Switchable

Drone Drones Code EAN: 7683176490740 En-tête / Fabricant: Autre Type de Produit: Casque et lunettes FPV Titre: Foxeer Razer Mini HD 4: 3/16: 9 NTSC / PAL Switchable FPV appareil photo Pour RC Drone Origine_import: All-in-one

Accessoire Instruments Code EAN: 0888506040047 Titre: Hotone Vow Press Switchable pédale de volume/wah-wah Tranche de poids: 250 à 500 g Instrument / Accessoire: Pédale d'effets Instrument / Famille: Guitares & Basses Instrument / Type: Accessoire En-tête / Fabricant: Autre

Selling my custom built EL34/KT77/6L6GC/6P3S-E Single ended class A Triode/Ultralienar tube Amplifier. I have built this amp myself based on a Douk Audio chassis but with some important design improvements and better components as follows: - Audiophile coupling caps: Jantzen Audio superior Z 1200V - ELNA Cerafine cathode bypass caps and Vishay filter caps - Takman(Japan) and Allen Bradley carbon composite resistors in audio critical circuit spots - Triode / Ultralinear switches (original design is only UL) - Cathode bias adjustment knobs with resistor networks in parallel (inexistent in the original design) Adjustable bias allows for usage with a wide range of tubes. It is thus a great start for tube rolling. The amp is offered with the following tubes: A pair of JJ KT77 power tubes A pair of 6P3S-E power tubes A pair of 6H8C preamp tubes 1X Svetlana 5U4G / 5C3S rectifier tube 1X 5C4S / 5Z4 rectifier tube Important:  The amp should not be power cycled while hot/warm to avoid cathode stripping and rectifier sparks in order to preserve the life of tubes. UL/Triode switching should be avoided during operation Bias switching during operation is okay in this configuration but should be avoided. Single ended triode amps are low power and highly recommended to be used with high sensitivity 90dB+ speakers Selling due to involvement in several other tube amp projects. I will answer all of your questions Flexible shipping to EU and UK

AER Colourizer Pocket Tool Preamp/Direct Box for Line & Mic Input Used - Excellent Condition Description The AER Colourizer is a preamplifier for instrument or microphone (vocal or instrument microphone). You insert it into the signal chain between source and next point in the audio path (e.g. amplifier or mixing desk) to produce sound improvement - your signal will be stronger, richer and more stable. Specifications SKUAERCOLOURBarcode #930037012770GTIN #846614090743BrandAERSeriesPocket ToolsTypeLine/Mic PreampUnique FeaturesGain control, phase, parametric equalizer - level, bandwidth and switchable frequency, line out, switchable 24V phantom power, adjustable DI-out, lineWeight420g (0.92 lbs)EQParametric equalizer with switchable frequency range. Level (15 dB), bandwidth (1 octave - 1/6 octave), Frequency - f1= 90 Hz to 1.6 kHz, f2=680 Hz tH X W X D65mm (2.56") x 105mm (4.13") x 135mm (5.31")Power Requirementmains voltage - 24V DC (external power supply), Power consumption - 4 wattToneEQ balance shift. This allows bass or treble accentuation or a combination of bothEffectsEnhancer - widens and colourizes the sound by using the AER enhancer-technologyCabinet SpecificationsaluminumCabinet Finishanodized blackInput 1 & 2combined XLR/6.3mm (1/4") jack sockets. Switchable inputs for instruments (line-level sources) or phantom-powered sources (e.g. Microphones)PhaseInverts the output signal-phase in relation to the input signal-phase from 0 to 180 degrees.

M-Audio Projet Mix I/O - Sensitve Motorized Faders Audio Interface Firewire Fully working state. Coming in its original box. => Offered: 1x CD-ROM PROTOOLS M-POWERED 7 + 1 Dinkey Dongle => Original packaging contains:  - 1x Mac Firewire cable - 1x PC Firewire cable - 1x power supply - 1 x driver CD-ROM - User Guides OVERVIEW: M-Audio ProjectMix I/O is a control surface combined with a FireWire 18x14 audio interface that turns your computer into a complete digital production station. Features include 9 touch-sensitive motorized moving faders and 8 assignable endless rotary encoder knobs for channel or plug-in functions. I/Os include: 8 switchable phantom-powered analog mic/line inputs (XLR and 1/4" TRS balanced) with switchable phantom power and signal/peak LEDs; 8x8 ADAT Lightpipe; MIDI with activity LEDs; 2x2 S/PDIF coaxial optical/digital; 4 analog outputs (1/4" TRS balanced); 2 stereo headphone outputs (1/4" TRS) with independent level controls; and one front-panel instrument input (1/4" TS) switchable for input one. Each channel on this M-Audio Controller features mic/line, record enable, select, solo, and mute buttons. Channels and banks are selected via ± keys. A zoom key is included, with 4 directional keys, as well as dedicated keys for in/out points, locate, region nudge, and more.  Illuminated transport controls and a jog/shuttle wheel with a mode switch allow effortless navigation. The M-Audio ProjectMix control surface includes dedicated keys for in/out points, locate, region nudge, loop, and more. LED displays clearly display each channel's status. Word clock I/O (BNC) is supported. Compatible with Mackie Control, Logic Control, and HUI protocols plus support for most other popular applications.  SPECIFICATIONS: Connection FireWire Faders 8 x Touch-sensitive motorized channel faders 1 x Touch-sensitive motorized master fader Transport Controls Yes (illuminated) Jog/Shuttle Yes Rotary Controls 8 x Assignable rotary encoders Numeric Keypad No Display LCD for channel or plug-in functions Function LED display for each channel Softwares Supported but not provided: - Pro Tools M-Powered 7 or greater - Ableton Live 5 (version 5.02 or greater) - Logic (version 7.1.1 or greater) - Cubase (version 3.1 or greater) - Digital Performer (version 4.6 or greater) - SONAR (version 4.02 or greater)  System Requirements Mac (but not provided): G3 800MHz or G4 733MHz higher (may be higher for laptops)- G3/G4 accelerator cards not supported OS X 10.3.9 / 10.4.2 512MB RAM Available FireWire port or FireWire expansion card PC (but not provided): Pentium III 800MHz or higher (may be higher for laptops) Windows XP (SP2) DirectX 9.0c or higher 512 MB RAM Available FireWire port or FireWire expansion card Dimensions (WxDxH) 46 x 51 x 10 cm Weight approx. 12.5 kg Specialties Built-in 18 x 14 FireWire audio interface - no additional hardware required Will be sent well packed. Shipping to France: 28,55€ € Shipping to Europe and UK: 61,50 € Shipping to International: Please ask before bidding Accepted payment: Please only, PayPal

