Stories that words tell

Stories That Words Tell Us Elizabeth O'Neill   Auteur: Elizabeth O'Neill Editeur: Leopold Classic Library Broché: paperback Publication: 24/07/2015 Réédition: 24/07/2015 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Mot Clef: Reference Words & Language

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

* Boutique * Contact * Favoris * Evaluations * Page perso Categories de la Boutique * Variete Francaise & Quebecoise * Classique Baroque Romantique * CD Enfants Berceuses Comptines * Musiques du Monde Afrique Nova * Relaxation Humour Karaoke Easy * Humour & Textes lus, Parodies * Film Serie TV Comedie Musicale * Gospel & Spiritual Gospel Song * Jazz Latin Manouche Cool Swing * Rock Chretien Pop Louange Fete * Pop Rock Variete Disco Britpop * Country Blues Folk Songwriter * Soul R&B Stax Funk Blues * Hard Rock Metal Progressif * Inde Alternatif Punck Gothique * Techno Electro House Trance * Rap Hip-Hop Gangsta Rap Coast * Nouveautes * Autres Musiques * Import Musique * Promotion du Jour en Musique * A Offrir Idees Cadeaux * A Offrir Edition Coffret * A Offrir Edition Compilation Infos Contact Contactez-nous Description Reconstruction - Soda Pictures Une camera d?or etonnante Camera d?or amplement meritee au festival de Cannes 2003, RECONSTRUCTION est un film sans cesse etonnant. A partir d?un coup de foudre fulgurant entre deux inconnus a Copenhague le cineaste danois explore en un prisme aussi splendide qu?insolite toutes les variations de cet instant magique, s?il est possible qu?il existe le reve, l?amour absolu, la dechirure, la trahison, le destin...Il capte de splendides eclats de regards et de lumieres avec lesquels il jongle dans une narration non lineaire qui ne cesse de surprendre et dont l?impact esthetique est aussi intense que l?impact emotionnel. Discretement il suggere aussi que le coup de foudre est une construction romanesque de la litterature et du cinema, ce qui n?ote rien a l?emerveillement et au doute de ceux qui le revent ou le vivent. Avec des touches de surrealisme loin d?etre gratuites, un film a la fois moderne et lyrique, vraiment original ! mon film prefere une avalanche de scenes d'une esthetique rare. Le grain de la pellicule donne une peau rugueuse, palpable. On est emmenes dans le mystere, mais on ne cherche pas a le decouvrir car l'icomprehension est tellement belle... Certaines scenes (dans le bar, dans le metro,...) projetent une veritable decharge esthetique, c'est un plaisir de regarder certaines parties du film encore et encore, comme de petites oeuvres independantes. A story within a film within a story. Terrific! "Reconstruction" offers a story within a story within a film. It is shot in a grainy, almost documentary manner, reflecting to some extent stylistic approaches deriving from contemporary drama on television. The performances by the leading players are authentic and entirely convincing. If you like movies that tell intriguing stories and tell them in ways that only cinema can - you will enjoy this film very much. Synopsis Dans les rues de Copenhague, Alex, photographe, croise le regard d'Aimee c'est le coup de foudre. Abandonnant soudain Simone, sa compagne, il se met a suivre cette parfaite inconnue qui l'a bouleverse et qu'il est persuade d'avoir rencontree en reve. Ils deviennent amants le soir meme. Mais le lendemain, Alex se retrouve projete dans un veritable cauchemar ni ses voisins, ni Simone, ni meme son pere ne semblent le reconnaitre... Il n'a plus d'appartement, plus de reperes, plus d'identite. Sa rencontre avec Aimee, la nuit precedente, aurait elle transforme le monde qui l'entoure ? Seul Aimee pourra apporter un debut de reponse a Alex. Mais pas forcement celle qu'il attend... Attention !!! Ce produit est un import. Verifiez bien que les langues que vous desirez sont indiquees dans la fiche produit avant de commander. Faire une rechercher sur ce titre Reconstruction - Faire une rechercher sur cet auteur Soda Pictures         Visiter notre boutique Rajoutez-nous a votre liste de favoris vous serez avertis en priorite de nos promotions et nouveaux articles Livraison internationale We ship to Worldwide Contactez-nous Titre: Reconstruction - Acteur: Krister Henriksson Mar

