Power and phantom powering

- Gefen Power Rack 58 + 8x cables + power transformer --- - Rack-mounted central power distribution eliminates multiple power supplies and messy cables - Eight individual 5V DC / 2.5A max. power outputs for powering external devices - Eight dual-state red/green LEDs indicate correct voltage range for each power output - Locking connectors ensure secure attachment of output power cables - Power LED indicates successful power status on the Power Rack 58 En savoir plus Collaboration commerciale.

X CABLE – TLP07CF-6 Key Features - Line level input adaptor cable with DC power in - In-line regulator 9v to 16v input - XLR female and 4-pin Hirose to 6-pin Lemo - For Micron 700 and Explorer 100 transmitters - 0.7 metres long Description Line input (0 dBm) and external powering with in-line voltage regulator, 0.7 metres long, XLR female and 4-pin Hirose æYÆ cable to 6-pin Lemo connector. DC input voltage to Hirose 9v to 16V. Marked TLP07CF-6 En savoir plus

TASCAM DP02 CF previously used with its Power Supply Unit, USB cable and a 8Go CF Card TASCAM's DP-02CF Digital Portastudio has enough recording power to let you create a full production at 16-bit/44.1kHz CD quality. The DP-02CF combines 8-track CD-quality recording with a Portastudio interface. The DP-03CF Portastudio's one-button-per function design is for musicians who want to record quickly and have fun! First, record your stereo drum machine using its 2-track simultaneous recording, and then use the line inputs to record bass and layer guitar parts. A song position bar/beat display makes it easy to overdub. Or, if you're going the straight acoustic route (no drums), use the internal metronome to keep time.  Next, use the low-cut filter, two-band EQ, and pan controls to make sonic space for your vocals, which you can record with a high-quality condenser mic thanks to a pair of matched TASCAM preamps with XLR inputs and phantom power. There's also an EQ frequency button for finer control over the mix. When you're happy with your tracks (and you should be happy with a DP-02), mix down to a dedicated stereo master track and save your final mixes to an included 1GB CompactFlash card (The DP-02 records two channels at a time to the card).  Finally, you can transfer your tracks and mixes or backup your song to a computer through a speedy USB 2.0 connection for MP3 encoding or CD burning from your Mac or PC (USB cable not included). Let the fun begin! Item will be professionally packed, shipped and insured to guarantee safe arrival   The item pictured is the one you will be receiving. No additional accessories included. Pour les livraisons pour les DOM (Guadeloupe, Martinique, Mayotte, La Réunion,Guyane), Saint-Pierre et Miquelon, Saint-Martin, Saint-Barthélemy, me contacter pour  convenir des frais d'envoi

Rocktron Phantom Cab Speaker Simulator: Rare analogue 1U rack mount cab sim in very good and clean condition and only ever been used in my studio. Comes with various great authentic cabinet speaker simulation settings and mic placement. Unit on which all of Rocktron cabinetsimulators (Prophesy, Repliflex) now are based on. Everything functions great! Note that, as I don't have any speaker, I have never used the high level input and output and can't test them. Unit is used and shows a few cosmetic rack wear such as scratches and other blemishes. Includes unit with its power adapter! En savoir plus Collaboration commerciale.

alimentation fantome en rack pour 4 entrées, modèle ARX systems phantom plus format rack 1U  fabrication Australienne de haut qualité. très fiable et très stable. rien à voir avec les fabrications Chinoises bas de gamme actuelles.  fonctionnement impeccable, rien à signaler. voir photos pour plus d'infos ou me les demander par mail si besoin.  INTERNATIONAL BUYERS I SHIP WORLDWIDE IN SECURED PACKAGES I SPEAK ENGLISH AND SPANISH FEEL FREE TO ASK YOUR QUESTIONS FULL INSURANCE IS INCLUDED IN SENDING PRICE 14 DAYS MONEY BACK GUARANTEE INCLUDED ARX phantom plus, phantom power supply in 1u rack format.  you can plug 4 sources at the same time.  australian made, much better quality than usual Chinese actual crap.  Very stable, very reliable, studio quality stuff....

