Sound of sax recording

Prism Sound Dream ADA-8XR. État : "Occasion" - ADA-8XR 8AD/8DA+AES - 8 analog In (XLR), 8 analog out (XLR), Carte AES-EBU Perfect Shape / Etat parfait  Years: 2016  Feel free to ask any questions:) ---------------------------------- Overview  The ADA-8XR is a multi-channel AD/DA converter that can be in numerous ways using to suit a very wide variety of applications. It can be a 16 channel AD converter, a 16 Channel DA converter or an 8 channel AD/DA converter. It can be a, or an AES/EBU / AES3 / SPDIF Digital to Analogue or Analogue to Digital converter. It can act as a high resolution for recording or post-production. Similarly it can work with a wide range of other popular Digital Audio Workstations (DAWs) including Logic, Cubase, Nuendo and others. In fact, there's not a lot it can't do when it comes to digital audio conversion.  Applications  The ADA-8XR is the top professionals' converter of choice in the most exacting applications in music and sound recording, mastering, broadcast and post-production. Offering the cleanest and most transparent conversion available, the ADA-8XR is ideal for producers, engineers and songwriters wanting to produce top-quality results when recording, tracking & overdubbing, mixing to stereo or surround, mastering and monitoring. The ADA-8XR is perfect for recording vocal, single instruments, drums or orchestra and is just as much at home providing multiple outputs for external analogue summing. It is in use in the top studios around the world as well as being used in numerous film sound tracks.  Design Philosophy  The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: Now, the goals of ultimate sound quality, and un-matched versatility have been realised in a modular multi-channel, 24-bit 192kHz-capable format. The ADA-8XR provides A/D and D/A conversion and the essential digital interfaces with a stereo monitor mix output in digital and analogue formats.  Clocking and Synchronization  Unlike most other converter systems, the ADA-8XR is ideal as a master clock for your entire system, whether running from its precision internal reference or from an external source. No external clock source can improve the performance or influence the sound of the ADA-8XR. In addition, the ADA-8XR can run in Pro Tools Loop Sync mode, or lock to AES3, AES11 or Wordclock. The ADA-8XR delivers your recordings with perfect transparency, whatever the setup.  Configuration options  The ADA-8XR is a modular system and this provides great flexibility when creating systems with larger numbers of channels. Whether you need just a few channels of high-quality conversion or large a multi-track setup, the ADA-8XR is the natural choice. Using combinations of the basic system options and the range of digital interfaces you can build the system that perfectly matches your requirements. For more detail see the section.  ADA-8XR Summary Channel Configurations  - Up to 16 channels of state-of-the art 24-bit, 192kHz conversion in one great-sounding 2U package. - Choice of 8AD plus 8DA; 16AD; 16DA or D-D only configurations. - Dual-path architecture allows independent operation of two 8-channel paths: - Each path (bank of 8 channels) can be assigned to either record or play functions; - Each path can have independent clock references at different sample rates if desired; - Each path is independently configurable; - Each path can drive analogue and digital outputs simultaneously if desired - Allows Source Monitoring with simultaneous A/D and D/A conversion. - Electronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up; - Prism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs'; Dig

