Playing my

CD Album CD Code EAN: 0724384763329 Rubrique principale CD: CD Album Titre: PLAYING MY GAME (1ER ALBUM) Ressum: 2 Genre musical: Rap Classification CDMail: Variétés internationales Classification Cd Primaire: Rock, Rap, variétés internationales

Lene Marlin - Playing My Game - 1999 - Pop - Cd original en excellent état ! Photos réelles du CD. Il a été écouté et nettoyé avant sa mise en vente = Aucune surprise ! Ce CD original et d’époque provient de ma collection soigneusement conservée (et je suis méticuleuse). Il est en excellent état. Certains le considéreront même comme neuf. Car en plus je suis exigeante, le boitier a été changé et sera mis sous film plastique pour une présentation parfaite ! Le CD sera désinfecté avant expédition. Pour les perfectionnistes comme moi: Boitier: Neuf Pochette: Comme neuf Disque: Très bon état, en cherchant vraiment quelques micro-rayure quasi-invisibles selon l'angle d'inclinaison et bien entendu sans la moindre incidence sur l'écoute Article d'occasion, livraison rapide et soignée en lettre prioritaire offerte, règlement uniquement via pay-pal. Avec Eliclaga, satisfaction dans tous les cas ! Merci d'avoir consulté cette annonce. Bonnes enchères à toutes et à tous !

Playing cards, Kartenspiel, jeu de cartes, spielkarten, naipes, Cartes a jouer, carta di giocco. N° 659... Vends les jokers d'une collection au détail. Le port est de 1, 50 € uniquement pour la France. Envoi de 5 jokers Maximum impératif par envoi à ce prix là. Bien regarder les scans. Pour la France: Paiement par chèque ou virement bancaire ou par Paypal frais en sus. Pour l'Union Européenne: paiement par virement bancaire ou Paypal Frais en sus et envoi suivi, port suivant le poids. Pour le reste du Monde: paiement avec Paypal Frais en sus,et envoi suivi, port suivant le poids, merci Vous pouvez me mettre dans vos vendeurs favoris pour accéder directement aux ventes de jokers. Mon pseudo : Vandenger. Pour tout autre renseignement me contacter, merci... Playing cards, Kartenspiel, card game, spielkarten, naipes, Playing cards, carta di giocco. Sell the jokers from a retail collection. The port is € 1.50 for France only. Sending of 5 jokers Maximum imperative by sending to this price there. Well watch the scans. For France: Payment by check or bank transfer or Paypal fees extra. For the European Union: payment by bank transfer or Paypal, fees not included and shipment tracking, post weight. For the rest of the world: payment with Paypal, fees not included, and shipping tracking, post weight, thank you You can put me in your favorite sellers to directly access the jokers sales. My username: Vandenger. For any other information contact me, thank you...

Maxi 45 Tours Vinyles Code EAN: 0724387069169 Rubrique principale Vinyle: Maxi 45 Tours Titre: Daft Punk is playing at my house Genre musical: Rock alternatif

Space Invaders & Nik.Turner ‎– Playing.The Sonic.Noise.Opera Label: Nasoni Records ‎– NASONI 150 R Format: Vinyl, LP, Album, Limited Edition, Reissue, Splatter Vinyl Country: Germany Sortie: 2016 Genre: Rock Style: Space Rock, Psychedelic Rock Tracklist A1 Sonic Attack 5:48 A2 Space Invaders 2:49 A3 Spicy Spiders 7:16 A3 Drum'n'Space 8:06 B1 Stardust 10:23 B2 Can You? 12:40 Entreprises, etc. Recorded At – Cafe Cairo, Würzburg Mixed At – Studio Fleisch Lacquer Cut At – SST Brüggemann GmbH Crédits Artwork [CoverArt] – Sergey Skachkov Bass, Voice – Paul-Pott* Design [Artworx] – DNS* Drums – DNS.GKL* Guitar, Talkbox – Tipi Mike Guitar, Voice, Percussion – Dirk Bittner Mastered By – Eroc Mixed By – DJM* Recorded By – Kilian (7) Synthesizer, Audio Generator – DJM* Voice, Flute, Saxophone – Nik Turner Notes Released on their gig at Burg Herzberg Festival 2014. Limited Reissue of 300 copies on splattered Vinyl. Code-Barres et Autres Identifiants Barcode: 4 260107 841999 Matrix / Runout: NASONI 150 A Matrix / Runout: NASONI 150 B Expédition avec suivi Mondial Relay, parfaitement fiable. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur). Puis j’ajoute 3 couches de protection : 1.    pochette en plastique comme celle que vous trouvez chez un disquaire. 2.    enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3.    carton cannelé haute qualité, très rigide, avec la mention « fragile »   Shipping with Mondial Relay tracking, perfectly reliable. I have shipped hundreds of discs and have never encountered any problems. Here is my method. I take the disc (with its under-cover) out of its cardboard cover, because otherwise the disc can move and make holes in the cover (experienced as a buyer). Then I add 3 layers of protection: 1. plastic pouch like the one you find at a record store. 2. bubble wrap with shims to ensure the gap with the 3rd level. 3. high quality fluted cardboard, very rigid, with the mention "fragile"

cd depeche mode "playing the angel" 2005 bon état général frais de ports france: envoi en lettre suivie avec boitiers: france: 4,50€ envoi en lettre suivie sans boitiers: france: 2,50€ pour plusieurs achats attendre ma facture pour le calcul des frais de ports au plus juste, possibilité d envoi en mondial relay. frais de ports europe /  reste du monde: sent by registered letter with boxes:  € 9,70 sending by registered letter without boxes:  € 5,80 for several purchases, wait for my invoice to calculate the shipping costs as accurately as possible.

