Preamp frequency

High quality amp and preamp set in very good condition. Powerful and warm sound, typical of oldschool Luxman. Sold with the original remote control. 1000-P Preamp Frequency Range: 10 Hz - 100 kHz (-3 dB) Total Distortion: 0.01% (1 kHz, 0 dB) Signal-to-Noise Ratio: 100 dB (A-weighted, 1 kHz) Inputs: Multiple inputs, including line and phono inputs Outputs: Line outputs (fixed and variable), tape output Phono Input: MM and MC Controls: Volume, balance, tone controls, and adjustment knobs for phono settings Dimensions: W 44.5 x H 12.2 x D 38.2 cm Weight: Approx. 7 kg 1000-M Amp Power: 100 W per channel (8 ohms), 200 W per channel (4 ohms) Total distortion: 0.01% (1 kHz, 100 W) Signal-to-noise ratio: 120 dB Inputs: Line-in Outputs: Speaker outputs (bi-wiring possible) Dimensions: L 44.5 x H 16 x D 39.5 cm Weight: approx. 13 kg En savoir plus Collaboration commerciale.

AER Colourizer Pocket Tool Preamp/Direct Box for Line & Mic Input Used - Excellent Condition Description The AER Colourizer is a preamplifier for instrument or microphone (vocal or instrument microphone). You insert it into the signal chain between source and next point in the audio path (e.g. amplifier or mixing desk) to produce sound improvement - your signal will be stronger, richer and more stable. Specifications SKUAERCOLOURBarcode #930037012770GTIN #846614090743BrandAERSeriesPocket ToolsTypeLine/Mic PreampUnique FeaturesGain control, phase, parametric equalizer - level, bandwidth and switchable frequency, line out, switchable 24V phantom power, adjustable DI-out, lineWeight420g (0.92 lbs)EQParametric equalizer with switchable frequency range. Level (15 dB), bandwidth (1 octave - 1/6 octave), Frequency - f1= 90 Hz to 1.6 kHz, f2=680 Hz tH X W X D65mm (2.56") x 105mm (4.13") x 135mm (5.31")Power Requirementmains voltage - 24V DC (external power supply), Power consumption - 4 wattToneEQ balance shift. This allows bass or treble accentuation or a combination of bothEffectsEnhancer - widens and colourizes the sound by using the AER enhancer-technologyCabinet SpecificationsaluminumCabinet Finishanodized blackInput 1 & 2combined XLR/6.3mm (1/4") jack sockets. Switchable inputs for instruments (line-level sources) or phantom-powered sources (e.g. Microphones)PhaseInverts the output signal-phase in relation to the input signal-phase from 0 to 180 degrees.

In perfect working condition and aesthetic, comes with remote control, power cable and manual. No box but will be extremely well packaged. Beautiful equipment, very flexible and elegant, exceptional sound. The only 'downside' is the discoloration of the volume knob (a well-known problem if you do a research), but that obviously does not impact the operation and didn't bother me at all! r e m u s i c. i t /EN/Bel-Canto-DAC25-processor-80784100 b'"'In conclusion, I can say that the Bel Canto 2.5 is a DAC of absolute modernity. For the quality of its sound, the superb engineering and the ability to handle analog sources, it represents an incomparable article in terms of versatility.b'"' a u d i o p h i l i a. c o m / reviews/2016/5/24/the-bel-canto-dac25-dac-controller b'"'I’ve experienced digital done right. The Esoteric and dCS gear I’ve heard are knockouts. And crazy expensive. Got the dosh? Go ahead. You can't beat them. But this bel canto DAC is less than 2K! It’s a lifetime DAC and worth twice the price. You won’t need anything else for a long time. And, you can sell your preamp to buy it! In the here and now, this exceptional US$1,999 DAC will be staying in my system for a while. And, I’ll enjoy every minute with it. Very highly recommended.b'"' The $2000 Bel Canto is an excellent PCM digital audio converter, and while it is not exactly cheap as a standalone DAC, given the features it offers, it would be difficult to give the DAC 2.5 less than a high five. The DAC 2.5 is an incredibly versatile music machine. Thanks to its stereo RCA analog input, the 2.5 can be used as an analog preamp. It features 24-bit digital volume control and a host of connection options. In addition to built-in USB, a host of 24-bit/192kHz compatible inputs (Toslink, AES/EBU, S/PDIF) share the rear panel with XLR and RCA analog outputs. There is also a front-mounted 1/4b'"' headphone jack for the dedicated headphone amp. It took me a while, but I finally put my finger on a key attribute of the Bel Canto: it digs deep into the music, reconstructing a sonic image that is sometimes very bright and always transparent. The smoothness of the sound is just enough to give you a tube feel, but the Bel Canto is completely solid-state. It is very easy to get lost in the music the Bel Canto is presenting to you. I have thrown a ton of music at the Bel Canto and it just presents it beautifully. The detail in the music is just insane. I mean, it is so detailed without being analytical at all with a nice slightly warm character... a nice rich midsection and great extension in the bass and treble. I think it was really musical, with a really high-end rhythm. New value 2100 euros Analog DAC section 24/192: Maximum output: 4 Vrms balanced XLR, 2 Vrms RCA Output impedance: 200 ohms balanced XLR, 100 ohms RCA Frequency response: 20 Hz-20 KHz, +/- 0.5 dB THD+N: b' Output noise: 3.3 uVrms A-weighted 20 Hz-20 KHz Dynamic range: 122 dB A-weighted 20 Hz-20 KHz Analog ADC section 24/192: Maximum input: 2.5 Vrms RCA Input impedance: 12 kohms RCA THD+N: 0.003%, 2.5 Vrms input, 1 kHz Dynamic Range: 110 dB, A-weighted 20 Hz-20 KHz Headphone Section: Maximum Output: 138 mW THD+N: 0.01% 35 mW, 1 KHz Output Noise: 17 uVrms, A-weighted 20 Hz-20 KHz General: Power Consumption On: 7 W Power Consumption Off: 0.0 W Power Requirements: 100-120 VAC, 220-240 VAC 50/60 Hz Dimensions: 216 mm x 318 mm x 88 mm (8.5 in W x 12.5 in D x 3.5 in H) Weight: 6.5 kg (14 lbs) Auralic, nuprime, rme, eversolo audio gd, Singxer, schiit, Arcam / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi / monitor audio / klipsch / ifi / AudioQuest / Astell b'&' Kern / iBasso / Hidizs / Fiio / Shanling / beyerdynamic / meze / hifiman / audio technica / akg / bel canto / violectric / lehmann / parasound / benchmark / auralic / burson / aune / Arcam, Benchmark, Einstein, Pass, Mark Levinson, ifi, Eversolo, Fidelice, Mytek, Hegel, Nuprime, Auralic, Rupert Ne En savoir plus Collaboration commerciale.

