Stax does

STAX DOES THE BEATLES Various Artists Double Vinyle 2008 15 Titres Craft Recordings. Tracklist: - A1 – Otis Redding Day Tripper (Alternate Take) - A2 – David Porter Help! - A3 – Booker T. & The MGs* Got to Get You Into My Life - A4 – Steve Cropper With a Little Help From My Friends - A5 – Carla Thomas Yesterday (Live) - B1 – Booker T. & The MGs* Eleanor Rigby - B2 – The Mar-Keys Let it Be - B3 – Isaac Hayes Something - C1 – The Bar-Kays* Yesterday - C2 – Booker T. & The MGs* Michelle - C3 – Reggie Milner And I Love Her - C4 – The Bar-Kays* With a Little Help From My Friends - D1 – Booker T. & The MGs* Lady Madonna - D2 – John Gary Williams My Sweet Lord - D3 – The Bar-Kays* Hey Jude

- Cette vente concerne un disque vinyle dont le format et l'état sont précisés dans le titre et dans la table de correspondance ci-dessous. - This sale is for a vinyl record, the format and condition of which are specified in the title and correspondence table below - Cover & Vinyl Grading SS (Still Sealed) Unopened records, still in original shrink wrap. In original manufactured condition unless otherwise noted (i.e. evidence of mildew or bent corners, etc.) The Great Escape does not sell re-sealed records. If we have ANY suspicion that a sealed record is a re-seal or has sustained significant damage, we open it for inspection and grading! M (Mint) The record and sleeve are in perfect, original condition. The record may have been played but will have no evidence of deterioration. NM (Near Mint) A nearly perfect record. Any visible defects are of the type that "disappear" when the record is tilted under a strong light and they should not affect play. Sleeves in near mint condition will have no obvious signs of wear. Practically imperceptible ring wear may be allowed but no creases, seam-splits, or other easily detected flaws will be present. EX (Excellent) A very clean record. Near mint except for slight, superficial signs of wear. Sleeves in this condition may have marginal defects, but will not have significant creases or splits. VG+ (Very Good Plus) A well-cared-for record that is noticeably less than perfect, but defects are not visually or audibly distracting. Record surfaces may have slight scuffs or light scratches, but are still primarily clean. Sleeves may have some creases or minor ring wear, but should not be split. VG (Very Good) A used, reasonable copy to play. Many of the defects found in a VG+ copy will be more pronounced in VG condition. Surface noise may be evident and sleeves may look worn, but the record is still a decent copy. G (Good) A well-worn record that is still playable. Good does not necessarily mean "bad" but a record in this condition will have audible distractions and may have visible groove wear. Sleeves may have all manner of defects, but are still intact. Isaac Hayes ‎– Shaft 2 x 33T LP EX/EX Stax ‎– STXD 4004 - Cette vente concerne un disque vinyle dont le format et l'état sont précisés dans le titre et dans la table de correspondance ci-dessous. - This sale is for a vinyl record, the format and condition of which are specified in the title and correspondence table below - Cover & Vinyl Grading SS (Still Sealed) Unopened records, still in original shrink wrap. In original manufactured condition unless otherwise noted (i.e. evidence of mildew or bent corners, etc.) The Great Escape does not sell re-sealed records. If we have ANY suspicion that a sealed record is a re-seal or has sustained significant damage, we open it for inspection and grading! M (Mint) The record and sleeve are in perfect, original condition. The record may have been played but will have no evidence of deterioration. NM (Near Mint) A nearly perfect record. Any visible defects are of the type that "disappear" when the record is tilted under a strong light and they should not affect play. Sleeves in near mint condition will have no obvious signs of wear. Practically imperceptible ring wear may be allowed but no creases, seam-splits, or other easily detected flaws will be present. EX (Excellent) A very clean record. Near mint except for slight, superficial signs of wear. Sleeves in this condition may have marginal defects, but will not have significant creases or splits. VG+ (Very Good Plus) A well-cared-for record that is noticeably less than perfect, but defects are not visually or audibly distracting. Record surfaces may have slight scuffs or light scratches, but are still primarily clean. Sleeves may have some creases or minor ring wear, but should not be sp

Pressage Original US 1969 Stax STS 2015. Pochette VG++. Disque NM. Achat groupé 1 € pour chaque disque supplémentaire.

