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Reading between lines


Liste des meilleures ventes reading between lines

France
Reading Between the Lines Activities for Developing Social Awareness Literacy Kenneth Cushner JoAnne Dowdy Auteur: Kenneth Cushner JoAnne Dowdy Editeur: Rowman & Littlefield Education Broché: 178 pages Publication: 18/03/2014 Dimensions: 23 x 15 x 2 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais   Classement: Livres anglais et étrangers > Subjects > Nonfiction > Education > Education Theory
69,06 €
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France (Toutes les villes)
CD Album CD Code EAN: 9346948040083 Genre musical: Pop rock Rubrique principale CD: CD Album Crawler: Spyfind Titre: Between The Lines: The Complete Jordan / Wilson Songbook 71-81 Disponibilité: Disponible
11,34 €
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France (Toutes les villes)
CD Album CD Code EAN: 0886972330525 Rubrique principale CD: CD Album Titre: Between The Lines Genre musical: Rock
6,67 €
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Aubenas (Ardèche)
DISQUE VINYLE - 33 Tours - Star 5 - Between the lines Face A: Somewhere somebody Whenever you're ready Strong as steel Read between the lines Live giving love Face B: Ain't watcha do Made out of love You Should have waited Knock twice Hard race NEUF  mais pochette légèrement défraichie par le temps. 33Tours Format pochette: 31 x 31 cm Expédition rapide et soignée. Groupez vos achats pour bénéficier de réductions sur les frais de port.
5 €
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Nancy (Meurthe et Moselle)
Noté: 3.90 Janis Ian - Between The Lines (LP, Album)   Label:CBS Cat n°: CBS 80635  État du disque: Very Good (VG)  État de la pochette: Good Plus (G+)  0,65 €  + Expédition Ajouter au panier Détails Editer Retirer l'Article de la vente Supprimer de la liste Noté: 4.00 Janis Ian - Aftertones (LP, Album)   Label:CBS Cat n°: CBS 69220  État du disque: Very Good Plus (VG+)  État de la pochette: Very Good (VG)  original inner sleeve and text songs, ask me for pictures Localisation: Page de la référence 2,40 €  + Expédition Ajouter au panier Détails Editer Retirer l'Article de la vente Supprimer de la liste Noté: 3.75   Janis Ian - Stars (LP, Album)   Label:CBS Cat n°: S 80224  État du disque: Very Good Plus (VG+)  État de la pochette: Good Plus (G+)  M Mint   Neuf Disque ou pochette sont absolument parfaits, comme neufs NM Near Mint Record shows signs of having been played but still plays perfectly. Possible tiny wear or marks without any consequences on play. Superb cover with possible minor crease or wear Quasi Neuf Disque qui a déjà été écouté plusieurs fois, mais joue toujours comme neuf. Possibles micro rayures sans aucune conséquence sur l’écoute. Pochette superbe avec possibles petites pliures et signes de manipulations. VG+ Very Good + Record has been played many times, shows wear or small marks or light scratches but nothing deep, still plays very well. Cover shows light wear or creasing or tiny tears. Très Bon + Disque qui a déjà été écouté, possibilité de petites rayures, petites marques et de légers craquements mais l’écoute reste satisfaisante. Pochette un peu usée, petites écritures, pliures ou micro déchirures. VG Very Good Record shows non feelable scratches, surface marks, wear and displays surface noise but is still enjoyable. Cover shows wear, creasing, small tears or spine splits. Très Bon Disque beaucoup écouté, il y’a des rayures qu’on ne sent pas au doigt et il craque, néanmoins, l’écoute reste possible. Pochette usée, grosses écritures ou petites déchirures. G Good Record displays considerable surface noise, marks and deep scratches. Still playable but with poor quality. Cover shows strong wear, creasing, spine splits, missing parts etc... Bon Disque très usé qui montre des rayures profondes, des marques et qui joue avec beaucoup de bruits de fonds. L’écoute reste possible mais de mauvaise qualité. Pochette très usée, déchirée, tachée etc...     FRAIS DE PORT GROUPES / COMBINED SHIPPING : Nous groupons les frais de port pour plusieurs disques / We will gladly combine your multiple purchases into one order so you save on shipping and handling
1 €
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France (Toutes les villes)
CD Album CD Code EAN: 0884860234528 Rubrique principale CD: CD Album Titre: Speed between the lines
4,88 €
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France (Toutes les villes)
CD Album CD Code EAN: 5026854009681 Rubrique principale CD: CD Album Genre musical: Rock Titre: Finelines - Between the Lines Référence fabricant CD: 7210096023
12 €
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Paris (Paris)
The Pink Fairies ‎ Between The Lines Stiff Records ‎– BUY 2 Vinyl, 7", 45 RPM, Single, Pushout centre UK 1976 A bit of storage/ring wear, one corner a bit bent (see photos), cover is still not bad at all. Vinyl is excellent.