Bruce Springteen streets of philadelphia 12" Picture disc rare !!! "Streets of Philadelphia" is a song written and performed by American rock musician Bruce Springsteen for the film Philadelphia (1993) starring Tom Hanks, an early mainstream film dealing with HIV/AIDS. Released as a single in 1994, the song was a hit in many countries, particularly in Austria, Canada, France, Germany, Iceland, Ireland, Italy, and Norway, where it topped the singles charts. In the United States, the single peaked at number nine on the Billboard Hot 100. The song received acclaim and went on to win the Academy Award for Best Original Song and four Grammy Awards: Song of the Year, Best Rock Song, Best Rock Vocal Performance, Solo, and Best Song Written Specifically for a Motion Picture or Television. In 2004, it finished at number 68 on AFI's 100 Years...100 Songs survey of top tunes in American cinema. The song is listed among the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In early 1993, Philadelphia director Jonathan Demme asked Springsteen to write a song for his film, adding "I want it to play in the malls." Springsteen replied, "Well, I'm interested, so I'd like to come up with a song for you. If you give me some time, I'll see, but I can't promise." Springsteen recalled adding, "I'm not very good at scores". In late August, after the conclusion of the "Other Band" Tour, he recorded a demo of his completed song at Thrill Hill Recording, Beverly Hills, California (his home studio), supplying all of the instrumentation. He mailed the tape to Demme, who later said, "my wife and I sat down and listened to it, and we were literally weeping by the end". Meanwhile, background vocals were added by Tommy Sims (from the "Other Band"). In October, Springsteen recorded it at A&M Studios in Los Angeles, with Sims, Ornette Coleman on saxophone, and vocals by "Little" Jimmy Scott. It was mixed by Bob Clearmountain, included in the soundtrack, and the video was shot. However, in mid-December, Springsteen suddenly replaced it with his home demo from August, re-shooting some video scenes to eliminate Scott. The four-man combo version can be heard in a brief scene in the film when Tom Hanks exits Denzel Washington's office, but it was Bruce alone playing over the opening credits. "Streets of Philadelphia" was released on February 2, 1994, as the first single from the film's original soundtrack, with Springsteen singing and playing all the instruments and Tommy Sims on background vocals, and became a chart success worldwide. "Streets of Philadelphia" achieved greater popularity in Europe than in the United States. While it peaked at number nine on the Billboard Hot 100 chart, it became a number-one single in Germany, France and Austria. It peaked at number two in the United Kingdom, becoming Springsteen's highest charting hit in Britain, and number four in Australia. As of 2012, "Streets of Philadelphia" ranks as his most recent top ten hit. The song was included on the album All Time Greatest Movie Songs, released by Sony in 1999. Beautiful copy ! Only played a few times First hand from my own collection !!! Any questions feel free to contact me!!!

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT. REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST. FOR CONNOISSEURS b'&' LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD b'&' BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on b'"'Minor's Moodb'"'). As a brief cross-section of the players' strengths, listen to the sequence of short solos on b'"'Jungleblues,b'"' which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly b'"'outb'"' sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / Rb'&'B items on. Many collector’s items from my personal collection are available. Please wait my correct invoice and I will combine shipping costs if you buy multiple CDS. Shipping through Mondial Relais is also available for GERMANY / AUSTRIA / BELGIUM / SPAIN / ITALY / LUXEMBOURG / PORTUGAL b'&' THE NEDERLANDS (6.50 euro for 1 or 8 cds). Frais de port dégressifs pour achats groupés (1 euro pour chaque cd supplémentaire) avec un envoi postal. Frais de ports de 4.40 euros pour 4 CDS avec un envoi par MONDIAL RELAY (6.50 euros pour 10 cds) Frais de ports pour la France / Dom Tom: 3.50 euros en suivi / 5 euro en COLISSIMO ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES Please read carefully my conditions before bidding. In order to reduce international shipping costs, a En savoir plus Collaboration commerciale.

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders for B

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3.25 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders fo

POUR LES FANS D'ELVIS PRESLEY JE VOUS PROPOSE CE CD   : 50 000 000 ELVIS FANS CAN'T BE WRONG ELVIS GOLD RECORDS VOLUME II VERSION LONGUE DE L'ALBUM AVEC 20 TITRES  !!! BMG USA - 1997 A Big Hunk O' Love 2:15 My Wish Came True 2:36 (Now and Then There's) A Fool Such as I 2:39 I Need Your Love Tonight (Live) 2:06 Don't 2:51 I Beg of You 1:53 Santa Bring My Baby Back (To Me) 1:54 Santa Claus Is Back In Town 2:24 (Let's Have A) Party 1:28 Paralyzed 2:25 One Night 2:31 I Got Stung 1:52 King Creole 2:10 Wear My Ring Around Your Neck 2:16 Doncha' Think It's Time 1:59 Mean Woman Blues 2:17 Playing for Keeps 2:52 Hard Headed Woman ((from the Hal Wallis Production "King Creole", a Paramount picture)) 1:55 Got a Lot O' Livin' to Do! 2:34 (There'll Be) Peace In the Valley (For Me) 3:21 NO CDR - TRÈS BON ÉTAT A NE PAS MANQUER ! FRAIS DE PORT: 1.85€ POUR LA FRANCE METROPOLITAINE DECOUVREZ MA BOUTIQUE DREAMS OF AMERICA !!!!