Appareil surprenant d’efficacité. Très peu utilisé, mais longuement servi récemment pour numériser des vinyles. Avec son alimentation externe et son convertisseur 220/110VAC (N'a jamais été produit en version 220V) L’emballage sera soigné Supporte le 20 bits en entrée ET en sortie, convertisseur A/D ADMOD79, D/A l'excellent TDA1547, DSP géré par PCF5020D, fonction ADOC CS8402, ADIC & ré-échantillonneur TDA1373, entrée SPDIF AES/EBU de 15 à 50 kHz, sortie 'switchable' de 44.1 à 48 kHz au dos par simple bouton... En français, transforme un Signal mono en stéréo, améliore le Son en provenance des vinyles (notamment 78 tours, mais les 45 et 33 aussi)), des disques compacts audionumériques (passe de 44.100 Hz à 48 kHz), supprime le Scratch, filtre (comme un Dolby, mais mieux)), améliore le rendu stéréo, élargit ou réduit l'effet stéréophonique, compresse/expand (les radioteurs comprendront), règle finement graves et aigus par pas de 1 dB, gère le fading, la balance et bien sûr le volume, etc.(Citation du site hifi vintage audiophile) "This product offers recording studio engineers, home studios owners, post production facilities, corporate A/V centers, archivist, and broadcast professionals unmatched performance and value for an integrated set of advanced sound processing technologies developed by Philips." The IS5021 include the following: - - 20-bit A/D converters (ADMOD79) - - High quality D/A converter (based on the Philips DAC7) - - Sample rate converter for interfacing between digital equipment operation at different sample rates. Digital Sound Processing including:  - - Jitter Removal (for cleaning up DAT recordings - - Compression/Expansion - - Noise reduction (comprising a low-pass filter with adjustable cut-off) - - QNI (Quantization Noise Imaging) - - Slave Mode (for external synchronization) - - Varispeed (pitch variation can be processed without effecting output sample rates) - - Scratch Suppression (de-clicking) - - Stereo Enhancement (stereo effect from mono) - - Spatial Stereo (widen or narrow the sound stage) - - Bass, Treble, Balance and Volume Control - - Digital Level Indication & Control (for monitor of the overall input level) These features offer the professional studio engineers tremendous versatility in the creation of digital recordings, whether from analog or digital source material. Typical applications for the IS5022 include the following:  Recording Studios/Music Production Facilities:  The 20-bit A/D converter in combination with the sample rate converter will permit the user to choose a 44.1 or 48kHz sampling frequency for the transfer of older DAT recording. Actually, any input sampling frequency between 15kHz and 50kHz will be accepted.  Broadcast Professionals/Archivists/Home Studios: The IS5022 offer a tremendous variety of easy to use tools to enhance the sound of older recordings (tape and vinyl) from the stereo enhancement capability that permits a monaural recording to be "converted" into stereo (through phase shift), to spatial stereo that widens or narrows the recording, to noise reduction and scratch suppression filters.  These capabilities, along with the D/A converter and QNI will permit recording professionals to create enhanced digital recordings, as well as transfer back to analog cassette format for substantially enhanced quality for use in portable listening applications.  Audio Post Production Facilities: Recordings made in-the-field with most commonly available portable DAT recorders can now be edited into recordings that offer improved resolution and richness along with substantially reduced jitter distortion.  Technical specifications Inputs Digital: 15-50kHz sample rate s/pdif: RCA Analog Unbalanced: RCA (L/R) Outputs Digital: 44/1/48kHz switchable s/pdif: RCA Analog Unbalanced: RCA (L/R) Performance (complete Analog Path-analog IN to OUT) Balanced S/N Ratio: 94dB (A-weighted)

Microphone de table SONY ECM-ZS90 Excellent micro, très bonne qualité de son Ce microphone stéréo / zoom commutable présente une conception stéréo / super-directionnelle commutable, un mode stéréo pour la musique et les conférences, et un mode super-directionnel pour les grandes salles de conférence. Idéal pour l'enregistrement numérique, l'ECM-ZS90 comprend également un commutateur de niveau haut / bas et une mini-prise plaquée or. - Technologie:electret condenser - Modemono, stereo (uni-directional x 2) - Max110 dB - Super-directional - 150 - 20000 Hz Stereo (uni-directional x 2) - 80 - 15000 Hz Switchable Stereo/Zoom Microphone features a Switchable stereo/super-directional design, a Stereo mode for music and conferences, and a Super-directional mode for large lecture halls. Ideal for digital recording, the ECM-ZS90 also includes a High/low level switch, and a Gold-plated mini-plug.