Pour améliorer l'anglais il faut lire en anglais livres conseillés par la section anglophone prix du livre 4 euros ou PRIX DU LOT 10 EUROS Helen Fielding Bridget Jones JANE SETTERFIELD the thirteenth vote internet 4 etoiles All children mythologize their birth...So begins the prologue of reclusive author Vida Winter's collection of stories, which are as famous for the mystery of the missing thirteenth tale as they are for the delight and enchantment of the twelve that do exist. The enigmatic Winter has spent six decades creating various outlandish life histories for herself -- all of them inventions that have brought her fame and fortune but have kept her violent and tragic past a secret. Now old and ailing, she at last wants to tell the truth about her extraordinary life. She summons biographer Margaret Lea, a young woman for whom the secret of her own birth, hidden by those who loved her most, remains an ever-present pain. Struck by a curious parallel between Miss Winter's story and her own, Margaret takes on the commission. As Vida disinters the life she meant to bury for good, Margaret is mesmerized. It is a tale of gothic strangeness featuring the Angelfield family, including the beautiful and willful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess, a topiary garden and a devastating fire. Margaret succumbs to the power of Vida's storytelling but remains suspicious of the author's sincerity. She demands the truth from Vida, and together they confront the ghosts that have haunted them while becoming, finally, transformed by the truth themselves. The Thirteenth Tale is a love letter to reading, a book for the feral reader in all of us, a return to that rich vein of storytelling that our parents loved and that we loved as children. Diane Setterfield will keep you guessing, make you wonder, move you to tears and laughter and, in the end, deposit you breathless yet satisfied back upon the shore of your everyday life. (less)

Pour améliorer l'anglais il faut lire en anglais livres conseillés par la section anglophone  PRIX DU LOT 8  EUROS Helen Fielding Bridget Jones JANE SETTERFIELD the thirteenth vote internet 4 etoiles All children mythologize their birth...So begins the prologue of reclusive author Vida Winter's collection of stories, which are as famous for the mystery of the missing thirteenth tale as they are for the delight and enchantment of the twelve that do exist. The enigmatic Winter has spent six decades creating various outlandish life histories for herself -- all of them inventions that have brought her fame and fortune but have kept her violent and tragic past a secret. Now old and ailing, she at last wants to tell the truth about her extraordinary life. She summons biographer Margaret Lea, a young woman for whom the secret of her own birth, hidden by those who loved her most, remains an ever-present pain. Struck by a curious parallel between Miss Winter's story and her own, Margaret takes on the commission. As Vida disinters the life she meant to bury for good, Margaret is mesmerized. It is a tale of gothic strangeness featuring the Angelfield family, including the beautiful and willful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess, a topiary garden and a devastating fire. Margaret succumbs to the power of Vida's storytelling but remains suspicious of the author's sincerity. She demands the truth from Vida, and together they confront the ghosts that have haunted them while becoming, finally, transformed by the truth themselves. The Thirteenth Tale is a love letter to reading, a book for the feral reader in all of us, a return to that rich vein of storytelling that our parents loved and that we loved as children. Diane Setterfield will keep you guessing, make you wonder, move you to tears and laughter and, in the end, deposit you breathless yet satisfied back upon the shore of your everyday life. (less)

