Playing with

CD Album CD Code EAN: 4542519004064 Rubrique principale CD: CD Album Genre musical: Jpop Titre: Playing with your balls [IMPORT JAPONAIS]

Iron Maiden CD Interview - Playing With Madness 1991 Frais de port pour la France: Mondial Relay: 5 euros International Shipping: Only with Tracking Number: ask before shipping and wait for the bill before sending payment. ONLY PAYPAL

Playing Cards Super Mario World / Super Mario Bros 4 Japan Trump Type 4 Nintendo Fourreau et Boîte en Bon état, petites traces d'usure sur le fourreau (photo 8) + rayure sur la boîte plastique (photo 5). Cartes neuves et scellées (voir les photos pour plus de détails) Envoi rapide et bien protégé dans un carton avec du papier bulle N'hésitez pas si vous avez des questions Cover and Box in Good condition, small signs of wear on the cover (photo 8) + scratch on the plastic box (photo 5). Cards are new and sealed (see the photos for more precisions) Shipment well protected in box with bubble wrap and tracking number I combine shipping for multiple items Don't hesitate if you have any questions

Playing cards, Kartenspiel, jeu de cartes, spielkarten, naipes, Cartes a jouer, carta di giocco. N° 659... Vends les jokers d'une collection au détail. Le port est de 1, 50 € uniquement pour la France. Envoi de 5 jokers Maximum impératif par envoi à ce prix là. Bien regarder les scans. Pour la France: Paiement par chèque ou virement bancaire ou par Paypal frais en sus. Pour l'Union Européenne: paiement par virement bancaire ou Paypal Frais en sus et envoi suivi, port suivant le poids. Pour le reste du Monde: paiement avec Paypal Frais en sus,et envoi suivi, port suivant le poids, merci Vous pouvez me mettre dans vos vendeurs favoris pour accéder directement aux ventes de jokers. Mon pseudo : Vandenger. Pour tout autre renseignement me contacter, merci... Playing cards, Kartenspiel, card game, spielkarten, naipes, Playing cards, carta di giocco. Sell the jokers from a retail collection. The port is € 1.50 for France only. Sending of 5 jokers Maximum imperative by sending to this price there. Well watch the scans. For France: Payment by check or bank transfer or Paypal fees extra. For the European Union: payment by bank transfer or Paypal, fees not included and shipment tracking, post weight. For the rest of the world: payment with Paypal, fees not included, and shipping tracking, post weight, thank you You can put me in your favorite sellers to directly access the jokers sales. My username: Vandenger. For any other information contact me, thank you...

Space Invaders & Nik.Turner ‎– Playing.The Sonic.Noise.Opera Label: Nasoni Records ‎– NASONI 150 R Format: Vinyl, LP, Album, Limited Edition, Reissue, Splatter Vinyl Country: Germany Sortie: 2016 Genre: Rock Style: Space Rock, Psychedelic Rock Tracklist A1 Sonic Attack 5:48 A2 Space Invaders 2:49 A3 Spicy Spiders 7:16 A3 Drum'n'Space 8:06 B1 Stardust 10:23 B2 Can You? 12:40 Entreprises, etc. Recorded At – Cafe Cairo, Würzburg Mixed At – Studio Fleisch Lacquer Cut At – SST Brüggemann GmbH Crédits Artwork [CoverArt] – Sergey Skachkov Bass, Voice – Paul-Pott* Design [Artworx] – DNS* Drums – DNS.GKL* Guitar, Talkbox – Tipi Mike Guitar, Voice, Percussion – Dirk Bittner Mastered By – Eroc Mixed By – DJM* Recorded By – Kilian (7) Synthesizer, Audio Generator – DJM* Voice, Flute, Saxophone – Nik Turner Notes Released on their gig at Burg Herzberg Festival 2014. Limited Reissue of 300 copies on splattered Vinyl. Code-Barres et Autres Identifiants Barcode: 4 260107 841999 Matrix / Runout: NASONI 150 A Matrix / Runout: NASONI 150 B Expédition avec suivi Mondial Relay, parfaitement fiable. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur). Puis j’ajoute 3 couches de protection : 1.    pochette en plastique comme celle que vous trouvez chez un disquaire. 2.    enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3.    carton cannelé haute qualité, très rigide, avec la mention « fragile »   Shipping with Mondial Relay tracking, perfectly reliable. I have shipped hundreds of discs and have never encountered any problems. Here is my method. I take the disc (with its under-cover) out of its cardboard cover, because otherwise the disc can move and make holes in the cover (experienced as a buyer). Then I add 3 layers of protection: 1. plastic pouch like the one you find at a record store. 2. bubble wrap with shims to ensure the gap with the 3rd level. 3. high quality fluted cardboard, very rigid, with the mention "fragile"

cd depeche mode "playing the angel" 2005 bon état général frais de ports france: envoi en lettre suivie avec boitiers: france: 4,50€ envoi en lettre suivie sans boitiers: france: 2,50€ pour plusieurs achats attendre ma facture pour le calcul des frais de ports au plus juste, possibilité d envoi en mondial relay. frais de ports europe /  reste du monde: sent by registered letter with boxes:  € 9,70 sending by registered letter without boxes:  € 5,80 for several purchases, wait for my invoice to calculate the shipping costs as accurately as possible.

Vendu avec boitier neuf Sold with new jewel case Envoi le lendemain du paiement (sauf Dimanche et jours fériés) Sending the day after payment (except Sunday & Public holidays) Label: Double Snazzy Code: NAZZY 1CD Year: 2000 Format: CD Maxi promo Nombre de pistes / Tracks: 4 Pour d’autres informations, voir photo / for more informations, see picture. Etat / Condition  CD : NM: Proche du neuf / Near mint.  Aucune rayure visible. / Near perfect. No visible scratch. Boîtier/Jewel case : M:  Neuf / New. Après votre achat, le boitier sera changé et remplacé par un neuf avant son expédition. Celui figurant sur la photo est le boitier d’origine. Merci de ne pas  tenir compte de la photo pour l’état du boitier / After your purchase, the jewel case will be changed and replaced with a new one before its shipment. The one shown on the photo is the original jewel case. Thanks consider this remark compared to the jewel case’s condition. Jaquette/Cover : VG+: Très bon état / Very good condition. Très bon état avec tampon RTL radio en relief et date.  / Very good condition with  RTL embossed and date stamps.  Correspondance et Goldmine Grading System M (Mint): Neuf / Brand New  NM (Near mint) : Comme neuf /  Like new VG + (Very good +) : Très bon état / Very good VG (Very good) : Bon état / Good G (good), G+ (good+) : Etat correct / Acceptable Envoi / Sending Le jour suivant le paiement / Day following the payment: - Par La Poste: du Lundi au Samedi / Monday to Saturday - Par Mondial Relay: du Mardi au Samedi / Tuesday to Saturday. Paiement par chèque, le lendemain de sa réception / If paying by ckeck, the next day of receipt. Emballage / Packaging Emballage carton spécifiquement adapté au format CD ou boite carton avec calage papier et film bulle. L'emballage carton est plus protecteur qu'une enveloppe bulle. Pour certains envois en France, l'objet pourra être expédié sous enveloppe bulle renforcée pour faire bénéficier l'acheteur d'un tarif postal plus avantageux, notamment ceux d'un poids inférieur à 100 g, emballage compris, et ne présentant aucun risque de dégradation (digipack, boitier carton). Packaging carton specifically adapted to CD or carton box with paper wedging and bubble film. The cardboard packaging is more protective than a bubble envelope. Mode d'expédition / Shipping costs France, Monaco: – 3 cm d’épaisseur: Ecopli, lettre verte, prioritaire ou suivie +3 cm d’épaisseur: Colissimo, Point Relais (Mondial Relay). Belgique, Luxembourg: - 250 g: Lettre prioritaire internationale / International prioritary Letter + 250 g: Lettre prioritaire internationale ou Point Relais (Mondial Relay). Allemagne, Autriche, Royaume-Uni, Italie, Espagne, Portugal: - Lettre prioritaire internationale ou Livraison à domicile par Mondial Relay / International prioritary letter or Home delivery by Mondial Relay. Autres pays/Other countries: - Lettre prioritaire ou suivie internationale (La Poste) / International prioritary or followed Letter by the french Post. Frais de port / Shipping costs Les frais de port comprennent les frais postaux et quelques centimes supplémentaires pour les frais d'emballage / Shipping costs include postal charges and a few extra cents for packing costs. Voir annonces pour plus de détails / See ad for more details. Pour Monaco et Andorre, frais identiques à la France et pour le Luxembourg à ceux de la Belgique. Pour les résidents de ces 3 pays, merci de suivre la même procédure que celle prévue pour "Achats multiples" / For Monaco and Andorra, identical costs to France and for Luxembourg to those of Belgium. For residents of these 3 countries, please follow the same procedure as for "Multiple purchases". Les frais de port dépendent du poids et de l’épaisseur de l’obje

ATTENTION: PAS DE CHEQUE, Merci  BRUCE HORNSBY AND THE RANGE THE WAY IT IS  Track Listing 1. The Way It Is, 2. Kiss Every Little 3. The Long Race, 4. Rain Mandolin 5. The River Runs Low, 6. skyline On the Western 7. The Red Plains, 8. The  Wild Frontier, 9. Tonight Down the Road DetailsPlaying Time:43 min.Contributing Artists:Huey LewisDistributor:BMG (distributor)Recording Type:StudioRecording Mode:StereoSPAR Code:ADD Album Notes Producers: Bruce Hornsby, Elliot Scheiner, Huey Lewis.THE WAY IT IS is Bruce Hornsby's first released recording.There isn't a second of Bruce Hornsby & the Range's The Way It Is that suggests it's a debut album. On the contrary, the record sounds like the culmination of a band's efforts over many years. The group has a distinct sound of its own, often led by Hornsby's bright piano chords and elastic tenor, with cohesive and evocative arrangements; there is new age music here, as well as jazz and country, and the mixture is presented naturally by musicians who seem to have been playing with each other for some time. Similarly, the songwriting has its own flavor. Hornsby wrote seven of the nine songs with his brother John Hornsby, and they create their own world, a working-class environment of longing and loneliness set against the background of the Virginia Tidewater area. (The album cover displays a sepia-toned photograph of the band set over another photograph of the long Chesapeake Bay Bridge.) The lyrics are lightly poetic and restrained, for the most part. The exception is the title song (written by Bruce Hornsby alone), a brave if somewhat clumsily written attack on the heartless right-wing politics of the mid-'80s, as the U.S. suffered through a second Reagan administration determined to roll back civil rights gains. The boldness of the statement and the lovely piano theme more than compensate for the awkward writing, however, making the song one of the album's most memorable. And that's saying a lot when the competition includes the engaging "Mandolin Rain" and the appealingly romantic "Every Little Kiss" (Hornsby's other sole writing credit). Perhaps it shouldn't be a surprise that the music is so accomplished. Hornsby was no teenage neophyte when he made it, having kicked around the music business and gotten into his thirties, and the band includes such veterans as David Mansfield, who may be remembered as a member of Bob Dylan's Rolling Thunder troupe and the Alpha Band, as well as being a film composer. Sometimes a debut album just happens to be the first music most people get to hear by a mature talent, and that's the case here on the debut album of the year. (Bruce Hornsby & the Range went on to win the 1986 Grammy Award for Best New Artist.) ~ William Ruhlmann RCA / 1986 / Printed in GERMANY Boitier Cristal // Crystal Box Tous mes CD sont en état impeccable, très peu utilisés Frais de Port, Shipping cost: Pour la France: 4,60€ (+1€ par CD Supplémentaire) For Europe, Switzerland and Norvay: 6,50€ (+2€ each additional CD) Rest of the world: 7,85€ (+3€ each additional CD) Je ne livre pas les dom Tom, la Corse et les bases de l'armée (marine, armée de terre, de l'air, etc...) ainsi que les boites postales Pas de chèque. Nous expédierons UNIQUEMENT à l'adresse (confirmée) spécifiée dans MERCI de CONSULTER MES AUTRES VENTES...

