Rhythm programming

MOTION PICTURE ALBUM CD 14 TITRES du film THE CROW avec notamment THE CURE, NINE INCH NAILS, RAGE AGAINST THE MACHINE...  Tracklist   1–The CureBurnBass – Simon GallupDrums – Boris WilliamsEngineer [Assisted By] – Andy Baker, Ray MascarenasEngineer [Engineered By], Producer [Produced By] – Bryan "Chuck" NewGuitar, Keyboards – Perry BamonteVocals, Guitar, Producer [Produced By] – Robert SmithWritten-By – Boris Williams, Perry Bamonte, Robert Smith, Simon Gallup6:392–Machines Of Loving GraceGolgotha Tenement BluesDrums – Brad KempGuitar, Bass – Stuart KupersKeyboards – Mike FisherMixed By – Roli MosimannProducer [Produced By] – Machines Of Loving GraceVoice – Scott BenzelWritten-By – Fisher*, Benzel*, Kupers*, Melchionda*3:583–Stone Temple PilotsBig EmptyBass – Robert DeleoDrums – Eric KretzEngineer [Engineered By] – Nick DidiaGuitar [Guitars] – Dean DeleoMixed By, Producer [Produced By] – Brendan O'BrienVocals – Scott WeilandWritten-By – D. Deleo*, Weiland*4:554–Nine Inch NailsDead SoulsEngineer [Assisted By] – Chris VrennaPerformer [performed], Producer [Produced], Engineer [Engineered By] – Trent ReznorWritten-By – Bernard Sumner, Ian Curtis, Peter Hook, Stephen Morris4:525–Rage Against The MachineDarknessBass – Timmy C.*Drums – Brad WilkEngineer [Engineered By] – Finn Halle, Rog PattersonGuitar – Tom MorelloMixed By – Brendan O'BrienProducer [Produced By], Written-By, Arranged By – Rage Against The MachineVocals, Lyrics By – Zack De La Rocha3:416–Violent FemmesColor Me OnceBass, Vocals [Vocal] – Brian RitchieDrums, Vocals [Vocal] – Michael Blair, Victor DeLorenzoKeyboards – Michael RamosMixed By – David VartanianProducer [Produced By] – Violent FemmesRecorded By – Jim BartzVocals, Guitar, Violin – Gordon GanoWritten-By – Brian Ritchie, Gordon Gano4:107–Rollins BandGhostriderBass – Andrew WeissDrums – Sim CainEngineer [Engineered], Mixed By, Producer [Produced], Featuring [Sound] – Theo Van RockGuitar – Chris HaskettVocals – Henry RollinsWritten-By – Alan Vega, Martin Rev5:448–Helmet (2)MilktoastBass – Henry BogdanDrums – John StanierEngineer [Engineered By] – John SiketGuitar – Rob EcheverriaGuitar, Vocals – Page HamiltonMixed By, Producer [Produced By] – Butch VigProducer [Produced By] – Helmet (2)Written-By – Page Nye Hamilton*3:599–PanteraThe BadgeMixed By, Engineer [Engineered By] – Vinnie PaulPerformer [Performed By], Producer [Produced By] – PanteraWritten-By – Jerry Long*, Tom Roberts (2)3:5310–For Love Not LisaSlip Slide MeltingCo-producer [Co-Produced By], Engineer [Engineered By] – Doug CarrionEngineer [Additional Engineering By] – John FlanneryPerformer [Performed By], Written-By – For Love Not LisaProducer [Produced By], Mixed By, Engineer [Engineered By] – Matt Hyde5:4511–My Life With The Thrill Kill KultAfter The FleshPerformer [Performed By] – My Life With The Thrill Kill KultProducer, [Produced] Mixed By, Engineer [Engineered By] – Buzz McCoyWritten-By – Buzz McCoy, Groovie Mann2:5812–The Jesus And Mary ChainSnakedriverEngineer [Engineered By] – Dick MeaneyPerformer – The Jesus And Mary ChainProducer [Produced By], Written-By – Jim Reid, William Reid3:3913–Medicine (2)Time Baby IIIBass – Ed Ruscha*Drums – Jim GoodallEngineer [Engineered By] – Chris Apthorp, Richard HasalGuitar, Banjo – Jim PutnamGuitar, Vocals, Producer [Produced By] – Brad LanerRemix [Remixed By] – Robin GuthrieVocals – Beth ThompsonVocals [Additional Vocals By] – Elizabeth FraserWritten-By – Thompson*, Laner*, Ed Ruscha*, Goodall*, Putnam*3:5014–Jane SiberryIt Can't Rain All The TimeCello – Matthew CookerEngineer [Engineered By] – Dan WallinGuitar – Carl VerheyenPiano – Mark GasbarroProducer [Produced By], Drum Programming [Rhythm Programming], Keyboards – Graeme RevellVocals – Jane SiberryWritten-By – Graeme Revell, Jane Siberry5:34 ENVOI EN LETTRE SUIVIE

Pendragon (3) ‎– Once Upon A Time In England - Volume 1 Label: Toff Records ‎– MOB6CD Format: CD, Compilation Country: UK Sortie: 1999 Genre: Rock Style: Prog Rock TracklistMasquer Crédits 1The Pleasure Of HopeBass – Peter GeeDrums, Backing Vocals – Nigel Harris (2)Guitar, Lead Vocals – Nick BarrettKeyboards – John BarnfieldLyrics By – Nick BarrettMusic By – John BarnfieldProducer – Tony Wilson3:502InsomniaBass – Peter GeeDrums, Backing Band – Nigel Harris (2)Guitar, Lead Vocals – Nick BarrettKeyboards – John BarnfieldLyrics By – Nick BarrettMusic By – John Barnfield4:193ArmageddonBass – Peter GeeDrums – Nigel Harris (2)Guitar, Lead Vocals – Nick BarrettKeyboards – John BarnfieldMusic By, Lyrics By – Nick Barrett6:154Dawn In ViennaWritten-By, Recorded By, Instrumentation By [All Instruments] – Nick*2:185The Pleasure Of Hope (Piano / Vocal Version)Keyboards – Peter GeePiano – Clive NolanVocals – Nick*2:526Catch Me If You CanBass – Robert DalbyDrums, Lead Vocals – Nigel Harris (2)Guitar, Backing Vocals – Nick BarrettKeyboards – John BarnfieldLyrics By – Julian Baker (6)Rhythm Guitar – Peter GeeWritten-By – John Barnfield, Nick Barrett4:527MelodyBass – Robert DalbyDrums, Backing Vocals – Nigel Harris (2)Guitar [Main Solo], Backing Vocals – Nick BarrettKeyboards – John BarnfieldRhythm Guitar, Lead Guitar [Intro], Lead Vocals – Julian Baker (6)Written-By – Julian Baker (6)3:378Dead StopBass – Robert DalbyDrums, Backing Vocals – Nigel Harris (2)Guitar, Lead Vocals – Nick BarrettKeyboards – John BarnfieldRhythm Guitar – Peter GeeWritten-By – Nick*4:109Deja VueBass – Robert DalbyDrums, Backing Vocals – Nigel Harris (2)Guitar, Lead Vocals – Nick BarrettKeyboards – John BarnfieldRhythm Guitar – Peter GeeWritten-By – Nick*4:3910Dream Of TomorrowBass – Robert DalbyDrums, Lead Vocals – Nigel Harris (2)Guitar, Backing Vocals – Nick BarrettKeyboards – John BarnfieldMusic By, Lyrics By – Nigel Harris (2)Rhythm Guitar, Backing Vocals – Julian Baker (6)4:4211Stan And Ollie (Live)Bass – Peter GeeDrums – Nigel Harris (2)Guitar, Lead Vocals – Nick BarrettKeyboards – John BarnfieldMusic By, Lyrics By – Nick Barrett10:2112Loving The StrangerInstruments [All Instruments], Drum Programming – Nick*Music By, Lyrics By – Nick Barrett3:2713Eye For An EyeInstruments [All Instruments], Drum Programming – Nick*Music By, Lyrics By – Nick Barrett3:4914Is This Life?Bass – Rob Dalby*Drums, Backing Vocals – Nigel Harris (2)Guitar, Lead Vocals – Nick BarrettKeyboards – John BarnfieldLyrics By – Nick BarrettMusic By – John BarnfieldRhythm Guitar – Peter Gee4:30 EN TRES BON ETAT   PAS RAYURES    PAS DE CHEVEUX     NO SCRATCHES   NO HAIRLINES VOIR MES AUTRES VENTES MÊME SUJET. EN CAS D'ACHATS MULTIPLES LES FRAIS DE LIVRAISON SERONT CALCULES AU PLUS JUSTE. Vous pouvez me poser des questions et me demander d'autres photos pour plus de détails ou pour juger de l'état.. Je ne suis pas infaillible et en cas de litige je serais heureux de résoudre tout problème avec vous, aussi n'hésitez pas à me contacter. Merci d'utiliser les évaluations avec recul et discernement. PAYPAL OU CHÈQUE..