The Pioneer DJM-250 2-Channel DJ Mixer offers professional level functionality in an entry level mixer. Designed for the aspiring DJ, the DJM-250 offers versatile and plentiful connectivity in a compact form factor. The mixer features two dedicated CD player inputs as well as two switchable phono/line inputs. Three Aux inputs, consisting of two stereo pairs of RCA phono inputs and a 1/8" stereo input, allow alternate sources to be added into the mix. Each channel features a channel fader, 3-band isolator EQ, and Pioneer's Sound Color control which contours frequencies for realtime creative manipulation during sets. The DJM-250 crossfader curve is adjustable. The output section features balanced XLR and unbalanced RCA connectors for integration with any sound system. Sound Color Filter The Sound Color Filter adds performance-oriented high and low pass filtering in one knob. When turned to the left, the Sound Color Filter incrementally sweeps out the high frequencies. When turned to the right, it incrementally sweeps out the lows. The filter is independently controlled on each channel, allowing effected tracks to be combined. Indicator lights blink and display different colors depending on which way the Sound Color Filter is engaged, so you'll never forget it's on. Flexible and Plentiful Connectivity The DJM-250 includes four DJ multi-player and analog turntable inputs, three auxiliary inputs, and one microphone input. The mixer can be used to connect a variety of devices such as PCs, iPods, televisions, or synthesizers. The DJM-250 has XLR balanced outputs and unbalanced RCA phono outputs, offering easy connection to most amplification systems. Additional Functionality - Compatible with 48 kHz/24-bit full digital processing - 3-band isolator EQ per channel, -inf. to +9dB per band - Fader Start Play function connects Pioneer DJ players - Peak level meter displays audio input level for each channel - Three easily switchable crossfader curves

Seconde main, aucune marque de rackage (voir photos pour les légères traces au-dessous), fonctionne parfaitement sous Mojave mais double emploi et pas le temps de m’en servir donc je m’en sépare à regret. Livrée en boîte avec le CD d’installation, le cable d’origine (Firewire 400), un cable FW400 vers FW800 sera joint en complément. Les drivers sont toujours disponibles sur le site d’Echo même s’ils ont cessé leur production. Frais de port: 13€75 (ou 8€15 Mondial Relay) _______________________________________________________ Second hand, no racking marks (see photos for slight traces below), works perfectly under Mojave (but the latest drivers don’t allow to work in 192khz anymore, PC or MAC). No time to use it so I reluctantly part with it. Delivered in its original box with installation CD, original cable (Firewire 400), an FW400 to FW800 cable will be included in addition. Drivers are still available for their discontinued audio products on the Echo site. Shipping EU: 22€45 ________________________________________________________     •    Sample rates: 44.1, 48, 88, 96, 176 and 192 kHz from internal clock; external clock range 32kHz to 192kHz.     •    Analogue inputs: 12 quarter-inch TRS balanced/unbalanced jack sockets with individually switchable +4dBu/-10dBV sensitivity and 10kΩ impedance.     •    Analogue outputs: 12 balanced/unbalanced TRS quarter-inch jacks with individually switchable +4dBu/-10dBV output level.     •    Digital I/O: word clock and MIDI in and out.     •    Dynamic range: input 113dBA, output 114dBA.     •    Frequency response: 20Hz to 20kHz ±0.1dB.     •    THD + Noise: <0.002 percent.

OVERVIEW: The Alesis iO|26 uses state of the art FireWire technology to deliver professional-level features such as Alesis High Definition Microphone Preamps, Cirrus audiophile converters and jitter elimination technology, with high-quality 24-bit/192k audio input. The iO|26 is designed for easy use with PC or Mac, and has 2 headphone outputs, line-level inserts on the mic preamps, 48V phantom power, 5-segment signal/clip meters, and full MIDI and S/PDIF I/O in a convenient, portable tabletop design. The iO|26 gives you forward-thinking expansion potential, with ADAT lightpipe inputs for additional connectivity, no matter what your recording sessions may demand. Flexible, routable Hardware Direct Monitoring allows you to send a customized, latency-free mix to each output pair. An AC adapter is also included, for those using a FireWire interface that doesn't supply power. Whether you find yourself on the road or in your own studio, the iO|26 gives you the Alesis performance that professionals have depended on for decades.   FEATURES: - 24Bit/192kHz Recording for high-quality, pristine recordings - Superior Clock stability with DICE II JET Jitter Elimination Technology - Audiophile Cirrus converters to provide maximum dynamic range on inputs and outputs - Flexible, routable Hardware Direct Monitoring - Cubase LE software included (Windows and Mac compatible) - Bus or adapter powered - Mac OS X (10.4.11 - 10.8), Windows 7, Vista, and XP compatible - 8 Alesis High Definition Mic/Line Preamplifiers built in (2 switchable high-impedance inputs for direct guitar and bass recording) - Switchable Phantom Power for each channel pair - Inserts on every analog channel - 16 channels of ADAT input - 16 Channels of MIDI I/O - Stereo S/PDIF digital input - Stereo turntable input - 8 line-level outputs - 2 discrete stereo headphone outputs - Stereo S/PDIF digital output   SPECS: - Analog I/O (number and type): 8 combo XLR-1/4" and phono inputs/8 line out/2 headphone out - Digital I/O (number and type): 16 ADAT optical in, S/PDIF I/O - Platform Version (Win, Mac, Linux, etc.): Win, Mac - Bus Type: FireWire - Plug In Formats Supported (RTAS, MAS, VST, etc.): N/A - Sampling Rate (kHz): Up to 192 kHz - A/D/A Converter Bit Rate: 24-bit - Digital Recorder Resolutions (bits): N/A - Sync Types (ADAT, word clock, SMPTE, MTC, etc.): ADAT, S/PDIF - MIDI Control (yes/no): No - Number of Tracks/Virtual Tracks (ex. 32/64): 26 total inputs - Number of Locate Points: N/A - Effects/Dynamic Processing (ex. Y/N): N/N

MIXER SPIRIT FOLIO NOTPAD 10 VOIES (sans aliméntation) no power supply  Features: non testé * 10 inputs * 4 mic inputs * 2 stereo inputs * High-quality mic pre-amp inputs * 2-band EQ on all 4 mono channels * Post-fade aux send on every input * Stereo effect return * Switchable +48V phantom power * Stereo inputs with switchable RIAA pre-amps for turntables * 2-track tape return * Separate mix and monitor outputs * Peak and VU metering * Headphone output * Compact, lightweight design * Custom designed rotary controls for consistent, accurate response VENDU TEL QUE SANS SUITE NI REPRRISE

Je vends une enceinte OMNITROIC MOM10BT sous garantie équipée d'un récepteur micro sans fil, d'un micro sans fil avec écran, d'un pack de deux batterie. Le tout dans le carton d'origine de l'enceinte protégé par les polystyrène sur mesure. Le système est idéal pour les discours et la diffusion d'un fond sonore grâce a son module bluetooth intégré. Voici le contenu du pack:  OMNITRONIC MOM-10BT4 Modular Wireless PA System Quantity: 1 UP: 379,00 € TUP: 379,00 €   OMNITRONIC MOM-10BT4 Receiver Module Quantity: 1 UP: 39,90 € TUP: 39,90 €   OMNITRONIC MOM-10BT4 Wireless Microphone Quantity: 1 UP: 49,90 € TUP: 49,90 €   Battery 12V/7000mAh Quantity: 2 UP: 29,90 € TUP: 59,80 € Dans le cas de l'achat de deux enceintes j'offre le kit de liaison sans fil pour interconnecter les deux enceintes. Mobile PA system with battery operation and different equipment options - Wireless PA system with modular structure for maximum flexibility - For mobile applications, e.g. events, sales presentations and lectures - Wireless audio link operation of several MOM-10BT4 systems for larger events - Flexible use: mono operation with several systems or stereo operation with 2 systems linked together - 80 watts output power - Power-efficient and battery-saving class D amplifier - High-power 2-way speaker system with 25 cm (10") woofer - Mains operation or battery operation for 6-8 hours of music playing - 3 extension slots for retrofitting wireless receivers - 1 extension slot for retrofitting an audio link module - 1 extension slot for retrofitting a CD/MP3 player with SD slot and USB port - Integrated Bluetooth audio streaming for your smartphones and tablets - 2 microphone inputs (combination XLR/6.3 mm jack) with adjustable reverb effect - 1 line input (XLR und Cinch), switchable stereo/mono - Microphone inputs, line input and Bluetooth module with separate volume controls - Mixer section with common master control and 2-band tone control - Stereo/mono switch for the master signal during audio link operation - Additional XLR output for linking several systems via cable - Switchable microphone priority circuit - ideal for presentations - Built-in fast charger (5 V/2 A) for convenient charging of your mobile USB devices - 5-digit battery level indicator - Integrated automatic charging of the batteries - 2 rechargeable lead gel batteries are required for battery operation (item 13106993) - Ergonomic design - Light-weight black plastic enclosure with metal grille - Flange for speaker stand installation - Transport aid: Trolley Receiver - Control: Bluetooth built-in Power supply:230 V AC, 50 Hzor 12 V DCPower consumption:100 WBattery pack type:2 x Lead 12 V, 7000 mAh, 84 WhAccumulator:battery operation up to 8h recharging time 5hFrequency range:50 - 18000 HzPower connection:Mains input IEC connector (M) mounting version Power supply cord with safety plug (M) (provided)Battery/battery pack (not included)Output power:80 W RMSType:Compact cabinet speakerSize of woofer:(10") ca. 25 cmWidth:33,5 cmHeight:53,5 cmDepth:37,5 cmWeight:15,05 kgReceiverFrequency band:2.4 GHzControl:Bluetooth built-inAmplifier power:80 W RMS, 160 W max.Inputs:Mic:combination XLR/6.3 mm jackLine:XLR and RCA Cinch L/ROutput:Line:XLRLF speaker:25 cm (10")HF speaker:2.5 cm (1")Distortion factor:1 %

Arturia Audiofuse Studio (neuf) USB 2.0 Audio Interface - 24-Bit / 192 kHz - 18 Inputs and 20 outputs - 4 Mic / line inputs: XLR / TRS combo socket - 4 Line inputs: 6.3 mm TRS - Phono input: Cinch - Inputs: 1 - 4 switchable for instruments - Inserts for inputs: 1 - 4: 6.3 mm TRS - 4 Line outputs: 6.3 mm TRS - 2 Aux outputs: 6.3 mm TRS for line signals and reamping - S/PDIF coaxial input and output: Cinch - Switchable to word clock - 2 Headphone outputs: 6.3 mm TRS and 3.5 mm TRS - 2 ADAT In / Out for maximum 8 channels @ 96 kHz Sampling Rate - Integrated Bluetooth audio receiver - Compatible with AAC and aptX - Integrated monitor controller with dim / mute / mono function - Monitor and source selection - Integrated 3-fold USB hub for external devices - USB-C socket - Supports USB 2.0 - Compatible with Windows and Mac OS X - Solid metal housing - Dimensions: 265 x 160 x 72 mm - Includes AudioFuse Creative Suite

PROCO FAT RAT (LM308) Condition: Mint condition (home use only) Year: 2017 Serial no.: 372671 Modification: Op Amp LM308; like the historical one; stock chip OP07DP included. Made in USA The FATRAT uses the highly acclaimed '85 Whitefact Reissue RAT as our platform, adding a bass enhancement circuit, a brand new switchable clipping section, and a whole lot more Description: Clipping Section: Switchable between silicon clipping, as in the classic RAT, and a mosfet/germanium clipping section, which is entirely new to the RAT line. The mosfet clipping section gives you subtle scoop and smoothing in the upper mids throughout the entire gain range of the pedal, and makes the pedal sound more amp-like and natural. Socketed Op amp: The pedal will ship with the current stock chip (OP07DP). However, changing over to the mythical LM308, or other compatible chips will be a quick and simple mod that you can do solder-free. Large, CTS Pots: They give you a smooth, even sweep throughout the range of the Distortion, Filter, and Volume controls, allowing you easy access to the myriad of sweet spots in the tone machine. Fat Switch: Provides a significant bass boost and simultaneous high cut – this makes the pedal more suitable for bass guitar, lower tunings, as well as fattening up and smoothing low gain settings, making this a good candidate for overdrive use. 9 – 18V Operation: Increased headroom and fidelity with 18V operation and less “sagging” as compared to older RATs. Specs: 100% analog signal path Classic, virtually indestructible steel enclosure Heavy-duty, industrial footswitches, knobs, and jacks On/Off LED indicator Military-spec glass-epoxy circuit board “No tools required” battery compartment (battery not included) 2.1mm standard barrel jack (9 or 18V operation)

Ampli Acoustique Hughes & Kettner Era 1,  250 W Bois Etat neuf très peu utilisé. Service de livraison : Colissimo Je vends cet excellent amplificateur acoustique dont je me suis très peu servi (juste pour un concert), car il faisait double emploi. Livré dans son carton d'origine, avec support inclinable, housse de protection et câble d'alimentation 220 V, Format EU Description Une reproduction sonore rare. L'Era 1 a été conçu avec les meilleurs composants disponibles à ce jour. Ce qui explique sa richesse quant à la définition du son mais aussi, sa dynamique impressionnante. Un son naturel et authentique incomparable. Utilisation simple et intuitive. L'ampli Era 1 dispose de deux canal identiques, chacun recélant un moteur d'effet avec 16 programmes. Très efficace, les boutons Preshape et Mode vous permettront d'adapter très rapidement vos entrées aux différents instruments et voix. Une qualité irréprochable. Développés en partenariat avec le créateur d'ampli acoustique Michael Eisenmann, les composants ont été minutieusement sélectionnés afin de correspondre aux demandes les plus exigeantes. Fabriqué en Allemagne et pensé pour être trimballé dans tous les coins du monde, l'Era 1 a été conçu dans un matériau robuste, capable de résister à la rugosité des déplacements. Catégorie: ampli guitare acoustique Technologie: transistors Puissance: 250 Diamètre h-p: 8" Nbre canaux: 4 EQ: 3-bandes Nbre d'effets: 16 Réverbe: Oui Interface Midi: Non Sortie baffle externe: Non Sortie casque: Oui Entrées: Amplug in, Amplug return, XLR/jack, jack, minijack Sorties: casque minijack stéréo, jack stéréo, jack, XLR DI Connexion footswitch: Non Boucle d'effets: Oui Pédalier inclus: Non Finition: bois Dimensions (mm): 351 x 285 x 290 Poids (kg): 10,75 Spécifications complémentaires - Puissance: 250 watts - Canal 1 & 2: entrée Mic et Instrument (combo XLR/jack 6,35 mm) avec alimentation fantôme - Canal 3 / entrée AUX: entrée stéréo minijack 6,35 mm - Canal 4 / FX return: entrée stéréo jack 6,35 mm - Sortie DI: XLR; EQ pre/post switchable; ground lift switchable - Sortie ligne: sortie stéréo jack 6,35 mm - Canal de sortie: FX send - sortie stéréo jack 6,35 mm - Sortie optique: S/PDIF Toslink - Sortie casque: sortie stéréo jack 6,35 mm - Tuner: sortie mono jack 6,35 mm - Switches: -10 dB - Shape - Mute - Gain: potentiomètre de contrôle - EQ: 3-bandes, 2 modes switchables - Effets interne: 16 programmes d’effets configurables (réverbe, chorus, flanger, délai, etc.) - Volume: master volume - Filtre Notch: 40 – 180 Hz - FX send: sortie stéréo jack 6,35 mm - FX return: entrée stéréo jack 6,35 mm - Mid/low: 1 x 8″ - fait sur mesure - High: 1 x 1″ - dôme tweeter - Support inclinable: 25° / 35° - Embase montage: 35 mm - Housse de protection: rembourrée - Dimensions (l x h x p): 351 x 285 x 290 mm - Poids: 10,75 kg

Neuf, ouvert mais non utilisé. Contactez moi pour plus d'informations. Envoi avec assurance, dans un emballage sécurisé et bien protégé. Vendu sans facture. Sell without invoice. Lo-Z/Hi-Z switchable Class-D amplifier (Lo-Z: 120W x2 @4Ω, 100W x2ch @3Ω/8Ω, Hi-Z: 120W x2ch or 200W x1ch, 70V/100V) equipped with 1 stereo/2 mono line inputs; can be combined with the MA2120 mixer amplifier. - Easy setup, and a user-friendly interface for effortless operation - Supporting Lo-Z (120W x2ch @4Ω or 100W x2ch @3Ω/8Ω) and Hi-Z (120W x2ch or 200W x1ch, 70V/100V) speaker systems - 1 stereo/2 mono line inputs - Output EQ for optimizing the sound of each Output channel - Built-in speaker EQ optimum for Yamaha VXC/VXS series speakers, as well as HPF and selectable LPF settings - Capable of controlling sources and volumes seperately in two areas (Source/volume zoning) - Service areas or zoning areas can be expanded by adding a PA2120 - Remote volume control and microphone on/off switching via optional DCP control panels (DCP4V4S, DCP1V4S, DCP4S, max 2 units) - Intelligent protection function ensures safe, reliable operation - Certified by ENERGY STAR - Certified as Yamaha Eco Products - Space-saving 1U rack size (*sufficient space must be provided above and below the unit for airflow and cooling.) MA/PA Series Features  PA2120 Easy setup and a user-friendly interface         v Highly-efficient Class-D amplifier         v Certified with ENERGY STAR         v Switchable for Lo-Z and Hi-Z speaker systems        v Output Power: Lo-Z120W x 2 @4Ω 100W x 2 @3Ω / 8Ω Output Power: Hi-Z120W x 2 @70V / 100V 200W x 1 @70V / 100V Flexible inputs1 Stereo /2 mono line inputs Built-in speaker EQ for Yamaha VXS/VXC Series speakers        v Output EQ        v FiltersHPF        v LPF        v Number of source & volume-controlable    zone        2 Remote volume control from optional Yamaha DCP control panels        v Compatible DCPDCP4V4S, DCP1V4S, DCP4S Number of maximum DCP panels per unit       2