78 tours. État: Occasion very bad shape with marks and scuffs, playing with heavy hiss and constant surface noises

Visitez ma boutique, plus de 200 disques de Johnny en vente. JOHNNY HALLYDAY (Philips 437 480 BE) - FACE A Que je t’aime / Voyage au pays des vivants FACE B Je suis né dans la rue / Viens Pressage original français sorti en 1970. Pochette avec rabats. Imprimerie JAT. Superbe version de Don’t Let It Get The Best Of You de Nimrod (Micky Jones and Tommy Brown) en français Original french pressing issued in 1970. Fantastic french version of the highly seek holly grail of pop-sike collectors (Don’t Let It Get The Best Of You by Nimrod). And Lucky for you, This is really not as rare and honestly the version is great (but sung in french). This is more than a cover, this is a french version, Micky Jones and Tommy Brown (aka Nimrod) were actually playing with Johnny at this time of their career. Record condition: SLEEVE (pochette) EX / RECORD (disque) VG+ J’indique toujours dans la description si le fichier son a été enregistré du vinyle en vente.  Si ce n’est pas précisé cela veut dire que l’échantillon vient d’un autre vinyle   It’s always indicated on the description when the clip sound source is the record actually on sale.  If not, it means than the source is from a previous copy   ACHETEZ PLUSIEURS DISQUES ET ÉCONOMISEZ LES FRAIS DE PORT. Demandez-moi les tarifs. Attendre ma facture pour payer en cas d'achat multiple CHECK MY OTHER RECORDS FOR SALE, COMBINED AND SAVE ON SHIPPING FEES. Ask me for rates. Wait for invoice to pay in case of multiple buys GRADING M  Mint Actually almost impossible to find a Mint second hand disc unless it’s sealed or it’s brand new. Neuf Quasi impossible pour un disque d’occasion sauf si le disque est scellé ou si c’est une nouveauté. NM Near Mint The record may have been played but it is almost mint. Only most minimal deterioration in sound quality. The sleeve is almost mint. Quasi Neuf Disque et pochette sont en état quasi neufs, jamais ou très peu joués et manipulés. Ils comportent le minimum de trace d’usure possible. EX Excellent The record shows some signs of having been played, but still plays perfectly. The vinyl may have some tiny wear or marks, but nothing major and nothing that affects play. The cover could show only slight wear and/or creasing but it’s still close to mint. Excellent Le disque a déjà été écouté plusieurs fois. Mais il passe toujours comme neuf. Si il y a des micro rayures, elles sont sans conséquences et quasi invisbles. La pochette est splendide, quelques signes manipulations, petites pliures, rien d’important quasi neuve VG+ Very Good+ The record have been played many times, show wear, small marks or light scratches but nothing deep. It still plays very well. The cover shows some wear, light creasing, maybe tiny tears or pen marks. Overall this is the condition of Most of records sold in second hand. Très Bon+ Disque a déjà été écouté, il peut y avoir des petites rayures, peut craquer très légèrement, mais l’écoute reste très satisfaisante. La Pochette est usée, petites écritures ou pliures mais très correcte. La plus part des disques d’occasions sont dans cette condition. VG Very Good The record shows non-deep scratches, surface marks,wear and displays some surface noise. But still very playable. The cover shows wear, creasing, maybe spine splits, BB/cut hole, pen marks or small tears. It may be great but with an inner sleeve or an insert missing. Très bon Le disque a été beaucoup écouté. Il y a des rayures et il craque. Néanmoins l’écoute reste satisfaisante sans être optimale. La pochette est usée, un poil déchirée, des grosses écritures. C’est aussi la note pour une pochette superbe mais ou il manque l’insert ou autre chose. G Good The record displays considerable surface noise, visible but non-deep scratches, but still it’s playable and enjoyable and it does not jump.The cover sho

Visitez ma boutique, plus de 200 disques de Johnny en vente. JOHNNY HALLYDAY FACE A Que je t'aime / Voyage au pays des vivants FACE B Je suis né dans la rue / Viens Etat général: Occasion Cover / Media: VG+ / VG++ Label: Philips Philips Press: 437.480 BE 437 480 BE Année: 1969 Pressage original français sorti en 1969. Pochette avec rabats. Imprimerie JAT avec Rabats; Superbe version de Don't Let It Get The Best Of You de Nimrod (Viens) de Micky Jones and Tommy Brown en français Original french pressing issued in 1969. Fantastic french version of the highly seek holly grail of pop-sike collectors (Don't Let It Get The Best Of You by Nimrod). This is not a cover, this is the french version, music is the same, Micky Jones and Tommy Brown (aka Nimrod) were actually playing with Johnny at this time of their career. ACHETEZ PLUSIEURS DISQUES ET ÉCONOMISEZ SUR LES FRAIS DE PORT ET D'EMBALLAGE. Demandez-moi les tarifs. Attendre ma facture pour payer en cas d'achat multiple Les frais de port et d'emballage sont indiqués dans la case « livraisons et paiement ». Je peux envoyer en BELGIQUE par Mondial Relay, c'est le tarif « Autre livraison internationale économique ». CHECK MY OTHER RECORDS FOR SALE, COMBINED AND SAVE ON SHIPPING AND HANDLING FEES. Ask me for rates. Wait for invoice to pay in case of multiple buys. For BELGIUM, PORTUGAL, SPAIN and NETHERLANDS I can also ship to picking points (Mondial Relay) for a much cheaper rate. Please ask for rates and wait for a new invoice to pay if you wish that. Wait for invoice to pay in case of multiple buys GRADING M Mint Actually almost impossible to find a Mint second hand disc unless it’s sealed or it’s brand new. Neuf Quasi impossible pour un disque d’occasion sauf si le disque est scellé ou si c’est une nouveauté. NM Near Mint The record may have been played but it is almost mint. Only most minimal deterioration in sound quality. The sleeve is almost mint. Quasi Neuf Disque et pochette sont en état quasi neufs, jamais ou très peu joués et manipulés. Ils comportent le minimum de trace d’usure possible. EX Excellent The record shows some signs of having been played, but still plays perfectly. The vinyl may have some tiny wear or marks, but nothing major and nothing that affects play. The cover could show only slight wear and/or creasing but it’s still close to mint. Excellent Le disque a déjà été écouté plusieurs fois. Mais il passe toujours comme neuf. Si il y a des micro rayures, elles sont sans conséquences et quasi invisbles. La pochette est splendide, quelques signes manipulations, petites pliures, rien d’important quasi neuve VG+ Very Good+ The record have been played many times, show wear, small marks or light scratches but nothing deep. It still plays very well. The cover shows some wear, light creasing, maybe tiny tears or pen marks. Overall this is the condition of Most of records sold in second hand. Très Bon+ Disque a déjà été écouté, il peut y avoir des petites rayures, peut craquer très légèrement, mais l’écoute reste très satisfaisante. La Pochette est usée, petites écritures ou pliures mais très correcte. La plus part des disques d’occasions sont dans cette condition. VG Very Good The record shows non-deep scratches, surface marks,wear and displays some surface noise. But still very playable. The cover shows wear, creasing, maybe spine splits, BB/cut hole, pen marks or small tears. It may be great but with an inner sleeve or an insert missing. Très bon Le disque a été beaucoup écouté. Il y a des rayures et il craque. Néanmoins l’écoute reste satisfaisante sans être optimale. La pochette est usée, un poil déchirée, des grosses écritures. C’est aussi la note pour une pochette superbe mais ou il manque l’insert ou autre chose. G Good The record displays considerable surface noise, visible but non-deep scratches, but still it’s playable and enjoyable and it does not jump.The cover shows strong wear, creasing, spine splits, cut out hole, pen marks or tears but is sti En savoir plus Collaboration commerciale.