DESTOCKAGES SUR TOUS LES VINYLES ET CD JUSQU'AU 31 AOUT 2021  PRIX BAISSE DE - 20 A 80 %.....VOIR PLUS !!!!! VOIR MES ANNONCES  DESTOCKINGS ON ALL VINYLS AND CDS UNTIL AUGUST 31, 2021  PRICE DROP FROM - 20 TO 80 %..... SEE MORE!!!!! SEE MY LISTINGS  CD : VG+ BOITIER:  VG+ tous les  vinyles et cd sont livrès avec pochettes protections plastifiés all vinyls and cds come with laminated protective pouches possibilité d'envoi groupès - possibility of sending groups Michael Bolton ‎– Greatest Hits 1985 - 1995 Label: Columbia ‎– COL 481002 9 Format: CD, Compilation, Remastered Country: Europe Sortie: 1995 Genre: Rock Style: Blues Rock, Soft Rock TracklistMasquer Crédits 1Soul ProviderProducer – Peter Bunetta, Rick ChudacoffWritten-By – A. Goldmark*, M. Bolton*4:262(Sittin' On) The Dock Of The BayProducer – Jonathan CainWritten-By – O. Redding*, S. Cropper*3:533How Am I Supposed To Live Without YouProducer – Michael OmartianWritten-By – D. James*, M. Bolton*4:154How Can We Be LoversCo-producer – Michael BoltonProducer – Desmond ChildWritten-By – D. Child*, D. Warren*, M. Bolton*3:565When I'm Back On My Feet AgainProducer – Michael BoltonWritten-By – D. Warren*3:496Georgia On My MindProducer – Michael BoltonWritten-By – H. Carmichael*, S. Gorrell*4:587Time, Love And TendernessProducer – Michael Bolton, Walter Afanaseiff*Written-By – D. Warren*4:188When A Man Loves A WomanProducer – Michael Bolton, Walter Afanaseiff*Written-By – A. Wright*, C. Lewis*3:519Missing You NowProducer – Michael Bolton, Walter Afanaseiff*Written-By – D. Warren*, M. Bolton*, W. Afanaseiff*4:2510Steel BarsProducer – Michael Bolton, Walter Afanaseiff*Written-By – B. Dylan*, M. Bolton*3:2911Said I Love You...But I LiedProducer – Michael Bolton, Robert John "Mutt" Lange*Written-By – M. Bolton*, R. J. Lange*5:0112Lean On MeProducer – Michael Bolton, Walter Afanaseiff*Written-By – B. Withers*4:2113Can I Touch You...There?Backing Vocals – Brenda Braxton, Pattie Darcy Jones, Victor Trent CookBacking Vocals, Producer – Mutt Lange*Edited By [Digital Editing] – Steve MiloEngineer – Jan Mullaney, Steve MiloEngineer [Assistant] – Glen Marchesi*Engineer [Second] – Carl NappaGuitar – Tommy SimsKeyboards – Tommy SimsKeyboards [Additional] – Jan MullaneyMixed By – Mike ShipleyProgrammed By – Tommy SimsProgrammed By [Assistant] – Danny DuncanWritten-By – M. Bolton*, R. J. Lange*5:1714I Promise YouBacking Vocals, Producer – Robert John "Mutt" Lange*Edited By [Digital Editing] – Steve MiloEngineer – Jan Mullaney, Steve MiloEngineer [Assistant] – Glen Marchesi*Guitar – Dann HuffKeyboards – Tommy SimsMixed By – Mike ShipleyProgrammed By – Tommy SimsProgrammed By [Assistant] – Danny DuncanWritten-By – M. Bolton*, R. J. Lange*5:2115I Found SomeoneBacking Vocals – Claytoven Richardson, Janis Liebhart, Larry Batista*, Pat Hawk, Portia Griffin, Vann JohnsonBass, Drum Programming [& Rhythm], Keyboards, Organ [Hammond B-3], Synthesizer – Walter Afanaseiff*Engineer – Dana Jon ChappelleEngineer [Additional] – Jan MullaneyEngineer [Second] – Brandon Harris, Craig Silvey, Steve MiloGuitar – Dann HuffMixed By – Mick GuzauskiProducer, Arranged By – Michael Bolton, Walter Afanaseiff*Programmed By [Macintosh, Digital And Synthesizer] – Gary CirimelliWritten-By – M. Mangold*, M. Bolton*3:5316A Love So BeautifulArranged By – Michael Bolton, Walter Afanaseiff*Backing Vocals – Alex Brown, Jim Gilstrap, Philip Ingram*, Rose StoneBass, Drum Programming [& Rhythm], Keyboards, Synthesizer – Walter Afanaseiff*Engineer – Dana Jon Chappelle, Daivd Gleeson*Engineer [Additional Vocal] – Jan MullaneyEngineer [Second] – Brian Vibberts, Craig Silvey, Jennifer Monnar*, Larry Schalit, Steve MiloGuitar – Dann HuffMixed By – Mick GuzauskiProducer – Walter Afanaseiff*Programmed By [Macintosh, Digital And Synthesizer] – Gary CirimelliWritten-By – J. Lynne*, R. Or

Titres 1. United Colors 2. Slug 3. Your Blue Room 4. Always Forever Now 5. Different Kind of Blue, A 6. Beach Sequence 7. Miss Sarajevo 8. Ito Okashi 9. One Minute Warning 10. Corpse (These Chains Are Way Too Long) 11. Elvis Ate America 12. Plot 180 13. Theme from the Swan 14. Theme from Let's Go Native   BOITIER  CRISTAL..... il y a quelques petites traces de frottements sur le boitier Album Notes Passengers: Bono (vocals, guitar, piano); The Edge (guitar, vocals, organ); Adam Clayton (bass, spoken vocals); Larry Mullen, Jr. (drums, percussion, programming, synthesizer); Brian Eno (programming, synthesizer, vocals). Additional personnel: Howie B. (vocals, scratches); Luciano Pavarotti, Holi (vocals); David Herbert (saxophone); Holger Zschenderlein (synthesizer); Des Broadbery (programming). Recorded at Westside Studios, London, England and Hanover, Dublin, Ireland in November 1994. Includes liner notes by Ben O'Rian and C.S.J. Bofop. Personnel: Bono (vocals, guitar, piano); The Edge (vocals, guitar, organ); Brian Eno (vocals, synthesizer); Howie B (vocals, scratches); Luciano Pavarotti (tenor); David Herbert (saxophone); Larry Mullen, Jr. (synthesizer, drums, percussion); Holger Zschenderlein (synthesizer). Audio Mixers: Howie B; Brian Eno. Recording information: Hanover, Dublin, Ireland; Westside Studios, London, England. Unknown Contributor Roles: Rob Crane; Larry Mullen, Jr.; Richard Baker. Arrangers: Paul Barrett; Craig Armstrong. Following their post-modern vibe further into Brian Eno's futuristic sound-space, U2 have now floated so far out of their customary atmosphere they've even abandoned their moniker. And with good reason. ORIGINAL SOUNDTRACKS 1, a loose collection of compositions written for films which may or may not exist, resembles a U2 album in only the vaguest of ways--it is basically a Brian Eno concoction, with Ireland's finest contributing not much more than their distinctive instrumental feel and Bono's new-found subtlety around a vocal mic. Yet these characteristics are enough to identify the participants, and to raise Passengers above the standard electronic/ambient din that has taken over clubland in the 1990s. ORIGINAL SOUNDTRACKS 1 is not strictly an experimental excursion. While much of the album follows the atmospheric norm of Eno's own Soundtracks series (after which this project was named), there are a number of traditional "songs" interspersed between the synthetic canvases, and most of these are softer extensions on the ZOOROPA aesthetic. "Slug" finds Bono whispering wishes over tension-filled keyboard washes and layers of rhythm. "Your Blue Room," a relaxed kin to "One" and "The Unforgettable Fire," is U2 playing Tindersticks--full of menacing organ, faint, Duane Eddy-like guitar, and starring Larry Mullen, Jr. as a Euro Funky Drummer. Finest among these surreal moves is "Miss Sarajevo," which uses Luciano Pavarotti's tenor as a voice of empowered grief in the melancholy story of a war-torn beauty contest. When ORIGINAL SOUNDTRACKS 1 moves outward, it flies in the direction of the nearest rave--adding world-wide rhythms to Eno's ambient soundscapes, to form a compass of emotions. "United Colours" is a straight-up techno track with passing samples of scratched records, fly-by vehicles and looped voices. "One Minute Warning" is an eerie alarm, complete with African and electronic beats, a machine-gun ticker-tape pulse, and an incomprehensible Eno-led choir seemingly ushering in the apocalypse. The album ends with a mixture of the two explored worlds: "Theme From Let's Go Native" is a bit of tribal rockisms, led by a stray dub bassline and Edge's simple chords. As Bono repeats a wordless vocal phrase and the band gains a forceful rhythmic confidence around him, it becomes obvious that what started out as foreign turf for these Passengers, has become a musical home away from home.     REGROUPER LES ACHATS (cela réduit les frais de poste)

ATTENTION: PAS DE CHEQUE, PAS DE VIREMENT; PAYEMENT PAYPAL UNIQUEMENT  PAYPAL ONLY PAULA COLE Harbinger (14 titres) Track Listing 1. Happy Home 2. I Am So Ordinary 3. Saturn Girl 4. Watch the Woman's Hands 5. Bethlehem 6. Chiaroscuro 7. Black Boots 8. Oh John 9. Our Revenge 10. Dear Gertrude 11. Hitler's Brothers 12. She Can't Feel Anything Anymore 13. Garden of Eden 14. Ladder, The DetailsProducer:Kevin KillenDistributor:WEA (Distributor)Recording Type:StudioRecording Mode:StereoSPAR Code:n/a Album Notes Personnel: Paula Cole (vocals, piano, keyboards, percussion, whistle); Kevin Barry, Gerry Leonard (acoustic & electric guitars); Eileen Ivers, Laura Seaton, Mary Rowell (violin); Juliette Hafner (viola); Erik Friedlander (cello); Jon Dryden (piano); Paul Bushnell (bass); Jay Bellerose (drums, percussion); Mark Hutchins (tambourine, percussion, programming).Recorded at Bearsville Studios, Bearsville, New York.The first thing you feel is the voice: dark, earthy, ethereal. Paula Cole brings a lifetime of training and ambition to her first set of songs, HARBINGER, and from the haunted alienation of "Black Boots" to the incense-scented imagery of "Chiaroscuro," the singer transcends mere technical gifts to craft some of the most singular, deeply felt confessionals in all of pop.With her dusky contralto, and ringing upper register ellisions, she had all the formal tools to be a jazz diva, but by and by Cole realized that her true source of expression lay in the arty, progressive rock stylings of Kate Bush and Peter Gabriel--she had to be the singer and the song to discover her own true voice.An offspring of '60s baby boomers, Cole feels