Ritchie family where are

the ritchie family   Where are the men bad reputation 45T    DÉTAILS, VOIR PHOTOS Etat général de la pochette : TRES BON Écritures sur la pochetteNON Déchirures  :NONEtat général du disque face A :TRES BONEtat général du disque face B :TRES BONEcritures sur le centre du disque :NONENVOI SOIGNE ET SECURISE -  Je vend plusieurs vinyles  Groupez vos achats pour économiser sur le port

Coffret 2 CD Musicaux O Brother, Where Art Thou? Livré avec son manuel Liste complète des titres disponibles: Disque: 1 1. "Po’ Lazarus" - James Carter And Prisoners 2. "Big Rock Candy Mountain" - Harry Mcclintock 3. "You Are My Sunshine" - Norman Blake 4. "Down To The River To Pray" - Alison Krauss 5. "I Am A Man Of Constant Sorrow" - The Soggy Bottom Boys 6. "Hard Time Killing Floor Blues" - Chris Thomas King 7. "I Am A Man Of Constant Sorrow" - Norman Blake 8. "Keep On The Sunny Side" - The Whites 9. "I’ll Fly Away" - Alison Krauss & Gillian Welch 10. "Didn’t Leave Nobody But The Baby" - Emmylou Harris, Alison Krauss & Gillian Welch 11. "In The Highways" – Sarah, Hannah, And Leah Peasall 12. "I Am Weary, Let Me Rest" - The Cox Family 13. "I Am A Man Of Constant Sorrow" - John Hartford 14. "O Death" - Ralph Stanley 15. "In The Jailhouse Now" – The Soggy Bottom Boys 16. "I Am A Man Of Constant Sorrow" – The Soggy Bottom Boys 17. "Indian War Whoop"- John Hartford 18. "Lonesome Valley" - Fairfield Four 19. "Angel Band" - The Stanley Brothers Disque: 2 1. "Hard Time Killing Floor Blues" - Colin Linden 2. "You Are My Sunshine" - Alan O’bryant 3. "Tishamingo County Blues" - John Hartford 4. "Mood Indigo" - Duke Ellington 5. "Cow Road" – T Bone Burnett 6. "I’ll Fly Away" – The Kossoy Sisters 7. ‘Big Rock Candy Mountain" - Van Dyke Parks 8. "Admiration" - Duke Ellington 9. "Tom Devil" - Ed Lewis And The Prisoners 10. "Keep On The Sunny Side" - The Cox Family 11. "Angel Band" – Sarah, Hannah, And Leah Peasall 12. "Big Rock Candy Mountain" - Norman Blake 13. "Little Sadie" - Norman Blake 14. "In The Highways" - The Cox Family 15. "That Hog’s Foot Further In The Bed" - John Hartford 16. "The Lord Will Make A Way" - Fairfield Four 17. "In The Jailhouse Now" - Harley Allen Article d'occasion. Complet, coffret cartonné + CD en bon état. Expédition rapide de votre commande sous enveloppe à bulle spécifique. Professionnel de la vente à distance Infoboutik.fr Me contacter pour de plus amples informations un renseignement n'engage à rien! Photos sur demande!!! Profitez des frais de port réduit pour plusieurs articles achetés POUR INFORMATION: JE RAPPELLE QUE JE NE SUIS PAS RESPONSABLE DES DÉGÂTS OCCASIONNÉS PAR LA POSTE (VOL, PERTE OU DÉPRÉCIATION) ET AUCUN REMBOURSEMENT NE SERA EFFECTUÉ EN CAS DE PROBLÈME DE CET ORDRE. VOUS POUVEZ OPTER POUR UNE ASSURANCE LIÉE A L'EXPÉDITION DE L'OBJET REMPORTÉMERCI POUR VOTRE COMPRÉHENSION. découvrez notre site internet Prestalia e-commerce solutions.

DISCO PEOPLE 16 TITRES CD COMPILATION MUSIQUES & SOLUTIONS FRANCE  ♦  7204  ♦ 1996     1 –Boney M. Ma Baker  4:35  2 –Village People Y.M.C.A.  4:43  3 –Michael Zager Band Let's All Chant  3:03  4 –Amii Stewart Knock On The Wood  4:52  5 –Eruption I Can't Stand The Rain  4:10  6 –Imagination Music And Lights  5:17  7 –Boule Noire Aimer D'Amour  3:28  8 –Anita Ward Ring My Bell  4:26  9 –Jesse Green Nice'n Slow  3:03  10 –Eartha Kitt Where Is My Man  3:47  11 –Shirley & Co Shame, Shame, Shame  3:52  12 –Donna Summer The Hostage  4:16  13 –Viola Wills Gonna Get Along Without You Now  5:41  14 –Boys Town Gang Can't Take My Eyes Off You  9:35  15 –Ritchie Family The Best Disco In Town  3:17  16 –Jennifer Do It For Me  3:25     CD IS IN EXCELLENT CONDITION - LE CD EST EN EXCELLENT ETAT CD: EX SLEEVE / POCHETTES : EX

