Roland clone

Roland TB-03 - Synthétiseur de ligne de basse clone du TB-303 Bass Line Comme neuf juste déballé pour le tester - Recréation réaliste du synthé iconique TB-303 Bass Line - Son, caractère et interface utilisateur du TB-303 original - Contrôles pratiques des paramètres expressifs, avec cut-off, résonance, mode d'enveloppe, decay et accentuation - Nouvelles fonctionnalités (qui ne sont pas sur l'original) du TB-303, affichage LED à quatre chiffres, overdrive et effets de Delay, MIDI et contrôle de tempo fin - Fonctions supplémentaires pour la création de motifs - Programmable via pitch classiques, Temps et Pas (step) - Lecture continue d'une séquence même en alternant entre les modes d'écriture et de lecture - Sorties CV / Gate pour contrôler les appareils analogiques vintages et les synthétiseurs modulaires - Entrée de déclenchement dédiée pour diriger le séquenceur interne - Pratique et portable pour la fabrication de musique mobile - Construction de haute qualité avec façade en métal - Alilmenté par piles (4x AA) ou alimenté par port USB - Interface audio USB 24 Bits / 96 kHz avec entrée et sortie stéréo / USB - Informations de contrôle peuvent être envoyées et reçues via MIDI et USB - Mini-haut-parleur intégré pour un plaisir instantané - Compatible avec le clavier K-25m disponible en option - Dimensions: 308 (L) x 130 (P) x 52 (H) mm En savoir plus Collaboration commerciale.

Roland - TB-03 ROLAND BOUTIQUE Boîte à rythmes qui fait renaître la puissance de la TR-909 Roland TR-06 Drumatix, la célèbre 606 en version améliorée Boutique Comme neuf juste déballé pour la tester - Réplique réaliste de la légendaire TR-606 Drumatix - Caractère sonore, comportement et interface utilisateur du modèle original - Technologie de modélisation ACB - Instruments: Bass Drum, Snare Drum, Low Tom, Hi Tom, Cymbal, Open b'&' Closed Hi Hat - Contrôle du volume pour tous les instruments et piste Accent - Tuning, Decay et Panorama réglables pour chaque instrument - Effets: Compressor, Delay (Delay, Pan Delay, Tape Echo, Reverb, Flanger, Side Band Filter), Drive (Saturation, Bit Crusher, Distortion, LPF/HPF) - Séquenceur pas à pas avec un maximum de 32 pas par pattern - Fonctions de séquenceur étendues: Step Loop, Substep, Flam, Fill-In, Probability, Substep Probability, Master Probability - Emplacements de mémoire pour 128 patterns et 8 chansons - Affichage LED à 4 chiffres - Haut-parleur miniature intégré - Construction métallique solide - Station d'accueil DK-01 Boutique de couleur assortie avec 3 angles d'inclinaison - Fonctionne avec 4 piles AA incl. - Alimentation via USB - Dimensions: 308 x 130 x 52 mm Connexions: - 5 sorties Trigger sur mini Jack 3,5 mm - 1 entrée Trigger sur mini Jack 3,5 mm - Sortie casque sur mini Jack stéréo 3,5 mm - Sortie ligne sur mini Jack stéréo 3,5 mm - Entrée Mix sur mini Jack stéréo 3,5 mm - Entrée/sortie MIDI - Port USB micro-B (audio, MIDI et alimentation) Roland Boutique TR-09 Rhythm ComposerBoîte rythmeUn re-cration ultra-compacte de la fameuse boîte rythmes TR-909Les mmes sons, la mme interface que la TR-909Des contrleurs physiques pour de nombreux paramtres: hauteur de note, niveau, decay, etc.Programmable par les classiques modes Step et TapLes grooves ne s'interrompent pas lorsque l'on passe du mode criture au mode lectureQuatre sorties spares en USB audioSorties Trigger pour contrler des instruments externes quips d'entre TriggerConception haute qualit avec panneau avant mtalliqueUltra portabilit pour crer de la musique en mobilitAlimentation par 4 piles AA ou port USBInterface audio USB In/Out stro 24 bits / 96 kHzMini haut-parleur intgr pour un fonctionnement en tout lieuCompatible avec le clavier optionnel K-25m et le Docking Case DK-01Dimensions: 308 x 130 x 51 mmPoids: 940 grammes © SonoVente.com:https://www.sonovente.com/roland-tr-09-p53261.html Roland Boutique TR-09 Rhythm ComposerBoîte rythmeUn re-cration ultra-compacte de la fameuse boîte rythmes TR-909Les mmes sons, la mme interface que la TR-909Des contrleurs physiques pour de nombreux paramtres: hauteur de note, niveau, decay, etc.Programmable par les classiques modes Step et TapLes grooves ne s'interrompent pas lorsque l'on passe du mode criture au mode lectureQuatre sorties spares en USB audioSorties Trigger pour contrler des instruments externes quips d'entre TriggerConception haute qualit avec panneau avant mtalliqueUltra portabilit pour crer de la musique en mobilitAlimentation par 4 piles AA ou port USBInterface audio USB In/Out stro 24 bits / 96 kHzMini haut-parleur intgr pour un fonctionnement en tout lieuCompatible avec le clavier optionnel K-25m et le Docking Case DK-01Dimensions: 308 x 130 x 51 mmPoids: 940 grammes © SonoVente.com:https://www.sonovente.com/roland-tr-09-p53261.html En savoir plus Collaboration commerciale.

HELLO FOR SALE HOMEMADE ROLAND TYPE US-2 CLONE YOU PLUG YOUR 24-PIN GUITAR AND YOU CAN CONTROL 2X 24-PIN SYNTH  -CH-A ON/OFF -CH-B ON/OFF IN THE MIDDLE "ALL OFF" YOU TURN OFF CH-A AND CH-B CH-B WORKS ALSO WITH KORG Z3!!!!! Thanks

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con

Behringer MS-101 -.Synthé analo­gique mono­dique repro­dui­sant le célèbre Roland SH-101. Comme neuf juste déballé pour le tester. Voici les carac­té­ris­tiques du MS-101 - Trajet de signal analo­gique - VCO 3340 avec 4 formes d’ondes qui peuvent être mixées - (dent de scie, triangle, carrée/modu­la­tion de la largeur d’im­pul­sion et un sub-oscil­la­teur à onde carrée) - VCF réso­nant pouvant être modulé par l’en­ve­loppe ADSR, le LFO et le suivi de clavier - 6 sources FM basées sur le Nova­Mod - Impul­sion pouvant être modu­lée par le LFO, l’en­ve­loppe ou manuel­le­ment - Géné­ra­teur d’en­ve­loppe ADSR - Géné­ra­teur de bruit pouvant être utilisé comme source de modu­la­tion pour des effets de distor­sion - Séquen­ceur de 32 pas avec mémoire pour 64 séquences - Arpé­gia­teur - Porta­mento - 57 sliders et commu­ta­teurs - Clavier de 32 touches de grande taille semi-lestées - Entrée audio externe - USB MIDI - Poignée amovible inté­grant une molette de pitch bend et un trig­ger pour modu­ler le pitch; bender assi­gnable au VCO, VCF et à la molette de pitch - Sangle de guitare incluse En savoir plus Collaboration commerciale.