RARE LP 70's   RARE 9 LP BOX SET BUDDY  HOLLY "The Complete Buddy Holly Story"  102 Titres,. 3 Interviews, hommages... – Mike Berry With The Outlaws  Tribute To Buddy Holly 2:56 – Buddy Holly And Bob Montgomery I Wanna Play House With You 2:20 – Buddy Holly And Bob Montgomery Door To My Heart 2:20 – Buddy Holly And Bob Montgomery Baby It's Love 1:50 – Buddy Holly And Bob Montgomery I Gambled My Heart 2:40 – Buddy Holly And Bob Montgomery Memories 2:13 – Buddy Holly And Bob Montgomery Down The Line 2:01 – Buddy Holly And Bob Montgomery Soft Place In My Heart 2:12 – Buddy Holly And Bob Montgomery Queen Of The Ballroom 2:20 – Buddy Holly And Bob Montgomery Gotta Get Near Your Blues 1:52 – Buddy Holly And Bob Montgomery Flower Of My Heart 2:32 – Buddy Holly And Bob Montgomery You And I Are Through 2:04 – Buddy Holly And The Three Tunes You Are My One Desire 2:20 – Buddy Holly And The Three Tunes Blue Days And Black Nights 2:03 – Buddy Holly And The Three Tunes Modern Don Juan 2:39 – Buddy Holly And The Three Tunes Rock Around With Ollie Vee 2:12 – Buddy Holly And The Three Tunes Ting A Ling 2:39 – Buddy Holly And The Three Tunes Girl On My Mind 2:16 – Buddy Holly And The Three Tunes That'll Be The Day 2:26 – Buddy Holly And The Three Tunes Love Me 2:05 – Buddy Holly And The Three Tunes Don't Come Back Knockin' 2:12 – Buddy Holly And The Three Tunes Midnight Shift 2:09 – Buddy Holly And The Three Tunes Gone 1:09 – Buddy Holly Shake, Rattle And Roll 1:22 – Buddy Holly Honk Tonk 3:26 – Buddy Holly Blue Suede Shoes 1:52 – Buddy Holly Rip It Up 1:25 – The Crickets  Love's Made A Fool Of You 1:59 – The Crickets  Someone, Someone 2:46 – The Crickets  Oh, Boy! 2:07 – The Crickets  Not Fade Away 3:26 – Buddy Holly Interview With Buddy Holly 0:42 – The Crickets  You've Got Love 2:04 – The Crickets  Maybe Baby 2:02 – The Crickets  It's Too Late 2:21 – The Crickets  Tell Me How 2:55 – The Crickets  That'll Be The Day 2:16 – The Crickets  I'm Looking For Someone To Love 1:55 – The Crickets  An Empty Cup (And A Broken Date) 2:10 – The Crickets  Send Me Some Lovin' 2:32 – The Crickets  Last Night 1:53 – The Crickets  Rock Me Baby 1:50 – The Crickets  Think It Over 1:44 – Buddy Holly And The The Crickets  Interview With Buddy Holly And The Crickets (Part 1) 2:10 – The Crickets  It's So Easy 2:01 – Buddy Holly And The The Crickets  Interview With Buddy Holly And The Crickets (Part 2) 0:50 – The Crickets  Fools Paradise 2:28 – The Crickets  Lonesome Tears 1:46 – Ivan  Oh, You Beautiful Doll 1:18 – Ivan  Real Wild Child 2:18 – Buddy Holly I'm Gonna Love You Too 2:12 – Buddy Holly Peggy Sue 2:30 – Buddy Holly Look At Me 2:05 – Buddy Holly Interview With Buddy Holly 1:35 – Buddy Holly Listen To Me 2:20 – Buddy Holly Valley Of Tears 2:07 – Buddy Holly Ready Teddy 1:30 – Buddy Holly Every Day 2:07 – Buddy Holly Mailman, Bring Me No More Blues 2:10 – Buddy Holly Words Of Love 2:54 – Buddy Holly You're So Square (Baby I Don't Care) 1:33 – Buddy Holly Rave On 1:47 – Buddy Holly Little Baby 1:54 – Buddy Holly Heartbeat 2:07 – Buddy Holly Well All Right 2:13 – Buddy Holly Take Your Time 1:55 – Buddy Holly Wishing 2:00 – Buddy Holly Love's Made A Fool Of You 1:57 – Buddy Holly (Ummm, Oh Yeah) Dearest 1:51 – Buddy Holly You're The One 1:29 – Buddy Holly Come Back Baby 1:45 – Buddy Holly Reminiscing 1:54 – Buddy Holly It Doesn't Matter Anymore 2:01 – Buddy Holly Raining In My Heart 2:46 – Buddy Holly Early In The Morning 2:05 – Buddy Holly True Love Ways 2:47 – Buddy Holly Moondreams 2:37 – Buddy Holly Now We're One 2:05 – Buddy Holly Learning The Game 2:10 – Buddy Holly Crying, Waiting, Hoping 2:10 – Buddy Holly Peggy Sue Got Married 2:03 – Buddy Holly What To Do 1:53 – Buddy Holly That Makes It Tough 2:23 – Buddy Holly That's What They Say 2:11 – Buddy Holly Slippin' And Slidin' 3:29 – Buddy Holly Bo Diddley 2:18 – Buddy Holly With Till The Sun Shines Nellie 1:52 – Buddy Holly Brown-Eyed Handsome Man 2:02 – Buddy Holly I Guess