17 €
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Saint Symphorien d'Ozon (Rhône)
Il s'agit du SINGLE  en pressage " U.K. " de " BETWEEN THE LINES  " sorti sur " STIFF  RECORDS " en 1976 sous la référence " BUY 2 ", comprenant 2 titres en " BLACK VINYLE " , avec état disque: Vg+ et pochette: Vg+,                                                            Possibilité d'envoi par " mondial relay ",aussi pour l'Europe                                                                                                                        Regarder mes autres ventes pour diminuer les frais de port,                                                                                                                       Je ne suis pas responsable des dégâts dus à la poste,                                                                                                                              Les frais de port regroupent le colis, l'envoi et les frais paypal,                                                                                                                  Bonnes enchères à tous,
7,98 €
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Boisgervilly (Ille et Vilaine)
1 When You Come Back To Me 2 Hang On To Your Love 3 Another Night 4 Love Would Find A Way 5 Rhythm Of The Rain 6 I'm Doing Fine 7 Careless Talk And Silly Lies 8 When It's All Over 9 Like It Was Yesterday 10 Hard To Say It's Over K7 non testée, je n'ai plus d'appareil qui les lit regardez mes autres ventes pour grouper les achats envoi le mercredi
1 €
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France
Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory
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France (Toutes les villes)
Important / A lire attentivement avant d'encherir:   Marre des Services-Apres-Vente et des remboursements sous couvert de Paypal !! Alors que nous soyons bien d'accord avant que vous posiez votre enchere: Les vinyles proposes dans mes annonces ont souvent 50 ans et plus et je ne pretends pas que certains puissent ne pas craquer a l'ecoute voire meme parfois sauter suivant le reglage du bras, du saphire, du diamant ou de l'appareil hautement technologique qui va les accueillir.. Je rappelle que le prix de depart est de 4,90 EUR et je passe en moyenne 20 minutes pour les photos et la redaction d'une annonce sans compter que, par rapport a d'autres,  j'ecoute environ 30 titres par jour et j'indique toujours si le disque saute ou pas sur mon materiel cependant si vous avez le moindre doute, evitez d'encherir exagerement sauf si vous souhaitez absolument reconquerir un vinyle oublie.     Important / read carefully before bidding: Sorry for my bad English: I'm tired of the After-Sales Services and repayments under cover the Paypal Service !!   You can't have your cake and eat it ! Thank you for your agreement through these lines before placed your bid(s): The vinyls offered in my announces dated 50 years or more and I don't claim that some of these ones may not cracks sometimes even jumps according to the different reading arms, sapphires, diamonds or high-technologic turn tables. I remind that the starting price is EUR 4.90 and I use 20 minutes on average for the photos and the redaction of each announce, not considering that compared to other sellers, I listen about 30 titles per day and I always indicate if the disk jumps or not on my material. however if you have the slightest doubt, avoid bidding exaggeratedly unless you absolutely want regain a forgotten vinyl.                                                                ***************************
4,90 €
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France (Toutes les villes)