Microtubes X7 - Bass Distortion with Graphic EQ The Microtubes X series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly fuzz and everything in between. You now have absolute control in constructing your vision of what the perfect bass distortion texture, definition, and size should have. Features: • High Pass Frequency: Controls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition. • High Drive: Sets the amount of distortion for the high pass side. • High Level: Sets the output volume of the distorted high-pass signal. • Low Pass Frequency: Controls the cutoff frequency to be mixed back to the high-pass side. Ranging from 50Hz (for only sub-bass) and 500Hz to preserve some clean mids. • Low Comp: Sets the amount of compression for the low-pass signal. • Low Level: Sets the output volume of the low-pass signal. • Master: Sets the overall volume of the unit. • Low shelf: +-12dB at 80 Hz • 500 Hz: +-12dB • 1 kHz: +-12dB • High shelf: +-12dB at 5 kHz • Parallel Output: A passthrough for your input signal, useful for parallel processing. • Direct Output: A balanced version of the 1/4b'"' output, useful for running into PA’s or studio mixing consoles. • Dimensions: 4.72” × 4.21” • Power: The Microtubes X7 has a current draw of 70mA. Only use a regulated 9V-18V DC adapter with a center-negative plug. En savoir plus Collaboration commerciale.

8 legendary Class A mic preamps in the same class as the Focusrite ISA and RED ranges. They don't make them like this anymore... This unit is in very good condition - see pictures: front face is pristine with no scratches, only a few usage scratches around the rack ears from installation (marks will be hidden again after mounted onto a rack). It never left the studio. The Octopre provides eight pristine discrete channels of Focusrite Class A mic preamp and compression, OctoPre PLATINUM routes directly to any digital audio workstation via eight standard analogue outputs. Each channel features a revolutionary compressor/limiter circuit, providing a warm-sounding compressor, which morphs into a brick wall limiter to avoid those critical overs, ensuring total control over all eight channels. The mic preamps featured in OctoPre PLATINUM are similar to those featured in the award winning Focusrite Top-Of-The-Range. They are a transistor-based Class A design utilising the same full-bandwidth philosophy as the legendary RED and ISA mic preamps, ensuring detail and clarity without colouration. The first two 'super channels' also feature phase reverse, as well as TRS jack inputs on the front fascia for quick and easy, DI-free instrument plug-in. Eight line level balanced (+4 dBu) analogue inputs and outputs are provided as standard via 25-pin D-type connectors. These D-type connectors may be routed to 8 XLR/TRS by means of an (optional) 8-way 25-pin D-type to 8 XLR/TRS breakout cable, available separately. In addition to the analogue outputs, the OctoPre can be fitted with digital output (OPTIONAL CARD). Detailed description from the focusrite website: The OctoPre is an eight channel Class A microphone preamplifier, featuring a classic Focusrite mic pre and a revolutionary compressor/limiter circuit on each channel. The mic pres featured in the OctoPre are similar to those featured elsewhere in the award winning Focusrite Platinum range. They are a transistor-based Class A design utilising the same full bandwidth philosophy as the legendary Focusrite Red and ISA mic pres, ensuring detail and organic clarity without obvious colouration. The revolutionary compressor/limiter circuit provides each channel with warmsounding compression, which morphs into brick wall limiting to avoid critical ‘overs’ when recording digitally. The first two channels also feature phase reverse, as well as unbalanced 1/4” jack inputs on the front fascia for quick and easy, DI-free plug-in of guitars and basses. With Class A Focusrite analogue signal processing and comprehensive A/D interface options, OctoPre is the perfect partner for a Pro Tools™ system or any other digital audio workstation, making high quality, multi-channel recording easy. Equally, it could be utilised as part of a compact multi-channel location recording solution (with a laptop or ADAT™, for example), or as an additional set of professional-quality mic pres for any analogue or digital console or hard disk recorder. The original OctoPre is a typical Class A Platinum design, (based around a 737 Rhom transistor) and it is solid state, it has extended bandwidth (up to at least 180kHz at the top end) and sounds transparent. The original OctoPre has an edge in being more forgiving if you want to slam the pre's hard (but more 2nd order harmonic distortion as a result). -The Octopre has a dynamics (compressor/limiter) control on each channel -The Octopre has 48V phantom power switches on each channel -The Octopre has line in and out connections on 25 pin D-sub connectors and 8 XLR inputs for mics Performance specifications: THD:0.001% @ 20dBu input, mic and line at 0dB gain Noise:-96 dB at unity gain through the unit Mic EIN:-128 dBu @ 6dB of gain with 150Ω termination impedance Frequency response:-1 dB at 10 Hz to 200 kHz Carefully packed with powercord. Shipping France: 27,80 € Shipping Europe: 36,30 €

- Trace Elliot V-Type All Valve Bass Preamplifier - Préampli à tubes (12ax7) - Année 1995, quelques traces d'usage dessus et dessous de part son utilisation en rack, fonctionne très bien, bouton de volume pas d'origine. - L'intérieur de l'appareil est comme neuf - This item is a Trace Elliot V-Type Bass Preamp, made in Great Britain. This is the vintage sounding, warm, fat, all tube pre-amp stage of the superb Trace Elliot V-Type bass amplifiers. Features both passive and active inputs, pre-EQ or post-EQ direct output via XLR on the front panel, and effect send/return jack as well as an unbalanced line out on the rear panel. The tone controls are based on the classic Alembic bass preamps. There is a pull type midrange frequency shift feature that makes mid tone shaping super flexible. Pair this with a tube amplifier such as the Peavey Classic Series Tube 60 or 120 Watt power amp, played through a small 15b'"' cabinet for the sweetest sounding vintage Ampeg B15 tone you can imagine. - Colis de qualité et sécurisé pour l'envoi - Envoi France: 24 euros - Envoi Union Européenne: 44 euros En savoir plus