POUR LES FANS D'ELVIS PRESLEY JE VOUS PROPOSE CE TRIPLE CD   : THE REAL ELVIS 60S COLLECTION LE MEILLEUR DES TITRES DU KING DANS LES ANNEES 60 49 HITS ! BMG  - 2015 Disc 1 1. Return to Sender 2. (Youre The) Devil In Disguise 3. Follow That Dream 4. Today, Tomorrow And Forever - Elvis Presley with Ann Margret and The Jordanaires 5. Just Tell Her Jim Said Hello 6. Im A Roustabout - Elvis Presley and The Jordanaires 7. Good Luck Charm 8. Shes Not You 9. Suspicion 10. From a Jack to a King 11. Witchcraft 12. Youll Be Gone 13. The Lady Loves Me - Elvis Presley with Ann-Margret 14. Im Yours 15. Kiss Me Quick 16. Memories Disc 2 1. A Little Less Conversation 2. Viva Las Vegas - Elvis Presley and The Jordanaires 3. Such a Night 4. Frankie And Johnny 5. Gonna Get Back Home Somehow 6. You Dont Know Me 7. Big Boss Man 8. Too Much Monkey Business 9. Lawdy, Miss Clawdy 10. Whatd I Say 11. Rubberneckin 12. (Its A) Long Lonely Highway - Elvis Presley and The Jordanaires 13. Ill Hold You In My Heart (Till I Can Hold You In My Arms) 14. Baby What You Want Me To Do - Elvis Presley with The Sweet Inspirations and The Imperials Quartet 15. There Aint Nothing Like a Song 16. Memphis, Tennessee 17. Reconsider Baby Disc 3 1. If I Can Dream 2. Guitar Man 3. In the Ghetto 4. Gentle On My Mind 5. Only the Strong Survive 6. Suspicious Minds 7. Words 8. Clean Up Your Own Backyard 9. Dont Cry Daddy 10. Ill Remember You - Elvis Presley and The Jordanaires 11. Blue River 12. Wearin That Loved On Look 13. U.S. Male 14. You Gotta Stop - Elvis Presley and The Jordanaires 15. Long Black Limousine 16. Stranger In My Own Home Town NO CDR - DIGIPACK TRÈS BON ÉTAT / VG CONDITION A NE PAS MANQUER ! DECOUVREZ MA BOUTIQUE DREAMS OF AMERICA !!!!