Important / A lire attentivement avant d'encherir:   Marre des Services-Apres-Vente et des remboursements sous couvert de Paypal !! Alors que nous soyons bien d'accord avant que vous posiez votre enchere: Les vinyles proposes dans mes annonces ont souvent 50 ans et plus et je ne pretends pas que certains puissent ne pas craquer a l'ecoute voire meme parfois sauter suivant le reglage du bras, du saphire, du diamant ou de l'appareil hautement technologique qui va les accueillir.. Je rappelle que le prix de depart est de 4,90 EUR et je passe en moyenne 20 minutes pour les photos et la redaction d'une annonce sans compter que, par rapport a d'autres, j'ecoute environ 30 titres par jour et j'indique toujours si le disque saute ou pas sur mon materiel cependant si vous avez le moindre doute, evitez d'encherir exagerement sauf si vous souhaitez absolument reconquerir un vinyle oublie.     Important / read carefully before bidding: Sorry for my bad English: I'm tired of the After-Sales Services and repayments under cover the Paypal Service !!   You can't have your cake and eat it ! Thank you for your agreement through these lines before placed your bid(s): The vinyls offered in my announces dated 50 years or more and I don't claim that some of these ones may not cracks sometimes even jumps according to the different reading arms, sapphires, diamonds or high-technologic turn tables. I remind that the starting price is EUR 4.90 and I use 20 minutes on average for the photos and the redaction of each announce, not considering that compared to other sellers, I listen about 30 titles per day and I always indicate if the disk jumps or not on my material. however if you have the slightest doubt, avoid bidding exaggeratedly unless you absolutely want regain a forgotten vinyl.                                                              ***************************   Réf: EP 1130 DISC'AZ (BIEM) Records Made in France (1967) 4 Titres : "Ame caline", "Fat Madame", "Le roi des fourmis" and "Le saule pleureur" Orchestration: Jean Bouchéty   Pochette (avec languette): EX(-) (voir scan) Vinyle  de visu : A) Proche du NEUF ! / B) Proche du NEUF ! Plays: EX+ PETIT PRIX pour ce disque RARE 51 ans !! déjà POUR PERMETTRE A CHACUN DE COLLECTIONNER PAS CHER. Paiement CHQ bancaire Français, transfert bancaire (IBAN et BIC) ou PAYPAL  Envoi rapide et soigné.                                       °°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°     RARE MICHEL POLNAREFF French EP 4 titles (7 inch) DISC'AZ (BIEM) record (1967)   4 titles : " Ame caline", "Fat Madame", "Le roi des fourmis" and "Le saule pleureur"   Pict. Sleeve (with his rare tag): EX(-) (voir scan) Vinyl  seems: A) Near MINT ! / B) Near MINT ! Plays: EX+ SMALL PRICE for this RARE French pressing record 51 old aged now !! TO ALLOW EACH ONE TO COLLECT NOT EXPENSIVE. Others countries, please contact me for the postage. Payment International or European Bank money transfert by IBAN / BIC or PAYPAL
4,90 €
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France (Toutes les villes)
Marre des Services-Apres-Vente et des remboursements sous couvert de Paypal !! Alors que nous soyons bien d'accord avant que vous posiez votre enchere: Les vinyles proposes dans mes annonces ont souvent 50 ans et plus et je ne pretends pas que certains puissent ne pas craquer a l'ecoute voire meme parfois sauter suivant le reglage du bras, du saphire, du diamant ou de l'appareil hautement technologique qui va les accueillir.. Je rappelle que le prix de depart est de 4,90 EUR et je passe en moyenne 20 minutes pour les photos et la redaction d'une annonce sans compter que, par rapport a d'autres, j'ecoute environ 30 titres par jour et j'indique toujours si le disque saute ou pas sur mon materiel cependant si vous avez le moindre doute, evitez d'encherir exagerement sauf si vous souhaitez absolument reconquerir un vinyle oublie.     Important / read carefully before bidding: Sorry for my bad English: I'm tired of the After-Sales Services and repayments under cover the Paypal Service !!   You can't have your cake and eat it ! Thank you for your agreement through these lines before placed your bid(s): The vinyls offered in my announces dated 50 years or more and I don't claim that some of these ones may not cracks sometimes even jumps according to the different reading arms, sapphires, diamonds or high-technologic turn tables. I remind that the starting price is EUR 4.90 and I use 20 minutes on average for the photos and the redaction of each announce, not considering that compared to other sellers, I listen about 30 titles per day and I always indicate if the disk jumps or not on my material. however if you have the slightest doubt, avoid bidding exaggeratedly unless you absolutely want regain a forgotten vinyl.