VENDS PRE - AMPLI - TUNER - DOLBY SURROUND PRO LOGIC NAD 917 - sans télécommande: 7 entrées nad link et multi-room 3 sorties (Vcr2, Tape 1, Tape 2) 5 entrée Vidéo et S-Vidéo Frequency Response: 20Hz to 20kHz Distortion: 0.4% Input Sensitivity: 500mV (line) Signal to Noise Ratio: 80dB (line) Video Connections: composite Dimensions: 435 x 115 x 350 mm Weight: 6.7 kg N'hésitez pas à me contacter pour plus d' information Tout fonctionne parfaitement - Faire offre Audio et hifi occasion à vendre à Castres (81100)

Tous nos instruments sont révisés et garantis Découvrez nos autres guitares en vente en cliquant sur: Guitares Vintages L'esprit du vieux son ! Vente d’instruments vintages et Atelier de lutherie Ultra rare Basse Sadowsky Custom Shop curly mapple NYC de 2001 commande spéciale, comme neuve ! - Standard 4cordes active - Finition cherry sunburst - Table en érable ondé AAA - Corps en Frène des Marais - 21 frettes - Gotoh Gold Bridge; Sadowsky tuners Gold; Sadowsky pickups Option including ((particularités de la commande custom shop de cette basse): - Touche érable - Gold Hardware - AAA rare maple tops - Sadowsky ultra lite hardcase Caractéristiques du Preamp: - Four controls in line with preamp bypass switch, wich bypasses preamp - Preamp power by 9v battery - Bass boost control: +13db maximum boost at 40Hz (control fully clockwise) - Treble boost control: +13db maximum boost at 4Hz (control fully clockwise) - Frequency Response: 5Hz to 50KHz -Harmonic Distortion: 0,1% at 1KHz Guitares Vintages L'esprit du vieux son ! Vente d’instruments vintages et Atelier de lutherie Nous proposons les paiements en 3 ou 4 fois sans frais par CB, et jusqu’en 10 fois par Carte Bancaire Expédition possible Europe En savoir plus Collaboration commerciale.

Vends extrêmement rare, ensemble ampli - Preamplifier fabrication française Audio Matière Équilibre Audio sculpture Paraphrase reunis. 2 x 80 w pure class A High-définition, transfo de sortie Cu/Ag - 16-8-4 ohms. 4x 6550/KT88- 4x EL34 - 4 x 6sn7GT - 2x EF86/E80F- tubes neufs pour ampli et preamp: 4 x EL84/6BQ5 - 2x 6DJ8/6922/ECC88 - 2 x ECC88 - 2x ECC83/12AX7A. Réponse de fréquence 5kHz-200kHz THD 0,16 à 1kHz. Excellent ensemble riche détail et dynamique impulsion. Exceptionnel. Caisse transport bois. Envoi possible par transporteur sécurisé, avec assurance, parfait état fonctionnement et cosmétique, enlèvement sur place recommandé. Sell extremely rare french made, whole amp - Preamplifier Audio Matière Material Audio sculpture Paraphrase reunis. 2 x 80 w pure class A High-definition, output transformer Cu / Ag - 16-8-4 ohms. 4x 6550 / KT88- 4x EL34 - 4 x 6sn7GT - 2x EF86 / E80F- new tubes for amp and preamp: 4 x EL84 / 6BQ5 - 2x 6DJ8 / 6922 / ECC88 - 2 x ECC88 - 2x ECC83 / 12AX7A. Frequency response 5kHz-200kHz THD 0.16 to 1kHz. Excellent set rich detail and dynamic impulse. Exceptional. Wooden transport crate. Shipping possible by secure carrier, with insurance, perfect working condition and cosmetic, on-site removal recommended.

Vends extrêmement rare, ensemble ampli - Preamplifier fabrication française conception Jean Jacques Van Leeuwen au milieu des années 90 à Toulouse, à ce que l’on m’a dit ainsi que le co-fondateur Jadis et comparable au JA80, transformateur Argent/cuivre. Audio Matière Équilibre Audio sculpture Paraphrase reunis. 2 x 60 w pure class A enrichie, High-définition, transfo de sortie Cu/Ag - 16-8-4 ohms. 4x 6550/KT88- 4x EL34 - 4 x 6sn7GT - 2x EF86/E80F- tubes neufs pour ampli et preamp: 4 x EL84/6BQ5 - 2x 6DJ8/6922/ECC88 - 2 x ECC88 - 2x ECC83/12AX7A. Réponse de fréquence 5kHz-200kHz THD 0,16 à 1kHz. Excellent ensemble riche détail et dynamique impulsion. Spectre sonore, micro détails, timbres, Exceptionnel. Caisse transport bois. Envoi possible par transporteur sécurisé, avec assurance, parfait état fonctionnement et cosmétique, enlèvement sur place recommandé. Sell extremely rare, French-made amplifier set - Preamplifier designed by Jean Jacques Van Leeuwen in the mid-90s in Toulouse, as told to me and the co-founder Jadis and comparable to the JA80, Silver / copper transformer. To fully appreciate this offer, cable. Audio Matter Balance Audio sculpture Paraphrase reunis. 60w pure class A High-definition, Cu / Ag output transformer - 16-8-4 ohms. 4x 6550 / KT88- 4x EL34 - 4 x 6sn7GT - 2x EF86 / E80F- new tubes for amp and preamp: 4 x EL84 / 6BQ5 - 2x 6DJ8 / 6922 / ECC88 - 2 x ECC88 - 2x ECC83 / 12AX7A. Frequency response 5kHz-200kHz THD 0.16 to 1kHz. Excellent overall rich detail and dynamic impetus. Sound spectrum, micro details, timbres, Exceptional. Wood transport box. Can be sent by secure carrier, with insurance, in perfect working order and cosmetics, removal on site recommended.