VINYLE ETAT NEUF Rave on, tell me how, peggy sue got married, slippin'and slidin', ohboy, not fade away, bo diddley, what to do, heartbeat, well allright, words of love, love's made a fool of you, reminiscing,lonesome tears, listen to me, maybe baby, down the line, that'll bethe day, peggy sue, brown eyed handsome man, you're so square, cryingwaiting hoping, ready teddy, it doesn't matter anymore

AEROSMITH pump CD 1989 Geffen Records ‎– 924 254-2 CONDITION: CD*:    ex+*                       TOP SURFACE:    MINT  BOOKLET*:     near mint BACKCOVER: mint *CD: MINT/MINT- is like new, without any visible surface marks on the cd most of time I prefer grade the cd mint- (Near mint) because I can miss a minor detail and somebody could tell me the cd is not perfectly mint... EX++ the cd looks really fine but you can see (under a light if you check carefully) few minor surface marks. Usually light details but that is enough to see the cd not new. EX+ the cd is still in great condition but you can see more little surface marks (always light, not deep) and they are easier to see. EX or EX- cd has many scratches but still not deep. no damage. Cd plays fine. less than EX- when the condition is less than EX I don t grade it VG because in french "VG" means "VERY GOOD" and I can t say a cd with many visible scratches is in very good condition. so under Ex/EX-, I will only describe the cd condition with words like: "many visible surface marks or many scratches or deep scratches" all the CD I list plays fine despite their condition less than EX. anyway if one day a cd doesn t play fine, the buyer can send it back and get a refund. if a cd has scratches they go through silver layer and usual we can see they from both sides of the CD I usually don t sell it or damages will be described in item s condition. I use to check cd condition as well as I can but, anyway, if one day I miss this kind of damage, the buyer can send it back and get a refund. shipping EU: without jewel box:  2e      shipping worlwide: without jewel box:  2.5e     PORT:      sans boitier        2e     avec boitier         3e

DIABOLICAL MASQUERADE The Phantom CD  digipak 1st Pressing 1997  ADIPOCERE CD AR 039 CONDITION: digipak: mint / near mint           inside:  mint cd:  ex++         top surface:  mint *CD: MINT/MINT- is like new, without any visible surface marks on the cd most of time I prefer grade the cd mint- (Near mint) because I can miss a minor detail and somebody could tell me the cd is not perfectly mint... EX++ the cd looks really fine but you can see (under a light if you check carefully) few minor surface marks. Usually light details but that is enough to see the cd not new. EX+ the cd is still in great condition but you can see more little surface marks (always light, not deep) and they are easier to see. EX or EX- cd has many scratches but still not deep. no damage. Cd plays fine. less than EX- when the condition is less than EX I don t grade it VG because in french "VG" means "VERY GOOD" and I can t say a cd with many visible scratches is in very good condition. so under Ex/EX-, I will only describe the cd condition with words like: "many visible surface marks or many scratches or deep scratches" all the CD I list plays fine despite their condition less than EX. anyway if one day a cd doesn t play fine, the buyer can send it back and get a refund. if a cd has scratches they go through silver layer and usual we can see they from both sides of the CD I usually don t sell it or damages will be described in item s condition. I use to check cd condition as well as I can but, anyway, if one day I miss this kind of damage, the buyer can send it back and get a refund. ***************************************************************************************************************************************** HANDLING TIME: 5 business days  I can go to post office usually once a week (most of the time monday or tuesday) if for a particular reason you need a quicker shipping, please get in touch & let me know. VERSAND / SHIPPING WELTWEIT / WORLDWIDE:  7€    (registration & tracking number) france:   5€  (colissimo)