Phylicia Allen - Josephine Superstar Metronome - 0060.153 1978 GERMANY LP DISCO FRENCH BOOGIE AVEC LA PARTICIPATION DES GROUPES THE RITCHIE FAMILY ET VILLAGE PEOPLE ET LA REPRISE DU TITRE DE JOSEPHINE BAKER "J'AI DEUX AMOURS" VERSION DISCO Bon état général, bonne écoute, pochette/disque: VG++/EX. La pochette présente quelques usures. Voir photos https://www.youtube.com/watch?v=-ri-NLolehQ https://www.youtube.com/watch?v=RuR93KPckgA https://www.youtube.com/watch?v=iE8W3DCXowg https://www.youtube.com/watch?v=hk1voSkrbuE https://www.discogs.com/release/1434588-Phylicia-Allen-Josephine-Superstar LISEZ BIEN LA DESCRIPTION READ DESCRIPTION CAREFULLY Mint: Disque Scellé/Sealed Record Nm: Disque avec encore le cellophane/Record still in shrink and listened only once or twice EX: Disque sans crépitements pochette sans usures/Record with no scratch, no tic, no nothing to declare and sleeve with no wear and tear VG++: Disque allant de très très légers crépitements à quelques crépitements et pochette ayant des usures allant des très très légères usures sur les bords à pochette usée selon la description/Record from a little bit crackles to crackles and sleeve from a little bit wear and tear to sleeve used see description VG+: Disque avec des crépitements et pochette déchirée, très usée/Record with crackles and sleeve torned VG: Disque avec bruit de fond et pochette pratiquement complètement abîmée/Record with background noise and sleeve destroyed FAITES MOI UNE OFFRE ACCEPTABLE ET JE L'ACCEPTERAIS. POUR RAPPEL LES FRAIS D' EXPÉDITION SONT A LA CHARGE DE L'ACHETEUR ET NE SONT PAS NÉGOCIABLES. MAKE ME AN ACCEPTABLE OFFER AND I'LL ACCEPT IT. AS A REMINDER, SHIPPING COSTS ARE AT THE BUYER'S EXPENSE AND ARE NOT NEGOTIABLE. Frais d'emballage et d'expédition: Pour information un double album est compté comme 2 albums simples, et un album Gatefold est compté comme  1,5 album France Métropolitaine: 1 à 3 LP-------> 6,90 Eur 4 à 7 LP-------> 7,90 Eur France Outre-Mer: 1 à 2 LP-------> 8,80 Eur 3 à 5 LP-------> 9,90 Eur 6 à 11 LP-------> 16,50 Eur UNE FOIS LA COMMANDE PASSÉE, DEMANDEZ LA FACTURE AVANT DE PAYER AFTER PROCESSING PURCHASE, PLEASE ASK FOR THE INVOICE BEFORE PROCESSING PAYMENT Allemagne - Pays-Bas: 1 à 3 LP-------> 11,00 Eur 4 à 7 LP-------> 13,00 Eur Espagne: 1 à 3 LP-------> 12,50 Eur 4 à 7 LP-------> 14,00 Eur Italie - Portugal : 1 à 3 LP-------> 13,60 Eur 4 à 7 LP-------> 15,20 Eur Royaume Uni: CONCERNING GREAT BRITAIN BUYERS, BE INFORMED THAT FROM 01/01/21 YOU WILL HAVE TO PAY VAT CORRESPONDING TO 20% OF THE TOTAL AMOUNT 1 LP      -------> 15,00 Eur 2 à 3 LP-------> 25,00 Eur FOR AN EXPEDITION TO A  ANOTHER COUNTRY, PLEASE ASK BEFORE PLACING THE ORDER TO GIVE YOU AN ESTIMATE BECAUSE THE SHIPPING COSTS ARE MORE EXPENSIVE THAN IN EUROPE POUR UNE EXPÉDITION DANS UN AUTRE PAYS, DEMANDEZ AVANT DE PASSER LA COMMANDE POUR AVOIR UNE ESTIMATION. POSSIBILITÉ DE RETRAIT SUR PLACE SUR PARIS POUR PLUSIEURS ACHATS. N'HESITEZ PAS A ME CONTACTER FEEL FREE TO CONTACT ME Sammlung https://www..fr/sch/m.html?_nkw=&_armrs=1&_ipg=&_from=&_ssn=fatar0&_sop=10