Vends extrêmement rare, ensemble ampli - Preamplifier fabrication française conception Jean Jacques Van Leeuwen au milieu des années 90 à Toulouse, à ce que l’on m’a dit ainsi que le co-fondateur Jadis et comparable au JA80, transformateur Argent/cuivre. Je joint à cette offre pour pleinement apprécier, un câble enceinte Alpha-core Goertz pur argent 2x2,40 mètre modèle Python bi-wire. Audio Matière Équilibre Audio sculpture Paraphrase reunis. 2 x 60 w pure class A High-définition, transfo de sortie Cu/Ag - 16-8-4 ohms. 4x 6550/KT88- 4x EL34 - 4 x 6sn7GT - 2x EF86/E80F- tubes neufs pour ampli et preamp: 4 x EL84/6BQ5 - 2x 6DJ8/6922/ECC88 - 2 x ECC88 - 2x ECC83/12AX7A. Réponse de fréquence 5kHz-200kHz THD 0,16 à 1kHz. Excellent ensemble riche détail et dynamique impulsion. Spectre sonore, micro détails, timbres, Exceptionnel. Caisse transport bois. Envoi possible par transporteur sécurisé, avec assurance, parfait état fonctionnement et cosmétique, enlèvement sur place recommandé. Sell extremely rare, French-made amplifier set - Preamplifier designed by Jean Jacques Van Leeuwen in the mid-90s in Toulouse, as told to me and the co-founder Jadis and comparable to the JA80, Silver / copper transformer. To fully appreciate this offer, I am enclosing a 2x2.40 meter Goertz pure silver Alpha-core speaker cable. Audio Matter Balance Audio sculpture Paraphrase reunis. 2 x 60 w pure class A High-definition, Cu / Ag output transformer - 16-8-4 ohms. 4x 6550 / KT88- 4x EL34 - 4 x 6sn7GT - 2x EF86 / E80F- new tubes for amp and preamp: 4 x EL84 / 6BQ5 - 2x 6DJ8 / 6922 / ECC88 - 2 x ECC88 - 2x ECC83 / 12AX7A. Frequency response 5kHz-200kHz THD 0.16 to 1kHz. Excellent overall rich detail and dynamic impetus. Sound spectrum, micro details, timbres, Exceptional. Wood transport box. Can be sent by secure carrier, with insurance, in perfect working order and cosmetics, removal on site recommended.

Préamplificateur haut de gamme APT HOLMAN made in USA- RARE -BONNE ÉTAT. État : "Occasion" Service de livraison : Colissimo Recommandé préamplificateur haut de gamme APT HOLMAN. Apt Holman Preamplifier (1977-1983) Nombreuses entrées, double entrée vynile ajustables. Sortie external processor etc..la liste complète des caractéristiques techniques est en Anglais. bonne état de Fonctionnement Inputs Phono 2 Phono inputs. The first has selectable resistance and capacitance, while the second is fixed at 47kΩ and 50 pF. 100 mV maximum at 1 kHz, inverse RIAA, warp-proof. The right channel of each of the two phono inputs is internally adjustable ±2 dB for Line All line inputs are 50 kΩ in parallel with 330 pF. Unselected inputs are terminated with 2.2 kΩ. Maximum input level: 10 V RMS (+20 dBV or +22 dBm). 3 line-level inputs. 2 tape monitor loops. 1 external processor loop, for a total of six line-level and two phono inputs! Gain, Polarity and Volume Control 18 dB maximum gain from line inputs. Phono preamp gain: 36.5 dB at 1 kHz: 5 mV for 2 V output, 1.25 mV for 0.5 V output. All outputs are non-inverting. Volume control rated to track left-right to within 1 dB over the entire range. I'm impressed: this is a very important parameter, and this is the only preamp I've ever seen which bothers to specify it. The multiwiper 10 kΩ volume control has 32 clicks, or 31 intervals, at 10o per click, or room for 36 clicks in 360.o The volume control uses individually trimmed thick-film resistors to ensure precise channel-to-channel tracking. Outputs Two MAIN outputs, fed in parallel. Provisions on the circuit board to allow your technician to insert a fixed resistive pad in the path of the MAIN 2 output if this optimizes the gain structure for your power amplifier. 330 Ω source impedance, 5 kΩ/3,000 pF maximum load. Two tape outputs: 100 Ω source impedance, 10 kΩ/1,000 pF maximum load. One external processor output. One 1⁄4" headphone output from a separate amplifier. Frequency Response 20 - 20,000 Hz ±0.5 dB, with ultrasonic and ultrasonic filters active. RIAA EQ ±0.5 dB 30 - 15,000 Hz. Selectable 15 Hz Infrasonic filter (rear panel switch) Within 0.5 dB at 20 Hz, -3 dB at 15 Hz and > -30 dB at 5 Hz. Group delay 4 mS at 50 Hz. If the filter isn't selected, the -3 dB point is 8 Hz. Ultrasonic Filter (automatically engaged when Tone Controls active) Within 0.5 dB at 20 kHz, -3 dB at 40 kHz, and -18 dB at 100 kHz. Group delay 7 μS. Interchannel delay: < 0.5 μS. (the limit of audibility is 10 μS.) When the tone controls are defeated, the -3 dB point is 150 kHz. High Filter (only active with Tone Controls selected) -3 dB at 8 kHz. Distortion Less than 0.01% THD at rated output (2V) and lower. Less than 0.01 % SMPTE intermodulation distortion (60/7k Hz 4s1) at rated output (2V) and lower.

