Stage tfe performance

MICROMEGA STAGE 6 (rare)  Lecteur cd haut de gamme LIRE LA DESCRIPTION Merci de lire l'intégralité du descriptif avant de placer votre enchère. (Pas de retour) MICROMEGA STAGE 6 (rare)  Lecteur cd haut de gamme livré avec sa  télécommande et son câble secteur. ETAT DU LECTEUR Façade en très bon état. Quelques traces et marques sur le  dessus (cf photos) La courroie du tiroir ainsi que les tampons amortisseurs de la tête de lecture sont neufs. Ces éléments ont été récemment remplacés  par un professionnel.  La  tête de lecture est d'origine (Philips CDM-12.4).  Pour le moment, elle a été conservée car globalement, la platine fonctionne bien. La mécanique est très réactive.  La platine lit des cds gravés sans difficulté  mais il  peut arriver,  sur des cds mal gravés ou en mauvais état,  que la platine se mette en erreur du type "error" ou "no disc".  Cela est rare mais dans le temps,  un remplacement de la tête de lecture   CDM12.4,  que l'on trouve facilement sur le net, devra  peut-être être envisagé.   QUALITE SONORE Ce lecteur vintage, sommet de la gamme Stage du constructeur français Micromega est doté d' une très grande réputation  auprès des audiophiles pour des raisons évidentes.  Il possède un superbe rendu, une musicalité  d'un très grand naturel,  sans agressivité.    Les instruments sonnent juste et  les voix sont retranscrites avec un réalisme sonore impressionnant.  L'image sonore est ample, la spatialisation remarquable. PARTICULARITES Le lecteur a de nombreuses fonctions uniques. Un mode d'emploi en français sera fourni. Par exemple, lorsque l'on raccorde le lecteur au secteur, l'afficheur clignote pendant 2 minutes en indiquant  le logo STAGE 6, ceci est un fonctionnement normal  pour activer les circuits et garantir  des performances sonores optimales.  Il est préférable de le savoir. Convertisseur bitstream: 2 x TDA1305T Réponse en fréquence de 20Hz à 20kHz Sortie ligne: 2V Sortie digitale coaxiale Poids env 4,8kgs Please read the entire description before placing your bid. (No return) CONDITION MICROMEGA STAGE 6 (rare)  Player cd high end with remote. Front in very good condition. Some traces and marks on the top (see photos) The drawer belt and the read head shock absorbers are new. These elements have been recently replaced  by a professional. The read head is original (Philips CDM-12.4). For the moment, it has been kept because overall, the turntable works well. The mechanics are very responsive.    The turntable reads CDs without difficulty but it can happen, on poorly engraved  CD or CD  in poor condition, that the turntable gets into an "error" or "no disc" type error. This is rare but over time a replacement for the CDM12.4 read head, which is easily found on the net, may have to be considered. SOUND QUALITY This vintage player, the top of the Stage range from the French manufacturer Micromega, has a very high reputation among audiophiles for obvious reasons. It has a superb rendering, a musicality of a very great naturalness,  without aggressiveness. The instruments ring true and the voices are transcribed with impressive sonic realism. The sound image is ample, the spatialization remarkable.  SPECIAL FEATURES The reader has many unique functions. Instructions for use in French will be provided. For example, when the reader is connected to the mains, the display flashes for 2 minutes indicating the STAGE 6 logo, this is normal operation to activate the circuits and guarantee optimal sound performance. It is better to know that.  Convertisseur bitstream: 2 x TDA1305T Réponse en fréquence de 20Hz à 20kHz Sortie ligne: 2V Sortie digitale coaxiale Poids env 4,8kgs

Merci de lire l'intégralité du descriptif avant de placer votre enchère. (Pas de retour) MICROMEGA STAGE 6 (rare)  Lecteur cd haut de gamme avec sa télécommande. ETAT DU LECTEUR Façade en très bon état. Quelques traces et marques sur le  dessus (cf photos) Le tiroir  ainsi que les tampons amortisseurs de la tête de lecture sont neufs. Ces éléments ont été récemment remplacés  par un professionnel.  La  tête de lecture est d'origine (Philips CDM-12.4).  Pour le moment, elle a été conservée car globalement, la platine fonctionne bien. Le lecteur est vendu pour pièces ou  pour réparation pour la raison suivante: Il peut arriver de façon aléatoire  et rarement que la platine se mette en erreur et ne lise pas le cd. Dans ce cas, il faut éteindre la platine et la rallumer et elle fonctionne de nouveau. Dans le temps,  un remplacement de la tête de lecture   CDM12.4 devra  peut-être être envisagé.   Cet article est vendu en l'état avec un cordon secteur et sa télécommande, sans garantie ni retour possible.   QUALITE SONORE Ce lecteur vintage, sommet de la gamme Stage du constructeur français Micromega est dotée d' une très grande réputation  auprès des audiophiles pour des raisons évidentes.   Il possède un superbe rendu, une musicalité  d'un très grand naturel,  sans agressivité.    Les instruments sonnent juste et  les voix sont retranscrites avec un réalisme sonore impressionnant.   L'image sonore est ample, la spatialisation remarquable. PARTICULARITES Le lecteur a de nombreuses fonctions uniques.  Par exemple, lorsque l'on raccorde le lecteur au secteur, l'afficheur clignote pendant 2 minutes en indiquant  le logo STAGE 6, ceci est un fonctionnement normal  pour activer les circuits et garantir  des performances sonores optimales.  Il est préférable de le savoir. Convertisseur bitstream: 2 x TDA1305T Réponse en fréquence de 20Hz à 20kHz Sortie ligne: 2V Sortie digitale coaxiale Poids env 4,8kgs Please read the entire description before placing your bid. (No return) CONDITION MICROMEGA STAGE 6 (rare)  Player cd high end with remote. Front in very good condition. Some traces and marks on the top (see photos) The drawer and the read head damper pads are new. These elements were recently replaced by a professional.The read head is original (Philips CDM-12.4). For the moment, it has been kept because overall, the turntable works well.The player is sold for parts or for repair for the following reason:It can happen randomly and rarely that the deck makes a mistake and does not read the CD. In this case, you must turn off the board and turn it on again and it works again. This is rare but over time a replacement of the CDM12.4 read head may need to be considered.   This item is sold with no warranty and no return possible.   SOUND QUALITY This vintage player, the top of the Stage range from the French manufacturer Micromega, has a very high reputation among audiophiles for obvious reasons. It has a superb rendering, a musicality of a very great naturalness, without aggressiveness. The instruments ring true and the voices are transcribed with impressive sonic realism. The sound image is ample, the spatialization remarkable.   SPECIAL FEATURES The reader has many unique functions. Instructions for use in French will be provided. For example, when the reader is connected to the mains, the display flashes for 2 minutes indicating the STAGE 6 logo,, this is normal operation to activate the circuits and guarantee optimal sound performance. It is better to know that. Convertisseur bitstream: 2 x TDA1305T Réponse en fréquence de 20Hz à 20kHz Sortie ligne: 2V Sortie digitale coaxiale Poids env 4,8kgs

Accessoires Audio Vidéo Code EAN: 0748018578479 En-tête / Fabricant: Yagri Tranche de poids: 250 à 500 g Origine_import: All-in-one Titre: F4-USB Stage Performance Karaoke Live 5 segments LED Main Level Meter 4 Channel Stage Mixer (EU Plug)-OceanTech80

Rare paire Luxman C300 et M300:Amplificateur et préamplificateur (avec phono). État : "Occasion" En excellent état de fonctionnement, notez qu' il faudra remplacer une ampoule du voyant Led  "classe A". Voltage 220V. Les deux appareils sont visibles chez Jefferson Hifi à Pérouse où je les ai déposés. Livraison possible en France, en Europe,etc nous consulter pour les frais d'envoi internationaux. Le M300 a été produit en même temps que la série C300. Je crois qu’il n’en a été produit que 2000 dans le monde. C’est non seulement une paire de collection, mais le haut de gamme des luxman des années 1980. Ils sont les dernières combinaisons pré/ampli, à avoir été fabriquées sans implication de Alpine(qui a ensuite  modifié sérieusement la qualité Luxman  hélas.). ils ont été primés "produit de l'année" au début des années 80.  Le M300 se laisse utiliser soit en classe A, où il développe 2x42 w sous 8 ohms en classe A, ou alors 172w en classe AB sous 8 ohms. Comme toujours chez Luxman, on peut espérer une dizainede watts supplémentaires dans chaque modes, vu qu'ils utilisent unsystème de mesure très strict sur leurs fiches techniques. Il faut surtout savoir qu’il ne faut basculer de classe AB en classe A que à l’arrêt, en redémarrage à froid.  Voici  les caractéristiques techniques (https://audio-database.com/LUXMANALPINE-LUXMAN/amp/m-300-e.html) et https://audio-database.com/LUXMANALPINE-LUXMAN/amp/c-300-e.html 1)Préampli C300: Frequency response: 0.5Hz to 140kHz   Total harmonic distortion: 0.005% Input sensitivity: 0.09mV (MC), 2mV (MM), 140mV (line)      Signal to noise ratio: 80dB (MM), 100dB (line) Output: 140mV (line), 1V (Pre out), 20V (Pre out Max)  Dimensions: 478 x 163 x 384mm     Weight: 9kg 2)amplificateur M300 Form Duo beta plusX poweramplifier Succession effectiveoutput (20Hz - 20kHz, both channel simultaneous operation) Class-A: 40W+40W (8ohms) AB class: 270W+270W (4ohms) 170W+170W (8ohms) THD (8 ohms) 20Hz- 20kHz-3dB Class-A: 0.005% or less AB class: 0.005% or less Cross modulationdistortion (8 ohms) 60Hz: 7kHz=4:1, -3dB Class-A: 0.005% or less AB class: 0.005% or less Output bandwidth Class-A: 10Hz-100kH-3dB(0.015% of distortion) AB class: 10Hz - -100kHz three dB(0.04% of distortion) Frequency characteristic 10hz-100kHz-1dB (aClass-A and AB class) Input sensitivity Class-A: 0.45V ABclass: 1V Input impedance 50kohm (a Class-A and ABclass) SN ratio (IHF-Acorrection) Class-A: 115dB ABclass: 120dB Remains noise (IHF-Acorrection) 30 microvolts (a Class-Aand AB class) Dumping factor 120 (1kHz, 8 ohms, aClass-A, and AB class) Protection network DC drift detectionspeaker protection network Overcurrent detection amplifierprotection network Attachment Circuit operationswitchpoint (indicator) Peek indicator Inputattenuator Headset jack Speaker-off switchpoint(indicator) Line phase sensor Supply voltage AC100V, 50Hz/60Hz Power consumption (Electrical Appliance and Material Control Law) Class-A: 420W ABclass: 430W Dimensions Width 478x height 214xdepth of 484mm Weight 30kg Stereo power amplifier which adopted the Duo beta plusX circuitry. In order to control NFB of an amplifier circuitry appropriately, the Duo beta circuitry was developed and it is adopted as M-300. After this makes amplifier to the extent that it is used also from a nakedness property as it was, it adds proper-quantity NFB and DC servo as finish of a tone quality, and is suppressing the transitional distortion of a supression of play sound, TIM, etc. by superfluous NFB etc. Furthermore, in M-300, the thought of a suitable control is introduced also into a power circuit, and it is considered as the power-source Duo beta plusX. At plusX, the stability of a comfortable tone quality and an operation is reconciled because the bottom gives controlling force calmly on the assumption that a generous power-source part. M-300 can change and use a Class-A and AB class. The Class-A operation has a structure which amplifies a signal wave form as it is. Therefore, it becomes unrelated to switching distortion or crossover distortion, and does not have the cause that it is distorted in addition to an element's own linearity. In M-300, the Class-A operation excellent in adopting a Duo beta as LAPT which excelled [element] in the high region property, and an amplifier circuitry, and adopting plusX as a power circuit is realized. In AB class, Oide power which drives transitional distortion below into a limit of measurement in pursuit of a nakedness property also in an operation, and is not made in a Class-A operation on it is realized. At the time of a switching of a Class-A / AB class, in a performance, sound does not break off and a noise is not generated, either. Circuitry constituted all the amplification stages from a push-pull circuit from the input stage to the output stage, and the amplifier which was excellent in the nakedness property which will be the requisite for a Duo beta circuitry is realized. The pre-driver stage is making the input stage the transistor which was excellent in the high region property with the cascode interconnection with the stream composition of the cascode bootstrap and the differential push pull by complimentary FET of a Pch type and a Nch type. And the driver stage and the power stage are considered as the push pull stream composition by a three-step Darlington connection. A linearity makes an output element high speed power transistor linear arithmetic processor-T which was well excellent in the high region property with a triple push pull stream composition, and the electric current is sent. In this way, the static characteristics and the dynamic behavior improved. And proper-quantity NFB and DC servo are added. The power-source part had the twin monophonic stream composition of right-and-left full independence, and has acquired the merit of a linearity covering all the bands, and the outstanding crosstalk property. The power transformer is performing and using the coil mandatory adopted and put into practice among the object for Rch, and two Lch. First, the power stage and the drive stage were made into another coil, and also the primary side and secondary side has unified the orientation of a coil. This is because it is checking having influence on play sound with the potential (polarity) which a transformer begins to roll, rolls and the last each has between opposite groundings. Moreover, four right and left adopt the type only with a capacity of 12,000 micro F for an audio as a filter capacitor, and low-impedance-ization of the power-source part is attained to it. In order to cope with the rush current which becomes large as the capacity of a power-source part becomes large, the rushes current preventing circuitry is adopted. The speaker protection network and the amplifier protection network are carried. The internal organs of the speaker protection network which detects DC output in an output-terminal and separates an output are carried out. Furthermore, when the speaker code etc. short-circuits, even if there is a big input, an amplifier circuitry is protected or the electric-current preventing circuitry is carried. After the elements currently used examine, it is using it, carrying out a tone-quality mandatory strictly uniquely. The film capacitor generally called non-polar is also arranging a polarity etc., and the capacitor is carrying out the tone-quality mandatory strictly. Moreover, the precision succession good transformation Detent volume excellent in the tone quality and a feeling of an operation is adopted as input attenuator. Furthermore, in terminals, the small gilding pin jack of contact resistance was adopted as the input terminal, and the large-sized screw type is adopted as a speaker termination. The product line was packed into the shortest distance, and also it has chosen high materials of the tone-quality effect, such as a shielded cable of oxygen free high conductivity copper and 500 core. Moreover, in order to suppress an elevation of the source impedance of the pattern side of a substrate, the power bus by a copper plate was adopted and the performance of a power source is employed efficiently. The line phase sensor is carried, by the functionality which detects this polarity, the polarity of the equipment was unified and the tone quality is improved. The indicator turned on at the clipping point of an output is carried, and a peek can be supervised.

TL Audio Ivory 5060 Preset Valve Compressor Fully working state. Coming in its original box. OVERVIEW:   High quality discrete microphone preamp, the 5060 has stereo line level or stereo instrument inputs.  The TL Audio 5060 is equally versatile as a “front-end" tracking device or as the final stage mixdown or mastering compressor.  One set of controls operates both the channels for quick and easy setup.  The TL Audio 5060 compressor section has 15 expertly programmed presets designed to work with a typical selection of vocal and instrumental sources as well as a manual mode for self adjustment of the compressor. The 5060's output section includes a “Fat EQ?switch for adding some “presence"or “weight"to your signal.   As with all the mono or stereo Ivory 2 units it is possible to fit the optional D0-2 converter card into the 5060 for premium quality 24-bit SPDIF analogue to digital conversion. This allows you to connect to your Hard Disc Recorder, Mixer or Soundcard in either an analogue or digital format. The combination of flexibility, ease of use and the renowned warmth of the TL Audio valve circuit design makes the 5060 unbeatable for value and performance. TL Audio 5060 Mk2 Key Features: - Valve preamp stage with mic, line and front panel instrument inputs - Compressor with 15 presets and a manual mode with user adjustable controls - Hi-pass 90Hz filter on the input stage with “Fat EQ?contour at the output stage - VU metering of output level, output level +10dB and compressor gain reduction - One set of controls for mono or stereo use - Automatic linking for stereo signals - 24-bit digital interfacing via the optional DO-2 digital output card   TL Audio 5060 Mk2 Specifications: - Preamp: Input Gain +16 to +60dB (mic input), -20 to +20dB (line input) - Compressor: Threshold: +10 to ?0dB, Ratio: 1:1.5 to 1:30, Attack: 0.5 or 5ms, Release: 0.2 or 1.5s, Gain Make Up: 0 to +20dB, Fat EQ +2dB @ 50Hz, -0.9dB @ 720Hz, +1.8dB @ 10kHz - Master Section Output Gain: -?to +15dB - PSU: Internally adjustable for 230V 50Hz or 115V 60Hz operation - Typical Consumption: 30VA - Dimensions: W: 483 x H: 88 x D: 200mm (2U 19" rack mounting) - Shipping Weight 6kg Will be sent well packed. Shipping to France: 20.50€ € Shipping to Europe and UK: 37.00 € Shipping to International: Please ask before bidding Accepted payment: Please only, PayPal

Little jewel, one of the greatest headphones amplifiers ever, extremely rare on sale, in perfect working condition and aesthetics, almost like new. Trully impressive, addicting sound. Higly regarded by audiophiles, a true reference and a collectible item. Would loved to keep this one, I'm selling it reluctantly... Comes with original box and accessories, well packaged. Would consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. b'"' In terms of the criteria that I listen for in any amp, transparency, noise, dynamics and the ability to get me out of my head and into the music, Prime is well, prime. All in all, a seemingly impressive effort that covers all the bases.b'"' From Neil Gader's review in The Absolute Sound head-fi.org/threads/meridian-prime-headphone-amplifier-review.691392/ Headfonia: MERIDIAN PRIME - ENGLISH EXCELLENCE b'"'Does The Prime Live Up To The Meridian Name? First I tried the Prime as an Amp/Dac combo (with PSU) and I immediately loved the sound from this demo unit: Enormous Clarity, great detail retrieval from bass to treble, top precision and dynamic sound. All presented with just the right amount of air between the instruments. Musical and detailed sound with a superb flow. The Prime sounds fast and is neutrally tuned but the best solid state kind there is. Maybe it is just slightly forward sounding, but not that much. Bass is tight, goes deep, is well layered and has a lot of detail but doesn’t have the big body of say the Beyerdynamic A20 amplifier (but it has far better quality). The Prime is a linear tuned unit and I find the bass to be perfect (and that’s an understatement) with the Audeze and Hifiman headphones but more on those later. The Prime’s mids are slightly more forward sounding, especially the vocals, but they are not bright. Don’t get me wrong on that because they sound incredibly good: perfect separation, great timbre, heaps of detail but never over-analytical and always musical and dynamic. Treble is extended and detailed but never harsh sounding. I do like my treble and the Prime does a splendid job for my taste. Treble is on the same level as the mids and bass: clarity, detail and sparkle. The Prime’s sound stage is wide and deep with a perfect balance and 3-dimensionality. I fell in love with the Prime’s sound as a DAC/Amp unit. For me this is top audiophile sound.b'"' The Prime can also be used as a DAC and Pre Amp in combination with a power amp, headphone amp or active speakers. There is no disappointment here, the Meridian DAC delivers a stunning performance in combination with my desktop sized solid state and tube amps. I love a clear, detailed and neutral DAC with a huge sound stage. Who wouldn’t? Well this is one of those DACs I could live happily ever after with. It ads nothing to the sound, in a good way that is, and using it as a pre amp boosts the performance of your amplifier. headfonia.com/meridian-prime-english-excellence/ The Prime is a top-class headphone amplifier and a surprisingly talented stereo preamp. Meridian is a master at signal processing, so it’s no surprise to find ‘Analogue Spatial Processing’ on board the Prime. It’s a function designed to counteract the fact that stereo recordings are designed to be played over speakers, not headphones. ASP blends the left and right channels to varying degrees – there are three options – to try to create a more natural presentation. These features can often compromise clarity and focus to improve sound staging, but ASP sounds pretty convincing. The Prime also works well as a dedicated stereo preamp. It’s certainly right up there with some of the best preamps we’ve heard at around the £1000 mark. En savoir plus

✅ Antares Auto-Tune Pro Bundle ✅ v9.1 VST VST3 AAX (win)    Instant Delivery  Note: ---------------------------- Windows - Auto-tune Pro - Anthares - 9.1 - 64-bit - Windows 7, 8 and 10 - Instructions: Attached Features Of Antares Auto-Tune Pro: Auto-Tune Pro is the most complete and advanced edition of Auto-Tune. It includes Auto Mode, for real-time correction and effects, Graph Mode, for detailed pitch and time editing, and the Auto-Key plug-in for automatic key and scale detection. Auto-Tune Pro also includes Classic Mode, for the celebrated “Auto-Tune 5 sound,” Flex-Tune and Humanize for more transparent and natural-sounding tuning, Throat Modeling for subtle or extreme vocal transformations, and Transpose for real-time pitch-shifting with automatic Formant Correction. Low latency processing lets you perform through Auto-Tune Pro in real-time on stage or in the studio, without worrying about distracting delay. Both the Auto Mode and Graph Mode interfaces are designed to offer the most efficient, flexible, and intuitive workflow for professional users and beginners alike. Auto Mode includes two unique screen views: Basic View gives you quick and easy access to the core features of Auto Mode, and Advanced View unlocks the powerful MIDI, scale editing and Vibrato Control features. Graph Mode gives you detailed control over every nuance of a vocal performance. Extensive pitch editing tools allow for precise control of individual notes and pitch curves, so you can apply pitch correction only where it’s needed. The transparent time correction features let you to quickly touch up timing errors in an otherwise perfect performance, or creatively rework the timing of your track without having to re-record it. The included Auto-Key plug-in is designed to enhance your workflow and save valuable time in the studio. Auto-Key automatically detects the key and scale of your music and sends it to all instances of Auto-Tune in your project. If you already know the key and scale of your tracks, you may also find Auto-Key useful for simultaneously setting the Key and Scale parameters of multiple instances of Auto-Tune with a single click. Whether you want to quickly touch up a few questionable notes, dial in the perfect Auto-Tune Effect, or meticulously polish an entire performance, Auto-Tune Pro offers the professional pitch correction and classic effects you’re looking for. download link include software just extract using winrar or winzip and run lifetime license -lifetime support SUPPORT:  If you need any assistance with receiving or downloading our products, please let us know. Supports 12 languages:English-French-Arabic-Portuguese-Spanish-Dutch-Greek-German-Italian-Russian- Japanese-Chinese(Simplified)  Payment:  We accept payment via paypal. Credit card payment can also be made via paypal  FEEDBACK:  If you are happy with our products and service, please leave a feedback! Positive reviews from previous customers help others feel secure when choosing our store. If you have any problem, we strongly suggest to contact us before leaving a feedback. Customers satisfaction is our goal and we will do our best to solve any of your problems.