THE BAR-KAYS Soul finger / Knucklehead (ATCO 89) Original french pressing issued in 1967. Classic Memphis R&B/soul dancer. Issued on Atco and on Stax in France. Pressage original français sorti en 1967. Un classique du son soul/R&B de Memphis. Il existe une éditon sur Stax et une sur Atco. Record condition: SLEEVE (pochette) VG+ / RECORD (disque) VG+ J’indique toujours dans la description si le fichier son a été enregistré du vinyle en vente.  Si ce n’est pas précisé cela veut dire que l’échantillon vient d’un autre vinyle   It’s always indicated on the description when the clip sound source is the record actually on sale.  If not, it means than the source is from a previous copy   ACHETEZ PLUSIEURS DISQUES ET ÉCONOMISEZ LES FRAIS DE PORT. Demandez-moi les tarifs. Attendre ma facture pour payer en cas d'achat multiple CHECK MY OTHER RECORDS FOR SALE, COMBINED AND SAVE ON SHIPPING FEES. Ask me for rates. Wait for invoice to pay in case of multiple buys GRADING M  Mint Actually almost impossible to find a Mint second hand disc unless it’s sealed or it’s brand new. Neuf Quasi impossible pour un disque d’occasion sauf si le disque est scellé ou si c’est une nouveauté. NM Near Mint The record may have been played but it is almost mint. Only most minimal deterioration in sound quality. The sleeve is almost mint. Quasi Neuf Disque et pochette sont en état quasi neufs, jamais ou très peu joués et manipulés. Ils comportent le minimum de trace d’usure possible. EX Excellent The record shows some signs of having been played, but still plays perfectly. The vinyl may have some tiny wear or marks, but nothing major and nothing that affects play. The cover could show only slight wear and/or creasing but it’s still close to mint. Excellent Le disque a déjà été écouté plusieurs fois. Mais il passe toujours comme neuf. Si il y a des micro rayures, elles sont sans conséquences et quasi invisbles. La pochette est splendide, quelques signes manipulations, petites pliures, rien d’important quasi neuve VG+ Very Good+ The record have been played many times, show wear, small marks or light scratches but nothing deep. It still plays very well. The cover shows some wear, light creasing, maybe tiny tears or pen marks. Overall this is the condition of Most of records sold in second hand. Très Bon+ Disque a déjà été écouté, il peut y avoir des petites rayures, peut craquer très légèrement, mais l’écoute reste très satisfaisante. La Pochette est usée, petites écritures ou pliures mais très correcte. La plus part des disques d’occasions sont dans cette condition. VG Very Good The record shows non-deep scratches, surface marks,wear and displays some surface noise. But still very playable. The cover shows wear, creasing, maybe spine splits, BB/cut hole, pen marks or small tears. It may be great but with an inner sleeve or an insert missing. Très bon Le disque a été beaucoup écouté. Il y a des rayures et il craque. Néanmoins l’écoute reste satisfaisante sans être optimale. La pochette est usée, un poil déchirée, des grosses écritures. C’est aussi la note pour une pochette superbe mais ou il manque l’insert ou autre chose. G Good The record displays considerable surface noise, visible but non-deep scratches, but still it’s playable and enjoyable and it does not jump.The cover shows strong wear, creasing, spine splits, cut out hole, pen marks or tears but is still in one piece. Bon Le disque comporte beaucoup de rayures il craque beaucoup. Néanmoins il ne saute pas et il n’est pas rayé. L’écoute est toujours possible. La pochette est très usée, voir un peu déchirée, elle comporte des écritures néanmoins elle est toujours entière.

Vinyle Soul, Funk, Blues en très bon état sorti en 2013. Geater Davis ‎– Lost Soul Format: Vinyle, 2xLP, Compilation Label: Luv N' Haight ‎– LHLP 069 Année: 2013 Pays: US Style: Soul, Funk, Blues Condition disque: VG+ (Excellent, vinyle n°2 COMME NEUF) Condition pochette: VG+ (Excellent hormis une marque sur une tranche, voir photo n°3) Envoi rapide et soigné via Mondial relay ou Colissimo. Tracklist A1 My Love Is So Strong For You A2 For Your Precious Love A3 I Love You B1 I Can Hold My Own B2 Cry, Cry, Cry B3 Don't Marry A Fool B4 St. James Infirmary C1 Wrapped Up In You C2 Sweet Woman's Love C3 I Know (My Baby Loves Me) C4 I'll Play The Blues For You C5 I'll Play The Blues For You [2nd Version] D1 Cold Love [Long Version] D2 Breath Taking Girl D3 I'll Get By D4 Best Of Luck To You Notes Geater Davis was a singer from Texas who had the chops to be one of the great men of the soul era, but bad luck and bad timing kept him from enjoying the success he deserved. Davis would have been a perfect fit at Stax or Atlantic in the mid- to late '60s, but his recording career didn't get rolling until the early '70s, when his brand of gruff but passionate blues-based R&B was losing ground in favor of funkier sounds. And while producer Allen Orange consistently drew fine performances from Davis in the studio and gave him powerful and sympathetic backing, Orange's record labels (House of Orange and Seventy-Seven Records) didn't have much muscle in the marketplace. Davis recorded for other labels over the course of his career, including Ace and Luna, but they didn't fare much better with him than Orange's imprints, and Davis was little more than a cult figure when he died in 1984 at the age of 38. The Lost Soul Man collects 25 tracks Davis recorded during his tenure with Orange, and while the presence of repeated alternate takes and unreleased tracks that didn't get the studio polish they need dull the impact of this set just a bit, it's still a potent testament to his talents. At his best, Davis' singing suggests the cool passion of Bobby "Blue" Bland blended with the gritty fire of Wilson Pickett, and he's good enough to merit both comparisons; the slow slink of "I'm Gonna Change," the lover's regret of "I've Got to Pay the Price," the potent groove of "Ain't Worrying About Jody," and the primal shouter "Hot Buttered Love" are all stellar performances and leave no doubt this man could and should have had some hits under more favorable circumstances. While Charly's Sad Shades of Blue offers a broader portrait of Geater Davis' career, The Lost Soul Man does restore some of the man's best moments in the studio to circulation, and fans of great Southern soul will want to give this a thorough listen. ~ Mark Deming