Appareil surprenant d’efficacité. Très peu utilisé, mais longuement servi récemment pour numériser des vinyles. Avec son alimentation externe et son convertisseur 220/110VAC (N'a jamais été produit en version 220V) L’emballage sera soigné Supporte le 20 bits en entrée ET en sortie, convertisseur A/D ADMOD79, D/A l'excellent TDA1547, DSP géré par PCF5020D, fonction ADOC CS8402, ADIC & ré-échantillonneur TDA1373, entrée SPDIF AES/EBU de 15 à 50 kHz, sortie 'switchable' de 44.1 à 48 kHz au dos par simple bouton... En français, transforme un Signal mono en stéréo, améliore le Son en provenance des vinyles (notamment 78 tours, mais les 45 et 33 aussi)), des disques compacts audionumériques (passe de 44.100 Hz à 48 kHz), supprime le Scratch, filtre (comme un Dolby, mais mieux)), améliore le rendu stéréo, élargit ou réduit l'effet stéréophonique, compresse/expand (les radioteurs comprendront), règle finement graves et aigus par pas de 1 dB, gère le fading, la balance et bien sûr le volume, etc.(Citation du site hifi vintage audiophile) "This product offers recording studio engineers, home studios owners, post production facilities, corporate A/V centers, archivist, and broadcast professionals unmatched performance and value for an integrated set of advanced sound processing technologies developed by Philips." The IS5021 include the following: - - 20-bit A/D converters (ADMOD79) - - High quality D/A converter (based on the Philips DAC7) - - Sample rate converter for interfacing between digital equipment operation at different sample rates. Digital Sound Processing including:  - - Jitter Removal (for cleaning up DAT recordings - - Compression/Expansion - - Noise reduction (comprising a low-pass filter with adjustable cut-off) - - QNI (Quantization Noise Imaging) - - Slave Mode (for external synchronization) - - Varispeed (pitch variation can be processed without effecting output sample rates) - - Scratch Suppression (de-clicking) - - Stereo Enhancement (stereo effect from mono) - - Spatial Stereo (widen or narrow the sound stage) - - Bass, Treble, Balance and Volume Control - - Digital Level Indication & Control (for monitor of the overall input level) These features offer the professional studio engineers tremendous versatility in the creation of digital recordings, whether from analog or digital source material. Typical applications for the IS5022 include the following:  Recording Studios/Music Production Facilities:  The 20-bit A/D converter in combination with the sample rate converter will permit the user to choose a 44.1 or 48kHz sampling frequency for the transfer of older DAT recording. Actually, any input sampling frequency between 15kHz and 50kHz will be accepted.  Broadcast Professionals/Archivists/Home Studios: The IS5022 offer a tremendous variety of easy to use tools to enhance the sound of older recordings (tape and vinyl) from the stereo enhancement capability that permits a monaural recording to be "converted" into stereo (through phase shift), to spatial stereo that widens or narrows the recording, to noise reduction and scratch suppression filters.  These capabilities, along with the D/A converter and QNI will permit recording professionals to create enhanced digital recordings, as well as transfer back to analog cassette format for substantially enhanced quality for use in portable listening applications.  Audio Post Production Facilities: Recordings made in-the-field with most commonly available portable DAT recorders can now be edited into recordings that offer improved resolution and richness along with substantially reduced jitter distortion.  Technical specifications Inputs Digital: 15-50kHz sample rate s/pdif: RCA Analog Unbalanced: RCA (L/R) Outputs Digital: 44/1/48kHz switchable s/pdif: RCA Analog Unbalanced: RCA (L/R) Performance (complete Analog Path-analog IN to OUT) Balanced S/N Ratio: 94dB (A-weighted)

Je vends ce saxophone vintage Selmer mark VII n°291467 Alto. Je ne suis pas musicien donc difficile pour moi d'évaluer l'état. J'ai essayé de mettre un maximum de photos pour que vous puissiez juger. Les tampons ont l'air en bon état. Traces d'usures sur le corps. Il semble complet mais nécessite probablement une révision par un professionnel. Je peux envoyer des enregistrements du son du saxo avec mon téléphone si vous souhaitez. I Can mail you the sound of the Sax by recording. Fourni avec différents accessoires dont un bec Otto link super tone master alto 7 L'ensemble pèse 6kilos Je réponds à toutes questions. Envoi soigné et rapide. World shipping. Zone euro: 45 euros Zone USA Japan China Australie 133euros You Can contact me to know the shipping cost for your country. En savoir plus Collaboration commerciale.