SKP 2000-DW-X Practically any wired microphone can be a player in Sennheiser's 2000 ensemble. This plug-on transmitter makes it possible. Five frequency ranges with up to 75 MHz switching bandwidth also provide optimum flexibility for all components in the 2000 series. The transmitter settings on SKP 2000 can also be synchronized quickly and easily using infrared technology. Equipped with triple switchable transmission power and phantom powering, SKP 2000 is incredibly versatile. - Rugged metal housing - Up to 75 MHz switching bandwidth - 20 fixed frequency bands with up to 64 compatible presets - 6 banks each with up to 64 tunable channels - Frequency setting in 25 kHz steps - Pilot tone squelch for interference-free operation - 48 V switchable phantom powering - Backlit display on transmitter (keystroke activation) - Auto-lock feature to prevent buttons from accidently being pressed - Audio and RF MUTE feature for muting the transmitter - Can be synchronized with the receiver using infrared interface - Wide range of accessories for virtually any use - Transmitters can be configured from the receiver menu

Ampli basse Glockenklang Blue Sky avec housse et câble d'alimentation. - English - Glockenklang Blue Sky bass amp head. High-end amp recently updated in Glockenklang's workshop in Germany to take advantage of the new class A input stage. The Blue Sky is a Class D amp. Like all other Glockenklang amps, it features a warm and dynamic sound up to full power. Two switachable inputs, Class A input stage, on-switchable 4-band eq including a semi-parametric eq, switchable effects-loop, mp3-player input, symmetrical, adjustable DI-out, tuner out and phones output are the main features. 19b'"' rack-ears are included. Includes Glockenklang carrying case, Glockenklang premium power cable and rack mounting brackets. Impedance switchable power either 700 W / 4 ohm, 350 W / 8 ohm or 700 W / 2,7 ohm, 475 W / 4 ohm, 240 W / 8 ohm - Français - Tête d'ampli basse Glockenklang Blue Sky. Ampli haut de gamme récemment mis à jour dans les ateliers de Glockenklang en Allemagne pour bénéficier du nouvel étage d'entrée class A. Le Blue Sky est un ampli de classe D. Comme tous les autres amplis Glockenklang, il offre un son chaud et dynamique à pleine puissance. Deux entrées commutables, un étage d'entrée de classe A, un égaliseur 4 bandes commutable incluant un égaliseur semi-paramétrique, une boucle d'effets commutable, une entrée pour lecteur mp3, une sortie DI symétrique et ajustable, une sortie tuner et une sortie casque sont les principales caractéristiques de cet ampli. Les supports de rack 19b'"' sont inclus. Livrée avec housse de transport Glockenklang, câble d'alimentation haut de gamme Glockenklang et équerres de montage en rack. Puissance commutable en fonction de l'impédance soit 700 W / 4 ohms, 350 W / 8 ohms ou 700 W / 2,7 ohms, 475 W / 4 ohms, 240 W / 8 ohms En savoir plus

Hi, I'm selling my Neumann U 87 Ai Studio Set silver - with suspension EA 87. Excellent condition, only used for voiceovers by myself. I'm really taking care of my tools. Large-diaphragm microphone with three polar patterns: • Pressure-gradient transducer, dual-diaphragm capsule • A studio microphone classic • Three polar patterns: omnidirectional, cardioid, bidirectional (figure-8) • Switchable high-pass filter • Switchable 10 dB pre-attenuation • Ideal as a main or secondary microphone in a wide range of recording situations En savoir plus Collaboration commerciale.

A vendre un Stereo Meter Sonifex RM-M1F53 en très bon état. Merci de vérifier toute les photos. Ci dessous la description originale: Description: The RM-M1F53 is a free-standing, single stereo channel meter with bright, multi-coloured 53-segment bargraph meters and all the features listed in the summary. Technical Specification For Reference Monitor Meters Inputs Audio Inputs1 x stereo analogue or AES/EBU digital (auto-selecting) (RM-M1F53 b'&' RM-M1R53) Max level (0dB input gain):+18dBu (analogue)/0dBFS digitalCMRR:b'>'60dB typicalInput Impedance:20kΩ (analogue) 110Ω (digital with termination switchable via DIPswitch) AES/EBU Sample Rate:32 to 192kHz, converted internally to 48kHz Input Gain:0, +6, +12 or +18dB digital gain (switchable via DIPswitch)Selection:Front panel illuminated push switch button (RM-M1F106, RM-M1R106 b'&' RM-M2R106) Level MeteringNumber:1 x 53-segment tri-colour LED bargraphs (RM-M1F53 b'&' RM-M1R53) Characteristics: 1. 2. 3. 4. 5. 6. 7. 8. 9. Selectable by DIPswitch from: Dual BBC PPM + standard VU BBC PPM EBU PPM Nordic PPM AES/EBU digital PPM DIN PPM Standard VU Extended VU German IEC60268-10 11a IEC60268-10 11b IEC60268-10 1 IEC60268-18 DIN45406 IEC60268-17 IEC60268-17 Ballistics:According to selected characteristicLine-Up Level:According to selected characteristic Phase MeteringType:5-segment, indication at 0, 45, 90, 135 and 180 degrees, 1 per stereo meter En savoir plus Collaboration commerciale.

Orange AD50 Custom Shop head made in the London UK workshop, handwired by Ade Emsley himself. 2 x 12ax7 preamp, 2 x el34 output Harma cryo treated valves in there at the moment, test good, sounding good Switchable between 30w class A and 50w class AB. 30W is a little sweeter, richer. 50W has slightly more headroom Awesome sounding amplifier A few small marks on tolex, very good condition overall.