2 ALBUM CD de EURYTHMICS et DURAN DURAN  Tracklist EURYTHMICS  1I've Got A Life4:052Love Is A Stranger3:423Sweet Dreams (Are Made Of This)3:364Who's That Girl?3:445Right By Your Side3:496Here Comes The Rain Again4:517Would I Lie To You4:268There Must Be An Angel (Playing With My Heart)Harmonica – Stevie Wonder4:419Sisters Are Doin' It For ThemselvesVocals – Aretha Franklin4:5310It's Alright (Baby's Coming Back)3:4711When Tomorrow Comes4:1512Thorn In My Side4:1313The Miracle Of Love4:3514Missionary Man3:4715You Have Placed A Chill In My Heart3:5216I Need A Man4:2317I Saved The World Today4:261817 Again4:2019Was It Just Another Love Affair?3:50   Tracklist DURAN DURAN         1Is There Something I Should Know?Co-producer – Duran DuranCo-producer, Mixed By – Ian LittleMixed By – Alex SadkinWritten-By – Taylor*, Taylor*, Rhodes*, Taylor*, Le Bon*4:102The ReflexMixed By – Jason Corsaro, Nile RodgersProducer – Alex SadkinWritten-By – Taylor*, Taylor*, Rhodes*, Taylor*, Le Bon*4:243A View To A KillArranged By [Orchestra], Conductor – John BarryEngineer, Mixed By, Producer – Jason CorsaroProducer – Bernard Edwards, Duran DuranSampler [Digital] – Johnathan Elias*Written-By – Taylor*, Barry*, Rhodes*, Taylor*, Le Bon*3:354Ordinary World (Single Version)Mixed By – David RichardsProducer – Duran Duran, John JonesWritten-By – Taylor*, Rhodes*, Le Bon*, Cuccurullo*4:425Save A Prayer (US Single Version)Producer – Colin ThurstonWritten-By – Taylor*, Taylor*, Rhodes*, Taylor*, Le Bon*3:476Rio (US Edit)Producer – Colin ThurstonWritten-By – Taylor*, Taylor*, Rhodes*, Taylor*, Le Bon*4:457Hungry Like The WolfProducer – Colin ThurstonWritten-By – Taylor*, John Taylor, Rhodes*, Taylor*, Le Bon*3:258Girls On FilmProducer – Colin ThurstonWritten-By – Taylor*, Taylor*, Rhodes*, Taylor*, Le Bon*3:279Planet Earth (Single Version)Producer – Colin ThurstonWritten-By – Taylor*, Taylor*, Rhodes*, Taylor*, Le Bon*3:5710Union Of The SnakeProducer – Alex SadkinWritten-By – Taylor*, Taylor*, Rhodes*, Taylor*, Le Bon*4:2211New Moon On MondayProducer – Alex Sadkin, Duran Duran, Ian LittleWritten-By – Taylor*, Taylor*, Rhodes*, Taylor*, Le Bon*4:1612Wild BoysEngineer – Jason CorsaroProducer – Duran Duran, Nile RodgersWritten-By – Taylor*, Taylor*, Rhodes*, Taylor*, Le Bon*4:1713NotoriousEngineer, Mixed By – Daniel AbrahamProducer – Duran Duran, Nile RodgersWritten-By – Taylor*, Rhodes*, Le Bon*4:0014I Don't Want Your Love (Shep Pettibone 7" Mix)Engineer [Mix] – Bob RosaMixed By – Shep PettiboneProducer – Daniel Abraham, Duran Duran, Johnathan Elias*Written-By – Taylor*, Rhodes*, Le Bon*3:4815All She Wants Is (45 Mix)Mixed By – Steve PeckMixed By, Recorded By, Producer – Daniel AbrahamProducer – Duran Duran, Johnathan Elias*Written-By – Taylor*, Rhodes*, Le Bon*4:2616Electric Barbarella (Edit)Mixed By – Anthony J. Resta, Bob St. JohnProducer – TV ManiaProducer [Associate] – Simon Le BonWritten-By – Rhodes*, Le Bon*, Cuccurullo*4:1717Serious (Edit)Producer – Chris KimseyWritten-By – Taylor*, Rhodes*, Le Bon*, Campbell*, Cuccurullo*3:5618Skin Trade (Radio Cut)Engineer, Mixed By – Daniel AbrahamProducer – Duran Duran, Nile RodgersWritten-By – Taylor*, Rhodes*, Le Bon*4:2619Come Undone (Edit)Mixed By – David RichardsProducer – Duran DuranWritten-By – Taylor*, Rhodes*, Le Bon*, Cuccurullo*4:15

Eurythmics ‎– Greatest Hits Label: RCA ‎– PK 74856 Format: Cassette, Compilation Country: Europe Sortie: 1991 Genre: Electronic, Pop Style: Synth-pop Tracklist A1     Love Is A Stranger     3:41 A2     Sweet Dreams (Are Made Of This)     4:53 A3     Who's That Girl?     3:47 A4     Right By Your Side     3:52 A5     Here Comes The Rain Again     5:01 A6     There Must Be An Angel (Playing With My Heart)     4:42 A7     Sisters Are Doin' It For Themselves     Featuring – Aretha Franklin     4:53 A8     It's Alright (Baby's Coming Back)     3:45 A9     When Tomorrow Comes     4:17 B1     You Have Placed A Chill In My Heart     3:48 B2     Miracle Of Love     4:36 B3     Sexcrime (Nineteen Eighty Four)     3:54 B4     Thorn In My Side     4:13 B5     Don't Ask Me Why     4:14 B6     Angel     4:48 B7     Would I Lie To You?     4:25 B8     Missionary Man     3:47 B9     I Need A Man     4:21