Nakamichi ST-7E tuner vintage en très bel état very nice ! International bidders are welcome: English version of the announcement and German lower.. I note that the shipping costs are exactly what I pay, I do not take commission. Je mets en vente avec regret une partie de ma collection Hi-Fi vintage afin de financer de nouveaux achats et continue avec un de mes systèmes préférés le Nakamichi 7. Je vends donc dès maintenant deux des pièces maitresses de ce système d’exception fabriqué de 1987 à 1989. En premier lieu le Tuner ST-7E ; sur une autre annonce vous pourrez acquérir le fabuleux préampli CA-7E. Face avant, face arrière sont extrêmement propres. Le seul petit « éclat » significatif a été pris en photo. Techniquement, il fonctionne très bien : c’est un tuner étonnant doté d’un circuit exclusif  le son est excellent car la réception est très propre et le tuner est sensible et extrêmement sélectif. Son seul souci technique est que les digits des led indiquant la fréquence sont pour certaines affaiblies en luminosité voir manquantes j’ai essayé de rendre ce problème en photos ce n’est pas simple ! et l'entourage été nettoyé depuis. C’est malheureusement un mal courant à tous les tuners de cette époque (j’ai un Sony STA 5ES devenu « aveugle » au niveau des led alors qu’il fonctionne toujours parfaitement).   Pour l’heure c’est encore largement lisible et le nombre de présélections permettra de palier au problème s’il devait s’accroître, mais je préfère l’indiquer car j’ai pour habitude de toujours décrire au mieux les objets que je vends. Comme vous pourrez le constater à l’étude des photos montrant l’intérieur de l’appareil qui est très propre d’origine, non modifié, non bricolé. Je possède cet appareil depuis une plus de 20 ans et en suis le second propriétaire j’ai même la facture originale  du 10 01 1989 pour un montant de 7800 francs ! C’était réellement du haut de gamme comme toute la série 7 de Nakamichi. Il sera livré avec : -        Sur un CD vous aurez la notice, le service manuel et des documents Nakamichi. Nakamichi ST-7 AM/FM Stereo tuner with digital display (1987-89) Description The Nakamichi ST-7 / ST-7E is a digital synthesis tuner with the latest Schotz Noise Reduction technology. Specifications This revolutionary system improves effective stereo sensitivity by about 9db and lets you enjoy clean stereo on broadcasts that previously could only be received in mono. Other features include seek and manual tuning as well as 16 FM/AM presets that can be programmed at random, thus combining convenience with top-level capability. Type: Mono/Stereo Tuner Tuning Bands: FM, MW Tuning Scale: Digital FM Tuning Range: 87.5 to 108 MHz MW Tuning Range: 520 to 1710 kHz Sensitivity: 1.7uV (FM) Signal to Noise Ratio: 76dB (FM), 48dB (MW) Distortion: 0.08% (FM), 0.4% (MW) Selectivity: 60dB (FM), 20dB (MW) Frequency response: 20Hz to 15kHz (FM) Output: 500mV (FM), 200mV (MW) Dimensions: 435 x 63 x 289mm Weight: 4.7kg I am reluctantly selling a portion of my vintage Hi-Fi collection to fund new purchases and continuing with one of my favorite Nakamichi 7 systems. I am selling now two of the masterpieces of this exceptional system manufactured from 1987 to 1989. First, the ST-7E Tuner; on another ad you can acquire the fabulous preamp CA-7E. Front face, back side are extremely clean. The only small, significant "shine" was photographed. Technically, it works very well: it is an amazing tuner with an exclusive circuit the sound is excellent because the reception is very clean and the tuner is sensitive and extremely selective. His only technical concern is that the digits of the LEDs indicating the frequency are for some weakened in brightness see missing I tried to make this problem in photos it is not simple! and the entourage has been busy ever since. It is unfortunately a common evil to all

M-audio DMP3 - Préamplificateur micro/instrument et boîte de direct à deux canaux Très bon état esthétique et de fonctionnement. Livré dans boîte d'origine avec alimentation électrique et manuel. Emballage soigné. Préamplificateur micro/instrument et boîte de direct à deux canaux. Basée sur la technologie de préampli M-Audio acclamée par la presse internationale, le DMP3, avec son exceptionnelle bande passante de 20Hz à 100kHz, est l'appareil idéal pour les enregistrements à 96 kHz. Avec le DMP3, vous disposez d'une plage dynamique extraordinaire pour capturer toutes les nuances de votre musique et vous bénéficiez d'un gain incroyable de 66dB. Enfin, ses VU-mètres classiques ne vous donneront qu'un aperçu de la qualité du son offert par le DMP3. Que vous l'utilisiez en concert ou en studio, le préamplificateur de micro/instrument à deux canaux DMP3 fait partie de ces appareils qui sont indispensables à la définition de votre son. Caractéristiques du M-Audio DMP3 ▪ 2-channel preamp with XLR microphone inputs and 1/4” instrument inputs accommodates any type of audio signal (alim 48 volts) ▪ balanced outputs on TRS jacks deliver hum-free professional audio ▪ low harmonic distortion (THD+N:.0005% @ 20Hz-20kHz) for ultra-clean sound ▪ exceptional dynamic range to capture all the nuances of your music ▪ 20Hz to 80kHz frequency response (+/- 0.5dB) ideal for high-resolution recording ▪ high and low gain range controls offer up to 67dB of gain ▪ clip LED for visual feedback of detrimental levels ▪ low-cut filters remove unwanted rumble and hum ▪ phantom power to accommodate all types of microphones ▪ phase reverse switch on each channel ensures optimal recordings Spécifications ▪ All specs taken at minimum gain unless otherwise stated: ▪ frequency response: 20Hz – 80kHz, +/-0.5dB @ max gain ▪ SNR: -120dB, A-weighted, 20Hz to 20kHz ▪ THD+N: 0.00035% (-109dB), 20Hz to 20kHz, @ +13.6dBu input ▪ max input: +14.6dBu ▪ max output: +27.5dBu ▪ input impedance: 3k Ohms balanced ▪ EIN: -128dBm @ 600 Ohms, max gain ▪ gain range: 13.5dB to 46.5dB, low gain range 39.5dB to 72.5dB, high gain range ▪ low-cut filter: -3dB @ 72Hz (18dB/Octave)