ROTEL RA-1592. État: Occasion en parfaite condition, aucunes trace d’usure, le rodage vient tout juste d être terminer avec 100h d écoutes. Vendu avec la télécommande et sans la boîte d origine. The RA-1592 Integrated Amplifier leverages the strengths of our award winning RC-1590 preamplifier and RB-1582 MkII power amplifier in a sleek single chassis design. DIMENSIONS (W × H × D) 431 × 144 × 425mm 17" × 5.7" × 16" FRONT PANEL HEIGHT 3U / 132.6mm (5.25") POWER REQUIREMENTS 230V, 50Hz POWER CONSUMPTION 500W STANDBY POWER CONSUMPTION NET WEIGHT 16.8kg (37lbs.) BTU RATING 1239 BTU/h CONTINUOUS POWER OUTPUT 200W/Ch (All channels driven, 8Ω) TOTAL HARMONIC DISTORTION (THD) (20Hz–20kHz) FREQUENCY RESPONSE Line Level Inputs: 10Hz - 100kHz ±0.5dB Digital Inputs: 10Hz - 90kHz ±2dB Phono Input: 20Hz - 20kHz ±0.5dB S/N RATIO (IHF "A" Weighted) Line Level Inputs: 103dB Digital Inputs: 102dB Phono Input: 80dB There has never been a better time to be a music lover. Today’s source options provide limitless audiophile quality music. CD-or-better quality streaming, high resolution download sites, inexpensive mass storage devices, the still resilient CD and the resurgence of classic vinyl are all providing a wealth of content at impressively high fidelity. To hear all this music as the artist intended requires an extraordinarily flexible, sonically capable component. The RA-1592 Integrated Amplifier is exactly that component. It leverages the strengths of our award winning RC-1590 preamplifier and RB-1582 MkII power amplifier in a sleek single chassis design. With a powerful 200 watt per channel Class AB amplifier using performance audio grade components, the RA-1592 can effortlessly drive large speaker systems. The impressive Rotel manufactured toroidal transformer is a key element in the power supply design which also includes custom slit-foil storage capacitors and a dual-monoblock topology. All of this helps to ensure the amplifier performance stands up to even the most complex music and real world playback conditions. To complement the amplifier section, the RA-1592’s preamplifier incorporates the superb 32-bit/768kHz AKM digital-to-analogue converter (DAC) and analogue stages of the highest quality. The DAC and surrounding circuitry supports a vast array of source inputs including DSD capable PC-USB (24-bit/192kHz), 3 coaxial, 3 optical, integrated aptX® Bluetooth and front mounted USB iPod input. In recognition of the faithful analogue music lovers, there is a phono stage input (MM), XLR balanced input and 3 analogue RCA source inputs. User selectable A-B speaker outputs with 5-way binding posts, RCA pre-output and dual subwoofer outputs provide the ultimate flexibility in installation. The amplifier protection circuits monitor DC offset, overcurrent, short circuit and temperature to protect both the electronics and attached speakers. Custom integration features include RS232 and Ethernet IP control, 2 trigger outputs, remote IR input and automated digital signal sense power control for easy integration with streaming sources and control systems. The RA-1592 is the finest integrated amplifier yet in Rotel’s 55 year history of producing performance audio components.

For sale iBasso DX90 DAP, with original box and accessories, in excellent condition (has always been used with protective screen and case), working perfectly. While pretty good in its original form, iBasso engineers did cut some corners and the player does not reach its full potential. As such, the player has been extensively modified in order to improve performance:  - power supply and DAC stages have been redesigned in order to reduce the overall distortions and noise level, in particular at lower frequency where the original suffers the most (around 5dB THD+N improvement at 1KHz, 30dB (!) improvement at 20Hz)  - output buffering stage has been modified in order to improve performance with lower impedance earphones (with 16ohm load THD+N is improved by approx. 30dB) Measurements with a professional audio analyzer show that the modified player is reaching excellent performance under real life test conditions (line out: -105dB THD+N across pretty much most of the audible frequency spectrum, headphone out: -102dB THD+N while delivering 500mVrms under a 16ohm load). Included:  - DAP  - Original battery (in very good condition) + new spare battery  - USB cable  - Coax SPDIF out cable  - Burn-in cable  - Silicone case  - Spare screen protector (one already applied) The item will be carefully packed and tracking number will be provided. Shipping out of France, fast delivery and no taxes for destinations within EU.