The Paston Letters 1422-1509: New Complete Library Edition, Edited With Notes and an Introduction, Vol. 2 (Classic Reprint) James Gairdner Auteur: James Gairdner Editeur: Forgotten Books Broché: 346 pages paperback Publication: 26/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Early Documents BEFORE entering upon the correspondence of the Paston family, in the reign of Henry vi., we have thought it well to give the reader a brief note of such deeds and charters of an earlier date as appear either to have been preserved in the family, or to have any bearing on its history. The following is a list of those we have been able to meet with either in the originals or in other quarters, such as Blomefield s History of Norfolk, where notices are given of several documents, which appear now to have got into unknown hands. The documents seen by Blomefield, and those from the Paston and Dawson-T urner collections, now in the British Museum, were probably all at one time part of the Paston family muniments. The three Harleian charters seem to have been derived from a different source. AD eed is cited by Blomefield (H ist. Norf. vi. 480), by which A nselm, Abbot of St. Benet s, Hulme, and the Convent there, gave to Osbern, the priest (said by Blomefield to have been a son of Griffin de Thwait, the founder of the Paston family), the land of St. Benet sof Paston (terram Sancti Benedtcti de Paston), in fee, for half the farm of one caruca, as his ancestors used to pay for the same. Also a Deed of William the Abbot (who lived in King Stephen sreign), granting to Richer de Pastun, son of Osbern, son of Griffin de Thwete, all the land that the Convent held in Pastun, with their men, and other pertinencies. Also a Deed of Covenant between Richer de Paston and Reginald the A bbot, and Convent of St. Benet s, Holme, that when peace should be settled in England, and pleas held in the Court of our Lord the King, the said Richer would, at the request and at the expense of the A bbot, give him every security in Court to release the lands in Pastun. Ralph de Paston was son, as I take it (says Blomefield) of this Richer, and appears to have had two sons, Ric (Typographical errors above are due to OCR software and don't occur in the book.) Early Documents BEFORE entering upon the correspondence of the Paston family, in the reign of Henry vi., we have thought it well to give the reader a brief note of such deeds and charters of an earlier date as appear either to have been preserved in the family, or to have any bearing on its history. The following is a list of those we have been able to meet with either in the originals or in other quarters, such as Blomefield s History of Norfolk, where notices are given of several documents, which appear now to have got into unknown hands. The documents seen by Blomefield, and those from the Paston and Dawson-T urner collections, now in the British Museum, were probably all at one time part of the Paston family muniments. The three Harleian charters seem to have been derived from a different source. AD eed is cited by Blomefield (H ist. Norf. vi. 480), by which A nselm, Abbot of St. Benet s, Hulme, and the Convent there, gave to Osbern, the priest (said by Blomefield to have been a son of Griffin de Thwait, the founder of the Paston family), the land of St. Benet sof Paston (terram Sancti Benedtcti de Paston), in fee, for half the farm of one caruca, as his ancestors used to pay for the same. Also a Deed of William the Abbot (who lived in King Stephen sreign), granting to Richer de Pastun, son of Osbern, son of Griffin de Thwete, all the land that the Convent held in Pastun, with their men, and other pertinencies. Also a Deed of Covenant between Richer de Paston and Reginald the A bbot, and Convent of St. Benet s, Holme, that when peace should be settled in England, and pleas held in the Court of our Lord the King, the said Richer would, at the request and at the expense of the A bbot, give him every security in Court to release the lands in Pastun. Ralph de Paston was son, as I take it (says Blomefield) of this Richer, and appears to have had two sons, Ric (Typographical errors above are due to OCR software and don't occur in the book.) Mot Clef: Nonfiction Education Education Theory

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

Scream With a View Tuxedomoon Label: Cramboy CBoy 4040 EP Format Disque vinyl (Vinyl record) Taille (Size) : 30 cm (12") Durée (Duration) : Maxi Vitesse (Speed) : 45 tours (45 rpm) Etat - Condition Disque (Record): VG++ quelques marques très légères a few very slight marks Pochette (Sleeve): VG+ marques de pliures, légère usure folding marks, slight wears Details Pressage hollandais, 1985 Holland pressing, 1985 Contenu - Content - Nervous Guy - 4:03 - Where Interests Lie - 5:07 - (Special Treatment For The) Family Man - 5:06 - Midnite Stroll - 3:20 Informations Les disques sont envoyés en Colissimo pour la France et en Prioritaire Recommandé pour les autres pays. Economisez sur les frais de port: Je combine les achats dans le même envoi, contactez-moi si vous souhaitez une estimation des frais de port pour plusieurs disques. - Les disques sont envoyés dès réception du paiement. - Pour toute question, utiliser la messagerie. The records are shipped to France as Colissimo and for all other countries, the records are shipped as Priority Registered Mail (signed for, delivered against signature). Save on shipping: I combine purchased items in the same parcel, send me a message if you wish to get a shipping quote for more than one record. - The records are shipped as soon as the payment is received. - Use message system for any question. Visitez la Boutique Netvinyls Visit the Netvinyls Store