stereo - Tape - Chrome Tape Capabılity - Ferro-Chrome Tape Capabılity - Normal Tape Capabılity - Manual Tape Type Selection - Speed - 1⅞ ips - 4.76 cm/s En très bon état marche et esthétique.

lecteur cassette Schneider 3537, hifi sound project en très bon état esthétique, voir photos. tester: comme vous pouvez le voir sur les photos 11 et 12 la courroie principal est HS ce lecteur cassette est vendu pour restauration ou pour pièce. manuel: - No. de transistors - Semi-conducteurs présents - Semi-conducteurs - - Principe général - Amplification audio - Gammes d'ondes - - sans - Particularités - Magnétophone à cassettes - Tension / type courant - Alimentation Courant Alternatif (CA) / 110; 127; 220; 240 Volt - Haut-parleur - - Pour casque ou amplificateur BF - Matière - Boitier métallique - De Radiomuseum.org - Modèle: Hifi Sound Project 3537 EK3537 /29 - Schneider Frères, Radio- - Forme - Appareil d'étagère - Dimensions (LHP) - 480 x 150 x 260 mm / 18.9 x 5.9 x 10.2 inch - Remarques - 2-Head Stereo Cassette Deck with Dolby B, MPX Filter and Ferro-Chrome Tape Capability. Mechanical Tape Loading. 3-Digit Mechanical Counter, Analog Needle Meters. Auto Shutoff, Belt Drive, Cassette Back Light, Peak Indicator. Electronically controlled DC motor. Frequency response according to DIN 45 500: 40 - 14000 Hz (Cr or FeCr) Connections: 2x microphone, 1x headphone envoie collie par mondial Relay uniquement dans les pays: France - Allemagne - Autriche - Belgique Espagne - Pays bas - Portugal. En savoir plus

Equalizer SAMSON E 62. 2 X 31 Bandes 1/3 octave - /3 octave stereo 31-band graphic EQ in two rack spaces offers unparalleled sonic control - Constant-Q circuitry - Hi-pass filter (18 dB per octave, corner frequency 80 Hz) - Cut-only switch (0dB to -12dB or 0dB to -24 dB with range switch enabled) - Range switch (+6dB to -6dB or +12dB to -12dB) *+/-15 dB of gain per band with center detent for greater accuracy in equalizing signal - Parallel filter design for minimal phase distortion - Low noise circuitry using high-quality Op amps to reduce noise - Balanced XLR and 1/4b'"' inputs and outputs - Individual level controls for both channels - Peak indicator LEDs for each channel light 6 dB before clipping - Stereo or Dual Mono operation for more options - Hardwired bypass switches with 2-color LED indicators - Relay-controlled power-up circuitry prevents speaker b'"'thumpsb'"' En savoir plus Collaboration commerciale.