Moving Effect with 6 light beams and Mood Light Strips on the edges - Beam effect with 6 lenses and 10 W quadcolor LEDs in RGBW colors and 12 LED mood light strips with 4 RGB SMD LEDs each - Compact lightweight - With infinity function for unlimited TILT movement - Positioning within 630° PAN and 200° TILT - PAN-angle switchable between 630° and 540° - 14 or 16 DMX channels selectable - Functions: Colored beams, LED mood light strips, auto mode, sound control, color presets, color change, Master/Slave function, built-in programs, stepless RGBW color mixture - Masterdimmer - Strobe effect with 1-25 flashes per second and with adjustable speed - Random strobe effect - Automatic position correction - Exact positioning via 16 bit PAN/TILT movement resolution - DMX-controlled operation or stand-alone operation with Master/Slave function - Sound-controlled via built-in microphone, sensitivity adjustable - Addressing via control panel with 4-digit LED display - Switch-mode power supply for operation between 100 and 240 volts - Ready for connection with power cord and safety plug - Control: DMX; Sound to light via Microphone; Stand-alone - Projection: flicker-free - Effect: Multi beam effect

Mixer - 6 Mono channels - 2 Stereo channels - 3-Band EQ with sweepable mids - Insert per channel - 2 Aux Sends switchable pre/post - Solo/ mute switch per channel - Dynamic Peak-LED per channel - L/R and Monitor outputs - Separate Routing for Playback input - 48V Phantom power - Integrated power supply - Dimensions: 280 x 363 x 91 mm - Weight: 4 kg

This amp was built 9-8-2011 and is a 50 watt solid state rectified V3. The Two Rock Custom Reverb Signature V3 is a versatile two channel amplifier from boutique makers Two Rock. The Custom Reverb has always been a culmination of everything Two Rock creators Bill & Joe have learned since day one. Version 3 adds a new loop and Contour controls to this classic design. The Custom Reverb V3 has two distinct channels Clean and Lead, the Clean Channel is the classic pure Two Rock tone with endless depth and headroom. If you are looking for the famous John Mayer clean tone - this is it. The Lead channel has a superb warmth to it and the various controls on the V3 allow you to tweak and refine the sound to your perfect tone. Two Rock use carefully selected components and a hand built approach to craft some of the finest quality amplifiers we have come across. Just taking a peak inside the chassis is a lesson in what true craftsmanship is. The Custom Reverb V3 has an extensive range of controls giving you total control over it superb tone. The Custom Reverb V3 is an amp you can really sit down with and spend hours discovering new tones and subtle variations but the core sound is always pure and true to you. Custom Reverb Signature V3 ControlsTreble Control - Adjusts the high frequency response. In the full counter-clockwise position, high frequencies are bypassed to ground. In the full clockwise position, high frequencies are allowed to pass to the next gain stage. Bass Control - Adjusts the bass response. In the full counter-clockwise position, low frequencies are cut. In addition, the response of the treble and mid-range controls is greatly reduced. In the full counter-clockwise position, low frequencies are allowed to pass to the next gain stage. Mid Switch - Boosts the mid range frequency responseDeep Switch - This is a low frequency contou Features & details Two Channels of Classic Two Rock Tone Beautiful Pure Clean Channel New Lead Channel Switchable Half / Full Power Tube Rectification Mint like new Head is sell without the footswitch contact me before if you want it

Welcome! For sale is Electro-Voice CPS4.10 apmlifier with 4 channels of each nominal output is 1000W. MSRP: 3200 US$ Amplifier was never used (just tested before i made this listing) and it is 100% operational. See more technical details below. Shipping We will ship to any location worldwide. Please send us message for shipping cost to your location. All customs fees are not included in the international shipping costs. Buyer is responsible for all customs fees.  Please contact us if you have any question regarding this item.  CPS4.10 This four-channel CPS amplifier from Electro-Voice features groundbreaking Class-D technology for maximum amp efficiency and minimized heat dissipation in 19-inch racks. Each channel individually provides transformerless, switchable output characteristics, which enable specific channels to achieve maximum drive. Power into 2 Ohms, 4 Ohms, 70V, or 100V line – no transformers are required. In Hi-Z operation (70V or 100V), a 50 Hz high-pass filter (HPF) provides protection against loudspeaker transformer saturation. Additionally, amplifier channels can be bridged in pairs for double output power. Each contractor-friendly, multi-channel CPS amplifier also features Phoenix-type connectors for inputs and outputs, pre-programmable power-on delay, easy power-on remote via contact closure, and rear level controls. A module slot for the RCM-810 remote control module provides control network functionality, allowing for remote system diagnostics and control via IRIS-Net software. In addition, using the RCM-810’s Variable Load Drive feature can tailor the amplifier’s output power to match every load from 2 Ohms up to 10 Ohms in steps of 0.1 Ohms. Features: - Class-D design for high-efficiency and low heat dissipation - Flexible matching for Low-Z and High-Z applications - Optional remote control via IRS-Net - Four-channel design in 2RU chassis Specifications: - Maximum Midband Output Power (THD=1%, 1kHZ): 4 x 1000W @ 2 ohms 4 x 1000W @ 4 ohms 4 x 1000W @ 70V 4 x 1000W @ 100V - Rated Output Power (THD 4 x 900W @ 2 ohms 4 x 900W @ 4 ohms 4 x 900W @ 70V 4 x 900W @ 100V  - Maximum Bridged Output Power (THD=1%, 1kHz) 2 x 2000W @ 4 ohms 2 x 2000W @ 8 ohms 2 x 2000W @ 140V 2 x 2000W @ 200V - Maximum RMS Voltage Swing (THD=1%, 1kHz, per channel): 100V - Power Bandwidth (THD=1% ref.1kHz, half power @ 4 ohms load): 10Hz-25kHz, 50Hz-25kHz  - Voltage Gain, ref. 1kHz: 32 dB (2ohm/4ohm mode), 33dB (70V mode), 36dB (100V mode)  - THD at rated output power (MBW=80kHz, 1kHz): - IMD-SMPTE, 60Hz, 7kHz: - DIM30, 3.15kHz, 15kHz: - Maximum Input Level: +21dBu - Crosstalk, ref. 1kHz at rated output power: - Frequency Response, ref. 1kHz: 10Hz-30kHz (+/-1dB) - Input Impedance, active balanced: 20k ohms - Damping Factor, 1khz, 8 ohms: >240 - Slew Rate: 28V/us - Output Noise, A-weighted: - Output Stage Topology: Class D - Power Consumption, 1/8 max. output power @ 4 ohms: 840W - Power Requirements: 220-240V, 50-60Hz or 120V, 50-60Hz or 100V, 50-60Hz - Protections: Audio Limiters, Temperature, DC, HF Short Circuit, Peak Current Limiters, Inrush Current Limiters, Turn-on Delay - Cooling: Front-to-rear, continuously variable fans - Ambient Temperature Limits: 40 to 105 deg. F - Safety Class: I - Dimensions (W x H x D): 19" x 34.7" x 16.6" - Weight: 24.6 lbs - Optional Accessories:  2-way internal X-Over cards, 24dB, LR, XHP-5 for 500Hz/XHP-8 for 800Hz RCM-810 IRIS-Net Control & Supervision Module Rear-Rackmount Kit RMK-15