2 ALBUM CD de EURYTHMICS et DURAN DURAN  Tracklist EURYTHMICS  1I've Got A Life4:052Love Is A Stranger3:423Sweet Dreams (Are Made Of This)3:364Who's That Girl?3:445Right By Your Side3:496Here Comes The Rain Again4:517Would I Lie To You4:268There Must Be An Angel (Playing With My Heart)Harmonica – Stevie Wonder4:419Sisters Are Doin' It For ThemselvesVocals – Aretha Franklin4:5310It's Alright (Baby's Coming Back)3:4711When Tomorrow Comes4:1512Thorn In My Side4:1313The Miracle Of Love4:3514Missionary Man3:4715You Have Placed A Chill In My Heart3:5216I Need A Man4:2317I Saved The World Today4:261817 Again4:2019Was It Just Another Love Affair?3:50   Tracklist DURAN DURAN         1Is There Something I Should Know?Co-producer – Duran DuranCo-producer, Mixed By – Ian LittleMixed By – Alex SadkinWritten-By – Taylor*, Taylor*, Rhodes*, Taylor*, Le Bon*4:102The ReflexMixed By – Jason Corsaro, Nile RodgersProducer – Alex SadkinWritten-By – Taylor*, Taylor*, Rhodes*, Taylor*, Le Bon*4:243A View To A KillArranged By [Orchestra], Conductor – John BarryEngineer, Mixed By, Producer – Jason CorsaroProducer – Bernard Edwards, Duran DuranSampler [Digital] – Johnathan Elias*Written-By – Taylor*, Barry*, Rhodes*, Taylor*, Le Bon*3:354Ordinary World (Single Version)Mixed By – David RichardsProducer – Duran Duran, John JonesWritten-By – Taylor*, Rhodes*, Le Bon*, Cuccurullo*4:425Save A Prayer (US Single Version)Producer – Colin ThurstonWritten-By – Taylor*, Taylor*, Rhodes*, Taylor*, Le Bon*3:476Rio (US Edit)Producer – Colin ThurstonWritten-By – Taylor*, Taylor*, Rhodes*, Taylor*, Le Bon*4:457Hungry Like The WolfProducer – Colin ThurstonWritten-By – Taylor*, John Taylor, Rhodes*, Taylor*, Le Bon*3:258Girls On FilmProducer – Colin ThurstonWritten-By – Taylor*, Taylor*, Rhodes*, Taylor*, Le Bon*3:279Planet Earth (Single Version)Producer – Colin ThurstonWritten-By – Taylor*, Taylor*, Rhodes*, Taylor*, Le Bon*3:5710Union Of The SnakeProducer – Alex SadkinWritten-By – Taylor*, Taylor*, Rhodes*, Taylor*, Le Bon*4:2211New Moon On MondayProducer – Alex Sadkin, Duran Duran, Ian LittleWritten-By – Taylor*, Taylor*, Rhodes*, Taylor*, Le Bon*4:1612Wild BoysEngineer – Jason CorsaroProducer – Duran Duran, Nile RodgersWritten-By – Taylor*, Taylor*, Rhodes*, Taylor*, Le Bon*4:1713NotoriousEngineer, Mixed By – Daniel AbrahamProducer – Duran Duran, Nile RodgersWritten-By – Taylor*, Rhodes*, Le Bon*4:0014I Don't Want Your Love (Shep Pettibone 7" Mix)Engineer [Mix] – Bob RosaMixed By – Shep PettiboneProducer – Daniel Abraham, Duran Duran, Johnathan Elias*Written-By – Taylor*, Rhodes*, Le Bon*3:4815All She Wants Is (45 Mix)Mixed By – Steve PeckMixed By, Recorded By, Producer – Daniel AbrahamProducer – Duran Duran, Johnathan Elias*Written-By – Taylor*, Rhodes*, Le Bon*4:2616Electric Barbarella (Edit)Mixed By – Anthony J. Resta, Bob St. JohnProducer – TV ManiaProducer [Associate] – Simon Le BonWritten-By – Rhodes*, Le Bon*, Cuccurullo*4:1717Serious (Edit)Producer – Chris KimseyWritten-By – Taylor*, Rhodes*, Le Bon*, Campbell*, Cuccurullo*3:5618Skin Trade (Radio Cut)Engineer, Mixed By – Daniel AbrahamProducer – Duran Duran, Nile RodgersWritten-By – Taylor*, Rhodes*, Le Bon*4:2619Come Undone (Edit)Mixed By – David RichardsProducer – Duran DuranWritten-By – Taylor*, Rhodes*, Le Bon*, Cuccurullo*4:15