POUR LES FANS D'ELVIS PRESLEY JE VOUS PROPOSE CE DIGIPACK 3 CD   : ELVIS - THE # 1 HITS 75 TITRES Disc 1 01 That’s All Right Mama 02 Blue Moon of Kentucky 03 Good Rockin’ Tonight 04 I Don’t Care If the Sun Don’t Shine 05 You’re a Heartbreaker 06 Baby, Let’s Play House 07 I’m Left, You’re Right, She’s Gone 08 Mystery Train [#11] 09 I Forgot to Remember to Forget 10 Heartbreak Hotel [#1] 11 I Want You, I Need You, I Love You [#1] 12 My Baby Left Me 13 Hound Dog [#1] 14 Don’t Be Cruel [#1] 15 Blue Suede Shoes [#20]16 Tutti Frutti 17 I Got a Woman 18 I’m Counting on You 19 I’m Gonna Sit Right Down and Cry (Over You) 20 Tryin’ to Get to You 21 Blue Moon 22 Just Because 23 Money Honey 24 One-Sided Love Affair 25 Lawdy Miss Clawdy Disc 2 01 Shake Rattle and Roll 02 Love Me Tender [#1] 03 Playing for Keeps 04 Too Much [#1] 05 All Shook Up [#1] 06 That’s When Your Heartaches Begin 07 (Let Me Be Your) Teddy Bear [#1] 08 Loving You 09 Jailhouse Rock [#1] 10 Treat Me Nice 11 Don’t [#1] 12 I Beg of You [#8] 13 Wear My Ring Around Your Neck 14 Doncha’ Think It’s Time 15 Hard Headed Woman [#1] 16 One Night [#4] 17 I Got Stung [#8] 18 I Need Your Love Tonight [#4] 19 (Now and Then There’s) A Fool Such as I [#2] 20 A Big Hunk o’Love [#1] 21 Stuck on You [#1] 22 It’s Now or Never [#1] 23 Are You Lonesome Tonight? [#1] 24 I Gotta Know 25 Surrender [#1] Disc 301 I Feel So Bad 02 (Marie’s the Name) His Latest Flame [#4] 03 Little Sister [#5] 04 Can’t Help Falling in Love [#2] 05 Rock-a-Hula Baby [#23] 06 Good Luck Charm [#1] 07 She’s Not You [#5] 08 Just Tell Her Jim Said Hello 09 Return to Sender [#2] 10 Where Do You Come From [#99] 11 Rip It Up 12 Love Me 13 When My Blue Moon Turns to Gold Again 14 (There’ll Be) Peace in the Valley (For Me) 15 I Believe 16 I Need You So 17 Have I Told You Lately That I Love You 18 Blueberry Hill 19 Is It So Strange 20 Flaming Star 21 Follow That Dream 22 Long Tall Sally 23 Paralyzed 24 How’s the World Treating You 25 How Do You Think I Feel NO CDR - DIGIPACK TRÈS BON ÉTAT / VG CONDITION A NE PAS MANQUER ! DECOUVREZ MA BOUTIQUE DREAMS OF AMERICA !!!!

Manilla Road "Open The Gates", Album, vynil 33T LP + 45T 30cm EP ENGLISH BELOW Description: Manilla Road est un groupe de heavy metal américain, originaire de Wichita, dans le Kansas. Il est formé par Mark « The Shark » Shelton (chant et guitare). Cet album est leur 4ème! A mon avis c'est leur meilleur album, toutes les chansons sont super! Ce double vynil contient 2 chansons sur un 45T grand format. 1er pressage de la maison de disque Black Dragon. Site du groupe: site officiel Site de l'article vendu: Metal Archives Nombre de chansons: 10. Maison de disques: Black Dragon Records. Format: 33T LP. Date de sortie: 1984. EAN: pas d'EAN. Condition du disque: Vynile noir, en bonne condition, un peu poussiérieux. Condition de la jaquette intérieure: pochette en papier blanc, en bon état, avec paroles et infos. Condition de la jaquette extérieure: en couleurs, bon état. Pourquoi je le vends: Manilla Road est mon groupe préféré! Mais je n'ai plus de tourne disque et je ne compte pas en acheter un! Alors avec un coeur lourd je dis au revoir à cette pièce maîtresse de ma collection. Manilla Road "Open The Gates", Album, vynil 33rpm 12" LP + 45rpm 12" EP Manilla Road was an American heavy metal band from Wichita, Kansas, founded by Mark "The Shark" Shelton (vocals and guitar) and Scott "Scooter" Park (bass guitar). Beginning in 1977, the early years of Manilla Road were spent playing mostly progressive rock and space rock but eventually became noticeably heavier with time, the band's later heavy metal sound becoming more and more apparent with the release of Metal in 1982. Open The Gates is the 4th album released by Manilla Road in 1984. In my opinion, it's their best album on which all tracks are amazing!! This double vynil has 2 tracks on a 30cm, 45rpm disc. It's the very first edition of the album, out on Black Dragon Records. Group's web site: official site Site de l'article vendu: Metal Archives Number of tracks: 10 Record label: Black Dragon Records Format: 33rpm LP. Release date: 1984. EAN: none. Disc condition: black vynil in good condition, a bit dusty. Inner sleeve condition: white sleeve in good condition, with the lyrics and information. Outer sleeve condition: in color, in fairly good condition. Why I sell it: Manilla Road is my fave band! But I don't have any working record player and don't plan to buy one. So it's with a heavy heart I say goodbye to this masterpiece.