something of her parents' desperation and ambivalence in the troubling memories of "Happy Home," as children begat children and struggle to maintain a family edifice in the teeth of poverty and backwards glances of resignation. Producer Kevin Killen couches her moody tales of guilt ("She Can't Feel Anything Anymore"), isolation ("The Ladder") and sensuality ("Oh John") in spare, ambient textures that shade Cole's voice like dancing shadows. When he does allow the rhythm and other voices to rise and joust with her voice ("Garden Of Eden," "Revenge") it is with the understated ethnicity of Gabriel and U2 or a taut chamber-like verve, allowing Cole's complex emotions to bubble to the surface and stand naked in the light of revelation. Warner Bros records / 1994 / Printed in Germany Boitier Cristal // Crystal Box Tous mes CD sont en état impeccable, très peu utilisés Frais de Port, Shipping cost: Pour la France: 3,50€ (+1€ par CD Supplémentaire) For Europe, Switzerland and Norvay: 5,50€ (+2€ each additional CD) Rest of the world: 7,85€ (+3€ each additional CD) MERCI de CONSULTER MES AUTRES VENTES... PAYPAL ONLY ATTENTION: PAS DE CHEQUE; PAYEMENT PAYPAL EXCLUSIVEMENT

ATTENTION: PAS DE CHEQUE, PAS DE VIREMENT; PAYEMENT PAYPAL UNIQUEMENT  PAYPAL ONLY THE SISTERS OF MERCY FLOODLAND Track listing 1. Dominion/Mother Russia 2. Flood I 3. Lucretia My Reflection 4. 1959 5. This Corrosion 6. Flood II 7. Driven Like the Snow 8. Never Land (A Fragment) 9. Torch 10. Colours Album Notes Sisters Of Mercy: Andrew Eldritch (vocals, guitar, keyboards, programming); Patricia Morrison (vocals, guitar, keyboards).Producers: Andrew Eldritch, Larry Alexander, Jim Steinman.Engineers: Larry Alexander, Roy Neave, Andrew Eldritch.Long before Trent Reznor brought his brand of densely textured, hard-hitting Goth rock to the world, The Sisters Of Mercy were creating the mould with albums such as FLOODLAND. Here, front man Andrew Eldritch and company mix styles with a dark and gloomy palette. Songs are built with punishing and/or danceable drum machine tracks, guitars that alternately moan and crash, touches of '80s keyboards, and Eldritch's deeply resonant, undertaker voice, for a sound that made the Sisters one of the leading lights of the '80s Goth movement."Dominion/Mother Russia," the album's opener, presages industrial goth with its epic, thunderous rhythm track, wiry guitar lines and a chorus that treads that fine line between dance pop and death metal. Especially notable here is the inclusion of the band's best known single "This Corrosion," a multi-layered goth-pop gem held together by a eerie back-up choir and a driving dance beat. Though the stylistic focus of the album varies from the chilling piano balladry of "1959," to the battering ram, chamber-of-horrors hypnosis of "Lucretia My Reflection," FLOODLAND is probably the band's most cohesive and accessible album. WEA RECORDS / 1987 / Printed in GERMANY Boitier Cristal // Crystal Box Tous mes CD sont en état impeccable, très peu utilisés Frais de Port, Shipping cost: Pour la France: 3,50€ (+1€ par CD Supplémentaire) For Europe, Switzerland and Norvay: 5,50€ (+2€ each additional CD) Rest of the world: 7,85€ (+3€ each additional CD) MERCI de CONSULTER MES AUTRES VENTES... PAYPAL ONLY ATTENTION: PAS DE CHEQUE; PAYEMENT PAYPAL EXCLUSIVEMENT

