Select manometre analogue

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con

I sell a set of 2 JP-08 + all boxes and packing + paper manual + 1 midi cable + 1 audio cable + 2 power supply and USB cables + 2 brackets. The first JP-08 is in perfect condition. No scratches. Like new. The second one has some minor scratches due to a cable that was placed in the box by mistake.  These two JP-08 are working perfectly. So this set is ready for a full 8 voices JP-08 in chain mode like the original Jupiter 8. The first thing that strikes you when you see the JP-08 is how professional it looks and feels - it's a diminutive metal fronted, plastic box with sturdy feeling short throw, orange-lit sliders and solid dials. As the unit is so compact, it fits nicely into a small rucksack, giving you a lot of sonic power to work with. On the move, on sessions or on stage this is a real bonus. Selecting patches is done Jupiter-8 style, with eight preset buttons to the left (64 patches total) and eight patch presets (which contain upper/lower/dual patches) to the right which all glow a pinky-orange. Type in the patch you want and off you go, though there's no patch naming so you need to remember numbers. The Patch Number/Patch Preset buttons also work in combination with the Manual and Dual buttons to select hidden functions (as listed in the compact manual) and to choose from solo (legato mono) unison (stacked mono) and poly (4-voice chord) modes. The buttons also act as 16-step buttons for the sequencer. The sound is so fantastic ! The JP-08 Boutique is identical to the actual Roland Jupiter 8 in sound, and editing, capabilities.  It uses the acclaimed Boutique ACB (Analogue Circuit Behaviour) modelling technology to emulate the original Jupiter-8's circuitry and the way those circuits interact/behave.  Sonically, the JP-08 gets right in the ballpark of the original Jupiter-8 and displays that recognizable smooth yet gritty character in terms of its filters (HPF and 12/24dB LPF), modulation and waves. I have never been so pleased with a synthesizer purchase as the JP-08 in 25 years of production experience.  One JP-08 has  4 voices max, but because this auction is for 2 JP-08, you can link them in chain mode for 8 voices.  The "chain mode" synchronizes all master parameters to the slave one.   With a master keyboard, 2 Roland JP-08 are the way to go for a real Jupiter 8 sound, and editing, especially in DUAL mode. 10/10 rating !

Platine cd kenwood L1000d. Weight: 15 kg Dimensions: 44 x 13,1 x 38,7cm Technically superlative. Two power trafos, magnetic rails drive, select and discrete componentry throughout, 70µ boards, copper shielding with added bus bars, stabilized loading tray (à la CDP-R1a or CDP-R3) and really balanced analogue circuit with transformer-balanced XLR outputs. The d/a section is made of two chips (unknown) working in tandem at 4x oversampling with an elaborate sample/hold section but without Noise Shaping which Kenwood called New DPAC; signal is transmitted through stages by way of opto-couplers. Laser-wise, the L-1000D sports a Sony KSS-152A set within a custom-ised loading assembly; total size is 44 x 13,1 x 38,7cm and weight 14kg. There are two versions of the L-1000D which can be spotted easily: one has a round LED protruding next to the "pause" scripting, the other has the two "play/pause" LEDs encased in the play/pause button. I don't know if there were other differences, inside, such d/a, drive or KSS... Nudies of the L-1000D here.

The MS300 is a CD player, CD recorder, hard-disk server and Internet radio all in one. The front sports the controls you expect on any CD player plus extras for record, select, favorites, guide, source and radio plus four navigation buttons. The back is more crowded since it's the communications interface for other equipment. An IR connection makes it possible to communicate wirelessly with the MS300. An adjacent SLINK receptor opens up a world of CD-changers for connection. For digital outputs, the MS300 sports coaxial and Toslink. A pair of RCA connectors handle analogue output. Le MS300 est un lecteur de CD, un enregistreur de CD, un serveur de disque dur et une radio Internet tout en un. L’avant arbore les commandes que vous attendez sur n’importe quel lecteur de CD plus des extras pour enregistrer, sélectionner, favoris, guide, source et radio plus quatre boutons de navigation. L’arrière est plus encombré car c’est l’interface de communication pour d’autres équipements. Une connexion IR permet de communiquer sans fil avec le MS300. Un récepteur SLINK adjacent ouvre un monde de changeurs de CD pour la connexion. Pour les sorties numériques, le MS300 sport coaxial et Toslink. Une paire de connecteurs RCA gère la sortie analogique. Avec télécommande et clavier Prix Neuf 5000€ Ordinateur interne ESCIENT en panne.