Reverb tubes

Manhattan Ampli Vintage 6024 Reverb Tubes Tout Lampe. Ampli n’ayant pas été testé, resté dans le même local 50 ans durant. Corrosion relative relevée, Complet, lampes miniwatt d’origine. A restaurer. Baffle sur photo disponible, vendu séparément. Mots clefs miniwatt dario 6l6 twinreverb blackface silverface fender wurlitzer rhodes melotron moog vintage tubes manhattan tr808 909 tb303

reverb à tubes Kendrick, câblée main, sur la base du modèle Fender. câblage, transfos et tubes neufs: une 12AX7, une 12AT7 et une 6V6 a insérer entre l'instrument et l'ampli pour retrouver le vrai son de la reverb Fender

reverb à tubes Kendrick, câblée main, sur la base du modèle Fender. câblage, transfos et tubes neufs: une 12AX7, une 12AT7 et une 6V6 vendue avec son flight case a insérer entre l'instrument et l'ampli pour retrouver le vrai son de la reverb Fender

Vends tête d'ampli PEAVEY VALVE KING VK100 100W all-tube power Texture variable Class A/AB blend control 2 footswitchable channels EQ and volume for each channel Footswitchable gain/volume boost on lead channel Reverb with level control Buffered effects loop Resonance and presence controls Dual speaker jacks in parallel 4 - 6L6GC power amp tubes 3 - 12AX7 preamp tubes 4, 8, or 16 ohms 21-1/3"W x 18-1/4"H x 10-1/4"AB 4 X 12 Fourni avec le PEAVEY 4X12 CAB et la pédale de contrôle Le tout dans un très bon état. Me contacter par SMS ou Mail uniquement Pas de Chèque. Pas de mandat Cash

Selling my beloved SineWave amplifier. This is an early CYNERGY (serial #4 from 2016), known as CYN-1 nowadays. Based on the Matt Schofield amp and refined by Chad Mangrum (previously from Two-Rock), with NOS components and handwired. This is the dream Mayer/Schofield amp. I'm not selling this to replace it, I just don't play enough to justify keeping it. Incredibly responsive and touch sensitive, huge luscious reverb, and of course eats pedals for breakfast. Comes with a lot of tone shaping options via the various switches. EU voltage. All the tubes are carefully selected high quality TAD, low hours. The amp is like new. A few samples I recorded: https://youtu.be/ZAcQgX81YHM Feel free to send an offer or let me know if you have any questions. Thanks!

Vend tête d'ampli pour guitare Laney GHR acheté neuf en 2018 sous garantie encore utilisée seulement plusieurs fois en Home-studio avec le torpedo captor8 Etat: neuf Caractéristique: Puissance: 50 Watt Tubes: 2x 12AX7, 4x EL34 Canaux: 2 commande de tonalité commune à 3 bandes, commande centrale avec changement de tonalité push/pull toneshift réverbération intégrée Commandes: Ch. 1 Drive, Ch. 2 Drive, Ch. 2 Volume, Bass, Middle, Treble, Tone, Output, Reverb. chemin d'effet série avec niveau commutable sortie DI symétrique avec contrôle de niveau, commutateur de mise à la terre et simulation de haut-parleur commutable. Connexion des haut-parleurs: 4, 8 et 16 Ohm Dimensions: 675 x 250 x 285 mm (LxHxP) Poids: env. 17,5 kg avec pédale de commande Guitare à vendre à Villers-lès-Nancy (54600): instruments de musique à acheter dans la Meurthe-et-Moselle (54)

ORIGINAL MATCHED PAIR " NEUMANN KMi 85 ", vintage (1970s). COLLECTOR CONDITION! Like new condition in the original packaging with two kv58 capsule extension tubes and one Neumann DS100 and two sg21 clips. black finish (for broadcast). i = xlr connector. Fantastic and very hard to find "close miking" stereo set (for acoustic guitar, speech, classical music ("tenor" singer (according to me, this stereo set is way better ("more musical") than the "Schoeps Pavarotti stand"), drum...). Very close serial numbers (45508 and 45511). The capsules are (of course) from the same batch with very close serial numbers too. LIKE NEW CONDITION (very hard to find, almost impossible! You can find for sale one good km i 85 from time to time, but the kmi 85 matched pair is almost impossible to buy. This stereo set is a "secret weapon" of the best sound engineers).  Neumann KM85i (...) A long-time staple for orchestral and acoustic recordings thanks to their clear and natural sound, the Neumann KM8x series of microphones can be found in just about every major studio and scoring stage -­­ often half a dozen or more of them under one roof. Essentially, the KM85i (“i” designation simply means it has an XLR connector, typically for export to North America) is the same microphone as the widely ­loved and more expensive KM84i, but with a built-­in bass rolloff. While this makes the microphone less useful in distant applications, the KM85i’s integral high­pass filter actually comes in handy as you move the microphone closer to an instrument or voice. Proximity effect is an acoustical bass­ boost inherent to directional microphones as they move closer to the signal source, which makes the cardioid-patterned KM84i a bit too bottom­-heavy when used as a close mic. The KM85i, however, sounds clear as a bell at closer distances, arguably making it a better choice for snare drums (engage the ­10dB pad to avoid ugly distortion - or don’t), acoustic guitars, and any other sound that benefits from having a microphone within spitting distance. (...) Source: Reverb (a Guide to Hidden Gem Vintage Microphones)