Ambient Recording power supply, robust construction - low-profile stainless steel housing with solid copper shielding. This one is allowed the use of a lavalier microphone wired into a mini jack, converting the power supply to 48 V phantom and produces an electronically balanced signal with a low impedance and low noise floor. This adapter is equipped with a Sennheiser 3.5 mm TRS connector to screw on, or to use with any standard mini jack, it adapts perfectly to all lavalier microphones such as: Sennheiser, DPA d: series, Sanken Cos-11D, Countryman, Voice Technologies, TRAM TR50 etc. Field recording: Nagra, Stellavox, Studer, Sonosax, Sound Devices, Zaxcom Zoom En savoir plus

SKP 2000-DW-X Practically any wired microphone can be a player in Sennheiser's 2000 ensemble. This plug-on transmitter makes it possible. Five frequency ranges with up to 75 MHz switching bandwidth also provide optimum flexibility for all components in the 2000 series. The transmitter settings on SKP 2000 can also be synchronized quickly and easily using infrared technology. Equipped with triple switchable transmission power and phantom powering, SKP 2000 is incredibly versatile. - Rugged metal housing - Up to 75 MHz switching bandwidth - 20 fixed frequency bands with up to 64 compatible presets - 6 banks each with up to 64 tunable channels - Frequency setting in 25 kHz steps - Pilot tone squelch for interference-free operation - 48 V switchable phantom powering - Backlit display on transmitter (keystroke activation) - Auto-lock feature to prevent buttons from accidently being pressed - Audio and RF MUTE feature for muting the transmitter - Can be synchronized with the receiver using infrared interface - Wide range of accessories for virtually any use - Transmitters can be configured from the receiver menu

Table de Mixage Alesis MultiMix 12R Excellent état Control: Front-panel (top down): 8 mic/line channels and 2 stereo channels with trim, 2-band EQ (high shelving at 12kHz, low shelving at 80Hz), aux send 1 (pre-fader), aux send 2 (post-fader), pan/balance, 60mm stereo master fader. Stereo aux return level. Headphone jack with level and master/tape switch. Stereo 10-segment LED meters. Power and phantom power LEDs. Connections: All 1/4" TRS except as noted: Mic in x 8 (XLR), line in x 12, channel insert x 8, aux send x 2, stereo aux return, stereo main out, stereo monitor out, headphone out. Stereo tape in and master out (RCA). Power: 220V AC internal transformer Dimensions: (H x W x D): 5.25" x 19" x 6.25" (134mm x 483mm x 158mm), 3U rackmount Weight: 8lbs (3.6kg)

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself. I bought it used from the exclusive Schoeps French distributor Areitec in 2017, so it should be in good working condition. Invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself with mikes. It is a former demo unit from the exclusive Schoeps French distributor Areitec. I bought it from them in 2017, so it should be in good working condition. Original invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

super preamp for all kinds of recordings - very good even for drums. Very cool sounding 8-channel vintage 1678 solid-state preamp by Altec Lansing. Originally designed as a small rack mixer, the 1678 offers on 2U 8 mic inputs with phantom power and each separate line out. We have the phantom power with a ramped circuit (runs slowly and smoothly high and ruins no expensive mics...) and LED on the front converted and also on the front a pad switch per channel with about - 20db integrated. Very good condition Très bon état général 220/240 v TVA récupérable AV.OCCASE ACHAT.VENTE.NEGOCE nous SOMMES UN MAGASIN SPECIALISE DANS L'ACHAT, LA VENTE ET LE DEPOT-VENTE DE MATERIEL AUDIOVISUEL OCCASION / NEUF A PRIX DISCOUNT SON / VIDEO BROADCAST / STUDIO / HIFI / SONO / VINTAGE / ACCESSOIRES Réf.dépbas En savoir plus

