Something else

CD Album CD Code EAN: 5055869543118 Rubrique principale CD: CD Album Genre musical: Pop rock Titre: Something Else

CD Album CD Code EAN: 0602527321417 Genre musical: Rock Rubrique principale CD: CD Album Référence fabricant CD: 932.A835.020 Titre: Something else Date: 11/07/2011

Vinyle 33 Tours Vinyles Code EAN: 5414939640117 Artiste: The Kinks Rubrique principale Vinyle: 33 Tours Titre: Something Else By The Kinks Genre musical: Pop

WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA!! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°° Shirley BASSEY Something Else (1971) MINI LP REPLICA CARD SLEEVE 12-TRACK CD Atlantic Neuf NEW NOT SEALED - NEUF NON SCELLE   1) (Where Do I Begin?) Love Story (Francis Lai, Carl Sigman) 2) 'Til Love Touches Your Life (Riz Ortolani, Arthur Hamilton) 3) Easy Thing to Do (Johnny Harris, John Bromley) 4) Until It's Time for You to Go (Buffy Sainte-Marie) 5) It's Impossible (Armando Manzanero) 6) What's Done is Done (traditionnel gallois) 7) Pieces of Dreams (Michel Legrand, Alan Bergman, Marilyn Bergman) 8) Breakfast in Bed (Eddie Hinton, Donnie Fritts) 9) Excuse Me (Dick Addrisi, Don Addrisi) 10) Bridge Over Troubled Water (Paul Simon) 11) I'm Not There (Davis, Leonard) 12) I'd Like to Hate Myself in the Morning (John Meyer) °°°°°°°°°°°°°°°°°°°°° CARD SLEEVE = Pochette cartonnée TRACK = Titre °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ----------------------------------------------------------------------------------------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition  : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / r)

Disque vinyle CANNONBALL ADDERLEY - Something Else (Re Blue Note 180g). Disque - M Pochette - M Envoi dans toute la France en Mondial Relay ou Colissimo.

POCHETTE G+ DANS PROTECTION PLASTIQUE  (pochette) - FACE A: G+ FACE B: G+ LABEL/REF:  EMI/STAR LINE SRS 5012 - Mondial Relais: 5 euros jusqu'a 2 kg - Envoi en SUIVI ou COLISSIMO possible:  Demandez les tarifs postaux  (Différents et beaucoup moins avantageux) - - Le prix d'expédition indiqué pour l'étranger n'est valable que pour l'Europe.Pour le reste du monde y compris les communautés me contacter. - Shipping  cost are only for Europe.Another country  also Monaco Andorre Dom Tom  etc... contact me. -   NE PAS REGLER AVANT DE RECEVOIR LA FACTURE                                                                                                                                                                                                                   DONT PAY BEFORE THE INVOICE - VOUS ACHETEZ CE QUE VOUS VOYEZ Les photos ne sont pas retouchées GROUPEZ VOS COMMANDES ET REDUISEZ VOS FRAIS DE PORT SI VOUS SOUHAITEZ D'AUTRES PHOTOS VEUILLEZ M'ENVOYER UNE ADRESSE MAIL LES FRAIS D'EXPÉDITION COMPRENNENT L'EMBALLAGE ET L'AFFRANCHISSEMENT LE PAIEMENT DEVRA ÊTRE FAIT DANS LES HUIT JOURS QUI SUIVENT L'ENCHÈRE (HORS ENCHÈRES GROUPÉES) (SI PROBLÈME ME CONTACTER RAPIDEMENT) CONTACTEZ MOI POUR LES TARIFS A L'ETRANGER  Consultez mes autres objets! N’oubliez pas de m’ajouter à votre liste de favoris

James ‎– Say Something (USA exclusif CD) US CD. Very rare. In perfect condition. Year: March 1994. EAN: 0 422-858797-28. Edition: Polygram. Tracklisting: 1. Say Something (Radio Version) 3:07 2. Laid (99X Live 26/02/1994) 3:49 3. Say Something (Utah Saints Radio Edit) 3:43 4. Say Something (Hardkiss Mix) 8:17 US only single including three unreleased tracks – a US radio session version of Laid (that was released in 2015 on the Super Deluxe album box) and two mixes of Say Something that have not appeared anywhere else. Envoi rapide et soigné de France. Fast shipping from France. Foreign bidders welcome ! Please don't hesitate to ask if you have any questions. Have a look at my other sales !

45 TOURS STRAY CATS Baby Blue Eyes/Sweet love on my mind/Something else NEUF

STRAY CATS BABY BLUE EYES - SWEET LOVE ON MY MIND (Live) - SOMETHING ELSE (Live) 1982 (7" - Arista 104 069) Etat: VG+/EX- Consultez mes autres objets !

