Stage dã ploiement

Prism Sound Dream ADA-8XR. État : "Occasion" - ADA-8XR 8AD/8DA+AES - 8 analog In (XLR), 8 analog out (XLR), Carte AES-EBU Perfect Shape / Etat parfait  Years: 2016  Feel free to ask any questions:) ---------------------------------- Overview  The ADA-8XR is a multi-channel AD/DA converter that can be in numerous ways using to suit a very wide variety of applications. It can be a 16 channel AD converter, a 16 Channel DA converter or an 8 channel AD/DA converter. It can be a, or an AES/EBU / AES3 / SPDIF Digital to Analogue or Analogue to Digital converter. It can act as a high resolution for recording or post-production. Similarly it can work with a wide range of other popular Digital Audio Workstations (DAWs) including Logic, Cubase, Nuendo and others. In fact, there's not a lot it can't do when it comes to digital audio conversion.  Applications  The ADA-8XR is the top professionals' converter of choice in the most exacting applications in music and sound recording, mastering, broadcast and post-production. Offering the cleanest and most transparent conversion available, the ADA-8XR is ideal for producers, engineers and songwriters wanting to produce top-quality results when recording, tracking & overdubbing, mixing to stereo or surround, mastering and monitoring. The ADA-8XR is perfect for recording vocal, single instruments, drums or orchestra and is just as much at home providing multiple outputs for external analogue summing. It is in use in the top studios around the world as well as being used in numerous film sound tracks.  Design Philosophy  The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: Now, the goals of ultimate sound quality, and un-matched versatility have been realised in a modular multi-channel, 24-bit 192kHz-capable format. The ADA-8XR provides A/D and D/A conversion and the essential digital interfaces with a stereo monitor mix output in digital and analogue formats.  Clocking and Synchronization  Unlike most other converter systems, the ADA-8XR is ideal as a master clock for your entire system, whether running from its precision internal reference or from an external source. No external clock source can improve the performance or influence the sound of the ADA-8XR. In addition, the ADA-8XR can run in Pro Tools Loop Sync mode, or lock to AES3, AES11 or Wordclock. The ADA-8XR delivers your recordings with perfect transparency, whatever the setup.  Configuration options  The ADA-8XR is a modular system and this provides great flexibility when creating systems with larger numbers of channels. Whether you need just a few channels of high-quality conversion or large a multi-track setup, the ADA-8XR is the natural choice. Using combinations of the basic system options and the range of digital interfaces you can build the system that perfectly matches your requirements. For more detail see the section.  ADA-8XR Summary Channel Configurations  - Up to 16 channels of state-of-the art 24-bit, 192kHz conversion in one great-sounding 2U package. - Choice of 8AD plus 8DA; 16AD; 16DA or D-D only configurations. - Dual-path architecture allows independent operation of two 8-channel paths: - Each path (bank of 8 channels) can be assigned to either record or play functions; - Each path can have independent clock references at different sample rates if desired; - Each path is independently configurable; - Each path can drive analogue and digital outputs simultaneously if desired - Allows Source Monitoring with simultaneous A/D and D/A conversion. - Electronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up; - Prism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs'; Dig

Fostex RM-2 moniteur stéréo pour rack (processeur de diffusion) Etat: très bon, en parfait état de fonctionnement.  Prix: rare et cher sur le net, j’en demande juste 200€. Informations Ce moniteur de stéréo pour rack est la solution parfaite pour les racks qui ont besoin de son. Les salles des machines, le contrôle VTR, les centres de surveillance et les régies en sont des exemples. Le RM-2 produit un son représentatif et dispose de nombreuses possibilités, afin qu'un usage professionnel et à long terme ne pose aucun problème. Les possibilités du RM-2 Dû au fait qu'on utilise ce rack souvent dans les conditions professionnelles, Fostex a opté pour des connexions professionnelles. Vous aurez à votre disposition des entrées analogiques (variantes XLR et jack 6.3 mm), qui fonctionnent au niveau 4+dBu. Une connexion numérique AES/EBU est l'autre option, et son convertisseur DA supporte des fréquences de 44.1 - 96 kHz. Vous aurez un contrôle optimal grâce aux deux grands Vu-mètres à 26 LED. Le volume est réglable à l'aide de deux boutons de volume. Amplification dans le RM-2 L'amplification est garantie par un amplificateur classe D. Celui-ci produit 2 x 10 W et diffuse peu de chaleur, afin d'éviter des problèmes de température dans les grands racks. Le son est automatiquement coupé en allumant le moniteur, pour prévenir des sons désagréables qui peuvent endommager l'appareil. Caractéristiques ▪moniteur de stéréo pour rack ▪haut-parleurs: deux haut-parleurs de 110 x 40 mm, blindage magnétique ▪impédance: 8 Ohm ▪SPL maximal: 84 dB ▪gamme de fréquence: 200 Hz - 20 kHz ▪amplificateur: classe D, 2 x 10 W ▪convertisseur DA: AES/EBU ▪fréquence d'échantillonnage: 44.1 - 96 kHz ▪entrées: 2 x XLR, 2 x 6.3 mm jack ▪niveau d'entrée: +4dBu (XLR), -10dBu ▪impédance d'entrée: 10k Ohm ▪Vu-mètre: 2 x à 26 LED ▪dimensions: 430 x 44 x 282 (19 pouces, 1u) ▪poids: 3.5 kg ———————————————————————————————————————————————————— BENQ EPSON VIEWSONIC OPTOMA ACER XIAOMI XGIMI LUMERI LG ASUS HITACHI JVC PANASONIC CHRISTIE PHILIPS BARCO VIVITEK VANKYO NEBULA WIMIUS QKK YABER VILINICE VICTSING ELEPHAS POYANK THUNDEAL BYINTEK ALTO AMERICAN DJ AUDIOPOLE AUDIOPHONY BERHINGER BOOST BST CAMCO CERWIN VEGA CHEVIN CREST AUDIO CROWN AMCRON DAP AUDIO DB TECHNOLOGIES ADAM AKG ART HALL ALESIS ANTARI ARTURIA AVENGERSS BEYMA BSS B&C SPEAKERS BALDOCCI BEYERDYNAMICS CAMEO CELESTON CONTEST CLOUD DAP DENON DASLIGHT AMERICAN DJ CHAUVET CREST DECKSAVER CHESLEY BEAMZ BHM APEX AVID ALLEN & HEATH AFX LIGHT APOGEE AUDIOPHONY AKAI BOOMTONEDJ KENWOOD ECLER EMINENCE ECLER FOCAL GENELEC GEMAR HPA ELECTRONICS IBIZA JBL GLOBAL TRUSS FBT EXECUTIVE ELOKANCE FL STUDIO FOSTEX FLUID EXCELIGHTING EVOLITE ELECTROVOICE EXPELEC ELECTROVISION DYNASCAN DBX HK HPA G-L-T MIPRO MONSTER KRK NOVATION NUMARK NICOLS K&M LD SYSTEMS M MIXARS MUST MOBIL MACKIE KODA KORG ORTOFON PALMER OSRAM QSC RANE RTX RME PRESONUS POWER DYNAMICS PHILIPS PRODIPE PIONEER PROEL ROAD READY SAGITTER SAMSON SHURE YAMAHA ZOOM STAGE LINE SERATO SUNLITE STAGG SIRUS SENNHEISER SOUNDCRAFT SHOWTEC SXLIGHTING TASCAM TURBOSOUND VARYTEC WHARFEDALE TECHNICS TECHNYLIGHT TECHNYSOUND VARYTEC VONYX SONY D&B

Microfono Wireless con base, Marca Img Stage Line, TXS 100 set da 175 MHz, nuovo in confezione originale.