Eurythmics ‎– Greatest Hits Label: RCA ‎– PK 74856 Format: Cassette, Compilation Country: Europe Sortie: 1991 Genre: Electronic, Pop Style: Synth-pop Tracklist A1     Love Is A Stranger     3:41 A2     Sweet Dreams (Are Made Of This)     4:53 A3     Who's That Girl?     3:47 A4     Right By Your Side     3:52 A5     Here Comes The Rain Again     5:01 A6     There Must Be An Angel (Playing With My Heart)     4:42 A7     Sisters Are Doin' It For Themselves     Featuring – Aretha Franklin     4:53 A8     It's Alright (Baby's Coming Back)     3:45 A9     When Tomorrow Comes     4:17 B1     You Have Placed A Chill In My Heart     3:48 B2     Miracle Of Love     4:36 B3     Sexcrime (Nineteen Eighty Four)     3:54 B4     Thorn In My Side     4:13 B5     Don't Ask Me Why     4:14 B6     Angel     4:48 B7     Would I Lie To You?     4:25 B8     Missionary Man     3:47 B9     I Need A Man     4:21

Lot 3 LP AFRO: 1-  THE APOSTLES Faith Nigrian orig LP Cover is G+ to VG- with little parts missing and bends Vinyl is VG+ to VG++ playing EX ; 2- GUINEE AN XI with BEMBEYA JAZZ, KELETIGUI ET SES TAMBOURINS, BALLA ET SES BALLADINS Syliphone orig LP GENERIC COVER / VG with some marks playing cool VG to VG+; 3- SORRY BAMBA DU MALI French SONODISC orig LP Cover is VG- with bends and little tears on back Vinyl is G+ to VG- with marks, playing better than it looks more VG- to VG with occasional noises here and there. PLEASE WELL READ THE CONDITION OF THESE RARE LPs BEFORE TO BID !!! MERCI DE BIEN CONSIDERER L'ETAT DES DISQUES AVANT D'ENCHERIR  ! Envoi en France: 8 euros. Possibilité de récupérer les disques en mains propres à Vincennes.

Bruce Springteen streets of philadelphia 12" Picture disc rare !!! "Streets of Philadelphia" is a song written and performed by American rock musician Bruce Springsteen for the film Philadelphia (1993) starring Tom Hanks, an early mainstream film dealing with HIV/AIDS. Released as a single in 1994, the song was a hit in many countries, particularly in Austria, Canada, France, Germany, Iceland, Ireland, Italy, and Norway, where it topped the singles charts. In the United States, the single peaked at number nine on the Billboard Hot 100. The song received acclaim and went on to win the Academy Award for Best Original Song and four Grammy Awards: Song of the Year, Best Rock Song, Best Rock Vocal Performance, Solo, and Best Song Written Specifically for a Motion Picture or Television. In 2004, it finished at number 68 on AFI's 100 Years...100 Songs survey of top tunes in American cinema. The song is listed among the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In early 1993, Philadelphia director Jonathan Demme asked Springsteen to write a song for his film, adding "I want it to play in the malls." Springsteen replied, "Well, I'm interested, so I'd like to come up with a song for you. If you give me some time, I'll see, but I can't promise." Springsteen recalled adding, "I'm not very good at scores". In late August, after the conclusion of the "Other Band" Tour, he recorded a demo of his completed song at Thrill Hill Recording, Beverly Hills, California (his home studio), supplying all of the instrumentation. He mailed the tape to Demme, who later said, "my wife and I sat down and listened to it, and we were literally weeping by the end". Meanwhile, background vocals were added by Tommy Sims (from the "Other Band"). In October, Springsteen recorded it at A&M Studios in Los Angeles, with Sims, Ornette Coleman on saxophone, and vocals by "Little" Jimmy Scott. It was mixed by Bob Clearmountain, included in the soundtrack, and the video was shot. However, in mid-December, Springsteen suddenly replaced it with his home demo from August, re-shooting some video scenes to eliminate Scott. The four-man combo version can be heard in a brief scene in the film when Tom Hanks exits Denzel Washington's office, but it was Bruce alone playing over the opening credits. "Streets of Philadelphia" was released on February 2, 1994, as the first single from the film's original soundtrack, with Springsteen singing and playing all the instruments and Tommy Sims on background vocals, and became a chart success worldwide. "Streets of Philadelphia" achieved greater popularity in Europe than in the United States. While it peaked at number nine on the Billboard Hot 100 chart, it became a number-one single in Germany, France and Austria. It peaked at number two in the United Kingdom, becoming Springsteen's highest charting hit in Britain, and number four in Australia. As of 2012, "Streets of Philadelphia" ranks as his most recent top ten hit. The song was included on the album All Time Greatest Movie Songs, released by Sony in 1999. Beautiful copy ! Only played a few times First hand from my own collection !!! Any questions feel free to contact me!!!

LOT de 3 LP Afro Lp: 1- Sonny Okosun Fire in Soweto Nigeria orig LP Nemi 0330 Cover is solid VG and Vinyl is visually VG with many marks but playing more VG+ 2- Chief Commander Ebenezer Obey and his International Brothers England orig LP WAPS 62 Cover is VG- to VG with marks and little tears and Vinyl is VG with many marks but playing more VG to VG+ Envoi en France: 9 euros. Shipping in the world: 24 euros ou Remise en mains propres à Vincennes

Poids de l'article / Weight:  1.96 kg Relié / Pages:  552 pages ISBN-10:  3869930691 ISBN-13:  978-3869930695 Dimensions du produit / Size:  21.59 x 3.05 x 27.94 cm Éditeur /:  Future Press Verlag und Marketing GmbH (17 avril 2015) Langue / Language:  Anglais / English Redefining Game Guides for more than 16 years Ever since being founded in 1998, Future Press has been dedicated to producing the highest quality game guides in the world. Our team of highly professional authors and designers work together to guarantee a harmonious and logical interplay between content and design. We've worked closely with the most renowned and successful publishers and developers in the industry, always aiming to redefine what a game guide can be. Our focus is, and always has been, on creating the best possible guide for the game we're covering. This is why we only produce one guide at a time, with our entire staff dedicated to its production. Our core team of authors is made up of exceptionally skilled gamers, working alongside single-project specialist players who are among the best in the world at the type of game we're writing about. Our ultimate goal is to give the reader the best possible understanding of the game they are playing and to deepen their enjoyment of playing it, regardless of their skill level.