The Kinks - The Mono Collection (Sanctuary, Legacy) Boxset, mastering Kevin Gray. État : Très bon état   Boxset Mono de 10 albums des Kinks. Mastering par Kevin Gray. Le boxset est complet avec son livret. Les disques sont NM, les pochettes sont NM. La boîte est VG +, en excellent état avec une petite déchirure d'1 cm environ sur le dessous. Mono box set of 10 Kinks albums. Masters by Kevin Gray. The box is complete with its booklet. The records are NM, the covers are NM. The box is VG +, in excellent condition with a small tear of about 1 cm on the underside. 10 discs from 1964 to 1969 all on 180g vinyl Contains The first 8 albums in glorious mono including 'Live at Kelvin Hall'. Also includes bonus double LP compilation 'The Kinks' (aka 'The Black Album') Plus Lavish 48-page book including never-before-seen photos and new interviews with Ray Dave and Mick Kinks Kinda Kinks The Kink Kontroversy Face To Face Something Else By The Kinks Live At Kelvin Hall The Kinks Are The Village Green Preservation Society Arthur (Or The Decline And Fall Of The British Empire) The Kinks (double albums)

K7 AUDIO TWIST PARTY     Face 1 v  THATS WHAT  LIKE v  GOOD GOLLY MISS MOLLY v  SUGAR SUGAR v  LETS TWIST AGAIN v  STAND BY ME   Face 2 v  SOMETHING ELSE v  WOLLY BULLY v  SUMMERTIME BLUES v  HIT THE ROAD JACK v  SEE YOU LATER ALLIGATOR v  BE BOP A LU LA

MAGIC HOUR "Will they turn you on or will they turn on you" 1995 (CD) Edited by: Plastic Cloud Music / Ché Titles: 1. Something else 2'24 2. I had a thought 3'56 3. Chance was 5'04 4. When I remembered 3'28 5. Jonathan & Charles 4'55 6. Passing words 20'20 ************************************************************ 2nd HAND CD / CD D’OCCASION ************************************************************ Condition / Etat: Very good / Très bon INTERNATIONAL SHIPPING/HANDLING COST (by priority airmail postage / in strong envelope protected) I accept PAYPAL for all countries. (et pour la FRANCE: Chèque) USA & rest of the world Economic (slow delivery): 3.95 € USA & rest of the world Standard: 5.95 € EUROPE Economic (slow delivery): 3.95 € EUROPE Standard: 4.95 € FRANCE Lettre Max (suivi et assurance): 2.95 € Multiple purchases may be combined under a single shipping charge. Shipping within 48 hours ! Don't forget to look at my other items, thanks ! Interested in movies ? Have a look on our partner-shop Movie Planet Collector ! Les frais d'envoi sont regroupés si vous remportez plusieurs articles. Envoi sous 48 heures ! Pensez à regarder nos autres ventes, merci ! Passionné de cinéma ? Alors faites un tour sur notre boutique -partenaire Movie Planet Collector ! Please only bid if you want to buy item. The buying contract must be honored in 8 days delay, otherwise a complain will be deposed to Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

7/PATTI SMITH, BIG AUTO DYNAMITE, PASADENAS, MELISSA ETHERIDGE 45 T EP (4 TITRES) PATTI SMITH: PATHS THAT CROSS BIG AUTO DYNAMITE: SUDDEN IMPACT PASADENAS: SOMETHING ELSE MELISSA ETHERIDGE: OCCASIONALLY FRAIS DE PORT REDUIT SI ACHATS GROUPES

CDs Jazz, 4 euros l'unité. Parfait état. Eddie Floyd; Chronicle (greatest hits) Elvis Costello and Bill Frisell: Deep Dead Blue Harry Connick, Jr.: We are in love Harry Connick, Jr.: France, I wish you love Harry Connick, Jr.:Forever for now Jean-Marc Jafet: Live au Parc Floral Johny Hodges: Everybody Knows Johny Hodges (cd original, manque la pochette) Julian Joseph: In concert at the Wigmore Hall Miles Davis: First miles Roy Elridge: After You’ve Gone (cd original, manque la pochette) Rufus and Carla Thomas: Chronicle (Greatest Hits) Orness Coleman: Something Else!!!! The Randy Newman Songbook Vol. 1

eddie cochran rare lot de 3 books année 74, 79 et 80 tres bonne condition, rare photos, cuttings etc 1, rock n roll legends, 1974 1er book de alan clark 63 pages. something else a tribute to eddie cochran 1979, 44 pages eddie cochran, nostalgia album top book alan clark 1980 photos, cutings etc venant de la collection de la famille 58 pages

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory