Stretch why did

Stretch "Why did You Do It" 45 t 17 cm 2 titres - Beat Box - 1984 - Ariola. État: Occasion Service de livraison: Lettre verte/Ecopli

If you live in UK or outside Europeen union contact me before bidding to know shipping cost to your country; Thanks Stretch ‎– Why Did You Do It 45 Tours France 1985  Pochette: état moyen; signature au verso (bien regarder les photos) Disque: vg+/ vg++ Les disques que je vends sont anciens et donc... pas neufs! Je les écoute sur une platine Technics SL-1600 MK2  N'hésitez pas à demander des renseignements complémentaires

PRESSAGE ANGLAISCDS PROMO + CD INTERVIEW 1-1 - Why2-1 - You have been quite quiet for the last couple of years - What have you been doing?2-2 - Did your approach to writing songs on your own differ very much from writing with Eurythmics?2-3 - Has it taken a long time for the record to come together?2-4 - In your previous work you've always taken a lot of chances...2-5 - Image was always important to Eurythmics - How important is it to Annie Lennox in her solo career?2-6 - Do you feel much more pressure on you just to write the whole thing on your own?2-7 - Who was "Why" written for?2-8 - How bothered are you about chart success these days?2-9 - How do you think the listener will interpret "Why"?2-10 - Radio IDRéf: RCA ANNIE 1Etat: EX/EXAnnée: 1992

VARIOUS "SPIRIT OF FUNK" (CD COMPILATION DIGIPACK 30 TRACKS) Tracklisting 1-1 –Cymande Brother On The Slide 4:12 1-2 –Maceo Parker & All The King's Men * Got To Get 'Cha 2:50 1-3 –The Meters Same Old Thing 2:48 1-4 –Curtis Mayfield Pusher Man 5:04 1-5 –Leroy Hutson Lucky Fellow 4:55 1-6 –Bobby Womack Secrets 3:53 1-7 –Johnny Guitar Watson Superman Lover 5:41 1-8 –Sylvia Striplin You Can't Turn Me Away 5:31 1-9 –Eighties Ladies Turned On To You 5:28 1-10 –Maze * Joy And Pain 3:30 1-11 –Earth, Wind & Fire Shining Star 2:54 1-12 –Stretch Why Did You Do It 3:54 1-13 –War Galaxy 5:20 1-14 –Roy Ayers Everybody 4:04 1-15 –Funkadelic (Not Just) Knee Deep 15:21 2-1 –Positive Force We Got The Funk 7:16 2-2 –Unlimited Touch I Hear Music In The Streets 4:11 2-3 –Young & Company I Like (What You're Doing To Me) 7:18 2-4 –Suzy Q Get On Up And Do It Again (Original Mix) 4:04 2-5 –The Strikers Body Music 4:43 2-6 –Fat Larry's Band Act Like You Know 4:15 2-7 –Charades Gimme The Funk 5:03 2-8 –Jocelyn Brown Somebody Else's Guy 3:56 2-9 –Gwen McCrae All This Love That I'm Givin 4:06 2-10 –The J.B.'s What About The Music 6:09 2-11 –The Last Minister Tribute To The J.B. Family 6:27 2-12 –Leena Conquest  and Hip Hop Finger Boundaries 4:45 2-13 –Jamiroquai Too Young To Die (Radio Edit) 3:22 2-14 –Meitz Africa (Maylbuye I) 7:33 2-15 –Quannum MC's  featuring Lyrics Born  & The Poets Of Rhythm I Changed My Mind (Rattlesnake Mix By Stereo M.C.'s Radio Edit) 3:56 * ÉTAT DU DIGIPACK: Très Bon état VG++ avec des traces d'usages mineures sans conséquence du genre petites rayures de surface ou traces de frottements, marques de stockage voir la photo disponible en zoom  * ÉTAT DES CD: Très Bon état VG++ micros rayures de surface qui n'altèrent pas l'écoute (tous mes produits sont testés avant d'être mis sur) SS SEALED Scellé MINT The record itself is in brand new condition. The cover is in perfect condition. Disque comme neuf.  VG++ The record and the cover are in good condition. Le disque et la pochette sont en bon état. VG+ Not trashed!...just good.  Le disque est dans un état moyen ainsi que la pochette. VG Still not trashed but getting close. Won't skip,  plays acceptably (noise not overwhelming music). Le son du disque comporte des grésillements quasi partout mais se joue, pochette abîmée G The record is dead. The cover also. Le disque et la pochette sont dans un état catastrophique. Attention: Pour les colis Poste nationaux et internationaux pas d'envoi en économique Attention: Tous les colis Poste partent en SUIVIE (Only registered shipping) * POSSIBILITÉ D'ENVOIS EN POINT RELAIS POUR 3,80 EUROS JUSQU'À 2KG * POUR L'ÉTRANGER LIVRAISON À DOMICILE POUR 9 EUROS JUSQU'À 5KG * livraison protégée lettre bulle, carton, avec suivi, port groupé en cas d'achats multiples (me demander le total après achats) me contacter pour plus de renseignements ou de photos merci de votre visite et bonne journée:)