ableton live 11 suite win64 MULTILANGUAGE   Edelivery full lifetime version Ableton Live 11 is fast, fluid and flexible music creation and performance software. It comes with effects, instruments, sounds and all kinds of creative features - everything you need to create any kind of music. Create in traditional linear setups or improvise without timeline restrictions in the Live Session view. Move freely between the elements of the music and play with ideas, without stopping the music and without interrupting its flow. Ableton Live is perfect for both learning and producing electronic music and creating professional electronic music. Along with its professional instruments and effects, Ableton Live has a feature that makes electronic music production easier: Warp. Also, by manipulating audio with the Warp engine, you can also make the audio files have the same speed and tempo as the rest of the project, regardless of the original speed. Allowing you to start clips that always play on time. Launch series products were designed to take advantage of this feature and by simply plugging in the controllers it is now possible to launch clips in Ableton without having to configure anything else. Ableton Live Lite is included with all Novation Launch products, allowing unlimited access to audio with warping, instruments and effects. Each Launch series product comes with 1GB of free WAV samples for Ableton Live, including House, Garage, Bass, Techno, Dubstep, EDM and more. A professional-quality, royalty-free library for use in your electronic music productions.  Novation's Launch product family should be easy-to-use controllers, but that doesn't mean they aren't powerful controllers for Ableton using advanced production techniques. In this video, Novation artist Alex Maxwell demonstrates superior Ableton performance using Novation's Launchkey Mini keyboard, offering some easy tips on how to produce with Ableton Live. Taking us through processes like manipulating multiple effects from a single controller, Alex also shows how the ergonomic design of Novation's Launch products puts assignable MIDI controls at your fingertips, ensuring instant access to whatever parameters you want, whenever you want. Therefore, each Novation Launch device includes user modes. And controls (like the “Track” buttons explained in the video) to achieve unprecedented control of your Ableton DAW. And which will also allow you to do things like switch from releasing clips to controlling drum racks while controlling the Ableton mixer and launching scenes in real time. With one hand!  Key Features of Ableton Live Suite 11 suite: A new way of working sound improvements Sketch, adjust and experiment Enter the details Also, take control Put your ideas into practice use any sound, any time Build your sound with live instruments Effects to shape ideas, project sounds and finish music sound selections Also, start using Push Export your Live Set from I OS APPS Play in time with other devices Get more sounds, loops and samples Make each show unique The center for your performance for any stage Latest Features: Includes full mounts for Serato and bridge system Organize session options and friendly interference Add 2 modes for single operation easily In addition, it records audio up to 64-bit depth Added real-time multitrack audio mixing Updated themes and stereo tools 32-bit 192kHz multitrack recording Multiprocessor support with multi-core system Plus unlimited undo options Non-destructive audio editing Enjoy fully focused work in a single-screen user interface Excellent MIDI sequencer system for hardware and software instruments Plus full reconfiguration support, you can now run as master or slave Improved warping capabilities with new real-time time-stretching tools Simpler MIDI mapping tools

For sale IsoAcoustics Gaia III set of 4. The item is new, never used. Opened box. Feel free to ask if any question. Description: IsoAcoustics Gaia Series Threaded Isolation Feet The GAIA isolators are machined units that incorporate IsoAcoustics’ patented design to provide a high degree of speaker isolation, while resisting lateral movement and oscillations, to maintain alignment with the listening position. Internal reflections from the hard supporting surface are attenuated resulting in greater sound clarity and openness. The soundstage blossoms to open up a three-dimensional image of natural, spatial sounds. Optimal results are heard by installing these units with the logo facing the listening position, or rotated 180 degrees, to align the isolators with the speaker’s motive forces, lift and place the speakers into position as the GAIA lower isolator will adhere to the supporting surface. “When a speaker is placed on a hard surface, secondary internal reflections result. Any artefacts of this smear that is similar in the two channels are perceived to be in the centre, causing the sound stage to collapse. The GAIA series of isolators eliminates this smear resulting in a larger 3-dimensional sound stage.” Gaia III Crafted with the vision of providing extraordinary acoustic performance, the GAIA III is the union of aesthetic visual design and acoustic engineering. The small compact design delivers unbelievable acoustic isolation that will bring out clarity and openness from your speaker as you’ve never heard. Designed for floor standing speakers and subwoofers weighing up to 70 lbs (32 KG), the GAIA III will provide more openness and clarity. Structural borne noise is greatly reduced while internal reflections from the hard-supporting surface are attenuated resulting in greater sound clarity and openness. Optimal results are achieved by installing the GAIA isolators with the logo facing the listening position, or rotated 180 degrees, to align the isolators with the speaker’s motive forces. The GAIA III provides a high degree of isolation while resisting lateral movement and oscillations to maintain alignment with the listening position. Lift and place the speakers into position as the GAIA lower isolators will adhere to the supporting surface. The GAIA’s are threaded into the base of the speaker or subwoofer to replace the existing spikes or feet. Threading the GAIA’s into the base of the speaker creates a strong connection with the speaker. With the top of the GAIA housing connected with the speaker and the bottom of the GAIA connected to the supporting surface, all of the energy is then managed by the GAIA’s internal isolator.