SELMER Mk6 UNIQUE soprano sax – MICHEL DONEDA’S : a unique gemm ! Tout le monde connait  MICHEL DONEDA, qui est un des plus grands saxophonistes soprano d'aujourd'hui. il officie depuis plus de 40 ans dans le domaine des musiques improvisees et a developpe un vocabulaire et un son vraiment remarquable sur cet instrument. je suis actuellement détenteur de son soprano mark 6 (1974) qui l'a accompagné sur une bonne partie de sa carrière, instrument en état remarquable et qui bien qu'ayant été beaucoup joué aux 4 coins du globe (il a enregistre avec tout le monde, y compris elvin jones en duo !) il est en parfait etat et sonne merveilleusement bien. Michel cherche aujourd'hui à s'en defaire car il joue depuis quelque temps sur un yamaha custom qui donne un son moins "signe" que le selmer. Si vous êtes interessé par cet instrument trié sur le volet par ce grand specialiste,, n’hesitez pas a encherir.sur cet instrumentest vendu avec son etui d’origine. Le vernis est absent d’une bonne partie du corps et des cles, mais il possede un son tres large, puissant et est tres juste. les tampons ne sont pas neufs, mais le sax « bouche » tres bien. n’hesitez pas a ecrire pour plus de details       Everyone knows MICHEL DONEDA: He is one of today's greatest soprano saxophonists. He has worked for more than 40 years in the field of improvised music and has developed a truly remarkable vocabulary and sound on this instrument. I am actualtly the owner of his soprano mark 6 (1974) which has accompanied him for a good part of his career. This instrument is in remarkable condition and although it has been played a lot all around the globe (he has recorded worldwide with the greatest jazz musicians, including in duet with Elvin Jones !). It's in pristine condition and sounds wonderful. Michel is now trying to get rid of it because he now keeps playing on a custom yamaha which gives a less "signature" sound than the Selmer. If you are ever interested in this instrument chosen among twenties at Selmer’s by a great specialist, do not hesitate to bid. This instrument comes with its original case. the lacquer is missing on many parts of the body and keys, but it is still nice looking with no dents or damage and it provides  a very wide, powerful very in tune sound. Though he pads are not new, the sax plays easily and well on the whole tessiture   Please feel free to write for more details

SONY WM R202 Recording autoreverse Walkman Stereo Cassette Player. Bonjour, Pour vente ce magnifique recording walkman de chez sony, le R202 de 1986. En très bon état, il a des taches sur la peinture face avant et arrière qui s’enlève pas, la petite fenêtre a un peu de brouillard. À part ce défaut esthétique le lecteur est pratiquement neuf et très peu utilisé. Fonctionne parfaitement, lecture et enregistrement. Son clair et puissant pour un walkman. Vendu avec tout ses accessoires d’origine: la housse en bon état, le casque MDR-A10 stéréo dynamique, le micro cravate et son petit stand, les deux adaptateur de piles AA et le plus rare pour une gumstick, ainsi que le manuel d’utilisation. Pour toutes autre question n’hésitez pas. Hi, For sale this magnificent recording walkman from 1986, the Sony WM-R202. In very good condition, though it has lots of defects on its coat of paint, more on front than back, and the little window is a bit foggy. Other than that it’s practically new and used very little. The player works perfectly though, playing and recording. All functions work. Autoreverse on the push of a button. Great powerful sound for a walkman. Sold with all of its original accessories: the case in a good condition, the Sony stereo dynamic headphones MDR-A10, the stereo mic with it’s little stand, both battery adapters for AA and more rare for a gumstick NiMH, as well as the user manuals. For anything else do not hesitate. If you’re in Europe shipping is cheaper but not cheap, contact me before you purchase. En savoir plus