WORLDS APART Je serai la 3-track CARD SLEEVE CDsingle Emi       724388506724   1997   France    Neuf     1: Je serai là (INÉDIT)  03:57  2: When it's Christmas Time  04:05  3: Why did we say goodbye (INÉDIT)  04:09   - New sealed but with small hole on sleeve - Neuf scéllé mais avec petit trou de poinçon sur la pochette   CARD SLEEVE = Pochette cartonnée TRACK = Titre °°°°°°°°°°°°°°°°°°°°°° WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ----------------------------------------------------------------------------------------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

SCREAMIN' JAY HAWKINS  &  LILLIAN BRIGGS [ARTISTES & STYLES DIVERS] LP  CORONET CXS-218 STEREO  [US] [LABEL BLEU] SCREAMIN' JAY HAWKINS: - I HEAR VOICES / JUST DON'T CARE LILLIAN BRIGGS: - COME HERE / WE WILL MEET AGAIN CHARLIE FRANCIS: - HANDY MAN IS BACK IN TOWN / WHY DID YOU LIE? / FOLLOW THAT  GIRL KAY STARR: - NOBODY KNOWS / FLYING TOO HIGH / DIXIELAND BAND BON ETAT  N'ayant plus le matériel - ni le temps (17.000 pièces à mettre en vente) - nécessaire à une écoute critique, c'est visuellement que je donne une appréciation. Cela dit, je n'ai aucun disque rayé mais certains ont servi très souvent et peuvent être usagés. Ils n'en restent pas moins écoutables et constituent des documents d'époque. Toutes les questions sont les bienvenues.

ABBA 33T ARRIVAL MELBA LDA 20238 1976 Face 1:      - When I Kissed The Teacher      - Dancing Queen      - My Love, My Life      - Dum Dum Diddle      - Knowing Me, Knowing You Face 2:      - Money, Money, Money      - That's Me      - Why Did It Have To Be Me      - Tiger      - Arrival Pochette ouvrante de bon état à très bon état. Un petit peu d'usure dans les coins et sur les bords. Une étiquette au dos. VG+/VG++   Disque en bon état.  VG+/VG++  Voir mes autres ventes pour réduire les frais d'envoi

ATTENTION - Les frais de port sont variables car nous utilisons différents services d'affranchissement de la poste. Nous faisons cela afin de vous apporter un maximum de confort et de garantie, quant à la livraison du colis, tout en restant dans des prix convenables. Pour en savoir plus ou savoir à quel service correspond les frais de port que vous payez: Consultez l'ensemble de nos tarifs de livraison. ATTENTION - Pour toute commande supérieure à 100€, les frais de port sont offert (France métropolitaine uniquement). Caractéristique produit (?) : Année d'édition :1976Année de pressage :1976Label:MELBAPays de pressage :FRANCEN° de pressage :LDA.20238Etat général de la pochette :BONPochette ouvrante - gatefold :OUIEcritures sur la pochette :OUI, une étiquette plastique au recto (voir photo)Tranche latérale lisible :              OUIDéchirures  sur la pochette:OUI, environ 3cm au centre de la tranche latéraleEtat général du disque face A :BONEtat général du disque face B :BONEcritures sur le label du disque:NONInsert spécifique :NONBonus : NON TRACKLIST COMPLETE (face A, B, C, D, etc...)  A/ When i kissed the teacher - Dancing queen - My love, my life - Dum dum diddle - Knowing me, knowing you  B/ Money, money, money - That's me - Why did it have to be me - Tiger - Arrival Pour restez informé de tous l'actualité de SeventieS StreetS, rejoignez les SevenS sur  : FACEBOOK Référence SeventieS StreetS: 01

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

PRESSAGE  FRANCAIS      REFERENCE CBS S 70000 TITRES A1 Overture   A2 Why Can't The English   A3 Wouldn't It Be Loverly   A4 I'm Just An Ordinary Man   A5 With A Little Bit Of Luck   A6 Just You Wait   A7 The Rain In Spain   A8 I Could Have Danced All Night   B1 Ascot Gavotte   B2 On The Street Where You Live   B3 You Did It   B4 Show Me   B5 Get Me To The Church On Time   B6 A Hymn To Him   B7 Without You   B8 I've Grown Accustomed To Her Face ETAT POCHETTE RECTO TRES BON   VERSO  BON DISQUE   TRES BON LABEL EXCELLENT PORT DIMINUE AVEC ACHATS MULTIPLES POUR LA FRANCE JE PREFERE UN PAIEMENT PAR CHEQUE.MERCI

Madonna - Erotica - CD       REF:B215-064       Label:Maverick ‎– 79 099 8, Sire ‎– 9362-45031-2, Warner Bros. Records ‎– 9362-45031-2 Format:CD, Album Country:Europe Sortie:1992   1 Erotica 5:19 2 Fever 5:00 3 Bye Bye Baby 3:56 4 Deeper And Deeper 5:33 5 Where Life Begins 5:57 6 Bad Girl 5:23 7 Waiting 5:46 8 Thief Of Hearts 4:51 9 Words 5:56 10 Rain 5:24 11 Why's It So Hard 5:23 12 In This Life 6:23 13 Did You Do It? 4:54 14 Secret Garden 5:32