ELVIS PRESLEY - 28 Essential Greats CD 01 : 1. Hound dog 2. Loving you 3. All shook up 4. Heartbreak hotel 5. Jailhouse Rock 6. Love me 7. Too much 8. Don't be cruel 9. That's when your heartaches begin 10. Teddy bear 11. Love me tender 12. Treat me nice 13. Anyway you want me 14. I want you, I need you, I love you CD 02 : 1. Got a lot O' livin' to do 2. Hard headed woman 3. Wear my ring around your neck 4. I got stung 5. King Creole 6. One night 7. Don't 8. I beg of you 9. Santa bring my baby back 10. Santa Claus is back in town 11. Mean woman Blues 12. Playing for keeps 13. Blue Suede shoes 14. Baby let's play house   LABEL: PLAY 24-7 FORMAT: CD Album x 2 EDITION : Europe SORTIE:  2008 GENRE: Rock

-DAN SEALS: On The Frontline (Pochette vg+/Vinyle vg++) -CLIFF RICHARD: Rock'n Roll Juvenile (vg++/vg++) -CLIFF RICHARD: Green Light (vg++/ex) -CLIFF RICHARD: Love Songs (ex/vg++) -BEACH BOYS: The Best Of Vol.2 (vg++/ex) -ROD STEWART: Atlantic Crossing (Gatefold - vg++/vg++) -ROD STEWART: Absolutely Live (Double - vg++/vg++/vg+) -SUPERCHARGE: Local Lads Make Good (vg+/vg++) -RICK WAKEMAN: The Six Wives Of henry VIII (Gatefold - ex/vg++) -RICK WAKEMAN: Journey To The Center Of The Earth (Gatefold - vg++/ex) -RICK WAKEMAN: Rhapsodies (Double - ex/ex/ex) -DR HOOK: Sometimes You Win (vg++/ex) -THOMPSON TWINS: Here's To Future Days (Double - vg++/nm/nm) -STING: Nothing like The Sun (Double - vg+/vg/vg) -PAUL YOUNG: No Parlez (vg+/vg++) -PAUL YOUNG: The Secret Of Association (vg+/vg++) -STATUS QUO: Blue For You (ex/ex) -CARLY SIMON: The Best Of (vg++/nm) -BILLY JOEL: An Innocent Man (vg++/nm) -THE DUBLINERS: Revolution (ex/ex) -THE DUBLINERS: Hometown Recorded Live (vg++/ex) -MIKE OLDFIELD: Tubular Bells (vg+/vg+) -GOLDEN AVATAR: A Change Of Heart (vg+/vg++) -TOMITA: The Bermuda Triangle (Gatefold - vg+/vg+) -STEVE WINWOOD: Chronicles (ex/nm) -FOREIGNER: Records (Pochette Fenêtre Gatefold - ex/ex) -JOHN WILLIAMS: Changes (Double - vg++/ex/nm) -AIR SUPPLY: Lost In Love (ex/nm) -BARRY MANILOW: I Wanna Do It With You (vg++/ex) -BARRY MANILOW: A Touch More Magic (ex/vg+) -BARRY MANILOW: Barry (ex/vg++) -BARRY MANILOW: If I Should Love Again (ex/ex) -BARBRA STREISAND: Guilty (Gatefold - ex/nm) -BARBRA STREISAND: Love Songs (vg+/vg++) -ELAINE PAIGE: Best Of Memories (vg++/vg++) -RICK NELSON: Playing To Win (vg++/ex) -NOW THAT'S WHAT I CALL MUSIC: 10 (Double - ex/ex/vg++) -ANDREW LLOYD WEBBER: The Premiere Collection Best Of (Gatefold - ex/vg+) -ANDREW LLOYD WEBBER: Song And Dance (Double - vg++/vg++/vg++) -NEIL DIAMOND: The Jazz Singer (Gatefold - vg++/vg++) -SIR JOHN BETJEMAN: Betjeman's Banana Blush (ex/nm) -THE ALEXANDER BROTHERS: Scotland the Brave (ex/ex) -JASPER CARROTT: Beat the Carrott Recorded Live (ex/ex) -BARBARA DIXON: All For A Song (vg+/vg++) -LARRY GATLIN: Greatest Hits (vg++/vg++) -THE SUTHERLAND BROTHERS AND QUIVER: Dream Kid (vg++/ex) -FORMULA 30 (Double - ex/ex/ex) -50 ALL TIME BROADWAY SHOWSTOPPERS (Double - ex/ex/ex) -NOT THE NINE O'CLOCK NEWS: BBC Records (vg++/vg++) MAXI 45TOURS: -400 BLOWS: Let The Music Play (vg++/vg++) -THE SHAMEN: Make It Mine Remix (ex/ex) -THE SHAMEN: Jesus Love Amerika (ex/nm) -JIVE BUNNY & THE MASTERMIXERS: Let's Party & Auld Lang Syne (ex/nm) -PRINCE: 1999 (vg+/vg++) -AMII STEWART & DEON ESTUS: My Guy, My Girl (ex/ex) -SAMANTHA FOX: Nothing's Gonna Stop Me Now (ex/nm) -TECHNOTRONIC: Move That Body (vg+/vg++) -DOUBLE: Devils Ball (vg++/vg++) -ZZT: Lower State Of Consciousness (ex/ex) -MAUREEN: Mesmerise Me (ex/nm) -CHAS & DAVE: The Matchroom Mob (ex/nm)