SALE IS FOR ONE B01 PLATFORM, AND NOT THE FULL RACK SHOWN ABOVE Audiophile Base B01 Base Platform Review b'"'The Company’s name says it all really, and this is the base (sorry!) product along with various racks and the rather funkier StrataBase platform. From above, the charcoal silk finished surface doesn’t give much away, but the underneath of the Base 01 Platform incorporates some clever thinking. A pair of metal beams run from front to back and are linked to the main platform by compliant but absorptive coupling. In turn, the beams rest on four hard rubber feet. The combination of metal, soft coupling and MDF platform material makes for what is effectively constrained layer damping, with enough decoupling to prevent higher frequency vibrations from travelling up from feet to platform. The arrangement gives limited attenuation of very low frequencies, but good performance across mid-range and treble, and the MDF part is relatively non-resonant. This platform proved versatile in use, giving fine results with a range of equipment including both suspended and solid-chassis turntables. It was also very good with CD players, tightening up the sound and also adding bass extension. Amplifiers benefited less obviously, but a valve preamp certainly gained something in the clarity department and a solid-state power amp seemed more detailed in the lower octaves. High treble seemed largely unaltered in most cases, though the turntables gained some slight extra high frequency precision. Verdict A very practical support which adds very little height and looks good, and contributes usefully to the performance of a wide range of kit.b'"' RAPPEL BIENVEILLANT DES REGLES LEGALES CONCERNANT TRANSPORT ET LIVRAISON: Pour pouvoir engager la responsabilité du transporteur en cas exceptionnel de dégâts causés à une marchandise reçue, vous devez impérativement ouvrir les colis en présence du livreur, et formuler des réserves précises et explicites sur le bon de livraison. Porter la mention « sous réserve de déballage » sur le bon de livraison n’a aucune valeur juridique. Si le transporteur est toujours présumé responsable des dégâts causés à la marchandise (Code de commerce article L 133-1), encore faut-il le notifier par écrit lors de la réception, chez vous ou en bureau de poste. À défaut d’avoir ouvert les colis et noté précisément les dégâts, les marchandises seront réputées livrées en bon état. LA POSTE refuse toute réclamation de plus sans photos des dégâts et de l'emballage externe prises justement lors de la livraison. Deuxième étape: vous devez ensuite adresser au transporteur, dans un délai de trois jours, (Code de commerce article L 133-3). un courrier en recommandé avec accusé de réception, dans lequel vous rappellerez les dégâts causés aux marchandises et demanderez la réparation du préjudice. Je vous donnerai accès au document complété d'envoi LA POSTE avec toutes les informations nécessaires, évidemment. permet juste de laisser un numéro de tracking, pas suffisant. Toute enchère signifie que vous avez lu et compris ces termes légaux, qui l'emportent sur toute autre considération propre à ce site. Merci pour votre compréhension ! INTERNATIONAL BIDDERS, PLEASE NOTE: NO SALES TO: Russia, North Korea, Belarus, Syria, Eritrea, Algeria, Angola, Armenia, Bangladesh, Bolivia, Burundi, Central African Republic, China, Congo, Cuba, El Salvador, Equatorial Guinea, India, Iran, Iraq, Kazakhstan, Kyrgyzstan, Laos, Madagascar, Mali, Mongolia, Mozambique, Namibia, Nicaragua, Pakistan, Senegal, South Africa, South Sudan, Sri Lanka, Sudan, Tajikistan, Tanzania, Uganda, Vietnam, Zimbabwe, Azerbaijan, Burkina Faso, Cameroon, Ethiopia, Eswatini, Guinea, Guinea-Bissau, Morocco, Togo, Turkmenistan, Uzbekistan, Venezuela. No need to explain why... Anyone arguing with this rule will get no answer, and just earn a definite and immediate b En savoir plus

CELLO DUET 350 Stereo Power Amplifier by Mark Levinson Serial number 00006 This amplifier comes from the auction of the equipment of a French audiophile. It is in working condition and appears to be in its original condition. It was used with a YBA preamp and Martin Logan CLS II speakers. I did not have the amplifier serviced. Of course for optimal use, it will probably be necessary to plan to change the capacitors and do a general overhaul. It is sold as is. The amplifier is in good cosmetic condition. There are slight marks on the handles (see photos) It is sold without cables Comes with a copy of the owner's manual Shipping is given as an indication, please ask for a shipping quote Product Specifications: Class of operation: Class AB2 Power Output (single amp): @8 Ohms Rated: 350 Watts @4 Ohms Rated: 600 Watts Power Output (bridged amps): @8 Ohms Rated: 1,200 Watts IMD (SMPTE): 0.3% (60 Hz / 8 Ohms / 52.92 V Output) IMD (CCIF): THD (20 - 20000Hz): Frequency Response: +0/-0.8 dB @ 10 - 20000 Hz Dynamic Headroom: 1.8 dB Channel Separation: 90 dB Signal to Noise: Input Sensitivity: 1.491 V (8 Ohms / 350 Watts / 52.92 Volt Output) Input Impedance: 1 mOhm (Non-Inverting) 5000 Ohm (Inverting) 1 mOhm (Unbalanced) Gain: 31 dB (Unbalanced) 37 dB (Balanced) Dimensions: 19"w / 12.62"h / 23.25"d Shipping Weight: 100 lbs. N'hésitez pas à me contacter si vous souhaitez des photos ou informations supplémentaires Arrivages réguliers, visitez notre boutique et ajoutez nous a vos vendeurs favoris

VENDS AMPLI TUNER MARANTZ 2250 B + SON TRANSFORMATEUR 110 V/220 VOLTS AMPLI MARANTZ 2250 B AVEC TOUTES SES FONCTIONS EN PARFAIT ÉTAT DE MARCHE. TOUS LES ÉCLAIRAGES FONCTIONNENT. CET AMPLI MARANTZ EST UN AMPLI AMÉRICAIN QUI EST EN 110 VOLTS, CELUI CI MARCHE TRÈS BIEN AVEC UN TRANSFORMATEUR 220 VOLTS QUI EST COMPRIS DANS VOTRE ACHAT (TRANSFO DE QUALITÉ VOIR PHOTOS). CET AMPLI D'OCCASION COMPORTE QUELQUES TRACES D'USURES D'USAGES. ENVOI DE L'AMPLI PAR LA POSTE EN COLISSIMO RECOMMANDÉ. (COMPRIS DANS LE PRIX D'ACHAT) ENVOI SOIGNÉ AVEC PAPIER BULLES, POLYSTYRENE ET CARTON RENFORCÉ L'AMPLI AVEC SON EMBALLAGE PÈSE  25 KG. BON ACHAT A TOUS VOIR DESCRIPTIF COMPLET DU CONSTRUCTEUR CI DESSOUS: Général: Designed in USA Manufactured In Japan First Year 1976 Last Year 1977 Blue Face Yes Channels Two Speaker Connections two sets Amplifier: RMS Power Per Channel 50 Impedance 8 ohms Total Harmonic Distortion (THD).25 % Power Bandwidth 20 Hz to 20 KHz Frequency Response 20 Hz to 20 KHz +/- 0.5 % Intermodulation Distortion (IM).25% at rated power Input Impedance 30 k ohm Input Sensitivity for Full Output 1.5v FM Tuner AM Tuner: Gyro Tuning yes RF Sensitivity 1.9 uV 300 Ohm Binding Posts Spring connectors 75 Ohm Binding Posts Spring connectors Signal Strength Meter Yes Center Tuning Meter Yes Stereo Lamp Yes Dolby Lamp Yes Illuminated Dial Pointer Yes Amplifier: Multiple Bass Adjustments Yes Multiple Midrange Adjustments Yes Multiple Treble Adjustments Yes Tone Control Defeat Yes Bass Turnover Options Yes Treble Turnover Options Yes High Filter Yes Low Filter Yes Gain Control Yes Loudness Contour Yes Mono Yes Balance Slider Number of Tape Monitors Two Tape to Tape Dubbing Via front panel Auxillary Input Source Yes Phono Input Source Yes Illuminated Source Indicators Yes Cartridge Load 47 k ohm Tuner Source Input am, fm Source Tape Input (as opposed to a tape monitor) yes 2nd Source Tape input (as opposed to a tape monitor) yes Tape Monitor yes 2nd Tape monitor yes Preamp to Amplifier Jumper(s) yes Headphone Jack(s) Yes Speaker Selection Nomenclature main, remote