DOUBLES CD COMPIL House Classics. État : "Très bon état" cd: VG+  boitier: VG+ tous les cd sont livrès avec pochettes protections plastifiés all cds come with laminated protective pouches Various ‎– House Classics Label: Cloud 9 (2) ‎– CLDM2008014 Format: 2 × CD, Compilation Country: Netherlands Sortie: 15 Aug 2008 Genre: Electronic Style: House, Breaks, Garage House, Deep House, Euro House, Hip-House Tracklist 1-1–Inner CityGood LifeWritten-By – Saunderson*, K. Saunderson*, P. Grey*, Holon*2:591-2–Robin S.Show Me LoveWritten-By – A. George*, F. McFarlane*3:221-3–Kristine WFeel What You WantWritten-By – R. Dougan*, R. Armstrong*4:131-4–Crystal WatersGypsy Woman (La Da Dee La Da Da)Written-By – C. Waters*, N. Brian Conway*3:471-5–RozallaEverybody's Free (To Feel Good)Written-By – N. Swanston*, T. Cox*3:331-6–Roger SanchezAnother ChanceWritten-By – R. Sanchez*, S. Lukather*3:301-7–NightcrawlersPush The Feeling OnWritten-By – G. M. Wilson*, J. Brankin*, J. Robinson Reid*, R. Alexander Campbell*4:041-8–The Good MenGive It UpWritten-By – DJ Zki & Dobre3:301-9–FelixDon't You Want MeWritten-By – Felix3:131-10–Toni Di Bart*The Real ThingWritten-By – Blissett*, Drayton*, Di Bart*3:491-11–BFI*Why Not Jazz?Written-By – L. Pancaldi*, R. Attarantato*3:281-12–Joe SmoothPromised LandWritten-By – J. Smooth*4:371-13–South Street Player(Who?) Keeps Changing Your MindWritten-By – R. Clark*3:101-14–GustoDisco's RevengeWritten-By – E. Greene*, Mason*, Mason*3:111-15–Steve 'Silk' Hurley*Jack Your BodyWritten-By – S. Hurley*6:011-16–DJ Jose vs. G-SpottWrong = RightWritten-By – DJ Jose, G-Spott3:231-17–Harlem Bros.Turn The Beat AroundWritten-By – G. Jackson*, P. Jackson*5:571-18–Josh WinkA Higher State Of ConsciouscenessWritten-By – J. Wink*3:111-19–2 In A RoomWiggle ItWritten-By – G. Morel*, R. Vargas*3:121-20–Ruffneck Feat. YavahnEverybody Be SomebodyWritten-By – B. Blank*, D. Jenkins*, D. Meier*, D. Richardson*, J. Thomas*3:362-1–MolokoSing It BackWritten-By – Moloko3:372-2–Room 5 Feat. Oliver Cheatam*Make LuvWritten-By – Junior Jack, K. Mc Cord*, Oliver Cheatham3:342-3–FaithlessSalva MeaWritten-By – M. Jazz*, Rollo, Sister Bliss4:372-4–Prodigy*Out Of SpaceWritten-By – C. Miller*, K. Thornton*, L. Howlett*, M. Smith*, T. Randolph*3:442-5–Soul II SoulGet A LifeWritten-By – B. Romeo*, H. Browne*3:422-6–Eric PrydzCall On MeWritten-By – E. Prydz*, Winwood*, Jennings*2:502-7–Fedde "F.L.G. Le Grand*Put Your Hands Up 4 DetroitWritten-By – F. Le Grand*2:432-8–DoopDoopWritten-By – Ferry*, Garnefski*3:092-9–Klatsch!Oh BoyWritten-By – DJ Zki & Dobre3:542-10–The OnesFlawlessWritten-By – T. Class*, Nashom, P. Alexander*3:112-11–N.U.K.E.NanaWritten-By – Stenzel*, Jouini*3:492-12–Ultra Nate*FreeWritten-By – J. Ciafone*, L. Springsteen*, U. Nate*3:272-13–Junior JackStupidiscoWritten-By – D. Innis*, S. Lorber*, V. Lucente*3:412-14–StuartFree (Let It Be)Written-By – A. Broekhuyse/R. Nitzan*, S. Wijdoogen*3:182-15–Sonic SurfersBeat Of ZenWritten-By – A. Corneille*, L.J. Hartong*, M. Bakker*3:582-16–RamirezLa Musika TremendaWritten-By – D. Rizzatti*, E. Moratto*, R. Persi*3:022-17–Hardsoul Feat. ForrestWhere Did Our Love GoWritten-By – F. Thomas*, G. Van Bueren*, R. Van Bueren*6:092-18–Dance 2 TrancePower Of American NativesWritten-By – DJ Dag, Jam El Mar, Linda Rocco3:532-19–Jam & SpoonFind MeWritten-By – J.E. Mar/M. Spoon*, N. Katzmann*4:042-20–The Black & White Brothers*Put Your Hands UpWritten-By – Djaimin, Mr. Mike