Depressive Age - Lying In Wait CD 1993  GUN GUN 020 CONDITION: CD*:   ex++ / near mint           TOP SURFACE:    MINT  BOOKLET*:   tiny tab idents = ex++ BACKCOVER: mint *CD: MINT/MINT- is like new, without any visible surface marks on the cd most of time I prefer grade the cd mint- (Near mint) because I can miss a minor detail and somebody could tell me the cd is not perfectly mint... EX++ the cd looks really fine but you can see (under a light if you check carefully) few minor surface marks. Usually light details but that is enough to see the cd not new. EX+ the cd is still in great condition but you can see more little surface marks (always light, not deep) and they are easier to see. EX or EX- cd has many scratches but still not deep. no damage. Cd plays fine. less than EX- when the condition is less than EX I don t grade it VG because in french "VG" means "VERY GOOD" and I can t say a cd with many visible scratches is in very good condition. so under Ex/EX-, I will only describe the cd condition with words like: "many visible surface marks or many scratches or deep scratches" all the CD I list plays fine despite their condition less than EX. anyway if one day a cd doesn t play fine, the buyer can send it back and get a refund. if a cd has scratches they go through silver layer and usual we can see they from both sides of the CD I usually don t sell it or damages will be described in item s condition. I use to check cd condition as well as I can but, anyway, if one day I miss this kind of damage, the buyer can send it back and get a refund. shipping worlwide: withjewel box:  2.6e     PORT FRANCE:       avec boitier   4e   lettre suivie sans boitier   2.16 €  lettre suivie

Adorned Brood - Erdenkraft CD 2002  Moonstorm Records ‎– MOON 045 CONDITION: CD*:    ex++ (a couple of slight marks)                 TOP SURFACE:    MINT  BOOKLET*:   ex++ / near mint BACKCOVER: mint *CD: MINT/MINT- is like new, without any visible surface marks on the cd most of time I prefer grade the cd mint- (Near mint) because I can miss a minor detail and somebody could tell me the cd is not perfectly mint... EX++ the cd looks really fine but you can see (under a light if you check carefully) few minor surface marks. Usually light details but that is enough to see the cd not new. EX+ the cd is still in great condition but you can see more little surface marks (always light, not deep) and they are easier to see. EX or EX- cd has many scratches but still not deep. no damage. Cd plays fine. less than EX- when the condition is less than EX I don t grade it VG because in french "VG" means "VERY GOOD" and I can t say a cd with many visible scratches is in very good condition. so under Ex/EX-, I will only describe the cd condition with words like: "many visible surface marks or many scratches or deep scratches" all the CD I list plays fine despite their condition less than EX. anyway if one day a cd doesn t play fine, the buyer can send it back and get a refund. if a cd has scratches they go through silver layer and usual we can see they from both sides of the CD I usually don t sell it or damages will be described in item s condition. I use to check cd condition as well as I can but, anyway, if one day I miss this kind of damage, the buyer can send it back and get a refund. shipping worlwide: without jewel box:  2.6e     PORT FRANCE:       avec boitier   4e   lettre suivie sans boitier   2 €  lettre verte

Dulce Liquido ‎– Disolución CD 2000  Out Of Line ‎– OUT 048 CONDITION: CD*:   ex++         TOP SURFACE:    MINT  BOOKLET*:  mint BACKCOVER: mint *CD: MINT/MINT- is like new, without any visible surface marks on the cd most of time I prefer grade the cd mint- (Near mint) because I can miss a minor detail and somebody could tell me the cd is not perfectly mint... EX++ the cd looks really fine but you can see (under a light if you check carefully) few minor surface marks. Usually light details but that is enough to see the cd not new. EX+ the cd is still in great condition but you can see more little surface marks (always light, not deep) and they are easier to see. EX or EX- cd has many scratches but still not deep. no damage. Cd plays fine. less than EX- when the condition is less than EX I don t grade it VG because in french "VG" means "VERY GOOD" and I can t say a cd with many visible scratches is in very good condition. so under Ex/EX-, I will only describe the cd condition with words like: "many visible surface marks or many scratches or deep scratches" all the CD I list plays fine despite their condition less than EX. anyway if one day a cd doesn t play fine, the buyer can send it back and get a refund. if a cd has scratches they go through silver layer and usual we can see they from both sides of the CD I usually don t sell it or damages will be described in item s condition. I use to check cd condition as well as I can but, anyway, if one day I miss this kind of damage, the buyer can send it back and get a refund. shipping worlwide: without jewel box: 2.6e     PORT FRANCE:       avec boitier   4e   lettre suivie sans boitier   2.16 €  lettre suivie

SU TA GAR Munstro hilak CD 1993 FIRST/ORIGINAL PRESSING / ESRTPRESSUNG         LABEL:   1993   Esan Ozenki          BARCODE:  no MATRIX:  IBERMEMORY EO-042 / CD  # 2           (no ifpi / first pressing) CONDITION: CD*:   ex++       CD shows some minor traces of having been moved into the case            TOP SURFACE:      MINT BOOKLET:    NEAR MINT   BACKCOVER:    MINT             *CD: MINT/MINT- is like new, without any visible surface marks on the cd most of time I prefer grade the cd mint- (Near mint) because I can miss a minor detail and somebody could tell me the cd is not perfectly mint... EX++ the cd looks really fine but you can see (under a light if you check carefully) few minor surface marks. Usually light details but that is enough to see the cd not new. EX+ the cd is still in great condition but you can see more little surface marks (always light, not deep) and they are easier to see. EX or EX- cd has many scratches but still not deep. no damage. Cd plays fine. less than EX- when the condition is less than EX I don t grade it VG because in french "VG" means "VERY GOOD" and I can t say a cd with many visible scratches is in very good condition. so under Ex/EX-, I will only describe the cd condition with words like: "many visible surface marks or many scratches or deep scratches" all the CD I list plays fine despite their condition less than EX. anyway if one day a cd doesn t play fine, the buyer can send it back and get a refund. if a cd has scratches they go through silver layer and usual we can see they from both sides of the CD I usually don t sell it or damages will be described in item s condition. I use to check cd condition as well as I can but, anyway, if one day I miss this kind of damage, the buyer can send it back and get a refund. ***************************************************************************************************************************************** HANDLING TIME: 5 business days  I can go to post office usually once a week (most of the time monday or tuesday) if for a particular reason you need a quicker shipping, please get in touch & let me know. VERSAND / SHIPPING WELTWEIT / WORLDWIDE:    without case (1 or  2 cds) :    7€    (registration & tracking number) france (1 or 2 cds):   5€ avec boitier  (

Gwyn Ashton - Fang It! CD 2000  Riverside Records, New Risin' Blues CONDITION: CD*:   ex/ vg++         TOP SURFACE:    MINT  BOOKLET*:  ex++ BACKCOVER: mint *CD: MINT/MINT- is like new, without any visible surface marks on the cd most of time I prefer grade the cd mint- (Near mint) because I can miss a minor detail and somebody could tell me the cd is not perfectly mint... EX++ the cd looks really fine but you can see (under a light if you check carefully) few minor surface marks. Usually light details but that is enough to see the cd not new. EX+ the cd is still in great condition but you can see more little surface marks (always light, not deep) and they are easier to see. EX or EX- cd has many scratches but still not deep. no damage. Cd plays fine. less than EX- when the condition is less than EX I don t grade it VG because in french "VG" means "VERY GOOD" and I can t say a cd with many visible scratches is in very good condition. so under Ex/EX-, I will only describe the cd condition with words like: "many visible surface marks or many scratches or deep scratches" all the CD I list plays fine despite their condition less than EX. anyway if one day a cd doesn t play fine, the buyer can send it back and get a refund. if a cd has scratches they go through silver layer and usual we can see they from both sides of the CD I usually don t sell it or damages will be described in item s condition. I use to check cd condition as well as I can but, anyway, if one day I miss this kind of damage, the buyer can send it back and get a refund. shipping worlwide: without jewel box: 2.6e     PORT FRANCE:       avec boitier   4e   lettre suivie sans boitier   2.16 €  lettre suivie