PROJECTEUR SUPER 8 MM SONORE OPTIQUE ET MAGNÉTIQUE CHINON SOUND 9000 FONCTIONNE SUR LE 220 V CAPACITÉ 180 MÈTRES LAMPE 15 V 150 W OBJECTIF CHINON ZOOM LENS  1.3 F= 15-30 MM  HAUT-PARLEUR INCORPORÉ PRISE POUR HAUT-PARLEUR EXTÉRIEUR CADENCES 18 ET 24 IMAGES SECONDES PLUS VARIATEUR D'AFFINEMENT DE LA VITESSE FONCTION ENREGISTREMENT PRISE MICRO MINI JACK PRISE MICRO DIN AUX PRISE LINE OUT MANQUE LA NOTICE PROJECTEUR TRÈS FACILE D'EMPLOI A CHARGEMENT AUTOMATIQUE DU FILM QUELQUES TRÈS LÉGÈRES TRACES D'USURES DE PEINTURE PROJECTEUR EN PARFAIT ÉTAT DE FONCTIONNEMENT FOURNI AVEC SON CORDON D'ALIMENTATION UNE BOBINE VIDE DE 180 MÈTRES VOIR PHOTOS SUPER 8 MM OPTICAL AND MAGNETIC SOUND PROJECTOR CHINON SOUND 9000 WORKS ON 220 V CAPACITY 180 METERS 15 V 150 W LAMP CHINON ZOOM LENS OBJECTIVE 1.3 F = 15-30 MM INCORPORATED SPEAKER OUTDOOR SPEAKER SOCKET 18 AND 24 SECOND IMAGES MORE SPEED REFINING VARIATOR RECORDING FUNCTION MIC JACK MINI JACK MIC AUX SOCKET LINE OUT SOCKET LACK THE INSTRUCTIONS VERY EASY TO USE PROJECTOR AUTOMATIC FILM LOADING SOME VERY LIGHT TRACES OF PAINT WEAR PROJECTOR IN PERFECT OPERATING CONDITION SUPPLIED WITH ITS POWER CORD AN EMPTY COIL OF 180 METERS SEE PHOTOS

Ligature tenor sax SAXXAS TS OL pour bec metal type Otto Link. Service de livraison : Colissimo Recommande Cette ligature de type Winslow est vraiment super avec un bec metal comme le Otto Link STM. J'ai utilisee la ligature avec un bec Vandoren T75 V16 Metal. La ligature est complet avec tout les utils et trucs pour la modification comme vous voulez. Dans boite d'origine avec couvre bec d'origine. En plus, elle est tres belle avec une bec metal. Tres cool et pas volumineux. SAXXAS LIGATURE is an outstanding accessory: rivets supported by rubber springs placed at the bottom adjust themselves to the non-constant shape of the reed, making a SUPERB resonance transmission to the mouthpiece. rivets can be placed in many different positions, each resulting different sound color, projection, etc. SAXXAS ligature is the best way to customize your mouthpiece!

Magnifique Bocal alto Selmer plaqué or Super Action Série II. Superbe projection du son ! État : Occasion, quelques piqûres ça et là, très bon état sinon. Beautiful gold plated Selmer Neck for alto saxophone. Beautiful projection of the sound !

RockmanX100 ampli pour guitare objet collector qui reproduit le son des 80's (non testé) Rockman X100 by Tom Scholz vintage Headphone/Recording Amp made in 1984 (untested) The iconic 80’s sound amp. They are pretty rare unworn these days and becoming a collector's item. Mine is in perfect condition, rarely seen one as clean and shiny without scratch. BUT not tested. Dont know if it works, so selling for parts. Red power light turns on, with eight batteries. As shown on pictures it’s all clean inside, no part burnt. Can’t tell if its doing its full job since i have no musical setting to test it, i dont play guitar. Was keeping it on a shelf as decoration item in a gaming room. Rockman x100 amp has multi effects: clean, distortion, reverb and chorus functions. Recreates the iconic sound of the 80's. Famous for the recording of the Def Leppard Hysteria album. Its said to sound incredible into a PA system or recording unit with either Electric or Acoustic guitars (many videos online) Fast and Safe shipping worldwide carefully packed ___________________________________________ Donald Thomas Scholz (born March 10, 1947) is an American musician. He is the founder, main songwriter, primary guitarist, keyboardist and only remaining original member of the rock band Boston. He has appeared on every Boston release. Scholz, a multi-instrumentalist, plays guitar, bass, keyboards, and drums. After the success of Boston, he founded Scholz Research b'&' Development, Inc. to develop and market his inventions, many under the Rockman brand. Scholz holds several patents related to his work at SRb'&'D over the years. En savoir plus Collaboration commerciale.