Truly exceptional equipment for its size, very powerful and impressive sound, perfect working condition. Could consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. This ad is for the amp only, no headphone is part of the sale! (if that is needed to be specified anymore) The CanAmp is a two-stage amplifier. While the first - voltage gain - stage is based on an integrated circuit of the highest audio pedigree, the second - power gain - stage is a single-ended, pure Class-A amplifier. It enables the CanAmp to drive virtually any headphones from 8 ohms up to 600 ohms. As its output power (at 8 ohm) is nearly 1W, the CanAmp could drive even a high-sensitivity loudspeaker! The unit has no internal wiring, and the signal path is kept to a minimum on its PCB. Its high-quality, 1 dB-tolerance Blue Alps volume pot goes through a further selection process during manufacturing to achieve an even tighter, 0.5 dB tolerance. The CanAmp not only has a line-level input but offers a line-level output to boot; it can therefore be connected to the TAPE MONITOR output of an amplifier, leaving the TAPE output free for additional components (MP3, MiniDisc, CDR, etc.). Gold-plated RCA terminals are used, and soldered directly onto the fibreglass PCB. Measured performance is excellent, the bandwidth going far beyond the audio range in both bass and treble, with low distortion into any normal headphone impedance and plentiful output. Output level isn’t everything and the Heed will in any case drive even harder, but this amp impressed not least on account of its large audio scale. Indeed, even with quite modest volume-control settings the soun just seemed big and generous, tonally, dynamically and even spatially. Once again, there’s a lot of detail, but the dominant impression is of size. Funnily enough, this was perhaps more pronounced with some unaccompanied solo vocals than with orchestra or mega-rock, but that just serves to remind one that the human voice can indeed be a very big instrument. Perhaps if you like your music a bit on the polite side this may seem a touch excessive, but we freely confess that we just loved it. Tonality is great too. Very wide soundstage. Open airy 3D sound. The soundtage seems to stretch way beyond the headphones with an airy feel each instrument separated in its own space. Imaging is well defined and the midrange and treble are at a level that makes listening for long periods very non-fatiguing. The Op-amp can be swapped for other types to give a different sound balance if preferred such as the AD823AN (more pronounced high end) or LM4562NA (more forward sound with better bass control). Having said that the supplied chip sounded the best overall to my ears. b'"'What blew me away is the depth of the music, it seems to have layer upon layer thus making the music three dimensional. This thickness is then presented with an almost reverb quality that makes you feel engulfed by the music. I am hearing stuff that I did not know was recorded in my Cd's because I could not hear it before.b'"' b'"'I don't care how big the amp or how big its price tag, the HEED is by far the best I have heard to date bar none. As you say the b'"'depthb'"' is palpable with every instrument in its own space in time.... once you get over the psychological fact that this amp only costs XYZ and the circuit is SO simple that it can't possibly sound good and you start listening (and enjoying) the music you start realising just how good an amp this is. don't care how big the amp or how big its price tag, the HEED is by far the best I have heard to date bar none. As you say the b'"'depthb'"' is palpable with every instrument in its own space in time.... once you get over the psychological fact that this amp only costs XYZ and the circuit is SO simple that i En savoir plus

the Rega iO has been designed to offer exceptional Rega performance at an affordable price point. It uses the same amplifier stage as the multi-award winning Brio now designed to run at 30 W per channel into 8 ohms. The io features two line level inputs, a high specification Rega moving magnet phono stage, and also a dedicated high quality headphone output. The io will integrate seamlessly into any home audio system whilst remaining simple to use and easy to set up. L’ampli stéréo Rega IO délivre 2 x 30 watts de puissance sous 8 ohms et possède 3 entrées RCA (dont une phono MM). Il peut alimenter une paire d’enceintes ainsi qu’un casque hi-fi via sa prise mini-jack en façade. Le Rega IO utilise le même type d’amplificateur de puissance et le même étage phono que son grand frère, le Rega Brio, plusieurs fois primé par la presse internationale. Ce n’est donc pas une surprise s’il offre une qualité sonore comparable. Plus compact et plus abordable, le Rega IO adopte ainsi un circuit d’amplification de classe A/B, partageant l’ADN des autres amplificateurs de la marque britannique. Le Rega IO adopte en effet des transistors de sortie Sanken, un potentiomètre de volume Alps et une alimentation linéaire servie par un impressionnant transformateur torique qui lui permet de délivrer 30 watts par canal sous 8 ohms. Côté connectique, le Rega IO dispose de deux entrées ligne RCA et d’une entrée phono avec mise à la terre bénéficiant d’une correction RIAA. On peut brancher sur cette dernière une platine vinyle équipée d’une cellule à aimant mobile. Une télécommande infrarouge est fournie permettant de changer facilement de source et de contrôler le volume à distance, sans quitter son fauteuil. La sortie casque mini-jack 3,5 mm à l’avant de l’ampli pourra alimenter un casque hi-fi ou des écouteurs. Puissance d’amplification 30 W RMS sur les deux canaux avec une charge nominale de 8 Ω Réponse en fréquence: – entrées ligne: 12 Hz (-1 dB) à 43 kHz (-3 dB) – entrée Phono: 15 Hz à 40 kHz (-3 dB) / 27 Hz à 20,5 kHz (-1 dB) Précision du suivi de la courbe RIAA: (100 Hz à 10 kHz) ± 0,4 dB généralement mieux que ± 0,3 dB Connectique 1 entrée Phono MM (RCA stéréo) + mise à la terre 2 entrées ligne (RCA stéréo) 1 sortie casque (mini-jack 3,5 mm) en façade 2 paires de borniers enceintes à vis compatibles fiches bananes Entrée 1 (Phono) Sensibilité d’entrée: 2,1 mV @ 47 kΩ en parallèle avec 220 pF Niveau d’entrée maximum: 100 mV Entrées 2-3 (ligne) Sensibilité d’entrée: 210 mV @ 47 kΩ Niveau d’entrée maximum: 10,25 V Sortie casque (Impédance de la source: 109 Ω) Tensions de sortie: – sans charge: 8 V – 32 Ω 1,6 V – 54 Ω 2,4 V – 300 Ω 5,7 V Consommation d’énergie 135 W à 230 V / 220 V / 115 V / 100 V dans la charge nominale de 8 Ω Accessoires Télécommande Piles incluses: 2 x AAA alcalines Valeurs nominales des fusibles T1.6 AL 250 V: 230 V / 50Hz et 220 V / 60 Hz T3.15 AL 250 V: 115 V / 60 Hz et 100 V / 50/60 Hz Généralités Dimensions (L x P x H): 180 x 290 x 68 mm Poids: 2,9 kg En savoir plus Collaboration commerciale.