33 TOURS LP ATOMIC ROOSTER Holland 1970 Fontana Stereo 6369 001 Cover: VG Record: VG- Small writings on back cover (bottom left side). See photos. Record with several surface scuffs. VIEW VIDEO ON INSTAGRAM (click here) (Doesn’t work on iphone app, use Safari or Chrome browser) My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as

33 Tours LP   DON CHERRY & The Jazz Composer's Orchestra RELATIVITY SUITE JCOA Records VIRGIN JLP 2001 Dischi Ricordi ITALY Year: 1974 Jazz Free Jazz Cover: VG++ Record: NM Back cover a bit dirty and with ring wear. See photos. My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG cov

Pete Daily's Dixieland Band ‎– Pete Daily's Dixieland Band Label: Capitol Records ‎– LC.6525 Format: Vinyl, 10", Album, Mono Pays: UK Sortie: 1950 Genre: Jazz Style: Dixieland Tracklist Masquer Crédits A1 Original Dixieland One-Step Written-By – Original Dixieland Jazz Band A2 Sensation Written-By – Original Dixieland Jazz Band A3 Dixieland Shuffle Written-By – Haggart*, Rodin*, Malneck*, Lamare* A4 Careless Love Written-By – Traditional B1 At A Georgia Camp Meeting Written-By – Kerry Mills B2 When The Saints Go Marching In Written-By – Traditional B3 What's Your Story? Written-By – Pete Daily, Stanley O. Story B4 I Want To Linger Written-By – Henry I. Marshall, Stanley Murphy Notes This Record must be played with a pick-up designed for Long Playing Records Long Playing Microgreoove Flexible Record Made In England Printed In England By Robert Stace & Co Ltd Tunbridge Wells

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders for B

33 Tours LP   BLACK SHEEP NON-FICTION  MERCURY 314 522 685-1  2 LP USA Year: 1994 Hip Hop Cover: NM Record: NM See photos. My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cove

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3.25 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders fo

PLEASE WAIT THE INVOICE BEFORE SENDING PAYMENT !!!!!!!!  INFORMATIONS: ITALIAN press GRADING COVER/RECORD:  SEALED SHIPPING COST:  to France:  8€ for 1 record; 1€ per additionnal item to Europe:   14€ for 1 record; 1€ per additionnal item  to Rest of the world: 24€ for 1 record; 2€ per addtionnal item ALL shipping are REGISTRED with TRACKING NUMBER.   RECORD AND COVER GRADING: MINT (M) These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. There is no set percentage of the Near Mint value these can bring; it is best negotiated between buyer and seller. NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++ or E+). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. That said, VG records — which usually sell for no more than 25 percent of a NM record — are among the biggest bargains in record collecting, because most of the “big money” goes for more perfect copies. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would resid

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT. REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST. FOR CONNOISSEURS b'&' LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD b'&' BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on b'"'Minor's Moodb'"'). As a brief cross-section of the players' strengths, listen to the sequence of short solos on b'"'Jungleblues,b'"' which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly b'"'outb'"' sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / Rb'&'B items on. Many collector’s items from my personal collection are available. Please wait my correct invoice and I will combine shipping costs if you buy multiple CDS. Shipping through Mondial Relais is also available for GERMANY / AUSTRIA / BELGIUM / SPAIN / ITALY / LUXEMBOURG / PORTUGAL b'&' THE NEDERLANDS (6.50 euro for 1 or 8 cds). Frais de port dégressifs pour achats groupés (1 euro pour chaque cd supplémentaire) avec un envoi postal. Frais de ports de 4.40 euros pour 4 CDS avec un envoi par MONDIAL RELAY (6.50 euros pour 10 cds) Frais de ports pour la France / Dom Tom: 3.50 euros en suivi / 5 euro en COLISSIMO ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES Please read carefully my conditions before bidding. In order to reduce international shipping costs, a En savoir plus Collaboration commerciale.

Statuette en Bois Sculptée Wooden Carved Statue Représentation de Krishna Jouant de la Flûte Depiction of Krishna Playing the Flute Matériaux: Bois Materials: wood Caractéristiques: Sculpté à la main, design traditionnel Features: hand-carved, traditional design Couleur: Brun naturel patiné Color: natural patina brown Dimensions: Hauteur: 13 cm, Largeur: 5.5 cm Dimensions: Height: 5.12b'"', Width: 2.17b'"' Poids: 31 g Weight: 0.07 lbs Description: Découvrez cette magnifique statuette en bois représentant Krishna, l'une des divinités les plus vénérées dans la culture hindoue, connue pour symboliser la compassion, l'amour et la tendresse. Krishna est souvent illustré jouant de la flûte, symbole de la mélodie divine attirant les âmes dévouées. Cette sculpture, avec ses détails minutieux et son aspect traditionnel, incarne parfaitement cette iconographie sacrée. La statuette montre Krishna dans une posture classique, vêtu de draperies finement sculptées, tenant une flûte dans ses mains. Les détails ornés, comme la coiffure et la posture gracieuse, révèlent le savoir-faire artisanal et la dévotion artistique caractéristiques des représentations de Krishna dans l'art traditionnel indien. Idéale pour compléter une collection d’art sacré ou pour ajouter une touche spirituelle et esthétique à votre intérieur. Discover this beautiful wooden statuette representing Krishna, one of the most revered deities in Hindu culture, symbolizing compassion, love, and tenderness. Krishna is often depicted playing the flute, a symbol of the divine melody that attracts devoted souls. This sculpture, with its intricate details and traditional appearance, perfectly embodies this sacred iconography. The statuette shows Krishna in a classic posture, dressed in finely carved draperies, holding a flute in his hands. The ornate details, such as the hairstyle and graceful posture, reveal the artisanal craftsmanship and artistic devotion characteristic of Krishna's representations in traditional Indian art. Ideal for completing a collection of sacred art or adding a spiritual and aesthetic touch to your interior. Livraison courrier suivi France Métropolitaine pour 4.99€ * Optimisez votre expérience d'achat en profitant de toutes mes annonces ! Nous vous offrons le choix entre deux options de livraison pour vous satisfaire pleinement: Mondial Relay: Profitez d'un retrait rapide de votre colis dans un point relais en seulement 3 jours ouvrés. N'oubliez pas de me confirmer votre choix et de me fournir votre point relais préféré afin que votre colis parte sans tarder. Cliquez ici pour choisir votre point relais: Lien vers Mondial Relay Colissimo: Laissez-nous prendre soin de vous en vous livrant votre colis directement à votre domicile en seulement 2 jours ouvrés. Il vous suffit d'indiquer votre adresse lors de votre commande sur. * Pour la livraison économique internationale vous pouvez me contacter pour obtenir une révision du tarif d'expédition. For economical international delivery, please contact me for a revised shipping rate. Merci pour l'attention que vous portez à mes annonces - A bientôt sur ! Thank you for your interest in my listings - See you soon on ! *** statuette en bois, Krishna, sculpture hindoue, art sacré, décoration spirituelle, statue vintage, artisanat indien, objet décoratif, symbole divin, dieu de la compassion, statuette religieuse, divinité indienne, art traditionnel, collection de statues, Krishna flûte, art sacré hindou, wooden statuette, Krishna, Hindu sculpture, sacred art, spiritual decoration, vintage statue, Indian craftsmanship, decorative object, divine symbol, god of compassion, religious statuette, Indian deity, traditional art, statue collection, Krishna flute, Hindu sacred art En savoir plus Collaboration commerciale.