4,90 €
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Saint Tropez (Var)
You who are looking for the ultimate piece in your collection of this huge band of music, here it is, you have just found. Condition: EX+ cover and  NM disc Extremely rare. Gatefold sleeve. Only 200 copies in the world edited in 1985.  The sound is breathtaking, i've never heard basses so deep and others instruments so clear on all  recording media otherwise available (Strange Fruit 1991, remasters on The Best Of 2006 etc.) and this is due to the reading speed 45 rpm. Absoluty an hypnotic performance (Paul MORLEY, NME).  Tracklist: Side A: Exercise one / Insight / She's lost control / Transmission  Side B: Love will tear us apart / Twenty four hours / Colony / The sound of music  Source: the two Peel Sessions january & september 1979 (studios BBC & Maida Vale) I bought it in LONDON in 1986 at a specialized record shop (unofficial release). A magnficient highly collectible objet for a real fan! The artwork was inspired by Peter SAVILLE, initially planned for STILL album. Really much rarer than the french 7" SORDIDE SENTIMENTAL " Licht und Blindheit" SS 33002. You'll never find this item elsewhere on sale (auctions websites, Discogs, CD&LP etc.). The graphic comes from the painting of Caspar David FREIDRICH "Monastery cimetery in the snow", the painter become popular with the "Traveler contemplating a sea of clouds". EXTRAS: incredible sound effects at the begenning and the end of each disc as follows: Side A begins with thunder and rain sound effects, then a scratching sound (as the needle is roughly sliding across the grooves), and then some mad laughter followed by a "welcome!". After the tracks it closes with another stylus scratching noise and an annoyed voice exclaiming something along the lines of "Hey, what are you trying to do, man? You ruined my record, I just bought it!" Side B features, dialogue taken from (or later used in) an Apollonia Six (Prince offshoot) album spoken word track called Ooo She She Wa Wa at the beginning and the end. Side B starts with the following dialogue: "God bless Susan and Brenda and my rabbit, Smokey Oh, and God, please bless all the people on Neptune Amen Apollonia? Who said that? It's Brenda from Neptune {laughter} Get up girl, its too early to be in bed Oh Brenda, what is it? Get up I'm tired Come here, I want you to hear something What? Come on, come on Oh Brenda, where are we going? Shhh, listen What do you mean I'm too young? Maybe you're too old Hey, I happen to like my teddy bear Well, for one thing, he's bigger than you {hangs up phone} Hey, who's there? It's the men from Neptune:::laughter::: Oh you... you guys OK, Apples, put on some clothes Susan, take some off We're going out to play (Yeah!) This dialogue is followed by Love will tear us apart, 24 hours, Colony and The Sound of music At the end of side B the dialogue continues: Hello sweetheart, it's Brenda Hello sweetheart, it's Brenda Hold on honey Come on you guys, put it in the bank, I'm trying to talk Well, we're so sorry Come on Susan, I'll tuck you in OK I'm sorry darling, where were we? What? No, not really Nah, it's just something she says Whenever she goes to see this Spanish guy she knows in the valley Never mind that Let's talk about you and I This is followed by a deep processed voice stating something like "No you punk, I'm not ruining your new record. This is brought to you by The Snowman" ALL QUESTIONS ARE WELCOME, OTHERS PICTURES AVAIBLE ON REQUEST. DELIVERY FOLLOWED TO MY CHARGE WITH INSURANCE IN CASE OF LOSS. THANKS VERY MUCH FOR YOUR VISIT, AND HAPPY BIDDING IN TOTAL CONFIDENCE !
2.999 €
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