Condition is All my records for sale have been treated with the utmost care. However, vinyl is not a flawless format (which is also its charm) and I've learned to accept the flaws that come with the hobby, in both delivery and listening, as long as it's not a big deal or just appear to be part of the pressing. That's also why I spend time taking the best possible photos, so much so that even dust can sometimes look so sharp when it is barely visible and will go away when you clean the record before playing it. So I hope you can find everything you're looking for when you're carefully inspecting. In addition to any personal comments above, I will happily answer any of your questions or concerns, especially if you are this type of music collector like I was: Finally, I do my best to include a higher quality inner sleeve if the original one hasn't already been replaced and happens to be cheap paper or card when you buy a used record. I don't have many left but you will be served first depending on the date you place your order.

33 tours LP Bag Raiders ‎ b'"'Turbo Loveb'"' Remixes Bang Gang 12 Inches ‎ BANG015 Made in AUSTRALIA May 2009 Electronic, Funk / Soul House, Electro Cover: NM - Record: NM (for more info read the details of my grading criteria at the bottom) Informations additionelle sur la livraison / Información de envío adicional / Informazioni aggiuntive sulla spedizione / Additional shipping informations: Expédition pour plusieurs articles / Envío de varios artículos / Spedizione di più oggetti / shipping of multiple items: (FR) Selon le type d'objets, il peut être possible d'en regrouper plusieurs dans un seul envoi et d'économiser sur les frais d'expédition. Demandez-moi le total exact avant de faire l'achat. (ES) Dependiendo del tipo de artículos, puede ser posible agregar más de uno en un solo envío y ahorrar en costos de envío. Pregúntame el total exacto antes de realizar la compra. (IT) A seconda del tipo di oggetti, potrebbe essere possibile aggregarne di più in una sola spedizione e risparmiare sulle spese di spedizione. Chiedimi il totale esatto prima di effettuare l'acquisto. (EN) Depending on the type of items, it may be possible to aggregate more than one in a single shipment and save on shipping costs. Ask me for the exact total before buying. My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect b'"'still in shrinkb'"' records. I could occasionally use a conservative grade of [M-] (MINT-) to describe perfect records not new sealed or not b'"'still in shrinkb'"'. NEAR MINT (NM) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or b'"'almost [NM] perfect with a few minor flawsb'"'. VERY GOOD PLUS (VG+) / EXCELLENT A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. VERY GOOD (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many En savoir plus Collaboration commerciale.

33 tours LP Buddy Merrill ‎ b'"'The Guitar Sounds Of Buddy Merrillb'"' Radio Records RR 112 Mono ITALY 1965 Pop, Easy Listening Surf, Space-Age Cover: VG+ (See photos) Record: VG+ (for more info read the details of my grading criteria at the bottom) Informations additionelle sur la livraison / Información de envío adicional / Informazioni aggiuntive sulla spedizione / Additional shipping informations: Expédition pour plusieurs articles / Envío de varios artículos / Spedizione di più oggetti / shipping of multiple items: (FR) Selon le type d'objets, il peut être possible d'en regrouper plusieurs dans un seul envoi et d'économiser sur les frais d'expédition. Demandez-moi le total exact avant de faire l'achat. (ES) Dependiendo del tipo de artículos, puede ser posible agregar más de uno en un solo envío y ahorrar en costos de envío. Pregúntame el total exacto antes de realizar la compra. (IT) A seconda del tipo di oggetti, potrebbe essere possibile aggregarne di più in una sola spedizione e risparmiare sulle spese di spedizione. Chiedimi il totale esatto prima di effettuare l'acquisto. (EN) Depending on the type of items, it may be possible to aggregate more than one in a single shipment and save on shipping costs. Ask me for the exact total before buying. My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect b'"'still in shrinkb'"' records. I could occasionally use a conservative grade of [M-] (MINT-) to describe perfect records not new sealed or not b'"'still in shrinkb'"'. NEAR MINT (NM) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or b'"'almost [NM] perfect with a few minor flawsb'"'. VERY GOOD PLUS (VG+) / EXCELLENT A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. VERY GOOD (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For En savoir plus Collaboration commerciale.

Condition is All my records for sale have been treated with the utmost care. However, vinyl is not a flawless format (which is also its charm) and I've learned to accept the flaws that come with the hobby, in both delivery and listening, as long as it's not a big deal or just appear to be part of the pressing. That's also why I spend time taking the best possible photos, so much so that even dust can sometimes look so sharp when it is barely visible and will go away when you clean the record before playing it. So I hope you can find everything you're looking for when you're carefully inspecting. In addition to any personal comments above, I will happily answer any of your questions or concerns, especially if you are this type of music collector like I was: Finally, I do my best to include a higher quality inner sleeve if the original one hasn't already been replaced and happens to be cheap paper or card when you buy a used record. I don't have many left but you will be served first depending on the date you place your order. En savoir plus Collaboration commerciale.