33 tours 12b'"' 2 LP Gatefold Limited Edition Morr Music ‎ MM039 Morr Music ‎ 039 Label Code LC 10387 Germany 2013 Repress issued in a Gatefold sleeve with a download code inside. Limited to 250 copies Electronic, Jazz Dub, Future Jazz, Experimental Cover: NM- (See photos) Records: VG++ (for more info read the details of my grading criteria at the bottom) Informations additionelle sur la livraison / Información de envío adicional / Informazioni aggiuntive sulla spedizione / Additional shipping informations: Expédition pour plusieurs articles / Envío de varios artículos / Spedizione di più oggetti / shipping of multiple items: (FR) Selon le type d'objets, il peut être possible d'en regrouper plusieurs dans un seul envoi et d'économiser sur les frais d'expédition. Demandez-moi le total exact avant de faire l'achat. (ES) Dependiendo del tipo de artículos, puede ser posible agregar más de uno en un solo envío y ahorrar en costos de envío. Pregúntame el total exacto antes de realizar la compra. (IT) A seconda del tipo di oggetti, potrebbe essere possibile aggregarne di più in una sola spedizione e risparmiare sulle spese di spedizione. Chiedimi il totale esatto prima di effettuare l'acquisto. (EN) Depending on the type of items, it may be possible to aggregate more than one in a single shipment and save on shipping costs. Ask me for the exact total before buying. My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect b'"'still in shrinkb'"' records. I could occasionally use a conservative grade of [M-] (MINT-) to describe perfect records not new sealed or not b'"'still in shrinkb'"'. NEAR MINT (NM) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or b'"'almost [NM] perfect with a few minor flawsb'"'. VERY GOOD PLUS (VG+) / EXCELLENT A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be cons En savoir plus Collaboration commerciale.

Plus de disques classiques rares dans mes "autres objets" / More rare classical music records in "seller's other items" Frais d'envoi groupés en cas d'achats multiples / I combined shipping fees for multiple purchases. Expédition en colissimo pour la France / I ship my records with tracking number parcels, if you want it to be insured, please contact me before paying. Pochettes / Covers: NMINT Disques / Records: NMINT Jamais joués / Unplayed Graduation system: M (MINT) Sealed, never played, new in its original packaging. NM (NEAR MINT) Almost perfect copy, never or very rarely played. At worst, one or two surface marks, generally insignificant and due to inner sleeve. This the highest grade for an unsealed record. EX (EXCELLENT) Very clean copy, some insignificant surfaces marks (hairlines). This record has been rarely played, on good equipment and treated with care. The cover has very minor flaws: a name or discrete initials, low wear corners, very slight ringwear. VG + + (VERY GOOD + +) More surface marks.Minor flaws or cover wear, minor edge wear. This is generally the grade given to a 20 to 50 years old record with a "normal" life, treated with care, but listened and handled regularly by his former owner. VG + (VERY GOOD +) Has been played a lot, shows multiple slight surface marks (hairlines) generating background noise between songs but no jump or skips. Cover shows important signs of age and storage (slice corners worn, name, date, dedication, tears, etc....). Generally, this record was one of the favorites among previous owner discotheque, went from hand to hand, had to animate some parties and bears the scars of a busy life. VG (VERY GOOD) The record is very worn, has been played a lot, shows important scratches that are creating permanent background noises but do not skip or jump. Still listenable (especially at high volume for big sound). The cover is well worn, torn important corner and edge wear, significant traces of marker pen or... well, the previous grade but more accentuated. G (GOOD) Has been played to the hilt (but still playable on some titles), many scratches, crackles a lot while playing, may have jumps or sticks. The cover is very damaged. This record must be very rare to be proposed on sale ! We tend to exaggerate our gradations, however, in case of doubt, do not hesitate to ask questions before bidding. Cleaning The sleeves are generally cleaned. Each collector has his own method for cleaning vinyl records, those that we offer for sale are just clean with a smooth velvet brush to take off the dust before being photographed. Photos Our records are always photographed by natural light. No scanning which tends to erase some defects. Packaging All our records are shipped in packaging specifically designed for vinyl in cardboard (double box) and delivered in a plastic sleeve. Shipping Our records are shipped within 2 business days after receipt of your payment. Returns Returns are accepted within 14 days of receipt, the costs are borne by the buyer. If the record does not meet your expectations, thank you to focus on communication in order to find a solution together. Feedbacks These are always left as soon as your payment reaches us. Thank you kindly do the same upon receipt of your package. SHIPPING RATES: Rates are given for single vinyls. Gatefold or inner booklet may change the cost of postage. For overseas shipping costs in the priority letter only works up to 2 kg, beyond 2 kgs French Post requires a dispatch by colissimo International. Don't hesitate to email me if you have any question.