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself. I bought it used from the exclusive Schoeps French distributor Areitec in 2017, so it should be in good working condition. Invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself with mikes. It is a former demo unit from the exclusive Schoeps French distributor Areitec. I bought it from them in 2017, so it should be in good working condition. Original invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

Parfait  état, fonctionnement parfait testé, sera très solidement emballé. Peut être envoyé de france Suisse vers Suisse 14 Frs en recommandé Pour pays hors Europe me contacter pour les frais d'envoi  Bonnes enchères  This Pioneer CT-S670D is a stereo cassette deck with Dolby B/C and HX-Pro noise reduction, it was first sold by Pioneer in 1997 with a manufacturer suggested retail price of USD $310 and discontinued a year later. The main features of the Pioneer CT-S670D are: 3 heads and off-tape monitoring, digital linear tape counter with 4 digits, automatic tape type selection and capable of handling normal, chrome and metal tapes, belt driven single-capstan transport. Typical front loading cassette deck with the cassette compartiment located on the center of the deck. Tape loading/unloading is operated motorized and the cassette needs to be placed with the side to be played facing forward in the cassette well. Level meters used on the CT-S670D are generic digital peak reading meters with peak hold for easy adjustment of optimum recording level. Full-logic transport controls used on the CT-S670D let it respond to the slightest finger contact for fast and effortless transport function selection. To ensure the best response from the wide variety of tapes available adjustment of, bias, equalization and sensitivity, to optimum levels can be performed prior to recording. Dolby C-type used in the CT-S670D provides 20 dB of noise reduction above about 1,000 Hz, fully doubling the amount given by B-type. The Dolby HX PRO system provides precise bias control during recording to reduce distortion and improve linearity in the high-frequency range, the result is recorded sound that is highly faithful to the original. For undisturbed listening a jack connector for a pair of stereo headphones is supplied. Connection to other audio components for plaback can be achieved by a RCA cable and recording from a source by a RCA cable. -  Advanced 3-Head System -  20bit A/D - D/A Converter -  Super Auto BLE XD -  Digital Processing System -  ALCA (Auto Level Control with Tape Analysis) -  Legato Link Conversion -  FLEX (Frequency Level Expander) Stereo Cassette Deck (1998)  (1 review) Specifications Type: 3-head, single compact cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.75 cm/s Heads: 1 x combination record/playback, 1 x erase Motor: 1 x reel, 1 x capstan, 1 x assist Tape Type: type I, CrO2, Metal Noise Reduction: B, C, HX Pro, Digital NR Frequency Response: 20Hz to 21kHz  (Metal tape) Signal to Noise Ratio: 90dB  (Digital NR) Wow and Flutter: 0.05% Total Harmonic Distortion: 0.6% Input: 100mV (line) Output: 0.5V (line) Dimensions: 420 x 128 x 277mm Weight: 4.5kg Year: 1998 Note: digital optical input

MINT condition - barely used -  come with a braided cable replacement and all the accessories. P5 Headphones With P5 mobile hi-fi headphones, the sound you hear is completely natural – as close to the sound of the original recording as we can possibly take you. Bowers & Wilkins call it true sound, and believe that you will know it as soon as you hear it. Noise Isolation A closed-back design with rigid metal faceplates and sealed earpads ensures that all the detail and dynamic range of your music is kept intact, while preserving just enough ambient sound to give you a sense of place. Perfect for listening to music on the go. Luxury Materials P5's high-quality sound and luxury materials are supported by smart design and user-friendly features. The Made for iPod cable allows easy control of an iPod, and the microphone facilitates calls on an iPhone. The leather earpads are magnetically attached, and can be quickly removed to swap the supplied cables.