Plus de disques classiques rares dans mes "autres objets" / More rare classical music records in "seller's other items" Frais d'envoi groupés en cas d'achats multiples / I combined shipping fees for multiple purchases. Expédition en colissimo pour la France / I ship my records with tracking number parcels, if you want it to be insured, please contact me before paying. Pochettes / Covers: NMINT Disques / Records: NMINT Jamais joués / Unplayed Graduation system: M (MINT) Sealed, never played, new in its original packaging. NM (NEAR MINT) Almost perfect copy, never or very rarely played. At worst, one or two surface marks, generally insignificant and due to inner sleeve. This the highest grade for an unsealed record. EX (EXCELLENT) Very clean copy, some insignificant surfaces marks (hairlines). This record has been rarely played, on good equipment and treated with care. The cover has very minor flaws: a name or discrete initials, low wear corners, very slight ringwear. VG + + (VERY GOOD + +) More surface marks.Minor flaws or cover wear, minor edge wear. This is generally the grade given to a 20 to 50 years old record with a "normal" life, treated with care, but listened and handled regularly by his former owner. VG + (VERY GOOD +) Has been played a lot, shows multiple slight surface marks (hairlines) generating background noise between songs but no jump or skips. Cover shows important signs of age and storage (slice corners worn, name, date, dedication, tears, etc....). Generally, this record was one of the favorites among previous owner discotheque, went from hand to hand, had to animate some parties and bears the scars of a busy life. VG (VERY GOOD) The record is very worn, has been played a lot, shows important scratches that are creating permanent background noises but do not skip or jump. Still listenable (especially at high volume for big sound). The cover is well worn, torn important corner and edge wear, significant traces of marker pen or... well, the previous grade but more accentuated. G (GOOD) Has been played to the hilt (but still playable on some titles), many scratches, crackles a lot while playing, may have jumps or sticks. The cover is very damaged. This record must be very rare to be proposed on sale ! We tend to exaggerate our gradations, however, in case of doubt, do not hesitate to ask questions before bidding. Cleaning The sleeves are generally cleaned. Each collector has his own method for cleaning vinyl records, those that we offer for sale are just clean with a smooth velvet brush to take off the dust before being photographed. Photos Our records are always photographed by natural light. No scanning which tends to erase some defects. Packaging All our records are shipped in packaging specifically designed for vinyl in cardboard (double box) and delivered in a plastic sleeve. Shipping Our records are shipped within 2 business days after receipt of your payment. Returns Returns are accepted within 14 days of receipt, the costs are borne by the buyer. If the record does not meet your expectations, thank you to focus on communication in order to find a solution together. Feedbacks These are always left as soon as your payment reaches us. Thank you kindly do the same upon receipt of your package. SHIPPING RATES: Rates are given for single vinyls. Gatefold or inner booklet may change the cost of postage. For overseas shipping costs in the priority letter only works up to 2 kg, beyond 2 kgs French Post requires a dispatch by colissimo International. Don't hesitate to email me if you have any question.

Product Description (second hand / occasion) Orignal USA press E COND.   (1949) Sold with an Original King Compagny Sleeve Pan American Boogie Trouble Ain’t Nothing But The Blues I use the VJM grading system for 78 RPM records: - N. As new and unplayed (there are virtually no 78s that can categorically be claimed to be unplayed). - N-. Nearly Mint, but has been played. No visible signs of wear or damage. - E+. Plays like new, with very, very few signs of handling, such as tiny scuffs from being slipped in and out of jackets. - E. Still very shiny, near new looking, with no visible signs of wear, but a few inaudible scuffs and scratches. - E-. Still shiny but without the lustre of a new record, few light scratches. - V+. An average condition 78 in which scuffs and general use has dulled the finish somewhat. Wear is moderate but playing is generally free from distortion. Surface noise not overly pronounced - V. Moderate, even wear throughout, but still very playable. Surface noise and scratches audible but not intrusive. - V-. Quite playable still, but distortion and heavy greying in loud passages. Music remains loud in most passages. Surface noise and scratches well below music level. - G+. Grey throughout but still serviceable. Music begins to sound muffled. Heavy scratches. - G. Quite seriously worn and scratched, but music level is still higher than surface noise. - G-. Music still prominent, but wear and scratch damage extensive. - F. Most of music remains audible over surface noise, but listening now uncomfortable. - P. Unplayable. ___________________________________________________________________________________ ______________________________________ We accept Paypal We ship Worldwide ! ___________________________________________________________________________________ Shipping charges Pour la France: Un CD ou un 45 tours = 3.50 Euros (en lettre suivie) Pas de frais d'expédition pour tout CD ou 45t supplémentaire! Un Vinyle LP ou 25 CM= 7.00 Euros (en Colissimo) Pas de frais d'expédition pour tout LP supplémentaire ! Un 78 tours = 12.00 Euros (en Colissimo) Pas de frais d'expédition pour tout 78 tours supplémentaire ! Si vous achetez des supports différents, groupez vos achats dans votre panier et demandez le total avant de payer (Paiement par chèque possible en €uros uniquement pour les clients Français)   Europe and Switzerland: CD & 45 rpm = Buy as many as you want for a 6.50 Euros flat rate 12 inch LP and 10 Inch = Buy as many as you want for a 10.00 Euros flat rate 78 rpm = Buy as many as you want for a 20.00 Euros flat rate   USA - JAPAN & Rest of the World: CD & 45 rpm = Buy as many as you want for a 7.00 Euros flat rate 12 inch LP and 10 Inch LP = Buy as many as you want for a 12.00 Euros flat rate 78 rpm = Buy as many as you want for a 25.00 Euros flat rate LPs, EPs, 78rpm We combine shipping  for multiple purchase Ask us for your total before paying ! All the best, Pierre Crazy Times Records & Crazy Times Music - France ______________________________________________________________________________________ Serious bidders only please. If payment isn’t completed within 5 days, item will be relisted. All our items are shipped safely in strong, safe package. Full refund offered (minus shipping) if you are not fully satisfied. ______________________________________________________________________________________ See my others auction! Thanks for your bids and Good Luck!

Denon Japan press, OX-7094-ND, Jean-Jacques Kantorow and Alain Planes, playing Brahms, Sonatas for violin and piano Vol. 1 Cover have some red marks that we you can see on images, and have some scratch on border and corner, that’s why I grade it VG. Record is clean, but when I play it, we can hear some surface noise, that’s why I grade it VG+ You can have a look on my Instagram (mister_vinyle) to see a video of this item. Feel free to ask for any more details. this Item is aviable worldwilde.

Manilla Road "Mystification", Album, vynil 33T LP ENGLISH BELOW Description: Manilla Road est un groupe de heavy metal américain, originaire de Wichita, dans le Kansas. Il est formé par Mark « The Shark » Shelton (chant et guitare). Cet album est leur 6ème! C'est un excellent album avec pleins de hits! Ce vynil est le 1er pressage de la maison de disque Black Dragon. Site du groupe: site officiel Site de l'article vendu: Metal Archives Nombre de chansons: 9. Maison de disques: Black Dragon Records. Format: 33T LP. Date de sortie: 1987. EAN: pas d'EAN. Condition du disque: Vynile noir, en assez bonne condition, pas poussiérieux, avec une marque. Condition de la jaquette intérieure: pochette en papier blanc, en bon état, avec paroles et infos. Condition de la jaquette extérieure: en couleurs, bon état. Pourquoi je le vends: Manilla Road est mon groupe préféré! Mais je n'ai plus de tourne disque et je ne compte pas en acheter un! Alors avec un coeur lourd je dis au revoir à cette pièce maîtresse de ma collection. Manilla Road "Mystification", Album, vynil 33rpm LP Manilla Road was an American heavy metal band from Wichita, Kansas, founded by Mark "The Shark" Shelton (vocals and guitar) and Scott "Scooter" Park (bass guitar). Beginning in 1977, the early years of Manilla Road were spent playing mostly progressive rock and space rock but eventually became noticeably heavier with time, the band's later heavy metal sound becoming more and more apparent with the release of Metal in 1982. This is the 6th album released by Manilla Road. It's a great album featuring several hit songs! This vynil is the first edition of the album, out on Black Dragon Records. Group's web site: official site Site de l'article vendu: Metal Archives Number of tracks: 9. Record label: Black Dragon Records Format: 33rpm LP. Release date: 1987. EAN: none. Disc condition: black vynil in good condition, not dusty, has one scratch. Inner sleeve condition: white sleeve in good condition, with the lyrics and information. Outer sleeve condition: in color, in good condition. Why I sell it: Manilla Road is my fave band! But I don't have any working record player and don't plan to buy one. So it's with a heavy heart I say goodbye to this masterpiece.

CD Album THE CHARLY BLUES MASTERWORKS SAMPLER En Excellent état / Excellent Condition Proche du neuf / Near mint condition 1 Howlin Wolf - Moanin' At Midnight 2:58 2 John Lee Hooker - This Is Hip 2:27 3 Clarence Gatemouth Brown - Goin' Down Slow 5:10 4 Guitar Junior - The Crawl 2:15 5 Muddy Waters - Trouble No More 2:42 6 Jimmy Rogers - I Can't Believe 2:48 7 Elmore James - The Sky Is Crying 2:47 8 Otis Rush - So Many Roads, So Many Trains 3:12 9 Buddy Guy - Don't Know Which Way To Go 5:20 10 Lightnin' Hopkins - Letter To (My Backdoor Friend) 3:58 11 Walter Wolfman Washington - Sure Enough It's You 3:46 12 John Mayall's Bluesbreakers - Ridin' On The L and N 5:49 Total Playing Time 43:12 Emballage soigné. Remise en main propre possible sur PARIS 11ème

Grateful Dead  - Captain Trips, Etc.. Grateful Dead Captain Trips, Etc. Grade: EX/EX Label: Impossible Recordworks -  IMP 1-33 Country: USA Year: 1978 Format: LP Genre: Rock Comments: 1969 Hollywood Palladium Los Angeles, California USA. Tracklist A1     Mexicali Blues     A2     Deal     A3     Playing In The Band     B1     Before You Let My Muse Go     B2     Johnny B. Goode     B3     The Devil And Me     B4     Sugaree     B5     West Texas, Santa Fe     B6     Back In The Sunshine

33 Tours LP   BLACK SHEEP NON-FICTION  MERCURY 314 522 685-1  2 LP USA Year: 1994 Hip Hop Cover: NM Record: NM See photos. My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cove

33 TOURS LP ATOMIC ROOSTER Holland 1970 Fontana Stereo 6369 001 Cover: VG Record: VG- Small writings on back cover (bottom left side). See photos. Record with several surface scuffs. VIEW VIDEO ON INSTAGRAM (click here) (Doesn’t work on iphone app, use Safari or Chrome browser) My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as

33 Tours LP   DON CHERRY & The Jazz Composer's Orchestra RELATIVITY SUITE JCOA Records VIRGIN JLP 2001 Dischi Ricordi ITALY Year: 1974 Jazz Free Jazz Cover: VG++ Record: NM Back cover a bit dirty and with ring wear. See photos. My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG cov