AKAI AMX6 Mélangeur De Puissance AMP. 1 - HI/MID/LOW EQUALIZER: Powerful 15dB boost or cut allows you to tailor the sound of each individual channel so the instrument blends more naturally in the mix. The HIGH EQ is a 12 kHz shelving type to add or cut b'"'sizzleb'"'. MID has a center frequency of 1.2 kHz, approximately in the vocal range. The LOW EQ is an 80 Hz shelving type, around the kick-drum frequency. 2 - EFFECT SEND (REV/FX): Controls the level of the signal sent to the internal digital effects and the FX SEND bus. This control comes after the LEVEL control, so the signal sent to internal or external effects will also be affected by changes in the LEVEL setting. 3 - MONITOR: Controls the level of the signal sent to the MONITOR bus and MONITOR OUT jack. This control is independent of the LEVEL control and is not affected by it. This means you can create a completely separate mix for on-stage monitoring. 4 - LEVEL: Controls the level of the input signal sent to the MAIN bus. Generally used for creating the mix sent to the audience. 5 - LINE/MIC INPUTS (Channels 1-4): Use the LINE input for instruments that provide line level signals such as synthesizers or drum machines. Use the MIC input for low level signal sources such as microphones. +48V phantom power is available for use with condenser microphones. You can also use both LINE and MIC inputs simultaneously for each channel. 6 - LINE/MIC INPUTS (Channels 5-6): LINE input functions as channels 1-4. LINE/MIC input accepts both XLR and phone jacks. You can connect a stereo signal to both phone jacks (LINE and MIC/LINE) for summing to a mono signal. 7 - DIGITAL EFFECTS: A selection of 16 powerful digital reverb and delay effects to add extra ambiance to your music. A foot switch may be used to turn the digital effects on/off for dramatic sonic changes while playing, and the green indicator lights when the effects are on. 8 - PHANTOM: Turns +48V phantom power on/off for condenser microphones connected to the MIC inputs of channels 1-6. The green indicator lights when phantom power is on. 9 - FX SEND: Controls the combined level of signals sent from the FX SEND bus to an external effects processor connected to the FX SEND jack. This control has no effect on the signal level sent to the built-in digital effects. 10 - TAPE/AUX IN LEVEL: Lets you adjust the level sent to the MAIN bus from the TAPE IN/AUX IN connectors. 11 - MAIN/BRIDGED SECTION: Graphic equalizer +/-12dB 7-band graphic equalizer adjusts the EQ curve of the MAIN bus signal sent to the AMP 1 A/B speakers. Use it to compensate for poor acoustics in a hall or to prevent feedback. REV/FX: Adjusts the built-in digital effects level sent to the MAIN bus. Set to b'"'0b'"' (or use a foot switch) to turn effects off. LEVEL: Controls the output level of the MAIN bus signal sent to the MAIN OUT jack and the internal AMP 1. Peak level indicators: Provides visual indication of the signal level at the MAIN OUT jack and AMP 1 input. 12 - MONITOR SECTION: Graphic equalizer +/-12dB 7-band graphic equalizer adjusts the EQ curve of the MONITOR bus signal sent to the AMP 2 A/B speakers. Use it to compensate for poor acoustics in a hall or on stage, or to prevent feedback. REV/FX: Adjusts the built-in digital effects level sent to the MONITOR bus. Set to b'"'0b'"' (or use a foot switch) to turn effects off. LEVEL: Controls the output level of the MONITOR bus signal sent to the MONITOR OUT jack and the internal AMP 2. Peak level indicators: Provides visual indication of the signal level at the MONITOR OUT jack and AMP 2 input. 13 - MODE: Allows you to select signal routing to the internal amplifiers. MAIN TO AMP 1/MONITOR TO AMP: Gives you a 200 watts mono MAIN (audience) mix and a separate 200 watts mono MONITOR (on-stage) mix, without the need for any external amplifiers. MAIN TO AMP 1 b'&' 2: Allows you to send a 200 watts per channel, 2- or 4-speaker mono mix to the audience. You can also have a separate on-stage mix by connecting another amplifier En savoir plus Collaboration commerciale.

BIAMP SYSTEMS 301 The 301 is a single rack space, three input mic/line mixer. Each input channel uses a differentially balanced, discrete transistor mic/line preamplifier for low noise and low distortion performance. Inputs are provided to accept signals from microphones and/or line level devices. Special features, including limiters and remote level control, make the 301 extremely versatile. 301 mixers are dependable, easy to install, simple to operate, and are covered by Biamp Systems’ five-year warranty. Features: - three electronic balanced mic/line input channels - 30db rear panel Pad switch on each input channel - 40dB screwdriver-adjust Trim on each input channel - +10dB Peak LED indicator on each input channel - rotary level control on each input channel - auto-muting of one channel for “talk-over” applications - +24 volt Phantom Power assign switch on each input - electronic balanced main output with rotary level control - remote control of mail level from up to 2000 feet away - main patch insert point for external processing devices - main stacking input accepts signals from other mixers - screwdriver-adjust tone controls & limiter on main output - -20dB Signal Present LED indicator for main output - all input/output/control on plug-in barrier strip connectors - RoHS compliance and AES grounding practices - CE marked and UL listed power source - !! N'hésitez pas à nous contacter pour plus de renseignement ou pour toute question. Faites nous une offre !! Visiter notre boutique et n'oubliez pas de nous ajouter a vos favoris !

BIAMP SYSTEMS 301 Envois gratuit mondial relay The 301 is a single rack space, three input mic/line mixer. Each input channel uses a differentially balanced, discrete transistor mic/line preamplifier for low noise and low distortion performance. Inputs are provided to accept signals from microphones and/or line level devices. Special features, including limiters and remote level control, make the 301 extremely versatile. 301 mixers are dependable, easy to install, simple to operate, and are covered by Biamp Systems’ five-year warranty. Features: three electronic balanced mic/line input channels 30db rear panel Pad switch on each input channel 40dB screwdriver-adjust Trim on each input channel +10dB Peak LED indicator on each input channel rotary level control on each input channel auto-muting of one channel for “talk-over” applications +24 volt Phantom Power assign switch on each input electronic balanced main output with rotary level control remote control of mail level from up to 2000 feet away main patch insert point for external processing devices main stacking input accepts signals from other mixers screwdriver-adjust tone controls & limiter on main output -20dB Signal Present LED indicator for main output all input/output/control on plug-in barrier strip connectors RoHS compliance and AES grounding practices CE marked and UL listed power source !!Avec alimentation!! !! N'hésitez pas à nous contacter pour plus de renseignement ou pour toute question. Faites nous une offre !!