Original francais sorti en 1986 sur le label JJS Records (Ref.36001) Pochette VG+: tres bel etat, tranches en tres bon etat, pochette propre Disque VG+: tres bon etat, ecoute claire et dynamique Obscure French Celtic folk band from the 1980s who mixed in a lot of novel elements, not least the use of synthesizers and rhythm machines! Tracklist: A1     Le Sceau Du Plaix      A2     Gavotte Des Soeurs Goadeg      A3     La Mal-Aimable      A4     Route De Nuit     Cello – Anne Barat      A5     Humeurs     Cello – Anne Barat      A6     Boulevard Garibaldi      B1     La Tambouille Du Mogambö      B2     Les Filles De Mon Pays      B3     Yopla      B4     Ar Cordroc'h     Drum Programming – Thierry Mirebeau      B5     An Dro Madere Toutes autres infos ou photos me contacter Emballage soigne et pochette de protection FRAIS DE PORT: France:              * Mondial Relay: 5 euros              * Lettre Suivie: 6,5euros              * Colissimo: 8,50 euros Belgique: Mondial Relay: 5 euros Espagne: Mondial Relay: 6,50 euros Allemagne, Autriche, Royaume Uni, Espagne, Belgique, Luxembourg, Portugal, Pays Bas              * Suivi: 10,20 euros Worldwilde:              * Suivie: 10,60Euros FRAIS DE PORT OFFERT POUR LA FRANCE METROPOLITAINE POUR TOUTE COMMANDE SUPERIEURE OU EGALE A 100EUROS. Délai d’expédition Mes disques sont expédiés dans les 2 jours ouvrables après réception de votre règlement. Retours Les retours sont acceptés dans un délai de 10 jours après réception, les frais restent à la charge de l’acheteur. Si le disque ne correspondait pas à vos attentes, merci de privilégier la communication afin de trouver, ensemble, une solution. BAREME D'EVALUATION: S Neuf (emballé) Le disque est encore sous son emballage d'origine. Le disque est encore sous son emballage d'origine. M Comme neuf La pochette est comme neuve, elle n'est juste plus sous son emballage d'origine. Le disque est absolument parfait, comme neuf. Il n'est juste plus sous son emballage d'origine. NM Comme neuf- La pochette est presque parfaite, pouvant comporter de très minimes signes d’usure. Par contre le dessin artistique ou la photo de la pochette doit être aussi impeccable que possible. Le disque est presque parfait. De très légères marques lumineuses peuvent être constatées sur la surface du disque, mais cela doit être vraiment minime. Il ne doit y avoir aucun effet sur la qualité sonore du disque. Si c’est le cas, même minime, il ne pourra plus être considéré comme NM ou M-. EX Excellent La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG++ Excellent La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG+ Très bon + La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. C'est l'état le plus courant des disques de deuxième main. Les disques ont quelques rayures qui n'affectent pas la qualité sonore. Certains crépitements peuvent être audibles sur des platines très sensibles. VG Très bon La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le disque a des rayures et marques qui affectent la qualité sonore. Il peut y avoir des craquements et également des petits sauts si le disque est légèrement gondolé (préférable de demander confirmation au vendeur en particulier si votre platine est sensibl