M-Audio Projet Mix I/O - Sensitve Motorized Faders Audio Interface Firewire Fully working state. Coming in its original box. => Offered: 1x CD-ROM PROTOOLS M-POWERED 7 + 1 Dinkey Dongle => Original packaging contains:  - 1x Mac Firewire cable - 1x PC Firewire cable - 1x power supply - 1 x driver CD-ROM - User Guides OVERVIEW: M-Audio ProjectMix I/O is a control surface combined with a FireWire 18x14 audio interface that turns your computer into a complete digital production station. Features include 9 touch-sensitive motorized moving faders and 8 assignable endless rotary encoder knobs for channel or plug-in functions. I/Os include: 8 switchable phantom-powered analog mic/line inputs (XLR and 1/4" TRS balanced) with switchable phantom power and signal/peak LEDs; 8x8 ADAT Lightpipe; MIDI with activity LEDs; 2x2 S/PDIF coaxial optical/digital; 4 analog outputs (1/4" TRS balanced); 2 stereo headphone outputs (1/4" TRS) with independent level controls; and one front-panel instrument input (1/4" TS) switchable for input one. Each channel on this M-Audio Controller features mic/line, record enable, select, solo, and mute buttons. Channels and banks are selected via ± keys. A zoom key is included, with 4 directional keys, as well as dedicated keys for in/out points, locate, region nudge, and more.  Illuminated transport controls and a jog/shuttle wheel with a mode switch allow effortless navigation. The M-Audio ProjectMix control surface includes dedicated keys for in/out points, locate, region nudge, loop, and more. LED displays clearly display each channel's status. Word clock I/O (BNC) is supported. Compatible with Mackie Control, Logic Control, and HUI protocols plus support for most other popular applications.  SPECIFICATIONS: Connection FireWire Faders 8 x Touch-sensitive motorized channel faders 1 x Touch-sensitive motorized master fader Transport Controls Yes (illuminated) Jog/Shuttle Yes Rotary Controls 8 x Assignable rotary encoders Numeric Keypad No Display LCD for channel or plug-in functions Function LED display for each channel Softwares Supported but not provided: - Pro Tools M-Powered 7 or greater - Ableton Live 5 (version 5.02 or greater) - Logic (version 7.1.1 or greater) - Cubase (version 3.1 or greater) - Digital Performer (version 4.6 or greater) - SONAR (version 4.02 or greater)  System Requirements Mac (but not provided): G3 800MHz or G4 733MHz higher (may be higher for laptops)- G3/G4 accelerator cards not supported OS X 10.3.9 / 10.4.2 512MB RAM Available FireWire port or FireWire expansion card PC (but not provided): Pentium III 800MHz or higher (may be higher for laptops) Windows XP (SP2) DirectX 9.0c or higher 512 MB RAM Available FireWire port or FireWire expansion card Dimensions (WxDxH) 46 x 51 x 10 cm Weight approx. 12.5 kg Specialties Built-in 18 x 14 FireWire audio interface - no additional hardware required Will be sent well packed. Shipping to France: 28,55€ € Shipping to Europe and UK: 61,50 € Shipping to International: Please ask before bidding Accepted payment: Please only, PayPal

de tres bonne facture  comme neuf                Argus 113,33 €  MES ARTICLE SONT STOCKEE DANS UNE PIECE PROPRE ET CHAUFFE    PHOTO A L APPUI Multimix 12R TABLE MIXAGE. État : "Occasion" NIKEL       COULEUR    BLEU  Très peu servis et toujours racké.      Console Multimix 12R dans un état proche du neuf, entièrement fonctionnelle,   protege danspiece chauffee photo a  l appui  Matériel de qualité, fiable, tout métal et d'une belle finition. Envoi en Colissimo  Paiement par paypal  Alesis 1800737 Table de mixage 12 canaux Multimix 12R  RACK19 DE tres bonne facture  comme neuf  voir mes evaluations    SPÉCIFICATIONS PRODUIT Mixer 12 canaux rackable au format 3U 8 entrées micro XLR avec alimentation fantôme, et gain ajustable, Insert sur chaque entrée micro, L'introduction d'un jack jusqu'au premier "click" de l'insert permet d'obtenir un direct out par tranche sans coupure audio, Egalisation 2 bandes, 2 départs auxiliaires jacks 6,35 mm symétriques, 2 entrées ligne stéréo, jack 6,35 mm symétrique, 2 retours stéréo jacks 6,35 mm symétriques, Entrée "tape" RCA Sortie casque en face avant, Sortie générale jack 6,35 mm symétrique et RCA, Faders linéaires 60 mm par tranche, Dimensions: l34 x 483 x 108 mm, Poids 3,6 kg. https://www.guitariste.com/achat/alesis,multimix,12r-rack,17903.html Alesis est à l'origine un constructeur d'instruments électroniques basé à Cumberland, Rhode Island qui s'est diversifié ensuite dans l'équipement audio. Créée en 1980, la marque est la première a avoir vendu un processeur d'effets 16 bit numérique à moins de 1000$, le Midiverb. En 1991, Alesis introduit l'enregistreur ADAT. Depuis 2001, la marque appartient à Jack O'Donnell. Consoles analogiques Qu'il s'agisse d'une mixette de home studiste ou d'une grosse console vintage professionnelle, les tables de mixage analogiques sont beaucoup plus courantes que leurs homologues numériques et sont encore les plus utilisées sur scène comme en studio. Leurs avantages ? Une entrée de gamme très abordable et un haut de gamme au son inégalable. very good quality like newArgus € 113.33 MY ITEMS ARE STORED IN A CLEAN ROOM AND HEATED PHOTO ON THE SUPPORTMultimix 12R MIXING TABLE. Condition: "Used" NIKEL COULEUR BLEUVery little used and always racked. Multimix 12R console in near new condition, fully functional, protected in heated room photo support Quality material, reliable, all metal and a beautiful finish.Sending by ColissimoPayment by paypalAlesis 1800737 Multimix 12R RACK19 12-channel mixerVery good quality like new see my evaluations PRODUCT SPECIFICATIONS12-channel rack-mountable mixer in 3U format8 XLR microphone inputs with phantom power, and adjustable gain,Insert on each microphone input,The introduction of a jack until the first "click" of the insert makes it possible to obtain a direct out per section without audio cutting,2-band equalization,2 auxiliary sends, balanced 6.35 mm jacks,2 stereo line inputs, balanced 6.35 mm jack,2 balanced stereo 6.35 mm jacks,RCA "tape" inputHeadphone output on the front panel,General output jack 6.35 mm balanced and RCA,Linear faders 60 mm per slice,Dimensions: l34 x 483 x 108 mm,Weight 3.6 kg.https://www.guitariste.com/achat/alesis,multimix,12r-rack,17903.htmlAlesis was originally an electronic instrument builder based in Cumberland, Rhode Island which then branched out into audio equipment. Founded in 1980, the brand was the first to sell a 16-bit digital effects processor for less than $ 1000, the Midiverb. In 1991, Alesis introduced the ADAT recorder. Since 2001, the brand has been owned by Jack O'Donnell.Analog consolesWhether it is a home studio mixer or a large professional vintage console, analog mixers are much more common than their digital counterparts and are still the most used on stage and in the studio. Their advantages? A very affordable entry le