Ampli Hi-Fi rare Sansui AU 6900, haut de gamme et en bon état.  Révisé en 2018 chez Idées Electronique, spécialiste de la Hi-Fi vintage à Strasbourg.  Excellent ampli - préampli hifi de 1976 de 2 x 60 Watts. Phono x2, Aux x2, tape x2, tuner.  Possibilité d'utiliser la section préampli ou ampli de manière séparée. Connections pour deux paires d'enceintes. ---- Rare Hi-Fi amplifier Sansui AU-6900, top of the range and in good condition. Revised in 2018 by the shop "Idées Electronique", specialist in vintage Hi-Fi in Strasbourg. Excellent Hi-Fi amplifier - preamplifier made in 1976 in Japon 2 x 60 Watts @ 8 ohms. Phono x2, Aux x2, tape x2, tuner.  Possibility to use the preamp or amp section separately. Connections for two pairs of speakers. Pre Amplifier Inputs:Phono MM; Tuner; Tape I+II Quadro:no Signal/Noise High Level:>90 db Signal/Noise Phono MM:>50 db Outputs:2 REC OUT Equalizer Tone Controls:Bass; Middle; Treble Filters:SUB BASS (600, 300 Hz); LOW; HIGH; NF-Muting (0/-20 dB) Loudness:ON/OFF; HIGH (2,4,8 kHz) Power Amplifier Speaker Outputs:1 x 2 Speakers; Phones Continuous Power 4Ω:62 + 62 (1kHz) Watts Continuous power 8Ω:62 + 62 (1kHz); 60 + 60 (20-20,000 Hz) Watts Frequency Response:5-40,000 (IHF, 8Ω) HZ Damping factor:80 / 8 Harmonic Distortion:0.1 % at rated output Physical Dimensions in mm:430 x 132 x 340 (w) x (h) x (d) Dimensions in Inches:16.93 x 5.19 x 13.38 (w) x (h) x (d) Weight:28.44 lbs / 12.9 Kg

SONICS FRONTIERS SFL 2  TUBE PREAMPLIFIER  VERY GOOD CONDITION  FULL WORKING CONDITION   ON 240 V  SYMETRIC XLR  AND ASYMETRIC RCA SIX PHILIPS ECC 88  AND 2 RTC     IN CORRECT CONDITION BUT NOT NEW  ONLY LINE PREAMP     AND THE EXTRAORDINARY 46 POSITIONS ATENUATOR... THE HIGH END SOUND..... REALY      WILL BE PROFESSIONALY PACKED  SHIPPING COST FOR E.U     NO PAYPAL  Frequency response:20Hz...100Khz (± 0,5dB ; 100kOhm load)> 350Khz (-3dB)THD:

Power output rated: 60 watts Speaker outputs: Balanced 4 ohms, 25 V and 70 V Tape output: 4.7k ohms 650 mV Booster output: 600 ohms 1 V Preamp output: 600 ohms 1 V INPUT 1: 200 ohms, 0.3 mV (MIC 1) INPUT 2: 200 ohms, 0.3 mV (MIC 2) INPUT 3: 50k ohms, 3 mV (MIC 3)/50k ohms, 2 mV (MAG. PHONO) INPUT 4: 50k ohms, 3 mV (MIC 4)/220k ohms, 100 mV (AUX 1) INPUT 5: 10k ohms, 100 mV (AUX 2) AUX 3: 10k ohms, 100 mV Power amp input: 10k ohms, 1 V Frequency response: 50 - 15,000 Hz ±3 dB Total harmonic distortion: Less than 2% at 1 kHz, rated power TONE controls (BASS, TREBLE) / MASTER volume control /Muting level control

Superbe et rare amplificateur vintage Hitachi HA-5300. Etat tres bon (quelques micro rayures sur l'épaisseur de la facade), entièrement révisé, réglage du courant de repos, vérification des soudures, nettoyage complet, changement des composants de la section phono. Appareil ultra complet, preamp/amp séparable, 2 entrées phono avec réglage de la capacitance, double sortie HP avec reglage des niveaux par potentiometre (assez rare). technologie Fet et class G chère à Hitachi. Superbe musicalité, du niveau des sansui de la belle époque. appareil tres lourd: 13 kgs et dimensions généreuses. Specifications: Power output: 60 watts per channel into 8Ω (stereo) Frequency response: 10Hz to 50kHz Total harmonic distortion: 0.3% Damping factor: 40 Input sensitivity: 2mV (MM), 100mV (line) Signal to noise ratio: 75dB (MM), 90dB (line) Output: 100mV (line) Speaker load impedance: 4Ω to 16Ω Dimensions: 435 x 166.5 x 391mm Weight: 12.3kg