Orange AD50 Custom Shop head built in the London UK workshop and handwired by Ade Emsley himself. 2 x 12ax7 preamp, 2 x el34 output Harma cryo-treated valves Switchable between 30w class A and 50w class AB. 30W is a little sweeter, richer. 50W has slightly more headroom. Awesome sounding amplifier at any volume level. A few small marks on tolex, very good condition overall.

Bonjour,  Je vends cette belle console Soundcraft RM105 récupérée d'une radio locale il y a plusieurs années. Soundcraft ne fabrique plus ces modèles, ils étaient destiné au braodcasting (TV Radio). Pour ma part je m'en suis toujours servi dans mon home studio car les pré amp sont très chouettes et l'EQ 2 bandes très musicale !  Les VU mètres ne sont pas d'origine et fonctionnent via une alimentation externe (fournie).  Le Bloc d'alimentation externe de la console est fourni avec. Voici ces caractéristiques: 4 MONO (Entrée Ligne ou MIC) - GAIN, EQ 2 BANDES, AUX 4 STEREO (Switchable en mono) - GAIN, EQ 2 BANDES, AUX 1 TELCO - GAIN, EQ 2 BANDES, AUX (Pour telephones etc...) Le Canal OUTPUT est toujours envoyé vers le bus PGM (Program), et peut-être routé vers un bus AUX en post-fade via le bouton AUX.  Les EQ 2 bandes dispose d'un switch on/off et offrent un gain d'une amplitude de ±10dB, 100Hz / 8kHz pour les modules MONO et TELCO et de de ±10dB, 100Hz / 6,5kHz pour les modules STEREO.  La RM105 a 3 OUTPUTS principaux - stereo Program, stereo Auxiliary et le Mono output qui peut-être routé pour le PGM ou AUX. La line level Control Room Monitor output peut-être associée depuis le PGM, AUX ou Ext 1, et la sortie HEADPHONES peut-être indépendamment gérée entre PGM, AUX, et les 4 external inputs (qui sont connectés via un 15-pin D-connector). Les VU mètres peuvent être au choix dédié au PGM, AUX, ou pour lire la Control Room Monitor selection.  Deck extensible jusqu'à 3 modules supplémentaires!

Modèle américain et non asiatique ce qui explique le prix. L'ampli a été complètement révisé et retubé chez Organic Device/Raw Amplification donc pas de soucis à prévoir sur les révisions avant quelques années ! Pour ce qui est des specs les voici: - Six 12AX7 preamp et quatres 6L6GC power amp  - Lead/Rythm slectionnable via footswitch - Three-band EQ sur chaque canaux - Controle de Resonance et de Presence sur chaque canaux - Pre Gain et Post Gain sur chaque canaux - Bright switch sur le canal Rythme - Preamp output - Boucle d'effet - 120 watts RMS switchable en 16, 8 or 4 ohm - Poids: (21.908 kg)

Bonjour, je vends mon interface digidesign 003 en parfait état dans studio non fumeur. Il sagit de la version RACK + FACTORY fournis avec clé usb ilok + cables. Possibilité de l'essayer sur Bordeaux. Caractéristiques: Digidesign DIGI 003 Rack Factory - FireWire audio interface, 2U rackmountable, 18 simultaneous channels of audio I/O, 24-bit/96 kHz resolution, 8 analog inputs, 8 analog outputs, 4 professional mic preamp with 48V phantom power (switchable by channel pairs), 8-channel ADAT optical I/O or 2-channel of S/PDIF optical I/O, 2-channel S/PDIF digital I/O, 1 MIDI in, 2 MIDI outs, BNC Word Clock I/O, dedicated studio monitor output, alternate control room output, alternate source input for external device monitoring, dual headphone outputs. Software: Digidesign® Pro Tools LE software, Factory plugin bundle and Pro Tools Ignition Pack 2 Pro. Dimensions: 19" rack/2U, 34.29cm deep. Weight: 5.09kg.

Energy veritas v2.0r (Neuf).   The intriguing V2.0R ($1,000/pair) makes use of a 6.5-inch composite woofer and a 1-inch aluminum-dome tweeter on its front face, plus two side-firing 3-inch drivers. The V2.0R is switchable between dipolar and bipolar radiation, plus it offers a unique (as far as I know) twist with a third position called "corner." As you might anticipate, Energy designed this setting for setups in which the surrounds have to be placed in or near corners. To compensate for corner placement, this setting deactivates the side driver firing toward the rear wall, which eliminates the anomalies that result from a driver firing in such close proximity to a boundary. The hook is a level control that adjusts the output of the side drivers relative to those on the front baffle. At its highest setting, the side drivers are 1 decibel lower than the front drivers, while, at the lowest setting, the side drivers are completely off. Essentially, this means that you can run the V2.0R as a monopole, as well. To me, this is highly important for multichannel-music playback and cements this surround as one of the more-innovative ones I've ever come across. The V2.0R's dimensions are 14.5 inches high by 13 wide by 7.125 deep, with a weight of 38 pounds." SHIP WORLDWIDE. ASK FOR PRICE