Alesis Multimix 16 Firewire. État : "Occasion" Compatible sur Mac Apple et Windows. Garageband/Cubase etc.. Table de mixage en parfait état et très peu utilisé. Toujours dans son emballage d'origine. Caractéristiques: Compact 16-channel analog mixer and FireWire computer audio interface 8 mono channels / 4 stereo channels XLR and 1/4" balanced ins and phantom power on mono channels Balanced 1/4" ins, aux send and stereo aux return on stereo channels 100 28-bit preset effects: reverbs, delays, chorus, flanging, pitch, and combos 3-band EQ per channel with high/low shelving and mid bandpass/reject Smooth 60mm faders Separate 1/4" balanced main and monitor outs Headphone jack 24-bit, 44.1/48kHz A/D/A conversion Premium Dice II FireWire chip Câble Firewire offert, Raquable. Toujours dans son emballage d'origine. Prix à négocier

Table de mixage / USB Sound Card Behringer Xenyx 1204 USB - DP08501 - Console de mixage - 12 canaux - Faders 60 mm - 4 entrées micro avec alimentation fantôme +48 Volts et filtre coupe-bas 75 Hz - Compresseur par canal de microphone - Carte son USB intégrée - 2 entrées stéréo - Égaliseur complet 3 bandes - 2 circuits auxiliaire (pré/post) - LED de crête par canal - Mute par canal - Entrée/sortie enregistrement 2-Tracks - Sorties principales XLR - Sorties Alt 3-4 avec sorties séparées - Unité d'alimentation interne - Dimensions (H x L x H): 97 x 270 x 328 mm Table de mixage en très bon état (voir photos), vendue sans aucun cables. Behringer Xenyx 1204 USB Mixer - 12 Channels - With 60 mm Fader - 4 Mic inputs with 48 Volt Phantom power and 75 Hz Lowcut - Compressor per mic channel - Built-in USB Sound card - 2 Stereo Inputs - Complete 3 Band EQ - 2 AUX (Pre/Post) - Peak LED per channel - Mute per channel - 2 Track In/Out - XLR Main out - Alt 3-4 Out with separate output - Internal power supply unit - Dimensions (H x W x D): 97 x 270 x 328 mm - Weight: 2.8 kg Excellent condition (as seen on the pictures), sold without any cables.  _gsrx_vers_859 (GS 7.0.21 (859))