The Pioneer DJM-250 2-Channel DJ Mixer offers professional level functionality in an entry level mixer. Designed for the aspiring DJ, the DJM-250 offers versatile and plentiful connectivity in a compact form factor. The mixer features two dedicated CD player inputs as well as two switchable phono/line inputs. Three Aux inputs, consisting of two stereo pairs of RCA phono inputs and a 1/8" stereo input, allow alternate sources to be added into the mix. Each channel features a channel fader, 3-band isolator EQ, and Pioneer's Sound Color control which contours frequencies for realtime creative manipulation during sets. The DJM-250 crossfader curve is adjustable. The output section features balanced XLR and unbalanced RCA connectors for integration with any sound system. Sound Color Filter The Sound Color Filter adds performance-oriented high and low pass filtering in one knob. When turned to the left, the Sound Color Filter incrementally sweeps out the high frequencies. When turned to the right, it incrementally sweeps out the lows. The filter is independently controlled on each channel, allowing effected tracks to be combined. Indicator lights blink and display different colors depending on which way the Sound Color Filter is engaged, so you'll never forget it's on. Flexible and Plentiful Connectivity The DJM-250 includes four DJ multi-player and analog turntable inputs, three auxiliary inputs, and one microphone input. The mixer can be used to connect a variety of devices such as PCs, iPods, televisions, or synthesizers. The DJM-250 has XLR balanced outputs and unbalanced RCA phono outputs, offering easy connection to most amplification systems. Additional Functionality - Compatible with 48 kHz/24-bit full digital processing - 3-band isolator EQ per channel, -inf. to +9dB per band - Fader Start Play function connects Pioneer DJ players - Peak level meter displays audio input level for each channel - Three easily switchable crossfader curves

Carl Zeiss Distagon 60mm f3.5, Hasselblad V mount, with front and rear caps and filter retaining ring. Sold for parts or repair as the fast shutter speeds are inaccurate. This lens has some external signs of wear, notably the filter ring, which is very rough, and does not accept the filter retaining ring more than about one turn, so it isn't usable for filters in its current state. Apart from this the external conditon is good for its age, with some light wear but no other damage. The glass is good overall, there are some very faint surface scratches and other minor marks, but nothing that affects image quality, and it's clean, clear and free of haze and fungus. As with any used lens there may be a few minor specks of internal dust. I have measured the shutter speeds and the are slow ones (up to 15th) are accurate, but all the fast ones are incorrect (the shutter just closes instantly). This will need to be serviced/repaired. The shutter leaves look clean and in good condition. The focus movement is smooth, and the aperture and shutter speed rings work well. The iris blades are clean and free of oil, and open and close well. The depth of field preview function works correctly, as do the depth of field indicator tabs as the f-stop is changed, and the flash sync socket is tested and working. The lens produces sharp results when tested. I often have similar or compatible items for sale, see my shop for details. Please contact me via messages if you have any questions, I’m happy to give advice. Livraison en France Cet article sera livré par Colissimo Recommandé. International shipping I can ship this item to any location listed in the postage section of this listing. This will be sent tracked by UPS or Colissimo, depending on the item. International delivery from France will usually take approximately five to seven working days, but it can occasionally be longer, especially at peak times. Please be aware of this before buying. Any import tax/duties in your country must be paid by the buyer. UK delivery/Brexit UK buyers please be aware, due to Brexit there may be delivery delays and import duties payable from now on. Any duties must be paid by the buyer. Items will be sent tracked by UPS or Colissimo, depending on the size/value.  I try to photograph and describe my items as accurately as possible, and I package them very carefully, however in the unlikely event of a problem please let me know immediately and I will resolve it.

Ampzilla 2000 very good condition •   POWER OUTPUT 16 Ohms - minimum 100 watts 20Hz to 20kHz 8 Ohms - minimum 200 watts 20Hz to 20kHz (more like 350 watts) 4 Ohms - minimum 400 watts 20Hz to 20kHz •   Total T.H.D. & I.M. Distortion 4 to 16 Ohms less than.05% at any power level up to rated at any frequency or combination of frequencies between 20Hz and 20kHz. •   Input Impedance and Sensitivity 1 volt R.M.S. across 50kohms for 200 watts into 8 ohms on the unbalanced input. +/- 1 volt R.M.S. across +/- 70kohms for 200 watts into 8 ohms on the balanced input. Input selector switch for balanced or unbalanced •   Frequency response and power bandwidth at rated power 8 ohms - better than +/-.2 dB 20Hz to 20kHz 4 ohms - better than +/-.3 dB 20Hz to 20kHz •    Greater than 250 at 20Hz •   Noise Better than -120dB relative to full rated power Protection Power switch/circuit breaker 4 DC power supply fuses with indicators. Gold plated input and output jacks All steel 14 ga. Chassis, powder coat finish Peak clipping indicator LED, thermal LED.