Micro stéreo X/Y Sennheiser mke66 Fonctionne avec une pile AA standard ou rechargeable, ne nécessite pas d'alimentation fantome 48v.Peut être raccordé à n'importe quel enregistreur muni d'une prise micro jack 3.5 (ou 6.35 avec adaptateur).Parfait pour améliorer sensiblement le son d'une caméra ou pour du field recording, sound design...Son très clair, très détaillé, la qualité sennheiser! Equivalent à la gamme AT825, AT8022, rode NT4. Vendu avec son cable XLR/jack 3.5 + boite d'origine. A venir chercher sur Brains ou Nantes, envoi possible international ------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Sennheiser mke66 X/Y stereo microphone Operates with a standard or rechargeable AA battery, does not require 48v phantom power. Can be connected to any recorder with a 3.5 jack (or 6.35 with adapter). Perfect for improving the sound of a camera or for field recording, sound design... Very clear sound, very detailed, the sennheiser quality! Equivalent to AT825, AT8022, rode NT4 Sold with its XLR/jack 3.5 cable + original box. international shipping possible

The MATCH-IT and MATCH-IT2 allow the benefits of inexpensive domestic and semi-professional source equipment to be applied to the professional installation with minimum compromise in sound quality. As well as substantial cost savings, such machines also offer wider choice and availability compared to their professional brethren and, if well chosen, can prove extremely reliable. Mounted as close to the source equipment as possible, the MATCH-IT/MATCH-IT2 translate between the low level, unbalanced signals used by consumer devices and the higher amplitude, more noise-immune, balanced format found in the professional environment. From that point onwards, mains hum and interference from densely packed equipment will be rejected. Both units are packaged in a robust metal case suited to mounting on rack shelves or in the Canford “Rack-Pak”, beneath woodwork or inside rack cabinets by means of screws, ties or sticky pads. They are supplied with a mains lead, comprehensive instructions and a five year warranty. MATCH-IT Bidirectional Matching Unit Provides matching in both the record (balanced to unbalanced conversion) and replay (unbalanced to balanced) directions for one piece of domestic recording equipment, such as a tape or Mini-Disk recorder. The gain of both sections may be individually varied over a wide range that includes 0dB for higher level sources requiring balancing but no amplification. Technical Specification:Unbalanced to balanced sections (MATCH-IT and MATCH-IT2):Inputs:Unbalanced, RCA (phono)Input impedance:22k ohms Maximum input level:+24dBuNominal gain range:0dB to +25dBOutput noise:-94dB RMS re +8dBu O/P (20Hz-22kHz, +14dB gain)Harmonic distortion:0.005%THD (1kHz, +8dBu O/P)Frequency response:20Hz-20kHz ±0.1dBOutputs:Electronically balanced, XLR maleMaximum output level:+24dBu (10k ohms load), +23.5dBu (600ohms load)Balanced to unbalanced sections (Match-IT only):Inputs:Electronically balanced, XLR femaleInput impedance:20k ohms Maximum input level:+25dBuInput CMRR:60dB typ.Nominal gain range:-25dB to 0dBOutput noise:-94dB RMS re +8dBu I/P (20Hz-22kHz, -14dB gain)Harmonic distortion:0.005% (1kHz THD, -14dBu O/P)Frequency response:20Hz-20kHz ±0.1dBOutputs:Unbalanced, RCA (phono)Maximum output level:+24dBu (10k ohms load)MATCH-IT and MATCH-IT2:Power supply:230 VAC ±10% at 6VA (115V to special order)Dimensions(excluding connectors):294(w) x 114(d) x 44(h)mmWeight:0.9kg CONTACT for INTERNATIONAl SHIPPING FEES