Module amplificateur encastrable IMG STAGELINE Module amplificateur encastrable Équipement: Module subwoofer actif pour l'ère numérique. Les modules subwoofers actifs d'IMG Stage Line garantissent des graves puissants au moyen d'une technologie de pointe dans la classe numérique D. Les composants se caractérisent par une bonne efficacité de performance et fonctionnent de façon économe en énergie. En raison de leur conception, ces modèles au prix attractif sont très légers, ce qui est très important pour conserver un faible poids total. Module subwoofer actif classe D, 420 WMAX, 300 WRMS sous 4 ohms · Composant actif haute performance de classe D · Passe-bas variable 40-200 Hz (18 dB) · Potentimètre de phase réglable 0-180° pour une adaptation optimale aux haut-parleurs principaux · Entrée Line, sortie Line parallèle · Augmentation des graves intégrée de 3 dB à 40 Hz · Entrées High Level pour un branchement parallèle aux câbles de haut-parleur · Réserves de puissance importantes Données techniques: ATT.KAT.AMPLIFIER_MODULE_TYPE: Module amplificateur encastrable · Dimensions produit, hauteur: 255 mm · Dimensions produit, largeur: 188 mm · Dimensions produit, profondeur: 90 mm · Données techniques complémentaires: Puissance de sortie sinusoïdale 4 ohms: 300 WRMS · Puissance de sortie sinusoïdale 8 ohms: 150 WRMS · Puissance de sortie musique 4 ohms: 420 WMAX · Puissance de sortie musique 8 ohms: 210 WMAX · Facteur de distorsion pour puissance sinusoïdale: 70 dB · Consommation au repos: 24 VA · Consommation stand by: > 0,5 W · Temporisation stand-by: · Alimentation: 230 V courant alternatif / 50 Hz / 440 VA · Découpe enceinte nécessaire: 240 x 165 mm · Profondeur de montage sans plaque frontale: 65 mm · Dimensions: 188 x 255 x 90 mm · Poids: 1,6 kg · Entrée Line: 1 x RCA · Entrée High Power: 1 x bornier haut-parleur · Sortie Line: 1 x RCA · Bouton de réglage du volume sonore: X · Bouton de réglagede coupure de fréquence: X · Bouton de réglage de phase: X · Mise en marche automatique: X · Interrupteur d'alimentation: X · Poids: 1.72 kg · Puissance RMS par canal à 4 ohms: 300 W · Puissance RMS par canal à 8 ohms: 150 W  

Appareil surprenant d’efficacité. Très peu utilisé, mais longuement servi récemment pour numériser des vinyles. Avec son alimentation externe et son convertisseur 220/110VAC (N'a jamais été produit en version 220V) L’emballage sera soigné Supporte le 20 bits en entrée ET en sortie, convertisseur A/D ADMOD79, D/A l'excellent TDA1547, DSP géré par PCF5020D, fonction ADOC CS8402, ADIC & ré-échantillonneur TDA1373, entrée SPDIF AES/EBU de 15 à 50 kHz, sortie 'switchable' de 44.1 à 48 kHz au dos par simple bouton... En français, transforme un Signal mono en stéréo, améliore le Son en provenance des vinyles (notamment 78 tours, mais les 45 et 33 aussi)), des disques compacts audionumériques (passe de 44.100 Hz à 48 kHz), supprime le Scratch, filtre (comme un Dolby, mais mieux)), améliore le rendu stéréo, élargit ou réduit l'effet stéréophonique, compresse/expand (les radioteurs comprendront), règle finement graves et aigus par pas de 1 dB, gère le fading, la balance et bien sûr le volume, etc.(Citation du site hifi vintage audiophile) "This product offers recording studio engineers, home studios owners, post production facilities, corporate A/V centers, archivist, and broadcast professionals unmatched performance and value for an integrated set of advanced sound processing technologies developed by Philips." The IS5021 include the following: - - 20-bit A/D converters (ADMOD79) - - High quality D/A converter (based on the Philips DAC7) - - Sample rate converter for interfacing between digital equipment operation at different sample rates. Digital Sound Processing including:  - - Jitter Removal (for cleaning up DAT recordings - - Compression/Expansion - - Noise reduction (comprising a low-pass filter with adjustable cut-off) - - QNI (Quantization Noise Imaging) - - Slave Mode (for external synchronization) - - Varispeed (pitch variation can be processed without effecting output sample rates) - - Scratch Suppression (de-clicking) - - Stereo Enhancement (stereo effect from mono) - - Spatial Stereo (widen or narrow the sound stage) - - Bass, Treble, Balance and Volume Control - - Digital Level Indication & Control (for monitor of the overall input level) These features offer the professional studio engineers tremendous versatility in the creation of digital recordings, whether from analog or digital source material. Typical applications for the IS5022 include the following:  Recording Studios/Music Production Facilities:  The 20-bit A/D converter in combination with the sample rate converter will permit the user to choose a 44.1 or 48kHz sampling frequency for the transfer of older DAT recording. Actually, any input sampling frequency between 15kHz and 50kHz will be accepted.  Broadcast Professionals/Archivists/Home Studios: The IS5022 offer a tremendous variety of easy to use tools to enhance the sound of older recordings (tape and vinyl) from the stereo enhancement capability that permits a monaural recording to be "converted" into stereo (through phase shift), to spatial stereo that widens or narrows the recording, to noise reduction and scratch suppression filters.  These capabilities, along with the D/A converter and QNI will permit recording professionals to create enhanced digital recordings, as well as transfer back to analog cassette format for substantially enhanced quality for use in portable listening applications.  Audio Post Production Facilities: Recordings made in-the-field with most commonly available portable DAT recorders can now be edited into recordings that offer improved resolution and richness along with substantially reduced jitter distortion.  Technical specifications Inputs Digital: 15-50kHz sample rate s/pdif: RCA Analog Unbalanced: RCA (L/R) Outputs Digital: 44/1/48kHz switchable s/pdif: RCA Analog Unbalanced: RCA (L/R) Performance (complete Analog Path-analog IN to OUT) Balanced S/N Ratio: 94dB (A-weighted)