- MORTIFICATION triumph of mercy Cd 1998  Nuclear Blast ‎– NB 354-2 CONDITION: CD*:    ex++   a couple of tiny slight surface marks / don t affect playing         top surface:   mint BOOKLET:   near mint BACKCOVER:    MINT          SHIPPING  /  spedizione               WITH OR WITHOUT CASE (please read) / con or senza contenitore di plastica send from France by LA POSTE / inviato da francia con LA POSTE WITHOUT CASE*   *between 2 pieces of strong cardboard (safe delivery) 1 or 2 cds:    2.8€ 3 / 5  cds:          EUROPE*  10             REST OF THE WORLD (include USA):  12        6 / 10 cds:         EUROPE*  14            REST OF THE WORLD (include USA):  16                   *********************************************** If you want the jewel case, please ask and use these costs / se vuoi il contenitore di plastica: WITH JEWELCASE REGISTERED WITH TRACKING NUMBER:  1 or 2 cds:     11    3 / 4  cds:          EUROPE*:  14           REST OF THE WORLD (include USA):  16  5 / 7  cds:          EUROPE*:  18           REST OF THE WORLD (include USA):  22          *CD: MINT/MINT- is like new, without any visible surface marks on the cd most of time I prefer grade the cd mint- (Near mint) because I can miss a minor detail and somebody could tell me the cd is not perfectly mint... EX++ the cd looks really fine but you can see (under a light if you check carefully) few minor surface marks. Usually light details but that is enough to see the cd not new. EX+ the cd is still in great condition but you can see more little surface marks (always light, not deep) and they are easier to see. EX or EX- cd has many scratches but still not deep. no damage. Cd plays fine. less than EX- when the condition is less than EX I don t grade it VG because in french "VG" means "VERY GOOD" and I can t say a cd with many visible scratches is in very good condition. so under Ex/EX-, I will only describe the cd condition with words like: "many visible surface marks or many scratches or deep scratches" all the CD I list plays fine despite their condition less than EX. anyway if one day a cd doesn t play fine, the buyer can send it back and get a refund. if a cd has scratches they go through silver layer and usual we can see they from both sides of the CD I usually don t sell it or damages will be described in item s condition. I use to check cd condition as well as I can but, anyway, if one day I miss this kind of damage, the buyer can send it back and get a refund. ***************************************************************************************************************************************** HANDLING TIME: 5 business days  I can go to post office usually once a week (most of the time monday or tuesday) if for a particular reason you need a quicker shipping, please get in touch & let me know. **************************************************************************************************************** DISCOUNT / BEST OFFER if the "best offer" option is available, you re welcome to send your offer. I may agree to offer some discount for 1 cd,   but discounts are more for multiples offers than for only one.

Titres 1. United Colors 2. Slug 3. Your Blue Room 4. Always Forever Now 5. Different Kind of Blue, A 6. Beach Sequence 7. Miss Sarajevo 8. Ito Okashi 9. One Minute Warning 10. Corpse (These Chains Are Way Too Long) 11. Elvis Ate America 12. Plot 180 13. Theme from the Swan 14. Theme from Let's Go Native   BOITIER  CRISTAL..... il y a quelques petites traces de frottements sur le boitier Album Notes Passengers: Bono (vocals, guitar, piano); The Edge (guitar, vocals, organ); Adam Clayton (bass, spoken vocals); Larry Mullen, Jr. (drums, percussion, programming, synthesizer); Brian Eno (programming, synthesizer, vocals). Additional personnel: Howie B. (vocals, scratches); Luciano Pavarotti, Holi (vocals); David Herbert (saxophone); Holger Zschenderlein (synthesizer); Des Broadbery (programming). Recorded at Westside Studios, London, England and Hanover, Dublin, Ireland in November 1994. Includes liner notes by Ben O'Rian and C.S.J. Bofop. Personnel: Bono (vocals, guitar, piano); The Edge (vocals, guitar, organ); Brian Eno (vocals, synthesizer); Howie B (vocals, scratches); Luciano Pavarotti (tenor); David Herbert (saxophone); Larry Mullen, Jr. (synthesizer, drums, percussion); Holger Zschenderlein (synthesizer). Audio Mixers: Howie B; Brian Eno. Recording information: Hanover, Dublin, Ireland; Westside Studios, London, England. Unknown Contributor Roles: Rob Crane; Larry Mullen, Jr.; Richard Baker. Arrangers: Paul Barrett; Craig Armstrong. Following their post-modern vibe further into Brian Eno's futuristic sound-space, U2 have now floated so far out of their customary atmosphere they've even abandoned their moniker. And with good reason. ORIGINAL SOUNDTRACKS 1, a loose collection of compositions written for films which may or may not exist, resembles a U2 album in only the vaguest of ways--it is basically a Brian Eno concoction, with Ireland's finest contributing not much more than their distinctive instrumental feel and Bono's new-found subtlety around a vocal mic. Yet these characteristics are enough to identify the participants, and to raise Passengers above the standard electronic/ambient din that has taken over clubland in the 1990s. ORIGINAL SOUNDTRACKS 1 is not strictly an experimental excursion. While much of the album follows the atmospheric norm of Eno's own Soundtracks series (after which this project was named), there are a number of traditional "songs" interspersed between the synthetic canvases, and most of these are softer extensions on the ZOOROPA aesthetic. "Slug" finds Bono whispering wishes over tension-filled keyboard washes and layers of rhythm. "Your Blue Room," a relaxed kin to "One" and "The Unforgettable Fire," is U2 playing Tindersticks--full of menacing organ, faint, Duane Eddy-like guitar, and starring Larry Mullen, Jr. as a Euro Funky Drummer. Finest among these surreal moves is "Miss Sarajevo," which uses Luciano Pavarotti's tenor as a voice of empowered grief in the melancholy story of a war-torn beauty contest. When ORIGINAL SOUNDTRACKS 1 moves outward, it flies in the direction of the nearest rave--adding world-wide rhythms to Eno's ambient soundscapes, to form a compass of emotions. "United Colours" is a straight-up techno track with passing samples of scratched records, fly-by vehicles and looped voices. "One Minute Warning" is an eerie alarm, complete with African and electronic beats, a machine-gun ticker-tape pulse, and an incomprehensible Eno-led choir seemingly ushering in the apocalypse. The album ends with a mixture of the two explored worlds: "Theme From Let's Go Native" is a bit of tribal rockisms, led by a stray dub bassline and Edge's simple chords. As Bono repeats a wordless vocal phrase and the band gains a forceful rhythmic confidence around him, it becomes obvious that what started out as foreign turf for these Passengers, has become a musical home away from home.     REGROUPER LES ACHATS (cela réduit les frais de poste)