Microphone pour sax et cuivres SD Systems État : "Occasion" SDSystems LCM 85 MK II -  Microphone à condensateur pour instruments à vent / cuivre en excellent état ·      Convient pour trompette, trombone, saxophone, etc. ·      Directivité: cardioïde ·      Réponse en fréquence: 20 - 20 000 Hz ·      Impédance: 200 Ohm ·      Niveau de pression acoustique Max: 139 dB ·      Livré avec préampli micro LP avec égaliseur et niveaude volume ·      Connecteur XLR ·      Fonctionne avec alimentation fantôme 48 Volt oubatterie (1x pile 9V) ·      Livré avec étui en plastique Prix neuf entre 500 € et 600 € Universal Condenser WindInstrument Microphone in very good condition SDSystems LCM 85 MK II ·      For trumpet, trombone, saxophone etc. ·      Polar pattern: cardioid ·      Frequency range: 20 - 20,000 Hz ·      Impedance: 200 Ohm ·      Max. SPL: 139 dB ·       Incl. LP microphone preampwith tone and volume level ·      XLR Connector ·       48 V Phantom power or batterypower with 1 x 9V battery ·      Incl. plastic case Price for a new one between 500 and 600 €   Universales KondensatorBläser-Mikrofon In sehr gutem Zustand SD Systems LCM 85 MK II ·      für Trompete, Posaune, Sax etc. ·      Nierencharakteristik ·      Übertragungsbereich 20 - 20.000 Hz ·      Impedanz 200 Ohm ·      Schalldruck 139 dB SPL max ·      inkl. LP Mikrofon Preamp mit Tone und Volumelevel ·      XLR-Anschluss ·       48 Volt Phantom oder Batteriespeisung mit 1x 9VBatterie ·      inkl. Kunststoffkoffer   Der Kaufpreis neu liegt zwischen 500 und 600 €

M-AUDIO AudioBuddy pré-ampli Micro-Ligne Parfait état de fonctionnement et cosmétique (1er main) Features 2 independent preamp channels, each featuring: Mic input (balanced XLR) with phantom power switch and indicator High impedance instrument inputs (1/4”) Gain control Signal/clip LEDs Professional balanced/unbalanced line output Phantom power Specifications Frequency Response: 5Hz-50kHz, +0, -3dB Mic Gain: 60dB maximum Mic Input Impedance: 1kOhm Guitar Gain: 40dB maximum Guitar Input Impedance: 100kOhms Size and Weight: 5-1/2” x 3-3/8” x 1-3/4”; less than 1/2 lb.

English below Je vends cet excellent ampli casque de la marque Lehmann Audio modèle Linear acheté début 2020. En excellent état: aucune marque ni rayure, il fonctionne parfaitement et ce avec tout types de casques (convient aussi bien aux 35Ohms du Focal Elegia qu’aux 150Ohms du Sennheiser HD650, le tout à 0dB de gain) Signature d’une grande finesse avec une très bonne extension en haut comme en bas du spectre. La partie préamplificateur est à la hauteur de l’ampli casque. Mérite une bonne source pour donner son maximum Vendu dans sa boîte d’origine avec toute la documentation, dont la garantie transmissible grâce au numéro de série enregistré sur le site du fabricant. ------- For sale this high-end headphone amplifier Lehmann Audio Linear. Bought early 2020, still under warranty as it is a registered device thanks to the serial number. Mint condition: no scratches whatsoever, works perfectly with all types of headphones (high or low impedance). Nice extended frequency response in both high and lows, fatigue-free listening sessions. The preamp section is also very fine. Sold in original packaging with EU power cord and user manual.

Pour connaisseurs.   Analog and Digital preamp with surround processor  5.1 analog bypass unit  7.1 channel RCA outputs for Dolby Digital EX and DTS ES modes  96kHz digital input sample rates DTS NEO 6 Matrix decoding THX™ Surround EX decoding  Dolby Pro Logic II decoding  Additional 2-channel music and surround modes. SP1.7 SPECIFICATIONS Inputs Analog Audio: Six stereo (RCA) pairs, One 5.1 channel (RCA) input Digital: 4 coaxial (RCA) 75 Ohms, 2 Optical (TOSLINK?), conforms to S/PDIF standard. Pro version 1 AES/EBU input (XLR) 110 Ohms Infrared: 1 mini phone jack RS-232: D9 connector (bidirectional) Outputs Analog Outputs: Left, Centre, Right, Right Surround, Left Surround, and Subwoofer on 6 unbalanced (RCA) and 6 balanced (XLR). 2 stereo (RCA) pairs of Record Outputs. 1 pair (RCA) Surround Back outputs Trigger: One 12V on/off trigger, One 12V programmable trigger, to source 80mA total. Remote 30 button, Hand-Held, Infrared remote control unit operates with two AAA batteries (included). Performance Specifications  A/D Conversion: 24-Bit, 48kHz Delta-Sigma D/A Conversion: 24-Bit, 96kHz Delta-Sigma DSP Engine: Motorola 56367 Power Supply: Dual, Linear, Toroidal Frequency Response: 20Hz to 20kHz +/- 0.25 dB THD+Noise:Less than 0.006% in DSP modes; Less than 0.0025% in Bypass mode 20Hz to 20kHz at maximum output level. Signal-to-Noise Ratio:105dB in DSP Modes; 110dB in 2ch Bypass Mode; 22kHz bandwidth, Ref. 1kHz at maximum output level Input Level:2 Vrms in DSP modes; 4 Vrms in Bypass Mode Input Impedance: 50kOhms Output Level: 8 Vrms (16 Vrms Balanced) in DSP Modes; 10 Vrms (20 Vrms Balanced) in Bypass Mode. Output Impedance:110 Ohms Bass Management:2nd Order HPF(x5), 4th Order LPF; 60 – 220 Hz Crossover Freq. Envoi soigné dans toute la france métropolitaine.

Ampli combo 40W. Parfait état de fonctionnement Preamp Section CLEAN + LEAD solid state channels Input -10 dBV/ 1 Mohm Line In -6 dBV/ 50 kohms Line Out 0 dBV/ 1kohm Poweramp Section 'Current Feedback' solid-state power amp Output Power 40 watts RMS into 8 ohms Frequency Response 20 Hz - 30 kHz (into 8 ohms) Speaker Celestion RockDriver Junior 12? 8 ohms Dimension (WxHxD) 488 x 440 x 270 mm / 19.2 x 17.3 x 10.7' Weight approx. 32.2 lbs./approx.14.5 kg Instruments de musique occasion à vendre à Lille (59000)